#so i think that might be it too. like someone who is just chill with him and watches movies with him basically

[mylovesstuffs]

Seungcheol is THAT type of boyfriend

This is my personal opinion and perspective. It may not accurately reflect their real-life personalities or behaviors.

The Protective Boyfriend™: Seungcheol is the guy who will hold your hand while crossing the street like you might just wander into traffic without him. It’s sweet until you realize he’s also glaring at everyone within a 10-foot radius for daring to breathe near you.

Seungcheol’s idea of helping you pick an outfit for date night is standing behind you, his hands on your waist, whispering in your ear, “This one’s nice… but it’d be nicer on the floor later.” Then he smirks like he didn’t just turn your brain into static.

Calls you "jagiya" so often it feels like a title you should put on your LinkedIn. But don’t let that fool you, he’ll pout harder than you if you don’t jagiya him back.

You’re trying to get up after a movie, but he pulls you back down, trapping you in his lap with one arm around your waist. “Where do you think you’re going?” he teases, his lips brushing your ear. “The credits haven’t even finished yet.” (the credits have been done for 10 minutes.)

He’ll put on his leader voice to scold you for skipping lunch, only to order your favorite food five minutes later and feed you the first bite because you’re too busy to take care of yourself.

This man right here is your personal radiator. Winter nights? Perfect. Summer? Good luck prying his arm off you because "you’re my pillow." (And he snores when he’s comfy, but you’d never admit you secretly love it.)

When you ask him if you’re bothering him by calling for the fifth time in an hour, he deadpans, “No, jagiya, I love being your 24/7 helpline. Shall I install a red phone like Batman?” But then he’s at your door in 15 minutes because he misses your face.

He loooooovessssss when you’re flustered, so he’ll accidentally brush his fingers along your collarbone while adjusting your necklace, all while holding eye contact. And when you stutter something about being ticklish, he just chuckles, “Oh? That’s good to know for later.”

If someone flirts with you, his smile gets tighter than his favorite jeans. He won’t say a word, but he’ll make sure to wrap an arm around you and loudly mention that his girlfriend loves this place.

He’ll kiss your forehead in public just to see you blush, then smirk like he just won a prize. “You’re cute when you’re flustered,” he’ll whisper, as if your face isn’t already bright red.

He’s not big on flashy displays, but when he kisses you, it’s deliberate, slow, and leaves you wondering how the world managed to keep spinning after that.

Seungcheol knows exactly what he’s doing when he leans in close, his voice dropping an octave to say something mundane like, “Pass the soy sauce, baby.” But the way his lips almost graze your neck? I'm sure that’s not about soy sauce, bro??? (did I just attempt to call him bro?)

He's the type of boyfriend who would die for you but pretends he’s chill. “Of course, I’ll help you move apartments,” he says, lifting all your furniture with a single grunt while you’re holding a throw pillow. “I’m totally fine. This is lightwork.” (I'm telling you, he’s not fine.)

SEVENTEEN is sick of hearing about how amazing, talented, and gorgeous you are but the sparkle in his eyes says he’s never shutting up about you.

Out of nowhere, he’ll text you, “You’re my favorite person.” No context. Just vibes. And when you ask about it later, he shrugs, “Felt like reminding you.”

Seungcheol isn’t just THAT type of boyfriend—he’s the blueprint, the standard, and the reason your expectations are now irreparably high.

[fangel]

always, attic angel — jake [ 심재윤 ]

synopsis : jake’s hidden secret isn’t so secret anymore, but he’ll go to great lengths to keep it. he reaches his breaking point when faced with betrayal. he relinquishes any remaining sense of sanctity, surrendering to everything he's spent his life trying to suppress. ⇀ read part 1 here ⸝⸝ updated playlist

pairing : jake sim x fem. reader featuring : heeseung genre : psychological thriller, smut, yandere word count : 7.7k content advisory : dark content ⚠︎ sexually explicit content, obsessive!jake, possessive!jake, jake in general, corrupt!reader, choking, dubcon, somnophilia, spanking, unprotected sex, stockholm syndrome, religious themes and concepts, violence, blood, mentions of homicide/death, open ending - mostly proofread

“can you keep a secret?”

jake wasn’t only asking heeseung the literal question, but he was questioning himself. how long could he realistically hide you away? were you, his sacred secret, something that he could actually keep? he’s thought about it a lot. often losing hours in a day just going over the agonizing idea of not.

heeseung at a loss for words, just watches jake’s body language. jake is like nothing he’s ever seen before. jay and sunghoon have brought up jake’s odd behavior with concern, but he always brushed it off. now heeseung is here to witness it himself, stunned with his brows furrowed and a mouth opening and closing, looking for words he can’t find. he looks back up to the top of staircase, the room that he knows is occupied with someone. hundreds of questions flood his mind but he doesn’t know where to begin. 

“jake,” he says quietly, eyes darting from the door up the stairs and to the boys huddled in the living room. “what did you do? who is here?” even if jake did have a girlfriend, or just someone he’s been seeing, why would he need to act this way? with the way the air feels around them, heeseung is sure that there’s much more going on. and whatever it could be, was far from good. 

jake still can’t look at heeseung. he just stares to the floor with a death grip on heeseung. his breathing picks up in slow, deep heaves. he holds onto his hyung like a lifeline. heeseung feels genuine dread. the chill he feels run through his body makes every hair stand up. he wants to pull away from jake, to go investigate before the others get nosy or cause a scene. but he can’t. his instincts are telling him that if he moves too quickly that jake will break.  

“jake… if i go up there—” he begins to say slowly, quietly. and that’s when jake looks up at heeseung. his eyes look wild, almost like they’re threatening him. heeseung swallows hard, sensing that maybe he is silently threatening him. 

heeseung tries to step back but jake only digs his nails into the flesh of heeseung’s arm. he hisses at the sting and attempts to tug his arm away from the hold. jake’s strength is something heeseung never knew he had; he thinks that jake might just fucking break his arm at the elbow right here and now. 

through clenched teeth, jake seethes under his breath, “i’ll explain, but get them all out of my house first. and i swear to god if you tell another soul you’ll be buried out back too.” 

what the fuck, is all heeseung can think. his eyes wide from the venomous threat. he complies with jake out of fear. these were treacherous waters and he wasn’t going to test it out by diving in. especially with the tension growing too thick and too fast for heeseung to waste any time. 

jake follows heeseung to the living, standing behind him, watching and listening. he doesn’t say a word as his older friend handles the situation. he just shifts on his feet while staring into the back of heeseung’s head.

heeseung stumbles over his words, nervously attempting a lie to get the rest of the boys to leave. the words catching in his throat that he masks with a cough whenever one of them makes a questioning expression. 

although disoriented and perturbed, they all listen to heeseung. heeseung being obviously troubled with something serious made them gather their things with haste. they were rushing out to the car in minutes with no questions asked. there were many to be had, but they assumed they would find out eventually. 

jake and heeseung watch as they drive away, from the front door. neither of them say a word even when the vehicle is out of sight. the taillights fading into the snowscape treeline of gravel road is all to be heard and seen. 

there’s a pregnant pause before jake closes the door and locks it, all 5 different locks. heeseung raises a brow, stepping back slowly. his eyes watching as jake stuffs the ring of keys into his front hoodie pocket. he makes note of it. 

jake, still yet to utter a word, just walks into the living room area to clean up the leftover mess. heeseung, unsure of what to do, just helps in stillness. the tv remains a static screen displaying no signal: (1) check the cable connections and settings of your source device. the kitchen oven light flickers every so often. and the darkness of the night bleeds into the house. it’s eerily quiet between them. 

after some time, there’s a slow creak of a door to be heard. both of the boys heads shoot upward and down the hallway. layla trots away from them and sits at the end of staircase. her head tilted, ears raised, and mouth open in what would be interpreted as a smile. 

slow footsteps make their way down. the space between each creaking step of the wooden floorboards shows how apprehensive and timorous you are. once halfway down, there’s a pause. you’re standing there, waiting for a noise or response from jake. you saw the group of his friends leave, but there was still another car parked outside. and after waiting for so long, listening to silence, you had to see why jake hadn’t come up to see you, to tell you it’s safe to come out. 

jake stands from his crouched position, dropping the wet wipe he was just using to clean the low coffee table. he throws off his jacket to the edge of the couch. there’s a clink of the cluttered keys, but only heeseung hears it. jake’s already in tunnel vision. he gives heeseung a daring glare before walking away to meet you halfway. heeseung sits down on the couch, his hands folded over his lap while his leg picks up an anxious bounce. he looks at the pocket of the abandoned material. a glimmer of metals peak through the opening. 

jake walks up the stairs that you stand in the middle of, layla hot on his trail. he gives you a small smile as he places his hands on your shoulders to turn your body back around. “i didn’t tell you when to come out, did i?” he whispers with small anger, trying to keep his tone light but what’s deeper surfaces regardless. 

you very rarely made jake angry. a feeling of disappointment envelops you like instinct. as if you had to feel bad for going against him. 

“i’m sorry i made a noise,” you mumble, “i got excited when i heard them mention me.” it’s an honest admission. you turn your head back to jake and your guilt drops to something empty. the color fades from your face when you see him. he looks disgusted. “i-i’m sorry, i-” your mouth open and mind trying to find the right thing so say. 

he grabs the back of your neck and begins to walk forward, forcing your body back up to the bedroom. you stumble over your feet, nearly falling. his footsteps stomp against the wooden stairs. his hold on you is squeezing with fingers pressing into the sides of your throat. you want to cough away the feeling but decide on struggling to remain quiet instead. someone is still here. i promised to behave. 

when back in the room, he shoves you forward with the release of his grip. the door slams behind him. you lose balance but catch your own feet, your ankle shooting in a great affliction that you’ve become accustomed to ignore. your hands reach for your throat to massage the ache. you whimper at the touch. 

“it was a perilous decision, making you my attic angel.” his heavy footsteps march forward. he picks you up from under your arms and tosses you onto the bed. you bounce slightly before gathering yourself. you push yourself back into the corner of the bed, hugging your knees to tuck into your body, like you’re protecting yourself. you watch as he places his knee onto the bed, his hands too, leaning towards you. “i am trying so hard, so why isn’t it enough?” his head shakes in disbelief. “i’m just not enough for you? you want everyone to see you, to know you. why? as if they would need or love you as much as i do.” the last sentence is a scoff, spat with hate. he just stares at you with a tilt to his head. you feel that he’s mocking you in some way with his ridiculous words. 

tears brim your eyes, your hands forming small fists that tremble in a rage you’ve always felt within you. “i never asked you to.” your words are firm, a tight lip frown wears your face. you want to argue that this isn’t love and he’s just a sick man, but you don’t want to spill more tears over him. you’ve been drained enough.

jake’s face flashes with an array of emotions. his fingers curl into the blankets so tight his knuckles turn white. he looks irated and dejected, but mostly broken.

“you didn’t have to.” his face is a scowl, glaring at you for the first time. how could his attitude change so quickly? “you wanted me, and now you have me. let it be enough.” he pushes himself off the bed and picks up the metal cuff chain from the floor with one hand. you instantly try to scramble up off the bed but he’s faster; he takes your bruised, weakened ankle in his free hand to drag you into him. you yelp with agony, trying to kick your leg around in a struggle that would hopefully prevent the entrapment. but he secures it onto you with a low growl, warning you that your actions have been enough. 

with a burning gaze, he pushes you back down onto the bed before making strides to the door. he’s never been so blatantly mean towards you. it hurts far more than you could’ve ever expected. you slide yourself off the bed with urgency, tripping up behind him. you want to cry so badly, but you also want to show you’re stronger than he allows you to be. your hands reach for him to grab at the back of his shirt, a try of pulling him back from the door. “take it off! take it off now!” you stomp your metal clad foot, the chain rattles against the floor. 

layla begins to bark loudly from the other side of the door. her paws scratch at the closed white wood. 

jake spins around with your raised voice and slaps his hand over your mouth, “shut the fuck up!” he whispers with heated aggression. his other hand grabbing the back of your head, fingers tangled in your hair and craning your neck back to look at him. crazed eyes stare into yours like they want to rip you apart. you can no longer help it now, tears escape and wash down to meet his hand. your entire body is now shaking in fear. “angel, i thought i taught you better than this… haven’t you made yourself known enough tonight?” he softens in tone, but his expression and hands don’t match. they’re strong, keeping you still. 

you shake your head frantically under his hold. his large hand taking up half your face, making it hard to breathe. your mouth and nose only taking in larger breaths of air that just isn’t sufficient. fat tears run down your face as you continue to shout muffled pleas into his palm. 

“take it off!” 

“let me go!” 

“stop, stop!” 

“help me!” it’s a deadened attempt of a shrill scream.

it’s all lost against his skin. you try to slap his hand and arms off of you but it’s to no avail. you’re simply too feeble to put up the fight you want to. you’ll always be overpowered by man. 

his hold doesn’t let up. he just watches you struggle in blazing silence. your lungs losing oxygen make you see bright white stars scatter your vision. the burning tears only make it all the more hazy. your body feels weak, like it’s about to collapse in on itself. is this what it’s like to lose consciousness? weird, it feels kind of good. you use all your strength to keep your eyes open, but they blink slowly to a close. 

“please.” is the final beg to be said against his palm.

“i love you.” is the final words he promises before it all goes black. 

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 　when jake finally comes downstairs, he looks like he’s seen a ghost. 

heeseung—who was in the kitchen—heard jake’s descent with the settling creaks of the house’s floors, returns to the couch. he nervously watches jake, who was yet to look over at him, as he stuffs something back into the hoodie that jake left behind before going up to that room. 

jake just stands at the bottom of the staircase with a dead stare, eyes unblinking and unfocused. he looks pale, stuck in a state that heeseung is not ready to approach or question. heeseung heard nearly everything from upstairs. it was jarring, and enough evidence to understand that the house is dangerous for everyone in it. 

to think that he’s been here before without a clue of what was happening behind closed doors makes his skin crawl. he never could have imagined that his own friend, or himself, would get wrapped up in a scenario like this. was it all merely a matter of time? 

heeseung slowly stands up. due to the silence, even the slight sound of movement has jake’s heard turn in a split second to his friend's direction. 

unknowing of what to do, heeseung just stays still like a deer in headlights. frightful in nature as if he was the one to be caught in the wrong place. he’s frozen under the cold, black eyes that bore into him. 

jake stalks over to heeseung slowly. the unbreaking eye contact and lack of words sends chills through the older male. the kitchen oven light hums in the background, and it’s all to be heard. jake places himself on the other couch in the living room. the light flickers off and on again when heeseung follows jake’s actions, sitting once more. 

“i’ve never hurt her before,” his tone hostile, as if to defend himself from whatever he was imagining that heeseung was thinking, “not physically at least, i don’t think.” 

heeseung feels a cold sweat take over. his palms sweaty, squeezing his own thighs for a sense of stability. this can’t be real. he couldn’t process any of this. how could this be what jake is? he sucks his bottom lip between his teeth and gnaws with anxiety. eyes trained on the intense presence before him. 

jake speaks up again, his voice breaking like he’s about to cry, “she looked at me so.. she looked terrified of me, seung. and i made her cry again.” jake has his elbows resting on his knees, his head hung low with hands fisted in his hair. he pulls on his dark locks in distress. 

heeseung glances from jake to the front door. then back to jake. and then the staircase. and then the front door again before going back to jake. he feels like his lungs are going to burst, his breathing something he now has to force himself to manually maintain. 

“but fuck, man!” jake hits himself in the head once, twice, three times. his smack echoing through the room, sending shivers of panic through heeseung each time. “i-i can’t think! what the hell am i supposed to do!?” there’s a pause. “i want to be good for her. she’s supposed to help me but i’m getting worse everyday.” his hands drag down over his face, covering it. 

“jake, i don’t know—”, heeseung’s voice didn’t reach. 

“i went to church. i prayed. i couldn’t confess though. i was too cowardly to say what ill thoughts consumed me.” jake looks up to heeseung with tears in his eyes, “too cowardly to admit to what i’ve done. i want to be clean, man. but i am full of greed, lust, and wrath. i can wash my hands over and over, but i still remember the feeling. a damned confession wouldn’t take the weight of that away.” he laughs lowly, shaking his head. a hand lazily wiping his tears from his face. “and i see it every night. the stains that painted me, that should’ve made me feel dirty. it didn’t.” 

heeseung needs to get the fuck of here now. he can’t keep up with jake’s insane behavior or confession. this has gone far beyond his expectations; his flight or fight instincts are screaming that this is unsafe territory. 

“but when i have her, it’s not so bad. i can’t--i can’t have you getting in the way, or anything, anyone else, for that matter.” jake is hanging on by a thread, it’s clear. he was going to snap soon. “do you understand that?”

heeseung nods his head but can’t bring himself to say a word. 

“well say it, damn it! say ‘jake, i won’t get in the way.’” his voice loud, demanding. 

“jake,” he stands on shaking legs, “i won’t get in your way. i w-won’t say a thing. this has nothing to do with me, man.” his hands up in a defending position as he makes brave steps that lead to the front of the house. “you can trust me…” 

“i hope so, or you’ll end up like her parents… somewhere in the back of those woods to feed the maggots.” 

heeseung nods again then darts for the door and out to his car. he wastes no time in getting far away from that nightmare. as he starts the car, he looks up to the window at the highest point of the house. the light is off and there is no face peaking through with hope. heeseung exhales deeply. he recalls the smile jake wore with his leaving statement. closing his eyes, he knows that he is no hero, and certainly won’t be made a victim. 

but, he also isn’t someone to do nothing. so, he’ll leave for now. 

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 　jake’s mind is in a whirlwind. he needs to release the weight of everything that’s suffocating him from the inside. he feels as if all his organs have corroded and are crawling up his esophagus, like hundreds of little centipede feet, only to get stuck in his throat. 

he doesn’t even recognize how he got back to the bedroom since heeseung’s escape; unable to realize that some has passed. 

he stands in the middle of room, blinking his eyes back to a state of awareness. he was watching you sleep in the bed he placed you in. or perhaps he was just looking through you. he made you pass out in and from his own hands. he despised himself for it, and how it gave him a sense of god-like power. 

jake moves towards the bed and creeps in next to you. his hands find a place on your hips to pull you on top of him. the subtle movement of your chest and small breaths assure him of your liveness. he hugs you close like that for a minute.

his fingers trail up and down your body, squeezing and caressing his favorite parts of you. they stop at your ass, full in his hands he begins to move your body back and forth. his growing cock pressing up into your pussy, grinding with the maneuver. the back of his throat releases a soft, guttural sound. 

his large hands slip up your night dress and pull your underwear to the side. he runs a finger along your folds, feeling every detail of your womanhood. the callosed tips rub over your core until a layer of wetness leaks through.   

you shift on top of him, not awake, but subconsciously sensing an uncomfortable intrusion. a small noise leaves your lips, something of a whine. 

“i know you’re not all there. you’re too compliant with all i’ve done. you listen too well.” he’s whispering against the side of your face. his free hand working to take off his pants and boxer briefs. “you’re like me.” he licks a strip up your face, wet saliva leaving a trail. you stir again, face scrunching before rubbing onto jake’s shirt. 

he grins at you, thinking you’re cute all out of it and on top of him. his eyes find the teeth marks on your shoulder. the thin spaghetti strap of your dress falling from it, revealing full sight to the scarring mark of his possession. “i can sink my teeth into you and you will do nothing but watch me lick it clean. and you would still let me hold you. kiss you. and,” he’s rubbing his leaking cock against your pussy, humping up into you so the head dips in and out. “fuckkk.” he moans, feeling himself being teased with the enveloping of your creamy, warm hole. 

you make another tired, bothered sound with eyes squeezed shut. 

“possibly i have let you think of me as tender, but i will prove to you i am everything but.” he thrusts his hips upwards, his cock pushing into your tight core. he moans at the feeling of you wrapped around him, hugging him with wet heat. “i’ve always had these tainted thoughts with me. i could never admit to anyone, or myself, what i longed for.” his arms are wrapped around you, holding you close. his legs propped up, knees bent and feet pressed down to the bed, as he begins a brutal pace to pound himself in and out of you. 

your eyes open along with your mouth, a sound in between a moan and gasp leaves your lips. you look up to the man who is fucking you, confused and disoriented. you feel a deep pain between your legs and in the bottom of your stomach. you try to pull yourself back, to sit up, but jake grounds you to his chest. 

“i prayed for all the disturbed thinking to come to an end. my mind became more grotesque, morbid.” he looks at you and all you see is misery. his eyes are so empty yet he forces a smile. “i am haunted like a sick man.” i know, you think. your head rests tucked by his chin and neck. you just watch him, letting your body make little moans and chases to his touch like it’s trained to. “i always wanted more. i didn’t want to just think it, i wanted to do it all.” 

“mhmm.” your eyes blink slowly, watching the faces of pleasure he makes through your eyelashes. maybe this is all a dream, you imagine wishfully. 

“i stopped praying a long time ago, yet kept stepping into god’s house. i knew something, someone, would come for me.” he grunts, squeezing the skin on your back to bruises. his trusts become messy as squelching sounds of your pussy. skin slaps and fragmented noises come from the both of you. “in the bible; tell me, angel, who did god send to fulfill all his obligations?” he nibbles on your ear. sometimes licking and leaving his spit coating it. 

him pistoning his cock at his assaulting speed and force, elicits a loud mewl from you. you wish he would fuck you even harder. violent enough that it rattles your brain and body senseless. you don’t want to think at all, just want to see those stars again. 

jake is pissed when you ignore his question. one of his hands slides up your back while the other moves down to slap your ass. you whine at the sting. he grabs the back of your neck like he did earlier and you can’t help but grin a little. he yanks your head back and your body sits up on top of him. he feels so deep inside of you. you hum at the feeling, not even realizing your hand drops down to rub over your lower stomach. 

you still wear the faint grin on your lips as you look down at him. “hm?” 

“who carried out his judgements, served punishments, and set examples?” he fucks into you slower, focusing on your body. noticing how your hips move in small swivels and bounces on his cock. how your nipples peek through in needy points of the thin material. 

he gives your ass another slap and your head tips back with a moan, “ngh, the angels.” 

he squeezes your neck from behind at your response. your eyes rolls back as you continue to fuck yourself down onto him in severity. a slutty sound leaving you with every kiss of his dick to your cervix. 

“yes,” he pulls you back down to his face. his hand is still tight around your neck, borderline suffocating in pressure. “and he sent one to me too.” he feels your pussy pulse around him, signaling you’re close to cumming. “he sent you to me. but instead of learning a lesson i became obsessed just as my thoughts.” jake always had a dangerous personality, hiding inside of him. his obsessions becoming an illness was nothing he should be shocked by. or maybe it���s the other way around and he was always sick so he became it. “i so badly wanted you to be my savior… to tell me lies of purity and goodness.” he feels his cock throb, aching to release. he chases the feeling of pure want, pounding relentlessly into you. 

“open your mouth,” he demands with a low growl. you listen without a second thought and he spits into it. his saliva meeting your tongue only to be swallowed down. 

he pressed a kiss to your lips while you cry out in a mix of pain and pleasure as you cum. your body collapses on top of his like an act of defeat. your breathing so ragged and lungs suffering; jake releases his hold on your neck only to use both hands on your hips to bounce your body on him. 

while your body makes small quivers in overstimulation, jake groans loudly as he cums inside of you. as you feel the deep warmth coat your insides, a sense of drowsiness takes over you. 

“i feel like a besotted rot has taken over me, and it’s been growing evermore since i met you.” he whispers, relaxing his body flat against the bed. with you still on top of him and his cock still buried in you with his seed, he hugs you. “it’s killing me from the inside out. you’re going to kill me. i can feel it.” 

the quiet and gentle honesty of his fearful ending confession lulls you to sleep. 

he continues to fuck you until he’s too tired to not. 

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 　when you wake up the next morning, you feel your entire body is in pain. there’s a throbbing pain in your head, a dull strain in your neck, and a heavy ache in between your legs. 

you sigh as you sit your body up, hands place slightly behind you at your sides. you make slow circles of your head to stretch your neck muscles. there’s a pang of sharp pain for a split second but you relax once reversing the movements around. 

with lazy eyes, you scan the surroundings of the bedroom. the sun shines bright through the thin lace, white curtains. the clock reads that it is half past 10 in the morning. on the white, wooden night stand beside the bed is a note, a cup of water, and a plate of cut up fruit that has probably been out longer than intended. the door is slightly cracked open and the cold, heavy weight is missing from around your ankle. 

you stretch your arms and back before leaning over to chug down the glass of water. you think of eating the fruit presented for you, but decide on not. it's hard to have an appetite these days. 

you move yourself to sit at the end of the bed, legs and feet dangling off the mattress. you realize how quiet the house is. normally, jake is always with you when he’s home. if he’s working from home then he is next to you, or at least at the desk with his work laptop. but it’s saturday, so why would he be working? 

