#simply by caring about him
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trashlie · 1 year ago
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In Which I Demonstrate that Nol Cannot Deny Shinae; the man is down bad
(I need someone to understand HOW CLOSE I cam to titling this “I can’t deny your eyes, you know I try to read between the lines” i’m so sorry i’m so very on my pop-punk bullshit right now)
One of my favorite dynamics of Shinae and Nol as a pairing and just in general part of how they interact is that it has been shown to us time and time again that Shinae has so much more power (for lack of better word lol) over Nol than I think has been given credit for sometimes. I think often people get very caught up in how Nol’s so very torn in his battle of what he wants vs what he thinks he deserves and the hurt that he ends up causing that sometimes they miss what the true root of it is: that though Nol genuinely believes he does not deserve good things as well as he believes harm will befall all those he cares about and thus he should stay away from the people he loves to protect them - he can’t. He fails. He tries over and over, he gave Kousuke his word, he makes the effort to pull away, but in the end he always caves, he always fails. 
When it comes to Shinae, his resolve crumbles. 
I LOVE IT!!!!!!!!
It’s such an important dynamic BECAUSE Nol is such a victim of what he believes and has been made to believe it’s hard to get through to him. How do you convince someone that all the abuse that has traumatized him wasn’t true. How do you take someone like him who has been made to feel that he is nothing but a worthless mistake, that he only creates problems, that he is a monster, that he brings doom wherever he goes that it’s not so? Especially with his own father telling him these things, with Kousuke tearing him down at every opportunity, with what happened when he was locked away, with the fact that Yui can, in fact, bring harm. And has? 
And yet, despite believing these things, despite internalizing that abuse to the extent that he cannot see anything else - his resolve still crumbles. Shinae has such an effect on him that I think deserves to be talked about, because she sees him when others don’t, she cares for him when others are accustomed to him caring for them, she picks up on these little things without being fully aware of them and in turn, Nol cannot help but want to stay close to pull her closer. And that’s exactly why he has to distance himself from her, from his friends - but we know the harder he struggles, the harder it becomes to maintain his resolve. 
I’m a sucker for it! I love watching the war on his face, the expressions that shift, the way he tries to weasel out of situations and ultimately fail because he can’t very well tell her to her face that he can’t be close to her, that he can’t stay her friend. But because he can never draw that boundary, he keeps moving the line in the sand. It doesn’t matter; he always fails in the end. 
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This dynamic begins really early in! Shinae I think we could argue some other earlier moments also quality, but for this I want to specifically focus on post-formal moments, because I think what I love especially about this dynamic is that Nol has given Kousuke his word, has determined that he put Shinae in danger by taking interest in her and engaging in an indulgent friendship, and that for the sake of protecting her from further harm (and also due to his feelings of guilt) he needs to keep his distance and ease out of his friendship with her. 
But post-formal it’s not so easy. Shinae has gone from trying to fend him off to a stick to openly expressing concern for him. She now takes a leaf out his book and reaches out to him - over and over and over. 
It would be easy to not call her back. Catch up later and casually brush her off that he had a big family thing, that he fell asleep early. And yet, in the end, he fails and he winds up returning her call. Even though it’s a call for her reassurance, it’s just as much a call for him, taking in her concern for him, that little admission that maybe he is the villain like they think. He has a way of slipping up with Shinae, always confessing something real. She disarms him as much as she pulls him in and GOD I cannot help but adore this dynamic! 
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Another thing that goes hand in hand with this dynamic is that not only does Nol struggle to maintain that distance and create a berth of space between them, but he also continues to struggle to not go above and beyond for her. Shinae isn’t good at accepting favors or letting people do things for them, and I think if she knew that he completely took the blame for her tardiness in addition to going out of his way to go pick her up, she probably would get pretty annoyed. But as it stands, he does exactly that - not only takes the blame, but goes out of his way to pick her up. 
