#someone should tell them that there are other ways of keeping things interesting between characters

[notajoinerofthings]

so, so tired of the whole dreiecksgeschichte in nord bei nordwest 🙃

[reywritings]

Winner Takes It All

In which a family of detective's notice a suspiciously lucky trend when it comes to Jason's girlfriend.

Jason Todd x fem reader, no use of Y/N

All fluff, mostly slice of life, based of WFA for this one.

Enjoy this one! The next post is angst 😈🙏🔥

______________________________________________________________

“You’re not gonna win. You never do.” Dick says, elbowing Tim as they play against each other in Mario Kart, after finishing a long case.

“Stop elbowing me!” Tim kicks at him, and it isn’t long before they’re trying to multitask kicking each other while playing.

“You’re both children.” Jason says as he walks in, with a raised brow at the two men, they glare back at him, and see you walking in behind him.

“This is pretty on par.” You say, shrugging it off, not nearly as disappointed with the two as Jason is. 

Jason just rolls his eyes at them, giving you a shoulder squeeze as he goes to the library to grab what he came here for. Meanwhile, you lean on the back of the couch, watching the two play.

Dick addresses you in the middle of kicking Tim while trying to button smash at the same time, “Tell him I’m gonna win, obviously.”

You hum in thought. “Who’s playing as Rosalina?”

“Me!” Tim says, kneeing Dick again.

“Oh, well obviously I have to be on Tim’s side. Rosalina is the best character.” You nod, maybe your choice was purely for aesthetics but– its Princess Rosalina.

“What?!” Dick exclaims, and Tim laughs.

“She knows what she's talking about!” Tim says, pushing Dick’s leg off of him.

Dick rolls his eyes. “No, Toad is the best. And that’s why I’m gonna win–”

“I won.” Tim interrupts.

Dick stares at the screen slack jawed.

Jason walks back in, looks at the screen, looks at Dick, and then shrugs as he motions to you that he’s ready to leave.

Dick finally manages to glare at Tim five minutes later. “You got lucky! It was only because she rooted for you.”

Tim snorts. “Just admit you lost, dude.”

“No way! She’s a good luck charm. When have you ever beat me in Mario Kart on this map before?” 

Tim considers that. 

“Huh… what do you say to a science experiment?

______________________________________________________________

“I’m telling you, it’s definitely Kite-Man. Who else would be behind something as lame as this?” Steph asks, scoffing at the idea of it being anyone else. “Plus there was a kite at the scene.”

“Yeah. Which was at the park. Kites are in parks. That's what they do.” Duke counters, taking a seat at the kitchen counter, near Jason and you, the former seemed to show no interest in the conversation at all, but you turned to look at them.

“What’s this all about?” You ask with a raised brow.

“Someone stole all the hot dog carts at the park.” Steph sighs, bored by the mundane crime. Tim glances up, intrigued, but not because of the crime.

“My bets on Kite-Man.” Tim says, nonchalant. “..What about you?” He raises a brow as he looks at you.

“Uh– I’ll side with Duke. Keeps things even.”

“Thank you!” Duke seems genuinely touched.

Tim then pulls up the case notes on his computer, and looks for the latest police update.

“Well, what do you know? Not Kite Man.” Tim grins. This was sound evidence for him. Maybe you were lucky, after all..

Steph whips her head to Tim, eyes wide. “What?! Who?”

“Condiment King.”

“Fuck. I should have guessed that!”

______________________________________________________________

Four card games between Dick and Steph, a race between Cass and Duke, and three rounds of chess between Tim and Damian later, Tim and Dick reached the conclusion that you were, in fact, good luck.

However, in a family of detectives, it didn’t take long for a majority of the others to pick up on their scheme. Or to realize you were a good luck factor. 

“I’m gonna win. Obviously.” Tim declared, confidently at the dinner table as they finished up– they were having a family dinner for once, and afterwards they were going to have a round of Mario Kart… which meant the winner only had to ensure one thing.

“Fat chance!” Dick scoffs, immediately giving into his competitive spirit with that comment.

“No. I am.. You should root for me.” Tim says, suddenly addressing you now.

“Tempting— but maybe I should sit this out with Jay.” You knew how game night went with this family, and you did not want to get in the middle of that. 

“Or you could root for your favorite person?” Duke buts in, smiling as he slides his dessert plate towards you as a bribe.

“He’s gonna lose.” Tim points out, pulling the plate away.

“I’m gonna kick your ass!” Duke retorts,ripping the plate away from Tim.

“No— she should root for me instead! Root for me, please!” Dick says, bringing his hands together as he begs.

You just laugh, but Jason looks completely annoyed by them now. Since when did they care who she was rooting for?

“No! She’s rooting for me—” Tim starts again, swatting at Dick as he tries to push Tim further away from you.

“If she’s truly as smart as Todd says, she’ll root  for me, obviously.” Damian interjects, a proud look on his face as he crosses his arms. 

Jason narrows his eyes. Okay, what was going on here?

Steph rolls her eyes. “Guys— stop it. This is all childish.”

The boys share a look, feeling a bit called out now. 

Dick looks at you. “We aren’t trying to make you feel uncomfor—“ 

“Obviously she’s rooting for me.” Steph says, interrupting him, standing up at the table as she grabs you by the shoulders. 

“Oh fuck you, you did that for dramatic effect—“ Dick slams his hands on the table.

“Like you aren’t the drama, Circus boy!”

You shake your head, deciding then would be a good time to go use the bathroom, because evidently— they would notice if you weren’t there during the actual games.

As soon as you’re out of sight, Jason turns back to everyone else.

“Okay, what the fuck is this all about?” He glares at them.

“Nothing!” 

“What’s what about?”

“None of your concern, Todd.”

“Language.”

They all respond, obviously too quick and dismissive with their responses.

“…I’m gonna ask one more time.” He says, slowly, making eye contact with everyone.

“…okay, fine— she’s good luck. That’s all.” Duke says, shrugging.

That gives Jason pause.

“What?”

Tim butts in, “Anytime anyone has a game or a bet— whoever she sides with always wins. I thought it was an anomaly at first but.. it’s happened too many times to not be a trend.”

“She’s like a lucky rabbit's foot.” Steph provides, leaning back in her chair.

Jason mulls over that thought. Anytime he played Mario Kart or a card game against Roy, he *did* usually win.. he thought he was just a natural but— he only won when she was home, too. He lost when she wasn’t there.

“…maybe there’s some truth to that.” Jason admits.

“See!” Dick says, glad this didn’t end in argument but also— he noticed it first, so he felt vindicated.

“Now we shall let her pick a team.” Damian says, ready to convince her why she should root for him.

“No.” Jason says, smirking a bit as he shakes his head. “..you really thought this would change anything? She’s going to root for me— and I’ll wipe the floor with you all.”

There’s a pause as everyone stares at him in either disbelief or anger.

“..I fear we made an error.” Tim mutters.

“I’m definitely playing now. Guaranteed to win? I mean— I probably would have won anyways.” Jason brags, standing up as he’s ready to go to the living room and start these games.

“You cheater!” Steph accuses, slamming her hand down on the table.

“We were trying to do the same thing though..?” Duke adds, scratching the back of his neck.

You walk back in— raising a brow at Jason as he’s standing up.

“Eager?” You ask, smiling creeping onto your face. “I thought you didn’t want to play?”

He wraps his arm around your shoulder as he leads you to the living room, you could make out his family’s argument and protests from behind you.

“Changed my mind. As long as I have you on my side, I’ll always win.” He smiles cheekily at you.

“How romantic.” You say sarcastically, raising a brow at his sudden affinity to participate in game night.

He grins at you, “And they say chivalry is dead.”

“…is this about me being a boon?” You question, side eyeing him with a soft smile.

“You knew?” He widens his eyes, pausing to look at you as you both stand in the living room door frame.

You snort. “Hard not to. They made it fairly obvious.”

“…you still gonna root for me?”

“Always.”

[astrolook]

Is Your Dominant Planet Helping or Sabotaging You?

Ever feel like one planet in your chart is completely running your life? Like, no matter what, you always default to a certain way of thinking, reacting, or making the same questionable decisions? That’s your dominant planet at work. But is it making your life easier… or way harder than it needs to be? Let’s break it down.

How to Tell Which Planet is Dominant in Your Chart

Your dominant planet isn’t necessarily your Sun, Moon, or Rising—it’s the one with the most influence over your personality, choices, and bad habits. Some signs it’s the boss of your chart:

It’s in its home sign (like Venus in Libra or Mars in Aries) or exalted (like Moon in Taurus).

It has the most aspects (connections) to other planets.

It sits in a major house, like the 1st (identity), 10th (career), or 7th (relationships).

It rules your Sun, Moon, AND Rising (triple threat).

It’s the only planet of a certain element (Fire, Earth, Air, Water) in your chart.

If you have two or more dominant planets, congrats—you’re a complicated mess with conflicting instincts (but at least you’re interesting). You're like a cosmic onion.

Your Dominant Planet: The Good, The Bad, & The Ridiculous

☀️ Sun Dominant – The Main Character

Natural confidence—people notice you whether you want them to or not.

Charismatic and great at leading (or at least pretending to know what you’re doing).

Magnetic presence—people either admire you or feel deeply threatened.

Cannot handle being ignored for even five minutes.

Takes everything way too personally (the group chat going silent is not about you).

Life is one big performance, even when no one’s watching.

🌙 Moon Dominant – The Walking Emotional Rollercoaster

Emotionally intuitive—you just know when someone’s lying.

People trust you instantly (whether you wanted that responsibility or not).

Deeply caring—probably the “mom friend” of the group.

