#so sorry about the long post LMAO (i am not)

[anarchy-and-piglins]

this is kinda long Im sorry but so um

I saw this post a while ago that was like, if you wrote and posted fanfics and then people really really liked them, but none of them told you that because they considered you a big scary author and then they only talked to each other about it, then wouldn't that make you sad?

and I was like, actually yeah it would

so I am trying to make a habit of putting really nice comments on any fic I found myself absentmindedly thinking about that I had liked, because I wasnt in the habit of commenting alot on fics and I do want to be

So I was talking with a friend about technoblade sbi fics and I recommended your account to them and was talking about how much I love a lot of your works and that I see you on tumblr and then I realized I could also tell you how much I love your fics

which, like I love your fics alot man, filling pools with my love

like, I'm kinda obsessed. you write very well and in my mind you kinda carry the technoblade centric girlies ngl

words can't describe how much I love and think about your works, and I absolutely love and adore all your works equally.... "weapon of war" will probably haunt my thoughts into the nursing home it is so good there are no words

and also almost all of my close irl friends have listened to my bad vague explanations about the plots of both "Tasting your blood means I love You" and "you bring out the worst in me" probably more then they want lol

anyways <3 hope you have a very good day or night and live your life with both sides of the pillow always comfortably cold and you never stub your toes ever again

Wah, never apologize for being nice to people. Your message really brightened my day when you originally send it a couple days ago, and I've been hanging onto it just to reread it when I'm down.

Telling fic authors you like their work is a great habit indeed! My 2025 resolution is to leave a nice comment on every single fic I read. Engagement keeps the fic mill turning. You have excellent taste in fics too, those are some of my favs lmao /lh

[apostaterevolutionary]

I am so sorry, apparently it’s 2024 and I’m arguing about dragon age again lmao. How did I get here! Why is this happening!! Time is a flat circle!!!

Anyway. People can feel how they want about the past games not mattering in this game. If you’re cool with it, I’m happy for you. But there’s one particular argument in defence of this choice that is really, really bothering me and I have to rant

The thing I keep seeing is “well all this other stuff has nothing to do with the main plot or Rook, so it should be cut” and that’s. Not a good way to tell stories in my opinion. Because here’s the thing: it’s not about the Big Overall Plot. It’s about the characters that live in this world, big and small

I’m going to use the example of Varric and Hawke cause I think it’s the easiest to explain quickly. Varric is a storyteller. That’s the defining trait of his character. He tells stories, and sometimes they’re true and sometimes they’re not and sometimes it’s something in between. In DA2 he tells you about his brother. In inquisition, he talks about hawke and there’s banter about several of the companions. Most of these are just little one liners that don’t “serve the overall plot” but they serve Varric’s character

And that matters

So if we take this character known for telling stories about people that have been in his life, well, he largely can’t do that now. How can he talk about Hawke, someone who can be a very close friend of his, without even their gender being a choice you can select? Or whether Varric should be saying ‘is’ or ‘was’ about them? How can he talk about the companions in DA2 or inquisition when a lot of them don’t have to be recruited or can die? Will he limit himself to only characters that are guaranteed to be a part of it and alive? Or is it that he and Rook will have such a shallow relationship that Varric, of all characters, never talks about his life and past exploits?

Or has Varric as a character changed so much that he doesn’t even want to tell stories anymore? That Hawke living or dying means nothing to him? That the friendships he built with people in 2 games mean nothing to him? That he’s become literally unrecognizable?

This is where the problem is. Sure, Rook maybe doesn’t care about these people they’ve never met. But do they care about Varric? What about if a companion mentions an old friend of theirs, talks about an experience they had that made them who they are - is that only okay if that experience isn’t from a previous game? Or are all the characters so flat that we never learn anything about their connections to others outside of Rook? Is this story SO focused on this player character and this plot that NOTHING else matters, even within the world, and there’s no depth to be found in any of the characters that feature in it?

Writing characters so that they only ever talk about things that “directly serve the plot” is how you get flat, unremarkable, boring, forgettable characters. And that’s not something I would have accused bioware of doing even if some instalments are stronger in this area than others. But it sounds like that’s what they’re doing here, at least with the past characters. Cause sure, maybe Morrigan is so closed off she’ll never mention her son and partner. That’s believable, even if iffy given that they’ve said she’s going to be more involved than we think. But Varric? VARRIC??? Never mentioning ANY of the people he used to spend time with and care about except Solas and maybe some of the inquisition characters that can’t die or not be recruited but also carefully skirting around what happened to them in the game? That’s literally not the same character

And I would expand this to like. A letter mentioning this or a codex mentioning that, or ambient dialogue about so and so - that makes the world feel deep and those random, unimportant NPCs feel richer by connecting them to the larger world. It’s not about “serving the plot”, it’s about making your world and characters deep enough that they feel real, lived in, and like something we can actually care about

[a-most-beloved-fool]

For the writing prompts;

19. For luck - Rom and Leeta

"And then," Bashir was saying - though in truth, Rom was paying only half attention, far too busy thinking about Leeta - "she came right up to me, and kissed me on the lips!"

"Oh, she did, did she?" Chief O'Brien said, scoffing good-naturedly.

"It's true!" Bashir insisted, though he didn't look insulted by the Chief's doubt. He was smiling into his glass, seeming quite delighted by the disbelieving frown on O'Brien's face.

Rom didn't quite understand what was supposed to be so 'unbelievable' about the story. In fact - "It seems pretty believable to me," he said. "Doctor Bashir's always kissing beautiful women." (Including, at one point, Leeta - though not anymore, Rom thought with some pleasure.)

"Yes, but this one was out of his league," the Chief said, batting his hand playfully across the table.

Bashir just smiled bashfully, ignoring the swipe. "Ah, well. You're right about that. She wasn't really interested in me after all. Turns out, she'd just misconstrued the human concept of a 'good luck kiss'".

"Ohh! A 'good luck kiss'!" Rom said eagerly. Then, after a pause, "Uh, what's a 'good luck kiss'?"

The Chief sat back, idly crossing his arms. "Well, it's pretty much exactly what it sounds like. It's a kiss that you give someone to wish them luck."

"Oh," Rom said, considering that. Luck was always a good thing to have. Perhaps... "Oh! Leeta!" He stood, sending his chair clattering backwards. "I'll be back!" he shouted, then raced from Quark's bar, ignoring his brother's parting shout out dismay.

He needed to find Leeta.

--

"Leeta! Waaaait!" Rom hollered, shuffling through the crowded promenade as quickly as he could manage, chasing after her familiar voice. "Leeta! I need to give you something!"

This would be easier, he thought, if Bajorans could hear as well as Ferengi could.

But, at last, Leeta stopped, turning to find him. "Rom? Rom, what's the matt-"

The rest of her sentence trailed off into a hum as Rom reached up, pulling her down to plant a kiss square on her lips. One of her hands cupped Rom's cheek, soft. Rom didn't really know how long a 'good luck kiss' was supposed to last for - he really should have gotten more details before running off (for example, does it need tongue? Bashir never specified.) - but he thought that this should satisfy it.

He pulled away, grinning toothily up at his wife. "Hi, Leeta," he said.

She smiled down at him, cheeks flushed and lovely as always. "Hi, Rom. What was that for?" she asked, looking bemused and delighted.

"It's a kiss," Rom said, perhaps unnecessarily. "For luck," he added. "It's a hoo-man tradition!"

"For luck? Rom," she asked, laughing, "what are you wishing me luck for?"

Rom blinked. "Uhhh... For your day?"

Leeta beamed at him, and then leaned down, pressing a kiss to his forehead. "Well, I think it worked. I do feel pretty lucky now."

Rom grinned. "Me, too."

--

(also if anyone else wants to make a request, the ask game is here. i can't promise they'll get done as quick or be as long as this one is, though!)

[thisisntreaver]

Theres something about the idea of Sparrow and Logan's birth thats really hitting me.