“jake!” you call out his name, but there is no response. your voice doesn’t sound like normal, it’s rough. you call for him again and still there is nothing. only layla comes up the stairs to push past the door. she too looks confused. 

you look outside the large window next to the bed and realize that his car isn’t there either. 

you look back to the nightstand, remembering there was a note left for you. you pick it up and read: had to run out. i will be back soon. rest and eat well, angel. 

with the note in your hand, you squeeze your hand into a fist, crushing and crinkling the paper in your palm. you stare at the destroyed paper, enclasped in your hand, before releasing your fist and letting it fall to the floor. 

the sound of a car driving makes you turn around. you don’t know if it’s annoyance or ease that washes over you. but once your eyes see the car, you know that it’s neither. because it’s not jake’s car that you see outside. you can recognize it’s one from the other night though. 

you’re quick to stand up and make your way over to the side of the clear glass. you peek over the side of the window, suddenly not comfortable to be seen. is it because you know jake isn’t here? your heart rate picks up rather quick, along with a feeling of anxiety. who is here? why? 

a tall man with dark, brownish.. no reddish hair, steps out of the now parked vehicle. he glances around before jogging over to the side of the house. you furrow your brows in confusion, wondering what he could be doing. you bite at your lip, trying to look around the house as much as the window allows.

then you walk over to the bedroom door and close it quietly, leaving you and layla inside. you lean your back to the door and slide down to the floor. your ear presses against the wood, listening to anything that you can. there isn’t much to be heard for a minute or so. and then there is. there’s a landing thud from somewhere downstairs. a clashing of objects hit the floor with it. something like a glass bowl or cup, if you had to assume. you can tell it’s coming from the kitchen based on the direction alone. 

your heart beats harder now and you don’t even realize how your hands hold a small tremble. you’re frozen in place; you don’t know what to do. jake always tells you what to do. he tells how to handle situations, how to react, how to respond. 

the footsteps of the intruder are rushed. quick feet move through the house and up to the stairs, only to stop right outside the door that you’re in front of. you feel a dangerous panic coarse through you, and unknown to you, you’re holding your breath as if it could give you away. 

seconds feel like minutes followed by a knock at the door. it’s slow and just as scared as you are. 

you place your hands over your mouth, silencing yourself from uttering a sound or a word. meanwhile layla lets out a guarded growl. you shake your head as you look at her, as if she could understand the notion. 

“i know you’re in there. i’m here… i’m here to help you.” the voice is sweet, familiar. it’s a friend of jake that’s been here before. he must have been the one who stayed longer than he should’ve last night. 

for some reason, you still remain silent. why would he come back? 

“i don’t know what exactly is going on between you two, but i know when something isn’t right. and jake isn’t…” his voice goes soft. he’s worried and nervous. 

“he isn’t what?” heeseung hears your melodic voice, weak yet defensive. 

“can you open the door? i don’t know how much time we have.” the door knob turns but doesn’t push open. it’s not locked. you both know it, but neither of you bring yourself to break the barrier. 

you stand from the door, your legs uneasy as if a baby fawn learning to walk. you grab the door handle with a timid hand. you turn it slowly and pull back the door just a crack. you look up with wide eyes. you’re face to face with someone other than jake for the first time in what feels like forever. someone is finally seeing you, talking to you, acknowledging your existence. why isn’t it as exciting as you anticipated? 

heeseung gapes at your disheveled appearance. his eyes quick to find the many bruises that litter your body, from your neck to your arms and legs. then to the scarred bite mark that’s discolored and horrid along your shoulder. and lastly over your face: dry, bitten lips and dark circles around your sad eyes. “i’m sorry.” is all heeseung can say. you think his voice sounds disappointed. 

“why? it’s not like you did anything.” you pull the door open a little more, unintentionally though. it furthered the exposure of the room when your hand pulled back to wrap around yourself. your eyes scan over his face, taking in the up close new appearance. you think he’s very cute for a second before a dread of guilt becomes you. you wrap your arms tighter around your midriff, as if to conceal what you’ve begged to be seen. you avert your eyes from his, suddenly embarrassed. 

heeseung steps into the room, and you step back. your eyes watch his feet. it feels like you weren’t given the permission to look at him; like you’ve already overstepped jake’s boundaries and broken his rules by seeing and speaking what you already have. yet your heart races with adrenaline. 

“that’s the problem. i didn’t do anything the minute i knew something was wrong.” 

it’s nice to hear something rational for once.  

“i tried to come up with some sort of plan as soon as i could. he left and i found his keys,” you immediately look up at heeseung when he mentions the object you fantasize about. keys. unlocked cage. freedom. “i figured the kitchen window would be the less susceptible.” he attempts a laugh but it’s clearly full of nerves. his eyes dart from you to the outside window. it reminds you of yourself. that feeling of waiting for jake, always mixed with too many emotions to really decipher. 

“but for real, you need to get a jacket and shoes on. we have to leave right now.” heeseung deadpans. his eyes watching yours that refuse to look back. you just stand still in the room, shaking like a leaf in the wind. your focus trained to the floor, spacing out from the scenario. 

“is this real?” your voice is quiet, unsure. “did jake put you up to this to test me? i don’t want to cause more trouble with him. i don’t like when he’s…”

heeseung begins to frantically search the room. he goes to the closet and shifts through the hanging clothes for the thickest jacket he can find. he grabs a big one with faux fur lining and heavy material, “put this on. where are your socks?” he hands it to you but you just hold it low in your hands, letting it hit the floor. he opens drawers of the dresser nearby, finding a pair of socks. 

still spacing out, feeling dreamlike, you sit down at the edge of the bed. the large winter coat still hands in your fingers, half over your lap and exposed legs. 

heeseung crouches down in front of you with socks in hand and a pair of boots by his side. he looks up at you with despairing eyes, but you just watch the floor below him. i should sweep the floors. there’s dog hair and dust everywhere. 

trepidatious, large and unknown hands pick up your foot. the cold fingers brush over your abused ankle. a sick feeling of flutters fills your stomach, you jerk your leg back from his touch. this isn’t right. something like a stray cat who doesn’t let strangers touch. 

“what happened to this?” he lightly taps the bone, “you need to see a doctor.” he tries again but faster this time. gentle hands pulling the sock over your foot and then the other. next he reaches for the boots to put your feet into. “come on, get the jacket on.” he says as he stands, a hand reaching out to you. you stand from the bed and ignore the offered gesture. 

you take a few steps forward and stop. heeseung takes notice of the slight limp in your walk. his eyes follow the floor from your feet and that's when he sees it. the long silver chain that’s attached to the bedpost, mounted to the floorboards. 

“jesus fucking christ…” he exhales, taking the coat from your hands to put it on you himself. 

“i used to try and break that whenever i had the chance, but i ended up hurting myself in the process.” you laugh a little. he sees your blank stare and lost smile. “he would ice my ankle for me though. and he wrapped it up, changing the bandages everyday when it was worse.” 

“i’m gonna get you somewhere safe.” heeseung promises, taking your hand in his own to lead you to the door. “you won’t have to live like this anymore, okay? do you have more family somewhere, someone we could call?” heeseung is doing his best to remain calm, but inside he senses immense uneasiness. you can feel how his palms are sweaty and holding too tight of you. you don’t like it. 

“my parents…” it’s a whisper. he helps you down the stairs and to the kitchen. your heart feels like it's a ticking time bomb set to explode. each beat a warning that screams louder and louder.

“well, how about anyone else.” there’s consternation. 

you stop in your tracks, heeseung tries to pull you forward. his eyes begging to leave through the window he left open for you two. “why anyone else?” you question. you feel heavy again, a boil builds in your body, your heart racing faster than you know it was capable. your breathing becomes quick and panicked. heaves and wheezes now leaving your body. “what? w-what do you m-mean?!” 

“they… jake, he…” heeseung stammers, his head moving side to side in a slow display of sorrow. he reaches out to you, to pull you into a hug of comfort. 

but you just stand there, unbelieving of what the man is trying to imply to you. “no, no… he wouldn’t—” your bottom lip quivers and eyes sting. 

from the corner of your eyes, you see a dark shadow approaching heeseung from behind. a large object hangs high in the air with the shadow. you let out a blood curdling scream, eyes looking past heeseung. the tall man turns his head around before the held object comes crashing down into the back of his head. heeseung drops to the floor in an instant, his hand slipping out of yours. 

it all happened so fast. 

you’re in a fit of panicked sobs now. your eyes can’t look away from the man who tried to help you; the man you didn’t try to believe in. there’s an open gash in his head, bleeding and matting into the hair. you feel sick. 

your attention is removed from the man when a familiar hard grip pulls on your hair. “where the hell did you think you were going!?” jake’s voice is terribly sad, loud and croaking. he’s dragging you back down the hall and up the stairs to your room. 

“i wasn’t going anywhere!” you squirm around trying to look back at him, “i was never going to leave! i swear!” 

jake sits you down at the chair by the desk, his hands place on your shoulders. he looks down at you with disquiet heartache, “you promise?” he’s fixing to cry. you hate when jake cries. 

you nod your head quickly, still having a panic attack, still frightful and overwhelmed. 

jake swallows hard, staring into your eyes. he’s trying to trust your word, and ultimately he just does. he places a long kiss to your forehead. you feel a drop of wetness land against your skin. and you just sit there, watching him leave the room with hands of shaking fists. 

you hear a lot happening downstairs while you’re glued to the chair. there’s loud commotion and aggressive words being passed between the two. heeseung is still alive. they’re fighting. 

unknowing of what to do, you squeeze your eyes shut. you curl your body inwards and cover your ears, gently rocking yourself back and forth to ease your mind of the chaos. this isn’t real. it’s all a bad dream. it’s another bad story you conjured up. 

and then someone yells. a painful, agonizing noise that you can’t disassociate from. it sends shivers through you. you can’t open your eyes, you can’t leave the room. if you don’t see it then it’s not happening, right? 

the clashing of aggression comes to a halt. and the usual eerily silence of the house stands still. 

a few minutes go by. 

you lift your head and open your eyes when you sense the door being weakly pushed open. 

you gasp and stand up, quickly moving over to jake to help him stand up straight instead of leaning on the door. 

“j-jake…” you’re crying, “hey, wha-what happened?” you’re trying to support his weight but it’s too much. you both somehow manage to make it to the bed. did he do it? did he kill heeseung? 

jake is covered in blood and he’s crying too. he simply shakes his head and presses wet kisses your cheek, pulling you down to lay next to him. he can’t say anything. 

confused and scared, you ask him again, but he doesn’t speak yet. he just holds onto you as tight as his body allows. the blood begins to stain your clothes, the bed sheets and blankets.

he breathes a ragged sigh, looking at you with wet, thick lashes, “i thought god hated me. ya know, for making me the way i am and expecting me to follow him.” he coughs, turning his head away from you, hiding. “but why would he hate me and still give you to me?” he laughs with a small cough, he feels his mouth tinge with metallic iron. 

you watch from the side of his face, crying quietly. then you feel it. the warm, seeping of thick liquid spilling onto you. your eyes track down your body and his, landing on the gash of his shirt. an open wound punctured in his side. a wrecked sound slips past your lips with your cries. 

“even if it was a punishment, you’ll always just be an angel to me.” his head turns back to face you, his mouth painted red with slips of blood passing the corners of his smile. 

you push yourself from his hug, crazed to find some material to wrap around jake and stop the bleeding. but he pulls you back to him, his eyes closing. “h-hey, hey. stop, it’s okay. just hold me close a little longer.” and you do. through all your whimpers, hiccups, and tears. you wrap your entire body into him, legs entangled and arms wrapped never this tight around him before. 

eve was made from adam’s rib. so is it really your fault for wanting to crawl inside the man you’re closest to? 

jake’s breathing is starting to become dangerously slow, along with the pulse of his heartbeat. 

heeseung, who managed to crawl his way up the stairs, waits outside the door. blood is dripping down his face and neck from his head. he coughs, grabbing your attention. 

you sit up just enough to not let go of jake, swollen eyes watching heeseung sit at the edge of the stairs. his body is struggling to stay upward, he wobbles and sways. his eyes not able to stay open. he asks you if you could drive them to the hospital, in hopes that there is still time to save them. 

you don’t take the risk of losing the only family you have left, so you do what he asks.  

 　time passes by in a blur. you end up back at house a day later to take care of layla. jake and heeseung are still in the hospital. you don’t know who will recover or die first.

when you return to the house, you do all the things that jake would normally do. you take layla outside for a walk around the house. you make sure she has food and water. you make yourself a meal that will be left untouched. 

and then you trudge up to your room and you crawl into the blood stained bed. you attach the metal cuff to your ankle, and lay there in silence. you think of praying but end up crying yourself to sleep instead. 

the first man you knew to really sin, not just true nor venially but mortally sin, you can’t help but want to wait for the return of. to be damned with him may be his punishment and your fate, but whatever happens is in gods hands now. maybe it doesn’t really matter anyways because you’ll be his attic angel, always.

© fangel ┊ do not copy, repost, modify or translate my content ໒꒱ ‧₊˚ — feedback and reblogs are appreciated 🗝️ !

꒰ tags & those who asked for part 2 ⸝⸝ if you want removed lmk ꔛ @nshmrarki @enhalxvr @jaengwon @taeminsboogers @beomsdoll @immelissaaa @pshfan0812 @supershy3 @hauntsoul @jenniferecand @randomanothercreature @numnomn @en-heedeungie @hwasangel @thatonedaragirltho @hooneverse @maliakealoha @kon-ss @laybensu @whateveridontcaresheesh @strawberrynull ꒱

[violenteconomics]

for cater diamond, it starts like this:

cater diamond is made up of lies.

his hair and outfit are designed to give off an air of carefreeness, even when his heart is tearing his chest into ribbons, perfectly planned down to the tiniest wrinkle. he runs all of his words through his head over and over before he says them, navigating every interaction like he's trying to get the perfect run in a video game (and idia would probably appreciate that metaphor if he heard it, maybe cater should bring it up to him, see how it makes him tick—). even his smile has been meticulously manufactured, every little twitch and idiosyncrasy based on the influencers he sees on magicam.

not that anybody really knows about any of this, of course. he's a professional, after all.

all of that to say that cater is a good liar. a great one, even.

one day, ace walks into the kitchen with serious bed-head, yawning and rubbing his eyes.

cater is leaning against the kitchen counter (looking just ruffled enough to appear as if he's just woken up, but still put-together enough to keep up the chill senior persona he's spent the better part of two years cultivating — a look he's mastered after watching the first ten seconds of neige's "morning routine!" video on loop) when he sees the red-head shambling in.

he smirks (corner of his lips tilted 42 degrees up, eyebrows slanted approximately 12 degrees down) and leans his head against his hand. "what's up, sleeping beauty?"

"good mornin', senior," ace grumbles, sounding way too pissed off to actually mean it.

that's what cater likes the most about ace and deuce. they don't feel the need to mask as much as everybody else does in this school. if they have feelings, they'll let you know it almost immediately — ruthlessly in acey's case, and involuntarily in deucey's case. either way, it's kind of cute.

and refreshing. even cater, social butterfly extraordinare, gets tired of analyzing every little bit of somebody's mood and personality and conversational style, in attempt to weaponize them as he tries to achieve the perfect outcome everytime he talks to someone. after two whole years of trying not to trip over any of riddle's landmines (which were actually just his hundreds upon hundreds of trauma responses, as it turns out), cater would've sworn off talking to anybody for the rest of ever if he weren't more of an expert at deceit than that.

it's easy to talk to ace and deuce, comparatively. if they have an opinion, they make it known, even if it's not night raven college-approved. they don't care about what anybody else thinks. for someone who cares about what everyone thinks at all times with no limits on when, where, or who, it's certainly a novelty.

they're different — but cater likes that. they're emotional. they're understanding. they're great underclassmen, even if they don't realize that (and probably never will, because cater's definitely not gonna say anything about it).

cater scrolls through the "#diybreakfast" tag on magicam to hunt for a cute breakfast place he could snap pics of for some more views. "so how'd'ya sleep? deuce didn't try to wrap you up in his 24/7 study sesh, did he?"

ace puts a hand on the back of his neck and groans. "i slept fine. kept waking up because of deuce's loud-ass chewing, though. seriously, who is that noisy when they're eating blueberries?"

cater laughs and pretends the conversation is over.

pretends he didn't notice the way ace hesitated for the briefest of moments before answering cater's simple question.

pretends he didn't notice the way ace rubbed his neck a little too hard to be casual, as if cater didn't use to have that exact same habit whenever riddle took his collar off of him.

pretends he didn't notice the tiny stutter in ace's "i slept fine".

(pretends he didn't say the exact same words, practically verbatim, every time trey asked him if he slept well during their second year at night raven college.)

(because he's supposed to be the unbothered one. he might actually crumble into a pile of misery if he has to let go of that idea.)

(maybe it's the same for ace, too.)

(it might be fake strength, but it's something to hold onto, nevertheless.)

because nobody else would've noticed that. nobody else craves validation so much to even bother. so if he's pretending to be cool and self-assured and confident and everything else that he's not, why would cater?

"damn it, we're out of cereal." ace groans, slamming the pantry door shut with a bit too much force.

the worst thing about being a great liar?

it's incredibly sobering when you meet someone who is almost as good as you.

I am in dire need of more of that AU that The First years get The upperclassmen toxic traits,i realy want more of It,like;

A way to include octavinelle and scarabia,maybe like,3 First years(Ace,deuce,Jack) get some of azul's toxic traits,other Three(epel,ortho and sebek) get Jamil toxic traits and yuu get both

Second thing

More reactings please,i NEED The staff,ALL The dorms and even the relatives seeing The First years developing those toxic traits,the overblots+Trey and cater for deuce getting their toxic traits right back at their face i beg you🙏🙏

anything 4 u, baby.

(but for real, though, this is an AMAZING idea, love you so much for tilling the ground for my brainwormies, mwah mwah 😘)

(also, this might get REALLY long, so hang tight!)

it was just a seed at first — a tiny idea that stuck around despite the first-years not even realizing it was there. but as the poison from their actual housewardens starts to develop into something truly deadly, so does that seed. it shows up later... but it makes itself known nevertheless.

ace, deuce, and jack have all worked for azul at the mostro lounge at one point, and though it was a very brief moment in time, it was just long enough to worm its way into their heads.

it starts with ace trappola, who's already pretty slippery with his words. but working at the mostro lounge, taking subconscious note of all the underhanded deals azul is making, he starts to pick up new... skills, let's say.

it starts small, with ace starting to give out certain favors to his fellow freshmen to earn some money. if you give him ten thaumarks, he'll do one of your everyday chores for you — dusting your room, cleaning your bathroom, making dinner, what have you. if you give him fifteen thaumarks, he'll do your homework if you don't feel like doing it, or take class notes for you if you don't feel like showing up. if you give him forty, he'll help you with something less-than-moral and definitely against the rules (he did it once back at the atlantica memorial museum — he can do it again).

there's an obvious power imbalance in all of these scenarios, but ace effortlessly words in a way that makes it seem like it's a win-win situation, when in reality, it's more like a zero-sum game.

it gets to the point where ace builds a black-market sort of reputation, and all of the freshmen know that if you need something done, ace is the person to go to.

...but then, something shifts.

at some point, ace starts a black-mailing campaign for the people who paid for the forty-thaumark favor. if you don't want your secret — one that might get you expelled, suspended, or worse — getting out, then you can pay for ace's silence with a favor or more money.

the worst part is: there's no way out. if you try attacking ace, it'll seem like you assaulted him for no reason, since if you try to explain he was blackmailing you, you'll have to tell them what he was blackmailing you with, which you obviously can't do — or else what was even the point? the same rule applies if you try tattling on him to one of the teachers or the housewardens or anybody else. and ace is a better liar than most people will ever be in their lifetime, so it's a losing battle even if you do manage to get someone to take your side.

so if you want to cross the bridge, my sweet, you've got to pay the toll.

(it's not even about the money anymore, really. riddle's thirst for control and azul's desire for recognition have clashed inside of ace in the most violent way, and now, it's all about the power it gives him over other people. and after how powerless he's felt this entire school year, being thrown left and right by overblot after overblot with no say at all, this is a power trip he never wants to come back down from.)

but ace realizes he's making quite a few enemies with his little money-making strategy, and he needs someone to help him just in case someone does come up with a plan to wipe him out. i mean, just look at azul — even with all of the loopholes and leverages in the world, even he was taken down eventually without outside help. if he wants this to last as long as possible, he needs... incentive for people to listen to him.

his own jade and floyd.

his own red-and-black collar.

using his riddle rosehearts-born dominance, and taking advantage of deuce's trey-and-cater-born passiveness, ace convinces deuce spade — one of the strongest people he knows — to help him in his economic ventures.

and deuce, seeing this as a way for ace to vent some frustration and unwilling to be on the other end of ace's ire, hesitantly agrees.

he doesn't piece together that ace is acting suspiciously like azul, but he still recognizes his own role in this whole scheme. ace is running a business, right? and deuce has only ever worked in one business before. he remembers what jade and floyd were like back when he worked under them, and so he uses that experience to inform his new position.

deuce becomes known as ace's right-hand man. he'll hunt you down if you don't pay, and he's not afraid to use force to "compel" you to. there have been stories about cat beastmen getting thrown up into trees and being left there for hours. about students getting forks "accidentally" thrown at them in the cafeteria with such precision, it doesn't really feel like an accident. about a student with a spade on his face who can throw back any attack sent his way with just as much force.

and there's nothing you can do about it, because he's in service to someone who has made himself pretty powerful. ace's silver-tongue gets deuce out of any and all trouble he inevitably finds himself in — and is ace is so brutally honest, why wouldn't people believe him? so even if you try to do something to deuce, ace has his back no matter what — and he'll win almost every time.

you mess with deuce, you mess with ace, which is already bad enough. but if you fuck around with ace, you better be prepared to find out with deuce.

they're a pair — that's always been true. but never before has that fact been so threatening.

jack howl comes next. we all know how much jack despises octavinelle's business model. but, begrudgingly, he will admit there are a lot of things he can learn from octavinelle. and more knowledge is never bad. as long as he doesn't actually use it, it should be fine.

(jack is more dangerous than ace and deuce, in a way — his toxicity is insidious in a way it just couldn't ever be with them.)

with excellent hearing, eyesight, and memory, he silently keeps note of every bribe he hears being taken. every lie he knows is being told. every mistake that gets swept under the rug. it's not long before he starts actively looking for it. it's not long before jack's uncovered dirt on almost every freshmen in school. it reminds him a bit of his time working at the mostro lounge. but instead of memorizing orders from customers, he's memorizing all their dirty secrets.

it's to protect himself, jack reasons. after all, it was only his input that put a stop to leona and ruggie's plans back during the spelldrive exhibition. he's just... preparing for another disastrous event, that's all. it's just precaution. insurance.

if it's not, then he'll have to accept that leona's overblot bothered him more than he thought. that he was weak enough to let it.

(and jack can't face that yet.)

and if, once in a while, ace comes to him looking for a little bit of information, then well, that's just lending a friend some advice. nothing wrong with that.

epel, ortho, and sebek don't have any direct ties to jamil, but they are certainly... impressionable, aren't they?

sebek zigvolt is a bit dense, certainly, but even he can see how well jamil takes care of his master. and with a master that's as ditzy and forgetful and all-over-the-place as kalim, that can't be easy. even if they are merely humans, and their experiences can't even begin to compare when it comes to serving a fae prince, sebek reckons that he can learn a thing or two by observing them. so that's exactly what he does.

one day, when kalim spills food on the floor in a hilariously ridiculous move, sebek notices something few others ever would. jamil gives the tiniest twitch of annoyance — the same way silver, in all his stoicism, often does when sebek gets too loud — but then he's back to being perfectly dutiful and polite and says "i'll go get a napkin."

it's... admirable, honestly. sebek doesn't put it into practice right away, but it stays in his mind long after he first sees it.

and then, after malleus's overblot, sebek's emotions feel like they're on fire. after being stuck in a world where it took just the tiniest crack to shatter a perfect illusion, he's wary of nearly everything that disrupts his day. now every single slight against him, no matter how unintentional it may be, feels like a personal attack on his very life. but sebek can't show these ugly emotions so outwardly — that would be dishonorable behavior that could damage malleus's reputation. instead, he resorts to subtle methods that can't be easily traced back to him like putting in frogs in schoolbags and setting brooms on fire or replacing shampoo bottles with tar.

but his repressed feelings of anger start to build to the point where he's now feeling unprecedented resentment towards... well, almost everybody.

when sebek has very first negative thought about malleus in history class — "reckless bastard" — he instantly hates himself for it and throws up then and there because how dare he.

he tries to shut them out, but the more he does, the more these intrusive thoughts start to bombard him with their uncharacteristic cynicism.

he looks at lilia from across the breakfast table, and his first thought is: heartless liar.

he spots leona lying in the botanical garden and he thinks: brainless cretin.

he even sees jamil, walking through the halls, and his mind screams: manipulative bitch.

but sebek shoves it all down because he's in no position to say that. it gets to the point where he's walking around as a silent, unfeeling husk, because to be anything else would be like inviting his inner demons to visit him on the outside. he pushes his emotions down as far as they'll go, and that's just going to have to be enough to get him through the day.

ortho shroud begins to follow a similar principle. his idia-inspired pessimism has led ortho to see others as less like people and more like characters. it's easier to think of every school day as a dungeon in an rpg. it's easier to convince himself that the other students are taunting him because they're programmed to be that way than face the reality that they just don't like him.

but the problem with seeing life as a video game is that you start seeing others as just ways to complete your objectives. like npcs or maps.

and when it comes to using people, jamil viper is king. or, for ortho's purposes, the ultimate survival guide.

ortho shapes himself into a model night raven college student — kind, charming, and sweet for the teachers, but just mischievous and rude enough to still fit in with the students.

he goes to housewarden meetings with idia to "gain leadership experience", taking notes and hearing out of every single little idea he can get his hands on (these are the people who have not just survived, but thrived. they must be doing something right). one time, riddle even pats his head and praises him for his proactiveness.

his classmates adore him for always been willing to help and being so calm about even the worst outcomes.

ortho makes himself as available as possible to the rest of ignihyde, brushing off homework or studying to help them with whatever they need — fixing game consoles, wiring in controllers, checking the internet connection, et cetera.

eventually, everyone believes in him almost as fiercely as scarabia believed in jamil, once upon a time.

ortho doesn't like telling all of these lies, but it's necessary to protect himself. it's like grinding to earn coins until you have enough money to buy that special armor in the shopkeeper's store.