Gets attached too fast—if someone is nice to you once, they’re basically family.

Mood swings for absolutely no reason (and good luck explaining them).

Overthinks texts, social interactions, and why the barista looked at you weird.

🪐 Saturn Dominant – The Workaholic Who Can’t Relax

Disciplined and reliable—if you say you’ll do something, it gets done.

People respect you because you actually have your life together (or seem like you do).

Ages like fine wine—born a stressed-out child, but gets way cooler with time.

Takes responsibility for everything, even things that are not your problem.

Permanent resting serious face—people assume you’re judging them.

🔥 Mars Dominant – The Human Energy Drink

High-energy.

Assertive—you go after what you want and get it.

Quick reflexes—probably great at sports, fighting, or avoiding responsibilities.

Zero patience—slow walkers and buffering videos are your worst nightmare.

Occasional anger issues (“I’M NOT MAD, YOU’RE JUST WRONG”).

Thinks first, acts later… if at all.

🌿 Venus Dominant – The Flirt Who Gets Away with Everything

Naturally charming—people are drawn to you without knowing why.

Always looks effortlessly put together (even when you’re a mess inside).

Romantic AF—you love love.

Indecisive as hell—picking a restaurant is a 3-hour ordeal.

Can’t say no—people-pleasing is your toxic trait.

Might have a tiny shopping addiction (but hey, self-care).

☁️ Mercury Dominant – The Fast-Talker & Overthinker

Sharp, witty, and always has a comeback (even when you should probably keep quiet).

Absorbs information like a sponge—trivia night MVP.

Can talk to literally anyone about anything.

Mind never shuts up—sleep is a myth.

Either replies to texts instantly… or in three months, no in-between.

Talks way too fast—people need subtitles.

🌎 Jupiter Dominant – The Chaotic Optimist

Lucky AF—things somehow work out for you.

Big personality, big dreams, big everything.

Loves adventure—you’re always down for something wild.

Overestimates how much time, money, and luck you actually have.

Can’t resist saying yes to everything—major FOMO energy.

No impulse control—“Let’s book a trip right now.”

🔮 Neptune Dominant – The Daydreamer Who Might Be on Another Planet

Insanely creative—your imagination is unreal.

People find you mystical and intriguing (even when you’re just zoning out).

Deeply intuitive—you just know things before they happen.

Time management is a joke—was that 5 minutes or 5 hours? Who knows.

Has full-on fantasies about things that will never happen (but what if they did?).

Trusts people too easily (no, they will not "change" for you).

🖤 Pluto Dominant – The Intensity Overlord

Unshakable—life could crumble around you and you’d be fine.

Magnetic energy—people either worship or fear you.

Always transforming—rises from the ashes like a badass phoenix.

Suspicious of everyone (and usually right).

Constantly going through some kind of crisis.

Low-key enjoys dark, broody thoughts for fun.

So… Is Your Dominant Planet Helping or Sabotaging You?

Either way, you’re stuck with it. But the more you understand it, the more you can work with it instead of letting it run your life.

Want a full breakdown of your dominant planet & how it’s shaping your life? DM me with your birth details & email for a complete astrology reading! Look at my pinned post for pricing. 🔮✨

[pomefioredove]

having a crush on you

summary: how they would act having a crush on you type of post: headcanons characters: pomefiore (vil, rook, epel) additional info: reader is yuu, reader is gender neutral, rook is rook, not proofread, hi I'm insane and I love pining, I NEED to write another fic but with rook. might write this same prompt with other dorms

𝐕𝐢𝐥 𝐒𝐜𝐡𝐨𝐞𝐧𝐡𝐞𝐢𝐭

don't take his calm and collected facade as apathy

he's slowly losing his mind about this

"pacing back and forth, mumbling to himself, falling asleep thinking about you" kind of losing his mind

it's my personal belief that Vil hasn't been in love before this

hasn't even really thought about it

so when you enter the picture it kinda throws him off balance

and with the exception of Rook, no one can even tell

he is an actor, after all, he can play the part of "totally platonic friends with room for Jesus"

(maybe a little too well)

but Vil isn't entirely emotionally repressed

he keeps things to himself, yes, but he's quite conscious of his own wants and needs

so when he realizes he's been craving your presence more than usual he does acknowledge it

in his head

and then does nothing about it for months

...what? he's busy

things like this can wait for him, and he doesn't want to put a rift between you two in case it might be a passing feeling

well... it doesn't pass

he becomes keenly aware of how much he wants you around him, how much he thinks about you, how much your very presence is enough to make him happier than he's ever... really felt

and you know what?

he is totally cool about it.

just kidding. he drives himself insane trying to think of the perfect way to confess, something that will impress you and meet his standards

he's dropping hints left and right and you don't seem to be picking any of them up

which again, just makes him crazy

(some days he really wants to ask you how oblivious one person can be, but he restrains himself)

I mean, how many times can he send you red tulips before you finally get the hint? he's practically spelling it out for you!

there is... a tiny, little part of him that worries you don't reciprocate

is he not your type? are you interested in someone else? perhaps he'd been too harsh on you, after all...

the fact that one little potato can make him so worried absolutely drives him mad

he is the vision of poise and grace and you are ruining him

and this sort of mood comes and goes in waves

just when he thinks he's pulled himself back together, you'll smile at him or say something cute and suddenly he's back to square one

(you're so adorable it's annoying -_-)

while he's sorting out a good way to express his feelings properly, he'll be spending all his free time with you

you need some new things? he'll be glad to take you shopping

you came over to see Epel? oh, well, he's not here, but you should stay for some tea, anyway!

your afternoon is free? he has some new lip gloss he's been dying to test out...

𝐑𝐨𝐨𝐤 𝐇𝐮𝐧𝐭

contrary to popular belief, I don't think Rook would be so open about it

he still compliments you, of course, and sings praises of your beauty and elegance, and has little regard for personal space, as always

but he's like that with a lot of people, so it's hard to really tell when he likes someone

the truth of the matter is that Rook Hunt can be just as reserved with his feelings as anyone else

when he really, really likes someone, he keeps it to himself

why?

he's hunting you he's learning more about you before making his true feelings known

he feels it's necessary to have an adequate amount of information on his target before making a move, after all

for reference: you catch his eye at orientation, and do not have a single conversation with him until after winter break

(of course, after that, you start mysteriously running into him everywhere)

is he kinda weird about it? uh. yeah.

this is Rook we're talking about

on the other hand, he's completely lovesick about you and it's almost cute

he's definitely the type to write your initials in a journal with a glitter pen while kicking his feet back and forth and giggling

seeing if you would sound better with his last name or he with yours...

definitely has a very weird photo collection of you somewhere in his room

along with stacks of poems, pressed flowers, and little gifts he intends to give you once he's won you over

(when, not if. Rook is nothing if not patient)

you may find a rose left outside Ramshackle every so often

or a few cans of tuna for Grim

all while acting like the same old eccentric Rook, no discernable difference

except when you can feel his eyes on you at random places in the middle of the day

Ace and Deuce call you paranoid but you can't shake the feeling

though, every once in a while he'll get a little grumpy

Rook is easily jealous, and while that sort of possessiveness never extended to untouchable idols like Vil and Neige, he's already decided that you're his prey

and he'd kindly ask everyone else to find their own, thank you

he hasn't exactly planned the confession yet, but just know it's probably going to be the sweetest and craziest you've ever heard

𝐄𝐩𝐞𝐥 𝐅𝐞𝐥𝐦𝐢𝐞𝐫

first of all he's going to fight you for making him like you so much

second of all he's going to beg for a chance

maybe not in that exact order

Epel is constantly at war with his own emotions and having romance thrown in the mix is. uh. not optimal

not only does it ruin the stoic, strong male persona he's been trying to build, but it's also making him feel all soft and gushy

suddenly he cares about looking nice

(much to Vil's approval)

and now he wants to do nice things for you?

he's gonna bite you

how dare you make him think about kissing and holding hands!

don't you know he's supposed to be above all this romantic stuff? what is he, Rook?!

then, after his initial temper tantrum, he starts coping. hard.

he might be able to stomach the idea of being an item if he gets to wear the pants in the relationship

...yeah, right? right.

if you let him be the man, if you let him protect you...

he might be okay with it!

obviously he starts trying to show off his manly strength (seriously) every time he sees you

starts making comments about how tough practice was on him

will literally never let anyone else carry anything for you ever again

he even provides for you (in payments of apple juice)

obviously this backfires 'cause the second you do something that gives him butterflies he's back to giggling

(you'll have to ease him into the idea of being soft and romantic together, but he'll get there)

but, to his credit, he'd be the first out of all the above to confess

super suddenly and out of nowhere (and he ends up shouting it cause he didn't want to sound chicken) but it's sweet in its own way

[essycogany]

Sonic And Amy Are A Unique Couple

This is a quick Sonamy rant /ramble session. With a few added clarifications too. Enjoy!

This couple is more unique than you’d think. It’s cool if anyone disagrees. I'm all for a polite debate and respect your opinion. But if you're willing to hear me out, I'll be willing to explain myself as clearly as possible. Great? Awesome! Let’s get started!

Amy doesn't want to change Sonic. I will scream this until I'm not able to speak any more that Amy loves Sonic for who he is. She always has but it wasn't until IDW that she expressed it out loud. Still one of my favorite moments between them.