Sparrow has been fighting their entire life, even in their childhood we see them having to resort to violence. They've spent their entire adult life stuck in the past, fighting entirely for the goal of avenging Rose. The future has never mattered as much as the past does, no matter how much Theresa whispered about it.

But now theres Logan.

For the first time, they do have a future that matters, Logans future.

Not the future Theresa tells her of, not the violence they've always known, not the weight of the world of the world on his shoulders.

Violence is an integral part of them thats so intimately woven into who they are as a person.

They don't want it to be like that for Logan.

I think thats clear in the way that Logan seems to idolize them, the fact that he chose to go on expeditions outside of Albion as opposed to being forced to. The fact that he seemingly was unaware of the darkness and the destiny laid for him and the hobw to try and stop it before meeting it.

According to Theresa one of their children is meant to save the world, but Sparrow has their first child, sees their son, innocent and yet to be hurt like they have, and chooses a different path, even if only temporarily.

In a way its finally avenging themselves, the child in them that was killed with Rose and replaced with a hero tormented by all thats happened. As long as they're alive, they'll keep their children safe from that same fate. They allow them to have a life outside of being a hero, unlike them. They allow them to have a childhood. They free them from the expectations that were held on them.

Logans birth is a huge moment for Sparrow for so many reasons, it's not just the birth of the first child, the one they get to be with the longest, but its arguably the birth of a new Sparrow.

[deoidesign]

Hello! I just discovered your blog and I immediately became captivated by your webcomic, but I'm unsure where to read all of it. I know it's on Webtoons, but I can see it hasn't been updated for a while, and you still post about it.

Are your physical novels just prints of the webcomic? Are they a continuation? Is the story complete? Thanks in advance!

Hi there!

Glad you found me and are enjoying my comic!

It's only on webtoons, and the story is not complete yet! We're 2/3 of the way through right now. It's currently on hiatus, and it's scheduled to come back in about 2 months!

I'll explain why it's been so long if you're curious, but also for my followers who might also be wondering about it under the cut. Sorry, it's pretty much just me complaining haha

I took a month off I took 2 months to get the books printed I took a month to prepare my next comic and I took 2 months to write the rest of the series (I knew the character arcs I wanted, but not the time periods or mysteries!!!) I've been working on actual episodes since then

I had to take some time off because of some pretty extreme burnout due to the sheer amount of work it was to draw over 800 pages and write 6 complete stories in a year and a half... I was getting sick almost weekly due to the overwork, it was really really bad honestly. I was having to work 60+ hours every week just to keep up...

The nature of the comic itself is also difficult... Each of the arcs is a complete, self contained story which can be read (ideally) without context, and my arcs need to be about 10-13 episodes each... And since I have an exact number of episodes to work with, it's even harder.

It takes a ton of planning and a ton of refinement, and working week to week with no breaks I was forced to put out second or even first drafts, so I just wasn't happy with the work I was doing... And to do that for the rest of the series? I wouldn't be proud of the work I did.

Plus... To be entirely honest, webtoon has treated me quite badly IN MY OPINION... They deprioritized me before I launched (I had to beg for more promotion, I'm not exaggerating), they outright denied me the opportunity to even ask for a raise, I don't make any money on fast pass and they pay me less than my partner makes working at trader joes. My first editor left me completely hanging, my second editor (who I loved) was fired... And they told me I wouldn't get a third season before my first season even finished. So it was just repeatedly completely demoralizing.

I'm sorry it has taken so long, it'll have been 10 months by the time I come back. But I realized... I won't get promotion either way. I won't get more episodes either way. I won't get more money either way. So to finish everything, to make it feel good, to make it something I'm proud of, I chose to take longer to make it better.

I am fully aware I will lose a significant amount of my readership for this and it might genuinely affect my career moving forward. But it's what I had to do! So I'm sticking to my guns on it, and I'm confident long term it'll be worth it. It never could have been this good if I didn't take this much time.

[shadyvoidhologram]

I was laying in bed overthinking, as you do, and started to go on a depressive doom spiral. And then, to distract myself I started thinking about the things I like.

[Spoilers and some gross details incoming, you know what Mouthwashing is about]

So, eventually I started thinking about Curly being in a similar headspace as I was, laying down, incapable of doing anything, constantly in pain and hearing time and time again how quickly things are going to shit and that it's all your fault.

Him replaying his mistakes over and over on his head, imagining the many ways things could've gone a different way if only he had done something instead of ignoring the issues to "keep the peace".

Remembering every interaction that led to the accident, Anya's confession, his friends poorly disguised resentment, him ignoring and filtering details of his crew's mental state, her taking the gun, the notice, Jimmy.

Him being a coward and disguising his hate of confrontation with the guise of being a good friend.

And then comming back to reality, to is burning flesh. To the blood, shit and bile staining the bandages, robe and bed, to watching and hearing his friends suffer and die, unable to do anything.

When the kid dies, in the midst of all the emotional chaos, he feels some sick sense of relief knowing that probably Swansea will deal with both of them quickly and it'll be over at last.

Then Jimmy finds the gun.

And he can't help but laugh. He remembers the conversation they had and he cackles bitterly because not even in death can her wishes be respected. She trusted him and he failed her even after she was gone.

Soon enough it's just the two of them left.

Through muffled ears he hears Jimmy rambling, talking to himself, asking questions and answering right after, he sees him moving the bodies around. When Jimmy carries him from the infirmary to the common room table he's still as stone, not a sound leaves his mouth, he doesn't look at the bodies thrown on the chairs around the table, he doesn't even breathe.

But all of Jimmy's attention, hatred, idolatry, and envy are on him only. Eyes glossy, cut pieces of a one sided conversation and a tentative smile on his lips when he reaches for the slightly dented knife.

He screams until his lungs close and his throat burns. When he's fed parts of himself he cries and throws up until he is forced to swallow and keep it down.

He's dehidrated, half delirious from the blood loss and emotionally checked out when Jimmy picks him up and tells him they can still fix this, he knows what to do. That he's going home.

Sure, he thinks, he wants to go home.

When he's placed on the cryopod he just stares at Jimmy talk to himself at him some more, about being heroes and everything being all right now. Then he steps out of sight.

It's on the silence after the loud bang when his brain starts working again, he's completely and utterly alone on a crashed ship of a company that's closing it's doors, with a now depleted shipment that wasn't even important enough to guarantee a search party, and no way of fending for himself in the case of 20 years passing and no one coming, even less if the power gave out before that.

As the cryopod finally starts to cool, the few tears he has left fall from his remaining eye.

He hopes he doesn't wake up to see what happens next.

..ok see y'all when I wake up-

[unfortunatelyilikebnha]

The best tdmd moments/things (to me; vaguely but not entirely chronological) (also I haven’t read the manga in ages and I’ve only - recently at least - rewatched bits and pieces so some of this is paraphrased while some of it I went back through to get exact quotes and NO I’m not going to do that for all of them it would take too long) (readmore bc it’s a lot):

- “As the crowd shouted, trying to make Sero feel better, Todoroki took a moment to melt his opponent from the ice prison he’d created. For some reason, in that moment, he looked very sad to me.” Ok so this is not the sports festival moment everyone talks about but it LIVES in my head ABSOLUTELY RENT FREE. It’s like, we know Todoroki’s been watching Midoriya for a while, mostly due to his obvious connection with All Might, but in this moment, while everyone is focusing on Sero, Midoriya is Watching Todoroki Back. He Sees Him.

- MIDORIYA TELLING ENDEAVOR THAT HE IS NOT ALL MIGHT AND SHOUTO IS NOT HIM. Midoriya is freeeeeaked tf out bc endvr is intimidating + he’s worried he’ll discover the secret of OFA but the SECOND endvr starts talking like an asshole, Midoriya SHUTS THAT SHIT DOWN. Again, Midoriya has had like ONE conversation with Todoroki and actively Really Wants To Get Away From Endeavor, but he just gets so mad about the way that Endeavor’s talking that he pauses his retreat to correct him and I think that’s beautiful.