...or maybe it's more like those cheesy dress-up flash games ortho used to play all the time — fleshing out the perfect outfit and hairstyle and makeup that'll earn you the most points.

if people feel like they need him, he'll be able to breeze through school without any more problems. he's put the whole system on easy mode! it feels a bit like cheating, almost.

it is like a game, isn't it? it's fun.

(at some point, ortho forgets how to stop.)

as for epel... well, he knows that his sudden snappish behavior towards the other pomefiore students won't go unnoticed for too long. but this is one of his only ways of venting, so he needs it to go under the radar long enough for him to... to squeeze out all of this sudden venom that's built up in him.

epel's not oblivious. he knows how sebek and ortho have changed over the weeks, and he knows why. but epel can't pull off "repressed" like sebek, and neither can he suddenly turn into the best person ever like ortho. but they do have the right idea about taking inspiration from jamil, so epel can fall back on what there is left: gaslighting.

every time kalim blacked out, jamil blamed it on him being sick. every time someone thought kalim was being awfully uncharacteristic, jamil called it a "mood swing". every time someone asked jamil about why kalim was acting so weird, jamil claimed ignorance.

at least, that's what yuu tells epel.

and it's perfect.

so now, every time someone confronts epel about his overly critical behavior, he lies and says he's doing it for their own good. you need pressure to make a diamond, after all. and besides — vil won't settle for anything less than absolutely perfect.

("i'm just trying to catch your mistakes before he does. and i think you and i can both agree that i'm a lot nicer than he is about it.")

every time vil confronts epel about all of the complaints he's been hearing from the other students about how epel's been tearing down their ideas for outfits and hairstyles with no mercy, and disregarding all of their achievements as "not good enough" to be proud over, epel dons a confused face.

("vil, between studying for tests and the crazy physical regiment you have me do, i barely have time for myself. you honestly think i have the energy to criticize other people?")

epel even starts turning people against each other so they won't focus on him. epel subtly threatens to take away the upperclassmen's position in the hierarchy, which sets up the other underclassmen as a threat, and epel grouses to the underclassmen that the upperclassmen look down on them for not living up to pomefiore standards, under the guise of regular teenage bitching.

but all of this, combined with their self-entitlement, leads to a mini-war in pomefiore. but since this is, well, pomefiore, where being perfect and poised is the standard, the others make sure never make it obvious in front of vil or rook.

epel plays everybody like a fiddle, and ensures that none of it can be traced back to him. it's a good way to get out his frustration. and hey — it seems like everybody's upped their game along the way. vil seems pretty happy that everybody's improving in their efforts so greatly, practically overnight!

epel wakes up with a feeling of accomplishment everyday. for once, it seems he did something right.

now if only rook could stop looking so somber...

then we come to yuu, whose inner darkness has been left to fester all year. if people think they can treat them like a ragdoll, it's only fair they do the same.

there's a lot yuu doesn't have, but one thing they're really lacking is a bit of respect. that's what it means to be magicless in an arcane academy. you're at the bottom of the food chain.

and look at what a bit of self-interest can do for you! yuu studies in the library until late into the night, burning the metaphorical candle at both ends, learning everything they can about magic until they're more well-versed in it than most students in the school. yuu starts making potions that aren't nearly as good as azul's, but they're cheap and work well enough. they start making study guides for others with their new-found knowledge, even if they do bristle with the fact that a damned study guide is what caught them in azul's tentacles in the first place. they start learning anything and everything, clinging to whatever scraps of knowledge they can write down.

with this, they successfully make their case for why they should join ace and deuce's business. eventually, they're just as feared as they are among the other first-years.

but that's not enough for yuu. the power of fear is nice, but the power of controlling other people would be much more cathartic.

so that's what they do. while ace is more focused on monetary gain, yuu uses their mountains of blackmail to convince others to do whatever they want.

if crowley throws another ridiculous task at them, yuu simply hoists it off to somebody else to do. if ramshackle dorm needs a few repairs, it's only a matter of contacting a few people before a whole construction crew paid off by somebody else comes knocking at their door. and they'll do it, if they don't want to get kicked out of the school or have their reputation ruined.

but somehow, even with all of this, yuu sets themself up as the nicest out of their little trio. they're willing to let payments slide from time to time. they listen to their clients' problems. they take constructive criticism and always seem to improve in their potions and study guides based on feedback. and if you do do yuu a favor, they'll give you certain favors right back.

so even when yuu is a covetous, greedy, all-consuming shark, the students still think they're so very, very nice. because compared to ace and deuce, what else is there to think?

but this can only go on for so long. and yuu knows that.

one day, they get called to the headmage's office. yuu is already going through their contact list — a list that's quadrupled ever since they joined forces with ace and deuce — to see who'd be willing to do them a teensy little favor for them, but when they step through the door, they pause.

inside the office are all the housewardens, their vices, the teachers, and everybody else yuu has grown to know over the past year.

yuu narrows their eyes as riddle steps forward.

"yuu," riddle starts sternly, "from one housewarden to another, i believe we need to talk."

^

(i will address everyone's reactions in a reblog, because this is honestly getting really, really long, lol. but don't worry, the reactions are coming! 🥺)

(but i should mention that there is already a good reblog of the original post by @thenumberhuntress which addresses the upperclassmen's reactions that you can find here. go read it. it's peak.)

(once again, thank you for the great ask! this was fun to make!)

[anakinstwinklebunny]

hey, so this might be kind of unusual/weird for an Anakin request (? more like a wish tbh), but I'll toss it in here in case you're interested or find this one fun

a fluffy (mostly) sfw thing about AOTC!Anakin who's gotten somehow teleported in y/n's reality (modern AU) having bonded with y/n over their time trying to figure out a way to get Anakin back safely

basically Anakin giving words of encouragement and appreciation and hugs and kisses to a person who's done so much to try and help him with this completely absurd problem even among the stressors of her own daily life that still goes on in the background

like a cute moment of the two just chilling one evening and him thanking her for everything in the best way he knows

+ canon typical awkward flirting maybe 👉👈 because he is kind of crushing on y/n, isn't he

Whenever you turned your gaze towards your window, all you saw was a soft, dreamy purple, streaked with gold while the sun slowly sank beneath the horizon. You and ANAKIN SKYWALKER were sitting side by side on the couch, in such quietness and calmness that was too often a rare moment in your life ever since he'd stumbled into your reality. On your lap you held your tablet, scrolling through forums and articles with furrowed brows, hoping to find literally anything that could help

"You're too good at this," he said suddenly with voice warm yet low.

your lips curled into the softness smile "Too good at what? Staying up late to doom-scroll weird theories on the internet?"

"No," he shook his head, golden, short curls catching the light. "Too good at... everything. You’ve taken this insane situation and somehow made me feel like I’m not a complete disaster for being here."

You laughed softly, nudging his shoulder with yours. "I don’t think you’re a disaster, Anakin. Well… maybe not a complete disaster, anyway."

He chuckled, grin boyish and bright yet his expression so quickly softened. "I mean it, though," voice quieter now. "You didn’t have to do any of this. You have your own life, your own worries, and you’ve still gone out of your way to help me. You didn’t even freak out that much when I told you I was from… another galaxy, another time.." his thumb nervously digging into his second finger

You shrugged, a teasing smile playing on your lips. "I figured if I could survive adulting and terrible coffee, I could survive you."

His lips twitched in amusement, yet his gaze stayed on you, uncharacteristically serious for someone like him "You’ve done more for me than anyone has in a long time. I just... I wanted to say thank you. For all of it."

His flesh hand brushed over yours, fingers curling tentatively around your skin, bringing it closer, to his lap, his long fingers stroking over your knuckles or the palm of your hand in repeat motion

"You don’t have to thank me," your tone soft, eyes gazing straight into his ocean ones then back at your connected hands "I couldn’t just leave you to figure this out alone. And besides…" you hesitated, suddenly shy. "I like having you here. Even if you do steal my phone charger and complain about modern plumbing."

He groaned dramatically, rolling his eyes and immediately letting go of your hand to highlight his sudden state even more "You wound me, angel. I only complained once.." when you offered him a sceptically raised brow, he added "all right..twice"

You shook your head, laughing not so loudly. "You’re impossible."

"And you’re amazing," he countered without thought, only causing his ears to flush a faint pink. It looked like he was just caught red-handed, as if he may take it back, yet, he kept going nervously, shyly "I-i mean it. You… you’ve been a lot of things to me, but most of all, yo-u’ve been kind. And I, uh...i won’t forget that."

Before you could reply, he tugged you closer, his arms wrapping around your waist in a hug that was both awkward and heartfelt. His chin rested lightly against the top of your head, and you swore the position wasn't the best, but being snuggled to the Anakin Skywalker, repaid everything.

For a moment, neither of you dared to say anything. Just being wrapped in his young arms, ear right where his heartbeat was settled, gave you a peacefulness you've been missing through these days. And of course, your nose couldn't help but pick up the faint smell of your body wash he had stolen this morning - men..

"Anakin," you murmured after a moment, cheek resting against his chest.

"Yeah?" voice hesitant.

You pulled back just enough to meet his gaze, hand still lightly resting on his chest. "You’re not so bad yourself, you know."

TAG LIST: @kingdomhate @divineani @haydensprettyprincess @skyguys-princess @catnipaddictt @heartscone @haydensbbg @inneedsoffanfics @jediavengers @literally-izzy @anisluvrgirl @slutforfinnickodair @xhunnybeeex @fuckmyskywalker @gallerygourmet @deceptiive @anakinskwkler @bimbo-baggins17 @cookybananas @emotionallybruisedx @diorvalentina @sevinax @throughparisallthroughrome @aniiuv @ritosparty @ninastyless @lily-strnlo @thesassypadawan @awhhayden @sydkneez @anisangeldust @l1ttle-misssunsh1ne

[a-dash-in-the-middle]

going to music places with only knowing the genre and liking new songs, and singing the ones i knew, and singing them badly bc i missed half the lyrics and not having an encyclopaedia of the genre in my mind bc i always liked the music and the pretentious pricks from serbian turbo folk to punk metal and grunge will not stop me from enjoying new things and knowing nothing about the band who sings it

[lucky-clover-gazette]

vent

did not expect kissing and realizing i’m lowkey dating a guy to send me down an existential spiral of reminding me that i have only one life to live and then i am going to die without living any other different lives

[daz4i]

my nephew drew me and my cat. and shadow the hedgehog. and he wrote my name n all (he only recently learned how to write properly from what i've seen)

[bmpmp3]

post ankle-twisting clarity

[dxxtruction]

///

[orcelito]

Remembering that a 4 hour psychological test means 4 hours under the examiner's microscope. I hope they let me listen to music during a written test, but idk if that would defeat the purpose or not. I... really don't know what to expect tomorrow, and it's kind of making me a bit nervous. Lol.

[infizero]

im genuinely going to be INSUFFERABLE when chapters 3 and 4 come out like you have no idea.

[chartreuxcatz]

*blinks*

Bro, idk what I am.

[wereh0gz]

Issue 62 good

[maelancoli]

Writing Intimacy

i often see writers sharing a sentiment of struggling with writing kiss scenes which honestly bleeds into other portrayals of physical intimacy. i see it a lot in modernized styles of writing popularized by the recent trend in publishing to encourage short, choppy sentences and few adverbs, even less descriptive language. this makes intimacy come across awkward, like someone writing a script or clumsy recounting of events rather than a beautiful paragraph of human connection.

or just plane horniness. but hey, horny doesn't have to be mutually exclusive with poetic or sensual.

shallow example: they kissed desperately, tongues swirling and she moaned. it made her feel warm inside.

in depth example: she reached for the other woman slowly and with a small measure of uncertainty. the moment her fingers brushed the sharp, soft jaw of her companion, eliza's hesitance slid away. the first kiss was gentle when she finally closed the distance between them. she pressed her lips lightly to gabriella's in silent exploration. a tender question. gabriella answered by meeting her kiss with a firmer one of her own. eliza felt the woman's fingers curling into her umber hair, fingernails scraping along her scalp. everything inside eliza relaxed and the nervousness uncoiled from her gut. a warm buzz of energy sunk through her flesh down to the very core of her soul. this was right. this was always where she needed to be.

the first complaint i see regards discomfort in writing a kiss, feeling like one is intruding on the characters. the only way to get around this is to practice. anything that makes you uncomfortable in writing is something you should explore. writing is at its best when we are pushing the envelope of our own comfort zones. if it feels cringy, if it feels too intimate, too weird, too intrusive, good. do it anyway! try different styles, practice it, think about which parts of it make you balk the most and then explore that, dissect it and dive into getting comfortable with the portrayal of human connection.

of course the biggest part comes to not knowing what to say other than "they kissed" or, of course, the tried and true "their lips crashed and their tongues battled for dominance" 😐. so this is my best advice: think beyond the mouth. okay, we know their mouths are mashing. but what are their hands doing? are they touching one another's hair? are they scratching or gripping desperately at one another? are they gliding their hands along each other's body or are they wrapping their arms tightly to hold each other close? do they sigh? do they groan? do they relax? do they tense? are they comfortable with each other or giddy and uncertain? is it a relief, or is it bringing more questions? is it building tension or finally breaking it?

get descriptive with the emotions. how is it making the main character/pov holder feel? how are they carrying those emotions in their body? how do they feel the desire in their body? desire is not just felt below the belt. it's in the gut, it's in the chest, it's in the flushing of cheeks, the chills beneath the skin, the goosebumps over the surface of the flesh. everyone has different pleasure zones. a kiss might not always lead desire for overtly sexual touches. a kiss might lead to the desire for an embrace. a kiss might lead to the impulse to bite or lick at other areas. a kiss could awaken desire to be caressed or caress the neck, the shoulder, the back, the arms etc. describe that desire, show those impulses of pleasure and affection.

of course there is the tactile. what does the love interest taste like? what do they smell like? how do they kiss? rough and greedy? slow and sensual? explorative and hesitant? expertly or clumsily? how does it feel to be kissed by them? how does it feel to kiss them?

i.e. examine who these individuals are, what their motives and feelings are within that moment, who they are together, what it looks like when these two individuals come together. a kiss is not about the mouth. it's about opening the door to vulnerability and desire in one's entire body and soul.

[gaywineauntsstuff]

Dick Grayson:

*runs the titans*

*works for the league*

*has a day job*

*solo patrols bludhaven*

*solo patrols New York*

*on call 24/7 for regularly scheduled Gotham crisis(es)*

*training at least 40% of new gen heroes at any given moment*

*infiltrating the current annoying cult, corrupt gov, spy organization, company, mafia group, evil underground ancestral foundations of a city and random corrupt modeling industry*

*monitoring drug pedaling in 3 cities*

*emotionally regulating 80% of his family bc why would they do it themselves? Nah let’s just ruin relationships for fun -cough Bruce cough-*

* maintaining civilian cover*

*canonically does volunteer work*

I am beginning to think nightwing doesn’t have anger issues he’s just overstimulated bc wtf

Like Dick take a break what is this?

————

Dick currently working on infiltrating the mob, after 4 days of 6+ hour patrols bc bludhaven has no chill an Arkham breakout, a performance review at work that took too long, organizing a titans outer space mission, just got back from training Jon Kent: no one call me plz god no one call me I can’t do this I have so much work no one. Call me plz

*phone rings* -it’s tim

He could ignore it but last time he left Tim alone for a month the dumbass lost his spleen and decided a cowl was a fashion choice (equally bad in his opinion)

Dick picking up the phone with his non broken arm: yello

Tim: so I accidentally maybe got kidnapped and maybe also started a cult around the concept of Batman and I’m out of energy drinks. (All equally dire in tims opinion)

Dick popping 4 caffeine pills: shut up I’ll be there in 30 don’t DO ANYTHing.

—————

Jason: sooo I might be engaged to an alien princess

Dick about to pop a Xanax: tell me it’s Kori or at least in this galaxy

Jason: nope

Dick: …. Can it wait

Jason: she wants to eat me, their species is like a praying mantis knockoff but with space and mind control.

Dick: yeah okay give me an hour I’ll call raven

————

Damian: hello Richard

Dick: what did you do.

Damian: I have been kidnapped by my mother

Dick: again

Damian: I feel it would be redundant to say anything

Dick: …….. alright I’ll call the nearest flying hero be there in a bit… keep ur spine where it is Damian or I swear to god-

——————

Bruce: cult

Dick who just got done with an undercover mission: anddd?

Bruce: we need someone to infiltrate it

Dick: I swear to god I. will. hurt. you

Bruce: hnnnn

——-

Babs: I have… acquired a child

Dick who is fighting deathstroke : …okayyyy

Babs who is watching the fight: she’s a little bit … traumatized

Dick, dodging a katana: preaching to the choir

Babs: can you do your whole, human empathy and kindness tell me ur life story I have puppy dog eyes.

Dick: ….

Babs: you owe me

Dick: … one day I will delete all your numbers and disappear

Babs cheerfully: you know no matter where you go I can find you hunk wonder see you in 3 hours don’t die before then!

[capslocked]

PASCAL

male reader x karina & irene

part 1 of two roses, by every other name

28k words

It goes without saying that Karina’s reputation is flawless. 

Irene’s is remarkably not.

You're not even staunchly a romantic or anything. You just can’t be assed to manage the distinction between desire and distance. So when the dust settles, the best case scenario is the three of you going around telling people, "all of this is actually a true story by the way."

-

You don't need the extra helping of moody and foreboding, but the wind picks up enough to chill you to the spot.

It blows some of the longer, darker strands of Irene's hair into her eyes and she shivers, too, against the cold as she tucks it behind her ears. You’ve got both hands balled into your coat pockets, watching her pretend like she isn't about to say something you absolutely do not want to hear. Then, a sigh - the length of which is probably unwarranted. You can feel the frost on the air burning through your teeth as you face back out toward the taxi stand. 

It’s gotten late and you're still waiting on an empty cab - you’re realizing there was never a conversation to be had in the first place.

“For what it’s worth,” Irene says, and there’s an indecent proposal just in the way she glances at you. “I had my eyes on her first.”

It’s all on account of some sort of moral quandary, or whatever nonsense Irene pretends to believe every time it comes up. A gross power imbalance; an issue of innocence and entitlement; a threat of abuse. Something, another thing, patriarchal expectations, blah, blah - she fudges around the details, but never ever cares who gets hurt. Not really.

And it’s doubtful Irene believes what she says, not to mention she’s skeptical anyone is even capable of zipping their way down Karina’s denim, working a pair of hands up the contour of her long legs, and making her pant and gasp hard enough that she forgets to breathe.

Well, supposedly - that is anyone, save the two of you. Nevermind the fact she’s always, always been off-limits.

The bottom line is she's a whole decade younger than either of you. This just for starters - only legal for alcohol by some narrow margin. Because between you and your fiancée there are all these rules: no coworkers, no labelmates, no close mutual friends, no personal assistants, no jealous ex-lovers, and absolutely none of her juniors. It’s in poor taste, among other things.

Also, just as straightforward: crossing any number of those lines has its own kind of appeal.

"Okay,” you say, “then maybe you should be the one to tell her we’re taking her home."

Irene's arching her eyebrows at you like a silent rebuttal. She smiles after a laugh, quick and easy, because it's what she's good at. It's what she knows. “Like you weren’t hoping she’d be here, too."

The ash Irene taps off the end of her cigarette falls to the ground like snow. Hitting the pavement as if it might punctuate the thought. That's a rare first mistake from someone like you, and then a second one from her: she thinks she’ll need to defend herself with an explanation, like she’d ever need to justify anything to you.

“Besides, she’s not waiting for me to ask.” There’s a curl to her mouth - and then, she adds, for your benefit, "she'd follow you anywhere."

The twisted irony is that the two of you could pick up any woman, anyone at all.

"I think it’s a discussion for another day," you tell her, serious. She laughs out loud.

"Which one? Who Karina wants, or that you're aching every bit as much as I am to spread her out on our bed and fuck her? Because I'm pretty sure we can both agree that at this point-"

Your palm curls around the nape of her neck with a touch of on-your-feet-thinking: one of these moments that lets Irene sit with the knowledge of how small she really is against you, her head against the collar of your coat, chin angled just so to look up at your face. And there's only a beat that passes between your fingers in her hair, tugging gently as her hand releases to your waist, her teeth clipping against the press of your lips, before a cab pulls up right next to you. You kiss her hard. It probably looks cinematic.

If for nothing other than to give Karina one less thing to overhear when she comes back outside to join you.

"Really not the time," you whisper right into the subtle twist of her grin. Her cigarette's gone out in the snowy mess, but Irene smirks deeper in response before throwing it onto the wet concrete. She grinds it beneath her boot like a reminder, her hand still firm on your hip.

"What, you don't think it’d make her day? Don’t think she'd want to hear all those kinds of thoughts running together through our heads?"

You pull Irene in closer. “She’s not you.”

-

For context - only so you’re aware how it all starts - it wasn’t actually New Year’s Eve, even though everyone had been drinking like it were.

Also for context, it’s not something you were strictly invited to either. Irene’s company holds this holiday party at the end of every year where all of their employees show up (read: idols; Irene likes to argue about work sometimes - to which you have never contested the value of her labor - but your brain tends to fuzz out in the middle, and instead you mostly just watch her pretty mouth in motion). All of the high-up executives and department heads bring their uptight wives and girlfriends to some restaurant ballroom for a cocktail reception that only really functions for name dropping, or influencing the media, or placing side bets on who is sleeping with the CFO - or whose mistress might show up unexpectedly and meet someone's wife face-to-face for the very first time.

It happens to someone Irene knows, once. You pray every year it will happen again.

Be that as it may, there are a plethora of other terrible ways to spend an evening and a half, but it’s all laid bare in Irene's contract - attendance being mandatory; enjoyment excessively optional.

And sure, it’s taken time, but you have gotten used to it: the industry, all of its excess, the inevitable display, the million and one things required of Irene that you, on the other hand, will simply never be able to relate to.

The machine’s so fine-tuned and tightly wound, like clockwork.

"Yeah, whatever," she had said, leaning her hip against your bathroom sink earlier in the day. Her dress laid out neatly across your bed, already pressed, set with her heels and jewelry, everything set on schedule to the point of absurdity.

And so it goes.

You can hear her brushing her teeth through the open door - and see her profile through the hand-swiped-fog on the mirror. She drags the toothbrush to the corner of her mouth: "And before you even ask, yes, you have to come. That's the deal. That's always been the deal - bored, or busy, or trapped talking to some social climbing board member who’s realized the liquor flows fast and free - I don’t wanna hear about it. You’ll be there."

"Uh-huh," you say, eyes fixed on her reflection in the mirror.

"Look, I hate to be the bearer of bad news,” she adds, spits, and lets the faucet run, “but this one’s shaping up to be a really long night.” 

You watch the meticulous effort to pull her dark hair back into a low, neat bun as she turns and comes back into the bedroom, tossing her hair clip onto the bed to reclaim later. 

“So I guess, pace yourself or something.”

"Ever the salesman, Irene," you say, facetious.

"Um, saleswoman, thank you." Her words are slightly muffled by a silk tank top pulled on over her head, then down the flat length of her body until it hits the tops of her thighs. 

It’s not a matter of opinion that she'll look gorgeous in the stilettos, the dress - those earrings that catch light wherever it dares touch her. She'll smile her practiced grin. It'll probably taste sour after the hundredth person asks how long it's been and she tells them she can't remember. But then look - Irene here, still perfectly disheveled: her damp-darkened hair sticking to the porcelain skin of her neck, skin washed free of makeup. She’s beautiful. In a plain and simple way, simple-but-good. Even with the tight little scowl she shoots your direction. It’s a look she has to know could launch a thousand ships; could start a real, actual war; though you're far too charming to know how to fight - you’ve never seen the appeal.

Irene's teeth tug at the corner of her lip like she knows you'd probably end up dying in it. She puts forward this unassuming, nonchalant, “hey.”

She muses it right into a laugh. Covers her genuine smile with her fingers.

"Hey," is how you answer, always.