It’s something about his expression after their call, when he looks like he’s torn on what to do, or perhaps torn on what is the best option? Torn on knowing that part of him has already made up his mind he’ll go to her even though he’s trying to convince himself he shouldn’t? He struggles with her at all times and ultimately she always has that effect on him - he just is unable to make himself resist, to NOT go to her, to NOT help her. 
(It’s like when he gets mad at how Kousuke is treating her as an employee and calls him out on it! It’s things he doesn’t need to do, but it’s the fact that he can’t help it that betrays how much he cares, how much she affects him, how much he is unable to just walk away.) 
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Nol definitely seems aware of this, too. The moment he gives her the opportunity, he won’t be able to push that distance, so he tries to take advantage in the moments he can. Finding Shinae in the locker room leaves him the opportunity to sneak out, but unfortunately for him she takes notice of him and stops him in his tracks. Part of it is, of course, what he told Kousuke - that he can’t just suddenly cut her off without explaining why, and it’s difficult to ease things when she’s the one who keeps reaching out now, keeps grabbing on to him.
But again, we see that his undoing is that he cares. He’s never seen her like this and she’s willing to actually open up and talk about what’s bothering him? It’s so unlike her! (I love him telling her she has to use words because he can’t help her otherwise lol) 
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But what this moment demonstrates is, again, just one of my favorite parts - even when he TRIES to distance himself - he angles himself away from her, body turned away - he always ends up angled right back in. Nol and Shinae have this magnetic draw with each other and even when he makes the effort to turn away from her, he can’t help but be drawn back in, angle right back in to her. It’s something really fun to take note of when you reread, watching the way they just veer in towards each other, drift towards each other.
I’m sure he isn’t aware of it. She sure doesn’t seem to be! It’s just gravitational. Where she is, he will move towards. Where he is, she will drift towards. Their body language conveys that closeness! 
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For MANY reasons, the moment they share after work, before Shinae starts her shift at the Wac is one of my FAVORITES. I always feel like it’s the clearest representation of this dynamic, too, of how Nol tries to point himself away, tries to push that distance, but he can’t and he even admits why! Nothing will stop him from caring - she has just wormed her way into his life, wormed her way into his heart. He cares about what happens to her, how she’s treated, how she’s doing, how she’s feeling. He cares and he can’t just stop being her friend! He cares and he can’t just pretend he doesn’t. 
It must take a lot of effort for him to consciously be aware of this - having to be conscious about turning away from her, of creating that space that’s so hard maintain. 
None of it was supposed to be real to matter and yet here he is, helpless against her, unable to stop himself from caring. 
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To Nol’s credit, we do see him trying to make more effort - but also to his credit, the harder he tries to pull away, the harder Shinae fights. It’s funny and kind of ironic, because he’s one of the reasons she’s trying so hard. He’s the one who has helped her see value in herself and to open up and rely on others, and as a result, she’s practicing all of her new friend skills on him. How is he supposed to keep pushing her away when she’s literally calling him out (because she now knows him well enough to do that!) AND she’s making him talk through things. 
Shinae doesn’t want another Alyssa repeat and she’s not going to let Nol get away with just pulling away without an explanation. What else can he do? 
I like that’s really surprised he actually stayed - he could have faked a call from Nana that he had to head home, could have found some other excuse. But she demanded he would wait and he gave her his word. 
I love them ;A; 
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Time and time again, she disarms him. Time and time again his resolve is put to the test and fails when it concerns his feelings, how much he cares, what kind of significance she has to him. Shinae saying out loud that their friendship must not have meant anything being the trigger that makes him finally act on what he always denies himself - a hand reaching out to her over and over that never makes contact, that he always talks himself out of finally making contact and pulling her into that tight, clinging embrace. On the one hand, we know it began as fake, that it wasn’t supposed to mean anything and certainly not to him.
But we know it was so real. We know that there was a moment where he went from trying to help Dieter, to trying to help her instead, to befriending her for his own enjoyment. It was all so very real, even if it hurts in the end. It was all so real to him and even if he needs her to be angry at him, even if he (thinks he) needs to walk away and leave all of this behind, he still can’t bear to have her think none of it meant anything, none of it was real, none of it mattered when it mattered so much to him. When it mattered so much that he finally embraced her!!!!!!! 
