#so i had to draw something silly instead

[tea-time221]

wyllstarion chronicles

i ran out of wholesome wyllstarion ideas so i decided to shitpost because i physically cant stop drawing them (this is a cry for help ples give me drawing suggestions thank u)

[hinamie]

quick megumi style study

[capn-twitchery]

songs to sink ships to (who gave them an ipod, anyway)

i mentioned the very silly "what if you gave twitch modern music" playlist, here it is (so far), it's a mess<3

[reginaldubel]

its his day @sleep-nurse

[fuzzbuns]

Spiritual successor to that childe post based on this

[cloudinal]

CAT Birthday (1)!

Textless version for all of your textless needs

[measureyourlifeincake]

my stp brainrot has combined with my casual interest in historical dress youtube and I decided to draw the Princess in a more historically-inspired outfit than her original design

If anyone's curious, her outfit/hairstyle is supposed to be from around 1828 ("around" bc my main reference/inspiration was definitely from 1828 but I had so many tabs open with different inspo images from nearby years and I don't remember which ones I actually used. also did you know it is surprisingly difficult to search for royal portraiture from a specific year) because based on some cursory googling, it seemed a lot of the elements of her canon base dress (off-the-shoulder, sweetheart neckline, poofy sleeves, straight waistline around the natural waist, skirt that isn't super full/poofy) seemed historically plausible for that time period

I also drew her hair in a more historically-accurate style for the period (but don't ask me exactly what's going on there because I'm not entirely sure myself) but I kept her canon tiara because it seemed plausible enough. anyway this was really fun to do!!!

[seaofreverie]

Sparkstember Day 19: Lil' Beethoven (Ride 'Em Cowboy)

First of all, let this very important fact be known: the love I have for all three albums in the Lil' Beethoven trilogy cannot be overstated. I think I can safely call them my favourite pieces of art ever made. You know, when you look forward to something and it not only lives up to all your expectations but it's also just SO SO much more? Something about this neoclassical / dada / deconstruction of pop music / whatever-you-should-even-call-it approach is absolutely PERFECTLY suited for my tastes, and I didn't even know I was looking for something EXACTLY like this until I found it.

I think the circumstances of my first hearing of this album are pretty funny and something I got pretty lucky with actually (I often think about this with Sparks in general, as much as I wish I've known about them sooner I also do feel like they appeared in my life when I needed that the most. But anyway.) I was very eagerly looking forward to hearing it and finally seeing for myself what the genius of this album is all about. But I insisted that I can only do it through a physical format because yesss, let's make it even more *special*! The moment I've been waiting for! So yeah let's gooo, I need to wait until my CD arrives in the mail (that was one of the longest weeks of my life). And then I started to wonder, well, maybe I actually won't like it that much. To hype myself up to this extent and then be severly dissapointed - would have sucked!

Well, I was NOT dissapointed. Instead I was perplexed, confused, but also very intrigued and quite, ok not just quite, *completely* amazed already. That was the initial reaction and I think it's a rare but very beautiful moment when this happens - no need to *fully* grasp it right away, but enough to be all like "oh that was SOMETHING. I need more." As I said after that first listen (and I actually have my whole LIVE reaction to hearing LB written down lmao, that's how much of a big deal this was for me), I felt like it actually has to grow on me a bit still, gradually but surely with each next listen, rather than the 1st listen being THE prime listening experience. And that was very true! But it wasn't even gradual, it was very fast, seriously. And something very important that stood out to me right away too were the melodies - something about them, and that continues into HYL and ECOTD too. It's this classic feeling of: this always existed, or at least it feels like I've known it for years already. And as I listen more and become more familiar with them the magic still grows.

It's of course no coincidence to me that an album that relies so much on extreme levels of repetition is so addicting, even hypnotising. And once upon a time I thought that I couldn't like something that's too repetitive and therefore could be considered monotonous or "predictable". But nothing is predictable about LB actually. (Besides... ok, I'll get to that one bit later). But yeah, it's good for the brain. And it's been said before by others but this music definitely has this certain neurodivergent appeal thanks to all this, and, well, I love that aspect of it so much and I definitely relate to it on some level that goes even deeper than just song topics and instrumentation choices. It's in the structure and the fundaments of it all too.

I legally can't finish this without a dedicated paragraph to the 2004 Live In Stockholm performance because HOLY SHIT. Feeling so lucky again that all three of these albums got this treatment and we have recordings of these half-concert-half-performance-art pieces that we can now marvel at. I will say that like, a pretty big part of the sum of the appeal that LB has as an album is stored in this show and its visual and narrative elaboration on its themes. And also it's just so fun to watch! Sometimes I thought about how this might be an even better introduction to LB / this era of Sparks / Sparks in general than the actual album but well, never had a chance to test that and you know. Maybe shouldn't recommend Sparks with one of the most leftfield things there is to be found from them. Either way, very good, very important, felt like experiencing the power of LB for the first time all over again.

