#so many new episodes of different shows dropping the same time

[doodler16]

I think this is the new crossover trailer in a nutshell:

It was pretty childish until Blitzø poped up and started cursing a storm.

Vivienne had to gloat again about how Amazon greenlit Hazbin Hotel for at least four seasons.

Blitzø (Viv) had to poke fun at some stuff and terms circulating around in in the fanon space (like "Hash Brown Motel" which is usually used by people who don't like the series).

She practically sold Helluva Boss to keep it going for as long as possible while making sure she will get her lenghty episodes where she will shove the yaoi slop of her dirty dreams (and will also STILL have the audacity to call it "indie" just like always).

Of course Charlie had to defend Vivienne from Blitzø calling her a "bitch" (and he was a king for it,love you Blitz. Not to mention he has all the right to do it after everything he's been put through).

Vassago cameo (who even needs this fucker?).

Possible foreshadowing of Blitzø probably doing the deed with Angel Dust? Blitzø also used the common misspelling of his name when referring to him.

We are getting that "Lucifer in the same room with the other sins" idea that Vivziepop kept moaning about for years.

Again,more audacity from Miss Medrano where she has to say through her characters that "animation takes a long time!" (I don't feel like explaining this one now).

Charlie is (again) a crybaby at the end.

Blitzø accidentally proves the point of these shows having too many characters. Also notice how he didn't bring Angel Dust after mentioning him (not that we need him anyway,but at least he didn't bring Val),disrespected Vaggie by misspelling her name,and made a jab at the fandom thirsting for Alastor.

I personally found this more entertaining than both shows and that has to be saying something about the writing of this mess.

PS:Charlie and Blitzø had much more chemistry with each other in this promotinal thing,which is not even canon,than with their supposed love interests.

1. It felt pretty normal until Blitzø dropped in.

2. I don’t blame her for gloating, I would do the same thing 😂. Honestly, I wish they at least had a new update for season 2 and it’s release date but it’s whatever. Looks like they are still in production phase. So, of course they are repeating the same information.

3. Yup!

4. If you are backed up by a million- billion dollar company you aren’t indie anymore, even if you have all creative control!

5. I unironically believe Erika would say this in real life (potentially worded differently) especially in a Hazbin Hotel interview or con. That’s my conspiracy theory.

6. Lil bro is not on the team, stop forcing him down our throats every 5 seconds.

7. Season 1 Blitzø, I can definitely see him having sex with Angel Dust but right now he’s more focused on Stolas. At best, I can see Blitzø becoming friends with Angel Dust.

8. They are going to be in the same room, finally!

9. Ironic especially when she’s been outsourcing and there have been several testimonials of ex employees saying how disorganized and overworked Spindlehorse is.

10. Pretty in character, this I will let slide.

11. Hazbin Hotel and Helluva Boss are bloated, even the characters feel meshed together.

Charlie and Blitzø were pretty cute together and their dynamic is intriguing (especially when you take in consideration of the class difference). I wonder if they will address that or have Blitzø and Charlie make a plan to fix the hierarchy.

[brutal-out-here]

Not people hating Maddie and some also claiming Jinx did nothing to stop Isha??

[renthony]

In Defense of Shitty Queer Art

Queer art has a long history of being censored and sidelined. In 1895, Oscar Wilde’s novel The Picture of Dorian Gray was used as evidence in the author’s sodomy trials. From the 1930s to the 1960s, the American Hays Code prohibited depictions of queerness in film, defining it as “sex perversion.” In 2020, the book Steven Universe: End of an Era by Chris McDonnell confirmed that Rebecca Sugar’s insistence on including a sapphic wedding in the show is what triggered its cancellation by Cartoon Network. According to the American Library Association, of the top ten most challenged books in 2023, seven were targeted for their queer content. Across time, place, and medium, queer art has been ruthlessly targeted by censors and protesters, and at times it seems there might be no end in sight.

So why, then, are queer spaces so viciously critical of queer art?

Name any piece of moderately-well-known queer media, and you can find immense, vitriolic discourse surrounding it. Audiences debate whether queer media is good representation, bad representation, or whether it’s otherwise too problematic to engage with. Artists are picked apart under a microscope to make sure their morals are pure enough and their identities queer enough. Every minor fault—real or perceived—is compiled in discourse dossiers and spread around online. Lines are drawn, and callout posts are made against those who get too close to “problematic art.”

Modern examples abound, such as the TV show Steven Universe, the video game Dream Daddy, or the webcomic Boyfriends, but it’s far from a new phenomenon. In his book Hi Honey, I’m Homo!, queer pop culture analyst Matt Baume writes about an example from the 1970s, where the ABC sitcom titled Soap was protested by homophobes and queer audiences alike—before a single episode of the show ever aired. Audiences didn’t wait to actually watch the show before passing judgment and writing protest letters.

After so many years starved for positive representation, it’s understandable for queer audiences to crave depictions where we’re treated well. It’s exhausting to only ever see the same tired gay tropes and subtext, and queer audiences deserve more. Yet the way to more, better, varied representation is not to insist on perfection. The pursuit of perfection is poison in art, and it’s no different when that art happens to be queer.

When the pool of queer art is so limited, it feels horrible when a piece of queer art doesn’t live up to expectations. Even if the representation is technically good, it’s disappointing to get excited for a queer story only for that story to underwhelm and frustrate you.

But the world needs that disappointing art. It needs mediocre art. It even needs the bad art. The world needs to reach a point where queer artists can fearlessly make a mess, because if queer artists can only strive for perfection, the less art they can make. They may eventually produce a masterpiece, but a single masterpiece is still a drop in the bucket compared to the oceans of censorship. The only way to drown out bigotry and offensive stereotypes created by bigots is to allow queer artists the ability to experiment, learn through making mistakes, and represent their queer truth even if it clashes with someone else’s.

If queer artists aren’t allowed to make garbage, we can never make those masterpieces everyone craves. If queer artists are terrified at all times that their art will be targeted both by bigots and their own queer communities, queer art cannot thrive.

Let queer artists make shitty art. Let allies to queer people try their hand at representation, even if they miss the mark. Let queer art be messy, and let the artists screw up without fear of overblown retribution.

It’s the only way we’ll ever get more queer art.

_

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[damn-stark]

hiii!! I was wondering if you could write a hwang Jun Ho x reader where it’s angsty but with fluff ofc as well!! the plot is totally up to you :))

Strained Heart

Hwang Jun-ho x wife!reader

A/N- My first Squid Game imagine so I really hope you like it:)

Warning- Angst and fluff! Spoilers for the show!

Pairing- Hwang Jun-ho x wife!reader

Episode- 2x01

——

*12:00 AM*

“Hello?” Your voice comes out groggy, making the person on the other end of the call let out a shaky sigh before they interject.

“I am so sorry to call so late, ma’am, please forgive me,” a sweet feminine voice sounds extremely apologetic and almost as if she had hurt you by just calling so late. “I am calling from the hospital regarding your husband, Hwang Jun-ho.”

The grogginess that was making you all foggy leaves your body in a flash of a second as you hear the name of your husband. She has not mentioned his state but after days of not hearing from him and him not coming home, just hearing someone call you in regards to him is like a spike of adrenaline.

“He was admitted earlier today without any identification, but we were finally able to contact you—”

“Is…my husband alive?” You cut the woman off because you can’t sit in anticipation anymore. You need to know now.

“Yes. He has not woken up, but he was able to get treated. He will be here for the full day if you wish to come and see him. I am sorry again for calling so late. Goodnight.”

“Good night,” you mumble before you pull the phone away from your ear and let it slip from your hold as you drop your head into your hand while also holding your chest and letting out a deep shaky breath.

You had called his phone so many times and messaged him twice as much. When he did not come home the first night, you called his work over and over again in hopes something would change or that they would have received any kind of word from him, but they also had no idea where he had gone. You were all in the dark and the worry had begun eating away at you.

However, there’s finally news from him and you can’t say you’re riddled with relief nor that the strain over your heart lets go, but you no longer feel fear over him being potentially dead. Perhaps you should still feel scared, when you reach the hospital he doesn’t wake up. You wait until morning, but he still fails to rise with the sun. It has his poor mother weeping with worry, but you don’t feel a sliver of fear.

Maybe it’s because you know him better. He’s a fighter, after all, you know that. He wouldn’t give up so easily, especially not when he has yet to hear from his beloved brother. Or maybe fear doesn’t cling to you because your mind is focused on an annoying thought telling you to leave.

You don’t want to live with constant worry, if this is how your life is going to be with him, you don't want any part of it. You can’t live with the constant fear that one morning will be the last time you get to kiss him before he leaves your front door. That strain left you almost invalid this time around, you couldn't focus on anything but him, and all you imagined was violent made-up thoughts of different deaths. Could you really live through that again? Do you want to?

You love Jun-ho, but if that fear and pain is going to be following you around like a looming shadow can you go on at his side and be swallowed by it?

You let out a shaky breath and drift your eyes away from his resting face, catching his lonely hand resting at his side and feeling tempted to grab it to provide him some warmth and comfort while he still lies unconscious as if debating at that moment to give in and take his hand, or leave it be and run with that cruel thought.

Yet before you can decide the heart monitor starts to pick up, not in an alarming way, but enough to pique your curiosity and make you look back at him, noticing at that moment his eyes fluttering open at long last.

“Jun-ho,” you breathe out and slowly rise from your seat at the same time his mother does.

“Jun-ho,” his mother calls out with more tears already rolling down her cheeks. As said man’s eyes open wider she cries out. “Jun-ho, can you hear me?”

A shaky breath runs past your lips and you immediately stroke his cheek with a faint relieved smile spreading on your lips.

“Doctor!” His mother shouts as she runs out before you can offer to call a nurse or doctor inside. “I need a doctor in here! My son just opened his eyes!”

Jun-ho’s dark eyes remain fixated on the ceiling and he breathes out a single name. “In-ho.”

It’s his brother's name. The same estranged brother he’s been searching for, and the same estranged brother he worries about everyday

“Jun-ho,” you call out softly as if to not hurt him, and his eyes slowly shift to you, making his heart monitor skip a beat and a glimmer flash in his eyes as he makes out your face and seems to realize you’re no fever dream. He then utters your name and your smile widens while tears fall from your eyes without warning.

Before either of you can utter anything else besides each other's names his mother returns with a nurse who does a check up on him and preps him to be seen by a doctor. Thus for a while, he belongs to the fleet of nurses that barge in, as well as the doctor that comes in and out until they’re all finally satisfied and know for certain that nothing is wrong with his brain or heart after he was found drowning.

Drowning…he was drowning and you didn’t have a clue. Your worst fear could have come true and you would have never known, you would have lived forever worried and searching desperately if he hadn’t been found.

Can you really go on living like that?

That thought spins in your mind without seeming to know how to stop until finally, Jun-ho steals your attention. “Are you okay?” He asks with his voice still raspy.

You swallow back nervously and then draw in a deep breath. His mother seems to have caught the tension and excuses herself from the room. It’s only when the door is closed that you give his question an honest answer.