You’re noticing, now, the strap of her top has fallen just down the petite slope of her shoulder. You want to get your fingers beneath it. Maybe get her back in the shower. You’re never too picky.

And here: an unspoken demand, the thing that always gets you about her - while Irene stands in front of you, her finger looped between the top buttons of your shirt to draw you close. The bow of her lip perked ever-so-slightly, this soft pucker - all pretty in pink. "Before I slip into this dress, you’re going to push me against something sturdy and kiss me until I'm dizzy," she instructs, calm and methodical.

"A lot," you continue for her. You nod seriously, for a moment. "Dizzying."

She closes her eyes and leans in, and you lean into her, too. "Yeah, exactly," she ends up murmuring under a hot breath. "So, get to it.”

And so it goes, and so it goes.

-

"Have a drink," someone keeps saying.

As a matter of fact, they all do: four shots together - or one old-fashioned, or two vodka seltzers, or three of these mystery concoctions that come in a tall-stemmed glass you didn’t actually catch the name of, and jesus, it fucking reeks of prosecco. You pace yourself, within reason. You really do.

Irene gets elusive under the surface, which is to say, she doesn't change at all - not even at the edges.

And though everyone is here to be seen, only a few actually do any of the talking. Irene has it covered - you do your time.

Happy New Year, sorta. You wait it out.

-

She tastes like everything sweet, strong on her heels and sharper on her tongue - and sometimes, it’s not the best mix, given all you can manage is the touch and scent of Irene without actually getting at the insides of her thighs or that tempting stretch of skin under her ear, her neck, down to her chest.

This much, and she has no complaint - hardly seems surprised or inconvenienced - to you stepping her into the wall like it's a matter of instinct.

She just sighs, a short huff. "Don't miss these kinds of parties," she then confesses, right into your mouth, her warm exhale filling you whole. The sounds of people laughing and champagne glasses clicking nearby, a new song starting up, it's all an unnecessary backdrop, and Irene isn't distracted by a single bit of it.

Character, setting, scene; it’s all rather textbook, no? 

You know what the sounds mean, the soft hums, the lingering touches, the firm press of your palm into the dip of her waist or the slender line of her back. She knows where all the cameras are because she knows everything that anyone could possibly ever want to know, such as the fact that this empty stairwell is a perfect place to start, that there isn't a real plan as to where this might go - or when it should end.

And you should know where not to press - or bite or grab or leave a mark - not in some liminal space, nor some vacant practice-room, not beneath a desk, not behind a curtain. No, not here, cloaked in shadow and secrecy, another scandal in the making. Not that the knowledge stops you from testing out the lines, from drawing little patterns up Irene's waist, slipping one hand along the barest skin where her dress has hitched up along her thigh. To a boundary, the low pitch of her voice, some suggestion like, "not here, are you serious?" mumbled across your lips like it really doesn't matter what gets said or does not.

She’s pinned so properly, so precisely, that the discord between her gentle coaxing, and your hard, bruising edge - that sheer incongruity between what you should do and what you should not - can make the adrenaline spike.

She kisses you harder - and harder, and harder. She catches the small sigh you let out. She kisses you breathless.

You can’t shake the feeling that you’re wasting an opportunity, given that you’re both dressed to the nines and are usually more homebody than anything else. Isn’t that the irony of fame? You sign up for an escape, and spend your life running away.

Irene eventually sinks back into the soles of her heels, wiping her mouth with the back of her wrist, and she smiles so easy. She tugs at the cuffs of your jacket, sets your collar flat and proper.

"I'm thinking," you hear her say, taking stock for herself, the flush high in her cheeks, the tousled sort-of-curls now bared, "in half an hour, if you feel like leaving early, we could, oh, I don't know - escape?"

Escape to a bed with a door that locks, you assume she means. Irene wants; you deliver - however she'd like.

“Sounds tempting,” you tell her. She laughs against your shoulder. "Are you waiting on someone else to sweep you off your feet, maybe? Another offer?"

"Uh, always," she scoffs. It's the little things, confidence, and certainty, the honest-in-practice; how her palms sit soft and secure, cupping the angle of your jaw, one hand, now, toying with the knot of your tie like she's contemplating just how it might fall off of you later. Irene shrugs, leaning her weight back against the wall.

She taps a finger to her lips. Ends up saying, very solemn: "Thirty minutes."

As if you had any intention of absconding without her.

-

Irene holds true to her word - she catches you on the second to last pass around the banquet room. Some executive with a slack mouth is just launching into what sounds to be a spiel about a merger - it's unimportant, not well-versed, so Irene sidles up to you, and immediately steals your attention. It doesn't bother you in the least. She curls her finger into the cuff of your jacket sleeve, and without really being prompted or asked - and only, probably, due to the clear discomfort she has being there with anyone else - she begins dragging you out of the room; you, her ticket out of hell.

"I'm so sorry," Irene dons the industry smile and is probably charming. It's difficult for you to tell. You follow her blindly. "So sorry," she tells someone else as you exit, just before you both disappear entirely, "We're leaving. But, we'll see you next year, promise!"

A real celebrity.

The two of you suddenly a duo - and for everyone’s safety, the way it should probably always ought to be - here’s how it’s all supposed to go:

You, standing almost amidst a bank of snow gathered at the curb, your coat fanned out around Irene, shivers racking up her slight frame. All hidden just enough that if anyone were to notice where your hand ends up arriving at the narrow of her waist, they might think: 'it's not really any of my business,' and look away.

Her, curled beneath your touch - even the single press of your fingers over the small of her back as a stranger pulls a car up to the curb; or, the pull of you that ensures the driver can't actually see what you're both up to, what you're hiding; the little reach she makes into your pocket for a lighter, smiling appreciatively as she presses her cold face to the crook of your arm, your jaw, the juncture of your neck; a safe space.

“So.” Irene will look up at you, pale moonlight gathered in her lashes. She’ll make another face: this thousand kilowatt grin or her brow raising - sharp, quick, there-then-gone. She'll turn the lighter over in her hand once, twice, and say, “how long has it been since we’ve done anything social?”

You’ll know it’s not what she means, but you’ll offer her the out anyway: "could go downtown - there's a place you've probably never been to. Might even play your style of music, if you're really lucky."

Irene will arch her eyebrow as she raises the cigarette to her mouth, lit up before you know it.

"Is that right?" she'll say, dismissive, a smoky tendril curling up over city neon and catching starlight.

You're no stranger to what’s actually being suggested - an unspoken sort of arrangement. All because Irene sees herself as being above, hiding her intentions in euphemism, tact; in long, slow drags; in lilting lashes - while she's fully and shamelessly aware there's nothing virtuous about it.

Who the hell else could make it sound dignified, pretty even: ménage à trois.

Then, you’ll do your part. You’ll help interpret: another girl, gorgeous and probably unclothed, another bad decision, or two, the three of you finding yourselves back in your apartment where Irene will not hesitate to run her tongue up the side of a sweat-glistened neck, to tilt her head and whisper out a mantra of, honey, sweetie, anybody ever tell you how good you look between a woman’s legs? Or, fuck, let’s get you out of those jeans, let me take you all in, how the fuck have we not gotten our hands on you before?

Which means the question you really ought to be asking sounds more like, “maybe we can invite someone over?”

You’ll meet her eyes as they flick up - a lazy expression, easy to read. "Bingo," she’ll say, blowing smoke and even more caution to the wind.

Almost to a fault, everything she does draws attention. Every fool with a blog and a camera posted outside of an event will have her labeled on-sight. You can already see the headline - because the only thing worse than everyone thinking you're the antagonist is looking the part. The imagery, red carpet, sexy evening dress, sultry, regal. The caption, Bae Joohyun - they use her government name like they really know her - sulking in smoke, or thirty flirty and thriving? below a thumbnail of her holding the cigarette, with your suit jacket draped over her shoulders. She's a total tabloid darling. Irene the temptress, or Irene, ice in her veins, or Irene - "How does she look so fucking gorgeous without makeup?!" or "Do I wanna hate her, or wanna be her? @RedFlavor_ROYAL," or "In every shot I feel like Irene has me staring into her soul."

Add that to the fact the girl’s utterly shrouded in myth.

Everyone running amuck with speculation; she's the girl-next-door, she’s the fantasy-in-real-life, she's someone everyone could see themselves fucking - she’s the heroine they say, the villain, the perfect wife, the one-that-got-away. They never do decide.

Though there’s only one opinion she’ll concern herself with, and only on occasion: yours.

Her fingers will come in the dark to trail feather-light from your collarbone, between the rise and fall of your shirt buttons, before pressing open palmed to your chest to still right there, and she's such a pretty thing in the plain black dress, all yours and very much in the mood - which you'll already have reason to know, in part from having felt your way around her no more than a hour prior, but also just the way Irene's been looking at you from beneath her dark lashes all evening, that subtle predatory gleam in her eyes.

You’ll hold her close. Irene will have the audacity to comment, “love you,” in this delicate little whisper, quiet like it could go either way - affection or gratitude. Maybe a touch of both.

A car will shortly arrive, pulling up to the curb with snow melting under its tires, headlights in your eyes, and then finally, in no particular order, your heart hammering: the click of the lighter, the falling ash, the sweet easy laugh, the crunch of ice under foot as she steps down beside you, the soft sweep of your arm.

You have no complaints about the proposal. A lack of argument or dispute is basically the same thing as consent, isn't it? For all intents and purposes, as a whole, it's really kind of a win-win:

Irene needs variety, which you're well aware of. It's only natural for someone who can have anything they want. And, sure, you happen to be a willing participant when it comes to satisfying the occasional whim.

So - the conversation will follow you right into the backseat of the cab, simply to iron out the details. 

“Tall. Beautiful. Soft, soft, soft - like cashmere, a luxury brand," Irene will have one heel off and her knee braced up into the back seat while the other leg extends across your thighs, fingers running along your coat collar to make idle circles against the exposed skin there. "Or, at the very least, someone with a little more bend to their character - you know how those prim and proper types always get a bit lost in you.”

"And wouldn’t you know."

It’ll sound smooth, probably. Irene will roll her eyes.

“So, okay,” you'll return to her, right after instructing the cabbie how to get to Irene's place. None of the implications here are lost on you. “You have anyone particular in mind?”

"Hm, I’m thinking."

You can picture it, roughly: Irene's whole body sunk into the dark corner of the seat - one leg idling over the other. Her foot bouncing at your thigh. She has her heels in one hand, earrings in the other.

She’ll look wistfully out the window; the intermittent flashes of city lights casting her face in different hues. The curve of her jaw; the stately line of her nose; her thick black lashes - composition and subject. It's this kind of attention to detail that the cameras scramble to pick up. It’d be better if they got it for the right reasons.

You’ll pull out your phone. Start the usual scroll from the top of your contacts. The girls you know, the girls you don't, the ones who might be awake or who definitely are, regardless of time of day or night.

Irene will finally perk up, gleaming.

Someone cute, she might say, only because she'd rather not admit, someone like me. There's limits to her vanity insofar as her taste - in all sorts of things.

But she does like the idea of it. Someone young and pretty and impressionable; someone naive, or tiny and helpless; it's never difficult to find the girl who will fawn over her - all wide-eyed and doe-faced the instant Irene floats her fingers across her collarbone, smirking - when she starts at the zipper at the back of her neckline and says, "we’re going to see how wet I can get you," without missing a beat. Someone who will eventually say please when Irene gets a little stern and tells her, "ask me what I'm gonna do to you," in a rasp so smoky that it would make the cigarette seem blasé.

But that, you suppose, is the nature of Irene. A touch domineering. A little more than just a pretty face.

She always takes, but she takes gently - a push here, a pull there, she knows people will give her anything.

It will be more obvious when there's a small voice trembling between the two of you, twisted up in your sheets and simpering with the gentle sort of affection that Irene deals so expertly: two fingers sliding up, pressing down. Curling, beckoning. Slow and tender, without giving up that she's looking for any soft spot; a weak point. Some vulnerability to exploit.

It'll be right after whichever plaything of the hour pulls her lips off yours, off the length of your fingers - or when she unfastens her mouth from the hard shape of your cock with an obnoxiously loud pop: "do you guys do this kind of thing often?"

And Irene, without even an ounce of hesitation, will rip right into the sheer of her stockings, letting out an aggressively casual laugh. She’ll plant a kiss somewhere deep. Say, "oh, honey," as she nuzzles into the crease of her thigh. "We're pretty new to this too."

Everyone, just - believes her. For the same reason you suppose they believe she's perfect. She’s good, really good at all this.

In the taxi, Irene's foot will continue to tap against your leg, until you're stopping her by covering her knee with your hand. As for now, the evening will remain all but written in stone. You'll run a hand through your hair, you’ll lean an elbow against the window - the whole while, ignoring the sudden itch between your shoulder blades at the thought of something else. At the thought of all the other girls who'll take an instant liking to her. Who wouldn't. 

The light will change. The intersection will empty. The radio will turn to static.

You'll eventually offer up a name like, "Jennie Kim," among others. Moving alphabetically down your contacts list. Taking you a long while to make it through the 'K's.

"Hm." Irene's soft hum of disapproval, non-committal. "Are you asking, or telling?"

The difference won't matter. "I'm suggesting," you'll say.

You’ll watch how Irene turns the name over in her mouth a few times before smiling - how she knows, there's the smallest part of you that has her held in a certain light. "Maybe," she'll say, tapping her phone against her cheek in the contemplation of whether or not this is a tentative no or a provisional yes - when really what she'll avoid an answer with is, "aren’t we a little tired of Jen?"

Tough to say.

Good, sweet, and just naive enough to get twisted up between you, in her case. Oh, Jennie’s the type of girl - you'll stuff your cock in her pretty little cunt while leaning into her, taking her arms and pinning them to the base of her spine, so she can't reach and can't claw and can't make an utter fucking wreck of herself. The two of you have known Jennie for too long, is what will strike you then. And a moment later, the idea of sinking into her ass from behind with your palm flat and warm against her hip and your voice husky and deep in the way she likes, and saying, god, fuck, Jen, you’d let me do anything wouldn’t you, you’d let me cum in here too.

And - she would, really.

She wouldn't even complain. Her face would be pressed so firmly against Irene's thighs, and she would whimper, not beg. Even though you know it’s what Irene might prefer; how it makes her look real cute - cheeks stained crimson as the syllables roll around her tongue before being forced out into the open.

"I think she's great," you might say out loud, lowkey.

And in a voice that is louder than strictly necessary, Irene will cut in: "she lets you finish in her ass, and then not even three minutes later she'll say it was the best lay of her life, of course you do."

It’ll make the cab driver clear his throat.

"What you’re saying is ‘no.’"

Irene will frown, thoughtful, but not conceding anything - perhaps she means hold onto that thought for now. If nothing else sounds particularly enticing, we'll call it a maybe. "I’m saying: Jennie is. I don't know."

You can hear the end of her sentence: not quite good enough. Not this time around, but someday, sure, someday soon.

"And for the record," Irene will follow, casual, with a dismissive hand wave. "Just because you got to her first doesn't mean she's ever liked you more."

The few that fall afterwards will never make the cut. Irene will turn them all down. Jisoo - no, sorry, look, she's so, so pretty, Irene will be trying to explain, gesturing in a way that's hard to interpret. "But a little too stuck up for my tastes."

You've been speaking in code for years. She means: way, way, way too straight.

"The blonde though," Irene will try right after that. “Daisy, or Lily, oh god something or another, what was her name-”

"Um, do you mean Rosé?”

“Yeah.” Irene will sink back into the leather, sipping down a memory or two and shifting her skirt up the top of her thighs.

You'll consider the angle. Your options: Rosé on her knees right inside the foyer of your apartment, Irene's hands wrapped tightly in her hair, controlling the rhythm. The way she gets her fingers spread under Irene's knees and draws her forward, pushing up with her eager, prying mouth - licks and licks, nosing against the heat of Irene's pussy until she’s gasping and locking her hands around the younger girl's head to steady the jerk of her hips.

Then, you'll laugh out loud. Because you know, Rosie isn’t anywhere close to straight enough. 

And the back-and-forth of what-ifs and could-bes will follow. An endless string, a laundry list. Where Irene makes a face for every name, every suggestion: too messy, or too innocent, or too sweet, or too boring, or not nearly shy or gullible enough, or whatever other bizarre caveat she finds to slot between all of her impassioned criticisms. The cabbie will be shaking his head at some point too, because the question hangs over the taxi at large: 

What exact criteria could possibly be good enough for the distinguished tastes and sensibilities of Bae Irene?

-

(The truth is: it doesn’t go like that at all.)

-

Enter then, Yu Jimin.

The run-in starts there, downstairs, out standing in a pool of warm, yellow light. The snow flurrying about in the glow of a street lamp - melting into where her smoothed curtain of jet-black hair spills over her shoulder and trickles down her sleeve. She looks a little cold, but not noticeably shivering. There's a red flush to the exposed length of her legs, between a pair of knee-high boots and the short hem of the coat itself. The stockings underneath offer little in the way of wintery protection - nor do the little bows that rest at the the bands of elastic around her soft, pale thighs - though it's obvious to anyone who's looking why she'd choose to wear them.

An assay into form over function. She's never cared for pragmatism.

But the lines around her are pristine, a clean-cut of shadow and substance; you take a step onto the curb, feeling yourself fall right into the foreground.

Look: you know Karina. You both do. Enough to recognize where it’s calmest before a storm.

Irene eventually calls out her name into the silence, and there is a split-second where her fingers reflexively wrap around the crook of your elbow. Almost possessive.

A car rushes by. Karina turns with her ungloved hand holding her cellphone to her ear and she's fucking gorgeous as can be, always pinning you with these big, unapologetic eyes - strikingly and somewhat deceptively innocent beneath her sharp brows. A breathy huff in response; she's otherwise unaffected.

Her shoulders shrug in easy dismissal; a quirk of the corners of her mouth. She slips her phone back in the pocket of her pea-coat. "Oh, how we all doing?"

Not for long, the question lingers.

"Fine," Irene finally replies, though her voice doesn't rise above a disinterested murmur.

"Easier, right? To fight for breath down here than it is up there," she says, pointing her gaze up high into the rafters of the building, and in a lot of ways, you realize, she's just like Irene - sweet, charming, this uncanny ability to make you think she's close, when she isn't actually looking to share anything. When she hasn't exactly decided that she likes you or anything at all.

You squint slightly. Take in where her silhouette appears darker against the backdrop of city lights, blending with the velvety black, bleeding into the ink-smudged night sky.

"There's certainly something to be said for flying under the radar at these things," she continues, taking one step closer towards you as if for comfort. Or privacy - to guard against anyone who might walk by.

"You've still got it easy," Irene says, "that, and everyone thinks you're too pretty to go after. No one even seems to consider the idea, it’s insufferable."

"Jealous?" Her tone is playful. There’s a smirk she’s suppressing - until she can’t hold it in: an unexpected, stunning smile, dimple and all. This incongruously kind face.

Oh, and listen, no one gets it better than Irene.

"No," Irene exhales, hot. “Not at all.” You can see where the thin plume of her breath hangs over her like a cloud for a moment, thinking, before dissipating against the harshness of a frigid December breeze.

"Really." She smiles at you again. Makes a sound that could be a laugh, you don’t know, the wind takes it, far away.

"Are you out here waiting for someone?" you have to ask. 

"Loaded question." Karina purses her lips for a moment. Her long eyelashes blink once, twice. "Because, I dunno, aren't we all?"

"Some of us more than others." Irene speaks quietly, moreso to herself than anyone else - but somehow her voice carries.

"Cheeky," Karina says, and this time she does laugh. "No. I'm waiting for a cab. I've had one hell of a night, and no interest in spending the rest of it in some rising socialite's bed, doubters excluded, because - look, I'm happy for you guys, I guess? You're gonna get married," she claps slowly, slow and mocking, slow enough that Irene rolls her eyes, "-or, the two of you will make a statement saying that you are - either way it sounds fucking exhausting - congratulations to you both. But seriously, congrats."

This is sorta how you've always known her. 

Faintly-hinted secrets, flirty half-truths. Her love life is an utter wreck, but that’s not something you’re supposed to know. So that's all she gives, which is more or less how everyone knows her. It's the only way to survive, probably, in a world of glitter and glamour, when everyone's vying to look, to feel, to take, and take, and take. Irene knows how suffocating it can be - she doesn’t lie about it, not to you, which is the only reason you're so well-versed.

Point being, no one wants to admit to any cracks in the fantasy; the gold too shiny, the surface too slick, the mirror too smooth for that illusion to slip.

"So go grab a guy with a half-decent smile and get him to buy you a drink about it," Irene suggests, derisive, "arch your back, push your tits out, get creative. I doubt it'll be much trouble at all."

Karina looks down, back up - with a slight chew of her lip, saying, "you just have me beat in all the important ways, I suppose. You got it in the bag, no real competition."

Irene is smiling, but her expression is unimpressed; it doesn’t mean much, really, to be her friend, her colleague, or worse, her opponent. Irene is calm like an evening in July, a low, cool, languid feeling. "I don't mean to be a prick, but, aren't you a little young to be so jaded?"

"Gosh," Karina’s grin doesn’t change, but does turn a touch wicked, like she's biting back. "I'd hate to be around when you do mean to be a prick, but maybe we'll find out - you know, down the line, someday.”

Irene tuts softly. It sounds patronizing. "Please, you'll have to forgive me - for mistaking you for someone more aware of how the rest of us work."

“You're one to talk, Irene."

“Careful,” Irene warns.

"What, you gonna set me straight?"

"Right." The way the word rolls off Irene's tongue, slow, thick, bitter, like molasses; like the coffee she has when she's tired, like the cigarette she swears left and right she’s cutting out and the vodka she needs you to reach for in the upper cabinets, like the person she is after midnight when you've let her keep drinking to find the limits to her inhibition. You understand Irene too well. And no matter what anyone says, you will not have the facts wrong.

There's no kindness to the way she laughs. None.

She tilts her head to you, grinning: an honest grin, her favorite thing - inimitable, unique, and hers alone; her version of cruelty is what will always have them doubting. You hold her gaze as she adds, "of all things, right now - wouldn’t you just love to set her straight?"

-

Depending on who you ask, you’ll get different results.

Irene insists you kissed Karina first, probably out there in the snow - god knows how cliche would that be.

She also insists that it was you who suggested that “there’s a lot more sense in splitting a cab,” and then minutes later, “please, it'd be no trouble, just let us pay. Our place is five blocks that way," and Irene - being Irene - mentioning it's actually quite a bit further, but hey, it isn’t worth splitting hairs over. And it's not worth explaining - she shuts you up with another kiss, pressing her weight hard up against you, the arm she slings around your neck.

Then in a sort of mythologized version of the timeline, it's you who makes the proposition - invites Karina upstairs, with the charm that Irene knows is usually reserved for her benefit alone: that slight tick of the brow, the delicate slant of your mouth, the confidence you seem to have in thinking no one will ever say no, no matter how brusque the invitation-

"You two are unbelievable. Is this really your standard procedure?" Karina asks, once you're through the door, or maybe during a bout of smalltalk in the kitchen. Something flirtatious; and suggestive, and maybe a little offhand. A pointed glance downwards, back up. All it really will take. "You get some girl into your home and they're just so overwhelmed and dazzled and in love, they can't even make eye contact for longer than a second? Because that's quite a line," a soft huff, the exhale that seems to carry the faintest note of a sigh. You could call it wistful. Just this side of romantic; very attractive.

“That’s more or less the gist of it,” you offer.

“You’d be surprised.” Irene is lingering on it, back against the counter beside you, laughing. "Some people are more than happy to be swept off their feet."

"Imagine that. If that's how this is meant to go, then tell me," and Karina lifts her chin, a breath drawn slow and deliberate, "what exactly do prince and princess charming do next?"

Consider that Karina’s interpretation of events is closer to reality: no pretense. She is not drunk, and in this story, she never will be.

But it's the slow-burn thing, the rivals-to-lovers thing, the sexual-tension-through-conflict thing, the white-hot-blistering-rage matter gone awry. Not a series of happy accidents, but a result of intentional circumstance - this slow arc of descent. She knows exactly how Irene is tightly wound, and which thread to pull to make everything start to unravel. She'd flirt with you right under her nose - say things in this obnoxiously girlish tone, pout a lot, lean into so much innuendo it becomes impossible to miss the meaning, or the sincerity behind it.

If you had to guess - Karina’s been pining since forever, since Irene accidentally etched her DNA into the girl upon saying, carelessly, that she’d always seen some part of herself in Karina. Probably around the time Irene wrapped a palm over an expanse of bare thigh, just beneath the hem of her skirt, telling her, you're getting way too pretty for your own good.

Doesn’t matter who you are, that’ll fuck you up for real.

And it's not just how she looks at Irene when she thinks no one is watching either; swings and roundabouts, Karina probably can’t keep the thought of you sprawled out over Irene’s petite little frame, or Irene kissing you hard while wrapped around you tight. Your hand, her hand, intertwined and picturesque, sliding down Irene's stomach. Together - and so very without her - fingertips stroking lightly over Irene’s clit, gently dipping inside her.