So now, please hear my exact reasonings for why I so deeply love (almost) every single one of these songs......

The Rhythm Thief

NO song made such a big impression on me the first time I heard it as this. I might have gotten more used to it after all this time but man, The Rhythm Thief, you will always be the realest one to me. This is what made me look forward to the whole album so much and convinced me that it would be like nothing else I've heard before. And that turned out to be so very beautifully true!

How Do I Get To Carnegie Hall?

I could listen to this one a hundred times in a row over and over and not get sick of it one bit. That's it, idk what else to add, beautiful and ethereal in every way

What Are All These Bands So Angry About?

Mostly I just want to direct everyone's attention to the bridge section, at the 2:26-2:52 time mark, which as far as I can say is the most heavenly piece of music ever made. Feeling like that Winnie The Pooh soul leaving his body gif each time I hear this

I Married Myself

Aromantic anthem, to me. Not that much to say actually but it's just, a very sweet and pretty song even when it might be taken as just this sort of ironic piece, I think it's this situation where a song can be taken more or less literally and it doesn't lose anything, rather the sincerity takes on a new sort of meaning? Because yes, maybe this hyperbolic situation (marrying yourself) COULD be the solution to the heartbreak of failed relationships. Ever thought about that??? Ok, stopping right here and leaving my I Married Myself analysis for another day

Ride 'Em Cowboy

My mind is blank on this one suddenly. But it's so good believe me. I love it a lot. It just has this LB spirit that makes it very addicting to listen to

My Baby's Taking Me Home

This was sort of the first Sparks song I've ever heard, or maybe that I quote-unquote purposefully listened to, and I think that's pretty important considering that it was the moment that ultimately lead to... all this. This song has always been incredibly beautiful and powerful to me, but lately it just makes me emotional to an extent that makes it hard to listen to most of the time. I WOULD sell all my material possessions for even one chance to experience this song live by the way

Your Call Is Very Important To Us. Please Hold

Earns soooo much as a live version, but even without that I think it's genius in the same way as The Rhythm Thief, and maybe the most disquieting piece here overall... If we ignore the next one maybe

Ugly Guys With Beautiful Girls

Sitting there hearing the intro of this song all like "huh, this is so chill and calm... too calm..." and then being hit with, well, everything that's going on in this song afterwards was truly THE MOMENT back in the day (and re: the predictability thing. idk though, it's not like, really an issue). Later on I decided that this sort of narrative nature of the song makes it have less replayability value than the rest (???) but I abandoned that opinion soon enough, thank god. I love it how long it took me to realize that this song and the ending of MBTMH are the only times when drums appear on this entire album (I mean no, I'm not very proud of that fact actually, as the self-proclaimed biggest LB fan in my area. And The Rhythm Thief literally saying "say goodbye to the beat"... come on man). So yes, sometimes less is more! I adore this song now it's such a treat I would gladly terrorize my neighbours with it

Suburban Homeboy

Ok, I'm sorry Suburban Homeboy fans but this is the only song here that I'm not a HUGE fan of. I still think it's brilliant and an incredibly fitting ending for the whole thing - the mood whiplash is amazing as this is the only "vaguely happy sounding" song on here, per my words from months back. And what's better than yelling WE ARE THE SUBURBAN HOMEBOYS! (I'm actually awaiting today's Sparks karaoke rating reveal very impatiently lol the reveal happened before I posted this and I'm very happy about it)

One more actually, a quick word on Wunderbar because it gave us two things that we might have not been able to do without: 1) this whole album actually (the fact that LB exists because of Wunderbar giving the Maels the idea to continue meddling with this style. Up there as one of my fav pieces of Sparks trivia) 2) anddddd the 21×21 performance of it of course

[xxplastic-cubexx]

thank yoy for drawing erik so big . He is a big man. HUGE EVEN. thank you.

Big man……….. i love me big man…..

[goodness-graceous]

many zel*nk shippers when ANYONE tries to be happy about and enjoy a different ship involving Zelda or Link:

(this is about b*tw/t*tk, but can apply to any of the games if y’all wish 😌)

[sysig]

He’s my little meow meow, my darling, my bbygirl (Patreon)

[unnonexistence]

i love themed chapter titles soooo much. like i love chapter titles in general but something about Chapters With Naming Schemes really gets me

[kathybluecaller]

rip my wallet

[marvelstoriesepic]

Creamy or Crunchy

Pairing: Avenger!Bucky x Avenger!Reader

Summary: Bucky joins you grocery shopping to everyone’s surprise.