EVEN IN THIS MOMENT! HIS RESOLVE CRUMBLES. And though he’s able to pull himself together enough to do what he set out to do, let’s not forget that it was only because he was reminded her of injury, of what he believes was the culmination of him befriending someone and pulling them into the nightmare wake he leaves where he goes. It was only because he was reminded that she could have been another life taken from him that he was able to walk away. 
(And yknow. Proceeded to retch as a result. alfjakfjkafjkafjk) 
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He goes as far as blocking Shinae, Dieter, and Soushi, because he knows he’ll cave. Because he can’t bear to see their messages, to ignore their calls, to see how much they are trying how hard they are fighting and reaching out, because just like when Shinae questioned if any of it was real, he knows he’ll cave. He has to implement a means of denying himself access to them, to nearly physically block them out. 
And yet, in that moment, at a party he doesn’t want to be at on a day he doesn’t want to exist on the eve of him serving time for a crime he doesn’t deserve, he goes and looks at his spam. 
He knows what’s in there waiting for him. He knows what he’s going to see.
He still does it, anyway. 
And there she is, a message received just now about feelings he feels but thinks he isn’t allowed that he shouldn’t have. 
I love this pathetic man, please I need more. 
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He tries SO hard, even after hearing Shinae’s unprompted love soliloquy heartfelt sentimental explanation of what Nol means to her, to turn his back, but he can’t. 
His mother’s words are right there, and though they aimed for Rand, they come to land with him. The world can’t punish you forever. Does he not deserve their love, their friendship, the people who matter to him? Does he not deserve to be left alone by the world, to live his life as much as anyone else?
Even when everything he fears lingers over him - he’ll regret this because nothing good comes of indulging, because nothing good comes from letting them in because not only does it put them in danger but it makes it harder and harder for him. 
Like, not to be cheesy but we already know I am so - every time he lets them down, every time he breaks their hearts, he breaks his own, too. 
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There’s no more fighting it. There’s only them and an empty hospital room, and a rare of sense of peace and calm, his head on her shoulder, finding comforting (literally) leaning on someone for once. For one moment, he grants himself an opportunity to stop trying to be so strong, to give in to seeking comfort. 
When she reassures him he’s not at Hirahara Memorial and he actually turns his face in towards the crook of her neck? Allowing himself to indulge in this peace in this comfort in this warmth?
GODDDDDDDD I love it he deserves it I want MORE  
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And just like that, he’s no longer fighting. I’m including these even though it’s not really a “Nol tried to refrain and failed in the end” because a. we deserve them and b. I think by virtue of Nol acting on his desires and indulging in what he wants while Soushi and Dieter are sleeping in the bed on the other side of them counts enough for this list. Because refraining is no longer on the brain. Because everything Shinae does disarms him and he can’t even pretend to keep the wall up anymore. 
Shinae gets so embarrassed about giving him her gift because she feels like it pales compared to what Dieter did, but probably also because there is a sense of sentimentality to it as well, and it doesn’t miss Nol. It’s the fact that it’s their Orange of Fate, what she drew on his face, and the words she uttered when they first met that have now been taken back. 
It’s how he went from being told all people suck that she wants no friendship to chasing him outside of his school and fighting so hard for him, calling and texting and trying to reach him, it’s how she took advantage of the opportunity when it presented itself to tell him how she feels and what he means and she got so shy about him seeing this gift and it strikes him so much because he knows what he means to her and she means it, too, she’s that special to him, too
And the hand that earlier in the night reached for the spot she denied him does it once again and this time his fingers are in her hair, this time he’s so close in her space, this time he doesn’t deny himself what he wants and what he wants is to be so close to her, what he wants is to stay in this dream as long as he possibly can 
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And the most indulgent of them all. 