“Where were you? I called. I messaged you, and all I got that night you didn’t come home was that I shouldn’t worry, but you were gone for days, Jun-ho. And when I hear from you again, all I get is a call from the hospital saying you were brought in.”

Jun-ho’s eyes linger on you, on your furrowed eyebrows, and your eyes brimming with tears of frustration and he sighs deeply as he averts his eyes.

“I…can’t tell you what I was doing just yet. Wait until we get home so I can tell you what I know. For now,” he says and looks back at you with a slightly pleading look. “Can you trust me when I say I’m sorry for making you worry? I didn’t mean to. I didn’t want to, but I didn’t have another choice and my phone was only at half percent battery.”

You scoff in disbelief and slowly rise from your seat to pierce a glare into him. “That’s all I get? After I was riddled with worry not knowing if you’re alive or not?”

“Did you get what I sent you?” He asks and avoids answering, but that only infuriates you more.

“Jun-ho!”

“Please.”

Your frown deepens and you shake your head stiffly. “No.” You deadpan. “The nurse said you didn’t have a phone on you when you were brought in either.”

He groans and drops his gaze, so you press yourself against the edge of the bed and dig your eyes deep into his gaze to press him. “When we got married you said that you would not let me live with that kind of worry. You promised me Jun-ho, and look at us now.”

He slowly finds you again and with the strength he was gaining, he picks his hand off the bed and wraps his fingers around your hand to offer you some consolation. “I…found my brother…that’s what I was doing, and that’s all I can offer you now. I will explain it all when we go home, where I don’t have to worry if my mother or anyone will overhear. Can that be enough for now?”

Your breath catches and curiosity and confusion fill your mind, outweighing your frustration. Jun-ho sees that and continues to pass another apology. “I am sorry. Please forgive me. I…will do better. I promise.”

That cruel thought pulses in your mind, making your doubt clear.

“I…will change departments. I will work as a traffic officer. Just say you forgive me. I found my brother and lost him all in the same day. I…can’t lose you too.”

That cruel thought falters before it's completely destroyed by your bleeding heart. He doesn’t offer another promise, just sweet and affectionate words, but that’s enough to make your heart swoon and make you grab his hand to kiss his knuckles before you press your forehead against his.

“Don’t give up what you like to do for me…nothing will stop me from worrying, just…don’t leave me in the dark.”

Jun-ho grabs your hand and presses it against his beating heart, letting you feel the same ba-dum you hear on the monitor by his bed.

“I will try,” he offers you without making a promise so as to not potentially break another promise.

“I’m so glad and relieved you’re alive and back to me,” you whisper against his forehead, making him lift your hand to his dry lips to press a kiss on the heel of your hand and find peace in the silence.

[johanna-swann]

Okay, so this is going to sound very conspiracy theory like, but here's what I think happened (in regards to Bobby's death, Tommy being back, Eddie still not being back and a general outlook on season 9).

I think Tim Minear came back to the show, they moved to a different network, they churned out half a season somehow between multiple strikes and other adjustments. They put a lot of money into the opening disaster which worked and got fans excited. They peppered in soap opera style plot points throughout the rest of the season (wedding episode, Buck coming out, Doppelgänger plot, reintroducing Bobby's background, new Henren kid) because the fans care about the characters and what happens to them. There was barely any procedural in this drama throughout most of season 7, it was 90% the characters' personal drama they showed.

But people were willing to overlook this because at least all the characters had stuff going on and there were extenuating circumstances. Then season 8a rolled around. Once again they went big on the opening disaster, after that though?

Most of the plots introduced in season 7 were dropped immediately. Bobby was suicidal at the end of last season, he's fine in 8x01 though. The conflict between Eddie and Christopher is mentioned here and there, but we don't see Eddie working on his issues. Ortiz is defeated and written out of the show in the very first episode after the opening disaster. Athena gets her thriller plot in the opening disaster and then gets sidelined for the next idk how many episodes. Maddie and Chimney are barely main characters at all, they mostly just exist in the background. The only relevant plot they kept going was Bucktommy, but even they only got insubstantial comedy side plots until they were suddenly broken up. The mid-season finale was a huge let-down and there was barely anything interesting going on in the show anymore.

Here's where the conspiracy part begins: Without the distraction of at least one engaging plot to follow and the lack of new episodes coming in viewers started to notice that the show was treading water. Then the feedback started to trickle in and it wasn't good. I think that's when they decided that they really had to do something that would shake things up and change things permanently. They had already filmed the serial killer two parter though, so they only made small changes / additions (Buddie goodbye scene) and started to really write stories with a lasting impact again post 8x10.

Call me crazy, but I think they really didn't plan to bring Tommy back, not so soon and not as Buck's love interest. That's not what the interviews sounded like back in November. But then, only a few episodes after the break-up suddenly Tommy was back, they showed how both Buck and Tommy still have feelings for each other and literally made Buck say the words "I am not in love with Eddie". There will be no more "will they won't they" "queerbaity-ish" plots between Buck and Eddie, that conversation is over. They gave a nod to the fandom by bringing it up like "yeah, we see you" and at the same time let them down gently by saying "we're going another direction though". That is a very permanent decision for a show that doesn't like change. The way they keep bringing Tommy back, even when he's only mentioned, could very well also mean he's here to stay which means giving Buck, the resident perpetual bachelor, a permanent love interest. Another huge change.

The second thing they did was remove Eddie from the equation. Not completely, not permanently, not yet. But let me just throw the idea out there: What if this was a test run? A "let's not get rid of him just yet, let's see if we can manage without him first". So they sent Eddie to Texas. Finally did something with that plot, even if it was severely disappointing and made no sense. (The problem was that Eddie had issues he didn't work on and in the process hurt his kid and broke his trust. Then we see them in Texas, but suddenly Eddie's mom is the actual problem while Christopher is super chill around Eddie? When the last time we saw them speak to each other Christopher barely wanted to talk to Eddie? Make it make sense.) Anyway, Eddie still got his screen time, but they kept him firmly separated from the 118. Buck was on the phone with Eddie a few times, mostly so Eddie would have a scene partner who he could talk to openly, nobody else even mentioned Eddie. Bobby accidentally called Ravi "Eddie" twice, but I think that was more about Ravi feeling like maybe he doesn't belong rather than Bobby actually missing Eddie. So yeah, maybe this was a trial run to see if they can do season 9 without Eddie and so far I have to admit, I don't really miss him? I'm sure they could've worked him into the recent two parter, but they definitely didn't need him.

Third they brought back Ravi and this time everyone is happy to have him there. Buck tries to actually be his friend this time around, gets to be a mentor figure for him and Ravi has his small "maybe I'm not cut out for this" to "I'll commit domestic terrorism if that's what it takes" arc. 8x14 really cemented that Ravi is a part of the team and he chooses to be a part of this team. He's a pall bearer in Bobby's funeral for god's sake, he belongs to the 118 - a 118 that needs new members because they're losing at least one this season. So. Ravi main season 9?

Big change number 4 - Bobby's death. A main character death is a big, big stunt. If they decide they don't like Tommy for Buck after all, they can change their minds later. If they decide they want Eddie back, they can leave options open to bring him back later. Bobby's death? They can't walk that one back. Bobby and Buck are probably the most central characters for the firefam (Bobby as the patriarch and Buck as the link between all sides of the family) and Peter Krause is no small name on tv. This is not a move they would've pulled if they weren't committed to making drastic changes to a show that previously had come to a bit of a standstill. They want to change the very foundation of this show. If they're willing to kill off one of the main characters among main characters, what else are they willing to change? Some of the above? All of it?

The final piece is still very vague, but they also said they wanted to keep Athena connected to the 118 in a tangible way. People have suggested that May might become a firefighter, but tbh I don't think it would fit. She already was a part of the first responder network for an entire year and then decided to go to uni anyway. Athena went to uni and then decided to become a cop instead, May did it the other way around. Why would they change that again now? I think it's more likely that a) Harry graduates and applies to the academy or that b) they'll make May and Ravi a couple. The latter could also make sense if they're trying to keep the same amount and kinds of couples around. If Buck and Tommy really get back together and become a permanent fixture in the 911 universe, May and Ravi could be the new "will they won't they" couple who keep running into stupid hurdles because they're not sure what they're doing while Bucktommy slowly settle down.

Conclusion: Big changes are on the horizon for 911, they already vaguely teased that there may be cast changes other than just Peter Krause being gone for season 9. I think they decided that some major changes needed to happen during the winter hiatus and then talked about a few possibilities, tried some of them and are now ready to finalise those decisions. Maybe one of the reasons that filming is coming along so slowly is that they weren't sure yet which route to go, had to re-shoot scenes or filmed several versions to choose from. (There are soooo many stills that never showed up in an episode.) Idk, but what I do know is that there are a lot of possibilities for permanent change to choose from and they seem committed to actually go through with those changes this time.

[absolutebl]

This Week in BL - Many Tiny Idiots, Some Irreverent Hotness & an Engagement

Organized, in each category, with ones I'm enjoying most at the top.

Oct 2024 Week 4

Ongoing Series - Thai

Fourever You (Thai Thurs YT) ep 4 of 16 - OK so Hill has really been trying to pick him up from the beginning? I don’t understand why there’s any doubt around girls at all. He Gay everyone. Why is Tatch (2 Moons Ambassador) the only seme in Thai BL history allowed to actually just say "I don’t date women.”

Why is that so hard?

This show is definitely frustrating me, but I must admit that it’s the one I look forward to the most each week.

Love Sick 2024 (Thai Sun iQIYI) ep 6 of 15 - I am now only watching the uncut version, and I gotta say it makes all the difference. Please don’t watch the cut version of this show if you can possibly help it. It’s like cliff's notes of cliff's notes. I love the tiny side couple of tough kid + the dork of the music club. Ah the beach sequence. Condenced WAY DOWN, I see. We lost one of the most iconic lines in all BL but i think everything is improved by how much tighter the plot is in the remake (6 episodes became 1!). So I’m enjoying it. Weirdly, I'm not sure I would be enjoying it, if I hadn’t seen the original.

Is anyone watching this on iQIYI who hasn't seen the original? Just out of curiosity. Tell me how it's going for you, would ya? 

I'm doing a face-off style watch along of this new version versus the original 2014-2015 version.

Kidnap (Fri YT) ep 8 of 12 - I don’t entirely get it. They were apart for approximately 11 minutes. I would’ve thought GMMTV would’ve drawn it out for longer and more angst. Smiley face kiss was cute, but the star of this ep was that gorgeous pale blue waffle sweater on Q. What a great color for Leng! 

Jack & Joker (Thai Mon IQIYI) ep 7 of 12 - I do like that we’re seeing an honest exploration of poverty and hopelessness. I’m not sure how I feel about it inside my BL, tho I’m willing to persavere for this pair.

Battle of the Writers (Sun YT) ep 12 end - Someone said recently "just imagine what TutorYim could do with an actual script." And you know what? I agree. Because they sure as shit haven’t gotten one yet. And it’s getting quite frustrating. I’m having JaFirst flashbacks. Frankly, 2024 has been a year of unmitigated BL nonsense narratives. And I’m tired of it. I know it’s bog standard for the genre, but it feels like there’s been more than normal faff this year.

