#some of my favourite storytellers ever

[mistysblueboxstuff]

"Those who tell the stories rule the world"

[darlingjmiller]

finished watching Andor.. I’m so mentally ill rn

[torgawl]

do you think part of the reason diluc still struggles with his resentment towards kaeya is because kaeya is more like what crepus wished diluc to be? crepus was so proud of diluc for his accomplishments as a knight and lived his dream through him as well and we know how much crepus' approval meant for diluc, more than any title or doing. i sometimes wonder if diluc feels hurt knowing that kaeya gets to live the equivalent to his past life as a knight as if nothing happened when he had to make sacrifices for his own peace of mind and sense of justice. i wonder if that's what pains him the most, not the fact kaeya ommited the truth about his past for so many years but having felt like he was the only one who cared to do something regarding his father's death and who showed any sense of uprightness when confronted with the knights' request to cover their mistake and negligence. i always think about how diluc might have felt like everything was a lie and his sense of betrayal. but maybe that didn't matter as much as having the support of his brother and someone he could share his pain with would have mattered. maybe the worst thing wasn't what kaeya did but what he didn't do; maybe it was never about his actions but the lack thereof.

[quasi-normalcy]

Every "Nu Trek" (2017- ) Series Ranked from Worst to Best:

Very Short Treks (2023): There's really no words for just how terrible this series is. I mean, I know that it only barely counts because it's explicitly not canon and has a total combined run time of about 15 minutes, but *my god* is it bad! Only one of its episodes is remotely funny, and even that manages to feel like it's driven its main joke into the ground by the end of its 2-minute runtime. The only thing that I can say for it is that is that it gives me an easy, uncontroversial choice for worst Star Trek series, not only of the last 7 years, but of all time.

Picard (2020-2023): Listen; I know that this series is unpopular with the Tumblr Trek fandom, but it actually breaks my heart to have to put it so low on the list. It has, in my own opinion, the best dramatic acting of any Trek series and among the best directing, and almost every individual scene, in isolation, is compellingly watchable. More than that, it has fascinating worldbuilding choices, you can really *see* the passion of the writers for what they're creating (at least in the first and third seasons), and Agnes in particular is among my favourite characters in anything ever. It's got a lot of great moments, too! Picard and Seven bonding over shared Borg trauma; Soji uncovering the truth of her identity; Jurati hacking the Borg Queen's brain; Picard's final farewell to Q; Shaw's Wolf 359 monologue; Geordi's reunion with Data...I could go on. And yet, it just feels like so much *less* than the sum of its parts! Incredible ideas are introduced and then just shrugged off to pursue much more boring ones. Story arcs feel pointless if not actively offensive. Absolutely baffling writing choices are made throughout, with no indication as to why. And the nostalgia baiting , particularly in the final season, becomes so intense that it just chokes the plot to death. One comes away haunted by the feeling that this series should be so much better than it is.

Discovery (2017-2024): Really, this is two separate series: a twisty, grimdark, sci-fi war drama and a gentle queer coffeeshop AU about scientists who talk about their feelings. Both of them have their moments, but they each fall down in the same way: a focus on epic, high-stakes mystery box storytelling that undermines one's ability to really get invested in the characters, or even know who they are when they aren't off saving the universe. Without that, while I liked many of the characters and loved seeing them science the shit out of things using teamwork and the power of math, it's kind of difficult to get invested in this series one way or another. In spite of its absolutely gorgeous visuals, it comes off feeling weirdly...flat.

Short Treks (2018-2020): Not a lot to talk about here; just kind of an anthology series of short films adjacent to Discovery, Picard, and Strange New Worlds. Mostly they're varying shades of mediocre, but a few of them are as brilliant as any episode of Star Trek ever made, so the series gets to be relatively high on the list.

Strange New Worlds (2022- ): This is the first entry on this list that, in my opinion, belongs on the top shelf with some of the best of the older series. And it achieves it basically by adopting the same formula as the original series or the next generation--socially conscious planet-of-the-week adventures with enough wit, cleverness and joie-de-vivre to keep it interesting. I remember in 2017, there was plenty of discussion of how it's possible to update Star Trek's formula for prestige television; how funny that the solution turned out to be "don't change it at all, just give it modern special effects and actual character arcs." That said, the series is a bit *too* beholden to the original, with focus primarily on a bunch of characters who aren't allowed to grow or change too much because we already know how they'll turn out. It would be even better if it were about a new ship and a new crew full of nobodies who we can come to love. Which brings us to...

Lower Decks (2020-2024): Above, I said that Picard felt like it should have been so much better than it was. Lower Decks, frankly, should have been so much worse. How is an adult animated sitcom with Rick and Morty style animation and constant memberberries this freaking good!?! Every episode is a master class in efficient storytelling, with 22 minute runtimes often feeling like they contain as much story and character work as episodes twice as long. And the characters are incredible--like TOS and TNG, they feel almost archetypal, and even though you've never seen them before, they slide so seamlessly into the Star Trek universe that it's hard to believe that they weren't just *always* there; that there was ever a time when you could imagine the Star Trek universe without just intrinsically knowing that Tendi and Shaxs and Mariner were off somewhere in the background. It's greatest success though, the reason why it's comedy works when it really shouldn't, is that it's only *slightly* sillier than the serious series. What we end up with a fantastic series with an ethos that is pure Star Trek, and in fact, if I had written this list a month ago, it would certainly be in the #1 spot. However...

Prodigy (2021-2024?): The first season of Prodigy is...charming. It's got some fun characters, some spectacular visuals, some interesting premises. And if the plots tend to be a little too simplistic to be engaging to an adult, hey, it's a kids' show. It's good. Solid. Above average. And if I had only the first season to go on, it would probably be in third position on this list. But then, a few weeks ago, it went ahead and dropped the best season of Star Trek in a quarter-century, and I really...I just cannot recommend this series highly enough. The sheer, ambitious scope of the narrative; the arcs it puts its character through; the cleverness of the writing; the fricking GORGEOUSNESS of it! And it does all this while redeeming deeply unpopular characters and plot points from other series, in a way that never feels forced or pandering. Not only is it the best Star Trek series of the 21st century, it's one of the best children's animated series since AtLA. Go. Go! Watch it! Watch it now!