- One of Todoroki’s episodes/chapters being titled “The boy born with everything” and how you could easily contrast Midoriya as “The boy born with nothing” (I could not find a definitive answer on whether canon actually calls him that but like). The juxtaposition of their opposite struggles and the underlying understanding that underneath it all they are really not that different. That they have both suffered, and are both trying to make the most of a power with a difficult legacy. (This brings me to the next point because -)

- “It’s your power, isn’t it?”/“It’s yours! Your quirk, not his!” Yeah. I don’t even have to explain this one I think, everyone knows it’s THE tddk moment. I’ll forever die on the hill that Todoroki should’ve found out about OFA sooner and we should’ve had a direct reversal while Midoriya was still struggling with thinking of OFA as his quirk instead of All Might’s and Todoroki repeats Midoriya’s words right back at him. I mean, Horikoshi LOVES to do that (see: repetition of “body moved without thinking”, “meddling when you aren’t asked to is the essence of being a hero”, “that’s what friends are for, right?” etc) the setup was RIGHT THERE, like taking my shipping goggles or whatever off for a second I think it would’ve been a great addition to the story regardless bc it’s an example of how Midoriya has helped other people AND a reminder that he has not quite conceptualized the advice he gives others for himself! Even without that though, we see how important this moment was to Todoroki literally throughout the rest of his arc, to the point that

- “Midoriya, this is my power. Thank you.” IF WE DIDNT GET TDRK TELLING MDYA THAT OFA WAS HIS QUIRK, AT LEAST WE GOT THIS. MY GOD. I was trying to go mostly chronologically, but since we’re talking about a follow-up to “It’s your power, isn’t it?” I HAD to mention this scene next. It’s a really lovely moment because 1) it’s an acknowledgement of how much Todoroki’s grown (which he did on his own! Midoriya reminded him of why he wanted to become a hero in the first place, and he had a lot of support from friends (& teachers/family) but TODOROKI decided to put in the work to become the kind of hero he wanted to be!) and 2) it’s a reminder to Midoriya that he has made a positive impact and helped the people around him, which I think he’s probably struggling with since this is like. Soon after his dropout arc iirc. (Also: it’s a cool new super move that Todoroki developed himself to try to create a better future for his family!! Which, setting aside how beautiful it is that Todoroki has crafted his fire into something that won’t hurt, is also fun bc Midoriya loves quirks and gets to nerd out over Todoroki’s cool new move lol)

- TODOROKI SHOWING UP TO THE STAIN FIGHT. Todoroki has been friends with Midoriya for like a week and gets a location pin with no other context and IMMEDIATELY deduces that 1) Midoriya’s not the kind of guy to randomly drop his location so 2) he must be in danger, and 3) IMMEDIATELY TELLS ENDEAVOR HE’S GOING TO CHECK OUT THE LOCATION AND TO BRING BACKUP TO THERE AFTER HE’S DONE FIGHTING BC HE THINKS HIS FRIEND’S IN TROUBLE. When he actually shows up the first thing he says is something like “Midoriya you should include more details at a time like this. It took me a while to figure out what you meant and I could’ve been too late” but we literally see in the flashback that he figured this all out in like 2 seconds and IMMEDIATELY came to support Midoriya AND SECURED BACKUP. Every person in Midoriya’s phone received the location pin and expressed various levels of curiosity/concern about it in hindsight but Todoroki figured it out right away and immediately came to help (this isn’t a knock on the rest of 1a btw iirc the rest of them weren’t even in Hosu so there’s not anything they really could’ve done about it besides report it - which iirc Kirishima did -, it’s just that Todoroki WAS in Hosu and DID figure it out so he immediately went to help and it was that simple for him). Todoroki also just like. Instantly accepts that ok, Midoriya and Iida were fighting a serial killer, Guess He’s Also Fighting A Serial Killer Now. ALL THIS FOR HIS FRIEND OF A WEEK. This is one of the core tenets of tddkism to me: they are as ride-or-die as they come. Also notable: Midoriya is not generally in the habit of asking for help. The fact that he did, knowing nothing might come of it, AND TODOROKI SHOWED UP EXACTLY WHEN HE NEEDED HIM??? Can we acknowledge how much that probably meant to Midoriya. Also the start of tdiimd as a trio, which this post isn’t really about, but I can’t completely leave Iida out when talking abt the stain fight that’d be fucked up :(

- “We’ll protect them together”. Yes ik, another Stain fight moment, but I believe this line deserves its own point because, again, Todoroki has been Midoriya’s friend for like a week. Immediately prior to Todoroki saying this, he tells Midoriya that his plan is risky. It’s one thing to recognize Midoriya’s text as a call for help and run to be his backup, it’s another thing to let Midoriya take the strategic lead when he’s already injured and the plan itself could be dangerous. But Todoroki puts his trust in Midoriya and says they’ll protect them together, showing his confidence in Midoriya’s strategic prowess AND battle planning ability.

- “You’re a kind person, Todoroki”. Ok I’ll get this out of the way: I have issues with how the writing of this chapter could be read as implying that being a kind person automatically means you have to forgive the person who hurt you. Ik Midoriya tells Todoroki that it’s ok not to forgive Endvr if he doesn’t want to, but the way he follows it up with the fact that he’s a kind person and the assumption that he wants to forgive Endvr...aren’t my favorite. I think it kind of makes sense for Midoriya to think like this given his own experiences (and also. Midoriya is 15, some of his wording is gonna be a little bit awkward sometimes, so I don’t think that’s the only possible interpretation of what he said), but I wish that if that was the intention, there’d be a moment later on where this view was challenged and Midoriya really internalized that you can be kind and still not forgive someone who’s hurt you. THAT BEING SAID, of all the things that Todoroki is called on a regular basis, and of all the qualities Todoroki associates with himself, I don’t think “kind” is necessarily one of them. “Kindness” was not exactly a virtue that Endeavor seemed to prioritize instilling in him (and though Rei probably would’ve, she WAS absent for much of Shouto’s childhood), and he spent so much time building his walls and striving to defy his dad that it’s not something people tend to immediately pinpoint about him. Todoroki really IS kind though, and Midoriya recognizes that AND makes it a point to tell him. For Todoroki, who has worked on himself quite a lot, and just invited friends to his house probably for the first time ever + gone through a tense family dinner in front of them, I think that probably meant a lot (and his expression in that panel is so cute. Ough).

- “Thank you for being Shouto’s friend”. I think the fact that Fuyumi recognized how meaningful their friendship was and thanked Izuku for it was so significant for both of them, like neither of them, as far as we know, HAD a lot of friends prior to attending UA so the acknowledgement that it is a big deal that they befriended each other is special <3

- Tdrk catching Mdya (and bkg and endvr but this ain’t about them) during the first war arc. He doesn’t know shit about OFA at this point but he followed Midoriya to the front lines anyways.

- Todoroki tucking Midoriya in in 327 and putting a hand on his shoulder in 32…8? 9? Fuck if I know I haven’t read the manga in ages. Anyways. These are both tiny moments but I’m grouping them together bc they really show how Todoroki is there for Midoriya, in the way that he’s always noticing things about him, that he’s RELIABLE, he WANTS to be there for Midoriya like Midoriya was there for Todoroki and that manifests both in following him into terrifying fights and in the small gestures of support. Todoroki NOTICES when something’s wrong, and when he has the necessary context he steps up to help.