Summary 

An incredibly convoluted, disjointed, and badly-paced drama that is about(?) some writers writing a thing and some boys who knew each other when they were kids, lots of pretty sexy times, and not much else. The visuals are gorgeous, the side couples are overly appealing (with little to no screen time), the dubbing and sound is absurdly bad, and the fantasy novel (play within a play) makes no sense whatsoever while also managing to be the show that we all actually wanted to see instead of what we were given. 6/10 

In conclusion, I have no interest in attempting to understand or revisit this show, and I certainly wouldn’t recommend it, but if you have nothing better to do…… the sex is good (frankly I have exes that satisfy all the same criteria). So there it is: this show is like a bad but still hot ex.  

Every You Every Me (Thai Mon Gaga) ep 3 of 10 - Nice to see Fiat in something again. Namping is very angel baby.  This episode made me think that this pair would do a great Thai remake of Love Tractor, and now that’s pretty much all I want in life. I enjoyed wardrobe in this episode. It looks like we get the same characters next week. Cool. 

Bad Guy My Boss (Thai Sun Gaga) ep 6 of 10 - I guess everyone is messy slutty bisexual in this show? Do I care? Not even slightly. BLabies, I don’t think I’m gonna make it. I might have to drop this one.

Ongoing Series - Not Thai

See Your Love (Taiwan Weds Gaga) ep 1-2 of 13 - I adore it, what a wonderful meet cute. I love a Taiwanese BL that starts with a gratuitous kidnapping, some chasing, and a bit of a fight sequence. We in OLD fashioned territory. 

Teenager Judge (Vietnam Sat YT) ep 5 of ? - I continue to enjoy it very much.

My Damn Business (Korea Sat YT) eps 4 of 7 - Oh! Is the sleazy boss gonna turn out to be actually a sleazy player? That would be an interesting twist.

Let Free the Curse of Taekwondo (Korea Thurs Gaga) eps 3 of 8 - I’m really not a big fan of my pain coming from Korea. I’m getting a whiff of To My Star 2 from this one. And that does not make me happy. I know: high quality high angst yada yada blah blah blah. But also unnecessary pain? No thank you. 

First Note Of Love (Taiwan Mon Gaga) ep 12 end - Of course, I love the part where Reese and Orca spoke each other’s languages.

Conclusion

Had this been produced a mere 3 or 4 years ago, I would’ve been quite enamored. But by comparison to what we’ve been getting, this is a lackluster offering. A has-been musician and a much younger composer meet, fall in love, and attempt to rectify his stalled musical career. Cute side couple of a Thai popstar + his Korean manager. Everyone is very fine and it was a fine show. I wasn’t disappointed, but I wasn’t impressed either. 8/10 

Love is Like a Poison AKA Doku Koi: Doku mo Sugireba Koi to Naru (Japan Tues Netflix?) 6 of 10 eps - It was a fun little confession and climax, there was crying, and a bridge kiss (been a while) all of this appeals to me even if they are tiny idiots (in the immortal words of @heretherebedork )

Eccentric Romance (Korea Weds Viki) eps 5-6 of 12 - More tiny idiot boyfriends who don’t realize they’re boyfriends. That’s it, that’s all that’s happening. Ostensibly there’s some kind of murder. But it seems to be acting more like set dressing than plot.

It's airing but...

The Hidden Moon (Sat WeTV) 10 eps - Supernatural romance (my ghost boyfriend trope) by Violet Rain (I Feel You Linger). A man is hired to write an article about an old mansion. He sees the ghosts of people who died at the mansion, falls in love with one of them. Was substantially recast. I loved IFYLITA except the ending so I think I'll let this one run it's course you can tell me if it's work tracking down... if they managed to land it. I have my doubts.

In case you missed it

Mew & Tul legit engaged.

Love in the Big City (Korea Viki) 8ep - Vicki dropped them all at once which means I did what I do under such circumstances and skipped to watch the final episode. (I am well aware that this makes me a monster. ) Anygay, that told me that I’m not gonna be bothering to watch the series. Now y'all can tell me how amazing it is and what I’ve missed and blah blah blah. But I’m comfortable with my choice. It’s ICRY 2.0 + HIV. And I’m not willing to play its literatti game. At some point I might watch it on fast-forward for the sex scenes, but I’m not at that point yet. 

Next Week Looks Like This:

Upcoming BLs for 2024 are listed here. This list is not kept updated, so please leave a comment if you know something new or RP with additions.

Still Coming:

10/27 Perfect 10 Liners (Thai Sun YouTube?) 24 eps! - New directing yet another university BL with engineers + their mentees. Based on a Jittirain novel. with a massive cast and massive run time. We will be watching this until APRIL of 2025!

ForceBook playing the same old characters = enemies to lovers tsunder/sunshine jock/nerd thing.

PerthChimonSanta are doing the cohabitation cool guy/dork trope.

JuniorMark are doing popular sunshine meets lonely sad boy (the only interesting pair IMHO).

I think Blue Canvas of Youthful Days has started on iQIYI but I only get it on Viki and that doesn't drop for a few days, plus...... CBL......? Not sure I'll report on this one unless it's really good.

THIS WEEK’S BEST MOMENTS

From Uncle Unknown which is truly terrible but this was so SO funny. I'm still chuckling when I think about it.

The first representation of shipping in a BL that I actually enjoyed. Also Dat's clear approval of being shipped didn't hurt. (Judge)

(lask week)

The tag BLigade: @doorajar @solitaryandwandering @my-rose-tinted-glasses @babymbbatinygirl @babymbbatinygirl @isisanna-blog @mmastertheone @pickletrip @aliceisathome @urikawa-miyuki @tokillamonger @sunflower-positiiivity @rocketturtle4 @blglplus @anythinggoesintheshire @everlightly @renafire @mestizashinrin @bl-bam-beyond @small-dark-and-delicious @saezurumurmurs

Sigh, Tumblr in its infinite wisdom doesn't like too many at-ings.

[twig-tea]

2024 BL/GL/QL Round-Up Post

Since I did this last year, I thought for posterity I'd post another reflection on everything I watched that completed in 2024. For me, that means anything that started in 2023 but the last episode was in 2024 is on this list, but anything that was still be airing after 31 December 2024 11:59 my time (EST) is not on this list, even if the bulk of the show did air in 2024.

A few stats:

[The image is TL;DR for what follows lol]

I watched ~150 discrete pieces of new QL content in 2024 (series/films) that I tracked [It gets complicated with specials and split seasons but I did my best to be consistent]; plus 10 things that I would consider "adjacent". For contrast, I listed 110 pieces of discrete content in 2023; that's a 45% increase year over year!

This clocked in at an est. 900 hours of new BL/GL and adjacent content (up from ~600 in 2023--which also tells us that the content I tracked was a little longer overall because that's a full 50% increase in terms of hours spent).

The new content I watched came from 9 different countries [same as 2023]: (Cambodia [1], Philippines [2, down from 3], Hong Kong [1], Japan [32, up from 18 in 2023], Korea [20; was 19], Myanmar [2, up from 1], Taiwan [12, up from 6], Thailand [75; up from 56], Vietnam [4, down from 7]), China [5], and then 3 joint effort productions from Thailand/Korea [2] and Thailand/Taiwan [1]

This means just under ~47% of the content I watched on this list is from Thailand [close to the 50% in 2023]

So many more shows had multiple or varied distributions this year, but like last year ~85% of my content was on 3 platforms: YouTube [38%; down from 40%], GaGaOoLaLa [30%; up from 23%] and iQIYI [17%; down from 21%] Note: I'm in Canada and my access routes are sometimes affected by that.

As unbelievable as it sounds with all that, I did actually drop shows this year! I dropped 9 shows, which is I think more than I've dropped in my entire previous 20+ years watching queer asian media combined (that might be an exaggeration but I do really hate dropping shows); 4 Thai, 3 Filipino, 1 Taiwanese and 1 Japanese (listed at the very bottom of this post if you want to be messy). I didn't track any dropped shows in 2023.

And if you're wondering how many shows there are in the world in total, I am aware of an additional 11 shows I just did not have time to even start (2 from Cambodia, 4 from the Philippines, 3 from Thailand, and 1 each from Korea and Myanmar). That does not include the vertical short reels that I didn't track this year--see @ellsieee 's tracking post for these--as well as several GL shorts from JPC media YouTube channel and Sastra film app YouTube channel that I just have not had time to try or even keep track of, though I do peek in on them to see if there's anything that looks particularly good, and I do always link these folks in my GL round-ups.

All of this doesn't include re-watches or catching up on old shows, or non-QL queer media, or non-queer media (the hets sometimes do deserve rights); but does include films as well as shows.

I hope you all appreciate that with this much content, and with my general brand of being unable to make decisions, I really struggled to narrow down a top 10 list. What follows is the best I could do lol

Top 25 QLs I'd Recommend From This Year:

[Links are self-indulgently to what I thought was the most relevant post I'd made this year relevant to that series/media, mostly spoiler-free pitches]

She Loves to Cook and She Loves to Eat S2 (Tsukutabe) [GL]

Love in the Big City

Love For Love's Sake

Tadaima Okaeri [anime]

Ossan no pantsu ga nandatte ii janai ka (Oppan)

Marahuyo Project

Knock Knock Boys

Let Free the Curse of Taekwondo

Love is Like a Poison (Doku koi)

Ossan's Love Returns

Twilight out of Focus [anime]

At 25:00 in Akasaka

Cooking Crush

Cherry Magic [anime]

Cherry Magic Thailand

Takara no Vidro

Soul Sisters / Twin Rabbits [GL]

Perfect Propose

Unknown the series

Paradise of Thorns [film]

Blue Canvas of Youthful Days

The Secret of Us [GL]

Mr Mitsuya's Planned Feeding (Mitsuya-Sensei)

The Time of Fever

A Man Who Defies the World of BL S3

I tried to put these in some kind of order but honestly if you asked me to rank them the numbering would change all the time and I would combust. The ones I liked best are closer to the top of this list. I also debated back and forth on whether Paradise of Thorns counts as QL so many times. But in the end I decided the main character was queer and queer romance of a sort was at the heart of the drama, so I've left it in this list even though technically it should probably sit with the 'adjacent's.

Worth noting that though only ~20% of the content I watched was from Japan, ~45% of my favourites were from Japan.

+5 notable pulp offerings worth mentioning:

Bagan Beginning (Myanmar)

City of Stars (Thailand)

Gym Affairs (China)

To the Ex Who Hated Me (Korea, GL)

Under the Oak Tree (Vietnam)

I think I'll do a top 10 GL post separately since we had enough content to warrant a top 10 (yay!) but this is already long enough. I just want to take a second to acknowledge that this year was so much better than in 2023 when I didn't feel like I could recommend any of the new GL shows. Thank you content creators for better and more GL in 2024, please keep that energy for 2025!