[dalliancekay]

Crowley is not stupid, Aziraphale is not an idiot and other assorted thoughts

Or how nothing is black and white and my bullying home and religious trauma is a metaphor not a direct translation to what our immortals experience. And vice versa. -

I don't know what it's like to hang out on Earth since the beginning but I'm sure it is richer than we can imagine we could imagine.

Our two favourite, currently men shaped beings, are captured for our storytelling enjoyment when their time on the Green Planet is about to be cut off.

One has been thrown out from their family home ages ago, we are not sure for what misdemeanour exactly, and is now working for a dumpy place where they don't mind inflicting pain if you misbehave nor do they care whether a trial is fair. So, a mafia, basically. And our hero is tasked with collecting new additions to the unhappy family on top of that. He doesn't much care for it and seems to do the bare minimum only.

The other has been sent to the young planet to guard the indigenous humans and told something vague about an Ineffable Plan that will all work out when there's a War in a few thousand years, which 'our, the Good, side' will win and everyone will be happy. Just tell the humans to behave and if they don't kick up a fuss, we will welcome them Here.

And Here is a vast, empty place, well lit, with busy, lonely bees working and filing, and checking, making sure rules are in place and are followed as written and everything is ticking over; the higher ranks' punishments rare but swift. Everyone has learnt a lesson when half of them were unceremoniously fired when someone said some nasty things about the CEO. So things might not be perfect but at least if you stick to your tasks you will be left alone.

So, we meet demon Crowley, whose family threw him out as mentioned above and his job sucks and he hates it but it's not hard and his placement is rather a nice place so he does his best to not to lose the position. Sometimes he wonders what is the point of it all and that's when he runs into his adorable archenemy, the angel Aziraphale.

Aziraphale was sent to Earth and given a job, one that doesn't seem to quite work out (or does it?) as he follows his heart instead of the rules almost immediately but surprisingly is not punished for it by the CEO. So he spends his time helping the natives, following orders he receives as best as he can and when he runs into his archenemy the demon, he feels a certain strange tingle and flutter in his heart at the sight of the rulebreaker.

They have done a fair job of it for 6 millennia. They avoid getting fired and even manage to take on each other's tasks to lighten up the load and the (pointlessly) random business trips (does anyone Up or Down there ever heard of geography?)

When we meet our heroes in present day-ish, they've been told the End of the World sequence has been triggered and life as they know it is about to end. 

How do they feel about this? Well. Our demon is appalled. He knew this was coming. But not really. It's just something to sort of work towards right? After all, the Earth has been developing rather nicely. The alcohol got better, the food for his Angel, the music got interesting, the clothes tighter... He's having a good time. Yes, he pushes his luck sometimes. Sleeps too long, gives in and saves someone instead of ruining them. He gets into all kinds of tangles to spend time with his crush. He is rash but he's not stupid. He knows what's at stake. But he's angry. And sometimes that's hard to contain. He does go too fast. But Aziraphale is always there to catch him. And if he can't, he waits and worries and is there when Crowley returns.

So about the angel? He knows he should dislike the demon. He knows he should follow his directives. He knows he should not meet or talk to Crowley. And what does he do? Gets himself arrested in his fanciest silks so they can have crepes when the world and humanity is bringing them down with their relentless hate towards each other. He puts on a magical performance when the demon fails to deliver some contraband liquor in the midst of the Blitz bombing.

And, now. Here's the funny bit. Angel has gotten himself a part time job in the past few centuries. He's had a few before, but not quite like this. He has a place he loves now. A safe, cluttered place where a demon is welcome. It's not much like his original home. You could say... it's rather quite the opposite of it. In any case, he never really got on with his managers but tbf he likes his job. It makes the humans happy and he loves the humans and loves making them happy.

He also does not want the world to end. But his fam has always told him that once this bit is over, an even better one will come along. What that bit is was never quite explained but then, asking questions was always frowned upon and rather vehemently so. He's noticed this from the get go... unlike a red headed angel he once knew...

What is my point?

That neither Crowley or Aziraphale are wrong. Or right. Doing the correct thing. Or not. Me. You. We come from broken families, we have been friends and lovers with bad people, we have escaped religions, cults, home countries. Lies. Rules. Hate. We have fought for our love to be recognised as love.

Crowley and Aziraphale live in a world where Heaven and Hell is real. Where Satan rules over a smelly place with mould on the walls and God is engrossed in her sci fi novels and seems to have forgotten about Her Earth project.

You can't call Aziraphale stupid for believing in God. She exists. Whether She has a plan is open to debate, sure. She seems to have claimed so at some point, but then, we all change don't we. Maybe She changed Her mind and forgot to tell the upper management. Maybe She thought She didn't need to spell out all the details to them so they kill Job's kids. Maybe She was vague on purpose much in the style of King Henry II and Thomas Beckett.. Anyway. Back to Aziraphale, our angel on Earth. He is kind, has hope, wants to believe after thousands, millions of years. And this is not stupid. Aziraphale does and is brave, courageous things. And he's slowly learning to trust himself more too. To know the difference. It started with the sword and his overthinking on the giving away of it. He made a decision to protect Job's children. Risked Falling for it. Trusted the demon over his bosses. Not because Heaven is WRONG. Yes, they are. But the thing is they don't care. And Aziraphale does. He cares about humanity. And he cares about Crowley.

Nobody noticed (or did they) how our two field agents fell in love (neither did they tbf) and how fiercely they guard the little secret they share. The smiles and the glances, the small flowers of hope that things can change one day.

And they did change. Plan A, War and Destruction, did not work out. The youngster they sent from Below decided he likes the new place and refused to ruin it. They both learned things. They are still learning. The demon how to trust again. The angel how to question things.

So what's next? The place Above is going to send their trusted agent. He followed the rules last time seamlessly. It did not quite work out but no problem, they'll send Him out again. With a rather more final arrangement.