Irene is not stupid. She picks up on everything, and there's a lot to unpack:

"Can you believe it? Minjeong just asked me if I've ever kissed a girl before," Karina had said to you once, ages ago, between a workout or dance practice, something or another - she was wearing a loose-fit tank top and very intent on showing off. She seemed then to be taking mental note of the face Irene put on, the look of someone trying to hold in an aneurysm.

“Well,” you played along, because you’re not really without blame here either. "Have you?"

"Oh my god." Karina knew what she awas doing, the playful slap to the chest, the lingering touches she’d have on you every chance she could get - total fucking coquette - anything to get a rise out of you, your fiancée. She hushed her voice down to this strategic whisper that Irene could just overhear: "of course not."

You better believe Irene broke her composure not soon afterwards, after Karina made her exit. 

"Do not fuck her," she demanded, firm, "I don't care how good you think she might be in bed, or what she would probably let you get away with."

You remember the knit of her brow.

“Do not.”

You’re sighing, profoundly. The memory - not to mention its shocking clarity - has put a smug sort of satisfaction into your bones, indulging. The nip to Karina's jaw, a hot, open-mouthed kiss to her shoulder. A hand tracing down the curve of her hips, under the guise of helping her settle between the cushions of the couch. You feel like you catch the color flooding her cheeks. Then, Irene, her pretty little shadow: the steady presence over her other shoulder.

"What." Karina sounds defensive when Irene pulls her lips away, but the hand she has buried in Irene's hair doesn’t appear to be going anywhere. "Are we going to pretend for a minute I don't see the way you're both looking at me right now?"

"Don't be stupid, darling, of course not." Irene leans up close again. Kisses up her neck, behind her ear, and coos, "the two of us, you just seemed like you were needing someone, that's all," and then whispers the words, barely audible: "I mean look, who wouldn't want the three of us right now?"

Karina hums. "Ah, so - you think I deserve to have a little fun."

"Maybe," she draws it out a little longer.

Your hands dip below her knees, running over the silk-slick surface, tugging at the frills lining her thighs - feeling up over the outline of where her body curves under her dress. Over the dark pattern printed across the front.

Karina swallows visibly, her head dropping back against the armrest, the couch cushion; by the way she shudders slightly and starts breathing, you realize that it's probably been a while since she's had much experience being in a position this helpless. You draw your fingers lightly across the bareness of her skin, right as Irene finds that sensitive spot just where her neck slopes to her collarbone. You trace along the fabric until you have her squirming beneath you both.

She sucks in a breath as Irene drags a touch right over the obvious seam, across the expanse of her hip, and despite your fiancée being a tad forward -

"Both of you should know I'm not that type of girl. Who puts out so easily-"

"Likewise," Irene practically sneers, not missing a beat and threading her fingers beneath her jaw, feeling her pulse against the pad of her thumb.

"Yeah, well. If this isn't a setup, then, what-"

“A setup.” Irene breathes the word out, contemptuous, which is almost as if she says yes, you figured it out, and she starts to lean in closer - the distance between the two of them now negligible as her mouth tightens with her derision. "That is awfully conceited of you."

"Ha."

You choose right there to run your palm between her thighs and cup at the front of her pussy through the skirt of her dress, squeezing tightly. There has to be an element of good cop, bad cop to this whole routine, and you'd be remiss not to participate in the former. Irene's glare is starting to become pretty intimidating.

"The way I see it," you begin, and it's so gentle. Easy to slip through, but easy enough to grip - no threat, or indication that she should stop rocking forward to the motion of your fingers, toying idly. "There's no catch. Only: Irene calls the shots. If you end up with a crush, or worse, think you're in love," a light squeeze to illustrate the point, the dig of nails, not too rough, but definitely drawing attention. "You've gotta walk it off.”

Karina just runs her tongue across her lips, sighing.

“No strings attached, no special treatment. Or anything."

"Oh." Karina is looking straight at you, dazed - as your fingers work harder, picking up where her hips started rolling a second before. She licks her lips. "You're telling me that I'm going to get fucked so thoroughly here, that it's gonna be a problem."

"Actually," you pull away, pushing her dress up so you can touch up ever higher this time. Rooting between her soft thighs. "I can't make any guarantees. You'll need to convince us first."

There's a laugh, from a spot inside her diaphragm - and yeah, there's no denying the reality here. She's nervous; or excited; or nervous-excited. Karina just lets it pass, an exaggerated sound in her throat, before gasping on an exhale of breath: "convince you to fuck me?"

"Between us, we've kissed our fair share of pretty girls in the heat of the moment," Irene supplies.

Karina laughs. Starts saying, "in that case, can I start by confessing that this whole exchange has left me pretty fucking wet-" 

You slip one finger down the rise of her panties, this lacy little number she probably picked out with sordid fantasy in mind. 

"Oh god," she says, voice drowned in her throat, husky, and sultry - it’s really hard not to appreciate the girl, like this - and then she closes her eyes, saying it again, "oh, yeah, like - like that. Okay, thank you."

Irene puts a hot kiss into her lips, and a subjugating silence stills over the living room, softening around her small voice, her breathing. Everything comes together so seamlessly, so effortlessly: 

The click of Irene’s heels against hardwood, these soft sounds of wet tongues twisting and bodies grinding, Karina's face, buried somewhere under Irene's chin, letting out the cutest moan. Irene's helping the rest of the dress up over Karina's ass, then up past her waist, pulling down the scalloped elastic of her stockings. She grabs hold of her hips, feeling the draw of her curves there - you watch how your other half does the thing she does best, the thing where she strips a girl down to nothing like she's doing them a favor.

"Pretty," Irene appraises her naked body - not her face, not her mind, not her ambition or the strength of her determination, or god forbid, something banal like her personality, but, "fuck, look at you, look at this figure," her palm skates along the plane of her stomach, "so pretty."

It could be the insinuation: Irene is ready to reduce the girl down to a heap of jumbled nerves; to tears, probably - given half the chance. Like she's telling her a body as flawless and well-manicured and sweetly receptive to being toyed with as hers needs to get absolutely wrecked, among other things.

(Fucked so deeply, and to the point of utter exhaustion - the point is that she forgets her own name.) 

Irene knows just by looking, her eyes tracing down each and every one of Karina’s curves like they’re taking inventory. It could be as simple as a handprint seared into her ass, a stinging red stain etched into her soft, creamy white skin, marking the insides of her thighs, her beautiful fucking tits - oh, the things the two of you could do.

"How do you want it, exactly?" Irene's eyes are dancing around her face, in her stare, darting down, then back up. "How, baby."

Karina smiles against Irene’s lips like she knows the answer, the perfect one. She must already have the script prepared. It's no stretch of the imagination: "anything, as long as it means you both keep looking at me."

Because maybe it's down to the pure physicality of it all. Something Karina's been waiting to feel, desperate to have, for some time - as you set into action, dismantling any pretense that you weren’t about to devour the heat of her aching cunt, from running touches all over her slick pussy. It’s a strong theory, you figure, from the visceral response you get when you get start to fuck her, when you slide a finger inside: tight and snug, and so unbelievably wet. 

“Oh,” she breathes out, and it sounds sated and needy all at once.

You make sure to glance at her face before pressing another into her. All the way past the knuckles. She looks lost to the feeling, the pleasure; her expression gone hazy-eyed as you start fucking into her with a few steady pumps of your wrist - slow and then faster, then faster again - fucking into her with increasing urgency.

Just to keep her gasping, panting.

Like a woman starved for it.

"God," Irene kisses softly into her mouth. Her hand tangled in Karina's hair, twisting strands between her fingers and tugging just shy of something painful, "you're really sensitive, aren't you?"

Karina nods, slightly. It’s all she can manage.

You have a soft spot for girls who will spread themselves open like they can't wait, but still end up flustered over how your lips ghost across aching flesh. Who can't even form the words - asking for this, and that, and a million little things; and look at Karina - blushing, her eyes fluttering closed, and digging her nails into the couch the moment you finally put your hot mouth on her. Her entire body is drawn taut like a live wire.

"Relax," you coax, speaking more to the muscle - her legs tensed, and knees pulled tightly together. You know just where to place your lips to make her go to pieces, but it's worth suspending pleasure - your own, and Irene's, who won't admit that this sorta turns her on too - so Karina's face might open up, so the tilt of her brow can slack, and the twist of her expression can soften. Like it's the only chance she'll ever get.

When you place your palm across Karina's stomach to steady her and look up, Irene has started peeling off her own clothes, down to nothing but the little panties underneath. That garter-belt thing that makes her ass look like she was sculpted straight out of clay - a reminder she's always worth your time, no matter what mood she's in, or whether or not she'll eventually let you take the lead. She's lifting herself on the couch to throw off the little slip of a dress, the high heels. “Baby," she purrs, teasing, maybe to distract from how she’s gone from dragging circles with her fingernails across Karina’s collarbones to kneading roughly at her tits. And she might even insert something she's never actually had a chance to confess out loud, or even consider much, like: she's been dying to know what Karina's face will scrunch up into, or what her eyes will look like, tears stained across her lashes while you fuck her within an inch of her life. The image you’ll find when you find all those spots that drive a girl wild.

Your mouth drags over the slick, her lips, her clit, and down again - as if to illustrate the point.

"That feels - so," she starts, and bites off the rest of the words.

Irene grabs hold of Karina's hands. Presses their mouths back together, and bites Karina's bottom lip. Kissing the words out of her, the sentences that start in half measures and stifled gasps:

"- so, good, oh. Do - ah, fuck. Oh, god-"

-and vanish somewhere in Irene's mouth.

"-oh, do that again. Oh my god. There. Just - lick- please, keep fucking, exactly that-"

And pay close attention, because here now is how she slips: from the image she maintains for the cameras, the audiences, her admirers, her competition, her detractors, the ones who mean it, the ones who don't mean a damn thing; the girl who shies away from anything overtly sexual, or sensual, or remotely hedonistic; and doesn't act as though she too, just as much as anyone else, needs someone to fuck her stupid - as if it's an eventuality of her own humanity, instead of a concept she's learned to scorn.

Irene picks up on the distinction, all too familiar with the look filling out across Karina’s angelic features.

She ghosts her thumbnail across Karina’s nipple. Tries out: "why don't you make her cum, baby, right here, on the couch.” A look at you, a quick tilt of the chin. Then, her tongue peeking from behind her teeth, and her voice dropping, "just so you can tell Minjeong, or whoever ends up asking - 'you have no idea how good they fuck.'"

And just like that - with Karina’s body laid out beneath Irene’s hands, your mouth - you simply fucking ruin her. 

You both do. 

Until it's only a mess of whines and shuddering limbs and that lovely look: pure agony. So helpless. So utterly exposed.

Karina hiccups something incoherent - you’re doubling down. You’re working your touches through the torrid mess between her legs. Her pussy is shimmering wet and hot and every bit as pretty as she is. Then, the motion of your tongue, the slow, heavy flick back and forth, relentless and constant - dragging back and forth, keeping her right up, riding the wave. Back and forth, back and forth. 

"Oh my fucking god." Karina can only gasp, jaw-slacked open. 

Overwhelmed and blissed-out and suddenly awash in this searing and wondrous sensation that the only real way she's able to make sense of is by twisting her hands in your hair and pulling you flush against her cunt while she cums on your lips.

"Ah - you're fucking kidding me. Please, don't stop, please don't-" Karina has her head turned. Voice pitched right into Irene's shoulder. You fuck her on two fingers until she’s got the heel of her palm pressed firm into her forehead, and she’s starting to jerk her hips into your face. Stutter her breathing, her words: “I, I, I- fucking - what the fuck, you’re making me - jesus fucking christ."

Like some delicate and intricate piece of her had just been irreparably snapped. Broken. You hear her expletive-laden screams - and think, better her, than either of you.

And all the way through every last part of it, cresting, waning, quivering, the tremble of her thighs snapped shut against your ears, the grind of her teeth, and each little choked out gasp-

“I'm… fucking cumming.”

Karina spends the entirety of her first orgasm between the two of you, heaving.

The look on her face alone, just from what parts you can see, has your lower gut clenched - it goes from anguished pleasure, mouth pulled wide and brows wound high and tight, all the way to calm and cathartic, the pretty bow of her lips settling into something manic. Eyes softening with a luster, half-closed. A mask, the afterglow: blissed-out and smiling dreamily.

How anyone could say no to a picture like this, you're unsure. Though not particularly willing to test the theory, naturally.

"That was mean," Karina finally huffs, letting a moment pass to even out her breaths. "Both of you, so mean."

"You said to," is all Irene says, amused. 

Karina looks down; lifts her head just slightly - as you bring your own mouth off her, catching her glance. Not even your palm and your fingers covered with the evidence - it's her lips that give her away, the swollen, pouting, bright pink lips of her pussy, still radiant with her climax.

She breathes, "god. Irene."

It sounds an awful lot like she's begging for mercy.

Irene hums softly. Leans in for a kiss, with her slender hands cupping Karina's face. Manages to say: "you just look so fucking hot when you're struggling. Can’t fault us for that." She reaches down, and digs her fingernail into the line of Karina's cheek - near the center, just short of the outer curve where her dimple naturally settles. She works her lips to a very soft, "ow."

"Listen," Irene says, "is there anywhere else you've been considering going? Because in the event you're looking to stay for the night-"

Karina replies, "only everywhere I still haven't gone."

Her smile looks honest. Her cunt seeping and slick - there's abundant honesty there, too. And you manage to catch the wicked glint in Irene's eye, like she's a bit obsessed with all that glisten, and what it means - that Karina hasn't felt a real, good dicking in ages. Maybe, probably, never. That she's slept with everyone and filled her quota of playing pretend: of someone just going through the motions, dragging their mouth or tongue or cunt along the most obvious, conventional routes.

It’s written all over her face: the girl between you needs to be touched everywhere, and by someone who knows how. Needs it deeper, more. Has to feel the pressure everywhere all over.

Irene asks her, plainly, “how might we get you moaning like that again, hm? We're both dying to know."

She puts her hand under Karina’s chin, tilts her face towards hers, and kisses her long and deep. Until the both of them are having trouble catching any breath. Until they have to break, only so one can take another in: inhale, exhale, and back in her mouth.

"Maybe." Karina lets go of Irene's lower lip. She sounds almost bashful, "you'll need to let me get my hands on that cock of his. Let me get it inside, want it real fucking deep inside. Tell you if I'm just, you know. Really fucking horny. Or maybe I have some hangups about sex I've never told anyone - and we have to work past that," she takes Irene's mouth into her own again.

It's the short consideration of sure, mm, why not? until the next suggestion is: "he should be on his knees, in bed, those hands around my waist, behind the small of my back and pulling me into every stroke."

“Oh,” Irene agrees, “I love that. Should I play with myself while I watch him fuck you senseless? So hard and rough - you'll start seeing stars. I wanna see him completely railing into your dripping pussy from behind, fucking you so goddamn well until you're screaming so loud it’ll wake the neighbors."

Karina sighs. “Well I’d hate to get all the way here and half-ass it.”

You barely catch it, but there's a lovely note in Karina's voice. It’s saying, and don't you dare treat me like glass, like I’m fragile.

All in all, a filthy, filthy way for a girl with virtually no ill-reputation or ill-gotten gains - no record whatsoever - to describe how she wants you to fuck her, until she’s biting down on the consonants in your name, moaning loud and unmistakably clear, and-

“-sorry, whose cock?” Irene has no intention of letting her off easy.

You draw away from the meat of her thigh, licking your lips clean, and insert mid-conversation with a husky-voiced, "hmm?"

Karina just shoots you a sharp-eyed look. "You heard."

"Only," you play dumb. You run a hand between her legs, using your palm as you go, so you can pull more sound out of her throat; the pleased sighs, a hum. Another. "The part where you want it 'real fucking deep inside,' I think I heard."

"I mean, wouldn't you?" Karina looks satisfied with that. Lets out an easy laugh and turns to Irene. "Besides, I need to know if it’s more than just pretty eyes and a handsome smile that you’ve gotten yourself so hung up on."

The tilt of your fiancée’s brow above her is noticeable and apparent. Not a twinge of surprise; more like recognition. It's Irene looking haughty - beyond the usual - wrapped up in the afterglow. It's the confidence, and not at all humbled by the reality that she is no stranger to fucking a girl this downright gorgeous, knowing the danger inherent in allowing that kind of damage, but if Irene has you figured - she's figured Karina even better: someone willing to push through the burn. Someone, she’s betting, with the capacity to handle pain like it's an artform.

“Karina,” Irene says, and she's really leaning into it, "you really ought to be more careful with that smart-mouth of yours.”

It's the absolute worst way to proposition someone; maybe second only to what Irene whispers straight into her ear:

"If I had to guess, it’s your sweet, pretty face that has everyone bending over backward just to let you fuck them, hmm?” 

You’d anticipated this much. You watch how your beautiful wife-to-be eases forward and leaves a slow kiss into Karina's throat, before adding the worst, most awful thing she can manage, “they're eating up this adorable, innocent facade of yours just as soon as you let it slip - letting you straddle their waist, and slide right on, and chase some clout out of oh, she must have this tight little cunt, or how good it would fucking feel to ruin a load just slamming these perfect tits, or. The best of the best, when it comes to pretty things with brains and mouths on 'em: 'fuck, I bet Karina has a face like an angel, she's the kind of girl who probably really, really loves taking it raw - filled and fucked as deep as she can manage'."

“She’s insinuating you’re a slut,” you offer on the next beat, down from between Karina’s knees. “Or something.”

"I put that much together." Karina has that teasingly pragmatic tone in her voice, matching Irene's level. "Your point?"

The joke is that even Irene - after she has the chance to drag her thumb across Karina's lips - looks mildly impressed.

"Sweetheart," the corner of Irene's mouth quips, as if the reason is so, so very obvious, "let’s say you’re just like me, total hypothetical. You're going to have to let us know which part feels better: the praise, or the degradation. I know it’s what makes you tick: all the attention. I know you need it. The same way I know that I could eat this perfect pussy out for hours just to get it slick, and wet, and wanting, and the thing I’m still not sure you’d be ready to learn," she tells her, a light in her stare that flicks upwards, eyes going from Karina's cunt and back to her eyes, her own mouth, and then hers, "the really good sex? Isn’t always pretty."

There isn't room for misunderstanding, let alone any mercy in it. Irene's face is dark; dangerous. Like, seriously. Karina knows better. Everyone does. You know exactly what she's doing. You know what comes next, but this time, you can't shake the feeling like-

Like Karina wants you to look.

She has her fingers on her cunt, spread, presenting - and a small shrug; her response is so fucking coy: "I guess I can't really help it. Besides, it’s common knowledge, isn’t it? The brattiest girls always turn out to be the best fucks. Honest, I get so wet sometimes, you know and then god, I can't think straight.” 

She laughs at the premise. 

“I dunno, what's a girl to do?"

You can feel the room starting to tighten up, just barely: Karina’s breath still heavy, her chest heaving, the way Irene holds her still, how her arm curls across her stomach, palm flat under her tits; that pose in particular, the power to entice.

And maybe it's the fact Irene is still making eyes at you from Karina's shoulder, the cruel bite to her upper-lip, showing how she's working at the soft skin of her neck - a smirk, before pressing into another kiss there. Your insides are running hot, a shudder racing up your spine. There’s no mistaking what she's getting off on, not just some pretty-as-paint newcomer. There’s your Irene, your fiancée - and her beautiful, adorable, awful little shadow.

-

So what if, by some pure hypothetical, this all spirals out of control?

You don't know the consequences of taking home what amounts to a coworker and screwing her with a certain reckless abandon. There’s power harassment, a toxic workplace environment, boundary issues, sexual-fraternization. So on, so forth. It's all relative, but watching Irene and Karina make their way up the stairs and admiring the things that only a woman's hips can do, swaying this way, and that - and, following the path from one tight little ass, the other, all the way up their spines - there are no such qualms to contend with, because there's absolutely zero chance that’s the thing that’ll be keeping you up all night.

Irene laments and hopes in the same breath. 

She has two pairs of panties in one hand, Karina’s fingers laced into the other, explaining with a quick squeeze, "don't tell me, baby, I already know," a wink, a laugh. She’s such a sweetheart when she means to be; charming, wooing, the coy girl Karina seems to have gotten so drunk off the idea of getting mixed up with. And yeah, when she drops them on the floor, and pushes Karina gently against the wall. Traces her finger up her jaw, then her cheek, and leans into the crook of her neck, into that same spot from earlier; yes, Karina can count herself lucky, or whatever.

"So, don't stop now, baby-" Karina's huffing - the line of her throat so taut and exposed. "You should really fucking try harder if you want me to beg."

"Honey," is how Irene responds, leisurely.

There will come a point in their intimacy, in all things considered, where this act no longer plays itself: Irene, the seductress, and Karina, a deft and innocent prey; of course you, the hammer to a nail, pushed and pulled in one direction, the next. The moments in which her lips leave the crescent of Karina's mouth - hot, hazy, and half-wet with their own spit, their tongues twisting, the muted click, and the telltale wet drag of a body pushing and straining up against her own-

Maybe in her bones, she is begging for it. Maybe, Irene hopes, she'll have to: eyes turned up, watering, tears coming hot, streaming down her flushed cheeks as she cries it from her lungs.

"I wouldn't have you beg for anything."

It's true that Irene is ninety-nine percent grace, one percent child-like wonder; she's easy to read when the mood hits her. The lines of their bodies tousling, twisting and tangling in moon-lit-darkness. There's some irony to it, only a few steps away from the bedroom. At the base of the staircase. In front of the tall windows covered with frost that serve, now, primarily to remind Karina that she's in a part of town she could never afford, in an ostentatious apartment she could only dream of; but most importantly, that the woman in front of her - with her fingers dipping down between her thighs and up again, tracing over her navel and the rise of her hip and her cleavage - can have anyone she likes, without limitation.

Karina can't deny it's everything she wants.

"Karina, I'm curious." You're easing into that spot, where the two of them have coiled themselves up - you’ve got your cock in your hand and you’re stepping out of your pants - in the hallway, the frame of the door, a heavy, long shadow cast: Karina has Irene pinned now, a wrist over her head, against the other side of the wall where the white paintwork is starting to run thin. "Didn't you say something before about how hard you wanted it? Raw, deep, I believe was how you put it."

Irene smirks. It's just the slightest sneer, until she has her hands reaching over the curves of Karina's hips and pulling her fingers into her soft ass. Spreading her cheeks. Touching up, then down, back in the same groove, this slow rhythm that builds - like they were both expecting this exact sequence of events.

You watch Irene whisper something into the girl's ear, and - fuck - the light catches her expression at just the right moment, head lolled to the side.

"Hey," Karina drawls. She lets it come out breathy - on the note, the middle and upper registers of her voice, hitting something near a perfect alto. "How about instead of having some heart-to-heart, and making me out to be some naive-ass kid, you stop asking questions and get to fucking the life out of my little pussy."

She ends it so charming.

“Oh,” you tell her, feeling how fucking drenched she is right at the end of your cock - sliding her slick up and down the length of her cunt, and knowing the feeling will likely stick to your skin and drip to the floor, all of it - "well. If that's all."

Your hand arrives on the lithe stretch of muscle between her waist, right along the ridge of her hip bone, your cock pressing onto the heat of her cunt. Karina turns her head over her shoulder so you can see it all in profile: that pout. That look. That everything.

"There you have it." Irene squeezes the flesh she's got cupped in her palms, drawing circles. "If only everyone else got to hear that sweet, sharp edge you've got underneath, hm?"

Karina opens her mouth with some clear quip to needle, but stops herself, a catch in the center of her throat, her brows shooting up. The pull of her voice is somewhere out and over.

“God, fuck-” she can just manage to sputter. “You’re- ah, ah - your fucking cock-”

Oh, it has you cursing too. You're pushing so far into her tight little cunt - the soft airy moan, that pretty sound, riding back on every last stroke until you've filled her right to the hilt.

“I know, I know - that feels so good, right?” Irene coos.

You just pull her all the way back onto your cock, thrusting deep. Base to tip. So goddamn fucking deep.

Karina probably doesn’t even mean to whimper, but the press of your hips, slowly snapping in and in, has her lungs constricted, as the pressure slides through every hot, slippery inch inside of her - this glide of agonizing intensity.

“I bet you want to just cream all over that cock,” Irene says, fine eyebrows knitting into something like contentment. “All filled up and feeling full, and just fucking letting it go - he’ll take such good care of you. He’ll fuck you so good you won’t ever get that warm, hazy, blissed-out feeling out of your veins ever, ever again, if he has his way-”

All while the head of your cock works over every fucking sensitive part of her, dragging out to thrust all the way into her soft cunt, the round of her ass bouncing back to meet each stroke. Again, and again, until you've worked through that wet stretch of muscle. And the motion isn't exactly elegant. Karina's mouth hangs wide open, catching short breaths that curl inwards when you reach the line of her waist.

“It’s so fucking good,” Karina’s sighing out. She’s all fluster, no bite.

