#so im thinking of getting her something similar

[ph1l5eyelash]

i think there was something weird about Gangle’s mask in episode 4 and people are not talking about it enough.

im just kinda throwing out ideas here, I have no concrete theory, just things I noticed and thought were interesting.

AND IF YOU HAVE OTHER THEORIES REGARDING ANY OF THIS, TELL ME PLEASE IM SO CURIOUS

OKAY SO, first of all, I think we can all agree Gangle was acting weird in this episode— like, uncharacteristically weird. that could’ve easily (and obviously at least partially) been the fact that she was literally at her breaking point, on the verge of abstraction, but between the creepy vision Ragatha saw and the weird analog horror training video, I feel like it has to be more than that.

Talking about the vision Ragatha saw… what the fuck was that guys and why is nobody talking about it????? gooseworx did say “i just thought it would be funni.” when asked about it, but she has also said she often misleads us with her answers to the point that its “borderline gaslighting”. this is clearly an example of that, something so incredibly ominous and seemingly unrelated to the rest of the episode would not just be thrown in for no reason… it has to mean something. not to mention the creepy face when she turned around looks weirdly— intentionally— similar to Pomni’s face while she was possessed in episode 3.

I have a theory that whatever was possessing Pomni had something to do with Gangle’s mask in episode 4.

Speaking of this part of episode 3, I don’t think Pomni’s possession was apart of the adventure, or at least, not how it was intended to go. Whatever was possessing Pomni was hurting her in a way we have not seen in other adventures— this was not unintentional trauma like her and Gummigoo glitching beneath the map in episode 2, that was obviously not supposed to happen. This was intentional. As Jax said, Caine would not do something malicious to the humans, it’s not in his nature (which he said in a “i know that for a fact” sorta way, which is a whole other conversation). Not to mention, he said this DIRECTLY after Ragatha’s vision of Gangle looking eerily similar to whatever was possessing Pomni. So what was that?

And not only did it hurt Pomni— “how’s your wife, Kinger”??? are you kidding??? and this was not said nicely, it was clearly mocking him. how could mocking someone’s dead (or abstracted i guess) wife be any LESS intentionally malicious????

also, Caine is forgetful. This is shown by him forgetting they have a suggestion box, and more interestingly, through Zooble’s therapy session showing that Caine forgets their trauma. With such a large emphasis on Caine forgetting Zooble’s trauma, it would not be completely unreasonable to assume that he forgets the others’ trauma as well. Kinger’s wife abstracting, for example.

So with this moment being outright malicious towards both Kinger and Pomni, and with Caine’s forgetfulness being focused on in the same episode, I feel strongly that this was not Caine’s doing. Or at the very least, “how’s your wife, Kinger” was NOT Caine’s doing.

That raises the question, if Caine didnt do this, what did? And how does it know about Kinger’s wife abstracting— how would an NPC in an adventure know anything about the characters outside of the adventure?

I don’t have an answer to that question, but I have a looser theory that could possibly be related??? this one might be a little far fetched, but hear me out:

During Gangle’s weird (WEIRD) analog horror training video, Jax asks “when did you make this?” Sure, this could be meant to be a funny line that doesn’t mean anything… but he has a good point. When DID she make that? And why does it get so meta and scary? Malicious… one could say— I mean, Jax was terrified.

In the video, she was clearly projecting her failed dream of being a manga inspired comic artist, but if whatever was possessing Pomni knew about Kinger’s trauma, and with the theory that it has something to do with Gangle’s mask, I don’t think its impossible that it could know about Gangle’s trauma as well.

Assuming that whatever was possessing Pomni is actually intentionally connected to Gangle or her new mask, maybe that’s what made the video, not actually Gangle.

That would answer Jax’s question of when she made it— she didn’t.

That would explain Ragatha’s weird vision.