In the meantime, the disgraced and rather troubling Earth agents have been lying low. Unsure of their places and overall safety, they went on with their lives as best as they could until the angel happened to help his former boss run away with his paramour from the other side and is visited by the Big Boss.

Big Boss wastes no time and suggests to our angel he should come back Upstairs and take the place of his disgraced superior. To use his skills. To be better looked after I suppose. New opportunities. To be close to the big upcoming decisions or - under a close watchful eye.

Aziraphale, not surprisingly, refuses. He does not want to put any of his 'skills' to any good causes but his own. But then. THEN. He is not so subtly made aware that his dangerous liaisons with the other side have been noted and his help in the latest Complication might not go unpunished if he's not careful.

And this job offer suddenly seems FAR more sinister than it did 15 minutes ago. Especially when it is handed over with a coffee (that he does not much like) from a place called Give Me Coffee Or Give me Death.

Our angel goes home to cautiously tell his demon about the trouble they are in and his world comes crashing down around him.

This post turned out to be completely different to what I originally wanted to write. Is there a point? You decide.

Aziraphale's decision makes complete sense, he loves the Earth, his home and Crowley over and above everything else. And he WILL fight for their safety. AND the humans in the process if he can.

This is my very first Tumblr post. Way to go me etc. Please be kind.

[simmyfrobby]

do u have any sports doc recs 🤝

i mean. the crossfit games documentary i just watched was sad but also quite an interesting look at the crossfit community & how people deal with grief. i watch the buttery bros documentaries for this event pretty much every year. the quality isn’t Amazing but they’re free & on youtube & they provide an up close & personal view of the athletes because the guys who make the movies are friends w them so that part is pretty cool.

other sports documentaries i liked:

The Last Dance - basketball series. incredible storytelling. equally incredible soundtrack.

Icarus - cycling doc. slow start but gets REALLY good. deep dives into the russian doping scandal from a few years back.

The Russian Five - hockey doc. it’s on youtube and i think everyone has pretty much seen it by now but it’s just. so good. so devastating.

Free Solo - climbing doc.

Senna - F1 doc. i liked the documentary and thought it was good but senna himself is um. pretty gross. the documentary doesn’t mention it but he dated a teenager when he was a grown adult so. you should know that going in i guess.

Last Chance U - series. the basketball season is good & the first american football season is good too. every other season i kinda hated. it’s a series that follows a group of boys who’ve failed out of university or gotten into some kind of legal trouble & are now trying to impress at a junior college to get back into the competitive sports programs. my mom and i used to watch these together.

MotoGP Unlimited - MotoGP series. this is basically drive to survive if it was good.

Hitting the Apex - MotoGP doc. slightly older but still good. focuses more on VRossi who i think is one of the most interesting motorsports personalities probably ever.

Tour the France: Unchained - cycling series. i thought this was v good even though i don’t typically love the netflix drive to survive type shows.

Cheer - cheerleading series. this one is interesting because the second season takes SUCH a turn. (CW: sexual assault) the first season follows a cheer team throughout their season. it’s happy. lighthearted. cute. the show does really well, the cheerleaders become pretty famous over it. the second season starts with one of the cheerleaders (a fan favourite) being imprisoned for sexually assaulting a minor. so that season then follows the rest of the team & how they’re dealing with that. it’s pretty dark but i found it interesting.

other docs worth checking out:

the first pens cup doc is pretty good. (i watched the other 2 and liked those less). there’s also a documentary called Pittsburgh is Home which i quite liked. not super high quality, but interesting.

ive seen a bunch of the netflix sports docuseries and hated pretty much all of them (sorry) but i will still check out the american football quarterback series just because i think american football is cool.

i watched the leafs all or nothing docuseries twice (TERRIBLE storytelling. really so bad) and enjoyed it for what it was. but man it’s bad. sorry leafs fans. also some very disturbing serious injuries being shown so don’t go into that one blind.

more crossfit & crossfit adjacent documentaries that i liked but that aren’t necessarily Good: FroIVing, The Fittest on Earth (there’s like 4 of these. ive watched all of them a few times), Fullsterkur, Ronnie Coleman: The King.

[mysterycitrus]

could we please hear some more about french dick grayson? I'm very invested now! <3

yes the graysons are my favourite topic so!!!! i personally enjoy the idea that dick isn’t american and had very little exposure to american culture before his parents death. imagine ur first encounter with americanisms being gotham city. no wonder he’s like that.

when i was writing persephone i did a lot of reading about different rromani groups in europe to try and map out where his parents might’ve come from, and eventually landed on southern france for his mother (specifically from the sinti-manouche romani) and dobruja, romania for his father (with a turkish father and romanian mother). we see that reflected in how dick refers to them in his head — always by maman and tati, and never by their names. were they actually ever the flying graysons, or was the name grayson itself anglicised? we just don’t know.

i didn’t want it to be lip service, and i didn’t want it to be something casual tossed in the bg like we see in taylors run (what the hell does romani smile mean, tom??) because that’s how we see flattened, stereotypical storytelling. i can’t decide whether i was successful or not, but it would be nice to see any professional dc writer out in some effort to dicks backstory that isn’t court of owls or [x character] was at the circus when the graysons fell. at this point it’s more of a red flag that random goon no.4 wasn’t there.

with that in mind, dicks relative isolation in gotham being not only from his own grief but also because he’s literally on another continent, speaking a language that isn’t his, and totally away from everything he’d known, makes such an interesting counter to bruce’s own journey with loss. dick is transient, while bruce is (literally and metaphorically) rooted in the house his parents lived in.

however the primary reason i enjoy him being french is because i believe damian would make fun of him for it (lovingly)

[hadesoftheladies]

FEMALE MOVIE/TV RECS (PART 2 / HISTORICAL FICTION/NON-FICTION)

got inspired from a recommendation post so decided to make a list of movies and shows with female-centric stories/female protagonists. since i can't post all of the genres in one post, i'll split it into multiple posts and y'all can save or add to the list as you wish. (disclaimer: i have watched most of these, but i only know about the existence of others. not every movie/show on these lists will be my recommendation. my recommendations will be beneath the list with reasons. also some of these are way better than others in terms of storytelling/performance--which is why i'll list my faves separately):

Common Themes of Media in the List:

-Workplace/general sexist discrimination

-Husband being pieces of shit and whiners

-Strong emphasis on sisterhood

-Romance plays a large part (both hetero and homo)

-Female genius and triumph

-Scheming mothers (always scheming)

-Grief, loss, and growth

-Motherhood is difficult but we pull through TM

HAVEN'T WATCHED:

Mozart's Sister

Lessons in Chemistry

The Conductor

Lizzie

Radioactive

Cable Girls

The Great

The Queen's Gambit

Britannia

Harriet

Mary Queen of Scots

ONES I LOVEDDDD:

A League of Their Own (9/10) (a favorite!)