There’s no lack for juxtaposition in the way Irene dotes on her either - these small beguiling bits of praise like, baby, you’re doing so good, these tits of yours are just, you are - just gorgeous. Mouth quirked into a tight grin as her fingers pull and twist around her nipple. The sharp yelp that comes after. The fact that she's kissing the words into her mouth on the very next whimper: “a girl like you needs the time, and patience, and opportunity to have her insides completely, totally, catastrophically ruined.”

Irene had it exactly right on the first read. She’ll say, “I told you so,” when Karina’s washing the cum off her chest or out of her eyelashes in the shower. It’s the praise; it’s the degradation; it’s you leaning down, your hands finding her hair, curling in, and getting her right up against your lips to say it quiet, low, intimate - like a lover, like she hasn't already heard it before, “such a good little slut for me.”

And the girl absolutely fucking keens.

You grip onto her hips. You pull her hair tight. Her throat bobs under your thumb and you can feel the anxiety start to throb, her pulse hot and heavy in her cunt. How it soaks the base of your cock. Jesus, you’ll fuck a load right into her. So easily. Her pussy is so snug, so unbelievably wet. Perfect enough to know if you fuck into her any faster, any harder - it’ll be just that: you'll paint right up to her cervix; you'll fill her to the fucking brim.

"Fuck, Karina, this pussy is such a fucking dream," is what you're making sure she knows, and at that, Karina just finds that bend. Arches more of herself to you, until her ass is slotted into the plane of your stomach, the head of your cock prodding, testing the limit where her cunt is hottest and wettest. "God, this has to feel incredible. Your ass bouncing on my cock" - Karina goes slack on the force, leaning forward - "as I rail your tight little cunt."

If anything, Irene is there to catch Karina's tearful, thankful gaze when she finally starts fucking crying, a litany of yes, fuck yes, yes-yes-right-there, please fuck, and a wet, dazed little "you're goddamn - you're ruining, fucking - fucking, ruining me," every other syllable broken by her shuddering breaths.

"Aw, you're going to cum again, huh? Baby-" Irene's got her head at an angle - their gazes locked, watching - and maybe Irene really gets it: how much of a big, bad crush this gorgeous fucking woman's had on the pair of you all this whole time, with all that faux-romance, and lust, and envy wrapped up inside her - but if she wasn't so obsessed with the shape of Irene's mouth, the contour of her jaw, the lean and sleek lines of her frame and the soft, round swell of her ass - she’d still be left with the shape of your cock, where it’s pounding her apart. Fucking her and fucking her up.

It's more than worth the breath to remind Karina what she came here for. Irene's fingertips brush the line of her lips, part them just so. 

“All over him, baby, let him make a mess of you. Just a total fucking mess. We'll fill you up, and fill you up, until your poor, aching pussy is full of cum," and it's probably as well: Karina does what comes most natural to her - with you three, the whole number. Her eyes flutter and go dreamy. There's not even a moment of hesitation:

"-until it's leaking down these fucking thighs-"

"You're doing so good, babe," is your supporting role in all this, murmuring encouragement straight into her ear as you fuck her to pieces. Your breath fans out against her cheek. And then, your hands make a grip under her thighs, holding her steady, making her mouth fall open - this keen, wobbly, vulnerable thing that exposes the naked girl she is, behind all the makeup, and the heels, and her seductive and all-consuming appeal, everything.

“Just so you know: it’s the best fucking part, Karina. I mean, the look on his face.” Irene laughs with her whole body, until the rich, raspy sound of it fills the hall. “The way he bites his lip when he's close, his eyes clenched - and god, I fucking love when he finally cums. It's so good, watching him. Letting him have his way. Feeling his cock throb and spill into you - hot, and still, and just pumping inside you - just so, so good.”

"Fuck, ah-" the little gasp is like she's starting to hyperventilate. 

"Because baby,” is the final nail in the coffin, hammering home, “he’s fucking you just like he’d fuck me.”

"Fucking, please, god-."

Irene's hands have her breasts in their grasp and are playing at where she’s sensitive, then pushing into the soft, delicate space beneath, thumbing the indents. "He's so fucking good, isn't he? Are you going to cream and cream all over his hard fucking cock?"

Then - and because it comes so instinctually to her. Because, actually, your Irene has a slight propensity for evil:

She slaps Karina, right across her tits. "Fucking cum on it."

One.

Tugs hard on a nipple. "I swear, every single bit of you is so goddamn beautiful-"

Two.

"That body is built, perfect. So easy to ruin. And god - what a perfect little pussy you've got-"

Three.

Karina struggles to breathe. Her voice is torn, frayed. She barely manages to utter out a very shaky, very desperate, "harder, fuck- you’re fucking making me so- you can, harder-"

Four.

The cruel contact of Irene’s palm pulls this deliciously hedonistic sound in Karina's throat, a loud moan; like she just hit the sweet spot inside that's all her nerves coming alight. Irene plants a quick peck in Karina's hair. Her temples, the ridge of her brows. Slides her thumb across her eyelashes, brushing them clean from whatever tears had sprung free. You don't even want to try, not at that moment, to try and endure the quiver of slippery muscle all over your cock as she shudders into her orgasm. It's simply too fucking much. She's too fucking tight.

"Aw, shh shh, shh," and then Irene's soft hushes are coming down from the other side of her head. Irene kisses her full, straight on her mouth. Karina is shaking, convulsing and caught and fucked from head to toe - and what she needed was someone like the two of you - to watch her cunt swallow your cock like some magnificent and unbelievable sight, taking the whole damn thing. Irene is telling her, "it's okay. You can let it go."

The silhouettes alone. From the end of the hall, and where the afterimage lingers: the smoke-frosted windows, the dim lights, their bare, beautiful forms - this picture that will stick in the center of your head, will probably haunt you-

"God, I can’t, just- ah.”

“Breathe,” Irene says.

"I'll cum again, it's too- I'm so-" Karina can only plead and sigh.

Irene shushes her one more time. "It's a lot. It's alright, baby. He's going to keep fucking you until he's ready to pull out, until he has a whole mess just painted onto your ass, and thighs, and I'm going to make sure that little pussy gets so wrecked, fucked, stretched on every last inch- until the thought of sex hurts, and then we're going to make you cum again, and again- over, and over-"

You're leaning over her, nose buried into the waves of Irene's hair, the curve of Karina's back, and the flush of skin in contrast. That's when you feel the coil in your chest come loose - unspooling, and bursting - when Karina's lids roll into the back of her head and her lips fall open with a pleasured gasp and a stammer, "y-you're, ah, both, you're so, both- oh god."

You're about to just pull her down and absolutely cream her, stuff her full - a mess.

And she wants you to-

"That feels so fucking good," she lets slip out on the cusp of a shiver, just as her inner muscles are spasming, milking your cock with the pressure from one pulse through the next, squeezing.

She’s right. It does. Her, coming undone. You, at wit’s end. 

Another breath, and Karina is managing out between these small hiccups - not as much out of breath, just dumbstruck - simply muttering, "I’m cumming, I- oh my god." 

You barely manage it; you unbury your cock from her cunt; you’re cumming all over her ass. 

A shot of white that streaks right down to her bare-slicked skin, before it gets painted down into the crease of her pussy, all swollen - wrecked and raw.

Just the way it feels on her skin is enough to earn another hushed moan from her, this sweet little whimper as she can hardly stand up straight. She lets her knees buckle, but Irene is right there, to catch. Her eyes are closed, eyelids clenching, as Irene tilts Karina's face her way, to lay one, two, three soft, adoring kisses on her mouth, the angle all wrong. 

“Mmm.” The smack of her lips. The pull of whatever breath she still has to give - right out of her heaving chest. "Sore, that, ahhh- um, thank you."

You fiancée wraps a slender hand right around Karina's wrist, and starts whispering to her, unbridled, "just had to. Had to see how you look-"

It’s wicked, for one thing. More than that, it's seamless:

While Irene still has the girl's voice caught in her throat, she reaches around the curve of Karina's hips and drags two fingertips through the puddle of warm cum that sits right at the base of her spine, glistening all over her ass cheeks and inner thighs, slipping and rolling off her cunt, down the center, running in rivulets. Your cum between her fingers is so filthy, so obscene - dripping hot - right off her reddened skin, and Irene can't possibly help it; not after a display as indulgent as that. The trembling that remains in Karina’s thighs does nothing to hide how her legs now jitter and shake under Irene's touch.

“That’s my good girl,” she whispers as her fingertips hover across the apex of her puffy lips. Over and over again, with more force, and more, until you're almost positive it's Karina that leans in a moment later, kissing the rest of her soft assurances right off her tongue.

Listen to her: this incoherent string of words pouring from her mouth, like they can't move fast enough, tripping over each consonant, "are you, oh, oh - oh, fuck."

No one else could make that kind of overstimulation feel so heavenly, you figure, the way she just properly melts. You take a step back, just to let Irene work. Just to watch. To appreciate the craft.

You absolutely get it. 

How to touch, how to tease. Firsthand experience has you know she'll ride your cock until you're throbbing and spilling cum and she'll just shh-shh, let you have it - it's okay, sweetie, just let go - until she's rolling her hips just right, or reaching a hand back to massage your balls, or stroking your inner thigh in that exact kind of spot; some method that keeps her all the way on the end of your cock, but not quite off the edge, and your cum leaking down your shaft, spent.

She’ll bite into her smirk. She’ll tie up her hair. She’ll get that serious look on her face because she knows: you’re all hers for the taking.

So she'll sink onto it, again and again, until she's fucking you with the slippery friction only your own spill might provide. "Just a little more," she'll tell you, which is absolutely a lie, "come on, just a bit harder, I'm so close." Irene does this thing - she's had years to refine and perfect - and her voice gets a husky edge to it as her teeth graze the shell of your ear; she makes a small, pained groan into the curl of your hair and breathily hums it: 'I'm almost there.'

Who stands any chance to resist?

And she's always asking you - the same way she's coaxing and promising Karina the world with just the movement of her fingers, this delectable in and out, in and out, pushing that filth up into the red-soaked lips of her pussy - "now, what did I ever do to deserve someone like you?"

Karina blinks, once - a sleepy-lidded draw that leaves her lashes, lush and long, and fanning her flushed cheeks. 

The sound between her legs is wet, squelching with your cum, with hers, the barest hint of slapping her tender skin. The beat of Irene's wrist against her thighs - like that's where she needs it most - a deep, primal rhythm, like the last thing she wants is to take a breath. It's fucking hot; her head is tilted, her jaw clenched, and Irene has the tips of her fingers twisted between Karina's legs, swirling your cum right back around in her slick cunt - those plump pussy lips that you've watched stretch out on the first press, the first and the second and the third, as Karina finds what gets her there fast, fast-fast-fastest-

"You can cum for me too, baby."

It’s not a suggestion. There’s nothing but expectation in Irene’s voice. 

“Just cum.”

You watch it knock the architecture right out of Karina's legs.

-

Indulgent, just isn’t quite the right word for it. Careless, reckless, clumsy even-

Look - the tumultuous tangle you three make is all over the fucking place.

One moment, you're at an angle, moreover twisted-limbed with Irene bent over her dresser, then propped up on top of yours the next, your forehead landing against hers, feeling the soft cradle of her shoulders, her legs around you. She has her hands wrapped in Karina's, in that muddled in between: it's a collision of sorts.

There's the chair in the corner of your bedroom that really has only ever known one purpose, a plush rug, all these surfaces, horizontal and vertical for you to take the two most breathtakingly beautiful people in the world on and let your bodies settle into the shape they've needed to ever since your fingertips met Irene's in the cab, ever since she blinked her heavy lashes at you with Karina in-tow, just shy of smiling.

And boy, do you learn that Karina likes to watch herself get fucked in front a mirror. Specifically, the tall one beside Irene’s closet. It's hard to blame her. When you hold her hips tight, and really, truly fuck her, you can’t keep your eyes off how her face twists with the pleasure; or, when you drill the length of your cock into her sopping wet cunt: the wide, glossy rim of her pretty lips pulling back into a wince - and your eyes dropping past the reflection of her shoulders, her collarbones, down to her perfect tits.

The back and forth, the up and down, the way they fucking wobble in their beautifully buxom blur.

Though the eventuality remains unchanged, spread out across your bed. Karina takes a moment, hand pressed to the mattress experimentally like it's all running through her head - this is where Irene gets all that fairy-tale-inspired romance from, really - a quick pause where your future-bride is up on her elbows and staring, watching - your finger sinks in slowly, between where she's soft and warm and wet. She's thinking, you can just read it off her face, 'oh. So that's what you'd do, huh?'

Just for demonstration’s sake, you fingerfuck her in all kinds of ways - show-off and performance and dirty and mind-blowing. Because even better than the whiny, gut-wrenching moan it gets out of Irene, Karina can't get enough of how it’s all presented.

"Ugh," she slides up next to you at the foot of the bed, helping you turn Irene on her side, "why does she have to be so pretty, it's annoying, she's- she's like, made it so fucking far by playing the girl everyone wants to wife, huh?" She's talking directly to you, even while Irene rolls her neck to press her head against the pillow. "Inspirational."

You're drawing circles into her clit. Thumbing the dip, circling in the opposite direction. Karina has her nails biting right into the crease where your knees touch. In tandem, you’ll help your fiancée reach the top of that first wave. 

Karina presses, all cheek - a very dry, "cute."

It’s so simple: you eat Irene’s cunt. You hold her down. And Karina slides her tongue lazily against the tight pucker of her ass.

The three of you know she deserves nothing less.

“Oh, christ, you have no idea,” Irene is murmuring into the pillowcase, head tilted at an awkward angle, looking at the wall, almost distant; but her legs are split wide and her hands are reaching forward to rub a circle into your cheek, "you know how sensitive-? Yeah. Like, really, super. Super, super fucking sensitive, okay? So - if you'd keep doing, uh, oh- oh…”

Simultaneous, then slow, and easy - kisses landing right onto Irene's clit. So much so, you can't help but turn a little, smiling right up at your girl as she digs her toes into the duvet and threads a hand into Karina's hair.

The thing is, with Irene: facades fade fast.

Karina gets to measure that fact up close - where the details of Irene's composure are not only sharp, but also readily and openly and emphatically pound to dust by the time the last loose curl of Irene’s hair falls over her collarbone; she ends up on all fours, spread out over Karina - pressed along the length of her stomach, spread over your duvet and fitted sheets, your hand at the base of Irene's waist and tightening into the divots. She’s so small beneath you that when you bury your dick inside her- 

“Fuck.” Her cunt is so wet. Her breath uneven - and her words are starting to slur. There’s the gooseflesh on her back that lets you know it’s all already over for her. “Okay,” she tries to steady the ache in her stomach, “okay, okay, just- right there.” 

The drag through her pussy is fucking extraordinary. It knocks the wind out of both of you; so soft to the touch, like velvet - she’s unbelievably tight. You pull her hips into you and it opens her right up. Then when you end up balls deep inside your girl a second, third, fourth time:

She simply shudders apart.

Even though you fuck her so slow, so easy - her cunt clenches and squeezes on you like Irene detests the very idea of letting you go. You don’t even need to rail her lithe body to complete and utter ruin just to feel the familiar pent-up tremor starting to build in her muscles, how she rolls her hips back just so-so. How your hands fit that round and pert little ass of hers so well, and when your fingers finally sink in, you’re pulling it all apart to get a good look where your cock shimmers with her slick before disappearing right into her tiny cunt.

Karina mutters something in her ear. It pulls on some thread, somewhere - you feel her wind like a spring, further, and further; your cock edging her so close. The smirk Karina saves for you over your fiancée’s shoulder makes you think she’s figured her out- 

“Irene, look-” 

Well, at least she’s tuning in on all the right frequencies.

"Aren’t we all about being thorough?" Karina raises a perfectly trimmed brow. She drapes her arm across Irene's neck, their lips sliding together again, and that kiss is drawn-out and languid, albeit needy. "So, say," it gets muffled against the seam of their lips, and comes up, and comes out like a slurry, "are we gonna use everything else too? Your mouth, your perfectly tight ass?"

Irene can hardly muster out, "fuck- fuck- yes, fucking, god," as she takes it, so deep. There’s enough there to make both of you cum, you’re sure.

“Who could’ve guessed - like there’s ever been a more perfect cocktease than bae-fucking-Irene," Karina coos, all lips. She plants a row of kisses along Irene's exposed throat. The tilt of her hips, as she pushes closer - as you press the head of your cock as deep as it can go. "Go on. Cum, baby. Be a good girl, a good hole to fuck, just do it. All over his big fucking cock. Let him fucking have you."

Which is probably about the same time you realize that you, Irene and Karina are all well enroute - becoming this one mind, a single unit. This plurality you know there’s no coming back from.

You look down, with a little more focus, and Irene is being pulled apart in every which way - your cock stretching her out, over and over - Karina’s fingers right under her clit, every circle making her whimper. She’s all sharp edges and delicate angles, but manages to be soft for you in just the right places.

“God, you’re so fucking tight,” you tell her, shifting your hips; pulling her ass flush and filling her completely. Your grip tightens on her waist and she doesn’t flinch a bit. "It's so goddamn easy to cum in this needy little pussy of yours. All wet and slick, and, hah- just pulsing-"

Irene lets out this wanton sound, desperate.

“Oh, right there, huh?” Karina asks. It’s not quite mean, but it’s getting there, fast. “Is that how he’s going to make you cum?”

You thrust on the same angle again, the same depth - you’re hitting all her nerve endings, all her sensitive spots. There isn't even room, now, for some imaginary head-to-head, some verbal volley, the banter; what comes forward is her tiny, broken moan.

How many times had Irene done the exact same, after all. Fucked you without holding back? Fucked you over? The flood of sweet-nothings as you started to approach: honey, you're so perfect, we can go slow, you just have to ask, and if you feel uncomfortable at any point, if you want me to stop-

“Just say please, doll,” Karina tells her.

If Irene told you a quarter of what made it out of the side of Karina’s mouth, you’d have never believed it. "I can't wait to feel what that arrogant mouth of yours will do when he cums inside this cute ass-"

You watch Karina spank her. Hard. There’s a red stain in the round of Irene’s cheek, and her skin is so pale that the imprint of all five fingertips looks stark, glaring.

"Just," Karina presses the rest of herself against Irene's skin and steals a quick glance at you - this half-coy smile pulling on one corner of her lips, "thought I'd do that in the name of-"

"Mmph," Irene’s groan is long, loud, "yes. Fuck, yes- please-"

Karina immediately looks away. An effort to hide the smug satisfaction. She fiddles with the auburn locks behind Irene's shoulder.

You’ll finish the sentiment: "-being thorough," and drive your cock to the hilt. Irene collapses forward onto Karina’s lap.

The sound she makes you swear is a sob. See - for Irene, it’s only about getting control in so far as it is about getting off; she’ll take whatever comes her way so long as it’s directly to her benefit - the theatrics of being pinned, the willingness for surrender, for subjugation, for the sake of telling you, yes, push my knees, spread me apart, hold me there; look at the things you do to me - it's the Irene everyone imagines, when they see the dresses, the gltiz, the glamour, just the brief flash of her grin, or the way she holds her fingernail between her teeth. Everyone wants to put her on her heel and feel a bit powerful. To have you watch the supple arc of her neckline bend, to hear the humility slip off her lips: the notion goes beyond simple kink-

It steps out into pure necessity.

She really, really needs it, and it's written into every muscle and tendon - it's on her breath as it shudders through her whole body. The beautiful, harrowing sound. "I love the way you two fuck me," she murmurs, head buried into the crook of Karina's neck. It's the sort of line, coming from someone like her, you know could raise a few blushes - if either of you was still in the business of such things.

"Honey," her voice wavers. Then, it falters: "please."

The desperation is thick, husky, almost. Karina seems like she's breathing her in, nose tucked against Irene's forehead.

You watch how she runs her nails up Irene's sides, a hot whisper sliding over her skin. You feel it, and so does Irene, this white hot pleasure singing up from the tip of her clit and spreading throughout the soft curves, the sensual lines of her body, this tangible current, a hum, a whine. You see her strain the lean stretch of muscle connecting her neck to her shoulder.

Until her face is tucked under Karina’s jaw, with a hand reaching back and hooked around your wrist and keeping you fucking, filling her, your hips drawn tight against hers, like a second home.

In and in and in.

Fucked-out and outright to the extent she goes completely silent. Almost completely still. The moment she cums all over your waist. Mouth hung open, like she’s in pure disbelief.

It doesn’t really matter, how often or how precisely Karina has imagined the whole thing. It's still a fucking revelation the first time she gets to watch Irene cum.

“No way,” she’s almost laughing, holding Irene’s jaw with both hands. “No fucking way. All the times you- what? No. Nuh-uh. You better fucking explain why this face, you- it’s not fair, the perfect face- I swear, even mid-fucking-orgasm, you are such a fucking doll-"

There's the sheer intimacy - Karina holding Irene's lips open, dragging her thumb down along the center. Quiet and sordid curses slipping from her mouth. And the obvious, her free hand already running down the curve of Irene's spine, her ass: all this sensitive-touching, admiring, appreciating-

"Hey," Karina says, voice raspy and drunk on the sex, the premise, "do me a favor, and tell me this feels as amazing as it looks. Or maybe, for once - just for the sake of fucking argument, is it actually better for the both of us, hm?

Her eyes are half-lidded, heavy, sultry. She's arching up into Irene's warmth - until her palms are spread out against her chest, thumb sliding right over everything sensitive, and she leans right to pull the other breast to her lips, and start all over again. It's clear what she means, spreading her legs as far as she can, pinned beneath the orgasm you're still fucking into Irene. As much as her petite frame will allow.

And in case you missed the point:

"So. What are we waiting for," is what she says a breath later, matter-of-fact, not at all expecting denial. “Or am I not as fuckable as our princess here?"

There's so much wet spill around the base of your cock, and the sound Irene's pussy makes when you finally draw free - all her creamy slick mixed into your mess just fucking leaking around your shaft. Karina holds herself open for you like that, spread wide. All your attention to her pink, raw cunt; you slip right inside. 

Karina lets her arms go slack on the mattress, her chest shivering, lips locked around Irene’s panting breath.

And so it goes, and so it goes, and so it goes.

-

(To anyone taking notes - chemistry, by definition, is the sum total of a certain process; where and when energy becomes matter becomes another.

More relevantly perhaps, it is that race and rise you feel inside your chest. 

Nothing about the sensation, it seems, is too exclusive either - Irene, and now Karina, the pair of them equally devastating, all over and again. It has you in communication with a different kind of contentment: to fall apart inside their embrace in particular, and kiss them with enough breath and time to waste until the morning.)

-

“Jesus,” Karina laughs out loud, “you really believe that? You corrupting me?" she makes another scoff, both hands buried somewhere in the pockets of the sweatshirt you've lent her. "At least do me a favor and cut it out with the solemn tone."

You're leaning over your apartment’s balcony, watching an emergency plow make the slowest grind of progress up the road. It's late. And cold. Or actually - it’s early. The sky is the kind of dark midnight navy you see after all the snow and stars have run through the horizon. Time ticks on, and Irene’s inside sound asleep. A woman that small has no right to snore like heavy machinery.

So,

You and Karina happen to be two things at once: very tired, and very awake.

"What I mean is: I'm sure your manager, or your parents - fuck, someone - would fly off the handle," you say, pulling a cigarette from the pack and offer it begrudgingly. She takes the end and slips it between her lips, a little unsure. You then draw a lighter and offer it, too, and Karina puffs with all her strength. She's no expert, but it looks like the end catches and turns bright. 

A bit of color.

"My parents?" Karina flouts, sucking at it, pulling deeply from her chest - smoke pours from her nose.

She finishes with a cough. And says again:

"Um. Your girlfriend had her fingers in my ass - your cock down my throat - and we're worrying what my parents might think?"

Well. She's got you on that count.

"Not to mention: who the fuck thinks they're so virtuous-" a small chuckle as she passes it back. The cigarette is lit, bright. You take a drag. Watch her tap her feet on the snow. "That they need to do that to begin with. It's more trouble, telling me what to think and feel, as if that hasn't just the opposite effect."

“Irene’s protective, albeit in her own sorta peculiar way. So, you know, by extension, she worries-" you pull, and exhale, the smoke blowing past Karina. It gets caught in her fringe, in the wisps. You offer it back when you see her shiver. "That some shit happens, after."

"Your concern is heartwarming, truly - if you want to let me think on it, I might go and write a nice little diary entry tonight. It'll have sparkles and glitter - if you're that worried." 

Karina reaches in. Lets her fingers graze yours. Her skin is cool. 

“Besides, I don’t need a lesson in image from Irene of all people. She’s her; I’m me.”

She holds onto the cigarette between two long acrylic fingernails, tapping the end so the ash flits out onto the ice. You're caught staring, probably - the dark hair framing her face, all messy and soft, falling about her cheekbones. How that pretty pink blush in her skin seems to never go away.

Your eyes drop to where her mouth is red, a bit swollen - well-kissed; it is snowing again, after all. And it’s easy to be kind of transfixed.

"You're not, I dunno, say embarrassed?" you ask, after a beat.

"Nope." Karina swallows. Brings the cigarette to the pucker of her lips again. You watch how she holds the inhale, holds her wrist up and slacked, head tilted back a little. This exaggerated fashion-model exhale follows, all smooth.

“Because I'm not the type.”