Word Count: 3.7k

Warnings: Bucky hovering; Bucky knowing his favorite people; little bit of protective!Bucky

Author’s Note: I don’t know what this is but I was in need of some silly fluff. Hope you enjoy! ♡

Masterlist

He’s been trailing after you since you left the tower, stuck to your side.

Not in an obvious way, not in a manner that would draw stares or second glances, but in that ever-present way of his - like a second shadow or an old instinct that never really shuts off.

You’ve barely gone five blocks to the nearest grocery store, and Bucky has stuck close the whole time, keeping pace without a word.

It caught everyone off guard when he volunteered to come with you.

He had been slouched in his usual spot at the kitchen counter, cradling a cup of coffee he never seemed to finish, and looking like he had nowhere in particular to be. So when he had straightened, eyes trained on how you pulled on your shoes and muttered a gruff “I’ll come with you,” there was a moment of pause in the conversation between Natasha, Steve, Clint and Sam lounging on the couch in the common room.

Even you had blinked at him, thrown off by the suddenness of it.

Still, you didn’t argue.

Normally, grocery shopping isn’t something that interests anyone in the tower. It is a mundane, civilian thing - something of a life most of you had long since left behind.

There are people who handle it, services that deliver whatever you need at the touch of a button. But you aren’t looking for efficiency. You are looking for something real - something that can make you feel like a human being again.

You’d just gotten back yesterday from a month-long solo mission in Vorkuta, Russia. It was rather harsh. You spent those weeks in the cold, in silence, every step a deliberate calculation, every breath rationed as if you weren’t entirely sure when you’d be allowed another. You operated alone, only allowed to talk to Tony once a week for updates. It was the kind of quiet that made a person feel less like a person and more like an echo.

So you need something normal now. Something unremarkable.

No mission, no intel, no carefully rehearsed exit strategies.

Just a trip to the store, because you want to pick out your own food instead of eating whatever shows up in the tower’s stocked fridge. You want to grab things impulsively - maybe a bag of chips you don’t need or a carton of juice just because it looks good.

You want the simple, stupid pleasure of choosing something, just because. Of standing under the fluorescent hum of grocery store lights and deciding between brands of cereal and coffee creamers like it actually matters.

And Bucky, for all his presence, says nothing.

He just walks with you, hands stuffed into his pockets, eyes darting between the sidewalk and the people passing by. He is relaxed, but only just. There is tension in the way he moves, like he is running an assessment every few steps, tracking details of things you don’t care about at the moment.

The doors to the store slide open with a mechanical hiss, spilling warm, artificial air onto the street.

Inside, there is that familiar smell of waxed floors and cold produce, the sounds of shoppers, the beeping of registers.

A cart squeaks somewhere to your left. A child giggles near the bakery section. A bored-looking cashier stares blankly at the register screen. A tired-locking employee is restocking shelves.

It’s nothing special. But it feels real and humane in a way you need.

Bucky steps in behind you, scanning the store out of habit, then looking at you as if waiting for direction.

You grab a basket and move forward.

He follows without a word.

You walk through fruits and vegetables in bright, and glassy colors, stacked in neat abundance. The air smells like citrus, earth, the scent of misted greens, and something fairly plastic all slightly overwhelming your senses after a month of smelling mostly cold air.

You extend a hand toward the lemons, fingers brushing the textured skin of one when you feel the weight of the basket shift.

Bucky’s hand curls around the handle, pulling it from your grip and holding it himself.

Your gaze snaps up to him, but he isn’t looking at you. Not directly. His eyes are fixed on the rows of produce in front of you, his brows drawn together just slightly, his mouth set in that endearing little frown.

He stands close. Close enough that you can feel the warmth of him. Close enough that, if you shifted just an inch, the fabric of his sleeve would brush against yours.

It’s not intentional, this proximity - it’s more like a habit. He doesn’t seem to realize he’s doing it, doesn’t notice the way his presence expands to fill the space between you until there’s almost nothing left.

He exhales through his nose, shifting his weight slightly, eyes sweeping the fruit display as if it’s something to be figured out rather than casually shopping through.

His metal fingers whir slightly as he flexes his grip around the basket handle.

“This is a lot,” he murmurs, almost absently.

You keep glancing at him. It takes you a second to realize he is speaking at all, his voice being so quiet, a thought that accidentally made its way out.

“What?” you ask softly.

His eyes fall to you briefly, then back to the fruit. His mouth tightens, jaw working, debating whether to explain it or just let it drop.