Does that make their relationship unique? Not really. What makes their relationship unique is what Amy loves about Sonic is kind of the reason they're not a couple yet. Sonic is an ongoing force that can’t be stopped or changed. Of course, he’ll allow someone to join him on a race, but he still keeps going. Not to say Sonic won’t stop to smell the roses (pun not intended) but he’ll do it on his own time. Amy always likes to take advantage of those moments and best of all, Sonic doesn’t mind. Even during their old chases, he’d slow down for her. Says a lot about the connection they have but there’s more

Their chemistry is…something for lack of a better term. Their back and forth is so interesting to me. Sonic does like Amy back. Notable examples here but to put it shortly, Sonic doesn’t know what he’s doing when it comes to romance. Sometimes he’s not into it and other times he’s chill. Sometimes Amy is ecstatic and other times she's bashful. I'm looking at you Sonic X.

Every time Amy’s occupied, is when Sonic wants her the most. Amy on the other hand wants Sonic to enjoy his freedom. Neither of them stops to think about how maybe they can have it both ways.

I'll also mention romance isn’t about “being tied down.” That paints romance as if it’s some kind of chain being rapt around your neck or being forced to be with the person. That is not romance. It’s keeping someone hostage. Something Amy would not do. Every time she’d joke around about marrying him Sonic didn’t take it seriously. Heroes included.

Sonic’s line in Heros: “Amy, knock it off. There's no time to play!” Dude knows Amy was messing with him. She was written to be girly, childish, adventurous, and cartoony. No, it wasn’t always executed well. Hello, Sonic Freeriders Amy! But I think this scene summons it up the best.

Important thing to mention as well is Sonic is an outspoken and honest character who rarely lies. It’s either you get the truth or you get nothing. He’s not the type to spare people’s feelings either, so if he had a problem with Amy in the past, he’d tell her directly. I do think she'd also stop if he genuinely told her to. The last thing Amy would want is to tarnish their friendship because of her actions. This loyal girl is so sweet.

Not to mention this is a popular trope in Japan too. The trope was what their relationship was based on.

Back to my original point Sonic and Amy aren’t a traditional couple. That’s a good thing. If they became canon their relationship wouldn’t change if they got together, but also they don’t need labels either. Romance isn’t or shouldn’t be a burden on you. That’s not how love works and that’s not what Sonic believes Amy to be. If that’s the case he wouldn’t be friends with her. Whether you ship Sonic with Amy, someone else, or no one, there should be no doubt Sonic values her friendship.

I’ll also add that Amy is just as up for an adventure as Sonic is. It’s why she loves him so much. They’re a power couple and love going out to travel, so there’s no staying in one place for these two.

In Sonic Adventure 2 you can tell Amy’s intuition when it comes to Sonic. Close to the end, she saw him looking a bit down and noticed his mood shifting a bit. “What’s the matter, Sonic?” “Oh, it’s nothing.” She knows him so well. I don't know what connection they run on but it’s inspiring.

These two don’t have a typical girl/boy relationship. I know some people say, “Well, why can't Sonic and Amy stay friends? Not every male and female relationship needs to be romantic.” You're 100% correct. Here are some examples.

The difference between other relationships is that Amy was created to be a Minnie to Sonic’s Mickey. Which is why these two are treated differently compared to others. Including in merch. There are more examples but I digress. The point is this specific pair is always going to have nuance even if they’re only friends. It doesn’t stop until Amy doesn’t love Sonic and even if it shouldn’t define her, it should still be a part of her. She might work without romance, but we already have other amazing female characters for that.

No one’s obligated to ship them because of this of course. Again, your opinion is still valid, and I will always stick to that point.

Last but not least is their friendship (or situationship) as a whole.

The funny thing is their friendship is what makes their romance the most compelling. The appeal to Sonic and Amy’s dynamic is how much platonic energy they have. Romance doesn’t always mean you need to be lovey-dovey. With Sonamy it’s their powerful friendship that makes the (somewhat not platonic) interactions memorable. You don’t have to choose romantic or platonic. It can be both. I wouldn't be a Sonamy fan if I thought their relationship was plain. I'm here because of how different they are.

And I love them to bits. Look at this panel and tell me it isn't running with situationship fuel.

Another fun detail is in recent years despite knowing Amy still loves him, Sonic hugs her back. Even the moments in Sonic X he carries her are moments he offers to. Even when it wasn't necessary.

Can’t forget about the recent asking Amy out to a dinner panel in IDW. He's never done that before. There's a familiarity between the two of them however you look at it. I LOVE them for it.

His moments of genuinely being excited to see her are not due to some development but because Sonic’s passion for Amy has noticeably increased. Why am I bringing these up? It’s because one thing that hasn’t been talked about when it comes to romance is actions. Sure, Sonic doesn't fully confess his feelings to her outwardly. But why do you have to be obvious and in people’s face when it comes to loving someone? In Japan, love is mostly shown through what you do more than what you say. That stuff can happen there but it doesn't always have to. The “Sharing an Umbrella, Amy,” line in Frontiers carries a lot more weight when you think about the implications.

Please read this post by @egalitarian-tomboy if you're interested in the implications of Sonamy in Frontiers.

The up-to-interpretation view of whatever they have together is the main reason I and so many people ship them. It’s not the fact that they are close, but the progression of their closeness. To make a long story short, the appeal of Sonamy is the fact that they don’t have to be traditionally romantic to be an interesting couple. Amy represents expressive love and Sonic represents emotional love.

Stay creative! 💜

[lych33dragoncookie]

Only the masterpieces that survive the fiercest flames earn their place in history.

(Analysis post)

Alright, they absolutely cooked this update. Like, undeniably so. I was admittedly not that huge of a fan of the last 2 beast yeast chapters we got; they had really good ideas, and Mystic Flour is a wonderful character, but... Dark Cacao hasn't really been done enough with for it to feel like it had the amount of weight it could have, and it really doesn't feel like much about him actually changed at all. Combine that with a complete lack of interesting dynamics and you have a lot of very good and genuinely pretty well thought out story concepts with extensive cultural research, executed in a way that feels more like a traditional old-school story that weakens the attachment the audience feels to the components of said story.

Here, though? I have no complaints so far. It was absolutely wild in fact, to the point where I don't think it's gonna happen again (nor am I entirely sure it should ever happen again). This was back to back, non-stop, smack to the face one after the other. The moment the first point of conflict came up, it was just shit happening left and right; even in the mandatory moment of rest where we chill out for a bit, it's revealed that hey, these sandstorms? Yeah the sand is actually ashes. It's the remains of all the people that live here. Whether they died off on their own or were killed by someone else.

And if that wasn't enough, very shortly after;

... It's fucking crack.

So, people die and kill each other here very frequently, and not only are their remains visibly on display, their ashes also become sandstorms that make it near impossible to navigate the land; on top of being something that people snort like cocaine to become more energetic and aggressive.

We started fucking wild, dude. This whole thing is pulling no punches.

Though, I do wanna note; I really, really enjoyed the interactions between Smoked Cheese and Golden Cheese. It shows not only how forgiving she is, but how these two have known each other for an incredibly long time, and know each other well. They're incredibly comfortable around each other, despite it all, and despite how brazen and Very Much Not Strategic the queen here can be. I really, really enjoyed them.

Always fun to see a recovering villain do things for good, but in their own unique way that's still not exactly heroic but definitely effective and, at times, very gratifying.

Though I enjoyed all this, there's one thing I wanna talk about above all else.

The star of the show. Note that every single part was enjoyable, of course, and he wouldn't be half as interesting without Golden Cheese Cookie to serve as a parallel, but they've cooked up something special here.

So far, Burning Spice's extent of onscreen appearance is very, very short, but... I don't think I need to tell you that he's already made an impact and a half.

Christ, that's violent. With the sound effects and everything too, god damn. But, I'd be lying if I said this wasn't a pretty superficial source of judgement for this character. It's very very telling of what kind of person he is now, what he's all about, what he's willing to do, what he likes doing, but...

More than anyone else in recent memory, the devil is in the details. So let's look at those details.

Nothing too much so far, other than how much he absolutely loves destruction, but there's already a trend; namely on "Nothing lasts forever. It's as simple as that", "In the end, everything becomes dust.", and "You, too, shall see that destruction is the only way.". There seems to be an infatuation with the natural process of everything fading away, turning to dust and dying out. An entirely honest one, believing that there is just about nothing else to life. These will be important to keep in mind.

Here, we see a bit of his current relationship with his own immortality. He doesn't seem to mind the idea of losing it, finding something that may eventually take him down, but he still takes great pride in it. These lines, in text, seem somewhat miserable (and trust me, they definitely are), but the voicework in just about every language conveys that they are said in a more neutral, even potentially proudly manner. Again, not much on their own, but...

Here's where we get into the fun part.

This. This is the crux of their character. At the start, him and Golden Cheese cookie were more or less the same. Benevolent royalty, close and personal with their subjects. Beloved, and loving.

And then, they lost it all.

One way or another, their kingdoms were lost, reduced to almost nothing. They were overcome by grief, desperate, unable to cope with their loss. One tried to latch on as hard as possible. Preserve what she could, blindly, replacing the harsh truth of reality with an idealized, constructed world, where no one would ever have to know pain ever again. She shut herself off, and retreated in the safety and peace of a false reality. She would rather have lied to both herself and all her subjects than face reality. And eventually, she had to learn to move on. Let herself and her kingdom heal more naturally, facing reality. The other, meanwhile, was desperate to let go. He detached himself, trying to move past the pain of loss. But, of course, he couldn't force it to happen. No one can. And so with the grief of losing that which he held dear, continuing to be faced with the reality that nothing is forever, over and over, while he endured, the world slowly turning to ash around them again and again... It's no wonder something in there eventually cracked.

What will it take to destroy me. Nothing is forever, and yet, I am.

Nothing is forever. And yet, I am.