While the video doesn’t have any direct ties to the possession or the face, it definitely has pretty significant indication that she’s not herself— whether thats literally or figuratively. and idk man it was creepy and weird. as I said, im not set on this theory at all, i dont have any concrete idea what was going on here, but i know it has to be something.

this scene and Pomni’s possession were the only moments in the show that felt like the characters were being intentionally harmed— the only instances where they were intentionally made to feel real fear. The characters know that they will not actually be hurt during the adventures, they know that Caine wouldn’t put them in that situation. Sure, Pomni got jumpscared and her eyes popped out, they were panicked when trying to escape the angel head, they were panicked during the whole truck-chase scene in episode 2, but they knew it was all just apart of the adventure and they were gonna be fine in the end.

This fear was different. This was real fear— and they were intentionally made to feel that way. These instances were the only time the characters were genuinely afraid that they were in real danger (aside from the abstraction and backrooms-void situations in episode 1, but obviously those were not intentional).

I think whatever this is is trying to intentionally harm the members of the circus.

side note:

Zooble just found a mask that specifically looks like its for Gangle in their box of parts? why??? obviously it was for Gangle, so why was it in Zooble’s box of extra parts? did Caine put it in there? I guess that would make sense cuz Caine gave them the parts, but again, why give them a mask obviously for Gangle?

Which could mean nothing…? But it is weird that Zooble just randomly happened to stumble across a comedy mask… or maybe i’m just looking too deep into that.

Im gonna definitely post more about whats going on with jax in this episode (“nobody is seeing this, right”, “caine wouldnt do anything malicious its not in his nature”) because that feels important, but thats a theory for another day. this episode had so so much good information and my theory brain is absolutely spinning.

anyways yeah, i dont know. I feel pretty strongly that Ragatha’s vision and Pomni’s possesion are connected and that whatever that face is is important, but again, these are just ideas and the second theory is kinda just spitballing. i dont know if any of this makes sense. either way, all the theories make my brain happy and gooseworx’s storytelling is so amazing to me, whether any of this is right or if im completely missing the mark, its so interesting and i cannot wait to find out what the fuck is actually going on in this show. gooseworx, you talented storytelling genuis you, mwah!

if you have any theories on any of this, please share!! i would love to hear your ideas.

[konpeitonom]

hii can u do mw characters hallucinating their dead partner??:3thx btw love ur posts

mouthwashing cast hallucinating their dead partners.

sfw— lowercase intended ^_^

g/n reader (i think) — content warning for self harm/substance abuse.. so sorry!!

requests are open and heavily encouraged, i write for every mw character ^.^

notes; i was super excited to do this request! finally got around to doing it. sorry if this a wee bit inaccurate, i’ve never had severe hallucinations like what im portraying here but i tried my best anyway. take this as a happy 100+ follower celebration! never written for all the cast before so this was really fun. i don’t rlly like this haha but hopefully u guys do

curly

— i’d break him. and i think he wouldn’t be able to work properly as captain if they were frequent. and he’d feel a lot of guilt about that. everyone’s counting on him, he can’t be so hung up on the past.

— would confide in jimmy about it, and jimmy would make some comment about he’s not fit to work if he’s seeing hallucinations of his dead partner- maybe even shame him a little..

— i’d freak him out every time i’d happen. he’d have to leave the room if someone else was there, to go cry somewhere private.

— he already has issues sleeping, but i’d make it much worst. which would only make the hallucinations worst. he can never catch a break..

— he knows he’d never get over your passing, especially if it was tragic/something he could’ve prevented- but he didn’t think he’d go crazy like this.

jimmy

— he would be pissed, seriously. he’d go mad. he’d resort to drinking or self harm if it was possible.

— i only say self harm as a.. he’d stand right in front of you, cut himself and say stuff like.. “you wanted this, right? is that why you’re here? came back to fucking haunt me?”

— he’s completely scummy, and would start blaming you. his view of you would be completely tainted. but then would start feeling upset about how he’s ruined even the image of you.

— to ground himself, he’d just look at old pictures- maybe look at your old clothes if he got the chance. he doesn’t wanna ruin you, but he does. even in death, you can’t run from him.

— all around a mess. haha. he’s confused, maybe a little scared- but still selfish old jimmy..

— i mean, death is regular. it happens. people he’s known, been close to, have died. but for him to be seeing you? and so vividly too? that’s not normal, not at all.

anya

— anya would find a lot of comfort in it. she knows it isn’t healthy, but she can’t help but maybe enjoy it a little. it’s nice to know you’re always there, even if it’s just her mind playing tricks on her.