“Back then,” he says, still not quite looking at you. His eyes scan the apples, the oranges, the rows of neatly stacked avocados and kiwis and papayas flown in from places he never got to see. “You had your basics. Apples. Pears. Some oranges, if you were lucky. But this?” He tilts his head slightly. “This is a lot.”

He doesn’t say it with wonder. He says it with assessment, categorizing this excess, measuring it against whatever memory of the past lingers in the spaces of his mind. Like he is trying to decide if this abundance is a good thing or just another shift in the world that changed without him.

For a second you wonder, if he is talking to you at all - or just thinking out loud, caught between time periods, a man stretched across decades that won’t quite line up.

Your fingers brush the lemons again, grabbing one and carefully putting it in the basket Bucky is holding. “Well,” you mumble, keeping your voice light. “You should see the cereal aisle.”

Bucky huffs out something that’s almost a laugh, something genuine and his eyes land on you again.

You move and pluck what you need. Apples, zucchini, a handful of bright bell peppers. A bundle of fresh basil, its scent still on your fingertips - something Wanda has been asking for. Some mangoes, ripe and golden, the kind Sam offhandedly mentioned craving the other day.

Bucky watches.

He doesn’t reach for anything himself, just keeps his grip on the basket as you fill it and trails closely after you.

His eyes track every motion - the way your fingers test the hardness of an avocado, the way you turn a tomato in your palm, the way you pause just a second before deciding on a bunch of grapes.

He simply observes.

You step over to the plums.

Their deep purple skins glisten under the lights, some nearly black, some streaked with dusky red. You pick one up, pressing it lightly with your thumb, feeling the faint give beneath your touch. Satisfied, you reach for more, slipping them into a paper bag one by one.

Bucky doesn’t say anything.

But you feel him.

The attention he gives you.

His face is unreadable, expression carefully neutral, but there is something behind his eyes - something considering, something caught between memory and recognition.

You don’t know if he realizes you are getting them for him.

You don’t know if he remembers, or if it is just something subconscious, some buried instinct nudging at him in a way he can’t understand.

But you remember. You remember the way he stared at the heap of plums on the kitchen counter weeks ago, the way his fingers had twitched with a want to take one, but he hadn’t. And the way he watched Wanda as she used them to make a pie he didn’t end up eating.

“Do you want some more?” Your voice is casual, warm. And when you glance up at him, he is already looking at you.

Then, almost abruptly, he clears his throat, dropping his gaze. The fingers of his metal hand flex once around the basket handle. He shifts his stance slightly but does not move away from you. When he speaks, his voice is low, almost careful, almost bashful.

“S’ fine.”

But you catch the almost-question in the way his eyes move around, how his fingers tighten and release.

So you grab a handful more and drop them into the bag without a word. Then you fold the top down and place it into the basket.

Bucky doesn’t look away this time.

And he continues wandering along with you through the aisles.

The plums sit among other products and you catch him glancing at them once or twice.

You reach for a carton of eggs when there is a shift.

Not in the air, not in the store itself, but in Bucky.

His posture tightens, his grip on the basket adjusts slightly. You don’t immediately know why, but then you turn your head and see a man standing a few feet away, watching you.

It’s not overtly threatening, not enough to draw attention, but something about his gaze lingers too long, too deliberate. His eyes trace the shape of you, moving slow, assessing. He isn’t leering, isn’t smirking, but the way he looks makes your skin prickle.

He seems to debate if he should say something. Waiting for an opportunity.

You barely have time to move away before Bucky does.

He doesn’t make a sound, doesn’t say a word, just shifts seamlessly into place - between you and the man.

It’s not a dramatic gesture. No sudden motions, no confrontational stance. Just his presence - him planting himself in the way, broad shoulders squaring, jaw setting, scowling.

That man takes his brown eyes away from you and meets Bucky’s gaze, and whatever he sees there - whatever lives behind those icy blue eyes - is enough to make him rethink his interest. He looks away, scratching the back of his head, shuffling back a step, and seems suddenly far more interested in bread.

You exhale softly. Bucky doesn’t move.

He stays right where he is, a silent wall between you and whatever attention you haven’t wanted. His scowl lingers for a second longer before he glances back at you, eyes sweeping over your face as if he is making sure you are fine.

You tilt your head, offering a small, gentle smile. “Everything good?”

His lips twitch, almost like he wants to say something but doesn’t quite know how to form those words.

“Yeah,” he mutters, swallowing.

But his stance is still slightly stiff, his fingers can’t stay calm around the basket handle. And he glances, just once, in the man’s direction - making sure he stays gone.

Something warm fills your chest.

You missed him, while you were gone.