With time, misery turned to mania, and in an attempt to overcome their grief, they embraced it, in the worst way possible. A coping mechanism gone horrendously wrong. That destruction, that loss, the inevitability of death... It's not painful, no. It doesn't have to be. It can be thrilling. Exhilarating. A new reason to live. If all you care about turns to dust anyways, if that's really the only logical destination... Why not have some fun with it? Why not embody that inevitable, unstoppable force? Why not become what you fear, so you no longer have to be afraid anymore?

... You know, at least that's what I think is going on here. The next chapter could contradict this reading, but... From what all we have right now, it seems like Golden Cheese and Burning Spice are two completely different paths for the exact same type of pain. They are, in a way, the same, but diverge in almost complete opposite ways where it counts.

Spice is genuinely equal parts absolutely terrifying and absolutely miserable; a balance that is incredibly hard to strike in writing, but always absolutely fascinating and wonderful to observe when it happens. I have to say, the more I found out about them, the more I couldn't keep my eyes off everything they have going on.

I'm loving every little bit of this update. Mad props to the devs for cooking something up here that I am genuinely incredibly invested in, almost to the same degree as White Lily and Dark Enchantress. Banger update. Absolute S tier material.

TL;DR: Burning Spice is terrifying, miserable, and ridiculously cool. Everything about this update was an absolute merciless flurry of consecutive gut-punches. And I loved every second of it.

... Now we sit and wait for Shadow Milk's release next year.

[galedekarios]

minsc & gale

recently i've been doing a playthrough taking minsc along during the limited amount of time we do get to connect with his character in the game and i have to say he's growing on me in a way he didn't in previous titles.

i wanted to take the opportunity here to write a short post about his relationship with gale because that, too, is something i found myself enjoying despite the (too) few interactions that we have between them.

minsc's initial thoughts about gale

Player: How are you and Gale getting along? Minsc: I do not wish to speak of the wizard. Minsc: I could not have said it better myself. - Player Option 1: Gale's great - what's your problem with him? Minsc: He came to me one night with a little book of mischief - full of words and their meanings. Minsc: 'Posterior', he says. 'Can you say 'posterior'?' I refused! Minsc does not need to know the language of wizards. Player: 'Posterior' isn't wizard-talk - it's another word for 'butt'. Minsc: It is an inferior word. Far too long to use in a battle cry, which is where a 'butt' belongs. Minsc: Gale would do better to educate himself in the ways of sword and steel than to throw these pointy words at Minsc. Minsc: Ai, yes. Gale also owns a cat. A cat with wings! That is most unnerving for poor Boo. Player: You should give him a break - he's only trying to help. Minsc: Never! If he is not careful, Boo will shred his books and use them as bedding! - Player Option 2: Did you know that he has an explosive magical orb in his chest that could destroy a city? Minsc: WHAT? Minsc: That is a thousand times more interesting than anything that has ever been written in a book. Minsc: GALE! MY GOOD FRIEND! WHERE ARE YOU? MINSC AND BOO WOULD LIKE TO HEAR ABOUT THE EXPLODING.

they may not start off on the right foot, but with gale's genuine interest in other people's cultures as well as his perception and easy-going nature that changes:

sorcerous sundries

Minsc: Minsc has never trusted places such as this. Too much of a wizard's power can be simply packaged and picked up. devnote: Grumbling as we make our way through the shelves of Sorcerous Sundries Minsc: Well, picked up by all but Minsc. When he touches the many delicate little jars, oh how the wizards shout and stare! devnote: Revealing that his objection of Sorcerous Sundries is not in fact a deep philosophical belief that wizards have too much power - they just make him feel stupid and awkward when he pokes at their things Gale: Fear not, Minsc. You have a wizard at your side who positively encourages such curiosity. You'll fit right in. devnote: Reassuring Minsc: Obliged, wizard. Should we find our way to a weaponsmith, Minsc will rough you up a little - so that you too can fit in. devnote: Warm, comradely, would genuinely be doing Gale a favour

i feel like it truly speaks to gale's character that he doesn't dismiss minsc here - neither his feelings of inadequacy nor his innate curiosity about the things he perceives as wizardly.

it would've been very easy for gale - the wizard prodigy, the former chosen, to archwizard - to act the part of the haughty scholar, akin to the arrogant wizards that minsc describes in this banter, looking down on him, shouting at him, but gale doesn't.

gale reassures minsc, encourages him, telling him he'll fit right in. it reminds me of the way he treats karlach and fostering her interest in books and reading. another pair of seemingly polar opposites that still find a connection. i do think gale is quite natural at this, despite his long time spent in isolation.

and minsc does appreciate it - his tone changes to one of warmth, one of camaraderie - and i think this is also when minsc's perception of gale changes: from the annoying wizard to someone he sees as a companion and friend.

rashemi traditions

Minsc: Gale. Minsc worries you might send a fireball up his butt, with all of this stringy hair in your face. Gale: Is that why you keep your head shaved? I assumed it was a custom of some sort. devnote: Curious, referring to Minsc's origins Minsc: Oh, no! Most warriors of Rashemen wear long battle-braids, weighed down with stone. Minsc can show you, when next we camp? Gale: Thank you, but I'm more wizard than warrior. I'm not sure my scalp would stand up to such a plaiting. devnote: Very politely declining

i like this banter for several reasons: i think not only does it show the progression of their relationship with minsc offering to show gale the traditions of his homeland, gale also shows the same curiosity he shows many different cultures and ways of life, same as he does with lae'zel for instance and githyanki culture.

when he declines minsc's offer, he does so politely, without insulting minsc's traditions, putting the onus on himself instead. he's the wizard, not the warrior.

house of hope

Minsc: Gale! You will perhaps able to explain where Boo has not - what exactly is the difference between a devil and a demon? Gale: A fascinating question, one that boils down to which criteria we choose to apply. Are we speaking about the physiological? Theological? Etymological? devnote: In teacher-mode - up for an in-depth, intellectual discussion Minsc: Eh. Just how-to-kill... -ical. devnote: Non-plussed, echoing Gale's ending every word with 'ical' Gale: Oh. Then for your purposes, they are exactly the same. devnote: Disappointed

this banter genuinely made me laugh. again, i like how it shows the progression of their friendship, to the point of where minsc goes from finding gale annoying to imitating his speech. and gale doesn't put it beyond minsc to have an 'in-depth, intellectual' discussion... even if he is disappointed by the end of their banter, realising that minsc's priorities are... elsewhere.

wychlaran

depending on your party composition and who you take with you, minsc can also call gale his wychlaran.

The Wychlaran, meaning "wise old women" in the ancient language of Halardrim, also known as the Witches of Rashemen outside their lands, were the spiritual leaders of Rashemen, communing with the spirits and guiding the souls of the Rashemi people.

minsc does use it, too, to describe a special bond and a sense of duty and protectiveness to the people he ascribes this title to. he did so in bg1 with dynaheir and in bg2 with aerie.

elminster

Minsc: It must be difficult for Gale to imagine great Elminster a-courting. Writing poems. Doing... certain... deeds. Gale: Long before my time, thank goodness. That's not an image I care to dwell on. Minsc: Ugh. It is difficult for Minsc to think of, too. Let us speak no more of it. Minsc: ... Minsc: Of Elminster and the sex, I mean.

another banter that did genuinely make me laugh despite the seriousness of the situation, especially given the bond that elminster and gale share as well, which speaks of paternal feelings on elminster's part that come with a certain sense of responsibility, as well as gale's admiration, but also often exasperation with his former mentor.

on a more serious note, minsc offers great insights in his interactions with gale and gale's story:

mystra and the vremyonni

The vremyonni or Old Ones were an arcane brotherhood in Rashemen. Men that were arcane spellcasters in Rashemen had two choices, exile or to join the vremyonni. Many vremyonni were kept alive for eons by longevity magic. Vremyonni were expert weaponsmiths and magic item creators. On very rare occasions, vremyonni would fight in the defense of Rashemen. Vremyonni used secrets of magic that even the Witches of Rashemen did not use, destructive spells forbidden among the wilds of Rashemen, in case such magic was needed. The Running Rocks harbored secret strongholds of the vremyonni. All vremyonni wore masks.

Minsc: Gale reminds me of the vremyonni of my homeland. The man-mages of Rashemen. Minsc: While the girl-folk go on to rule as wychlaran, Weave-touched boys were hidden away. Trained to work their craft in silence and secrecy. Minsc: It is an old custom, not well-observed. In truth I thought it born of caution, after some catastrophe wrought by wizardly men-folk of old. Minsc: Now I wonder if it was not done to hide them from Mystra, and the snares she sets for young and prideful boys, hm? Minsc: Though this suggests that Mystra has never tempted a witch into foolishness. Not that I would blaspheme by suggesting otherwise. Minsc: I forget why I began this long and winding story. Yes Boo - we have been spending too long around the wizard.

i think this is a very interesting banter, especially since it's also only marked to trigger if gale agrees to return the crown to mystra.

it's easy to dismiss this banter, laugh it off as just another instance of minsc being minsc, but i think it's important to consider it within the context of game canon and what has been shown to us.

it's a story and everything within a story is there for a reason.

another great insight from minsc comes if gale is pushed towards the crown by the player:

gale and godhood

Minsc: Who among us has not been spurned by a lover? But a word of advice, if Minsc may be so bold: Minsc: Let the wizard lick his wounds. Write some rickety rhymes, and weep most manfully into his hamster's hide. Eh - his cat's hide. Minsc: But... his boasting is unbecoming. 'Claim godhood', he says? Will this make him any less a man with a half-mended heart?

again, minsc does at times share great insight into other characters and he does so here again with gale:

will this make him any less a man with a half-mended heart?

i think it quite accurately goes straight to the crux of what makes it so very easy to push gale towards godhood: he is hurt. he feels abandoned. by his goddess. by his former lover. both as a mystran and on deeply personal level.

he is drifting, seeking something to hold his head above the water. if it's not the protag's love or friendship, it will be the crown.

anyhow, i never expected to write this when i first learned that minsc would be a companion, but i truly did enjoy him and his interactions with gale in particular.