— i think the first time it happened, she’s very quick to pull herself together. and then she’s very self aware of what’s happening.

— i think she’d feel a lot of guilt.. you’ve passed, and you should rest easy- and here she is still clinging onto the past. you’d be upset if you saw her like this, which is the only reason she’d try to push it away.

— still though.. she can’t help it. you look so real, and who’s it hurting? it’s not hurting her, that’s for sure. it makes her happy.

— would do anything to feel your presence once more, maybe staring at your photo as she cuddles with a pillow.. purposely not sleeping, so the chances of her hallucinating you are higher..

swansea

— like jimmy, he’d go crazy. mentally, he’s struggled before, but not to the extent where he’s seeing vivid images of you. i’d scare the shit out of him.

— would.. likely delve back into alcoholism. what’s the point of being sober if his spouse isn't alive? not like they’ll know anyway. he’d feel maybe a bit of guilt but not enough to stop.

— he would not be able to work properly. maybe only with daisuke, as he knows he can’t break down infront of some kid. he’s old enough to know how to hold himself together.

— maybe similar to anya, there’s slight feelings of comfort. but he can’t do that to you, so he tries his best to move the fuck on over it.

daisuke

— he’d be scared, severely. as the youngest of the crew, he’s constantly hearing things about how life is only gonna get worse as you grow older.. and he thinks, ‘there’s things worse than hallucinating my dead partner in store for me?’

— would try to push through it. put on a happy face in front of his co-workers and parents, as you sit there in the back of his mind.

— he wouldn’t know what to do. he doesn’t wanna bother anyone, doesn’t wanna be a burden. he wants people to look at him and think highly of him, not pity him.

— spends a lot of his free time just.. laying in bed. distracting himself with his hobbies and interests no longer works as he can’t bring himself to care.

— he’d draw often, i think. mostly you. only because he knows how upset you’d be if you found out he’d given up drawing.

[deerspherestudios]

Okay my curiosity is killing me, I saw that you said when Atom makes something it is no longer apart of him so he can’t just become anything…. But at the same time I’m so curious what would happen if he attempted to make like a human form?? Like would it end up as an entity entirely separate from him, fail as a whole, or would almost be like two atom’s to deal with? (That would probably get jealous of each other LOL)

He can make our favorite creature so theoretically he could make a person but like, if he doesn’t fully understand the behavioral characteristics of a creature, can he really make it?

IM SO SORRY I HOPE I DID THIS RIGHT I REALLY TRIED TO LOOK THROUGH EVERYTHING 🙏🏻 I love your games so so much! thank you so much for what you’ve created. Your work has genuinely changed my life for the better. 🩷

Aaa thank you for the sweet message and support! I was gonna explain it in this ask how Atom's transmutation ability works when it comes to creating living beings but the explanation was already so long I cut it out. I'm glad I get to explain it here!

To start, I always intended Atom to feel a bit eldritch-y, so this is probably the part where that aspect applies. Below is a clumsy explanation so bear with me, but to jump straight into it, this was what I had in mind:

So I've established they can make anything as long as they're familiar with it. If you're wondering how it learns, it's kinda hinted in-game when Atom mentions learning recipes from Kiara the cook after it dissolved her. I wouldn't know how to explain how that happens but chalk it up to being an alien lifeform! Also!! Think Warm Bodies I guess!!

Is it akin to a god if it's able to create life? Uhhh, shrug! I'm just having fun with them so just brush past this detail haha.

Anyways, the point is they can make stuff! This can be living and non-living things, but the caveat is anything 'living' kinda acts,,, off? The creature will look like it's alive but it feels like terribly programmed AI if you observe them long enough, with things like:

forgetting to breathe or blink

doesn't eat, doesn't drink, doesn't excrete anything

making the wrong noise

doesn't move like it's supposed to

flopping 'dead' for a few seconds before 'rebooting'

will dissolve into the rest of the worms when you're not looking (thus becoming a part of Atom again)

Extremely uncanny, extremely uncomfortable to watch. But if you ask Atom to shapeshift into something else, it'd still be a bunch of worms making up that shape.