He’s always such a grounding presence at your side.

You missed his dry, reluctant commentary whenever the team does something ridiculous.

You missed walking into the common area with him brooding in his usual chair, pretending not to listen to conversations he’d eventually grumble his way into.

He was there when you stepped off the jet yesterday.

It wasn’t necessary for him to be there, it was six in the morning, after all, but he was.

He hadn’t said much - he never says much - but his eyes ran over you in a way that told you he had been waiting. That there was something heavy underneath that furrowed brow and the almost too casual nod he gave you. Something like relief. Satisfaction. And something much more profound.

You remember how he was when you left.

Standing off to the side of the hangar, arms crossed, jaw pressed tight as you made your final checks. It also wasn’t necessary for him to be there, but, again, he was.

He said goodbye briefly, wished you luck, but in the way you felt him watch you board the jet it seemed there was more he wanted to tell you.

And when the engines had roared to life, when the ground beneath you had begun to shrink, you caught the last glimpse of him - standing stiff, pensive, his mouth pressed into a thin line.

Now, he walks beside you, trailing just a half-step behind, his grip steady around the basket that should be in your hands, watching you more than anything you’re planning to buy.

Maybe that’s why he came with you.

Maybe that’s why he hasn’t strayed, why he hovers close, why his eyes find you like he is memorizing something he doesn’t want to lose track of again.

Maybe he missed you, too.

He is not grumpy, but there is still a tension in him. Something wound too tight in his shoulders, in the set of his jaw, in the way he glances at you like he wants to say something and then doesn’t.

You can’t have that.

Your eyes scan the shelves as you walk further along, knowing that Bucky will follow.

“What kind of soup does Steve eat?”

Bucky’s brows pull together at your casual question, as if he can’t believe that’s what you asked. “Soup?”

You nod, dead serious. “Yeah. I mean, does he have a favorite? Chicken noodle? Tomato? Something tragic, like plain broth?”

Bucky exhales sharply, almost a laugh and something in him relaxes ever so slightly. He tilts his head back a little as if this is the most absurd thing anyone has ever asked him, but he humors you.

“Steve doesn’t eat plain broth,” he says in that low rasp that sometimes sends a shiver down your spine. Now is sometimes. “He’s got more sense than that.”

You hum thoughtfully, reaching for a can on the shelf, inspecting it like it holds the answer to some great mystery.

“So what is it, then? Something classic? Or does he secretly go for the weird gourmet stuff?”

Bucky steps closer, peering over your shoulder. The fabric of his jacket brushes against your back.

You glance up at him, arching your brow.

“You don’t know, do you?”

Bucky rolls his eyes, but his face is soft. The scowl has faded. There is a tug at the corner of his mouth. “Of course, I know.”

“Uh-huh.”

He huffs, reaching past you to grab a can from the shelf, fingers brushing yours briefly. “Clam chowder,” he utters. “There. Happy?”

You blink, genuinely caught off guard. “Wait. Really?”

Bucky smirks, just a little, just enough to be real.

“Yeah,” he says, voice a bit quieter. “Really.”

“Well, then,” you quip, taking the can off his hands and putting it in the basket. “He shall have it.”

Bucky huffs out an amused laugh.

You walk a little slower now, Bucky falls into step beside you. He seems lighter now, his face softened as he watches a little boy excitedly run off to a certain aisle while his mother calls out for him.

You plan on keeping him that way.

You spot a ridiculously, colorful display stacked high with an array of different kinds of peanut butter.

“Creamy or crunchy?”

Bucky blinks, turning to look at you. “What?”

You gesture toward the display like it’s obvious. “Steve. What kind of peanut butter does he eat? Creamy or crunchy?”

There is a beat of silence. Then, something seems to turn alive in Bucky’s expression. His lips twitch as if he suppresses a smirk and doesn’t want to give you the satisfaction.

“You serious?”

“Deadly.” You fold your arms, tilting your head. “I feel like he’s a creamy peanut butter guy, but I could be wrong.”

Bucky is hovering again, looking at the shelves like this is suddenly a debate worth considering. His arm brushes against your side, but he doesn’t move away.

“You’re wrong.”

You glance at him, eyebrows raised. “Oh?”

“He’s a crunchy guy,” Bucky says, reaching for a jar with his flesh hand and inspecting it like proof. “Says the creamy stuff’s got no texture. No character.”

You snort.

Bucky hums, still holding the jar, rolling it absently in his hand. He looks at ease. The basket dangles from his metal fingers as if it weighs nothing, even though it is filled with products.

You watch him.

The tension in his shoulders is practically gone and you know you should probably leave it there, but you don’t.