Bonus: Not a QL but worth calling out:

How to Make Millions Before Grandma Dies (Thai film)

I saw both this and Paradise of Thorns in theatres during the Toronto International Film Festival and they were both so powerful! Extremely different tones but they surprisingly hit on similar themes, and very beautifully filmed. HTMMBGD was a complicated film filled with very rounded and complex characters, and I still think about it all the time. Very excited for more folks to have access to both of these soon.

Sidenote: The fact that I watched 45% more shows in 2024 than I did in 2023 and still managed to keep my rec list to 30 (*cough1cough*) does seem to back up the general feeling that though we had more content, we didn't have a proportional rise in good content. I do want to crunch those numbers in another post.

Double Plus Bonus: Best Older QL Content I watched for the first time in 2024:

Life as a Girl / Joshi-teki Seikatsu (Japan, 2018; I'm so sad I missed out on this one for so long due to misinfo, it is fantastic! Thanks to @so-much-yet-to-learn for helping propel me to this one)

Iron Ladies (Thailand, 2000; thank you for the rec, @happypotato48)

Nacchan's Secret / Himitsu no Nacchan (Japan, 2023; thank you @furritsubs for making this watch possible)

Can I Buy Your Love From a Vending Machine / Sono Koi, Jihanki de Kaemasuka? (Japan, 2023; thanks to @nicks-den for making this watch possible)

I Fell In Love with the Villainness (Japan, 2023; watched because of a convo with @pilanthitasanilaphat)

Doi Boy (Thailand, 2023; this one I had on my list and just had to work up the energy to watch, but it was a beautiful film and I'm glad I did)

BL Metamorphosis (Japan, 2022; another thank you to @furritsubs)

Dear Dad (India, 2016; thanks to @neuroticbookworm for the rec!)

Salty Blue / Kakenuketara, Umi (Japan, 2023, thank you again @nicks-den!)

[I can't believe I forgot this at first] The Miracle of Teddy Bear (Thailand, 2022, thanks for going on that journey and writing great meta with me and for calling me out for forgetting @lurkingshan!)

There is so much good content in the world and despite my best efforts I haven't seen everything! So grateful to the fansubbers and people who write about past shows so that those of us who missed them the first time still get a chance to see them.

In terms of my output based on all this input, I continued not lurking this year, and have enjoyed it very much; see my Top 10 posts from 2024 here as well as the content I linked in my recommended shows above--going through the process of adding those links really highlighted to me how much more I've written this year, and how much more motivated I am to write about shows I love. It's no surprise I had dedicated posts for most of my top shows! To highlight a few specific projects this year that I'm proud of, I participated in the Love in the Big City Book Club read and watch-alongs organized by @lurkingshan, which was such a fun project that I am grateful for, and I started my GL Odds and Ends posts (tagged with #gl recs) that I am still feeling out but am really enjoying seeing the impact whenever someone watches a show because they found out about it through one of my posts. I also made an appearance on several episodes of @the-conversation-pod and had an incredible time trying out different things in a quarterly 'Dispatch' and having some really rich conversations with @bengiyo and @shortpplfedup. I love this corner of tumblr that we've carved out for ourselves as a QL watching community, and I just want to say to everyone I've interacted with in 2024: Thank you, and wish good things for you all in 2025!

Full list of 2024 shows under the cut for anyone curious! [Mostly in order it completed but may be slightly off--if a special aired immediately after the final episode I only list them as one thing and count the airing of the special as the end date, for example].

Bagan Beginning

Love Senior the Series

After SunDown

VIP Only

Twins the Series

Last Twilight

Night Dream the Series

My Universe

Bake Me Please special episode

Sahara Sensei to Tori Kun / Mr Sahara and Toki-kun

Love for Love's Sake

7 Days Before Valentine

Happy Ending

PitBabe the series

For Him the series

Cooking Crush

The Sign

Chaser Game W

Playboyy the series

Perfect Propose

Ossan's Love Returns

Tsukuritai Onna to Tabetai Onna S2 / She Loves to Cook and She Loves to Eat

Cherry Magic Th

Dead Friend Forever

Sukidoya / Although I Love You and You / Sukiyaken kedo dou yaroka?

Healing Thingyan

Love You in Every Multiverse

Cherry Magic (anime)

Please Teach Me

Anti Reset

Jazz for Two

Blank the Series

A Secretly Love

To Be Continued the series

Love is Better the Second time around / Koi wo Surunara Nidome ga Joto

City of Stars

Sea You Soon

Human Too

Man Who Defies the World of BL s3

Gray Shelter / Gray Currents / Grey Current

Gym Affairs

1000 Years Old the Series

Love is Like a Cat

To the Ex Who Hated Me

Lady Boy Friends the series

Deep Night the series + Special Episode

Unknown the series

Memory in the Letter

You are My Star

Lonely Girls

Boys Be Brave / Roommates / I Can't Confess

Blossom Campus

Two Worlds

VIP Only special episode

Pray In Love

I Fell In Love with My Male Best Friend

Friend With Benefit

Stay By My Side special episode

23.5

You Made My Day

Living With Him

City Boy Log pt3

Anti-Reset special episode

The Time of Huan Nan

Xiao Xiang Yi Jiu

Inverse Identity

At 25:00 in Akasaka

Only Boo!

Tadaima Okaeri

Love Bully (Club Friday)

Blank the Series S2

Marahuyo Project

The Two of Us

Blue Boys

OMG Vampire!

My Stand-In

We Are the series

Ossan no pantsu ga nandatte ii janai ka / Oppan

Wandee Goodday

Under the Oak Tree

The Rebound

Love Enemy

Love in the Apocalypse

Bad Guy

My Marvellous Dream is You/ Dream the Series

Century of Love

Knock Knock Boys

Be Your Star

Meet You at the Blossom

BOYTOY

The Secret of Us

Ayaka is in love with Hiroko / Ayaka-chan wa Hiroko-sempai ni koi shiteru

My Love Mix-Up!

This Love Doesn't Have Long Beans

Love Sea the series

Cosmetic Playlover

City Boy Log s4

Sunset Vibes

Mr Mitsuya's Planned Feeding

Takara no Vidro / Takara's Treasure

Paradise of Thorns

I Hear the Sunspot

The Time of Fever / when your temperature reaches my fingertips

4 Minutes The Trainee

Twilight out of Focus

Happy of the End

The On1y One

Live in Love

Heaven'sxCandy

The Two of Us s2

Addicted Heroin

I Saw You In My Dream

Monster Next Door

Our Golden Times

Affair

First Note of Love

Battle of the Writers

Reverse 4 U

Unlock Your Love

Chaser Game W s2

Let free the Curse of Taekwondo

Uncle Unknown

The Hidden Moon the series

Love in the Big City [the series]

Smells Like Green Spirit

Red Whisper

Eccentric Romance/PT is Love

My Damn Business

Apple My Love

Dominant Yakuza and Wimpy Corporate Slave

The Nipple Talk

Kidnap the series

Every You Every Me

Jack & Joker

People Come Later

Blue Canvas of Youthful Days

The Loyal Pin

Let's Eat Together Aki and Haru 2

Love is Like a Poison / doku koi: doku mo sugireba koi to naru

Bad Guy My Boss

Haunted Hearts

Seoul Blues

The Renovation

Love Sick 2024

Love in the Big City [the film]

Spare Me Your Mercy / Euthanasia

Soul Sisters / Twin Rabbits

My Hot Butch Roommate

Whisper Me a Love Song / Sasayaku you ni koi wo utau

Boys' Christmas

Bonus: FuFuKnows bi-weekly shorts [every other week they post a short film, almost always a QL storyline; there were 23 in 2024]

And those QL-adjacent shows I mentioned [these are all adapted from QL media or starred QL actors or were part of a QL franchise but did not have a canon queer romance at the core of its storytelling]:

The Spirealm

Close Friend 3 - Soju Bomb

How to Make a Million Before Grandma Dies

Man Suang

High School Return Of A Gangster / I, a Gangster, Became a High Schooler

Kimi to Yukite Saku: Shinsengumi Seishunroku

Hoshikuzu Telepath

A Balloon's Landing

Peaceful Property

My Strawberry Film

The shows I dropped:

Time the series

Beside You

Sugar Dog Life

The Whisperer

Kiseki in Tokyo

Q18

Sky Valley

The Fate Trap

Dear Miss Becky

And as a shout-out in penance, the shows I had on my list to get to but haven't yet watched:

A Blue Sky (Cambodia)

Ending Friend (Cambodia)

Pretty Boys (Philippines - requires an access fee on VivaMax+)

Oh My Boo (Philippines)

The Perfect Heartbreak (Philippines)

Where I found You (Philippines)

My_ the series (Myanmar)

What's In My Bag (Korean GL - requires an access fee on Vimeo)

Complicated (Thai)

Club Friday: Hot Love Issue (Thai)

2nd Chance (Thai; not to be confused with Second Chance, this was a smaller 3-episode short series from this year)

Thank you for reading!

[sillylittlgaythings]

I have a bone to pick with the Yellowjackets fandom, more specifically with the twitter community

im just gonna rant here for a bit. oh. my. god. you guys are UNBEARABLE and ANNOYING.

first: “why did they pair shauna with melissa and not with mari/akilah/gen/x/y/z?”

because melissa was a BLANK character with 0 meaningful conversations with shauna in s1 and 2. shauna already doesn’t like mari. “so now you’re her protector? a little late for that” thats mari to shauna after jackie’s death and the girls wanting to burn her body, they could not make mari into the wide-eye girl infatuated with shauna like they did melissa it. wouldn’t. make. sense. (same thing with gen, she always takes mari’s side and it would be kinda interesting to see this dynamic play out, but anyway).

shauna needed someone she had no previous feelings (good or bad) for and that also includes akilah. she was the one helping shauna giving birth, calming her down and trying to save her and the baby, akilah already had a personality being developed in s2 and clearly had a different plot direction for s3, while melissa didn’t. shauna already had her interaction with akilah and has a perception of her.

melissa was a perfect vessel for shauna’s girlfriend. no meaningful interactions before. no attachment. shauna is able to create melissa the way she wanted in her had, make her a replacement for jackie, use her as she sees fits because she doesn’t know melissa beyond that

second: “why did they get rid off lottie for melissa/they fired simone to afford hillary swank”

thats NOT how the industry works. that’s not how budget works, they’re not taking payment from one actress to give it to another, also hillary’s fees (an award winning actress) are much higher than simone’s (an somewhat unknown actress, love her but it’s true) if it actually worked that way it would made more sense to get rid off melanie or christina, the biggest and most expensive actresses in the adult tml along side with hillary now.