For the sake of clarity, let's say you want a cat, that cat is gonna be it's own cat, however strange it might act.

If you want an Atom-shaped cat,, it's gonna look like worms.

I'll just use this doodle and hope it gets the idea across because I'm having difficulty explaining it but I hope it makes sense!

Edit: Actually now that I think about it, it's similar to this scenario from one of sanfangzhu's fancomics titled Reshape! Though,,, canonically the end result isn't gonna be that graceful hahaha.

[miss-david]

posting this draft because i made it in like march and it’s uncannily similar to what actually happened🧍‍♀️

this! tbh liked rush but it wasn’t authentic to me. it was definitely more pop-y than id like. teatro d’ira was so great and i can’t believe they’ll throw it in the trash for an american market. max martin (i didn’t know him much until må) saying he has it down to a FORMULA? excuse the fuck me? music is a formula to you? music is not a formula - not x’s and y’s, its unique to every person to makes music. as someone who is a pop fan i can say that maneskin are making a huge fuckup going down the road of pop, their band is rock, teatro d’ira is what i feel all 4 band members set their eyes on and THEIR editing went into that, not some stupid producer who thinks that to make music like rock popular again you’d have to make it all pop. (or at least reminiscent of it)

i have a bone to pick with damiano going down the solo career. he has this band, and i feel like if his solo takes off he’s gonna throw må into the trash. he’s going to leave that behind to become a harry styles, he’s already seeming to become more masculine in appearance. in 2021 må was all about embracing their true identity and never being scared to show what you love and now he’s gone from the very top of queer (skirts, corsets, long hair, nails) to becoming like…masculine. (masculine clothing, haircut, no painted nails, moustache…) see unless this is “mature damiano” im unsure what caused this change.

also i feel like because he’s dating dove and she makes pop music he might align to her more. he’s getting the pop influence from somewhere (probably the producer, rush was becoming pop before he dated her) we know their raw sound is harsh. it’s angry, it’s messy. this is too perfect, too edited, this isn’t the real sound. i def 100% agree they’re probably chasing money, 2021 was their peak, you can’t convince me otherwise.

i’ve also tuned out to the band, i’ve been listening to arctic monkeys and getting lost in that fandom (if you scroll on my feed) and they stayed authentic to rock until AM and then changed their sound for something more conceptual and jazzy, it’s fine. sound swaps like that are fine so long as your fan base likes it, and i think arctic monkeys fans are coming along with liking tranquility base and the car.

i can tell you for a fact that rush as an album, listening to its songs in order is complete trash. it’s messy, nothing seems to have a core concept, it’s trying too many things all at once. its songs would’ve been better off as a few EPs or singles. Mammamia, supermodel and the loneliest, in order, go from one mood to the other, teatro d’ira at least shared anger and melancholy, rush shares:

anger(gasoline, mark chapman, la fine),

envy(gossip),

love(time zone, if not for you, ),

breakup(valentine, trastevere, read your diary),

horny(kool kids, the driver, baby said, own my mind, honey),

death/sad(the loneliest, timezone, trastevere, if not for you, il dono della vita) and

drugs(off my face) all at the same time and it has no coherency.

i am absolutely convinced this is max martin trying literally every sound to see what sound the fans like the best and then they’re gonna b-line for it the second the band gets together again to make music, probably according to his “formula.” 💩

whatever maneskin produce next has me shitting myself. it could be teatro dira vol. 2 or its rush super super deluxe version. how fun! or maybe they’ll never come back, if damiano checks out with his music istg if he kicks the rest of the band to the kerb its over.

personally, i don't think we'll see maneskin again soon after the festivals. they can't tour without a new album and a the rollout of D's solo album will take at least a year. all the producers he's been working with are pop producers so i think his new album will make rush sound hard rock. i'm disappointed bc he seems to have mentally checked out of the band already, if you only followed him on ig you wouldn't even know maneskin are headlining festivals. his priorities have changed and it shows

Hot take but my reaction to the prospect of Damiano’s solo album is why? What could he say now (both musically & literally) that couldn’t be said as the frontman of Måneskin: an edgy, gender & genre bending, multi-lingual, internationally famous rock band? The point of a solo project is expanding one’s horizons, but all appearances point to him becoming more contrived. It seems to be about money and I’m horrified that Måneskin’s identity has been diluted to non-existence in the parasitic environment of L.A.