[thecheshirerat]

On TAZ-

Wow that sounds like I’m about to summarize some sort of discourse but I promise I’m not. I guess I’ll say that I really like this show and I will keep listening even if my worst fears come to pass, so keep that in mind!

For reference, I started listening near the end of Amnesty.

I’ve noticed, with the past few arcs- really since Ethersea- the narratives have just… not been fulfilling their promises, so to speak. They’ve been placing a lot of guns that don’t go off. What I mean by that is, the characters are great. Excellent, really. Lady Godwin? HELL YES. Emerich Dreadway? Fuck yeah! And so on! And the settings and premises have been epic- the goofiness and also horrifying nature of Engrave, the mad and thrilling world of Steeplechase- these things are COOL AS FUCK.

and then the actual narratives keep flopping?

And honestly, I notice it most in the endings, because you can really tell when an ending doesn’t land. You feel the sense of disappointment. But with vs. Dracula, for example, I could kinda see leading up to it that the ending couldn’t really BE anything special, because they lowkey didn’t set themselves up for it.

They spent the campaign fucking around in Engrave, finding clues and solving problems and not really experiencing any particularly meaningful character arcs or growth or, idk, forming relationships? So there wasn’t much to pay off, I’m not gonna lie!

Of course it doesn’t feel quite as dissatisfying when you’re in the thick of it, because they’re funny and the stuff is cool and- oh hey! Lady Godwin’s been turned into a werehorse against her will?? that’s got some real potential for a LOT of allegories and exploration of some fun character development! And then it’s kinda played as a joke. And then they do that again and again.

And they actually said that that was a move they made intentionally, in the TTAZZ. I’m not quoting them perfectly here, this is from memory, but I do remember them mentioning that they wanted lighthearted comedy without the burden of real life story stuff. And I get that, honestly, but… it’s not the choice I would’ve made. I do think you can keep a lighthearted tone while also, idk, forming relationships and wholesomely engaging with some amount of emotion. And sometimes going way too deep is funny as a tone shift!

But I digress. One thing that’s also popped out to me is the almost complete lack of any kind of romantic storyline or even references. This becomes obvious if you’re in a fandom because everyone is always dying to ship SOMEONE, and you can tell when people are really getting desperate. I don’t blame them for not wanting to roleplay romance with their family, and I do think stories lacking romance are COOL and SHOULD BE ENCOURAGED!

However if you can’t find ANYBODY to ship together… that may mean you just don’t have character bonds. The growing popularity of the PC polycule is interesting to me; I wonder if it’s partially because

a) none of the pcs have significant relationships outside of their party and

b) even within the party, there doesn’t seem to be much chemistry between any given pair of characters…? I hope I’m making my point well here- the PCs all seem equally close and have more or less the same relationship to all of their compatriots with little distinction, meaning, essentially, no shipping fodder that doesn’t involve just all of ‘em.

Either way, it makes me wonder if I can blame the “Graduation has too many NPCs!” critique. They really stopped giving the parties tag-along main NPCs after graduation, with the exception of maybe.. Urchin? Kodira? Shlabethany? Poppy? and even they get relatively little “screen” time. Steeplechase has great NPCs, I love them to death, but none of the PCs seem to ever have one on one conversations with NPCs or each other that do not explicitly focus on the plot. And I think that’s part of why the characters feel so underdeveloped despite having spent a lot of time with them- because in this character-driven genre, we get very little insight into their feelings or motivations or even their rudimentary backstories.

I started watching Fantasy High recently and it made me realize a couple things about TAZ.

1) Recently, TAZ has sooo few core NPCs, and it’s weird that the characters aren’t doing more one-on-one purely character based scenes. And that makes it really tough to develop them.

2) TAZ is- and I should have realized this before- one of many good dnd podcasts. They’re probably looking for a niche they can master.

And it sounds like they’re trying to get back to that old “Here there be Gerblins!” energy. They’ve referenced it so many times in recent TTAZZes- they wanted to be job-focused, allowing story stuff to happen organically, so they tried a more open world vibe with Ethersea. They wanted to be less afraid to kill stuff, so they tried playing criminals (and were still afraid to kill stuff). They wanted to be silly and light on character, as they tackled with taz vs dracula. Now they’re trying to bring in the silly cartoon vibe with Abnimals. I think they’re trying to make that family-friendly, funny and goofy show their niche. Something other actual plays can’t be better at them at.

And honestly it kinda makes me sad, that they keep trying to go back to Balance while ignoring everything they learned during it. Because I loved Dust. Because I loved Amnesty. Because I loved Ethersea. I loved these past arcs! But they keep doing their brilliant characters dirty for some reason!!! And i don’t know why!!!!

You know that meme about people who ask questions in movies and then the person responds “Have you ever been to a movie before? You watch them and the information is revealed.” There have been so many times in TAZ recently where information has Not been revealed and if they keep doing it the audience will stop bothering to suspend their disbelief, because the trust just isn’t there.

What is Montrose’s deal? What on earth was Carmine Denton’s whole thing? Tell me more about Zoox’s feelings, about Devo’s past, about Amber’s future. Show me how Lady Godwin feels about the body horror that is her life- like, seriously! WHY DID WE HAVE TO COMPLETELY DISMISS THE OPPORTUNITY TO DISCUSS GENERATIONAL TRAUMA IN MUTT’S LIFE FOR A JOKE??

Do you remember in Steeplechase where the boys were getting medical attention or something- i don’t remember, but they were all in one room and only talking about The Plot. And Poppy literally banged on the door (speaking for both Justin and me, tbh) and was like “does anyone want to share any feeeeelings??” and they were like NOPE! and they moved on!!

like. cmon. you can’t just put a character like montrose out there and then leave them severely underdeveloped to the point that what would be interesting in proper context, with audience insight, becomes confusing and chaotic.

I just wish they would take their stories as seriously as we do.

It feels to me like they don’t believe in themselves, and it makes me sad. Maybe they didn’t get the response they wanted from Ethersea and so they’ve been trying to pivot, hoping to recapture whatever it was that earned them a loyal audience.

Again, I love them. They’re so funny and I’ll keep listening until the day they stop making this show, and when it happens I’ll cry.

But i KNOW they have more in them. Remember the “we’ll grow gills” monologue from Justin in the Prologues? Remember Travis’s SOLID acting with Devo? Or his awesome choice to give Lyndon/Beef a clearly delineated work/irl identity? His excellent narration and prose? Remember when Montrose described being lonely?! Remember all those moments where Shit Got Real and you cared??? The nanofather said some dope shit! dracula and victor and sweater dracula had such a wild dynamic! Clint’s acting in Dust 2- I can’t remember the characters name right now- was ASTOUNDING, I genuinely didn’t know he had that in him and it blew me away!

I’m not referencing Balance on purpose, both because the fandom is way to hung up on it and because I want to prove that you don’t even have to look at Balance, or even Post-Balance arcs, to see this kind of good cool stuff!

GAAAAAAAGHHHH!!! I want them to have fun. But also. We’re starving out here.

[voxceleste]

hiiiii you’re one of my favorite fic writers ever and i admire you so much. i wondered if you had any advice for other writers of how to improve? especially for someone who has been writing for years but feels like they’ve hit a point of stagnation/knows they’re “good” at writing but feels like they’re just not hitting their full potential. also, if you had any advice for the differences in working on shorter pieces vs longfics, any guidance or methods that worked for you would be so appreciated!! your work has been very genuinely inspirational to me and i hope you have a great day <3

thank you for your kind words! <3

mileage varies more with regards to writing advice than maybe anything else, so it's possible none of this will work for you.

a common framework in education theory/neurobiology/psychology/etc is that there's a goldilocks zone between comfort and frustration wherein most learning happens. games studies has a similar idea, that a game has to be mentally engaging enough to keep the player invested without making it so punishingly hard that they quit.

writing is pretty much free. unlike most other creative mediums, the scope of a project has no relationship to the value of the materials or tools needed to produce it. you're only limited by your own energy, time, and effort--which can be formidable restrictions, to be fair, but it's not like being a filmmaker, where good-quality equipment and collaborators simply take more resources to afford. writers should take advantage of this. we're really lucky in this way.

the best thing you can do to improve your writing is to attempt projects that feel a little too big for you, or that you're not confident you can pull off. it doesn't have to be "big" in terms of length; a short piece could qualify if the style, tone, structure, subject matter, etc is outside of your comfort zone, but in my experience this has often looked like longer and more complex projects. then again, i love writing long stuff, so take it with a grain of salt--some people just don't, but you mention wanting to try your hand at longfic, so i assume it's relevant. the point is that in order to grow your skills, you have to stretch them.