“but lottie’s story wasn’t done” one of the main points of the series is that every death was unfair. the people who died in the crash was unfair. laura lee exploding wasn’t fair. jackie frozen to death wasn’t fair. javi drowning wasn’t fair. nat dying from an overdose after battling addiction and finally getting clean is not fair. every death was unfair. i do think it would be interesting seeing more of lottie’s character but lottie was NOT killed off for melissa, let’s be realistic here.

third: “why are so many shauna scenes?” she’s the main character!!! she’s the one we follow throughout the show, of course there are other principal characters but shauna is the protagonist and the main plot will be around her in some way

fourth: “it’s so weird that tai is the only POC to survive” that’s not true, both lottie and travis were survivors and people of color, yes they’re dead now, but they are still survivors. we also don’t know how many made it out of the wilderness, the 8 survivors theory is just that, a theory. mari, akilah and gen might have made it out and choose to hid/fake their deaths like melissa did.

i do think the treatment of non-white characters and actors in the industry needs to be discussed further and deeply, i’m not saying non-white fans shouldn’t complain about things they see as unfair and wrong, i’m just pointing things out and not speaking over them. i’m not saying they’re complains are justified, but it’s not the intention of this post to discuss this issue specifically.

i’m just so tired of people complaining about every. single. damn. thing this season, of course some criticisms are valid and some conversations are importante to have, but it’s just so annoying to see people nitpicking every little thing about s3 everytime a new episode drops and wondering why certain plots were finish, not understanding why things were written like this or that or etc feels like this is you guys’ first time watching a show with one episode per week like WAIT, BE PATIENT, we already know there are 5 seasons planned so it’s obvious some things will be left unknown or a mystery.

yes it’s nice to dissect a show and analyse the writing and the characters, but it feels like some people either don’t actually like the show or are to stuck in their AO3 fanfic dynamics to enjoy the actual show and characters.

anyway, have a good day guys and enjoy the the season finale next week.

[lullabyes22-blog]

hi <3

i am once again asking your thoughts on the latest act of arcane?

Honestly, my feelings on S2 so far are pretty mixed.

:')

On the one hand, visually, it's absolutely heartstopping. The cinematography is incredible, and it's the first time in a while where every episode felt like an experience I had to endure in a good way. Plus the score, the voice-acting, and the sound design is, as usual, top notch.

Buuuut when you have all these stellar spheres working on this show, it makes the areas where they drop the ball stand out.

For me, that's the plot.

Alot of folks have criticized the pacing and how there's too much piled into one season. Personally, at this point I've made peace with the breakneck speed and sort of taken it as a given in a series where 'War' is the overarching theme. I can even let go of the fact that certain plot beats don't feel earned, as there's so much subtlety and foreshadowing that you can easily make the case for them via long-drawn out analyses of every frame.

But the writing, ohhhh boy. The writing. It feels like there's a disconnect between the overall plot and the individual character moments.

It's really hard to articulate, but I'll do my best.

I love that we're getting so much characterization for the main cast. Every episode, it feels like there's a new layer peeled back, and each of our leads has an opportunity to shine.

And that's exactly the problem. They're all shining.

Separately.

When I think about it, the reason why S1 worked so well was because every episode gave us a glimpse into the mind of someone different. We got a taste of what it was like to be in the head of every major player in the cast, and through this, we grew to understand their motivations, their fears, their hopes. I've used the 'gem' analogy in previous reviews, and the way the show handled that concept was amazing. Every character was a facet of the gem that was Arcane, and each shift of PoV allowed us to see them from a new angle.

There was coherence. There was cohesion. And there was a sense of complexity told in a concise and well-planned format.

S2, for me, doesn't quite work the same way.

It's not that I don't understand the characters, or that I don't appreciate the way they're handled. It's just that their individual journeys are so self-contained. I'm not getting a sense of their interpersonal connections. More as if they're crashing into and out of each other's lives, without ever stopping to have a proper conversation.

It's a common complaint with ensemble casts, and I don't mind it for the most part, but the problem here is that Arcane has been very careful about establishing its characters as part of a cohesive whole. They're not just random individuals who happen to share a stage. They're siblings, lovers, colleagues, friends, enemies, etc. And the reason why we can relate to them is because, on some level, they mirror our own relationships. We've seen how they treat each other, and we've come to care about them.

But in this season, I feel like there's been a failure to communicate.

Scenes between characters feel like a series of disconnected vignettes, some of which are great and some of which are not so great. It's as if the writers are trying to force the characters to react to the plot rather than the other way around.

I don't want to be overly critical. So much love and effort has gone into making this show, and I'd never want to disparage the efforts of so many talented artists.

But, yeah. Coherence is a bit of an issue.

I will say, however, that re: the subject of grief, especially in Jinx's journey, this season has delivered some beautiful moments. It's a surprisingly nuanced treatment of a complicated and ugly emotion, and it's something I wish more shows would tackle. The problem with a lot of modern storytelling is that, because it's trying so hard to be edgy, complex and subversive, it doesn't really leave any room for just letting characters exist. And Jinx's arc in particular is a perfect example of this.

I was worried, going into the season, that they'd take the easy route and paint her as a pure monster, utterly deranged from her loss. That's what the fandom seems to want, anyway, and it's what you'd probably expect given the general climate.

But instead, the show has chosen for Jinx to be vulnerable, and to let her arc be honest. Granted, Isha, though she's adorable, still doesn't quite feel like a full-fleshed out person, but Jinx's bond with her has been written with such heartbreaking realism that I'm inclined to forgive the former for the sake of the latter. It's just refreshing to see the series not to take that insulting and reductive 'but Jinx is crazy' route, and instead allow her to grapple with the pain of losing her family and the horror of what she's done, but to also heal old wounds with brand-new connections.

'Crazy' does not mean 'irredeemable.'

And it's about time more mainstream media got this memo.

The series also continues to be stellar at showcasing so much with such restraint. A lot of the scenes don't last longer than a few minutes, and yet you can feel so much conveyed in that brief window. And the framing and composition is consistently masterful.

Overall, though, I'm a bit underwhelmed by this season so far. It feels like an incomplete masterpiece, and the sense that the narrative has lost control is starting to get overwhelming. We've still got Act 3 left, and I'm hoping the final stretch is able to tie things together a little more neatly.

Anyway, thank you for reading this mess! And feel free to share your thoughts as well. I'm curious to hear how other people are finding the series.

<3

[stedes-tarty-pink-robe]

Now that I've seen all three versions of the finale, I can give my thoughts. It's not the worst final episode I've seen, but I am disappointed. I enjoyed the meta-ness but wish it was executed better.

Wwdits likes to play loose with continuity, especially dropping plotlines at the start of a new season, but they usually give us conclusions to arcs within a season like Season 5's throughline of Guillermo struggling with vampirism. Not this time. Season 6 just felt superfluous. Nandor/Guide, Jerry's return, the Monster's search for love - none of it went anywhere and could have been cut without much of a difference. Even one off episode things like Laszlo's growing awareness of Sean's mortality or Guillermo's cousin finding out about vampires came up and then were never followed up on. It makes me wonder why any of these plotlines were introduced in the first place? I'll give them credit for giving Guillermo's work plotline and Nadja's attempts to understand humans proper conclusions. Guillermo's experience teaches him that he doesn't belong in the human world and that humans can be just as predatory as vampires, and Nadja's job helps her become the most emotionally savvy member of the house, but that's it.

I get that "nothing ever changes with the vampires" and "nothing the vampire's do matters" are big themes in the finale, and they've popped up in previous seasons, but being thematically consistent doesn't make an ending satisfying if it doesn't have emotional catharsis for the audience. Why should we care if the characters don't? What's the point of the plotlines if everything keeps looping back around to where we started? Without a payoff, it can come across as time wasted.

That's a pity because wwdits had so much going for it - interesting characters and relationship dynamics and fun bits. It just seems like the writers didn't know how to go beyond the individual scenes to find a satisfying conclusion, so they didn't bother to try. They contructed the finale in an interesting way by having 3 versions of the same episode air, but the content still felt empty. The episode itself even seemed aware of this, reminding us that last year's conclusion would have made a better series finale and having Colin comment on how many series mess up their ends. I appreciate the writer's self-awareness, but it didn't make the episode any more enjoyable.

That said, I'm glad they did not stick with the "Guillermo leaves again" fake out ending because that would be the cherry on top of my "nothing ever changes or matters" problem with the show. I also liked some of the "perfect ending" hypnosis scenes. I'd rank them as 1 Rosemary's Baby, 2 Newhart and 3 Usual Suspects.

Overall, this is a flawed show that was still fun even if didn't quite stick it's landing.

[celestial-prime]

Transformers Franchise is dying...

In the past few days, some Transformers fans and influencers, including myself, are saying that the Transformers Franchise is dying... and unfortunately, they're right.

The Transformers franchise is slowly dying, and there are even rumors that by 2027, it might stop producing comics, merchandise, toys, literally, they will shut it down completely and stop everything. Which is terrifying. I had already been predicting this since last year, but many people couldn't see it, only now are they starting to realize it.

Transformers One was supposed to be the movie that would REVIVE the franchise, bring it back to life. But unfortunately, it failed miserably. After that flop, Hasbro stopped funding projects related to the franchise. And because of that, Transformers: Reactivate was also canceled, which worried a lot of people, including myself. I truly believed that Transformers One and Transformers: Reactivate were their last chances to bring the franchise back to the top.

But honestly, Transformers has been facing flop problems for a long time. And when I say a long time, I mean nearly seven years! In my opinion, the main cause of this seven-year downfall was Transformers: The Last Knight. I spent years defending that movie, but it was only last year (around August, I think, I don't really remember) that I finally realized how garbage and horrible it really is. That film caused massive damage to the franchise. The movie was so messy, disgusting and awful, that many fans lost interest and gave up on Transformers entirely.

Even though the Bumblebee movie and Transformers: Rise of the Beasts tried to save the franchise, they didn’t succeed, mostly because of the damage The Last Knight had already done. By the end of last year, with all the cancellations going on, I basically started leaving the franchise behind. I’m no longer keeping up with news or leaks. I’ve even stopped sharing fanart and memes here on this account and on my other social media.

The only thing I’m somewhat aware of now is that there’s a new comic series, where Optimus has Megatron’s arm in a weird, crazy storyline. That’s the only ongoing content I know about. There are also rumors that they want to make a new Transformers series, but once again, it’s supposed to be a kids' show, which won’t attract much attention from the general audience.

So unfortunately, Transformers is heading down a dark path, and I don’t think there’s a way back. Making movies? Out of the question, the franchise already has too many, and it’s oversaturated. Making series? Same problem. If I’m not mistaken, there are over nine Transformers series now, and each one has a different timeline and continuity. That’s another major issue with Transformers: too many universes, with no clear or official timeline like Generation 1 had.

The last series released was Transformers: Earthspark. I liked the first season, but from the second and third, everything went downhill. Even the first season already flopped due to numerous controversies, especially the one about Nightshade being a non-binary character. Their attempt to include diversity in Transformers made a lot of fans, especially parents (since it's a kids' show), really mad. The viewership dropped after the episode where Nightshade revealed their gender identity.

You can also see the drop in animation and graphic quality starting from seasons two and three. As much as I loved the dynamic of Megatron being an Autobot and really close to Optimus (I actually think the MegOp ship is semi-canon in that series), it wasn’t enough to draw in a bigger audience. And again, it’s still a kids’ show.

In my opinion, what could save the franchise is launching a new game, but one made in partnership with a giant game company. For example, FromSoftware, which is known for creating some of the best open-world games with deep stories and epic adventures. There are also countless other studios out there that could make a deal with Hasbro to buy the rights and develop a game. If done right, this could bring the franchise back to life. But honestly, the chances are slim because of Transformers’ bad reputation, mostly thanks to Michael Bay.