Bonus mentions:

- the “are you all might’s secret love child or something?” convo in its entirety. Between the Todoroki Family Trauma Dump, Midoriya sympathizing with Todoroki and realizing that despite how different their lives have been, they’re very similar, the beginning of Midoriya’s desire to help Todoroki, and the beginning of Midoriya really Seeing Todoroki, it sets the groundwork for the start of something beautiful

- AFO: “pay close attention to them, tomura shigaraki. These two could prove to be formidable obstacles to you one day”. / AM: “they may have more in common than they realize. They both have such an intense vibe about them.” The fact that both AFO and AM comment on the tdmd sports festival match leads me to believe that originally their relationship (in the original story I’m talking about the platonic sense but read this any way you will since. This IS a post abt why I ship them) was supposed to be more central to the plot, in this essay I will - (<- ramblings of a crazy person but like!!! Both AM and AFO!! And you’re telling me it didn’t mean anything??? Come on!!)

- Also “you’re helping your opponent. You’re a fool.” Their matching maniacal grins after Midoriya prompts Todoroki to use his fire. Todoroki’s softer smile and little tear. Mdya’s “Amazing…”. Them immediately deciding to go full force regardless if it kills them (IMPORTANT FACT ABOUT THEM IS THAT THEY’RE INSANE <3). “Midoriya…thank you.” (OUGHHHHHHHHH 😭😭😭)

- MDYA YELLING “DONT GIVE UP” DURING THE TDRK/BKG MATCH AND FOR A BRIEF MOMENT TODOROKI STARTS USING HIS FIRE AGAIN. Ik he ultimately doesn’t end up using his fire, but that makes SENSE, you can’t process all that trauma immediately, it takes time!! The fact that for a moment, Midoriya’s voice was enough to allow him to use his fire so soon after his life-altering revelation in the tdmd match is so important to me though :( (and the fact that Midoriya’s willing to 1) root for Todoroki and 2) root for him loud enough that both Todoroki and Bkg can hear,,, ohh tdmd are so special to me)

- their little convo at the training camp. “You have a habit of sticking your nose where it doesn’t belong” lol (paraphrased). Underrated tdmd thing is that they’re willing to tell it to each other straight. But also, the genuinely good advice of “words themselves aren’t enough, actions are also needed to get through to someone” (again, paraphrased) (reminder of how Mdya helped Tdrk!! W/ words AND actions!! And now he’s helping Mdya help Kota!)

- “I don’t know, I think heroes cry when they need to probably” - acknowledges Mdya’s crying as a positive trait bc when he’s not crying it means he’s repressing things, also serves as a reminder that heroes are people too (a similar sentiment to Uraraka’s “who will save the heroes when they need saving?”). Serves to remind Mdya that his crying doesn’t make him less of a hero + it’s ok to feel things. Also Tdiimd.

- “You can’t even cry”/“Let us share that burden together” (this is like. Veeeery paraphrased I’m sorry I don’t have access to the chapter and I’m too lazy to rewatch). The whole class said very meaningful things to try to get Midoriya to come back, but even though he wasn’t ultimately the one to fully get through to him (SHOUTOUT TO IIDA ILY IIDA THIS POST ISNT ABOUT HIM EITHER BUT JUST KNOW I CANT WATCH THAT SCENE WITHOUT TEARING UP THEY R SO DEAR TO ME) Todoroki’s is one of my favorites bc sure maybe he doesn’t understand what it’s like to have no quirk and then suddenly have a quirk that’s actually seven quirks and have a pretty much all-powerful supervillain hunting him down but he DOES understand the burden of trying to shoulder the crushing legacy of a top hero, and here he reaches out to Midoriya once more reminding him that his tears are a good thing and offering to share the burden and help Midoriya like Midoriya’s helped him.

- Light novel moments: Mdya teaching Tdrk how to make AM origami and Tdrk sending it to Rei, Tdrk going to return Mdyas pencil and admiring Mdyas AM figure and Mdya trying to give it to him bc he has another one but Tdrk refuses bc he doesn’t want to damage it so he suggests he just come visit it instead (I haven’t read the light novels but I’ve seen these excerpts and I love them dearly) (these are just all really cute it’s nice to see what they’re like outside of doing hero stuff)

- Todoroki’s “Midoriya Sense” (yes this is a fandom joke based on like the stain incident + noticing smth was up during the “heroes cry too” incident + Todoroki asking abt him before the cultural festival etc but it IS genuinely very sweet that Todoroki is always looking out for Midoriya and trying his best to help when he can)

- TODOROKI TELLING MIDORIYA TO REMOVE THE BATTERIES FROM HIS PHONE SO THE GOVERNMENT COULDNT TRACK HIM WHILE HE WAS ON THE RUN BC HE WAS A MURDER SUSPECT. Now I haven’t watched the third movie so I may be wrong about the details but it was VERY funny of Tdrk to be like “did you kill people??? Never mind that actually here’s how to avoid the government” (paraphrased for comedic effect)

-“Midoriya and the others” (cute, something Shouto says…several times lmao) (Izuku has also said “Todoroki and the others” at least once (in the first movie) but I’m not aware of it being a recurring phrase like “Midoriya and the others”)

[rotisseries]

rick riordan dickriders on here will be like "why are you complaining about the pjo tv show, go watch the movies and see what a bad adaptation really looks like" ok well listen to the musical watch it on youtube and see what a good adaptation looks like bitch. it can be done. as a fucking stage musical. what did that 15 million per episode do for disney that chris mccarell couldn't

[crossbackpoke-check]

Why I Am Not Coming In To Work Today [abridged], Jess Zimmerman

part one | part two

[alchemiclee]

i know this has been said 473773474833 times by the kavetham/haikaveh shippers and probably even nonshippers, but i'll say it again. I finally finished the genshin summer event and did the little after quest in sumeru and.....every time kaveh is sneaking around trying not to be noticed coming out of alhaithams house it's just such a gay vibe. he's basically screaming "I can't be caught being gay in a homophobic society!" even if that's not what the game writers are *actually* saying. that's just how it comes off and they can't make it come off any other way. with hoyo's gay history, it makes me wonder if it's on purpose and all a cover-up to have a technically different reason for it so they can get away with it lmao but we will never know.

[xxplastic-cubexx]

sorry if you've already mentioned but what (re?)ignited your love of comics/x-men/cherik? curious because there are so many different adaptations of them

i think im gonna speak for a few (or a lot of) people when i say that TL;DR the wolverine x deadpool movie that came out this summer is what pulled me back into comics and i COULD leave it there but i will go into excruciating and unnecessary detail instead because i love an origin story and i love oversharing.

under the cut tho because im nice sometimes (there's also wxdp doodles in here. if you want to see that)

ironically (and probably commonly), growing up i was more of an avengers kid. Kinda. Loosely <- binge watched the cartoons and movies and read copious amounts of comics and fics and i am hoarding fanart in my old dresser as we speak ok 'loosely' is a modest lie.

embarrassingly i remember getting into discus cause of captain america LMAO so yeah needless to say i was a Humble Fan- me joining my school's comic class/club didnt help either (shoutout to my teach from that she was the realest one out there for. A Multitude of reasons). she definitely is was inspires me to even draw still and make comics and i often think bout the tips i learned from her class tbh she was great

back to the movies t and comics tho, i got into em because my brother would offer to take me and that's how we'd hang out (i rarely saw movies in theaters and i even more rarely went anywhere as a teenager. still kinda like that today tbh ooops) and yk. it just snowballed after that.

my brother and i have always liked comics- he just more than me for a while (though he still very much loves comics and As We Know From My Posts we still talk about them whenever i see him To An Exhausting Degree)

durin then i was really into stony and i have a few surviving doodles i made but those are between me and god. and anyone who asks tbh LOL

'snap can you make this related to x-men again this is long' ok so fast forward to This Summer again I Still Don't Really See Movies but my brother offered to take me and this was the first time i'd actually seen an x-men movie in full

as a kid i only remember seeing the 'perfection' scene between erik and raven in first class while i was channel surfing. pretty sure i changed the channel after seeing mystique naked cause i was scared my parents would get mad at me if they caught me watching it LOL