Let’s not pretend this is not for him. Let’s not pretend this is the most indulgently he’s ever acted on what he wants. Shinae outrules fullbody dancing and he’s like oh bet? lmaoooooo 
He wants the dance. He wanted it back in Minhyuk’s room before Kousuke showed up and everything went to hell. He wants it now and he’s acting on it. There’s no reason - present in his mind lol - for him to refuse what he wants. 
He has refrained SO MUCH. He has refrained for SO LONG. So many times he reached out to her. The dance offer at the Kim formal that Kousuke stared him down into rejecting. Every time he’s felt suffocated by the weight of the world, by the burden of the guilt he carries, by the inherent belief that he’s a monster incapable of providing good, every time he’s been reminded he only brings people pain, every little moment that reminds him he doesn’t deserve any of the things he seeks out, the enjoyment he indulges in. So much of it has weighed him down and in that moment he acts on it
on what he wants
on what he needs
on what he feels 
He acts on the feelings that she is special that she brings him comfort that he wants and wants when she’s in his proximity
He acts on the dream from which he’s afraid to wake and he asks her to dance with him
Despite his back injury. Despite the whole night reminding him that pain follows him wherever he goes. Despite their friends sleeping just a bed over. 
He gives in and he indulges. 
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Honorable mention goes to Nol staying outside Shinae’s door at Hirahara Memorial, despite this being a place of trauma and fear for him, despite how much he hates hospitals, despite Kousuke sending him away. It gets honorable mention because I acknowledge part of what compels him to stay outside her door is that he feels so guilty and he needs to see/know for himself that she’s okay - but I think it still counts because of just how compelling it is for him. That this is a person he has grown to care about so much already, a person who we now know he literally is alive for/because, since it was only when he saw her in the pool that he determined he couldn’t stay down there and had to return to the surface to save her, to carry on as Yeonggi for a little longer. 
He stays outside her hospital room because he can’t help it.
He could go home, he could change out of his damp clothes, he could crawl into bed and try to forget this whole nightmare of a night, if only for a few hours, but instead he stays outside her room, unable to leave. 
At every opportunity, Nol is so compelled by Shinae. 
He cannot deny her. 
If Shinae wants it, he will ultimately yield it to her like he has his heart.
I’m being good and not including anything from 231 but JUST YOU WAIT FOR THE FOLLOW UP, especially those of you who don’t fast pass. JUST YOU WAIT. 
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tazatouille · 1 year ago
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I AM NOT WHAT YOU MADE ME.
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skateboardtotheheart · 5 months ago
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there is just something about the difference between edwin's love interests and having the cat king's reaction to edwin in hell being "i'll be waiting when he gets back" vs charles "no version of this where i don't come get you" rowland convincing a powerful trans-dimensional being to open a door to hell just so he could get him back
i am insane
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laurrelise · 2 months ago
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tragic that even with how lackluster the umbrella academy’s final season was, we never got to see five’s house.
i want to see where the old man lives. how does he decorate? does he live in an apartment or was he able to figure out a cute little home for himself? does he have roommates? did he ever learn how to cook for himself, or does he just eat fluffernutters whenever he’s hungry? does he ever get a mr. pennycrumb of his own? (i know he doesn’t, but a girl can dream) does he ever discover a cafe near his home where a decent cup of coffee can be found?
what coffee maker does he have? where does he buy his coffee grounds? how many coffee mugs does he have? i just KNOW he collects them.
he absolutely goes into little shops downtown and finds one that says some stupid shit like “if my coffee isn’t as black as my soul, i’m not drinking it” and giggles to himself in the corner and then spends way too much money on it because it’s just too good to pass up. he’ll smile to himself on the way home and then put on a pot of coffee to try it out for the first time. he hand-washes his mugs even though they’re all dishwasher safe because he wants to make sure they’re going to be completely untarnished when he wants to use them again. he has an entire cabinet for all of his mugs and one other cabinet for the rest of his glasses and bowls and plates because he doesn’t own a whole lot but he does like mugs. and someone will ask him about his mugs and he’ll properly tell them where he got each and every one, down to exact dates and times because he remembers everything and thinking about when he found his favorite mugs makes him feel less stressed. and whoever asked will not get a single word in and they won’t try to because five is talking about his mugs and he doesn’t get a whole lot of joy from material things but it is the simple things that matter. and five likes the simple things. and five likes his mugs.