Hidden Figures (8/10)

The Woman King (8/10) (a favorite!)

Anne With An E (9/10) (a favorite!)

Dickinson (8.5/10)

The Marvellous Mrs. Maisel (9/10) (a favorite!)

Gentleman Jack (8/10)

The Gilded Age (7.5/10)

HONORABLE (NON-LISTED MENTIONS)

The English (an english woman teams up with a native american cowboy to take revenge on the men who hurt them)

The World to Come (two women isolated by the wilderness and their husbands fall in love)

The Pursuit of Love

Colette

PERSONAL NOTES:

The Buccaneers is pretty feminist and wholesome, although oftentimes childish and full of Netflix cliches (even though it's an Apple TV original). It tries very hard to be Dickinson and Little Women but is a far cry away from Dickinson's edge and fierceness and Little Women's maturity and realism. It's more interested in appealing to Bridgerton audiences and its worse for it. But it's still full of the nice stuff, like strong female friendships and sisterhoods. Ooh, and lesbians! It's adamantly female-centric.

As for Little Women, I prefer the 90s version with Winona Ryder, but Greta did more justice to the source material than Louisa May Alcott herself in the new version.

The Book Thief and The World to Come are also tragedies, so you know. Ammonite, Portrait of a Lady on Fire, Summerland and The Favourite are lesbians and bisexuals in their full glory, although all of them have vastly different tones (The Favourite is a dark comedy, I believe).

Speaking of The Favourite, Mary & George is like that but it's men vying for the affections of the king. Don't get it twisted though, Mary, George's mom, is the protagonist and primary mover of the show. It starts and ends with her. Also, more lesbianism! (I don't get tired of pointing that out.)

Belle is one of the few autobiographical historical fictions of a black woman. My dad and I love it. It, however, does not surpass The Woman King. The Woman King is like . . . one of the best historical movies on African women I've ever watched! Or just in general! It gives so much agency to African people in the colonial age and tells the story with nuance and perspective--it is a decolonized view on the slave trade that places West African people at the center. It's pretty intense and gory, though. Like it's dark, but like the performances are insanely good, and so is the story. Real life Wakanda and all that!

[finalfrontierpublishing]

For Gladness of You by kariye

tis I, emerging from the depths to release a book into the wild -- ok, no i am lying i sent this book out in April (which was late, terrible of me)

In March 2024, I participated in the @renegadeguild California Mini-Exchange (CAME). as some people might know - i am one of the original interlopers in the server granted i don't actually live in california, but i was promoted to Asia Ambassador status when i visited last year in July.

For the exchange, I very gloriously got @mourningmountainsbindery as my partner for the exchange who i was excited to bind for, but I struggled a little in making this book as my house has been in a state of perpetual crisis until I officially move in November end of this year. This is sadly put my bookbinding on a backburner and I have been rather slow at it (my pace so far has been something like 3 books over 6 months, which is terrible).

Ultimately, I selected the fic because it's one of my favourites in the AOS fandom, and I love its use of non-linear storytelling.

Some stats as usual:

51055 words || 164 pages

body text: liberation serif 11 point

i had previously typeset this fic in word last year and I had really wanted to update the cover design. i've been leaning more into using paper and fabrics to tell a story, and i liked being able to use the different coloured papers to represent the coloured stones featured in the fic. I also painted the edges with liquid graphite, waxed and burnished them to make them shiny. i did a (largely failed) experiment to speckle the edges but mostly gave up as it was too messy to really do indoors. Some papers are from mamor papierie, and another is obtained from a marbler in India from etsy.

Endbands are made of silk, though i'd probably lean into thinner silk for smaller books in the future.

This book also features the second cut-out i've ever made, which i abused my cricut into doing it for me. Guess who found out that it's almost impossible to centralize the cut if you've precut the board already to size.

(Me, that's who.)

Despite the whinging, I do like how cut-outs work and will probably use them more in the future.

Anyway I CAME!!!!!

[stinglesswasp]

Hi! First of all, I think your art is gorgeous and honestly whatever words I put here, they will never be able to do your art justice. I love your visual storytelling! Now for the actual ask part. How could one start learning how to draw? I have a STEM background and I have wrestled many times before with the idea of trying to pick up drawing and every time I see content creators, such as you, posting their works, it makes me even more motivated to get some scenarios out of my head and place them on paper. Right now I do it in writing but I would love to do something graphic about it too. Problem is, it can feel overwhelming to start as there are so many resources and stuff and it can feel like a daunting task. So, how did you start drawing?

Thank you so much and I hope you will always keep your passion for this craft alive and well. Be it CoD or anything else.