Not only that, but the franchise is also extremely saturated when it comes to storytelling. No matter the game, series, or movie, it’s always the same thing: Optimus Prime vs. Megatron, Autobots vs. Decepticons. And whenever a new project comes out, it’s set in a completely different continuity or universe. Meaning: Transformers doesn’t follow a consistent, canonical timeline anymore. The last time we had that was with G1 and some comic runs. Every other new series, movie, or game has had a different universe, with different stories and different origin tales.

This makes the franchise very saturated and confusing, because fans can’t keep up and don’t even know if what they’re watching is canon or not. The only things I was still enjoying from Transformers before stepping away were the film trilogy, a few of the series, and some comics, and that’s it.

Another thing they could do is create a new series with the same tone and quality as Transformers: Prime, but even more serious. Transformers: Prime was incredible, and they wasted so many elements, like Silas, who had so much potential to be a great villain in seasons two or three. They could’ve explored more powerful Cybertronian relics too. But because each episode was expensive to produce, the third season was super short, and the movie wasn’t long either.

To me, Transformers: Robots in Disguise doesn’t even exist, it was that bad, a complete disaster. But anyway, those are my thoughts. Only God knows if Transformers will ever rise again. Even though Transformers One is being called one of the most-watched movies on Prime Video and there's talk of making a trilogy, I still don’t think it’ll be enough to save the franchise, especially because of the massive retcons and reboots. (Transformers One is supposedly a complete reboot of the entire franchise). A lot of fans, especially the nostalgic ones, didn’t like that at all. Many of them prefer the original version over the new one.

So yeah... those are my thoughts. I’m out of the loop now, and I don’t plan on coming back, because Transformers really is dying. And that’s why I chose to step away, I just can’t bear to watch one of the franchises that shaped my childhood die out completely. That’s why I’ve been more into other franchises now, like Sonic, and FNAF, which I’ve followed since the beginning, but now I’m back to being more active in it, along with other series as well.

Anyway... that was my rant. I’m leaving Transformers behind by choice, because I don’t want to suffer watching it fall apart.

[saras-almanac]

So I wrote this post the other day about my feelings on the handling of the BuckTommy breakup (which you can read here if you want). And @parrishjeanna reblogged with a link to an article from Tim. I wrote out a reply to it but it became so long I needed to put it in a separate post because it’s over 3k and I need to put it until a readmore.

Okay so I did read that article thank you @kawaiifacesong for linking the not generating revenue clicks because I don’t like reading any articles for 9-1-1 because it’s literally all buddies who can’t ask anything about the show. (Case in point, in this particular interview, the interviewer brings up “The Couch Theory” because Buck and Eddie sit on a couch.)

So this interview was trash for many reasons but I’ll narrow it down to three for the sake of this response: Biphobic nature of the breakup and aftermath, what’s being said in interviews isn’t what we’re seeing, and Tim writes as he goes so there’s no actual plan going forward.

First: The Biphobic Nature of this breakup is still moving full swing.

The idea that Buck is “still figuring himself out” and needs to explore is insulting in so many ways—especially to myself as a bisexual lady in my 30s. Firstly, being in my 30s, the idea that you need to figure yourself out still is absolute bullshit. Yes, you can still find new things out about yourself and make some changes, but usually by this point in your life, you have a pretty decent handle on who you are as a person. Which Buck does have… and we’ve seen that? So it has to be a reference to his newly discovered and realized sexuality.

Which, AGAIN is so biphobic and plays into incredibly harmful bisexual stereotypes that bisexuals need to “explore” to figure out what or who they want. This means either they need to fuck around and make sure they’re really bisexual. OR they need to get enough experience with their same gender to then be able to have a same-gendered relationship. Both of which are insulting and harmful. This idea that Tommy couldn’t possibly be a lasting relationship because Buck just came out as bisexual is wrong. It’s fine if they didn’t want Tommy to be a long-term love interest or even an end-game love interest, but why couldn’t they have done it differently, to hopefully not play into these harmful stereotypes that are still incredibly prevalent today.

Now do I think they fully intended it to play out as biphobic as it is? Not really, but I do think that the heart of what they wanted—Buck exploring his sexuality—is inherently biphobic because of the way they have chosen to go about it. There’s a world of difference between having Tommy break up with Buck so Buck can go exploring and having OS and TM saying similar things in interviews and Tommy and Buck breaking up and Buck getting back out there and dating around. Which if they had given it just a smidge of thought, I have to hope they would have come to that same conclusion and maybe gone about it in a different way.

Second: What Tim’s saying in interviews about what’s happening on the show and in these storylines doesn’t match up to what we’re seeing

I’m going to paste the few paragraphs related to BuckTommy break up here, just to read. I have bolded what I thought was important and what I’m going to talk about after it.

“Look, I think the breakup was premature, but that was by design. For me, the story that I was trying to tell was here’s a guy, Tommy. He’s not a main character on the show. We haven’t done ‘Tommy Begins’ or something. But you do see him in the ‘Begins’ episodes, in flashbacks, and by the time he leaves in ‘Bobby Begins Again,’ he’s turned over a new leaf. He’s feeling more comfortable. He’s hanging out with the new people at the 118 once Bobby takes over, and they throw him a party and bake him a cake when he goes off to his new post. There was even a reference in Broken when Chimney calls him to do the water drop,” Minear explained. “But Tommy’s a guy who’s in a different place in his life than Buck is. And I think what Tommy realizes is exactly what he said, which is, ‘I’m not your last. I’m your first.'” Minear referenced the coffee shop scene in Season 7, where Buck asked Tommy to give them another shot and come to his sister’s wedding, as a point when Tommy thought, “Alright, this guy’s kind of great. He’s super hot and he’s sweet. And this will be nice. And I’m going to be vulnerable for this.” As the relationship grew stronger and the stakes grew higher, however, Tommy reevaluated things. “I think Tommy, in the end, understood that this was not forever — that Buck is exploring himself. He’s still figuring himself out. And even if Tommy doesn’t know it, he might sense the fact that Buck likes to jump in with both feet a little bit precipitously,” Minear mused. “So was the breakup premature? Yes. Because Tommy was put in a position where he had to be honest. And once he speaks the truth, which is, ‘I think I know where this ends, and I can’t move in with you,’ he’s kind of breaking the spell — the spell of that honeymoon. Tommy even says, ‘I didn’t see this coming either.’ I don’t think either one of them did.”

Okay, lots of things happening in this quote but ultimately there’s a massive disconnect in what TM thinks is happening or what he’s saying is happening and what is actually on screen—and that’s a huge problem. You can’t rely on interviews to explain things, it needs to be in the actual text of the episode.

I think the real crux of the issue is this: “Tommy’s a guy who’s in a different place in his life than Buck is… Tommy, in the end, understood that this was not forever… he’s kind of breaking the spell—the spell of that honeymoon.”

Let’s break this down a bit. Tommy being in a different place in his life than Buck… How? Buck has, since the pilot episode, been looking and searching for a stable romantic relationship—he’s always craved that and wanted that. Even in the breakup, he was thinking about their future and marriage and moving in with Tommy. Is that not what the next logical step of a relationship might be? So doesn’t that—regardless of whether it was premature or not—prove that Buck and Tommy are in the same place of clearly wanting a long-term, committed relationship? So if this wasn’t the case, why didn’t you show that? Show them having that disconnect or make it clear that Tommy’s dropping hints about their future and Buck is not in the same place so he’s not picking up on them at all. Because what we saw was Buck wanting and seeing a future with Tommy and Tommy basically telling him that the doesn’t actually.  

“Tommy, in the end, understood that this was not forever — that Buck is exploring himself. He’s still figuring himself out.” This is my villain origin point—for real. Because this is also not what we saw! What we saw, was a Buck who was so secure in himself and his relationship, arguably for the first time on this show, that he didn’t panic or second-guess anything really. He was all-in with Tommy and enjoying himself and being with Tommy. He even said that being with Tommy makes him more comfortable with himself—aka what a lot of couples say when they’re in committed and reciprocal, healthy romantic relationships—that being with you makes me happy being me. (Paraphrasing here, but hopefully my point gets across.)

Because what is there for Buck to figure out yet? He knows he’s bisexual and incredibly into Tommy. He’s happy and content with his work life and seems pretty happy with where he’s living. His relationships with his friends and family are all as good as they usually are. So what is there for Buck to still figure out? I’m left to assume that this is again only about his sexuality, which just keeps adding more to the pile of shit that makes me feel crappy and uncomfortable with this storyline.

Also, why couldn’t Buck and Tommy last? Why is that assumed to be the correct conclusion to come to? How many high school sweethearts get together and last? How many people who don’t date until they’re in their 20s-30s find someone right away and stay together? How many people come out as queer later in life because they have found someone they click with and it just makes them see more of themselves and they stay together? Sure, this is not the case with every single person in these situations, but it’s not unheard of. To me, this just feels like the show and Tim are acting like Buck is a young, 20-year-old child and now a grown man in his 30s…

What we actually saw on our screens, was two people who genuinely seemed to enjoy each other and spending time together. That had an easy and sweet relationship, where they both felt settled and comfortable together. It’s why the weird change in 806 felt so abrupt—what do you mean these two people who had amazing communication up until that point, have not talked about their past relationships at all? I think that was done as a shortcut for the writers and TM to say, “Look, see, they’re not compatible, they can’t last because they’re not talking about anything serious.” But again, my point is: then you should have showed us that beforehand, given some foreshadow or lead up to it. Instead, they chose to blindside the audience for the “shock value” and it didn’t work. Shock value for shock value’s sake never works for the audience. They don’t want the rug to be pulled out from under them, they want to see you building something and only after it’s built can they see what you were doing the whole time.

Now, I understand that they just wanted to break them up for “story” reasons (which I have no faith is going to be anything good). While I personally hate that because I feel like there would have been much more storylines and things for Buck to be involved in and it would have opened up a lot more potential stories for the future, I get that it’s not my decision to make. But why couldn’t they actually make this make sense in the actual context of what we’d seen already? If you wanted to break them up because they’re in different places, then having Buck ask Tommy to move in could have caused more of an argument of Tommy saying that Buck doesn’t really see him and doesn’t seem to understand that Tommy has a whole life outside of Buck. O Tommy could have been the one to propose moving in together and Buck freaks out because it’s too soon—which leaves Tommy to come to the conclusion that they want different things right now and he can’t just sit around and hoping Buck will catch up because it would be too hard for him to let go of Buck later. Or have Tommy literally going to a different place—whether temporarily or permanently—and so they have to break up because Buck has a whole life here and Tommy wasn’t about to ask Buck to uproot himself for Tommy…

There’s so many other ways this breakup could have gone instead of the route they went—and they would have made much more sense contextually. Instead, they went this cheapest way possible and have Buck now acting like a child about calling Tommy, when in reality and with the growth we’d seen of Buck in the past 8 years, he would have reached out to Tommy already. At least to talk things through. The baking thing was cute for an episode and it would have been okay for longer, but I’m just sitting here wondering exactly why Buck can’t call Tommy… If it’s because he’s hurt, then they needed to say that because right now, it just seems like Buck is literally being forced to not call him but the audience isn’t really sure why.