past fic projects that stick out in my mind for having pushed me to grow as a writer:

story with 4 POV characters, alternating POVs at a regular cadence, where goings-on in each section would affect the other chapters

story with a real-world historical setting that required research wrt material culture as well as timeline/"who was where when"

story that blended a codified and formulaic genre template (het romance novel) with seemingly incongruous story elements (protag being a passively suicidal closeted trans woman and ex-evil mastermind)

the common denominator is having a very specific story i wanted to tell about these specific characters, and digging my teeth into how to do that in a way that felt specific and not just a recycling of common fanficisms… though in all cases, there were at least one or two other fics i looked at for inspiration, if only in a distant way. (those fics, in turn, are often what i'd consider examples of "fanfic that is also just good, ambitious writing," whether or not they would stand alone as original fiction--but that's a different post that's already been made by others.) (they are also full of tropes and are very fanficcy in their own ways!) i had to put a lot of thought into how to approach them in a way that was most true to what they wanted to be in my heart, and usually had one or two specific touchpoints of non-fanfic media that i used to get my bearings, which is a good habit to get into whether or not you're interested in branching out into original fiction writing.

with regards to the transition into longfic writing… writing processes are idiosyncratic and whatever advice i give you has a good chance of being totally useless. it'll probably involve a lot of trial and error, unfortunately. some tidbits:

the worst thing a story can be is boring and this is doubly true for long stuff. i would always rather an author turn the dial a little too far than not far enough to be impactful

can't overstate the utility of a good beta reader as well as a good cheerleader or two to whom you can dump your 2am story thoughts and troubleshoot your plot issues

start the story at the latest possible point in time; many a longfic idea dies on the vine because the author thinks they have to do way more setup than is actually required. this doesn't mean you have to open in medias res with an action sequence, but if you're opening on something more quiet or "expositiony," you should know *why* you're starting there, and should be able to draw up that scene vividly and characterfully

putting a little bit of effort into fleshing out your setting and side characters can help you a ton if you write yourself into a corner. if you're stuck, it's hard to come up with a story element from nothing when your story revolves around two floating heads in featureless rooms

the period between being 1/3-2/3 done is the actual fucking worst. it's miserable every time. the story is no longer a beautiful shining thing in your head, it's an ugly blob of misshapen clay, and you haven't seen it all start to come together yet. it's not you or your project, it just sucks and there's no way out but through

trust your idea! trust your own ability! trust the magic that can be worked in the edit!

if you bite off more than you can chew with a project and aren't able to finish it, or you're disappointed by how it turns out, that's really disappointing and difficult, which i don't want to downplay. but it's not wasted time, even if no one else sees the results of your work. that effort and experience will make you a better writer.

other advice that may or may not work for you:

read a lot of fiction; read fiction that is not fanfiction, especially; read outside of your usual genres/favourite authors; read authors who are known for unusual or singular styles. challenge yourself to write something imitating one of their styles, even for a page or two. what are the characteristics of a paragraph by octavia butler? how does she approach sentences? how is that different from a similar length of text by victor hugo?

read about writing craft, not from bloggers but via well-regarded books. even if you don't agree with all the advice (which you probably won't) or it's not all directly relevant to you, these texts will address fundamentals that apply to almost all kinds of prose and prompt you to develop unglamorous good habits. steering the craft by ursula k. le guin spends each chapter on an element of writing, such as sound & rhythm or punctuation, and includes exercises to put her principles into practice. on writing well by william zinsser is a classic--its focus is nonfiction, but much of the advice is widely applicable. both of these texts are full of example excerpts from great english prose stylists. books like this aren't likely to introduce groundbreaking new ideas so much as train you to become more consciously aware of elements of style you may be less attentive to than you could be.

your only hard limitation as a writer is your own creativity; drive your stories like cars in GTA. you're here for a wild time, not a long time, and if it blows up you can just get a new one.

[gayofthefae]

Thinking about the little moments. The little unnecessary inclusions that tell us something. The little scripted moments in passing.

"Just please stop talking dude". So Lucas starts teasing about El. It doesn't lighten him like you'd think. He is not humored. "Yeah, real mature, Lucas".

It's reminiscent of season 1 to me, albeit Lucas' tone in it is different. Why doesn't he want to think about it?

He isn't even defensive in a being-teased way here, he just seems irritated and genuinely wanting to shut down the conversation. It's a contrasts from Lucas in season 1 that he's now trying to support and engage with their relationship, but Mike still isn't having it - so his irritability in season 1 then wasn't about Lucas' tone either. Here, it's like he comes here after making out with her and this is his time to not think about that. To distract from it. Don't bring that into this. I'm decompressing.

We know Mike's tone on the walkie while biking is weird. But we don't talk enough about how he shows up to the movies irritable.

"We're gonna miss the opening" "If you guys keep whining about it"

"Just please stop talking dude" "Real mature, Lucas"

The others have a reason to be grumpy, he left them waiting and they were anxious about missing it. He doesn't. He dismisses that anxiety and says 'Told you' when they make it. He was never worried they'd be late.

Another classic case of we have a point A, a point B, and one event in the middle. We can decipher what happen. Coming from making out with El made Mike irritable.

Which is especially odd, given we're directly shown how that exact event should have left a lovestruck teen:

(another case of matching energy. why does he match Will's romantic energy in season 4 in scenes but not even El's when they're dating? He's CONTRASTED even)

And it doesn't play as privacy. It doesn't play as "that's just between me and her <3". It plays as wanting to get his mind off it.

He's not annoyed by the teasing. He's irritable when he shows up and can't handle the additional reminder. This is where he goes to avoid that.

And it's also illogical given his other behavior this season that he not want to talk about her. His whole thing this season is that he pays attention to only El so much that it's a problem...but when she's not around he doesn't want to talk about her at all? It is a textbook smitten-sign to have someone talk non-stop about their partner. It's even a way in many shows that the friends will realize the character has feelings for someone. He doesn't feel that way. When he was grieving, it made sense, but now, he has no excuse. If he were smitten, he would want to talk about her. If the REASON he spends all his time with her and not the others were because he were smitten, he would want to talk about all his time with her. He would WANT to talk about *her*.

He should have shown up loopy like El was. Just like every time something in Mike about El is called out, we should have been shown it before it was mentioned. He should have shown up in a lovestruck daze to be commented on. He should have showed up how we last saw El.

He shows up in a lovestruck daze. They're irritated because it's clear exactly why he was late and that he wasn't worried about them being late while they were busy waiting. Lucas teases him about it. Mike responds with even just a much lighter delivery of the same line, some laughter to it. Instead?

He showed up irritable.

And we see the exact moment of shift. Because he found Hop's anger hilarious. We watched him laughing. He looks carefree.

She reminded him they'd do this all again tomorrow

His face hardened. And he showed up irritable. No events in between.

Looking through these gifs, actually, what used to seem like Mike wanting nothing to do with anyone but El now seems like irritability from her romantic presence. Especially given we see him be fine once they get into the movies with just the four of them.

The others beside him are both still interested and engaging to some extent. I'm making sure to emphasize that El, notably very smitten, is not behaving this way.

But look at the difference. It isn't the party he's irritable around. It isn't that he's irritated NOT to be alone with her. He's fine here.

it's quite the opposite. The idea of it is what MAKES him upset. Consistently throughout the season even. Here is him when Lucas takes action to get them back together and tells him he'll give him an opening to be alone with her.

He only relaxes once they actually talk and it's her to him again, not the concept of romance. He relaxes when they talk and it doesn't end in them getting back together. Because those are the two things he dreaded. Not being with her...and being with her. The m&m scene is sweet because he's in his perfect medium.

We need platonic Elmike because they deserve a relationship without resentment or anxiety. Because he doesn't resent her. He doesn't want to avoid seeing her. But there are associations to it that he dreads, and that's hurtful to both of them.

[the-s1lly-corner]

Various HH characters x Artist reader

Prize 4/5 for @coldestcoconut

This post contains: Charlie, Vaggie, Alastor, Angel Dust, Husk, Sir Pentious, and Nifty

Notes: Reader is GN

CWs: None

CHARLIE

Its canon that Charlie herself is an artist, she makes her own presentations and everything! Shes very open to sharing her supplies with you, though a lot of the colors she has are very bright and saturated. You might inspire her to have an artsy based exercise in the hotel, you... may get a few groans and looks from some of the other hotel residents.. whoops.. gushes and goes insane whenever you make something for her or really show her anything, she can go on for hours and hours about how lovely your work looks! Woukd put it on the fridge/hj

VAGGIE

Not at all an artist, and she doesnt... exactly know techniques and terms. She is proud of you and shes trying her best to show that, but... her compliments seem to fall a little flat when praising you thanks to her voice as well as her just not knowing terms. A lot of the time its comments like "oh, this looks good," whereas other characters can say WHY it's good. Though is that really that important when seeking validation? Keeps all the art you give her in a folder somewhere, neat and away from harm

ANGEL

It should be a given that hes going to ask if you can draw something... rather inappropriate. Were you really surprised? He might likely also ask you to draw fat nuggets, he even offers to pay you. Keeps some of your doodles pinned up on his vanity mirror on his room. Hes an artist, just not in the way you are. He has an appreciation for your work even if it's a different genre! It doesnt matter what your skill level is, hes going to be a little interested. He offers to pose for you if you need a quick reference, he can offer something interesting thanks to his flexibility! Free of charge, too!