Hi, thank you for your kind words! I've been drawing since I was a wee baby wasp, but anyone can start at anytime. You're absolutely right that it can feel overwhelming, but I love that you're motivated! That's honestly half the battle. I can give some general advice:

Start small, like really small… I know it's tempting to immediately jump into drawing your favourite blorbos smooching (yes, this is the entire point of being an artist) but it's like exercise, you need to build muscle bit by bit before you can attempt any ambitious goals. Draw very basic shapes like circles, squares, triangles, followed by spheres, cylinders, prisms. Try to rotate/stretch/skew/slice them in your mind's eye and draw the result. Draw some simple objects around you. You'll find that all objects, including complex organic forms, can be broken down into basic shapes. Here's an example of the types of exercises you can try: https://www.youtube.com/watch?v=-6F5q_5HC3o

There are beginner's tutorials on every aspect of drawing, I'd recommend spending a chunk of time in each area, learning fundamentals like perspective, proportions, and lighting. There are easy rules that you can follow that will make your art look 'correct' and not 'wonky' which might happen if you try to wing it without really understanding what you're doing. This video (though more advanced) has tons of useful advice and a fantastic guideline to follow: https://www.youtube.com/watch?v=6T_-DiAzYBc (in fact I think this is one of the best art 'tutorials' ever 🤯)

Be patient with yourself!! Your brain literally needs time to grow new neurons because you're learning a new skill. It can be frustrating to be unable to draw what you're imagining, but go easy and build up a strong foundation first. The more solid this is, the more satisfied you'll be when you finally tackle the stuff you actually want to make.

I hope this was helpful! Just practice a lot, have fun, and be proud of your progress 🧡 (also, sit with good posture, stay hydrated and take regular breaks <3)

[stickbug-made-entirely-of-spite]

Currently rewatching Treasure Planet for the nth time, animation and storytelling aren't what they used to be man

Not to mention the character design??? The antagonist isn't a bad person, the protagonist doesn't miraculously have the answer to everything, the most 'evil' character isn't the main villain, and the smart character isn't some cowardly introvert who can't stick up for himself. There is no romantic love-interest for the main character, the movie instead focuses 100% on Jim's development and the actual plot (asides from the barely mentioned Amelia x Dr. Doppler).

I doubt there will ever be a movie that ranks quite as high in my mind. Even if it's largely because of nostalgia, this will always be my favourite movie

[orchideous-nox]

The Amazing Devil are underrated storytellers

Like I'm sure many people did, I discovered alt-folk band The Amazing Devil through Joey Batey as a fan of The Witcher. Someone on TikTok was talking about the song Fair and how the actor who plays Jaskier (or Dandelion, depending on preference of material) from The Witcher sang it.

Instantly, I knew I had to listen to this song and I sat with it on repeat for an hour, picking through references and laughing at how pure and simple the love conveyed in those words was. It's the kind of love you dream of, where your partner completes you and life without them seems impossible. A love that goes beyond you both, as if there was no choice but to fall for one another. It's not pretentious or impossible to understand. It's universal and I fell in love with it.

Months later, I found Battle Cries, a song of overlapping whimsies. It tells the tale of two lovers ending their relationship and trying to find pieces of calmness in the uproar of their breakup, comparing it to a war not just between each other but within themselves. There a metaphors deeply woven within the lyrics and each line is magic as Joey and Madeleine sing over each other, words occasionally syncing up, representing the way they struggle to feel in tune with each other at the end of their relationship.

Battle Cries lead me to Marbles, the story of a couple where one of them is suffering from memory loss, the trials and tribulations of watching the person you love forget who they are and who you are too. It is a beautifully told story that feels so genuine, making me wonder how close to home the inspiration was. This song is an absolute guarantee at tears while also making you laugh.

Ruin came to me next, as wells as Drinking Song for the Socially Anxious and The Horrors and The Wild, three songs with such incredibly different vibes that don't just need to be listened to but thoroughly devoured.

Finally, a song I can never praise enough, Inkpot Gods. This song brings together so many ideas and images I love. Again, it is heavy on its use of metaphors but contains one of my favourite references they have ever used. The song discusses the love you can hold for another person and the lengths you will go to so you can protect them. It talks of breaking generational expectations and being there for someone when they can't defend themselves.

The best part of Inkpot Gods, however, is the Lord of the Rings reference where Madeleine sings "you might not fear a man//but to a woman by the end you'll kneel and plead". This is popularly theorised to be about Eowyn in The Return of the King and the line "I am no man" she speaks as she ends her foe's life, a show of her strength not despite of her gender. Easily the best line of the trilogy to me, and hearing it in song form cements this, following it with "I'm more than what my mum told me", breaking this tradition what what a woman can or should be.

While Joey Batey was the draw to The Amazing Devil's music for me, Madeleine has kept me there, she has such a beautiful voice and her and Joey together have made some stunning music that I will always love. They tell these fantastic stories within a few minutes, creating characters worthy of epic tales and narratives so deep and complex it leaves you thinking for long after.

[riordanness]

okay so every single (okay some) pjo character and their opinion on taylor swift bc that’s all i think about:

percy jackson: isn’t the biggest swiftie in the world but adores her music if it’s on. he owns at least two copies of the 1989 cd and his fav song to blast while skateboarding is welcome to new york ofc.

annabeth chase: absolutely loves taylor, probably really resonated with her lyrics and storytelling style tbh. her favourite albums are definitely 1989 (the beach-y california vibe yk), lover, and midnights and folklore and evermore and fearless and reputation and speak now. (what can i say—she’s a swiftie)

grover underwood: he’s a music guy. ofc he likes taylor swift. probably only knows like four songs total, and they’re all from like debut and fearless but hey. that’s something.

piper mclean: you can’t tell me she doesn’t ADORE reputation. and probably fearless too actually. definitely has some kind of merch (a signed cd??) in her room back home.

hazel levesque: obviously didn’t know anything about her but once introduced, loves folklore and evermore and the tortured poets department. soft and soothing songs are defo her thing.

leo valdez: old mate probably listens to all too well every day tbh. he doesn’t love her and definitely isn’t a swiftie, but red (especially the vault tracks and the songs written for hunger games) are always welcome.

jason grace: my boy knows nothing. nothing. but you bet he finds out about her eventually and doesn’t really have an opinion either way. he neither hates or loves or dislikes or likes. it’s just music to him.

frank zhang: probably likes debut. but probably also never really thought about her or knew much about her music bc of his grandmother and stuff yk.

nico di angelo: to anyone’s face: absolutely not. but secretly? oh yeah. he would totally listen to folklore and shit are you kidding me?? he’s such a swiftie.

reyna avila ramirez-arellano: yes and no. a couple songs in her playlist but not like. that much. she doesn’t really mind her and doesn’t really love her either.