All this brings me to my biggest point. Third: I don’t trust anything that’s being said in interviews or by TM because he doesn’t write in advance and that’s a major problem

Before we get into it let me make a disclaimer: I’m gonna need every single network and studio to start requiring all the white men who write for them to actually be getting them scripts. We cannot rely on their “genius” to make sense because these scripts—especially season 8—should have had a few more passes before what we’ve seen. The only episode so far that actually felt like a complete episode was the Halloween episode.

And if this season has taught us anything, it’s that Tim not having any real plans or anything written is actually a massive problem for this show.

Now me not believing TM is not me saying that I 100% believe Tommy is coming back (though I feel like the chances are higher now with the reaction from the GA for ABC to suggest some things or at least give a closure beat to this character and relationship) This is more, nothing that TM has said in interviews up until this point for season 8 has really actually happened on screen except for Eddie shaving his moustache… Granted, I don’t read every single article with him so I might have missed something, but I just feel like he’s got no interest in setting anything up and actually paying it off in any real way.

So many people were so excited for season 8 because it was the first season in years where we actually knew so many storylines going into 8—that weren’t told to us in interviews; they were introduced in the actual show! We had Bobby/Athena’s house hunting, HenRen fighting Ortiz and trying to get Mara back, Madney fostering Mara in HenRen’s place, Eddie dealing with Christopher leaving, and Gerrard back at the 118. Any one of those storylines would have been so amazing to really see explored and fleshed out. Instead, everything was basically settled and done by episode 4—apart from Christopher and Eddie resolution and Bobby/Athena actually moving in / building. To me, as a writer myself, that decision to rush though those other stories was a massive massive misstep. There was so much there to explore and delve into that could have been so satisfying to watch and really reap the emotional payoff.

Instead, we had like 2-4 minutes max of processing HenRen not being able to see Mara again before they were all reunited. Not that I wanted to see HenRen struggling again in this way, but it would have been different and they could have put some humor into it with Karen suggesting they tail Ortiz and try to find things out about her—or Hen comes back from a shift to find Karen has stayed up for 38 hours tracking every single facebook post from Ortiz and her family to try and find something they could use and she’s the one who uncovered the link between Ortiz and Gerrard, which then promts Hen to ask Buck as Gerrard’s specialist boy to ask for a favor or try to convince Gerrard to help them deal with Ortiz.

And Maddie and Chimney having Mara would have been so interesting to see them actually having conversations about what they want for their family going forward—do they want more kids, do they not? Are they wanting to try naturally or adoption? And then Mara being with Chimeny could have also added another layer of tension between Hen and Chimney with Hen being jealous that Chimney is raising her daughter.

I mean Eddie… the fact that it took 8 episodes (basically) for him to actually acknowledge that he needs to do something to be a part of his son’s life is a major problem as well. It makes me not want to root for Eddie to reconcile with Chris because he has shown hardly any initiative in actually confronting what he did and the actual reason why Chris is so upset and feels betrayed. There was a little in 6, but that’s sort of it.

Bobby and Athena, they just don’t seem to know what to do with them anymore. And that’s a shame because there are so many things they could do—namely my favorite thing which is give them more comedy to do! They are so funny together (cruise ship is one of my favorite things). Or they could have had the first few episodes be them sort of couch surfing through the firefam and be a fun little runner of “we really need to figure out what we’re doing.” Even their storyline of their house burning just doesn’t seem to be a thing anymore.

Buck, it would have been so amazing to see him dealing with the work stuff more and having Tommy to lean on, to see Buck who’s been pretty secure in his work for the past few seasons now dealing with Bobby being gone and Gerrard there, just really gets him thinking about the future. Or even the comment about budget cuts, why was that never brought up again? That would have been so interesting to lead up to the midseason finale, which of the 118 is going to get laid off? And Buck being in such a secure spot maybe he volunteers because he wants to explore something outside of firefighting and/or because everyone else has kids and a family and he knows it’s easier for him to not have a job? And then he’s saying his goodbyes and the midseason act out is Bobby announcing that Eddie is going to be leaving them instead.

Instead of really exploring any of that, it’s all been rushed through to move on to the next thing, but the honest truth is: I don’t trust what TM’s great next thing is because he absolutely squandered all the potential he had going into season 8. So all these “amazing things” he has going forward I just don’t trust they’re going to happen or even be slightly interesting. Instead, I assume they’re going to be something that’s like an episode opening and then never mentioned again if they do happen.

I just don’t understand what is going on in his head other than ego right now and I’m just… I deal with too many egos in my life to deal with another one like this.

[mimicha-arts]

I have not written fandom theories for a long time, but LInkClick fuels my interest and search for meaning too much. Recently, I reviewed all the available series, and came across details that I had not connected before. For the most part, this post is speculations about Cheng Xiaoshi, as well as ... timeline.

Spoilers! Please be careful.

Considering so many details about Cheng Xiaoshi, it seems that there has always been something strange about his "symbolism". In fact, I'm really into the theory that the moment in episode 1 of season 2 (when Lu Guang gets stabbed) is the vision & flashback of the past about Cheng Xiaoshi's death. In fact, it amazes and delights me how many details in OverThink support these thoughts. At least because once a frame flashes, which somewhat resembles a scene from Lu Guang's flashbacks.

But there is more. We have 3 main points: clock, сlockwork and camera. 1. Clock - possible time of death Very specific time appear several times. The clock hands look very strange, still not 6, so probably the time is 5:20 (thus, given the symbolism of 520, I have even more questions). They show the same time in any frame.

But the most interesting thing is that at the very end, when we see Cheng Xiaoshi (with the design from the first season), for a few seconds, in addition to the patterns of gears, a very faded inverted dial of this clock appears on him, where inverted 4 is the most visible part. No need to say that 4 is a symbol of death.

This can only be seen in 1s1s ED. Because, in fact, there are 2 versions of the ED, and it's different (without these details) for the remaining 10 episodes.

Even the very first intro with characters contains very similar clock placed in the background of Cheng Xiaoshi. So, at this point, I'm guessing that this strange 5:20 was the key node and the death of Cheng Xiaoshi.

2. Clockwork - сhanging a key event Gears are shown both literally and in pattern. For a long time, I thought that Lu Guang's shadow was just a shadow, or an indistinct noise, but if you look closely, it becomes obvious that Lu Guang is covering a pattern of gears - probably as a sign of changes with clock mechanism and time. Details such as water drops and film strips are also interesting, as both OP (Dive Back in Time and Vortex) connect these elements to Cheng Xiaoshi.

One of the moments shows how the silhouette of hands (overlapping the trees, which may coincide with the background of the forest in the vision in s2s1) touches the inverted clock, after which the second hand of the clock begins to move back.

And the most beautiful thing .. The fact that the hands belong to Lu Guang, as well as the context of this action, confirms that the animation literally coincides with the scene from the end of 4th (and the beginning of 5th) episodes, when Lu Guang explains to Cheng Xiaoshi how key events (nodes) and changes in the past work. But inverted. What a coincidence, right?

Honestly, I think that all these details can further support the theories about Lu Guang, which already have enough speculation. Given all the hints, it is possible that due to Cheng Xiaoshi's death, he changed something in time, thus erasing the "future in that present" and created a new present as an alternate reality. Just a thought.

3. Camera - another timeline Let's go back to the very end again. Here Cheng Xiaoshi is holding a camera in his hands.

Remember this diamond-shaped mark. This camera is very specific, as it has appeared several times, but not in the main series (yet). There is an easter egg in the mini-series, Lu Guang has a rather similar model, only with a round (clock-like) mark.

It's importance becomes even more obvious, especially now that we have a poster for the second season.

So. What's wrong with this camera? Because there are actually two of them. The one on the table has a rounded clock mark. But the camera in reflection is the one that Cheng Xiaoshi holds in the ED, with a diamond mark.

For me... Seems like it is probably one of the main connecting elements or "anchor" between the timelines / alternate realities, at least conveys this idea. All this makes me feel excited and inspired, how it was possible to place all this so neatly. And which of these can really confirm conjectures and theories … Thanks to the scriptwriters and animators, it's nice to be a part of this game.

Or maybe I'm just overthinking… Anyway, thanks for reading to the end. Perhaps someone has their own thoughts, feel free to discuss ~

[my-rose-tinted-glasses]

Rose Recaps 2024 - Japan [Thailand | Korea.]

Ok, the individual show's recaps will be shorter in this one, because there are too many shows I've loved. I am partial to Japan, so it shouldn't be surprising.

We've had 4 different shows that had BL's within BL's. Which is a lot. And also kind of amazing. I'll start with those and then move on to all the others.

The Last One of 2023 and the First One of 2024 - I Became the Lead in a BL Drama: Crank up Edition

I love them and I can't believe I will get more of them this year. the comedy is great and they are both so earnest and adorable.

The One With the Slope - At 25:00 in Akasaka

They rewired my brain. One of my big obsessions of the year. The show within the show was used so efficiently. And Hayama. What a phenomenal character. I love pining boys, but this was on another level. A stand out moment was when Hayama finally chose himself and left Shirasaki before going too far, and tainting the beautiful memories they had created together.

The One With the Fourth Wall - A Man Who Defies the World of BL 3

Adding the making of a bl to this one was particularly interesting. That and the triangle made this season particularly fun to watch. Also Hatano was an incredible addition to the story and the filming of the bl was both adorable and heart breaking at times. A huge thanks to @ikeoji-subs for making it possible to watch.

The One With All the Tropes - Twilight Out of Focus

What a beautiful and lovely show. Just a gift for the eyes and a really fun and adorable watch. My favourite couple was the first, but I liked things about all of them. Such interesting use of tropes.

The One About Family - Ossan's Love Returns

I should thank @twig-tea everyday for convincing me to watch this one, even though I hadn't watch the previous ones. This is such a sweet show, with endearing characters and amazing family dynamics. Haruta and Maki deliver such sweet romance moments and Kurosawa makes me laugh so hard. It wasn't perfect but it was so so good.

The One With the Cutest Puppy - Sugar Dog Life

With so many disappointments, this show stands out by executing a simple and heart warming story really well. Isumi is the most adorable lonely boy and even though I wanted to strangle Amasawa at points, it all made sense in this context. They have great chemistry and their scenes together had a warmth that felt real.

The One With the Glass - Takara no Vidro

I will never get tired of someone falling for a crush because they were kind. It's something that Japan does a lot and I will always root for those characters. Taishin was such a beautiful character to watch grow and learn about his own feelings. And I adore Takara. His fear that his love for Taishin would bring out his possessiveness, and much like glass, if he held on too tight he might crush it, was heartbreaking to watch.

The One With the Succulents - Love Is a Poison

I just spoke a bit about it in my monthly breakdown so I'll just say one more thing about it. The visual effects in this show were used incredibly well, as were Shiba's insane dream sequences. The dropped green ink, the shine in the succulents and the heart eyes on Haruto. Perfection. Oh and the sound effects of the succulents. Freaking adorable.