BUT MOVING ON As A Kid i think it's also natural you'll sometimes watch 92 if it's on And I Did though evidently it didn't stick too hard (i do remember really liking beast and gambit though.... still do really): my knowledge of x-men was. INCREDIBLY sparse. like diabolically so so i didnt have too much expectations (aside from the fact i vaguely liked deadpool beforehand).

tbh i dont know why my bro never took me to see any of the x-men movies. it's not like he doesn't Also like x-men (90% sure nightcrawler's his favorite but my brother will be caught dead saying he has absolute favorites like that)- he owns a bitch load of deadpool comics/omnibus sets too (of which ive read over the years and reread this year) but Shrug moving on

Much Like Most Of The Internet i fell down the rabbit hole that way. i have some doodles i made a couple days after seeing WxDP that i now have an excuse to throw at all of you Look And Perceive

and so. As I Do. i got curious and told myself i'd binge watch all the x-men movies the week before i went back to school And Then I Did ft. My Brother Sometimes and then i said i'd binge watch all of '92 and And I Did That ft. My Brother Sometimes But Less So and now we're here. currently watching Evolution...

once i got to school i realized i lived near a comic shop and started getting into the comics that way (the first ones i got since going down this rabbit hole was Magneto Was Right!, The Resurrection of Magneto, and The Trial of Magneto. if you were curious !!!!! clearly i didnt care too much about context i just needed to see My Guy jelvejlkvj i have no regrets and Evidently ive read more since)

i'm pretty sure what dragged me into cherik specifically was the fact i saw a clip of The Famous ending to 92 where erik's aghast at the notion jean even has to question his love for charles. i think that was what officially had me refocus my lens on them: not a single poolverine thought after that LOL (all the cherik posting i saw on twitter definitely helped too but that was the nail in the coffin for any other interests i had: i was locked into cherik and x-men in general now)

that clip specifically, i was surprised at the fact they- frequently even- have the x-men franchise say erik loves charles and vice versa so bluntly. even if it's not meant to be romantic, i fear im just a fan of how casually the word's thrown around with them two and i got tender bout it all. Then Yk. i just live for the drama. the hilarity even. the sincerity .... they make me sick if i think of them too long so im gonna end it here

before i go tho ironically enough, the first x-men issue i owned was This one (story a this is that while stuck in some wacko dimension charles accidentally gets himself trapped in logan's mind while utilizing his astral projection. if you were curious). pretty sure i got it for free with another comic set i got years ago since our old comic shop loved to do that, but it's poetic aint it. maybe ill doodle something referencing it..

i should probably look into finishing this arc someday im Dummy curious to even know how it started and how it ends.....

[seventh-district]

Could've left me just the way you found me, but you came and put your wings around me. You went out of your way, to fix what you didn't break.

This song is so incredibly Sam & Darlin' coded and no one can tell me otherwise.

[lots of lyrical analysis below the cut] [there's also a short little fanfic blurb of them stargazing down there too (this post got really out of hand lmao)]

For those not fully caught up, note that the following commentary contains various spoilers for Sam and Darlin's stories.

Note: Unfortunately this song is gendered, using the word 'girl' several times. Which sucks a little bit for immersion purposes, not only for keeping Darlin' gender-neutral, but also because I see this song as a duet between them, and Darlin' obviously wouldn't be addressing Sam with the word 'girl' either. So! As with most songs on their playlist, we're just gonna mentally omit any gendered terms we come across.

Side note: Frustratingly, this is one of those songs that didn't really even need to gender the subject in the first place. No part of the story or message is lost without it. But alas, many songs are like that, and so the playlist-makers of the world shall continue to suffer. [/lh]

Anyways, preamble's over. It's lyric time now yay!

Sam's Part

I was a ten-year train wreck

Technically for Sam I suppose it was 13 years, but ten is close enough (and 'ten' admittedly flows a lot better in the rhythm of the song than 'thirteen' would.) Anyways, we're not here to split hairs, (I have to remind myself), we're just here to point out similarities.

In Sam's Dec. '22 HBW, he says "For the last 13 years or so I haven't had to care too much about how I look. Seemed a little redundant after turnin', considerin' I didn't wanna be around much'a anybody anyway."

I think he's mentioned or alluded to that roughly 13 year period of time more than once, but that's the one I remember best so it's the example I'm using. There's still about 4 Sam audios I've yet to listen to as of making this post, so if I'm missing some Key Lore I'll edit this later. But for now, I don't think Sam has given many specifics on exactly how bad things got during that time. Luckily, 'train wreck' is a pretty broad and subjective term, so it easily covers any degree to which he may have fallen apart during those years.

It also feels like a very 'him' way of quickly brushing over the details of his past/his hurt, as he seems to tend to do with Darlin', (not all the time ofc but it's still something I've noticed) putting his own hurt on the backburner to prioritize and attend to theirs. Even outside of his dynamic with them, I think as a healer, it's something he learned to do. And now he does it with everyone. Put on a brave face, compartmentalize things and unpack them later, etc. I could go on and on but there'll be time for that in other posts I'm sure. For now, lets get back to the song at hand.

With a last-call longneck

Due to personal reasons, I've yet to decide if I want to HC him as having used alcohol as a coping mechanism during that time. I don't recall him having mentioned alcohol much, if at all, (maybe one mention of whiskey that I don't have time to find right now) so I don't think it's necessarily canon that he did, but it's certainly possible. My personal preferences aside, I'll admit it makes for some good additional angst. (And- self-indulgently- it makes some other songs on my playlist for them more fitting.) So, for the sake of this song, let's imagine that he did.

I was searchin', I'd been hurt real bad

This one feels pretty self-explanatory given what Alexis did, (and, if you wanna get even angstier with it, whatever his family did earlier on in his life) so there isn't much commentary to add on my end.

I HC that in spite of 'not wanting to be around anybody', he- like Darlin- still had a tiny part of himself buried deep down that was, in a way, 'searching' for someone to find solace in. (No this isn't me projecting onto them both haha what are you talking about-)

Movin' on, gettin' sidetracked One step forward and five back

This is generally applicable enough that I don't feel the need to give too much of a specific example. Anyone who's recovered or is recovering from trauma knows this non-linear, back-and-forth struggle well already, and I'm sure he was no stranger to it.

If I were to give some examples though, I could point to Darlin's (and subsequently, Sam's) encounter with Alexis at the summit, or the shit that Quinn dredged up about Fredrick and threw at Sam in the interrogation room. Those are both more recent examples and I imagine these lines of the song to be coming from a place of him prior to meeting Darlin', but still, they're some instances where I'm sure he felt like the past was pulling him back in. I'm sure that there's been many throughout those 13 years that we were never witness to.

Not your fault, I was scared to fall

This line reminds me of their 'Cuddles and Confessions' audio. I don't think he ever explicitly said he was 'scared' per se, so afaik there's no specific line I can quote, but in that and every audio prior, he was obviously hesitant to admit, perhaps even to himself, that he was gradually falling for them. Even after the initial confession, there's certain limits of his (e.g. biting) that he carries for far longer, and some that I (and others) HC that he'll carry forever. So this line feels to me like him reassuring Darlin' that his reluctance isn't the fault of them, but his past.

Darlin's Part

You were the star in the pitch black Shine the way on the way back

We don't have any canon instances of them comparing Sam to a star, but I can see it being something they'd say (perhaps less poetically, but the sentiment would be there) one night while laying up on their roof watching the stars with him. Maybe they're dead-tired, talking nonsense with lidded eyes at the end of a long day, fighting sleep in favor of more time spent with him.

"What- what're you pointin' at Darlin'?"

Their hazy focus is trained on the brightest star visible in their line of sight, arm stretched out to the sky above them. "That really bright one, to the... to the left."