luke castellan: he’s lowkey a hater. probably listens to kanye just to spite swifties and writes those hate comments on all her fanpages and shit yk.

thalia grace: she likes about half of the reputation songs and a couple of ttpd too. (especially look what you made me do). but she’s more into older music like green day (iykyk hehe)

silena beauregard: UH. YES. lover girl in the flesh. she is totally the camp’s biggest swiftie and is the one who got annabeth into her. she’d defo have merch and posters and have memorised everything.

clarisse la rue: silena made her do it. that’s what she’d tell you,and it’s true!! but she has a secret soft spot for a good taylor swift song.

chris rodriguez: knows about her through clarisse, doesn’t really give a damn about her.

charles beckendorf: BIGGEST SWIFTIE EVER headcanon okok. owns merch. posters. go to her tours. the whole shibing shabong iykyk

apollo/lester papadopoulos: duh. he’s the god of music bro. i think he would appreciate the literal music industry herself

meg mccaffery: no way. she’s a professional hater for the pure fun of it, has probably never heard a single song other than shake it off, and comments ‘kanye better’ on all her fan accounts

carter kane: tbh he would appreciate her lyricism a lot, but doesn’t strike me as someone who listens to that much music in general?? also he wouldn’t really know a lot of normal pop culture stuff necessarily, so…

sadie kane: she likes her. she likes everything. she’s a pop girlie fs, so reputation/midnights are her BANGER albums. she would definitely have some taylor swift on her ipod playlist, but she’d be more into avril lavigne, lady gaga, olivia rodrigo and stuff like that.

zia rashid: who’s taylor swift?

magnus chase: the only canon swiftie magnus you have my heart. he’s also a basic white girl, thank you very much. he literally (IN CANON BTW) recognises ‘blank space’ and ‘i know places’ and identifies them as taylor swift. so. yeah. he’s a swiftie fs

coach hedge: lol nope. he’d have the worst music taste of all time. NEVER give him the aux

sally jackson: she would LOVEEE evermore and speak now and debut, fight me. she’s also just the perfect person ever so ofc she loves taylor swift

paul blofis: would defo vibe to it imo, but would never put any songs in his playlist tho cause he’s boring ok maybe he would for sally’s sake. and estelle’s

[its-not-a-pen]

—Terracotta—

Ok so I visited xi'an during my trip back to china (3 months ago?), and this idea popped into my head during the 9h train ride back to shangdong. I am of course 100% projecting my own love of the terracotta army onto Qin Shi Huang, in reality he did not care for this pit of mud statues depicting lowly commoners. In fact, no one ever bothered to write about it and they were lost to history until 1974 when some farmers digging a well stumbled upon them. But it's exactly the reason I'm so fascinated by them. QSH's tomb has not been excavated, and although I have a running joke about cracking it open--mercury vapors be damned--none of the riches inside will ever enchant me as much as the chance to see the face of a person who lived during this time.

Notes under the cut:

#1

the title Qin Shi Huangdi means "First Emperor of Qin" and was given to QSH by later historians. He actually called himself the Shi Huangdi, "First Emperor", and that is the title I've gone with here.

in English the other kingdoms are translated as "states" (i guess to avoid confusion?) but in chinese they are very much kingdoms.

The terracotta warriors used thousands of craftsmen, many of whom were slaves from conquered kingdoms. From a storytelling perspective I thought it would be more streamlined if there were two main artisans who reported directly to QSH.

QSH's clothes are based on the overly complicated courtly regalia. which has 12 symbols that only the emperor is allowed to wear

Notice how this hat is ROUND at the front??? Well I CERTAINLY DIDN'T. HAD TO REDRAW IT!!!!!

the stripped shirt is based on this Chu woman figurine. Clothes were fairly unisex during this time and I thought it was a nice fit.

#2

Paperwork: writing was done on books made of bamboo slips. Anecdotally, QSH had an impressive work ethic and would read 100 bills every night.

Bronze Goose lamp: ok this is actually a Han dynasty lamp pls forgive me. I saw this bad boy at the xi'an history museum and it's bewitched me body and soul. The goose neck is hollow and connects to a reservoir of water in the belly, which minimizes smoke and cools the lamp.

QSH is remembered as a brutal tyrant and brilliant statesman, but I wanted to present a more human version of him here. Bored, tired and drowning in work he refuses to delegate. His new empire is balanced as precariously as everything else on his desk.

#3

The attendants standing behind him are holding little wood tablets called hu for taking notes. Their brushes are tucked into their hats/hair, inspired by Han dynasty custom. (You'll see me using Han stuff a lot. Their cultures were very similar to Qin, since it was only a few hundred years apart).

So I had a slight breakdown trying to find the correct hats for the eunuchs, and ended up redrawing everything the night I was due to publish. Closest thing I could come up with was a reference to a round-style Han Dynasty hat which evolved into this square Jin hat. Yes, this is a cry for help .

#4

the wheeled platform is 100% made up, I tried to come up with a plausible way of getting a bunch of figurines into the palace.

#5 & #6

Painted terracotta soldier

How were the terracotta warriors made

The General: Fun fact, I got to see this guy in person!

#7

The Epic Wide Shot was inspired by some Tang Dynasty terracotta figures I saw at the xi'an museum!

#8

THIS KNEELING ARCHER. ARGGGGG. He use to be my favourite guy. I even went into the pit and drew him IN PERSON. the archers inexplicably have their hair buns on the OPPOSITE SIDE OF THE HEAD. So because of him, I DREW ALL THE HAIR BUNS WRONG!!!! REDRAW!!!! PAIN AND SUFFERING!!!!

#10

Qin was famous for it's very long, thin swords. They were more useful as status symbols than actual weapons, as QSH knows from personal experience…

#11

QSH'S Tomb hasn't been excavated yet, but high levels of mercury have been detected in the soil, making the historical accounts of quite plausible.