In general have Tyrannosaurus sized bone to pick with Max Martin & Co. as they are personally responsible for the soul-death and homogenization of pop radio. Max Martin boasts about having song writing down to a formula. An equation. And at some point Måneskin in all their freedom of expression met Max Martin and thought “Yeah, this is our guy.” I need someone to explain that to me like I am the dumbest bitch in the room. Like my frontal lobe is a bowl of quick oats forgotten in the microwave.

[unamused-kookaburra]

I feel bad because one of my co-workers is going through a really tough time with her teenage daughter at the moment and whenever she tells me something that's happening with her I try to like comfort and ressure her, but I can't help but laugh because it takes me back to when my sister was right off the rails and we had fights in our house every single day and it went on for years leaving me with trauma I'm still dealing with/shoving under the rug like "haha, I remember that fight in my house. Those were the days :')"

[ender1821]

im a child of divorce

[knockknockitsnickels]

I think this is one of my favorite lines from the Wraith route because of (imo) how much the meaning changes depending on if you got there via Spectre or Nightmare. For Spectre, it honestly strikes me as a genuine question. Why are you doing this to her? If you're on the Spectre route, you presumably already know the Narrator can't really be trusted, since you had to reject his reward to get here. What are you hoping to gain from continuing to hurt her? For Nightmare, it honestly just makes me sad. As the Shifting Mound describes her, "She desires only companionship, but the only thing she knows is how to hurt." This line feels like a plea from someone who genuinely doesn't understand why you keep rejecting her. She wants to be with you, but she just can't understand how to do that in a way which doesn't hurt you.

[biblically-accurate-dca]

super disorganized sketch page because i do what i want

[greenerteacups]

oooh please someday tell us what you think of GOT

oh, no, it's my fatal weakness! it's [checks notes] literally just the bare modicum of temptation! okay you got me.

SO. in order to tell what's wrong with game of thrones you kind of have to have read the books, because the books are the reason the show goes off the rails. i actually blame the showrunners relatively little in proportion to GRRM for how bad the show was (which I'm not gonna rehash here because if you're interested in GOT in any capacity you've already seen that horse flogged to death). people debate when GOT "got bad" in terms of writing, but regardless of when you think it dropped off, everyone agrees the quality declined sharply in season 8, and to a certain extent, season 7. these are the seasons that are more or less entirely spun from whole cloth, because season 7 marks the beginning of what will, if we ever see it, be the Winds of Winter storyline. it's the first part that isn't based on a book by George R.R. Martin. it's said that he gave the showrunners plot outlines, but we don't know how detailed they were, or how much the writers diverged from the blueprint — and honestly, considering the cumulative changes made to the story by that point, some stark divergence would have been required. (there's a reason for this. i'll get there in a sec.)

so far, i'm not saying anything all that original. a lot of people recognized how bad the show got as soon as they ran out of Book to adapt. (I think it's kind of weird that they agreed to make a show about an unfinished series in the first place — did GRRM figure that this was his one shot at a really good HBO adaptation, and forego misgivings about his ability to write two full books in however many years it took to adapt? did he think they would wait for him? did he not care that the series would eventually spoil his magnum opus, which he's spent the last three decades of his life writing? perplexing.) but the more interesting question is why the show got bad once it ran out of Book, because in my mind, that's not a given. a lot of great shows depart from the books they were based on. fanfiction does exactly that, all the time! if you have good writers who understand the characters they're working with, departure means a different story, not a worse one. now, the natural reply would be to say that the writers of GOT just aren't good, or at least aren't good at the things that make for great television, and that's why they needed the books as a structure, but I don't think that's true or fair, either. books and television are very different things. the pacing of a book is totally different from the pacing of a television show, and even an episodic book like ASOIAF is going to need a lot of work before it's remotely watchable as a series. bad writers cannot make great series of television, regardless of how good their source material is. sure, they didn't invent the characters of tyrion lannister and daenerys targaryen, but they sure as hell understood story structure well enough to write a damn compelling season of TV about them!