The heavy stream of smoke then blown right into your face.

"Really, I think - sorry, I have always wanted to do that. It felt like a movie. Look," she coughs on the next breath. "I get your dilemma. But also, um-"

There are some quiet moments too, here and there: the heat between your thighs, her pressed up close. She smells like Irene's shampoo and bodywash and that just confuses your head some.

"Who’s to say I’m not just looking out for you," you offer. Every good lie is rooted somewhere in the truth.

"Don't bother," her words hit you square on. "It's about getting off right? You invite me to your bed; I’m so starstruck and enchanted by the very concept of it - Irene and her charming, intoxicating husband. Fuck, I dunno - the way the two of you kiss, look, feel: the experience that you will let me be a part of," she stops and makes another face of amusement, so fucking confident, "you let me play, too, just once, and we're all just a little happier. My version."

“We’re not married,” you correct.

“That’s the part you’re hung up on?” Karina leans over, her upper half across the balcony, staring right up at the sky. “Same difference.”

The moon finds her smile bright like nothing else. It's something infectious. Immediately, it reminds you: of Irene.

"Trust me," she goes on to say. The cigarette slips back into the space where you are connected - the lines of her fingers, her knuckles. "I had a wonderful time, but the sun will rise here, and I'm not gonna stick around to blow you while Irene burns three omelets and finds a spot for me in her fucked up game of house or whatever."

She makes you laugh, free and easy, like a gust of cold air. Something genuine and natural. And as the laugh shakes, Karina makes it impossible not to crumble farther. Not to fucking simper there like an idiot.

“I really thought she was going to make me call her mommy or something, I swear-”

"Hey, I'm sure if you had asked." A spark catches you. The flash of her canine, and those eyelashes. “She’d have done you the favor.”

"Oh, shush." The touch of Karina's fingertip against your hand is delicate, careful - unassuming. But, god, everything with her is just the right amount of heat - it melts you; and when it stops, her touch: that feeling is so cold that you just chase her out of impulse.

"What about New Year's?" you ask. There are still boundaries you really shouldn't be crossing, but here you are, straddling yet one more.

Karina's grin cracks like an old fault line. "You're not allowed to ask me out like that," she insists, batting you away - trying her hardest not to lead with the obvious. You look out on the view, watching a guy in a parka trudge over to a garbage can, a handful of newspaper bundles, then a glance back-

The slightest flush has bloomed up Karina’s face, right underneath where the makeup's been rubbed bare. It's utterly irresistible. "Go wake up your fiancée and ask what her New Year's Eve looks like. Doubt it involves me and my dumb friends."

She’s probably right.

"Karina," you start, watching her push open the balcony door with her foot and walk slowly, lazily, back into the apartment. The window rattles, and she looks back over her shoulder. The bob of her ponytail, the sweeping lashes, that perfect slow-burn smile. That’s how you end up with a title as ridiculous and reductive as ‘original visual’ or ‘the human cg’.

"You’re really going to let them in on what we all got up to?"

"Oh," she makes this low, delighted hum - it sounds so dreamy, how her voice gets the richest sort of rasp, "every last detail."

-

On Monday: the holidays are officially over.

There's a bunch of stuff on the to-do pile. A lot of loose ends you have to clean up, a ton to catch up on. Irene is judiciously ignoring all of it. She's wearing her glasses - the ones with the big round frames that should look entirely obnoxious - which means she's already decided she's not leaving the apartment; Karina's still wrapping the world at large around her finger and has everyone convinced that she's all femme, no fatale; and you - well, you're back to thinking about how to climb the ladder and maybe how to stay there.

You head downtown with a cup of coffee in one hand and a musing mood in the other.

On your phone, some more choice text messages arrive in the late AM: had a great time by the way, stay out of trouble, this sweatshirt is actually just mine now, duh. 

The selfie alongside it is pretty suggestive, but just vague enough to flirt with indecency.

She sends one more at lunch where she's gotten out of the shower, or a hot pool, or maybe a long workout - her breasts squeezed between a towel and an arm - she has the camera all zoomed in and framed tight, almost full body. If her intention is to mess with you, that's what she gets. The texts: ah, fuck off and did you have a nice date with your left hand then, thanks for reminding me, the hotel wifi is shit lmao.

The messages just keep on coming and there's really no better descriptor.

And Irene, later, in a way that's neither diplomatic nor nuanced: jesus, don't let her catch you by yourself. For simplicity’s sake. She interprets being alone with a handsome boy as carte blanche to do absolutely whatever she wants and she's vapid that way.

There’s a chance it fizzles out into nothing. An even greater chance it all goes sideways. You'll have to see what becomes of you three.

-

Okay, right - new year, new you. The resolution for the past couple remains unchanged, and unfulfilled - less takeaways and eating out; more meal prep, less calories, healthier decisions.

Irene has this cute little apron over her sweater that is fixed extra tight, the belt trailing down the tops of her jeans to accentuate her nice round hips and slim waist. She knows the nature of her charm, her sex appeal. How it occurs, almost, as if by accident.

You say something that will get right under her skin like, “looking real domestic, Joohyun,” as she slides a chopped onion from a cutting board to a bowl.

She presses her hips out just a smidge, just enough. Turns a bit as she opens up the fridge, and the smirk she has for you, that sidelong glance-

“Don’t you Joohyun me,” is her lightest rebuke. 

She twists her way onto her tiptoes to fetch at the highest shelf. The crochet corner of her sweater rides up a couple of inches, flashing a hint of the fair, bare curve of her lower back. "You can help me by grating the parmesan, hm? Into that," she gestures back at the table, pointing with the bottle of olive oil.

And so you're ten, fifteen minutes into helping with dishes, with the grunt work - with the realization that Irene is going to chop her fucking fingers off if you leave her to it unchecked.

"Actually, here," you say, "can I?"

She tilts her head, skeptical - still, a quick nod of permission - and her slender fingers surrender the knife and wooden chopping board to you. She's tapping away at her phone, finding the playlist you're both always secretly listening to.

"Wow," Irene says, low, as you start dicing mushrooms, a stalk of celery. "So brave. There’s no way I could do that. Is it safe? Are we, like, in nuptial bliss now, do you think? I fancy you, I fancy you-"

It's always this sorta-delicate dance with her: how much should you step up; how much should you put out of hand; how much she accepts versus how she pushes you aside and gets through you all the same. You're too proud, really - both of you - but fuck. She's adorable; the apron adds insult to injury; and it makes the switch in your head simple.

“I always forget how much I love this song,” she’s saying; the rolling pin she’s grabbed is a reasonable surrogate for a mic. When she’s through singing a verse, she shoves it in your face. You don’t know any of the lyrics. 

She doesn’t really care.

You have to laugh at everyone who's ever wasted the effort to theorycraft who she is behind the smoky lashes, the lowered chin, the downturned glance. All the characters and archetypes she'll wear and cast off as she needs.

"Here." She sidles up and tucks her hair behind her ear, the side of her hip grinding into your thigh until she’s pressed firm into the line of your leg. Because she needs to tell you that's way too much garlic, and she's not going to kiss you if your breath is trying to kill her first. She uses the word "pungent" a number of times, just for good measure. Go on - she’s murmuring - taste; right off her finger. If anyone caught this you’d be embarrassed for weeks

“I think, definitely, should open a bottle of wine-”

That’s how you earn all the responsibility for getting the both of you fed; she gets distracted looking through the recipe book.

But there's the way she looks up at you from the opposite of the kitchen island, face held up between her hands, fingers folded underneath her chin. "What?" she asks. 

She’s totally caught you staring.

The truth is: Irene only looks this gorgeous when it's just her. When she forgets that she's supposed to stick to a script.

You tell her as much when you end up fucking her right there on the counter.

It's so slow, atleast at the onset. Her panties pushed aside, jeans spilling off an ankle - the fucking apron managed to make it to the floor but her sweater got kinda stuck on the way up. So you're reaching through some overpriced fabric blend to pull down the wire of her bra and get your palm where she most prefers it.

"Say it again," Irene sighs into your neck, clutching to the back of your shirt - white-knuckled at the seam. "Come on, you can be so charming when you want something."

"I wouldn’t push your luck," is all you choose to tell her. 

You're hitting all the spots she wants you to hit anyway: her pretty pink cunt, slick, all wet for you already. Everything clenching as she arches her back, until she's hanging off the edge of the marble. You find it’s just enough leverage to fill her completely with your cock - stretching her out and open until her thighs bracket around your waist at the perfect angle.

"Or what?" Irene is out of breath, but hardly at a loss for words. "I know. You'll have to remind me how much smaller I am than you, right? So easy to keep pinned."

Well, if you really wanted: "Hah, ah - right." You get right next to her ear, muttering the words as deep as your chest can go - then take hold of her waist to put her in a spot she can't escape. And, by Irene's usual logic, once that happens, that's as much a victory for her as it is for you. You're being compliant, aren't you? The in and out: fucking her, filling her up, pulling your messy cock out of her pussy and slapping her clit just so she can hear how fucking soaked you make her, merely as a reminder-

"I wonder if she was even half as desperate," she moans against your jaw. "Her heart probably stopped the second you, ah - told her, what? About all of this?"

You stop fucking her, halfway.

"I’m sure you wouldn't be referring to Karina, right?" is where you glance at her. “I remember us both agreeing to chalk that up as a total absolute mistake. That was that.”

Irene just swallows, looks off somewhere over your shoulder. No one wears a blush better than her.

But she won't say it. Her honesty is such a privilege. The prodigy-type. Or at least, that's the word Irene chose. Then again, there’s you and your uncanny ability to turn a blind eye. 

To the vice, the virtue, and everything in-between.

"So, can I ask," you press your lips together, finding the point of her chin with a gentle tap - you have her looking you straight back at you. The moment could let you drive back inside and fuck her brains right out, right there, like that - right through, instead: you watch her try not to squirm. 

The tension in her upper chest, the rising heat that settles between her thighs, her weight struggling where you spread her knees, as far open as her body can allow. “How long exactly," you choose your words, careful and pointed, "are we going to pretend that she isn't texting both of us?"

You bury the question deep where she’s practically molten - hot and wet and so incredibly needy.

You do, again, and again. You pull her against you, watching that pretty brow scrunch and un-scrunch as your cock bathes in that soak. And hell, Karina had sent her a selfie today, is what she's explaining when you slow down enough - a bit of red, on her cheeks and her lips, and a lot of black, all the rest - the part about a midnight flight that's on hold until tomorrow morning. And then another, an hour later. To you both: her tits, the lace lingerie - so heavy, and soft, and easy to see yourself getting lost in-

Irene gasps at how fast you find all her favorite spots, then repeats - twice and again - hey, Karina said you're "such a cutie," and she sees her as the perfect mistress-material, don't you think? Wouldn’t it be ideal? The perfect fantasy? The perfect toy-

Obviously, that is morally bankrupt, even for the two of you. And you’re making sure she hears about it.

You ask her, point-blank: "are you really so selfish? So callous." It's ground out, slowly, against her hip, into her cunt. You've got Irene dripping wet, she's running everywhere, and you're telling her, "and this is your roundabout way of asking me to validate your twisted little ego?"

Don’t get it too confused: Irene lives for this shit; that sharp, hard-hitting tone - it drives her up the fucking wall. 

"Duh. Tell me - just a guess," she presses her hands further back, arching into each push. The slim curves of her chest are bouncing, just under her sweater. "You like to feel so guilty and morose but I bet-" she chokes off mid-sentence, you know exactly how, the exact motion that has her wanting. She gets a leg over your shoulder with no effort at all, and your fingers find their place, digging into her hips as she locks into your thrusts. 

Like fucking her is the only thing the two of you ever do.

Your whole body buzzes, it hums in resonance with where her gasps conflagrate to moans - you're pulling her slender frame down into every sloppy thrust and she takes you so fucking well.

"I bet it all sounds like, ah, the prettiest fucking music - in your head-"

“Fucking god, Irene-”

“Mhmm?” she fucking coos.

Because the things she wants to hear never actually leave your lips - your girl, fucking relentless.

Because the line between you fucking her and her fucking you becomes less distinct every time she rocks back and takes you deeper. Or when her mouth catches your next kiss a bit lazily. She takes over to swivel and slide her cunt up and around your length. So good that you have to keep her there. Hand locked onto her throat, digging a bruise or two in her collarbones, fucking her senseless against the countertop-

"Irene, fuck.” Your voice comes out thick, like gravel, and practically as an aside, “you’re going to make me-.”

Irene cuts you off, nodding, shh-shh’ing you into silence. “I know, baby. I know.” This total sigh of agreement - a hushed yes, or maybe uttering something she knows will sink right into your core, two words that sound a lot like “good boy.”

What, is that tacit approval? Probably. It’s hard to think straight.

So you bury yourself inside her, instinctually. Irene tips her chin up when she feels you paint her fucking womb. Every throb - with a fistful of her ass and your face pressed against her chest, sucking and biting and marking her anywhere, everywhere - right through her sweater. Fucking her so full that your mess is dribbling out all over the fucking floor, drip, drip, drip, and-

"Hey, I want you to know that I" - she sounds so amused as she cards through your hair, pressing a kiss to your forehead - "really couldn’t ever ask anyone except you."

(All is fair in love and war, is an adage Irene takes to its logical extreme, tangled in your sheets or with a dress puddled at her ankles. A silk stocking rolling down her leg, the crochet thrown into some dark corner.

You never say yes. You never really have to.)

This all before setting her down, off the edge, back onto her feet and taking another half-step forward and having the awareness not to completely flatten her under the full weight of your body, so she can run a hand down between the two of you and her fingertips can start gathering up all the cum you've pumped inside her. Irene tells you in her sweetest lilt to pay attention as she leans back up against the counter and gathers as much into her mouth as it will allow-

The sight alone.

When her head tips back, tongue passing over her knuckles, and she swallows-

"You are so," you sigh into her temple. Her cheek. You've settled the rest to the space in between. “Absolutely unbelievable."

She reaches out and trails the tips of her fingers lightly along the rise of your cock - her softness up against your hard lines. Her eyes flash when you twitch on the fucking spot. It's so tender all coming from her.

And there, a moment or two more. You can see it in the way she has her lips tilting, dreamy. You've always known what you were signing up for - how she's thumbing the nape of your neck - what her ideal outcome was, is. There's nothing and no one in front of either of you to bar the way.

You’ll make your vows like any other.

"Well, hey," she finally says, slow and husky and curling toward you with a smug self-satisfaction.

You push her hair behind her ears, the dark brown locks. Some part of you understands, unequivocally, that she is the absolute limit of how far you would go for any other person on the planet. No questions. In a heartbeat, without hesitation.

The kiss to the corner of your jaw is unironically chaste - before she’s telling you, "shouldn’t we get a move on it, chef? There’s food to eat, recipes to ignore; aren’t you fucking famished?"

-

The bolognese reduces down to a scorch in the cast iron. Too much heat, or too long, you got too preoccupied, who knows - there's a moral lesson to ignore here if you're so inclined. So it ends up being over a tray of sushi delivery that Irene explains to you her working theory like it's high-stakes political intrigue.

"Listen," she's got her chopsticks pointed at you, "for one, Karina, to her core, is a total seductress; and she's told me already, more or less to my face - she gets off on the chase, and hates the other shit. To be involved, or invested."

“Okay then why all the go-around; the wait-and-see; what’s her endgame?”

“What’s anyone’s endgame?” Irene shrugs. “Validation." She slips a tuna roll into her mouth.

"I think you might be projecting."

"Or, I'm simply an extremely empathetic person," her sarcasm hits harder through chewing - she almost gets you, and finishes swallowing to say, "look, she's like us if we were pretending to care, okay? Just more, like - explicit about her lack of intention. So. Doesn’t matter if it's to piss her manager off. Or it's like a revenge-slash-extortion-thing against someone she either had or is having an affair with."

"An affair," you repeat, skeptical.

"It's not like it’s an unheard-of workplace hazard, come on," and then the final confirmation: "she’s just into it because it sounds dirty and sexy, okay, like everything else-"

"And you figure we should be the ones to dole it out."

"What I figure," Irene says, doing that same mental calculus she did the first time: how, where, why - it's clear. A dozen different kinds of naked are an old, tired song by now. "I want us to fuck her. However she likes, whenever she likes, for however long she likes. Let her think she’s won something, or think she has you totally fucking hooked - I don't really care. Because it would be so much more satisfying to hear you tell me about it - because the idea of you two being like that for me. It's," her words pitch up a touch. 

"That's the fantasy."

And Irene dives into the details. She explains what it could look like, all the more raunchy and ridiculous. This very specific arrangement. It makes no real sense, the conversation alone, and that, you decide - what can't be rationalized - is how she'll take it: by fucking both of you. That's the objective fact. That's the demand.

You listen until it feels less and less like the decisions have already been made.

“Okay, babe,” she’s presenting her case. “Hear me out.”

And she keeps going until you both can see it materialize: "if Karina thinks she can handle both of us, then both of us it'll be." It’s how her fingers end up buried in your boxers and around the throb of your cock. You hear the gentlest laugh Irene has as you start fucking softly into her grip, and she runs her thumb over your weeping slit until she finds you that much more malleable to the suggestion. Effortless almost, she lures the primal part of you from its confines and teases and prods at its wants and desires. Which is also how some charged vocabulary gets thrown in for good measure. Because no, no, no - she's murmuring into your mouth, tipped back, plush lips right above yours - it's not a cuckquean situation, or an open relationship, or anything like freeuse or whatever else might justify the concern. It's not even cheating, Irene’s explaining, strictly speaking, because who said you and I wouldn’t be doing it together?

(Lying by omission is the story you both live - and the difference: she's pathological. You’re just now getting the hang of it.)

"Fuck," is what you exhale out as she opens her fingers, offering. Her thumb glides across the expanse of your head, a trail of pre-cum drawn underneath a nail. And you know all the things her nails can do - can rip your heartstrings. "I mean. God damn. There has to be, like, terms."

There's still sushi sitting on the coffee table, and Irene is placing these kisses into the slope of your shoulder, your sternum, making a show of the movement, how she's traveling down, downward - to her knees. Where she finds the seat between your thighs and tugs your shorts, the fabric gathered down your leg-

"Let me handle it," she tells you, and there goes the cut of your t-shirt, shoved up to your chest. Her grip runs flat, down from the rise of your hip, fingers wrapping around, touching - the flat of her tongue laving across the tip of your cock until she decides to lower her jaw.

"Just think right now. How I want to fuck her and how I'd want you to fuck her, too-" 

Right in her warm, wet little mouth.

Jesus, her tongue too-

She has it gliding up, around and against the swell of the underside. Rolling to where you need it, the places she knows you’ve died before. Lapping up the mess she's already gotten out of you-

Like this, Irene's looking at the way that the idea strikes: you and you and you; the only person in the whole goddamn world that can handle her; you fucking know it too - it's the most perfect, hopeless kind of thing. Like the feeling that catches at the apex of your lungs. It burns in your stomach and grips in your gut. She's gone and cut out the nerves - there's the crown of your cock caught in a velvet grip between those pretty pink lips and her fingers twisting at the bottom. 

She breathes deep. Sinks her lips so slowly to the base. Anything, everything you want: to put your hands to the side of her head, to weave your fingers through her hair, and coax her, fuck her mouth like it belongs to you, all slow and hard and measured.

To hear all those wet sounds she makes as she chokes on the end of it. The gags as you force your cock into the back of her throat, holding her head tight, her hair pulled up into a fist, to have that mouth hanging around the length of you, tongue stuck to the bottom of her chin as you move her, your fiancée, your toy. To be looking her in the eye and watching her look the fuck back while she revels in every filthy second of it, not a single damn drop of hesitation or doubt.

"Really think," Irene urges, and she's all innocent when she tips her head to kiss her way up your cock.

She’s trying for some grace or finesse, or both - trying, you think, to make a point; instead, you end up watching her gulp and spit into her palm, just to obscure the sensual curl of her tongue with the sloppy-hard rhythmic stroke of her fist. "How hot it would be if you watched us both choke on your cum. Her face fucked stupid - the perfect little fuckdoll, is that not an image for the ages-"

You get a glimmer of that catlike grin - the one you would kill for a picture of. Something for the wallpaper, or the wallet; you've never met a boundary she hasn't challenged. The most depraved ideas in her head are just, as she is, a masterpiece. And so the answer has never changed - there has never been anything she's not been allowed-

"Trust me baby," she presses her cheek against your shaft. You feel her turn and run that mouth all over. The tip of her nose. Her eyelashes. The wet heat of her breath as she nuzzles the length. "Karina's all ours to share."

Her pout, right there, waiting.

You can't stop yourself from grabbing her face, the crook of her jaw, her neck and the tips of her shoulders. Until it all comes with a good, hard pull. The sound of her mouth on your cock, the blowjob she's been perfecting for years. It's starting to fill up the room, her lips wrapping your shaft - the sound of her being so obedient, the most receptive, sweet, pretty thing: letting you guide her pace until she has a steady motion going. Taking the thick base in her hands and working it over between her fingers. There's only enough room for that before you’re all the way inside her, in and out, again: the tip of your cock brushing over the softest curve of her throat.

When you take her at face value, it's fucking wild: your fiancée kneeling before you. Her chin and neck wet with her effort, lips wrapped so pretty, stuffed, used-

There are no questions. This is simply Irene, doing what she loves.

She pushes a hand between her legs and holds herself together as your hips tilt forward, meeting her halfway-

Just letting you get yourself off in her mouth like it's no big deal. It's her throat - it's her goddamn cunt and ass, and whatever else - because you fucking asked, right? Because you gave her the permission, the choice, the agency.

"Hey, where should I?" you’re muttering as you push the hair out of her face, already half-drunk on her slick lips and realistically only a few seconds away from doing some real damage.

There isn't a need; but you want her to tell you, to use her words. In her mouth, on her face, in her palm, you’ll go without thinking. You’ll cum straight onto your own stomach if it’s what Irene says. Even if she’s acting like you already have.

"Make sure you give her,” is what she garbles out around the hard line of your cock, and it’d be impossible to understand if you didn’t know every nuance to her, if you didn’t - you know - fucking love her. To have and to hold - to hold on tight and for better or worse, and this is pretty much as bad as it gets. 

The syllables come in-between hollow breaths, all wet and sticky. When Irene wrenches the fuck out of it, the base of your cock- “hm, that same sort of courtesy when, agh, I'm not around-"

Because the image alone is what matters. There, getting your cock sucked like you've earned the privilege - it doesn't have to be real, it just has to look like it's a new truth to believe in. The little motions in her wrist are just - hah, fucking unreal - and the way she sinks down lower on her knees for each stroke, from base to tip - lips pressing over the knuckles she has wet, and squelching, and twisting up and down and up-

She places a hand under your balls, the gentlest cradle, and something of your restraint finally breaks - it snaps - her insistence is ruthless.

"Yeah, god, okay- I’m just gonna go ahead-" 

There are these images in your head, of Irene: the upturned brows, the hollowed cheeks, and that slutty-as-shit smirk - and then of Karina: doing the exact same thing. Fuck, your cock is heavy, absolutely leaking cum: you can feel yourself leaking into the press of her mouth. It fills up her cheeks as she blushes into the fuck. Her lips become flush and go soft against the ridge of your shaft - her jaw slack in anticipation. 

"Your fucking mouth, Irene" you breathe out, “I'm going to cum-” 

Just at half the sentence, you're there, sunk into your fiancée's throat. Fingers across her ears and into her hair and watching her own hands pulling you, guiding you-

It’s all flexed in your back. Every muscle. Every fiber.

Irene hums onto a simple, satiated note. She always does, when she tastes it. When you dump a hot load of cum all over her tongue and straight into her throat.

(And yes, some might claim this is the death knell for all kinds of reasoning, but you’ll go ahead and admit it’s so, so worth it.)

"How thoughtful," she says, low and slow, once she's through swallowing the entire fucking thing.

The corner of her mouth tilts up. Because you're finished: two steps left in the brain from falling out of consciousness, a mess on the couch. You get to watch as she pulls you into sorts and slots each piece back to where it's meant to sit. The underwear, your pants. It's with such careful attention. Your soft cock gets cleaned with a tissue and wiped dry. A tiny parting kiss for the tip, her mouth full-on puckered, like she's kissing out anything you have left.

Though it's a pleasant daze. She prefers you soft like this, really.

All you have left to say is: "fuck me, baby." It sounds sloppy and open-ended as hell. "I guess I'll leave everything to you."

If that's a cue or sign for the evening, the only right thing: it isn't exactly misinterpreted.

-

The actual logistics don’t arrive for a handful more weeks. You find it surprising they ever happen at all.

// Karina 10:41 pm > i'm bored.

// Karina 10:42 pm > suggestions?

// 10:49 pm > have you tried looking into an incognito tab?

// Karina 10:58 pm > lol, and what is it i'm supposed to be finding?

// Karina 10:58 pm > help a girl out here.

"Send her a picture of your cock," Irene says, like it isn’t a joke. She looks up from the smutty-dash-of-romance-porn novel she's got herself wrapped in, with her best faux-serious expression. The pair of readers that usually are in her top desk drawer have made a new home perched low on her nose. "God knows she hasn't stopped leering since she found out what I'm marrying into."