Sam does his best to follow their less-than-specific directions of 'to the left', their pointed finger doing little to help given the difference in perspective. Luckily, after all these years, he knows this stretch of night sky like the back of his hand, so it isn't hard to locate the brightest one. Ghosting his fingers up along their arm, he takes their hand in his and brings it back down to earth. "Okay, yeah, I see it now. What about it though?"

"That's you." They say, matter-of-factly.

"That's me?" He questions, humor in his tone.

"Mhm." They nod with finality, blinking slow.

Sam considers the odd statement for a moment before gently correcting them. "I'm uh, I'm pretty sure that's Sirius, actually."

They scoff. "I am being serious."

Sam stifles a laugh into their hair. "No- no I mean- like... what's another name for it... Oh! It's also called the Dog Star."

"C'mon Sam, at least call it the Wolf Star if you're trying to turn this around on me..."

He shakes his head and readies himself to explain further, but they cut him off before he can start. "But no- no, this one isn't about me. That's you."

He decides to play along, finding something endearing in their overtired nonsense. "Okay... then would'ja be so kind as to explain to this confused old man just how, or why that star is me?"

Their frown is audible in their voice as they latch onto the wrong part of his sentence. "You're not old, Sam. ...Do I need to tell Asher to kick the jokes down a notch?"

He smiles at their over-protectivity. "There'll be no need for that, now. Was just a joke, darlin', I promise."

They huff, but thankfully shift focus back to the prior topic. "It's... I dunno. It's just you, Sam. It's... bright. Light. Something warm, out there in the cold dark. Standing out amongst all the rest. Calling to me, stealing my attention. I... I didn't come out here looking for it, but there it is. ...There you were. In the dark. The only bright thing I'd seen in... fuck, in years. Years of chasing fleeting warmth, tripping over myself in the pitch black, falling into... places 'n people I shouldn't have. You were the light in that darkness. Even there, surrounded by the ghost of him. You outshone it. Your warmth didn't hurt. I didn't have to squint when I looked at you. You weren't the blinding sun. You were the brightest star I'd ever seen. You guided me back home."

In the back of their mind, they recall something they once heard, something about light, and time, and distance. Space. Something about... how you can see a star that's already burnt out, because it's light hasn't reached earth yet. The ghost of a star that's already died. Only still perceptible thanks to time, and distance.

They remember Sam's words, once whispered to them on this very roof.

"Whatever your choice is... I'm not gonna live forever. I made that decision a long time ago."

They think about dead stars.

They think about time.

"...-lin'? Darlin'?" Sam's calloused hand slides up their forearm, pulling them out of their thoughts. "There you are. Think I lost ya' for a minute there... you good?"

They look up at Sam, concern creasing his features, shadows cast across his face from the light of the dying stars above him.

They reach out, pulling him down into them. Burying their face into his collar, Sam's concern grows when he feels it saturate with tears. A human might struggle to hear their words, muffled against the thick fabric, but his hearing catches it just fine.

"Don't burn out too quick. Please. I still need you here. I don't- I don't wanna be left in the dark again. Please, please Sam. Don't leave me here. I'm not selfish enough to ask you for forever, but please. Not yet. Not yet. Not yet."

.......Whoopsies! Really, genuinely didn't mean to improv an entire scene there, good god. Also didn't mean to swerve hard into angst at the end but uh. that's what came out! so I'm rolling with it lmao. Aaanyways let's move on, it's getting late and this is a song analysis post, not a fic.

Out of nowhere, answered all my prayers

'Out of nowhere' reminds me of Sam's words from the same HBW video I referenced earlier. "You came into my life like a damn wreckin' ball. There was no preparing for that, clothing or otherwise." While those were Sam's words, not Darlin's, I still feel like they feel similarly to how suddenly Sam came into their life as well. (Not in a bad way, mind you!)

[the significance of 'answered all my prayers' edges into my own personal more headcanon-y/personal/OC-ified Darlin' territory, so we can just gloss over this one for the sake of at least attempting to keep this more universally applicable]

Picked up the towel that I threw in Took in a heart that was ruined

Again, largely self-explanatory I feel. (*proceeds to explain anyways*) I imagine that Darlin' was at the point of throwing in the towel, hellbent on a solo-mission to find Quinn regardless of the danger it posed to them. I doubt they were looking toward the future anymore, (to reference Sam,) fully willing to throw themself at their problems until they really did break.

The specific use of 'ruined' hits hard here, because after everything they went through with Quinn, and especially after he recounted it all to Sam in that interrogation room, I imagine that they really, truly did feel ruined.

Showed me the past ain't a tattoo Loved me even when you didn't have to

These lines in particular make me sick with emotion every time I hear this song, because I feel like they hit the nail on the head for how Darlin' feels.

I'll be here citing various quotes all night that I feel showcase that sentiment, but we don't have time for that! So instead I'm just pointing to the entirety of 'Quinn's Aftermath' video, and leaving you with this single quote from it.

"Everything that he said reflects nothin' on you, and everything on him."

Equally Applicable Lines

And I don't know why Why you saw something in me, baby But you saw right through All the pain, and you came and saved me Yeah, I know you didn't leave me lonely Weren't the one that put the heartbreak on me Picked up the pieces It wasn't the mess that you made Could've left me just the way you found me But you came and put your wings around me You went out of your way To fix what you didn't break

Again, I think these lines are all pretty self-explanatory, and are just as accurate coming from either one of them. To me, at least, their entire dynamic is that they saved each other, in their own ways.

(But I will admit, the final verses about 'going out of your way to fix what you didn't break' are definitely conjuring up memories of Sam in the early days, literally going out of his way to visit and heal Darlin' after their fight with the two vamps. In general, his continued/repeated healing of them after they once again hurt themselves is the very literal definition of fixing what he didn't break.

But! While we may have more blatant examples of Sam being 'the fixer' so to speak, I think he'd argue that Darlin' has done plenty fixing of their own. Physical wounds aren't the only things that need healing, after all.)

-------

[shameless self-promo of my Sam & Darlin' playlist for those few of u interested enough to make it to the very end of this wall of text. if u liked this then u might like some of the other songs on there soooo maybe go check it out and maybe perhaps give it a follow so i can get a little serotonin boost or dopamine or whatever the chemical is that's released when Number Go Up. ...okay that's it i hope u enjoyed my fixation-induced ramblings! thank u and goodnight]

[theclearblue]

I'm gonna get into a brawl with my mother one day don't be surprised when I get on the news

[a-most-beloved-fool]

If Spock and Jim merged into one being (no euphemism here lol) like Tuvix, what do you think the personality of the new being would be like? What impact do you think that would have had on the lives of both of them after they separated again? I love your headcanons, thanks for the answers!

thanks for the question!! <3

Hmmm... I think they would work pretty well as one being, actually. I'm thinking about all of those quotes from Roddenberry about how Kirk and Spock were supposed to represent two halves of a whole person, so I have to assume that they would be quite content. Though, disclaimer as I continue: I have not yet seen any of Voyager - there might be aspects of Tuvix's combination that I don't take into account because I don't know they exist. If so, uh, sorry. My bad.

For the sake of avoiding confusion, I'll call the merge Kirok (after the name Kirk chose when he lost his memories in The Paradise Syndrome). (Also, I fear that calling him "Kock" would have... deleterious effects on the readability of this post... for no reason at all...)

I do think that Kirok would, overall, have the best parts of Kirk and Spock. Combined, they are tactically fearsome. With Kirk's intuition and understanding of people and Spock's knowledge of statistics and science, Kirok is brilliant. However, I do think that Kirok would be a worse captain in practice than if Kirk and Spock simply had a mental bond. Part of the brilliance of Kirk and Spock as a command team is that, while they very much respect one another and take the other's opinion into account, they do also. regularly ignore each other's advice. And this is usually to their benefit! They each take risks that the other wouldn't, and, often, it saves them (in part because they always back each other up, even when doing things they don't agree with. Spock will be like "this is unwise" and Kirk will say "maybe, but I'm doing it anyways" and Spock will just... go with it.). But, if they were one person, I think that impulsiveness would be tempered. The Kirk part would have a brilliant idea, the Spock part would say "wait, there is too much risk, we can make a better plan," and then Kirok would lose his chance to act. When they're separate people Spock is ride-or-die for all of Kirk's decisions, but when they're one person, the Spock half won't always allow those decisions to be made at all (and also won't necessarily be able to tell when he does need to rein things in a bit). (Also Kirk and Spock both tend to be reckless, and then rely on the other to save them - as Kirok, who would back him up when he needed it? Bones would, but he's a medical officer. He simply can't do everything they would have. And, no matter how good of a first officer Kirok got (probably Sulu?), they couldn't be that good.)