so but then: what gives? i actually do think it's a problem with the books! the show starts out as very faithful to the early books (namely, A Game of Thrones and A Clash of Kings) to the point that most plotlines are copied beat-for-beat. the story is constructed a little differently, and it's definitely condensed, but the meat is still there. and not surprisingly, the early books in ASOIAF are very tightly written. for how long they are, you wouldn't expect it, but on every page of those books, the plot is racing. you can practically watch george trying to beat the fucking clock. and he does! useful context here is that he originally thought GOT was going to be a trilogy, and so the scope of most threads in the first book or two would have been much smaller. it also helps that the first three books are in some respects self-contained stories. the first book is a mystery, the second and third are espionage and war dramas — and they're kept tight in order to serve those respective plots.

the trouble begins with A Feast for Crows, and arguably A Storm of Swords, because GRRM starts multiplying plotlines and treating the series as a story, rather than each individual book. he also massively underestimated the number of pages it would take him to get through certain plot beats — an assumption whose foundation is unclear, because from a reader's standpoint, there is a fucke tonne of shit in Feast and Dance that's spurious. I'm not talking about Brienne's Riverlands storyline (which I adore thematically but speaking honestly should have been its own novella, not a part of Feast proper). I'm talking about whole chapters where Tyrion is sitting on his ass in the river, just talking to people. (will I eat crow about this if these pay off in hugely satisfying ways in Winds or Dream? oh, totally. my brothers, i will gorge myself on sweet sweet corvid. i will wear a dunce cap in the square, and gleefully, if these turn out to not have been wastes of time. the fact that i am writing this means i am willing to stake a non-negligible amount of pride on the prediction that that will not happen). I'm talking about scenes where the characters stare at each other and talk idly about things that have already happened while the author describes things we already have seen in excruciating detail. i'm talking about threads that, while forgivable in a different novel, are unforgivable in this one, because you are neglecting your main characters and their story. and don't tell me you think that a day-by-day account tyrion's river cruise is necessary to telling his story, because in the count of monte cristo, the main guy disappears for nine years and comes hurtling back into the story as a vengeful aristocrat! and while time jumps like that don't work for everything, they certainly do work if what you're talking about isn't a major story thread!

now put aside whether or not all these meandering, unconcluded threads are enjoyable to read (as, in fairness, they often are!). think about them as if you're a tv showrunner. these bad boys are your worst nightmare. because while you know the author put them in for a reason, you haven't read the conclusion to the arc, so you don't know what that reason is. and even if the author tells you in broad strokes how things are going to end for any particular character (and this is a big "if," because GRRM's whole style is that he lets plots "develop as he goes," so I'm not actually convinced that he does have endings written out for most major characters), that still doesn't help you get them from point A (meandering storyline) to point B (actual conclusion). oh, and by the way, you have under a year to write this full season of television, while GRRM has been thinking about how to end the books for at least 10. all of this means you have to basically call an audible on whether or not certain arcs are going to pay off, and, if they are, whether they make for good television, and hence are worth writing. and you have to do that for every. single. unfinished. story. in the books.

here's an example: in the books, Quentin Martell goes on a quest to marry Daenerys and gain a dragon. many chapters are spent detailing this quest. spoiler alert: he fails, and he gets charbroiled by dragons. GRRM includes this plot to set up the actions of House Martell in Winds, but the problem is that we don't know what House Martell does in Winds, because (see above) the book DNE. So, although we can reliably bet that the showrunners understand (1) Daenerys is coming to Westeros with her 3 fantasy nukes, and (2) at some point they're gonna have to deal with the invasion of frozombies from Canada, that DOESN'T mean they necessarily know exactly what's going to happen to Dorne, or House Martell. i mean, fuck! we don't even know if Martin knows what's going to happen to Dorne or House Martell, because he's said he's the kind of writer who doesn't set shit out beforehand! so for every "Cersei defaults on millions of dragons in loans from the notorious Bank of Nobody Fucks With Us, assumes this will have no repercussions for her reign or Westerosi politics in general" plotline — which might as well have a big glaring THIS WILL BE IMPORTANT stamp on top of the chapter heading — you have Arianne Martell trying to do a coup/parent trap switcheroo with Myrcella, or Euron the Goffick Antichrist, or Faegon Targaryen and JonCon preparing a Blackfyre restoration, or anything else that might pan out — but might not! And while that uncertainty about what's important to the "overall story" might be a realistic way of depicting human beings in a world ruled by chance and not Destiny, it makes for much better reading than viewing, because Game of Thrones as a fantasy television series was based on the first three books, which are much more traditional "there is a plot and main characters and you can generally tell who they are" kind of book. I see Feast and Dance as a kind of soft reboot for the series in this respect, because they recenter the story around a much larger cast and cast a much broader net in terms of which characters "deserve" narrative attention.