[hephaestiions]

author reclist: toomuchplor

a few months ago, when i was coming back to fandom in earnest, i came across this post from @sitp-recs. explorations of faith, divinity and worship are some of the tropes i find most furiously compelling, so i had to jump into o come, all ye faithful as soon as possible. i did, only to fall headfirst in obsessive, wide-eyed, awe-inspired love. @toomuchplor writes a desire that's both slow and heady, relentless and gentle, all-consuming and a rest stop to breathe easy. i couldn't help but read through (most of) their catalogue in a matter of days. this author's thematic range is astonishing, their characterisations lead to delicious stories where two headstrong, wilful and perennially longing men crash, fumble and rush into achingly sweet love and burning lust.

what always spools me in with plor, though, is their use of circumstance, especially in longer fics. every fic has a premise iron-clad in its fascinating, inventive, raw and exciting potential. more often than not, i've found them doing something i haven't encountered before in fandom at all, or reworking a popular trope in ways that make you go, 'oh. oh, i never thought about that happening, how did i never think of that happening?'

i've loved everything i've read from them, but here's a selection of some of my absolute favourites that i'll be going back to, over and over:

i've got a beautiful feeling (everything's going my way) (E, 3.5k)

“I’ve got such a boner,” Harry says, voice scratchy, just slitting his eyes open now, turning his head on his pillow to face Draco. “Oh, lovely, good morning to you, too,” Draco says.

a slice of life like the plush inside of a ripe mango— a love that's mature, constant, beating like a strong heart. the filthy, hilarious, gorgeous portrait of harry and draco's married life— the familiarity of sex, the rush of wanting each other as much as ever.

o come, all ye faithful & all the angels cry amen (E, ~22k total)

In which Draco finds faith in the church, and Harry finds faith in Draco.

an achingly tender rumination on faith as love, and love as worship. one of the most heartbreaking and realistic depictions of the reckoning it would take for harry potter to accept he has found refuge and rest in draco malfoy's arms. i loved the non-chronological, dual timeline storytelling— that particular form works so well when there's a taut, twinging thread holding both narratives together, and harry and draco's gravitational attraction to each other, fraught in parts and at peace in others was the perfect anchor.

time and too much don't belong together (E, 23k)

A Malfoy family heirloom gets triggered in a raid, binding Draco Malfoy to Ron Weasley; neither of them is too chuffed about this.

a masterclass in revelations. the reader can tell, from the outset, there's more here than meets the eye. the reader can also guess, from the beginning, what the dynamic in the shadows is. tense and breathtaking writing, you know what's coming, but every time you're fed a morsel you cling to it with both hands. one of the most inventive takes i've seen on the lust potion/spell trope in this fandom, and done in a way that makes you want to see it over and over and over again.

polar night/midnight sun (E, 54k)

Harry travels to arctic Norway on the trail of dragon egg poachers, only to find he's been assigned to work alongside the only NorMagPol Auror north of sixty: one Draco Malfoy. It's been ten years since they crossed paths, and Malfoy isn't exactly what Harry expected or remembered. For one thing, he wears a lot more hand-knits? When a sudden winter storm strands the pair, unable to use magic to rescue themselves, they take shelter in a one-room Norwegian hytte.

exquisitely atmospheric. uses extenuating circumstances in some of the most delicious ways. builds character and interpersonal dynamics through those small little elements of storytelling (draco in knitwear! brynjar the dog! the mundane pillowtalk! the quirks of their miscommunication!) that go the longest way in having characters leap off the screen into your personal space. also the sex in this is absolutely mind-blowing, i was hooked on every glorious word.

truth to materials (co-written by lately) (E, 58k)

In which Harry learns to appreciate art and other pleasures of the flesh.

decadent. in premise, in language, in characterisation, just absolutely decadent. this version of harry, bewildered and captivated by draco's out-there artistry is one of the funniest and most endearing i've encountered in fic, ever. his head, so full of determination and good intentions and terribly flawed and completely believable thinking, was such a brilliant place to set this fic. and draco— lord. you know that moment of transition, that click, when a piece of art goes from something untouchable and distant to a soulful thing you keep close because you recognise it as a cultural, emotional response? this fic felt like a literary project trying to capture that click, except it's a shift in perspective about a person. draco— the cool, untouchable, subversive artist who becomes irrevocably, warmly, achingly human.

probationary action (E, 63k)

As part of the terms of the probationary contract, DRACO LUCIUS MALFOY shall submit for inspection his WAND on the last day of every month, such inspection to be carried out by a duly registered and fully qualified AUROR in the employ of the MINISTRY OF MAGIC, and such inspection to include a PRIORI INCANTATEM spell to ensure that no PROHIBITED MAGICS as heretofore described have been practised by the aforementioned probationer.

*incoherent screaming*. a fic that starts with a premise so lighthearted and filthy that you think it's going to be a long, kinky fic about two rather hilariously perverted men getting it on, except it also gets into some of the most resonant discussions of post-war revenge tactics and human rights neglect i've ever read. the dynamic between harry and draco is simultaneously so light and so weighted, this is a fic that holds you down and keeps you there till you're done.

in conclusion: an entrancing author, a gift of a writer. i can't wait to see what else they have in store for this fandom.

[alwaysahiccupandastrid]

I know I’ve spoken about my issues with ‘Peter Pan and Wendy’ (2023) before, both in my initial thoughts post about the film after it released and a couple of smaller comments since, but I’ve realised something this past week after rewatching the original Disney cartoon and the 2003 non-Disney live-action while sick, and I feel I need to talk about it.

It’s about Wendy Moira Angela Darling.

While I stand by that Ever Anderson was one of the highlights of the film and that she did a great job as Wendy, the Wendy in the film is not really the Wendy seen in Barrie’s book, nor the one in the play and other films adaptations. It’s a very different character in a lot of ways, and while it’s normal for characters to differ from adaption to adaptation - especially over the course of 70+ years - I feel like the Wendy seen in the 2023 is more like Jane, Wendy’s daughter, from Disney’s Return to Neverland sequel in 2002.