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sevenines · 2 months ago
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i saw this tweet and found it interesting for two reasons. one is that some people base how good cartoon network would be to toh by how it treated su, and despite the fact that su’s treatment by the network was considered poor at the time, now its thought to be exceptionally good in comparison to modern shows.
two is how exactly su got impacted by a limited budget. a common criticism is how characters like connie, peridot, and lapis are left out of missions. but balancing a lot of characters is not only hard but also costly (extra animation, extra voices—it’s been revealed that the show is limited to a set number of characters per episode otherwise they’re over budget). animation mistakes are not uncommon since retakes cost extra. the entire reason the original show got cut short was due to loss of funding!
#i don’t know if pay rates differ per networks#but a.ivi and s.urrashu have said that they needed to work outside of su in order to make sufficient funds#it only makes me wonder what other ways su suffered from a lower budget#that we as the audience never got to see#in the vein of the too-little characters complaint#another part of that is that low-stakes episodes should’ve been abt the main cast instead of the townies#like last one out of beach city and too short to ride vs restaurant wars and kiki’s pizza delivery service#i definitely see that especially since that isn’t budget related#nor would it seem to be network related (even if cn had an ‘episodic episodes’ quota it could still be abt the gems#(another side note: /would/ cn even have a requirement that the show make episodes that can be watched standalone?#this is a question for the people who were around when su was airing#what episodes often got rerun?#was it the townie eps or the lore eps?#for example i heard that su once did a ‘peridot event’ where they just reran peridot episodes#which had eps that skip around in the show#did they even care about airing the story so that it made sense anyways?#id get it if the low stakes townie episodes were the ones getting rerun))#but i have such a boring view on that which is i think it’s simply because the creators like townie eps#like in interviews r.ebecca s.ugar has said she’s the type to be really invested in background characters#answers in interviews have been crafted in ways to hide what’s really going on though tbf#prime example of this is rebecca and ian saying the wedding being interrupted was meant to follow the common trope#when later in the art book they said that it was bc cn rejected the ep bc it ‘wasn’t interesting enough’#both could simultaneously be true! it’s a psychology thing though where people make up nice-sounding explanations behind what they create#in retrospect because they want it to be thought out in such a nice way they believe in it#the bigger problem is that not matter how many episodes there are of them#it can be hard for ppl to be invested in the townies the same way they are invested in the main cast#i’m sure that a million writers have made surefire advice on how to get an audience to care about characters#but off the top of my head i think it’s because 1. most don’t have strong motivations to get truly invested in#(exception is ronaldo but people find him too annoying to care about him)#okay i had more points and explanations but i hit the tag limit and idk if anyone is actually reading this so bye
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elizakai · 11 months ago
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Reminder that Dreamtale Twins are canonically sexless beings who identify with male pronouns.
yk what that means troops~💫
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legend-had-it · 4 months ago
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a sanji that takes care of zoros swords when he cannot
and a zoro who cooks food for the crew when sanji can't
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makiswirl · 5 months ago
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can i just say. and this is probably a niche hill to die on. that i am so gobsmacked every time someone vaguely hints at the idea that jotaro doesn't care meaningfully for the other crusaders, usually particularly kakyoin and joseph, when those two actually tend to be the ones he reacts to being hurt the hardest
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like he cares for his loved ones!!!! that literally plays into his character motives in every single part he shows up in!!! stop lying to me!!!!!!!