but if you're making a season of television, you can't do that, because you've already set up the basic premise and pacing of your story, and you can't suddenly pivot into a long-form tone poem about the horrors of war. so you have to cut something. but what are you gonna cut? bear in mind that you can't just Forget About Dorne, or the Iron Islands, or the Vale, or the North, or pretty much any region of the story, because it's all interconnected, but to fit in everything from the books would require pacing of the sort that no reasonable audience would ever tolerate. and bear in mind that the later books sprout a lot more of these baby-plots that could go somewhere, but also might end up being secondary or tertiary to the "main story," which, at the end of the day, is about dragons and ice zombies and the rot at the heart of the feudal power system glorified in classical fantasy. that's the story that you as the showrunner absolutely must give them an end to, and that's the story that should be your priority 1.

so you do a hack and slash job, and you mortar over whatever you cut out with storylines that you cook up yourself, but you can't go too far afield, because you still need all the characters more or less in place for the final showdown. so you pinch here and push credulity there, and you do your best to put the characters in more or less the same place they would have been if you kept the original, but on a shorter timeframe. and is it as good as the first seasons? of course not! because the material that you have is not suited to TV like the first seasons are. and not only that, but you are now working with source material that is actively fighting your attempt to constrain a linear and well-paced narrative on it. the text that you're working with changed structure when you weren't looking, and now you have to find some way to shanghai this new sprawling behemoth of a Thing into a television show. oh, and by the way, don't think that the (living) author of the source material will be any help with this, because even though he's got years of experience working in television writing, he doesn't actually know how all of these threads will tie together, which is possibly the reason that the next book has taken over 8 years (now 13 and counting) to write. oh and also, your showrunners are sick of this (in fairness, very difficult) job and they want to go write for star wars instead, so they've refused the extra time the studio offered them for pre-production and pushed through a bunch of first-draft scripts, creating a crunch culture of the type that spawns entirely avoidable mistakes, like, say, some poor set designer leaving a starbucks cup in frame.

anyway, that's what I think went wrong with game of thrones.

[camels-pen]

completely unrelated thought to literally anything i've been doing today:

canon Sanji getting swapped with a Sanji from a genderswap AU. key point is that everyone's p much the same personality wise

there are crises going on. but mostly for canon Sanji lmao

this includes:

Luffy still likes to walk around w/ an open shirt

Franky also still likes to walk around w/ an open shirt

Usopp, guess what, also likes to walk around w/ an open shirt

granted, Usopp at least wears crop tops sometimes

Brook looks pretty much the same except for speaking mannerisms / voice pitch; startles the hell out of Sanji bc he keeps expecting it to be his Brook until a Skull Joke comes out of those chuckling teeth

The knee jerk reaction to Robin and Nami keeps crossing wires- one moment Sanji will just register a guy in his peripheral but not who he's speaking to and cuss and complain and shit. then the realization will kick in and he'll be caught up trying to apologize, but then wondering if he does need to apologize because uh, Nami and Robin are guys here right?? and they're not his Nami and Robin, but at the same time he can't just be rude to Nami and Robin-

he ends up staring into space for a while thinking in circles about it

Zoro is now of the gender he typically dotes on

"H-Hey, Moss-chan-"

"Don't call me that"

"Right. You want a smoothie?"

"I'm not gonna fuck you."