Let me preface by saying that I actually love Jane in the sequel as a character - I see a lot of myself in her, and while the sequel in itself is not really my favourite, I do have some nostalgia for it because I grew up with it and it’s a cute little story. I like that Jane is actually different from Wendy in a lot of ways; she’s a lot more headstrong and more of a tomboy, and while she’s also a storyteller at times like her mother (mostly to her brother Danny), she is a lot more practical I think and seems to be opposite to Wendy in that she’s trying to grow up too fast. Wendy believes in Peter Pan and doesn’t want to grow up, meanwhile Jane believes Peter Pan to be silly childish nonsense, that she has to grow up quickly and be more adult due to the war/her father being away - Wendy says to her, “you think you’re very grown up - but you have a great deal to learn”.

Obviously the 2023 Wendy doesn’t want to grow up, that’s still the same, but in terms of personality, temperament and the way she treats her brothers after the broken mirror incident (blaming John for it), she reminds me more of Jane than Wendy. Like Jane, she also doesn’t seem to have a good time going to Neverland (at least not at first?) and she seems to take on a lot more action than Wendy did in the animated film.

Of course, it’s not the first time that we’ve seen Wendy wielding a sword and fighting pirates - the 2003 Wendy was shown to play with wooden swords and use real ones, even remarking, “who are you to call me ‘girlie’?!”. I’m not saying that Wendy can’t be a sword wielding girl and fight because she can, it’s one of the additions I love the most about the 2003 film.

The problem with the 2023 version of Wendy is not her being a main character (she has always been a main character), nor her sword fighting and being generally bad-ass - it’s the erasure of the other qualities that make her Wendy Darling.

One of Wendy’s primary character traits is her mothering nature - she is very motherly to her brothers, and when she hears that the Lost Boys don’t have a mother, she’s aghast and agrees to be their mother. The whole “Peter is father, Wendy is mother” idea is clearly a reference to how kids in the playground will play games like “mummies and daddies” - kids imitating what they see around them. It’s all a big pretend game in Neverland for fun. It’s also undeniable that Wendy pretending to be the Lost Boys’ mother is clearly reflective of her own mother, who she adores and is portrayed as the loveliest lady ever, and how she’s imitating Mrs Darling in a lot of ways during this “game” - singing to them, telling them stories, medicine etc.

Some would argue that Wendy is “forced” into being the “mother” and that while all the boys are off having fun, she’s left playing house, which I understand. But what a lot of modern audiences and filmmakers don’t understand these days is that motherhood is NOT an anti-feminist idea - there seems to be this view that portraying a girl wanting to be a mother or expressing the wish to be married/have children is some old-fashioned misogynistic notion, which is absolutely bizarre to me.

As a feminist myself, I believe that there is no clear cut definition of “womanhood” or what it means to be a strong woman with autonomy. Some women want to have careers and not have children, and that’s fine; some women want to have children, that’s fine; some women want both, and that’s fine. What matters is that it’s the woman who is deciding what she wants.

For me, Wendy has always been this remarkable and extraordinary character to look up to because she chooses to grow up - and for her, that means having her own children to tell her stories to. That’s what she wanted, that’s why she went back to England, and that’s part of her character arc, realising that by growing up she has things to look forward to.

For some reason, when 2023!Wendy thinks “happy thoughts” to make herself fly when being walked off the plank, her vision for the future that she looks forward to involves piloting automobiles that haven’t even been invented yet and then dying alone? Which… I mean, if that’s how someone wants to live then fair enough but that’s not Wendy. That’s not the Wendy Darling I grew up loving.

A lot of my issues with the 2023 version of Wendy do in fact link with other issues of the film in general: the Lost Boys including girls, for example. Like I get wanting to be inclusive, and I 100% wanted to be a Lost Girl growing up, but the Lost Boys are boys for a reason (“girls are much too clever to fall out of their prams”), and when Wendy arrives it’s a huge deal because they’ve never actually lived with girls before, and the only concept of girls they have is their memories of “mother”, which is why Wendy becomes their mother figure - because they literally don’t have any other female figures in their lives to compare her to other than the tiny scraps they remember of their mothers.

There’s also the issue of the thing prompting Wendy not wanting to grow up being changed; in the original, it’s because it’s her last night in the nursery and moving from the nursery - aka the room she has spent her entire life thus far in - to her own room is a HUGE transitional worry that a lot of kids probably go through (usually it’s in the form of moving from toddler beds to big kid beds but still). In the 2023 version, she’s being sent off to boarding school for some reason which doesn’t really make sense to me because the Darling parents a) are so poor they have to have a dog as a nursemaid and b) love their children so much that they would never do that to them. I’m not saying that being shipped off to boarding school ISN’T a worry for a young girl or a huge deal, but it isn’t one that I think necessarily fits with the story.

There’s the fact that Wendy is no longer the storyteller; in most versions, the reason Peter visits the nursery is because he likes her stories. Instead, the reason he comes to the nursery is not because he likes her stories but because he used to live in the house? And instead of bringing her to Neverland to tell stories, he comes to take Wendy away as he apparently heard her saying she didn’t want to grow up? It just doesn’t sit right with me, but maybe that’s just my opinion.

Also, for some reason, Wendy and Peter don’t actually seem to like each other at all in the 2023 version - I’m not saying there should have been romantic hints or whatever, but even just in a friendship way they really don’t seem to care in any way about each other. They just seemed rather indifferent towards each other, and it’s kind of jarring to see.

In some ways, I feel like 2023 Wendy was made a little too bad ass and on the nose super feminist: “this magic belongs to no boy!”, slapping Peter across the face (which was just…??? Why?!?!), constantly criticising Peter/Neverland, having WAY more action and heroic moments than Peter Pan himself… maybe in a different story it could have worked but for this one, it came across forced at times, like they were intentionally trying to show “look! Look how badass she is! She can fight off grown men all by herself! She doesn’t need a boy to help her! She can do everything by herself!”

This is why I feel like the 2003 version of Wendy is the best one (so far): while they modernised her slightly by making her sword fight and express an ambition to write novels about her adventures, she was still a storyteller and motherly figure to the Lost Boys/her brothers. For me as a child, seeing Wendy be the storyteller and her journey of acceptance about having the grow up was really important to me because I could completely relate to it.

Of course, I recognize I’m very biased because this is the one I grew up with (along with the animated Wendy of course) so I’d be interested to hear other people’s thoughts!