Because you want more.

More of this, more of him, more of that unguarded space where he forgets to be closed off.

So, you bite your lip and tilt your head at him before asking carefully. “What about you?”

Bucky glances at you, a small crease forming between his brows. “What about me?”

You gesture vaguely. “What kind of peanut butter do you like?”

For a moment, he just stares at you, like the question has never occurred to him before. Like no one’s ever bothered to ask.

You can almost see the gears turning in his head, his fingers tightening slightly around the jar. The hesitation is there. He doesn’t know how to answer. Perhaps he doesn’t know if he has a preference. Or it’s just been a long, long time since someone cared enough to ask.

You wait, patiently.

Finally, he lets out a cough, looking back at the display as if searching for an answer among the shelves. “…Crunchy,” he mutters. “I guess.”

You gin. “Yeah?”

He shifts his weight, looking rather uncomfortable but not in a bad way. Just unsure. This is unfamiliar ground for him, not knowing what to do with the attention.

You reach forward and pluck the jar from his hand before he can second-guess himself.

“Alright,” you say, dropping it into the basket with a decisive little thud. “Crunchy it is.”

Bucky observes you do it, something shimmering in his expression - something soft, a little hesitant, but warm. Like this tiny, seemingly meaningless choice holds a weight to him.

His jaw flexes slightly, as if he is about to say something, but he just exhales through his nose and shakes his head. “You’re ridiculous.”

But there is no bite to it.

And this time, he is the one to start walking, making sure you come along, staying just a little closer than before.

You are nearing the checkout registers when Bucky suddenly stops walking. It’s so abrupt that you almost keep going, but the absence of him beside you makes you pause.

You turn, finding him standing in front of a shelf, scanning its contents with a strange kind of focus, considering something.

You wait, watching the way his eyes search the options, his brows furrowing slightly. There is no tension in his posture, no obvious reason for the sudden stop - just deliberation.

Then, without a word, he reaches out, grasps a familiar-looking package, and drops it into the basket.

A soft thud.

Your gaze falls down, and your stomach does something strange when you realize what it is.

Chocolate-covered almonds.

The ones you always grab when you’re wandering the tower’s kitchen late at night, mind still wired from a mission, too awake to sleep but too tired to focus on anything real.

The ones you mindlessly snack on when you’re curled up on the couch, half-listening to, half-joining a conversation, or watching a movie.

The ones you didn’t even realize you had a thing for until you see them sitting in the basket between his plums, Steve’s soup, and the peanut butter Bucky prefers.

Your lips part slightly, surprised, searching his face. “You- Why’d you grab these?”

Bucky doesn’t even hesitate.

“Because you like them.”

Matter-of-fact. Simple. As if it’s obvious.

Just a fact.

Like it’s something he has known all along, something he has cataloged somewhere deep in that careful, quiet mind of his without ever making a big deal of it.

The realization unsettles you - not in a bad way, but in the kind of way that makes your chest feel suddenly too full.

You swallow, the corners of your lips twitching slightly, trying to ignore the warmth creeping up your neck.

“How do you know that?”

The words leave your lips lightly, bright with curiosity, playful in their demand. But beneath it, there is something you don’t quite let slip.

Something about the fact that he’s been watching.

That he’s noticed.

That he has paid attention in a way you didn’t think anyone has.

His grip on the basket adjusts for the hundredth time, but not because it’s heavy, he just seems to need something to do with his hands.

He schools his expression into something nonchalant, something careless, but it’s betrayed by the hint of warmth dusting across his cheekbones.

“You’re always munchin’ on ‘em,” he says, a teasing edge lacing his voice. He tries to sound smug, like it is an observation, just a simple fact, but there is something softer beneath it. Something like fondness.

You don’t even know if it’s been that obvious. If you truly eat these things out in the open that often.

Or if he just really is that observant.

That realization settles deep in your chest, warm and startling all at once.

So you just huff, pretending like your heart isn’t skipping beats, like his answer isn’t winding around something tender inside you.

“Well,” you remark, nudging his arm as you start walking again, “now I feel self-conscious about my snacking habits.”

Bucky lets out a soft chuckle. And when he falls into step beside you, he leans in slightly, voice just low enough for you to hear.

“Don’t.”

“The most sincere compliment we can pay is attention.”