I also think that Kirok wouldn't be quite as at ease with his position on the ship as Spock and Kirk individually were. The Spock part of him loves science far too much to just abandon it. He wants to spend time in the labs! He wants to make discoveries! Likewise the Kirk part of him can't truly be anything but a Captain. So, Kirok stays a captain, but he's less passionate about it (or, rather, more passionate about things that aren't it). This doesn't actually affect Kirok's satisfaction - it just affects his performance and relationships with others. He might spend off-duty time working on science experiments (which he can no longer do during shift, due to captaining) and neglect forming bonds with his crew, and he might place more focus than usual on scientific discovery missions.

As for the crew... Well, it's not as weird of a change as they expected. As expected, Kirok is less outwardly friendly than Kirk, and more outwardly friendly than Spock, but he's - cohesive. He still feels like their commanding officers. His humor tends to be a bit drier than Kirk's was, but he's a very compassionate and reasonable captain. (Tbh I tend to think that Kirk is actually more of a hardass than Spock (people just assume Spock is worse due to being Vulcan), so some crewmembers are surprised when Kirok is more lenient about certain things than Kirk would have been. Not lenient about cruelty or anything genuinely important to the safety of the ship, but about other things.) But, he's still not as good at making personal connections as Kirk was, and he's still inclined to spend too much time in the labs, so things aren't perfect.

Really, I think that the person having the worst time of things would be Bones, lmao. He'd have to deal with his Best Friend suddenly being the same person as The Guy He Affectionately Antagonizes (totally not a friend no how could you even think that). I think he'd be more lost than anyone else about how to address Kirok. Is this Kirk, his old friend, who he can be truly comfortable with, or is this Spock, who he snipes at and who snipes at him in turn? Who can he turn to, when the man he normally approaches for comfort is now the same being as one he doesn't want to seem too weak in front of? Does he turn to anyone else, in the meantime, or does he weather it alone?

Kirok himself, though, is actually pretty okay with the change. The different parts of himself simply - mesh well together. It's very satisfying for him, if not for his career and those around him. There's some minor bits of tension, especially regarding changes in biology and telepathic status, but, for the most part, he's doing well. The things you might expect to be major points of tension somehow... aren't. They compromise remarkably easily. (No meat, yes logic, no emotional suppression, yes casual touching, no casual relationships, yes meditation, etc.) And the Kirk and Spock parts of him both enjoy the closeness, the sense of knowing they now have for one another. They're one person, and know themself completely as they've always longed to know each other completely. (he does miss playing chess against someone who could beat him, though!)

Now, because I am Spirk-brained, I also think there's potential for Kirok to have Very Confused Feelings about discovering that the two parts of himself each had secret feelings for the other prior to the merge. There could be this odd sense of loss - like, yes, they are now technically one with one another, but they also completely missed out on their shot at a romantic relationship. They mourn what they could have had. The Spock part, especially, mourns the potentially for a telepathic bond (because with how smoothly they've integrated with one another, it surely would have been a strong one). So, as much as Kirok does enjoy existing as Kirok, I think he might be more willing to attempt separating back into two parts than I believe Tuvix was.

And, when they're two separate people again, they both feel like they're missing some part of themself, even once they've begun their new romantic relationship - but quickly discover that a mental link between them fills that hole. (And then, of course, because they are hopeless and in love, the "medicinal mental link" very quickly just becomes a marriage bond. They're like "well, we've already been one person and liked that well enough... a marriage bond is hardly anything different!" To Spock's endless pleasure, they are highly compatible and have a remarkably strong bond.) The mental link also allows them to have the same quick reaction times and combined brilliance of Kirok without the negative side effects of their own individual strengths being tempered. (they're also like. annoyingly codependent for a bit after Kirok's separation. oh boy are they always touching. "it gives them emotional security." bones looks at them in disgust (he loves it).)

Or, if we wanted to be McSpirk-brained... I'm enjoying the imagery of Kirok (who both had crushes on Bones as well as on one another) just directing all of that missed romantic potential onto Bones, who is... like, he's not not into it (Kirk was hot, Spock was hot, ergo Kirok is hot), but he also misses and loved his Original friends, and so he is very torn between accepting Kirok's advances and trying to find a way to split them apart again. (Flustered Bones, flustered Bones!! I do love flustered Bones!! He is blushing and stammering and having multiple ethical crises all at once. They never covered this in Starfleet Medical...) He also doesn't quite know whether Kirok's feelings truly belonged to both Kirk and Spock or not, and doesn't think that Kirk or Spock would truly act on it if they were in their normal state, so a small selfish part of him wonders if that's the only chance he has to be with them (even if it's not quite the same 'them' he fell in love with). And then, of course, there's the fear that trying to get back the original Kirk and Spock will actually just kill them! Yeah, poor Bones has a rough time of things. But, when everything is fixed, he does still wind up getting two boyfriends out of it. It all works out in the end?

[shooks-stupid-stuff]

Re:Shook’s Weekly OCs: #004

Jacian Von Rittedel (Modern Vers.)

definitely haven't been putting off writing this post because I know it's gonna be a long one

Ahem. Anyways. Were I making this post like, 3 years ago, then I could confidently say that this glorious goofy man needs no introduction.

However I haven't really done anything with him in a LONG ass time, and he and Taiana have been overthrown as my most well known OCs (probably) by the other blue-and-blonde-haired-duo that I've become completely obsessed with, so. There's no escaping it.

This is gonna be a LONG ass post, only saved by the fact that technically this is an AU version so I can skip some stuff and save it for later, haha.

...But also kinda not. Anyways I should stop dragging my feet and just start huh-

Also, this is the fist of these with trigger warning! So, minor self harm/attempted s*icide tw; I'm not gonna do anything more than just briefly mention The Thing That Happened, but y'know. Better safe than sorry and all that.

So, Jacian is a character made intentionally to be a parody of the Camus archetype from hit game series Fire Emblem, because he was initially made for a FE fangame idea I had (which has since then just become it's own thing, and my pipedream video game that I would like to make some day but probably never will). He can be boiled down to being a charismatic and overly dramatic knight who values loyalty to his lord above all else, and refuses to fight anything but fair duels 99% of the time. This version of him specifically is just one I made so that I could use him in my other OC stuff, since y'know. It's kinda hard to just plop a Ye Olde Times guy into the modern day without adapting him a bit lol.

That said, a lot about him is still the same; even the way he talks (bro does NOT know what a contraction is), and dresses, and he's still a knight because like. What right do I have to take that away from him, look at him he was BORN to be one. He's generally a very sociable and likeable guy, and despite being a certified oddball with the whole noble-knight schtick, he has an undeniable charm that typically wins over most people who meet him. In other words, bro has a maxxed out charisma stat. That isn't to say he's incapable of being serious though, he very much is, but he really only drops his usual charm when things actually get serious, and becomes more reserved as time goes on.