"Please," you tell her, because she's full of shit. "I'm not sending her a dick pic."

Your laptop is warm on your thighs as you huddle on your side of the bed. That's the point of balance where it feels like Irene isn't trying to look. Though she clearly is. You flick up through a couple tabs just to drive the point home.

// 11:01 pm > sorry. i'm not in the business of just handing out freebies

// Karina 11:07 pm > really

// Karina 11:07 pm > thought we were making progress here

// 11:11 pm > you're funny

"Ask her if anyone's home with her." Irene dogears the page she’s reading and sets her book down. "Or ask if she's, like, tied up or something. Something edgy."

"Something edgy," you deadpan.

"Do you want me to put the readers away," Irene offers. She's wearing the sort-of smirk you always need to be wary of.

"No," you say. “God, no.”

"Ask her where she keeps her lingerie. Tell her she should be thinking about what it'd look like: all naked except a thong. With the straps digging into her. Tied up all nice and pretty-like."

// 11:13 pm > u alone right now?

"What the fuck?" Irene slugs a pillow at you. "That is the creepiest way you could've sent-"

// Karina 11:13 pm > yeah. i am :/

You and Irene are both struck a little dumb by that. 

“Sheesh, she must have had her finger hovering over the reply button.”

"Yeah," you say, eloquent. “Who could blame her, though.”

"Uh-huh." Irene exhales, staring a bit pointedly.

// 11:16 pm > cool if I come over?

// Karina 11:17 pm > and… do what?

Irene nudges you with her heel, a questioning glance: the window has just been left there wide open and hanging. She whispers like Karina can somehow hear her through the phone, "you are terrible at sexting."

“Can you fucking leave it-”

Irene rolls her eyes.

// 11:18 pm > do you need ideas

// Karina 11:19 pm > got a couple. i wouldn't be against hearing something that lets my imagination fill in the gaps though

"Text her that you're into her throat and want her to show you her tits," and Irene actually cracks a laugh as she has the audacity to make the request. She's in good form this evening; in nothing but her favorite silk camisole - the navy blue one, which pairs great with all 5’2” of the rest of her. Like the soft curves she wears and everything else isn't bad for your heart. "Seriously, I want you to-"

"How am I supposed to end it?" You ask. The tone is purely sardonic. "Babe. Baby. My future wife. Tell me. You do realize you're basically asking me to bait her, right?"

Someone will eventually put their cards on the table, and Karina, Irene, and ostensibly you will realize you’re all currently having a mental break from reality. Or something along those lines. "I mean. Could that really be a negative," she wonders with an eyebrow quirked and another gesture of her arm like she wants to showcase the night sky beyond the bedroom windows.

"How, what - babe."

"You could promise to let her sit on it."

"Is the cockslut routine an act? Like," you lower your volume, "do you really have a playbook, here?"

"So mean." Irene reaches a hand over. She has her head propped on an elbow, the rest of her sprawled and comfortably positioned on the bed. And you wonder why the fuck you feel compelled to argue a point that so obviously has already been lost. "Just go fuck her already, god damn, I dunno."

Right. So. This was the part that was kind of inevitable - and Irene's impatience aside, you probably were about to win a lottery when you showed up at her door - that golden little interaction: "hey it's me, your rival at work's future ex-husband, I guess - I'm so horny and I think you're so beautiful and wouldn't it be so crazy if we, like, boned, haha, what?"

"Just- have sex. Tell me about it after."

The novel beckons Irene back toward it. She makes herself the picture of someone perfectly comfortable with you walking right into the next most uncomfortable predicament.

The sigh. That long, heavy thing. A leadup you do so often.

The simple idea of sending Karina that sort of message sends heat, low - just under the band of your sweatpants, and right where you've got yourself in the palm of your hand and you're already wondering how this is the result, why your cock is coming to a rise already - god damn - why every thought of Karina's face, and Karina's ass, and Karina's everything, every moment her lip is caught in between those teeth is becoming impossible not to touch. "Okay," you huff, "fine. I'm getting up, I'm going now- I mean it, right now, just give me a minute, I am putting my clothes on."

"Wait," and she's saying, "wait. Wait."

And when you turn around, Irene has this cat-that-ate-the-canary grin all stretched on the canvas of her face. She takes off her readers - her elbows thrown into her lap as she goes to the very edge of the mattress, pulling your shoulders for balance. "Babe-"

"Mm."

Irene likes to get you at a low simmer. The way she runs her thumb pad along your bottom lip. And all those questions - a look into her eyes - it's hard not to fold or break - when she's holding onto that sort of expression, unwavering; no matter how her mouth seems to get soft and curious.

Her lips move onto yours, asking - a push. And your eyes - a brush against a shoulder and you've already gone a whole mile from anywhere decent. There's the touch of her tongue between your parted mouths.

"You'll be good right?"

"I mean, sure," is what you manage, watching her lips close.

"You'll fucking wreck her, and do it exactly how she needs it done." And her brow, knit. She can tell your brain is busy jumping ahead to a hundred different scenarios. "Stop worrying."

There's a brief nod of reassurance. Her fingertips dust down your chest and the rest of the way. You hear Irene tell you to-

"And give her an extra hello from me."

"Okay, I love you, but also you're insane, like certifiable."

"Shush, I know you," and Irene gives your hair a little tousle before pushing you out the door.

-

You're standing there at the front door of Karina's apartment a little after midnight, bathed in dim, orange wicked fluorescence. Like it knows your sins - past, present and future. There's no obvious answer when you go knocking, and for a half-moment, you're thinking, okay, it's alright, this is how I let someone down easy-

Until she answers and leans out, pulling open the door. It takes you by surprise-

"Well, I'd normally let you in," you hear Karina say, and a smug smile starts to cross her face, "but..."

It's about the degree to which she looks hot and a little off kilter in this tight t-shirt - a snug pair of panties around the sway of her hips - that almost sends you spinning. There's not an ounce of self-consciousness; it's like a punch to the gut.

"Aeri's date went south and she's drunk. She's passed out on her bed, like, right now, I don't think-"

There's no bra. It's hard not to get fixated on every detail. Like her nipples, practically standing out. You have an irrational desire for her to take a step back, further into the room, further out of your vision's reach-

"Uhh," you croak. And you do have the mental faculties for, uh. For telling her. "Maybe, you know, later, could be better, yeah, maybe call me."

Though, unfortunately, the suggestion falls short on delivery.

"No, no." Karina has her hands searching up and underneath your sweater. Her fingers dance flat up, right over your stomach - teasing as she hikes you back inside. Right past the threshold. Your mouth is half-caught and stupid under her, the gentle hum and pressure on her lips. "It means we need to be quiet."

She drags you another step forward, with just the hot flash of her gaze. 

"Shut the door behind you?"

"Locking it too," you tell her.

The laugh she makes into it, this one little scoff - it's an acknowledgment: an agreement. It's one of the worst fucking sounds, and the whole damn thing gets to you. Like her ass wasn't the perfect fit for the palm of your hands- like you don't want to trace your fingers under the elastic of her panties.

As if it wasn't fucking clear enough. It's the tongue in your mouth and the hands in her hair. She's kissing you soft, she's kissing you deep; her weight rests and pulls back with each swell of your ribs, pushing her fingertips down until they're skating, slow, low into the grooves of your spine. Like she's getting familiar with you again.

"Okay," you breathe. She laughs on your lips and presses forward - pulls you back, farther- "uhh. Okay."

She must see the confliction you're in-

"Hey." Karina keeps going until you've got her backed against a wall, until your thigh has pressed into the crux of hers and your hand is in her shirt. You don't miss how she lets her head tilt back when her eyes shut. It's her. There's no disputing the reality. "Whatever you want to do to me. That is all I've been thinking about. Do it."

"I- don't really-"

She makes a decent show of crossing her wrists and tugging her shirt right over her head. Tosses it someplace safe enough. "So are you just gonna leave me in suspense, or do you need my explicit, enthusiastic permission?"

Your lips draw themselves a blank on anything useful, while your heart rate accelerates.

"Here try this: you’re going to fuck me until I beg you to stop. Then you’re going to fuck me some more. Or whatever- then we can go somewhere, I don't care," she offers with a half-whisper. In all her goddamned glory - barefoot, almost bare chested - it's not like it could be any other thing.

-

You’re not exactly supposed to end up on your knees for this.

This isn't quite how you pictured-

Okay, fuck, Karina's making the prettiest noises where her spine is curling up against the wall; those sounds you couldn't even make up. How it feels like the easiest damn thing, because there isn't a question to why. Every inch of you is pressed to every inch of her. You know what you'll taste on your tongue, which of these breasts belongs in your palm and the fingerprints in the dips of her waist - her lips on the curve of your jaw - every mark and bruise on her skin, every hint of it is real; it's fucking you up because you're kissing the woman that Irene picked, the woman you met - it's how you pull yourself away-

Karina, for the longest few seconds, is shocked into stillness.

Because you could, of course, decide to give this one last shot, your head between her thighs and eat her out until she was so fucking wet your cock wouldn’t even enter the equation. This is not actually a new idea; the possibility has run through her mind enough times already.

"Yeah. That would work."

Like it's no big deal-

"Do you need instructions? I can get a bit graphic."

"Actually, you know what?" you choke a little, and - "trust me."

You stand straight up for a moment, a second, an extra fraction. You slip your cock inside her hot cunt, and, yeah. She collapses right into you. You’re holding up her just enough to fuck into - she's starting to breathe deeper, harder; you've got her pinned like that - a hand on her neck, fingers sinking into everywhere she's softest: her tits, her ass, her waist, her throat, and there is nothing that isn't some version of fucking glorious about Karina's weight grinding, heavy onto the tip and onto the ridge and down the thickest length of you-

And her face, jesus christ, her fine brows upturned, the tears heavy in her dark lashes, the little gasping-sobbing sounds that spill across her wobbling lips - this is the both the easiest and the hardest part: seeing her get absolutely fucking ruined-

(You know, god help you.)

-

Irene doesn't even have to ask. There are hickies and bruises shadowing in on your neck, your chest - these marks you never remember Karina giving you, and a ton of scratches all up your back.

"You know I was going to offer to make you breakfast," Irene says, smug, "but I'm wondering if Karina got to you first."

"What the hell do you think?" you say, dumb.

There are eggs burning on a skillet that are never going to be salvageable, no matter what Irene says. She has no respect for the process. And her voice is full of that infuriating smile: "was it everything you hoped?"

"God," you mutter, trying to mask the embarrassed laughter in your words. You can hardly move an inch on her behalf.

"At least tell me something fun, you insufferable tease," she presses her nose into your hair and tickles the spot on your side, just to be a pest.

You lay it all out for her. Everything she wants to hear.

-

Surprisingly, there’s still plenty to learn about each other; days to weeks to months. The first real thaw of the year comes, and you’re quick to fall into this odd rhythm.

Karina won't actually join Irene on set or production very often - too much heat. It shouldn’t have taken so long to figure out the two don’t belong in the same room together, and if they’d asked you, they’d know - but no one ever really does ask you. However she does spend more and more time around the apartment. In and out of your personal spaces. And maybe a bit in between, or a little underneath too: how she seems to slot herself right into every possible fold whenever Irene’s away.

Always traveling for this reason or that.

And god, the perfect powder keg Karina is - ticking, short-fused, all ready to explode. It’s ironic, you think, she’s drawn to scandal the way Irene will do anything to avoid it, and here, she's found her ultimate indulgence.

The quick lay, the time and place you know you can be patient in pulling her apart, the everything in between. 

In fact, you’ve taken to calling her "babe" just so she doesn’t think twice when she gets your cum pooling deep in her cunt, all hot and sopping. Looking like the picture-perfect centerfold. The fucked-dumb face - all twisted in your grip, flushed-red; and the musky scent of sex; the noises and her presence alone. You fuck her, and fuck her, and fuck her, rubbing a thumb across where the mascara runs thick.

To be the gorgeous girl, cock-drunk and fucked-out in your lap - so simple - so natural: Karina finds her way over more often than not.

After your shower, after your nap; your work, the bar - Karina’s never more than a text away. And you'll keep a hand around her waist as she stands around in the kitchen, stealing Irene’s leftovers out of the fridge. Karina ends up straddling your thigh right there at the breakfast table, holding onto the wood for support as she cums all over you.

The long and short of it is: 

She's fucking you. She's fucking your fiancée. She sees no problem in having her cake and eating it too. The only caveat is: Karina thinks neither of you know what's actually going on.

“You gonna say hi to Irene for me?" she's teasing one day, snapping her bra back into place. The t-shirt pulled over all that glossy-dark hair, the shimmy of her hips just to get back into the world's tightest jeans. She presses a fleeting kiss to the corner of your mouth. It's such a stark, clinical goodbye - ending with a flick of a thumb across a screen. "And oh, let her know if she ever wants me to teach her a trick or two. Anytime."

“Yeah, I’m sure she’d love that.”

Karina does the most insipid thing. She fucking winks. “I’m sure she would.”

-

"Uh, are you kidding me?" you ask Irene. 

It's late one night, and Irene is standing in the kitchen in her pajamas with a welt the shape of Karina’s lips kissed right into her jaw. A couple drinks in your system have given you both a false sense of clarity, and also an ill-timed desire to solve all your goddamn problems. You lower your voice. "In her ass?"

Irene has that all-triumphant and dopey grin that makes your heart ache for her. There's a soft curl of her hair loose, thrown across a shoulder. "I’m serious, pull her hair right, hold her wrists until her back has to be arched. Pin her to the bed," she continues to illustrate, "it's all in the finer points of how much. Tell her to count, even. I'm not joking-"

She takes another spoonful of yogurt between her lips.

"-she'll let you do anything, promise."

“That’s fucked up.”

“I know.” Irene wags the spoon at you. “It’s great.”

-

It's not only the hypothetical-homewrecking that gets Karina so torridly wet for the whole affair; when she's pinned beneath you with her legs spread and her toes pointed skyward, or perhaps later - the same day even - riding Irene's face in a locked dressing room and crying out - "ah, hah, jesus, please-"

In her head, she has you both at her beck and call. Forget semantics - Karina is a fool to her own illusion. Because in her head, not only has she managed to go toe to toe with the industry's reigning monarch, she’s managed to win.

-

You don’t exactly know how Karina ever intends to keep it casual. Because things are damn near constant:

It’s a weeknight, and the moon is high above the windows, casting a crisp rectangle onto the hardwood; it doesn’t actually matter, as far as Karina is concerned.

Irene’s on television again, the sequin in her dress clinging tight, and she’s found the gaze that never breaks for the cameras. Found the flash of her most practiced smile - that little chime of laughter she has that sounds like striking pure gold.

Then Karina: sitting cross-legged at the very end of the sofa. One leg thrown over your thigh, she’s got these nylons on her feet and she’s poking a toe into your ribs. "Isn't she stunning," you hear her muttering, "honestly. Doesn't it, like, turn you the fuck on?"

Her foot grazes your lap, all casual at first; the impossibly soft-curved heel of her sole. There are so many ways she'd prefer to pass the time and they almost all involve getting under your skin, if not just outright getting into your pants.

“Elaborate.”

"I mean listen, in your case, just knowing your fiancée is up there looking like a total angel and at the same time, thinking about you; how she’s got to be considering every which way she’ll unwind just after the showcase - at least, that’s what I’d be doing." She licks her lips, teeth. "Hell, I’m only imagining how pretty her eyes are when she can barely keep them open, and that’s enough to ruin my panties."

"Are you really."

She shifts her weight. Puts that ankle to good use. Rubbing it into the crease between your legs. "Tell me," her lips curl. She’s looking at you dead-on. "How does she usually prefer it, hm?”

Like a wildcat, you suppose, your Irene - a pretty, little predator. You could tell Karina everything, but you don’t. Instead you let her wander into the lair of her own making. Her eyes: light and curious; it’s written in the lines of her face how she's picturing it all so plainly.

“I’d guess she lets you go slow. Or hard. Or maybe a little rough and then you make her cum, and then maybe, just maybe, after the teasing; after the edging, I guess, that's when she comes in hot. I would hope."

Karina twists her foot around, swings her weight onto your lap, and sucks in a sharp breath when you reach out and grip the lean lines of her hips. It’s as easy to hold her still as it'd be to drag her across the couch and under the rest of your body, fuck the goddamn tension until there was no longer any room left for the pretty smirk in her lips. And her gasp would probably sound a hell of a lot better - than all the needling quips - a much louder and much less-pretend whine when you could throw those thighs open and really pound her wet, aching little cunt-

“Easy,” she chides when you end up taking two handfuls of her chest. "Shouldn’t you be more supportive? For god’s sake, it’s your fiancée’s moment in the spotlight, you know-"

There’s nothing stopping you from popping off the buttons of her dress, one by one by one - and kiss right there, into the swell. Your voice feels all the rougher when you respond, "and what a moment."

Her fingertips skim over the places she's been kissing you, where she's been marking and claiming and trying to, at least, to stamp you like her personal property - when the look is that serious. All cold-burn. Right through to the bone.

“So.”

You can feel her touching into your pants. The heat in her soft, silky thighs; she sits above you, keeping a leg on each side. A part of you feels trapped; another is confused why you aren't turning the tables right now - flip her and ride out her cunt on the couch. Some passing thought, or just a fraction, the only one that matters in that particular instant, wonders what Irene would do, will do - has done - in your situation. How her hips would roll. How Karina’s moan might sound when she dug a nail right into a sweet spot.

You push Karina's skirt a little farther up her body and try to gauge the moment she's finally decided she doesn't mind.

“How about you keep your eyes on her, and I'll suck your cock while you do," ends up being the short and not-so-sweet of it all. “-or maybe you can get off between my tits.”

She wraps those fingers around your base and pulls gently. It's not a decision, but merely a continuation, a culmination: a gesture made entirely to pull the response: the hitch to the throat. Her nails skim that ridgeline as her eyes track across the cut of your features. It makes you groan into her next kiss, to say, "if you wanted it so bad, babe, you could’ve just said. Would save us a lot time-"

"Are you complaining?" she husks, pulling your pants down your thighs. Your cock is in her hands and she smiles like a cat - licks her teeth when it twitches at just the slightest touch. "Yeah, I didn't think so," is how the breathless laugh leaves her lips.

You catch the quirk of her brows, her tone: straight-up, like nothing. You’re almost buying into that until she's got your shirt on the floor, those lips of hers in the divot of your collarbone, and her tits wrapped around the base of your cock, and, well, fuck-

She actually wastes no time - none at all. A couple feet away, Irene covers her laugh with one hand. There's a brass award in her other. And the television casts this soft, pale glow.

Karina tips her head, and a curtain of her dark, silken hair spills across the ridge of her breast. She runs those big eyes over you, all wide and round and vaguely-deviant. There's the perfect amount of motion, of squeeze, just a light-bit of pressure, and she's got a face smug-arrogant in an instant, knowing. Fuck, her hands on either side start pushing into the line of her cleavage as she bounces and rocks and draws every inch of your cock up through her soft tits and back down again.

"Fuck," is the harshest exhale she's ever dragged out from you.

She hums a low sound, all self-satisfied when it's her own namesake: your body wants her, like you know the full weight of her needs, your touch, how badly she's fucking craving to get off and still not admitting to anyone it might be more than sex. Like it's really as easy as her next breath, the flutter of her lashes: Karina wants your eyes, the weight of your attention and she's not going to beg for a fucking thing. The feeling, you think, is mutual.

"Irene," she says, her smile as open as it could ever get. "She's just so gorgeous, right?"

On one hand, she’s speaking between the lines. A perfect tincture of deceit - the bawdiness-by-nature: watch me, look at me - is what she might as well say - look what I can fucking do, the whole lewd display. And, god, how she knows every way to make a guy want it, like she wants you to remember it.

Because on the other, the movement is so, so direct. 

Karina twists herself in an upward tilt, just an easy, practiced thing; she lets her tits spill around your cock and through her fingers, full and soft - and her lips part, mouth slacking alongside yours, matching the sounds out your chest with her own. Like she knows exactly which slide of slippery friction will make you moan, or which pull and drag will send your teeth straight into your lip.

"Isn't it crazy," she lolls her head a little, letting her own saliva drip down the center, onto your weeping slit. "How much I want your cum filling my cunt, even knowing she's the one you'd rather put the ring on," the drag and drag and drag - her tits are fucking incredible, and she knows it. She pushes up with her fingers and gives you a long draw right through the press, right where the nerve endings run electric, right where she keeps moving, up and down, and up and down- 

“-it must be hard, I mean, jesus christ. Here I am, needy and hot. Begging you to wreck me and my only sin, hm - the sin of being second best, right-"

"Holy fuck, you're-"

"Obsessed," she says, and drops her tits against your waist again. "I know, I know. How could I not be?"

You're left muttering into the titfuck alone, watching her rub your precum up between their soft shape, feeling the slight give, how her skin goes warm. The act itself: such a simple-thing-bordering-on-the-absurd that you notice how you coil and flex beneath her curves, how she feels so soft and warm. The slight pucker of her lips every time your cock escapes her cleavage does little to help. It's probably the fault of the brain-fuck but the wet of her mouth is practically everywhere you look. You could eat her alive right here, spread her legs on the coffee table and finish with a bit of screaming, groaning and tearing, and no one would ever stop you.

But instead,

"-it's a good color on her, really; but then every color is a good color on her, isn't it so unfair?" She's taking your cock into her tits, deeper on every rock forward and back, holding them close - a gentle lock of those long manicured fingers keeping it all together. "Even wearing no color at all; you must just love how all the freckles are so easy to see," she murmurs, squeezing tight. The sound is wet, messy. A filthy chorus between her dirty words and the dirtier action, and just that glimpse of friction when she strokes down again is maddening. You're all slippery. So sticky-slick, so tight.

Of course there's not a fucking inch of a reaction out of her; you want to get off so bad-

"You could close your eyes," she tells you. "She would still be there. The sound of her laughter. The image. In that dress or not," and her mouth furls into a half-smile before she pauses. Reaches down, pulls her tits around you impossibly tight. "Just so damn pretty-"

You cum just like that: 

"Babe," is what you let her have. The soft, undercurrent hiss. "Fuck."

You shoot clean up, all thick, hot splatter.

Well, mostly up - along the expanse of her neck and throat, coating where her breasts sit so pretty against the lines of your thighs. Across her sternum and the hollow of her neck - her body's covered in your shared mess: slick-filthy-hot, all strewn across her perfect tits.

"Jesus, Karina, baby you’re-"

"Completely covered in you." She's still smiling. That deep-cut and perfectly symmetrical curl of her lips. The gorgeous fucking shade, and her chin, how her cheeks flush, just a little - they've always turned pink in the most specific places when she gets fucking cum-soaked. “I know, just look.”

And her hands slide across her chest, trailing a path through the thick of your release, spreading the glaze all down her front. Making it messy, making the exact look a guy sees once and is driven to the ends of his sanity - just to spill his load out onto her. To get her all used, and trussed up: just how she likes.

(Sanity is being generous, considering.)

You can't do anything other than what's expected: take her up in a kiss, breathe into the mess you've made on her skin. The gasp is full, surprised - just enough, maybe, to count as genuine.

Such a mess - she murmurs - um, come on then, you can do a girl a favor. Bath bomb, bath towel, bath robe - and really it doesn't have to be a suggestion.

You’ll pin her down and fuck her right over the lip of the tub if that’s what she really wants. Just being in her company is indulgent and excessive and begging you to make a terrible habit of it. Have some self–restraint, she has this tone in her voice sounding more and more like a dare. There's just enough there in her hands: one reaching for you and the other reaching into the porcelain, swirling up the lather - and that look on her face, as if to say, can't believe you have me waiting, like some desperate, depraved pervert - only it’s more explicit than that. Only it feels worse - and her mouth is moving again, speaking into the air that already feels stifling hot, words cutting through the steam: you're not very nice, I mean really, it should come as no surprise how she turns out, having this jerk for a fucking boyfriend- 

Nevermind. Not a dare, it's a challenge. She was right the first day you undressed her, the brattiest girls always have the worst kinds of fantasies, the darkest little tendrils of self-destruction. How she's laying there, asking and telling, pushing and pulling; and how she thinks she's so clever too.

Though that is no reason, she laughs, for you to think she won't love having her pretty cunt cockwarmed and spoiled for an evening or more. - And so it goes, and so it goes, and so it goes, and so it goes.

-

(Really, to Irene’s credit, she had Karina pegged right from the jump. A character study in, well, herself.

She's seen as an ingénue by the press, and an outright savant to the executives. They know her as the obvious successor. They give her the runway, they watch the leggy-girl-turn, the model-posture, chin held high and aloof, looking down at the gathered throngs of photographers.

The protégé, the goddamn heir-apparent:  

But her favorite game - that bit of innocence served on a platter, ingenuous when it comes to spinning a flaw to gold, and the deception too - Karina loves and loathes every second she spends upstage from Irene's own, hectic, international production. Because if anyone asks her, that girl would claim it's never been a competition in the first place. 

So you see, if you and yours have both decided to ruin her-

It is a disaster-in-the-making, isn’t it.)