The One With the Two Lonely Boys - Perfect propose

These two were looking for connection and a place to rest and found it in each other. It was short and gentle and sweet and managed to say a lot even though we only had them for 6 episodes.

The Other Magical Adaptation - Cherry Magic Anime

I would watch this story over and over again. And to have this one airing at the same time as the thailand adaptation was a joy. I feel the characters in this one are closest to the ones in the manga, they feel less perfect for lack of a better world. I want to rewatch this one soon.

The One With the Food and the Dog - Mr. Mitsuya's Planned Feeding

One of my new comfort watches. It's adorable in a very realistic way. The acting feels effortless, everybody feels comfortable in their roles, and all the supporting characters have purpose and play a part in the main romance. The best BL dog ever and all the food looked amazing and kept bringing me back to Kinou Nani Tabeta, which is not surprising since it shares a director with it. Thank you to @isaksbestpillow for allowing us to watch.

The One With the Amazing Women - She Loves to Cook, She Loves to Eat

I spoke about this one several times. I watched both seasons this year, my full review is here. I love all of them, although Kasuga holds a special place in my heart.

That's it for the breakdown by country. I still have one more post I wanna make with a couple of other bl's that I couldn't fit in these posts. Let's see if I find the time and the spoons for it. 💜

[writing-is-hard-af]

It's not just that they have drawn out this Eddie storyline for so much longer than was necessary (almost an entire season, especially in this show, where for example, the lawsuit arc was resolved in approximately two episodes), it's that for almost its entirety, it has been treated as a minor, occasionally brought up plot point. It's the fact that throughout 8a, Eddie's storyline and character got equal, if not less, attention and screentime to Brad Torrence, a character who is not even a member of the 118 or dispatch or related to either of those. It's the fact that instead of showing us most of the resolutions to this arc, they have kept it off screen, left it up to the viewers to fill the gaps on the resolution to probably the biggest personal arc of Eddie's character. It's the fact that even though this has been a major storyline, the show hasn't treated it as such. It's the fact that instead of resolving it before doing a major thing like the entire Contagion storyline, they ended episode 13 with it partially resolved (but still so open ended that we as the audience have no real idea of what the plan is with Eddie and Chris from now on), and then in episode 14 and 15 proceeded to almost act like Eddie's character had never even been part of the 118, with him not even being mentioned once in either of these episodes. It's the fact that in what is (whether it ends up being a massive fake-out or a real, genuine character death that changes the entire tone of this show) the biggest and most impactful storyline both in the sense of found family and also scale, Eddie was not just not present, but was flat out not part of it at all. It's the fact that despite being a main, and having been a main for seven years, Eddie has been kept on the sidelines of so many things this season (and to a certain extent last season), kept involved mostly through small details. It's the fact that every time they start dive deeper into his character and his relationships with other characters, the storyline is either dropped or ignored the next episode (in the case of 8a following Confessions and now, in the case of Contagion not just following the start to Eddie's resolution, but not even including him finding out on screen what happened to Bobby).

There have been so many places in this season, where the logical route would have been to not just include Eddie, but tie it into his character and its development, to have him fighting for not just Chris but his family in the 118. The biggest flaw in this entire season in terms of Eddie, is that they seem to have forgotten that the Eddie from the beginning of Season 2 who really only had Chris is not the same Eddie that he is now, and that Eddie and Chris are not the new, not really involved part of the family. Every other character (including now Ravi) has had their role in the large extended and complicated found family that is the 118 reaffirmed in some sense by their conversations with other characters. (The support of Karen and Hen for Chim when Maddie was taken, Athena talking to Maddie when she lost her voice, Ravi having personal conversations with Buck, Bobby, and Hen, and risking his life and potential charges of domestic terrorism for Chim, Buck and Athena working together in Contagion, etc.)

But Eddie has been, in a sense, turned into a side character. Not necessarily because of his move to Texas, because had that had the potential to merely be a source of growth not just for himself (which it was, to an extent) but also for his relationship with the 118 as a whole (which there are pieces of through the reassurance by Bobby---through the words of a different fire captain---that he would always be welcome with them). But because he has been excluded from the rest of them plot wise and his storylines have been treated as almost entirely secondary. Even in the beginning of 8b, when he was getting a lot of focus because of his move and his house, his character and his storyline was quickly overshadowed by the serial killer plot and made secondary. (That is not to diminish the storyline for Maddie, nor am I trying to say here that she matters less by any means, but that by having these two storylines occur at the same time, it did a disservice to both of them because neither story or arc could really get the focus it deserved.) His role and involvement with the rest of the team has felt very overshadowed and diminished, and not in the sense of his character is less important, but more so neglected. While a lot of 8b has been fun and better than I expected it to be, there is a strong inconsistency with the plots. Not even entirely just Eddie's, because the main thing leading to this with him is that they add new storylines for the 118 and focus on that hastily resolved plot for an episode or two between they return to Eddie, leaving the 118's story feeling slightly incomplete and Eddie's discombobulated.

The issue with the Eddie of it all in Contagion is that it not only harshly and quickly detracts from the ending of 13 by having it be entirely irrelevant to the plot, it also is the kind of storyline that is meant to highlight the dynamics of a team, a family. And it did, remarkably well for the rest of the 118 and Ravi and Athena, but in excluding Eddie, the storyline seems to make it appear as if Eddie is not---and has not---been part of this dynamic. All while it gets confirmed by Buck, that this is happening barely (if even) a month after Eddie left. That hole he left that was so obvious and painful in episode 11 and continued to be an underlying thing through 12 and 13 (particularly with Ravi trying to fill Eddie's shoes) was completely gone and thus, made it so Eddie was both not impacted on screen by the events and he was not impacting anything by his absence, which should have had a prominent impact. I do think that the Contagion storyline could have worked in this space, with Eddie still in El Paso, without doing a disservice to his character. But that possibility was made null the second his absence was not felt by the characters.

While it would not have made sense with where they ended episode 13 for Eddie to have been back in LA for this episode, let alone back with the 118, and it would have been too far to have him immediately fly back to LA the second the danger happened, he should have at least been made aware of what was happening. On screen. He is, and has been, just as much family to Bobby and the rest of them as every other member of the firefam, and regardless of where he was, regardless of how it would fit into the way the narrative was told, he should have been there, because even though he is in El Paso, focusing on Chris, Bobby was family too. And it truly feels like that aspect of his character, of his relationships, has been forgotten in these two episodes in particular.

There are three episodes left in this season, and while it truly isn't possible in my eyes to fix the disservice of these two episodes to Eddie, these could finally wrap up the storylines and plot points they have left hanging from Eddie this entire season. But if they continue to sideline his character, I find it hard to see how they will fix it. Eddie is part of the 118 family, and I really, desperately hope the writing will remember that because this is beyond a drawn out storyline.

[scoobydoodean]

Your thoughts on Amy are really interesting to me because when I was watching I'll admit I saw it as another tragic scenario that's often presented in the show. Like, she found a way to live her life with her son that wouldn't have her kill people (being a mortician) but when her son was sick she turned to desperate measures to save him. It's a sort of situation we see time and time again on the show. I'll admit I didn't quite pick up on the classist rhetoric going on in the episode and while I'm not entirely sure that was intentional by the writers it's definitely had me looking at this plot point in a new light. Dean killing Amy and its consequences has always been a really interesting narrative beat because while I ultimately don't fully agree with Dean's decision there, I totally see why he did it and understand his reasonings for it. Idk how many other fans feel the Amy conflict and the arc it has the brothers go through but I do think that at least at it's core it was an interesting one to explore even if it's execution of it left something to be desired for me

Sorry to ramble in your ask box but I seriously love your metas even when I don't always agree with your opinions 💜

If you don't mind a little rambling as well: I don't know that I'd say we see this same situation time and again. We have "Monsters Who Manage". For example, Lenore and her nest (2.03, 6.19). Benny. Garth and Bess. Sometimes those "monsters" feed again despite their best efforts (ex: Lenore in 6.19).

Amy isn't like any of them though. Sam seems to want to present Amy as an addict who relapsed (like Lenore), but that isn't what happened. She didn't feed on the brains of the people she killed. That was never her goal. She just had an opportunity to do something immoral to save her kid and she did it. In the end, her being a kitsune has almost nothing to do with her actions. A human parent could have done something very similar to save their own child. Imagine if your child needed a new heart and there was a long waiting list, so you went out and killed someone else and had their heart transplanted. That's more like what Amy did. Her kid got a food borne illness or infection. Normal human children get listeria and other dangerous food borne infections/illnesses. The only way in which Amy being a kitsune really impacts the situation is that it presented a unique solution to her child being sick that wouldn't be available to other parents (fresh pituitary glands). Her choosing to act on that opportunity just kind of shows that on some level, she does think of humans (at least "lower class" humans) as food.

At the same time, I do think Dean's actions go further than a moral difference with Sam. Dean is spiraling after the events of season 6. Cas lied and then died, and when it all went to shit, Death blamed Dean for everything and Dean crumpled under the weight of those expectations (we jump further into this in the following episode). It leaves Dean hyper-focused on not making a "mistake" again (for example, trusting someone he shouldn't have). At the same time, Dean's deeply depressed and suicidal (7.02), and his outlook on life and his own family is incredibly cynical when "The Girl Next Door" takes place. He says "the other shoe will drop" in regards to Sam because he doesn't have hope that anything could ever turn out right for their family. He repeats it in regards to Amy because people never change. Everyone is doomed to repeat their mistakes for all time (Dean's despair often looks like falling into the spiral of causality instead of remembering he can leap out of its flow). He also says "People are what they are", and I do think he's thinking about Cas at that point.

Amy mingled with humans and was a part of their world, but her actions showed she saw them as food on some level... and I think that Dean looks back at Cas and worries that he was a fool to ever think Cas was (for lack of a better word) human (or at least an ally to humanity who truly respected them as equals). In 6.22, Cas tells Dean they were never a family, and in 7.01, he follows that up by telling Dean he only ever saw him as a pet. He reinforced the traditional hierarchy where humans are lower creatures to monsters—food. And what has Dean been fighting all his life? Powerful creatures who believe their physical dominance gives them license exploit humans as food. When Dean tells Amy "people are who they are"... I do think he's thinking about Cas and the trust he had in that relationship that was deeply crushed. He's scared to trust anyone again because he trusted Cas so very much and now his world has been ripped apart. He doesn't trust Sam's judgement on Amy because he trusted Cas and that backfired spectacularly. He doesn't trust Amy not to do this again. Tbh I think he's right not to trust her because she has absolutely zero remorse of any kind at all whatsoever at any point. To me, that makes it quite apparent she'd be more than happy to do the same thing again if her kid was ever sick again. Hell—maybe even if she got sick. But it does go deeper than a moral clash for Dean. He's full of despair. At the same time, his actions also aren't as simple as dropping into the doom of "Monsters bad" because he doesn't kill Amy's son. Something Sam's never really grasped is that monsterhood has never been about physical characteristics to Dean. It's always been about actions. For Sam on the other hand, monsterhood has historically been more about physical characteristics (post here). I think this also plays a role in their feelings about Amy.