- Walter Anderson

[paracosmicka]

Primal Fears AU content but don’t worry it’s still sonadow

That last one is a repost from last year so if you saw the silly drawings but then read the thing in the bottom left corner and went “wait what the fuck”

It’s because it was an AU thing but I literally only had that drawn out and now you get some context at least:

In this universe Sonic is an assassin/bounty hunter/whatever you wanna call a guy that is hired to specifically to kill other Entities. He meets Shadow when they run into each other because they’re both following the same Avatar. Then they do the normal canon sonadow thing where the first interaction they have always ends with them fighting and beating the shit out of each other. And then they kinda calm down but then Shadow has a similar moment from the beginning of the IDW Sonic comics where he gets absolutely pissed that Sonic managed to distract him from catching the bad guy and zooms away before the two have another chance to speak again.

Here Shadow is a GUN field agent except in this universe GUN isn’t really military and it’s more focused on not only investigating (like the Magnus Institute) but also actively dealing with the Entities. Which sounds great except remember how I said they aren’t military well actually they kinda are because “dealing” with Entities and Avatars just means: throw it in the high-security prison that is guarded by other various Avarars that all work for GUN because it means they don’t have to get thrown in prison. So GUN is kinda like The Magnus Institute + Section 31 working together. So actually I guess it’s like the SCP Foundation.

One day Shadow goes into work and Sonic and there and I’m not really sure on what I’m gonna do in the plot to make him end up there (like maybe he’s undercover and just using GUN to get to his next target or maybe GUN does the “hey we’re gonna throw you in jail if you don’t agree to work for us” idk again not sure yet) but now he’s working with Shadow because they still need to catch that Avatar.

So now we’re sorta caught up, they’re at Club Rouge (and I realized I didn’t specify which Entity she serves in my drawing of her but people who guessed the Stranger ding ding ding here have some sonadow) because Sonic and Shadow need to kinda interrogate Surge and Amy, who are associated with the Slaughter. They have a band called Poison Rose and it’s basically just Grifter’s Bone but they perform rock music instead. And are also probably dating.

Anyway the Big Case™️ Sonic and Shadow are working on is investigating a bunch of spooky murders and they’re pretty sure whoever’s behind them is a Slaughter avatar. But not specifically Amy and Surge☝️ They’re kinda “allowed” to perform the Music That Makes You Die because GUN also has like an “informant” group of avatars they can rely on. These avatars don’t work for GUN, but they agree to chill out on the spooky stuff if it means they don’t get arrested for spooky crimes. So for Poison Rose, “chilling out” on the spooky stuff means that they have to force people to wear earplugs while they perform, which wasn’t specifically stated in MAG 42 if that works or not, not really sure of the magic rules of the Music That Makes You Die phenomena but yeah they gotta do that and probably some other stuff so GUN doesn’t arrest them. Like maybe no swearing or something lol.

Okay gonna stop there before this gets even longer explaining my AU because this was supposed to be just a normal sketch post but whoops.

Oh also I made a playlist for the kind of music Poison Rose performs but it was made private because I didn’t want anyone to stumble across it and be like “pshhhh this dumb person who makes public playlists of their AU that no one knows about what a loser” (me when I make up completely unrealistic scenarios in my head) but now here’s a post explaining that part of my AU so that person can’t make fun of me anymore

[citricacidprince]

Could you draw that "I trust you" scene with Mabel and Stan but with the relativity AU? (The stan twins and pine twins swap ages au)

OF COURSE, I WILL GLADLY DRAW THEM!!! 💥💥💥

I’m gonna post a long winded thesis about my thoughts on this AU, my take on the AU, and two additional arts under the cut because ooooh boy it’s a tad bit long lol. Also, please please forgive the formatting, I’m writing this all on the fly and it’s extremely disjointed, sorry- 💥

I know there’s the ‘canon’ Relativity AU designs and character dynamics, however I don’t really like them that much ngl. I feel like it mostly just ends up with ‘Mabel and Dipper get switched with Stan and Ford with no nuances once so ever’ and that BLOWS!!! There’s so much potential there and no one is playing with it!! YOU GUYS DON’T EVEN HAVE MABEL PRETENDING TO BE DIPPER, WHATS THE POINT????

Not only that but I feel like making Dipper and Mabel’s dynamic just Ford and Stan’s when they’re adults is a HUGE simplification of their characters. Like, Mabel and Dipper fight, but they don’t fight like Stan and Ford, they’re not as hard headed and stubborn. Mabel would commit some crimes yes, but I don’t believe she would get into some of the heavy shit Stan had in his past. I refuse to believe Mr. Dipper ‘Undiagnosed Anxiety Disorder’ Pines would fall for Bill’s flattery as easily as Ford did.

The Pines Twins are very different from the Mystery Twins. Mabel and Dipper didn’t grow up with a father constantly comparing the two and pinning them against each other, outright telling one kid they’ll always be a failure while the other is going to have the burden of making their family rich. They never had that tension. They wouldn’t be walking on eggshells around eachother as adults.