ALASTOR

Similar to Angel, hes an artist just in a different way! Angel is a dancer and an actor, and Alastor uses radio as his medium! Hes.. interested enough in your work, though he can be a little more.. critical in his criticisms (but only if you ask for it, hes not rude!). He doesnt intent to fully stamp out your excitement, hes simply trying to get you to reach your fullest potential as an artist. It is balanced out by elements he enjoys in your art. Watches you like a hawk when you work. Dont try to be sneaky and try to draw him, he already knows what you're doing.. but he might just allow it, it's not like you're using a camera

HUSK

Hes indifferent, at least.. mostly.. he listens when you talk about your hobby and he makes sure you know hes paying attention. But you can tell that hes not sure how to keep the conversation going thanks to him just... not being into art. Sure he can tell when something has talent and had work put into it, but hes not the type to sit down and really dissect a piece. Though... his appreciation for art does grow thanks to you. Keeps the doodles you slide to him while he's working the bar- gets a little pissed at himself if part of the papers get wet from the condensation from the drinks

SIR PENTIOUS

NIFTY

She draws! As a hobby and when shes not warring with the bugs in the hotel! Sometimes the two of you sit and draw together- though Niftys more.. scribbling on the papers. Shes just excited is all! Don't ask where she got the red paint from. Hoardes the art you give her, very possessive of the drawings. Probably attempts to stab someone if they get too close to her stash

Hes a bit artistic himself, being an inventor and all! He draws his own blueprints and as well as his own designs. It may not be the same as the things you may create, but it's still a bonding point between the two of you. He let's you use his fancy pens and stuff, just please return them! Will praise you to heaven and back whenever you show him something, he knows some art terms and you can bet hes going to be using them to really push his praise! If you ever draw him anything hes going to keep it, likely framing it as well!

[yoroshiu]

Thinking about Sora in The Final World, tired and having to put himself back together again, hinging on the hope that he can still go back and save the others. The fact that you only need 111 pieces of him but there's a lot more you could collect. The fact that, despite acting as cheery and himself as he could be in such a situation, it takes talking to the Nameless Star for him to cheer up and feel somewhat fine again (and to be open about how overwhelmed he was by everything he had to do).

"I wish I could do something but...What should I do now?"

(That even when he already has so much to do, he sincerely still wants to help someone he just met.)

"Things that should be done...? There's a lot."

"Then, you have to put in a lot of work." "Yeah, that's right."

(I wanted to note that Sora says 「いっぱい」 (ippai) which means "a lot". Hence Nameless Star's response also using 「いっぱい」 to tell him that he's going to have to give a lot of effort. It's a little cheeky and wholesome, which garners Sora's small chuckle of sorts. It's a little different from ENG in that case so I wanted to share, though the meaning isn't lost across dubs.)

"You're a wonder. I'm starting to feel better."

(Sora uses the term 不思議 (fushigi) which can mean wonder/strange/mystery. I thought wonder would fit the best here. Either way, the usage of it makes me think of a lot of things that put me in my feels TvT)

~~~

Sora just drives me into a frenzy with the way his character and emotionality are portrayed throughout the series. It's said a lot, and especially by me, but he's simultaneously so "heart on his sleeve" and "under the radar" when it comes to his struggles. I've seen people say that his struggles/mental health struggles only popped up in KH3 (which is so WILD to say in the first place), and that really goes to show how Sora can slip through the cracks with his genki attitude and repressive coping mechanisms. His sadness isn't just in moments, it carries like an undercurrent that eventually gets bigger and bigger as the stakes get much higher and he's way in over his head.

One thing that stuck out to me in his conversation with Nameless Star is his use of the question "What should I do?" It's especially notable in JPN with the phrasing, as it's the exact one he uses with Riku earlier. Sora goes through the endgame not comprehending all the details, having to follow his heart, because what else can he do but this?

I can't ever stop thinking of KH3 endgame Sora. He's tired, he's grieving, he's overwhelmed, he's determined, he's desperate, he's anxious, he's angry, he's so strong, he's preparing to pull the most heart-wrenching sacrifice he could with a smile on his face. I never get tired of talking about him, we need to keep talking about him ToT

(Yes, yoroshiu is feeling perfectly okay!)

~~~

I did skip a lot of the convo between them but I'm willing to translate it in its entirety in one post if there's any interest. I feel like I've been looking at and translating it in parts over the past few years LOL. Though, if I do end up doing a deeper translation/analysis post, it'll be down the line since there's other ones from that one poll...

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Making Kingdom Hearts Stuff Until KH4 Comes Out (Day 152)

[child-of-the-danube]

MASSIVE AGATHA ALL ALONG SPOILERS SO SKIP IF YOU HAVEN'T SEEN THE EPISODE

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Time to yap, my sisters in the craft 🔮🧙🏻‍♀️

Positives of the final two episodes:

1. Jen finally being free

2. Agatha showing she actually learned from her coven in her final battle with Rio - she used Alice's protection spell, Jen's moon water spell and listened to Lilia's advice about hitting the deck

3. The parallels of Agatha and her coven:

- She was in the same situation as Lorna. A mother who knew her child was doomed from the start and did everything in her power to protect them and keep them alive for as long as she could, only for it to be fruitless in the end. And despite it being fruitless, the children did feel the love and were aware of the sacrifice, and sometimes that is enough. Alice and Nicky's memory will forever live through the songs their mothers made for and with them. The memory of their love outlived both them and their children and will keep on living on for long after.

- She chose to give her life for someone she just met but clearly felt strongly for the same way Lilia did. A lifetime of running from Death. A lifetime of collecting knowlegde for it to appear useless. A lifetime of seeing Death everywhere, of being persued by her, of being lonely and heartbroken with grief. And then going out by embracing Death by your own will to give another a chance and do at least once what you failed to do for centuries - protect.

- Her and Billy making a story come to life out of love and grief for their family. She set the foundation and he made it come to realisation. Both took away from others but only one gets be exempt from the consequences and able to achieve what they were after from the start.

4. Agatha being the happiest she's ever been when Nicky was with her

5. The acceptance in her voice when she says "Sometimes...boys die"

6. The fact that the dandelion seed in Nicky's hair that she kept for centuries saved her in the final trial oh my god 😭 😭

7. Agatha's love for Nicky being so strong that a silly little song they made together became world known. "You...I made from scratch" AAAAAAAAAAAAA

8. She calls her power "my purple" cause Nicky called it so 💔💔

9. THE KISS

10. Showing that it was Agatha's desire to keep Nicky alive and later on when he died her grief turning her to addiction that caused her to become this famous witch killer. She was never purely evil. What she did was, and it is not an excuse, but still. The parallels between her and Wanda being ready to destroy entire worlds and lives just to get their children back... A mother's love can make whole valleys bloom but it can also make mountains crumble to dust and my heart is not ok

11. Agatha doing for Billy what she couldn't do for her own son. Giving him a chance to live

12. Ghost Agatha's first move being annoying her adoptive son lmao

13. The road's entrance becoming a memorial to Sharon, Alice and Lilia

14. Billy getting the wake up call that he is not so different from Agatha or Wanda. His grief created a literal death trap and consequently killed Sharon, Alice and Lilia, even if Agatha is telling him Alice was her doing and Lilia was by her own choice

15. Agatha finding her purpose as a mentor in death

Negatives:

1. We were cheated out of a proper Agatha and Rio backstory. How did they meet? How did they fall in love? What happened in the centuries between Nicky's death and entering the road? How often did Rio come to Agatha for Agatha to be so clear about the one thing she wants when she passes being not seeing Rio? She is Death's only exception, only love, only scar. WE DESERVED MORE!!! How did Agatha bag a literal god????

2. Once again, a story that started out and was marketed as a story of women ends up being just means to help a man's story build up. I mean, I should have expected that but still leaves a bitter taste. Wiccan is an interesting character but I feel cheated out of knowing more about Jen. I wanted her backstory before being bound. I wanted Agatha pre-Salem trial and post Nicky's death for more than a power draining sequence through the ages. I wanted Agatha and Rio developing this bond that held up for 300 years. I wanted the Salem Seven to be more than a 5 second threat. Billy will get his own show anyway, like come on.

3. In connection to that, I know this one is a very subjective sentiment and I understand completely but it still pisses me off to no end. The fact that these witches, these centuries old women, who all had being covenless, lonely and in dire situations with their powers in common, went on this death wish trip with someone they didn't like at all as a last resort and got what they were lacking, learned to care for eachother, got their powers back, and that Agatha had the possibility to finally have a family and people genuinely care for her, turned out to be practically worthless in the end cause they had like 5mins of it is making me go insane. Alice said it best: "This is it? I was finally able to do something with my life and this is all the time I get?". The only one, aside Jen, coming out alive and having time to bask in the glow of his new-found power AND have the chance to do something with it is a fucking teenage boy who already got the privilege of cheating Death and the privilege of his family members still be somewhere out in reach to search for. The finale said "your life, struggles and resolution were just means to get someone else ahead". Call me a misandrist, so be it, but I'm fucking tired. Is one story where women are the focus and have a happy ending so fucking much to ask for????

4. THE KISS cause at what cost??? I repeat, this was the fastest, literal, bury your gays move I've ever seen. We knew it couldn't possibly end well, but damn. However, kudos to Kathryn and Aubrey making it so hungry and desperate, but also soft and real and full of emotion.