That said, this version of Jacian specifically is also from further along story-wise than the normal/base version of him (those who know now probably get why that tw is there (assuming they didn't before. they probably did)), so it's prrrrobably gonna be easier to just run through his whole background/backstory than to effectively explain basically two different characters just to show how he's different? (which like. base Jacian is getting his own post at some point anyways so i can just go into detail about how he is at that point of his character development there anyways)

So, Jacian always had wanted to be a knight. Like, ever since he was a kid. Even though it's like. Modern day. Specifically, he wanted to be someone's 'evil' rival, with his definition of evil being solely shaped by goofy, non-threatening antagonists from Saturday morning cartoons. You know the type, causing Mild Inconvenience at worst and all that stuff. Unrealistic as it may be though, he was determined, and stuck with the whole bit through most of his childhood (up until around middle school). Around that time though, his world view started to shift a bit; he both was just naturally maturing, and at the same time having to deal with the sudden loss of his father, who had always been the one most willing to indulge his fantasies, going as far as to actually teach Jacian to use a sword (he's a whole other can of worms i could get into, but he'll probably get his own post some day so. I'm gonna refrain from going more into his whole deal so that this doesn't become even more of a barely comprehensible stream-of-consciousness ramble than it already is lol), as well as his mother getting incredibly sick shortly after (she had to leave the country to get the medical treatment she needed, and would end up passing away years later). However, rather than the reasonable outcome of him just dropping the whole knight thing altogether coming to pass, he instead doubles down, just with a much more serious attitude about the whole thing. He's still definitely a goof, but now he's a lot more thoughtful and mature about the whole thing (which has the unintentional effect of him becoming actually really well liked by his peers, instead of being seen as a weirdo). Fast forward a few years (again, glazing over some stuff for the sake of keeping this coherent, and also because I don't have all of the details smoothed out yet since this whole version is kinda a square peg in circle hole type situation), and he is both A. somehow actually working as a knight, for a man I am NOT getting into here because it is, again, a WHOLE other thing that's best to be explained in a different character's post (if he comes up again in this post, which. he definitely will. I'll just be referring to him as 'his (Jacian's) lord', since that's what Jacian calls him because he's just. Like That.) and B. has actually become someone's antagonistic rival; with that person being his 'Eternal Rival', Taiana (you'll hear more about her next week, but the long and short of it is that she's the blue-haired lord to his Camus archetype. ...For anyone who doesn't know jack shit about FE, she's the protagonist of the thing they're both from). And though he's only fighting her because he has been ordered to, (again, a story for later) he very much enjoys having someone who both takes him seriously, and is an even match for him swordplay-wise. Which is to say every duel that they have ends in a draw, which then motivates them both to train even more, and then the whole thing repeats. The two of them do end up becoming quite close though, with Jacian even developing feelings for her, which he is not very good at hiding, to say the least (Taiana is, however, a social brick wall so she doesn't realize At All despite that) and which only serves to further complicate things when Jacian receives the order to either kill her, or die trying.

Just real quick side note here - I swear this all makes a lot more logical sense in these two's original setting, however pigeon-holing plots into places that they have no write being is kinda just what I have to do sometimes to make characters work in alternate settings (because I can't just. change the plot, no that would make too much sense) so like. Just suspend your disbelief or whatever, or if you wanna see this shit in context feel free to go dig up my old OC ask blog (no I will not link it here, it's embarrassing) and read through the whole saga there (because yes, this is the SECOND time I'm adapting these two to a modern setting). It's definitely a bit rough, but like. It's also kind of peak I wrote like 20 pages and made a lot of people mad at me it was awesome (still not as good as the William stuff though, that was genuinely the peak of my comedic writing and the only overarching plot I did there that didn't lose steam and fall apart at the end).

Anyways back to the two 17 year olds dueling to the death.

Naturally, this... Doesn't end well. It doesn't really matter who wins, because either way the outcome is the same: Neither of them are willing to kill the other, and both would rather sacrifice themselves for the others sake. Despite being, well - rivals, they honestly understand each other perfectly and care a LOT about each other. And so once the duel ends, and the inevitable comes, Jacian chooses to try and take his own life via stabbing himself through the chest with his rapier rather than kill Taiana or force her to kill him herself.

Now, he doesn't die (though the how + why of that makes more sense to be explained in Taiana's post, so lookf forward to(?) that next week) but that doesn't necessarily mean things are great now either. Not only is he now dealing with the inner conflict resulting from him pretty much breaking his own code of honor and loyalty, but there's also now the bigger issue of needing to deal with/take down his lord, which is again. A Whole Thing I'm not gonna get into here. Just know that the situation is a lot more complex than either he or Taiana realizes, and that they have a big fight that then leads to all three of them pretty much going missing for a year, and most people assuming that they're dead (Jacian and Taiana aren't but his lord definitely is (they did not kill him, some other shit happened, It's Complicated).

And now, we finally get to the point that this version of Jacian is at, having finally come back from wherever the hell the two of them had been and acting as if nothing had ever happened! Though he definitely has become noticeably more reserved and less bombastic, only really going full ham when him and Taiana are goofing off and/or dueling (because yes they still do that, they are Eternal rivals after all, and just because they're dating now doesn't mean that that has changed. Oh yeah they finally got together, and it changed literally nothing about their dynamic.)

He takes his swordplay very seriously, and has two primary weapons; his trusty rapier, which is just. A standard rapier, he has it on him pretty much almost always, and his big-ass fuck-off great sword that has been passed down through his family for generations, and that may or may not have been blessed by/contain the power of a God of Lightning. (regardless of if it does or doesn't, it sure does have lightning powers regardless. And also since there's not really a better place to put this, Jacian is completely immune to electricity. ...He's still scared of thunderstorms, though. Though he's mostly gotten over that fear at the point of development that this version of him is at. Mostly.) He also usually wields it with one hand, which is impressive because again. It is Stupidly Big, but also he's just that cool. I mean come on, look at the doodle of him holding it (in the wrong hand because, even though I made sure to position his rapier on his design in a way that would make sense for him to unsheathe it with his right hand (despite it definitely being easier to just draw it on the other side so that most of it would be covered) I somehow then immediately forgot that he was right handed while drawing the doodle. Just. Pretend he's kinda ambidextrous or something (he actually kinda is) idk I'm just kinda stupid sometimes). He's so cool.

Aside from his friendship/rivalry/enemies-to-lovers with Taiana, he has quite a good number of other close friends (nearly all of which have been better adapted to the setting than him, because yes, they are ALSO all from the former fire emblem fangame, and a majority of them form his Squad in that universe. However the modern versions of them are honestly the main/base ones, so that checks out tbh. for them at least.) The 'main' four are Merridith, Chiuji, Kaitso and Kyō, all of whom, drumroll please, will get their own posts at some point, and all of whom get along with each other to degrees varying from besties (Merridith + Chiuji/Kaitso + Kyō) to actively beefing (Merridith + Kyō, though it's really just Merridith). There's also Gabbrielli, who is childhood friends with both Jacian and Taiana, and also may or may not be a actual prince. Allegedly. He has his own shit going on, only some of which is related to the Jacian and Taiana shit.

Design wise, I was going for basically 'Older, cooler Jacian' and to me that meant coat draped over shoulders like a cape - which actually worked super well, because he usually has a red cape, and I usually make the inside of his jacket red. Other than that, it's kinda a mish-mash of elements from other Jacian designs that I thought worked + the same boots he always has, but the soles are white now wowee; and of course, his signature flower, white lilies. Which fit him both aesthetically AND symbolically :] Oh, and I forgot to mention this earlier, but he goes by the moniker of 'White Lily Knight' because of course he does.

There is almost certainly more, I could say probably, but. I think this is MORE than enough for now, lmao.

...And i get to write just as much if not more for Taiana next week. Fun :']

Anyways. Yeah that's about it, I like Jacian a lot, he's just a goofy guy who also manages to be charming and cool, despite being a total dweebus. Probably (definitely) in my top 10 OCs :]

[deepseawave]

obsessed w the tags on ur last reblog

Omgg, thank you haha, it was a quality post so I just had to appreciate it in full force 😂❤️

Can‘t believe someone would actually enjoy my yapping :,D