Usopp is the easiest to dote on, followed by Chopper, Franky, and Luffy. funny thing is, aside from Zoro, none of them have complained about/refused said doting. Sanji is reassuring himself that his list doesn't mean anything. he's not falling for Usopp just because of a pair of tits. that'd be ridiculous. after all his Usopp has got plenty big tits already-

he slams his head into a wall trying to forget that thought

also. he has no outlet for any frustration/anger/overwhelming feelings because he's got his code of chivalry thing. so he can't fight Zoro and he doesn't want to fight Robin or Nami. he starts smoking more to compensate, but then he either runs out or Chopper intervenes and gets him to promise to limit his use

in short. suffering.

This Nami and Robin do notice though & while Nami very much does not want to fight Sanji on account of, yknow, not wanting any broken bones or terrible injuries, Robin on the other hand-

He knew it'd help Sanji and it'd be nice to have a sparring partner to practice the more deadly things he can do on someone who can handle it, so he's kinda like "if it'll help, i don't mind sparring"

Sanji is caught between "oh fuck yes, finally someone to kick" and "I CANT HURT ROBIN-KUN"

the sparring ends up very pathetic on Sanji's side of things- think his fight with Kalifa but without him trying to bluff and looking openly stressed- Usopp listens to Sanji's woes about it later while she tinkers on inventions lmao

Usopp is also oddly clingy with Sanji, more so than his own Usopp. However, Sanji doesn't even bother thinking about it, just happy to soak up all the affection. He always has some sort of crisis thinking about his own Usopp later though.

Zoro, and I cannot stress this enough, is a woman. a buff, sweaty, mossball of a woman.

so yeah, suffering.

fem sanji, on the other hand:

having the time of her life

proud bisexual woman going "dear god, so many hot guys- wait shit, is that mosshead"

starts getting "overly friendly" with Usopp- laying his head in her lap, playing with his hair, carrying him around, calling him pet names, making him special snacks, etc.

everyone else puts it together real quick, except Usopp. who doesn't realize the answer until fem Sanji gives him a goodbye kiss on the cheek before going to prep for dinner

The answer: fem Usopp and fem Sanji are dating

fem Sanji: he's Usopp, therefore he's my partner in this flipped world, therefore I gotta treat him right while his own Sanji isn't here

Usopp wants to tell her the truth. but also. doesn't.

he is a mix of guilt and happiness every time he doesn't speak up and gets some gesture of love from her

in conclusion: one way or another, there is suffering all around <3

[volfoss]

it is beyond infuriating how anne rice seems to insist on marius being a positive force in anyone's life ever. like she can't fully commit to exploring the fact he groomed armand and has repeatedly taken away his consent for what marius thinks is best (take the end of TVA as an example) and just kind of flatly puts it in the narrative. there's not really much interest in how these horrific events make marius come across as the worst because EVERYONE loves him. for gods sake, lestat learns from armand exactly what marius did to him in TVL and then proceeds to go find marius and be super friendly to him in the same fucking book. even armand and pandora, two of the people who have MORE than enough right to hate him, do not. it doesnt feel like shes trying to explore the toxicity of the abusive dynamic he traps them in, it just is there. and like yeah ofc the toxic vampire romance series but i think that this should be handled with more care. and it is not ever really framed in a way that she is interested in exploring how marius should easily be one of the most horrific characters in this series because it kind of feels like sa/rape/grooming/other things of that sort are just put there to further plot and not to really get the respect that they deserve in a medium.

[greatgoddyke]

time to make your choice only you can be the one

[cent-scratchnsniff]

share my love to you. share my heart for you

[froschli96]

you know, i always find it really funny when dudebros complain about syndicate and odyssey being too "jokey" or not "taking its characters seriously" or whatever…

like, did y'all collectively sleep through "it's-a me, mario!", "i meant besides vaginas", ezio inventing the latte, bartolomeo's... just... *gestures vaguely* entire character, etc?

like, it's fine to have preferences of course, i myself prefer a more serious and grounded tone, but these are usually the same people who tout the ezio trilogy as "peak assassin's creed", call ac1 a glorified tech demo and hate on connor for being "too serious and boring", like? make it make sense!

[caramelmochacrow]

"Beating so fast, seems like it'll burst..."