5. Billy being a dick and wanting to send Agatha back to "Rio's toxic embrace" like he didn't just watch her give up her life for him and tell her that she's "not that bad". My boy, you are truly strange in your holier than thou attitude sometimes

[skiddlecat]

you know what? fuck it. the dynamic between taco and microphone is really interesting and dumbing it down to "evil terrible abuser and poor innocent victim" flattens both of their characters simultaneously.

they both hurt Each Other in ways that can't be undone!!! mic did her fair share of Fucking It Up Big Time as well and i think the way their fallout went down is the best example of times mic could have been better. and before anyone says it NO i'm NOT saying she didn't have a right to back out when she did but what i AM saying is that i think the way she handled cutting taco off showcases one of her biggest character flaws EXCELLENTLY:

when she's hurt by someone, she will hurt them back twice as hard. cheesy makes an insensitive joke? she calls him a monster. taco relapses in her bad habits? she weaponizes her past friendship with pickle. i'm pretty confident in saying both of these responses are Pretty Damn Disproportionate. and i think that's really interesting!!! we should talk more about this!!!!!!!!!

taco did a lot of bad things in their friendship and should absolutely be held accountable for it, but i also think simply calling her a heartless abuser is horribly undermining her character. like, imagine with me, if you will:

(post-writing note. HOLY SHIT this was way longer than i thought it'd be. putting the rest of this post under the cut because the previous paragraphs are pretty much all my thoughts but i kind of go into a full taco character analysis below. if you want to see that then keep reading i suppose LMAOOO)

you once accidentally formed a friendship with someone based off of a lie. you exposed the lie, sabotaged that relationship, and cut him off. that was the last conversation you had. a good while later you realize that, oh no, you actually DID care about this person, and you miss him! but he's GONE and it's YOUR FAULT!!! so you write. you write, you write, you write, hoping to get a response, but you never do.

and then. and then you find someone else. someone who's loud, chaotic, cast out. she reminds you a little too much of the lie you built for yourself. and so, you help her. for your own selfish reasons, sure, but you attempt to reign her in. she doesn't trust you at first, you don't trust her either, and you are... less than kind to her. it's not pretty, but at this point it doesn't really matter to you, because right now she's just a means to an end. she doesn't mean anything to you.

but slowly, over time, things start changing. she starts seeing past the brick walls you built around yourself. starts trying to break them down, little by little. you avoid, you resist, you do everything you can to prevent her from getting through, because vulnerability is frankly disgusting, and you don't want to talk about your problems anyway! but, this doesn't last. you actually apologize to her, for being so closed off, because you should be doing better, and she seems to appreciate it.

someone brings up that old friend to her. you get MAD. it's like rubbing salt in the wound, reminding you of every reason you're not happy, every reason you've been scared of getting too close. he suggests that you will leave her the same way you left him.

and. surprisingly. your ally does not side with him. she tells him you're changing. you're changing. she looks at you and all of your disgusting flaws, and she sees someone not beyond redemption. and you think that maybe. maybe you can trust her. maybe you CAN let your walls down. maybe you won't screw it up this time. and, and...

one mistake.

a pretty big one, granted, but a mistake nonetheless. you relapse into some bad habits, because the situation you entered was not the one you planned for. and she's mad. so mad, in fact, that she takes your old friendship, something she knows is a touchy subject, that hurts every time it's brought up, and she weaponizes it. she looks at you as if you mean nothing to her, and then she leaves. she leaves before you even have a chance to respond.

one. mistake.

one mistake is all it took for her to grow sick of you, for her to agree with all of the terrible things people say about you. and what hurts the most is that you TRUSTED her. you thought you could be open with her, you thought she was DIFFERENT. but no, she's not different. she's just like everyone else. and maybe, if the one person who believed you could be better gives up on you... maybe they're all right about you.

the walls are back up. they're thicker, stronger, and as far as you're concerned... it will take FAR more convincing to let anyone get through ever again.

...and then mepad comes along and says he doesn't even believe you're a bad person in the FIRST place, which is. astounding and very hard to believe but he's seeing you at your absolute worst being needlessly cruel to everyone and is STILL saying this with complete confidence so, fuck, kind of hard to keep THAT up for very long. then ii16 happens and you know the drill SHE'S DOING BAD.

hoo boy this went on for a lot longer than it was supposed to. anyway all this to say i think we should talk more about how they both hurt each other rather than push the narrative that one of them was "the abuser" and the other was "the victim" because frankly that's not even how it works in real life. thank you for coming to my ted talk i've been sitting on this for weeks afraid that i'd be told to kill myself over anons 👍

[whatdidtheydotomygirljinx]

the problem is that it's so hard to really analyze anything about arcane, and draw any conclusions about the story, because of the way it was written and conceived in the first place.

to the people who're like "yeah season 2 was bad, but season 1 was a MASTERPIECE in story writing and PERFECT in every way", that's just not true. the cracks were already there in season 1. there's multiple things, especially overarching ones, that just don't add up, and several ways that the story progresses that seem like odd choices. the thing was that, to me, the rest of it was all so good... the small details, the contained scenes were so well done, so detailed, so touching, that i really believed that maybe those cracks were just hiccups after all, and it's not a big deal, and maybe they'll even make a lot more sense and all get tied up with a nice little bow in season 2 (ha)

to me, at this point, it seems obvious that the way season 1 came into being was that these three idiots (who should never be allowed to write anything ever again) wrote a script, that was so terrible that riot had to bring in help to fix it for them (cause they were that incapable) and then someone got handed their slop and told "save this as much as you can, but keep the main points the same", and save it THEY DID! but the overarching plot is still the original one. which is why there's this dissonance all across it.

season 1 often seems like it's trying to tell two different stories at once. the example that comes easiest to me is jinx's transformation from powder to jinx post time skip. to the people i know irl who watched it, me included, the difference between these two is jarring, to the point that it just doesn't seem realistic that powder would change that much. this is what most people's reaction to her transformation was. like, sure, she changed... but jinx is almost a completely different person. and we can sit here and analyze all we want, and say yeah, but look, in ep2 min37, powder laughs when an enforcer is hurt, so that shows that she is indeed attracted to violence even at this age, but like... first of all, im at this point fully convinced that these details were put in specifically for that, to attenuate the valley that is between powder's character and jinx's, and I also honestly feel embarrassed that i even have to do all of this at all.

other notable examples are whatever is going on between jinx and silco in their relationship. like, yeah, he was actually a good father to her... but actually, there's something weird going on between them... but actually, no... he was better than vander, but actually he was worse than vander and was actually the cause of everything bad in jinx's life..... and on, and on, because the literal story itself never actually makes up its mind on what it wants the relationship between these two characters to be. same as it never makes up its mind on whether powder was a cute, innocent kid who was just manipulated by silco, or if powder was born like that and was just looking for an opportunity to release her inner jinx. same way as it never makes up its mind on whether vi is a devoted sister, who would do anything to get powder back, as she herself says, or if she actually thinks this new enforcer chick she just met is kinda cooler, as her actual actions would indicate. does silco adopt jinx because he sees himself in her, or does he intend to use her as a weapon and then later on grows to actually care about her? there comes a point where "this is a complex story" just becomes an excuse for "we were actually working with three different ideas at once and we never really decided on which one we were gonna do and we kinda just prayed it would all work out somehow"

the one thing that arcane season 2 has on season 1 is that it doesn't suffer from any of these weird identity issues. it's bad and simplistic but it's bad and simplistic in its entirety and it doesn't ever seem interested in being anything else. the story has no continuity or congruence issues, except of course for the ghost of season 1 that haunts it, and especially haunts the writers, who so far have displayed nothing but dismay for the story that actually made this show so acclaimed, and have done all they could to bury it as much as possible in season 2.

now, personally, im a big death of the author truther. even more so in cases like these, where we're dealing with teams of people. power struggles happen in studios, and in writing rooms, and at every level of production. and these three people that have taken credit don't seem like the most emotionally (or intellectually) mature individuals.

so, to solve all these issues, just know that when im discussing or analyzing arcane, im going off the interpretation of the events that serves the story the most, and that leads to the most meaningful narrative and the one that is most worth telling. all of this weird lee and overton slop that snuck in im gonna be completely ignoring.

[almacambiondaughterofsaleos]

Kuczo From Emperor's New Groove Refutes the Bs Sheltered Excuse For Stolas

I know people use the sheltered excuse to cover for Stolas' crappy behavior but I see another character who I think refutes Stolas should be given leeway because he's sheltered is Kuczo from "Emperor's New Groove". The reason why I say this is because why he became such a selfish pos is that he was always sheltered and spoiled to think that way. However, one thing that the narrative doesn't do is shield him from being criticized for his selfishness and callousness. The main plot happens because of his shittiness and taking people for granted like his long time advisor (although that one did have justification because she was trying times to rule behind his back).

Throughout the story he's made to reflect on the fact that his actions affect others and that he can't keep acting the way he is or he will end up alone as a result. And even at one point in the story he even tells off his own narration to feel sorry for himself because at that point we saw that he brought everything on himself and is now paying for it. That is something Stolas would never do because he will frequently deny he's not anything but the complete victim and blame everything after everyone else when it's obvious he's to blame for his own misery.

That's the difference between Kuzco and Stolas as characters is accountability from the narrative. Kuzco's ignorance doesn't give him the excuse to be a pos and he has to learn be a better person or be stuck the way he is forever. Stolas on the other hand is babied and we are supposed to find his ignorance charming rather than obnoxious. And even when it's pointed out he doubles down and claims he's done nothing wrong which shows he is adverse to actually learning to better himself. And ironically Kuzco is just a year younger than Stolas' daughter who acts more mature than her dad. And youth doesn't stop him from being someone who needs his actions corrected.

And most of all entitlement both Kuczo (in the beginning) and Stolas are both entitled characters due to their ignorance. Kuczo for example is so entitled he thinks that there is nothing wrong with bulldozing a village to make a resort for himself while leaving many homeless and when turned into a llama he demands one of the villagers who he told what was going to happen to take him back. Meanwhile, Stolas thinks nothing of extorting someone for sex and then expects to have a relationship with that person since he called it off. However, one character manages to show how toxic this mentality is and how selfish they are for it. The other is treated as deserving of it and thus doesn't get admonish for not caring how others feel until he gets what he wants. And ironically even if Kuczo had moral lapses before truly changing, he comes off as more likable than Stolas.

It's interesting that an almost 25 year old Disney movie can get this character right but a supposedly adult animated show can't. It really shows what happens when let a creator pet blind the story and allow them to get away with more and more shit.