I know that makes the concept sound boring to some, ‘Where’s the fun in the AU if you take away the sibling fighting’. You cowards, you can still have it, young Stan and Ford are RIGHT THERE. During the second half of the show when Dipper comes back through the portal, instead of having the older set of twins, something that doesn’t male sense with their characters, have a building tension that’s going to explode soon and keep it between Stan and Ford, don’t take it away from them. If anything, I think taking away the resentment and anger growing between the two and giving it to Mabel and Dipped is a butchering of all the characters.

Sure that means some of the episodes would have to change or be completely erased, but that’s fine!!! Make up some new ones!!! Get silly with it!!!

Mabel and Dipper talk about feelings, Stan and Ford don’t. Mabel and Dipper can’t stay mad at each other, Stan and Ford will try and stay mad for decades because being angry is easier than being upset.

In my idea of this AU that fight at the end of Weirdmageddon HAS to be between Stan and Ford, and Stan HAS to still be the one getting his memories erased.

💥 Post Not-What-He-Seems Relativity AU Rambling Below 💥

Dipper is a paranoid man, fool him once you’re never going to fool him again. He would never in a million years ever work with Bill again. Ford however is an extremely lonely child, both he and his brother are desperate for any type of positive attention. I think Bill would see him as a potential protege, especially since Ford is a ‘freak’ like he is and the kid is extremely smart for his age. He’s malleable, Bill probably thinks he could shape him uo to be the perfect lackey.

Ford, being the lonely kid he is, probably does fall for the praise initially. He craves attention and Bill pushes all the right buttons and says all the right words, tries and gains his trust even if time has proven again and again that he shouldn’t be trusting the demon.

The tension between the Stan Twins would grow after Grunkle Dipper comes back because Ford is upset that Stan didn’t listen to him (even if it was for the best that he did) and that Grunkle Dipper forgave Graunty Mabel so easily because if Ford was in those shoes he wouldn’t have. It grows more and more as Ford becomes distant and Stan tries to connect with his brother to no avail. Which, of course, comes to a boiling point when Ford says he’s going to stay in Gravity Falls and learn under Grunkle Dipper. Stan is rightfully upset. He can’t go back to New Jersey by himself. It’s always just been the two of them, he needed Ford, he couldn’t handle school or their father by himself. He can’t be alone.

Unlike Mabel who just wanted one more day of summer, Stan wishes that he wouldn’t be alone, which indirectly causes Weirdmaggendon.

Stan’s prison bubble would probably be a fake New Jersey-esc town full of a bunch of little Stans running around. Town O’ Stan. A place where no Stan is left behind.

Ford says some nice words to Stan there to get him outta there but there is still this intense tension between the two.

During the Cipher Wheel Ford is the one who tackles Stan. The two fight, whining out hurtful words neither of them mean and only stop when Bill shows up and captures them. Graunty Mabel and Grunkle Dipper run off and distract Cipher in hopes that they can keep the attention on themselves long enough that their great nephews could come up with a plan to escape.

The younger twins don’t find a way out and instead, finally, have an actual talk about their feelings, one that definitely ends up in tears as the two talk about the pressure that’s put on them or how worthless they feel. After that the boys get a rush of determination to escape when Stanley has a plan. Ford immediately hates the plan but Stan insists that they do it, in his own words, ‘Let me prove I can do something right for once.’

When Bill comes back and threatens to kill either Mabel or Dipper just for the hell of it, Ford calls out that he’d like to make a deal.

He wants to work with Bill, let Bill into his mind willingly. Bill immediately jumps on that offer. Ford is a promising young kid, perfect henchmaniac potential, not to mention it would absolutely devastate Dipper is his great nephew willingly turned to Bill’s side.

He goes into Ford’s head, revealing Stanley just in time to reveal that he was trapped, panicking as he was erased with a swift left-hook along with a kid who was happy to prove he was good for something after all.

Everyone was devastated after Weirdmaggedon of course, a child had his mind completely wiped. Stanford took it the worst, he just managed to finally break down those words that others built in his head, that he was too good for Stanley or that he didn’t need a knucklehead like him dumbing down his brain, and now his brother was gone. Just like that.

We all know what happens after this, Stan gets his memory back, everyone celebrates and the Stan twins are sent home, promising each other that they’ll never let anyone try and tear them apart ever again. Dipper and Mabel stay at the shack, after all, all they could ever want is there, where else could they possibly go?

Sorry this was… extremely rambly and long, I am extremely tired and can’t think straight I have a bunch more ideas and concepts so if anyone’s desperately wants to hear them just ask I guess, sorry you read this dumb of ass essay haha 💥