#me.txt#jjba#i'm going to ramble in tags actually. excuse me#ok. rereading sdc and so confused at the general perception of jotaro and his friends/family. he's not NEARLY as flat or as dickish#i understand that the anime (particularly the dub) tends to slander him but even then he still clearly cares for them! i'm confused#i also understand that a lot of people dig against jotaro and kakyoin as a dynamic because 'they're popular' and that generally disliking#popular things across media is a thing that i've seen consistently everywhere but the discredit to them simply as a DUO and not even as a#pairing is so..... odd..... like they're considered to be a duo that clicks for a reason. i enjoyed them even before i got into the fandom#every time i see someone say jotaro is overrated/dull i take a shot and assume they're an anime-only or only read the manga like once btw#joseph and jotaro also have a neat dynamic and they obviously both love and care for each other. like they're not going to go around loudly#or anything but literally the entirety of the lovers and the prelude to the dio fight IS jotaro being worked up over joseph getting hurt#equally i don't know if it translates to the anime as much but joseph is VERY complimentary when it comes to jotaro. like he sings his#praises so often and reminds everyone that he's his grandson so frequently (d'arby the gamer is a good example of this). either way it's so#peculiar....... there's not enough avdol and jotaro content btw (also in canon) because jotaro obviously looks up to him and avdol jokes#around with him on the occasion they interact after their intro which doesn't start very well. it's very cute#i do think an important thing to note about jotaro's character is how he acts AFTER his intro because he's so drastically different. early#jotaro and later jotaro aren't the same character and i do not mean this in a character development way. excluding the jail incident he's#completely different and probably shouldn't really be taken into account (especially considering the amount of slapstick in araki's intros)#and i think that's really???? what people center on for his character? Which sucks balls bad!#anyways. i could ramble more about this if asked i have so much to say but sigh. jotaro cares so much for his friends and family he's not a#flat fully cold asshole character regardless of whether you watch the anime or ova or read the manga. you just have poor media literacy#i wouldn't recommend watching solely the anime for his character though. the dub also changes a lot so it's... questionable#i love the anime and it's still important for him though. also adds neat stuff. i need to stop myself. i have many thoughts on the matter#jotaro kujo#joseph joestar#noriaki kakyoin#adding in case anyone sees: i am not saying that he is perfect about this. in fact he is very ass about it with jolyne and holly and that's#very important. he also is in fact an asshole sometimes. NOT as much as you guys are making him though!#please don't get me started on how much of a dick etc people make kakyoin to veer away from the 'woobified' characterizations of him#in fact i think that's bad if not worse because it CLAIMS to be in character. hes a prim asshole at times but not that angry or dishevelled
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horsechestnut · 1 year ago
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Bat Kids!
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(Designs based on Wayne Family Adventures. It was the best place to find a consistent design for all of them in the same art style.)
New Stephanie Brown Expansion Pack
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passwordb3am · 1 month ago
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Every fucking year consistently as soon as shit hits the fan, I go back to watch Saiki k again because y’know. Comfort show. But I have this disease called Obsessed With Characters That Are Horrible People ™️ that makes it so my autistic ass looks at Reita Toritsuka every time and goes “yeah. I’m going to hyperfixate on this bitch so hard for the next four months.”
Every time. Every fucking time. I swear it is becoming a problem. Someone please tell me I am not the only one who’s like this. Every goddamn year. He is in my brain like a parasite. Why did it have to be HIM
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seance · 1 year ago
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WHAT'D YOU DO WITH HIM? I KNOW HE WOULDN'T HAVE LEFT BY CHOICE. I KNOW YOU THINK YOU UNDERSTAND HIM.
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rhymesswith · 1 year ago
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Yeah I have some favourite characters.
What I'm really appreciating this re-watch is how Rin is canonically a Weird Girl. I like to think that everyone expects her to become more "normal" after coming to the village and getting more human socialization but gradually realize that oh. that's just the way she is.
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moeblob · 8 months ago
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What if I straight up didn't explain myself? What if I just said trust me on this? Would you?
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gingermintpepper · 2 months ago
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One of my biggest pet peeves is the assumption that something has to be sad for it to be tragic.
I've always been a big believer of the 'Apollo has an awful love life'/'Apollo is plain unlucky with love' line of thinking but it does bother me that the general reasoning for that statement is given to the concept of 'Apollo is somehow undesireable and thus rejected' (Cassandra/Daphne/Marpessa) or 'his lovers die young and thus their love is unfulfilled' (Cyparissus/Hyacinthus/Coronis). I personally think that's a very unfortunate way of looking at things - not only because it neglects the many perfectly cordial entanglements and affairs Apollo has had, both mortal and divine - but because it presents a very shallow interpretation of the concepts of love and loss and how loss affects people.
Apollo can still grieve lovers that have a long, healthy life. The inherent tragedy of an immortal who knows his lovers and children will die and cannot stop it does not stop being tragic simply because those lovers and children live long, fulfilled lives. The inherent tragedy of loss does not stop being tragic simply because someone knows better than to mourn something that was always going to end.
What is tragic is not that Apollo loves and loses but that loss itself follows him. Apollo does not love with the distance of an immortal, he does not have affairs and then leaves never to listen to their prayers again. He does not have offspring and then abandon them to their trials only to appear when it is time to lead them to their destinies. He raises his young, he protects the mothers of his children, he blesses the households that have his favour and multiplies their flocks that they may never go hungry. He educates his sons, he adorns his daughters and even in wrath he is quick to come to his senses and regret the punishments he doles out.
Apollo loves. And like mortals, there will always be some part of him that wishes to protect the objects of his affections. Apollo, however, is also an emissary of Fate. He knows that the fate of all mortal things is death. He knows that to love a mortal is to accept that eventually he will have to bury them. There is no illusion of forever, there is no fantasy where he fights against the nature of living things and shields his beloveds from death. Apollo loves and because of that love, he also accepts.
And that, while beautiful, is also tragic.
#ginger rambles#ginger chats about greek myths#greek mythology#apollo#Listen man#I think there's something extremely beautiful about Apollo's affairs#Yes I know that Ares also loves and cares for his daughters but this isn't about him#There's just something about the way that Apollo put his all into it every single time#To the point that even when he does know better he still fights because of the strength of his love#The Iliad to me will always be a love story#Yes Achilles' wrath is said to come from his overwhelming feelings towards Patroclus#but what Achilles does has nothing to do with grief or love#By the end of everything Achilles forsook that love which ought to have defined his actions based on what he was saying#and warped it into a weapon meant to satisfy the void left by his loss#Apollo though - I am always taken aback by the sheer weight of his love#towards not only Hektor but towards all of Troy in the Iliad#And how he is very careful to balance that love and all the ways he wishes he could fight against their inevitably end#with his duties as one who is both aware of the impending end and whose position in the war#has put him in opposition with his elders#That delicate balance between a love so powerful that he is willing to take on the full weight of Athena and Hera's wrath#and an understanding that the battle he fights is not for victory but simply because for love's sake#How could you not think of that as beautiful and awesome and so achingly tragic#I feel the same about both Asclepius' and Actaeon's deaths#Apollo loved BOTH of his sons - Asclepius and Aristaeus - so so SO much#He was so incredibly proud of them both and delighted immensely in the both of their victories and talents#And so when Asclepius dies and it is by his own father's hand - I have always found his act of wrath so fascinating#Honestly this could be its own separate post - but the fact that Apollo does not beg Zeus to reconsider or to bring Asclepius back#when Apollo has made cases for lenience on things like that before speaks of a level of understanding from Apollo that Asclepius was always#going to die because of his pushing of the boundary between life and death#so he doesn't bother trying to reason with Zeus or plea his grief - instead going directly to destroying something important to Zeus
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bride-and-bride · 7 months ago
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Saw a neat Fourcheanult post about the ways in which he sucks but tragically I cannot reblog without at least SOME analysis on how the loss of Louisoix would impact his choices and views on his children's actions
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cheesebearger · 2 years ago
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a lot of people will play dragon age 2 and they'll be like... whoa.... anders is truly a grey character who does both good and evil......
when in actuality anders blowing up the chantry was not only good but based, sexy, and inspirational and he has never done wrong a day in his life
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