#sick of superhero movies so full of themselves | Explore Tumblr posts and blogs

that-shamrock-vibe · 4 years ago

Text

Movie Review: Wonder Woman 1984 (Spoilers)

Spoiler Warning: I haven’t been able to see this movie when it came out here in the U.K, so had to wait until a couple of days after Christmas to both watch and review it. If you haven’t seen this movie by the last week of the year and want to avoid spoilers go and watch it before reading on.

General Reaction:

I have finally seen Wonder Woman 1984, the first new superhero movie I have seen in 2020 outside of The New Mutants and my god it has been a trial to be able to watch this.

Being from the U.K, which was surprisingly a factor with one minor part of this movie, we over here usually get the big blockbusters particularly of the comic-book variety before or on the same day as the U.S. However, thanks to this fakakta pandemic and the new world order that movie studios and theatres find themselves in during 2020, I have been reduced to watching a blockbuster movie for the first time initially on my laptop rather than on the big screen as movies like this should be brought out first as.

I am fully aware that this is a global pandemic and that watching movies in the cinema pales in significance to what needs to be done to combat and eventually defeat this crisis, but being from an area where all cinemas are closed I’m out on a limb basically.

I won’t turn this part of the review into a COVID rant because frankly I am sick of talking about it but I do feel COVID will be a factor with the performance of these upcoming movies.

That being said, the second real world rant factor I have for this is WW1984 I feel has suffered due to constant schedule shifting and I feel a fairly uneven advertising campaign.

I went into this movie not thinking I was going to see the villains the way they are in the trailers or the comics and honestly it does seem that Cheetah and Max Lord, who are both credited Wonder Woman villains, have their roles reversed and the one who you think is going to be the biggest threat pretty much becomes a henchman and the one mainstream fans may not know a lot about is surprisingly the big threat but you’re also meant to feel sympathetic for both of them to a degree.

It seems a complete 180 spin from the first Wonder Woman movie which was a very grounded and gritty WW1 story to now be in the zany 80s...which as a decade has aspects of being zany yes but the way in which this movie plays out genuinely made me think of Sam Raimi’s Spider-Man movies...but the best of them rather than Emo Peter.

There are so many plot points in this movie that more or less spawn from the main McGuffin of the movie which is the Dream Stone allowing people to make wishes but grants them with a sacrifice. The movie has several sub-plots that are the repercussions of the wishes that everyone makes and individually all of these sub-plots are very interesting...it’s when you then try to tie them all together for the big climactic battle that is when you get a bit of a mess,

Also, there is hardly any action in this movie and as both a Wonder Woman movie and a superhero movie in general, I am longing for some action sequences this year and the fact there are almost no good v evil fights would be disappointing, if not for the fact I understand where Patty Jenkins and the writers are trying to accomplish with this movie in comparison to the first movie.

I am not a massive Wonder Woman fan, I know the basics of Diana, the two Wonder Girls, Cheetah and Max Lord enough to understand what is going on. But the one thing that has always drawn me to her is that she is a hero with two distinct sides.

Firstly there’s the warrior that most mainstream fans would be aware of which is more played up in the first movie, but then there’s also the diplomat and the ambassador who attempts to always get across her message of peace which is more played up here.

If I think about it from that perspective, I can forgive the lack of action.

That being said, there is still a jumble of plot points that once you do untangle them all lead to the same conclusion, but there are too many ideas in 2h30 to make the movie coherent.

That’s the main negatives out of the way, the positives somewhat outweigh the negatives, let it be known I did enjoy this movie and there are some brilliant moments and sequences, but a lot of scenes aren’t developed enough or some aspects seem to be kept on the backburner maybe for a sequel.

Characters:

Diana:

We have to start with Wonder Woman herself, but as I mentioned before I am calling her Diana rather than Wonder Woman in my subheading because there wasn’t a lot of Wonder Woman action in this movie. If you’ve seen the trailers you’ve seen pretty much everything.

Going back to that first action piece when we are reintroduced to Wonder Woman at the shopping mall, I do understand why she’s doing what she’s doing by acting as a vigilante rather than a public superhero and not using violence does keep in step with where we first met her in Batman v. Superman during present day where she claims not to be about fighting or saving mankind anymore and to be honest here she does keep with that. She’s given up her Godkiller sword and shield but still makes full use of her lasso of truth along with her bracelets of submission and Aunt Antiope’s Tiara in a defensive manner but never to outwardly cause harm.

But yes, this entire sequence could easily substitute Wonder Woman with Spider-Man and her lasso and tiara with his web-shooters and feel like the good parts of Sam Raimi’s Spider-Man movies. It’s just borderline corny and somewhat cartoonish particularly when she’s saving the two young girls by either dropping them on a rocking horse or spinning them into giant teddy bears.

Also there’s that Cairo highway chase scene which sees Steve and Diana chasing after Max Lord who has just achieved his goal of claiming an army. I both like and dislike this scene. I like the scene for showing the starting effects of Diana’s power loss which is later explained to be the cause of Barbara’s wish to be like her which means she is syphoning Diana’s power.

On the flip-side, I really don’t like the overall action in this scene. Firstly, she seemingly has her armour on underneath her clothes because as she’s getting out the car she has her clothes on one minute and her armour in the next shot with no spinning involved.

Secondly, she gets out the car and starts running almost instantly while the car is still moving...I get she’s a demigoddess and therefore normal laws of motion may not apply to her but there’s no dodgy transition or stumbling or anything, she just starts running...Baywatch style to a remix of her theme which is brilliant but because of her losing her powers she is somewhat weakened and therefore you see her bleed. The whole scene just seems rather sloppy.

Regardless of the somewhat lacklustre action of the movie, Wonder Woman 1984 excels in presenting a different form of battling with words rather than weapons. Diana’s message of hope and love at the end of the movie may be a complete switch around from how she was all for being the god-killer in the first movie where Ares was involved, but it’s definitely a good message and, particularly in these times, a needed message.

Sometimes love and hope is enough, Diana does try and see the best in everyone and cannot understand or comprehend evil unless there is no other option. Ares was the God of War and as such a personification of hate and therefore evil. Max was simply corrupted and misguided and Diana could see that, just as Barbara was.

All of this is sold in Gal Gadot’s performance. You can tell from the start Diana is doing what she’s doing because she feels it is what’s right, but particularly when Steve comes back and the ultimatum is either saving the world or keeping him she is definitely torn at one point. Steve is the only thing she has ever wished for herself other than becoming a warrior and protector so why shouldn’t she be rewarded for her decades of servitude?

Also, much like every movie she appears in, Gal Gadot looks stunning throughout this movie. Not just in her Wonder Woman and Golden Armor but also in her Diana persona, she wears what appears to be a boiler suit at one point in this movie and still looks like it could be modelled on a runway. I know Gal is/was a model but she is never defined by that. When she’s acting she’s an actress first and a model second and the clothes never wear her.

My favourite look of hers which I now have in Funko form is her gala dress because not only does it honour her Amazon roots but it just looks stunning.

Her Wonder Woman armour here is made somewhat more cheesecaky than her other versions and it does make Diana look somewhat like Wonder Woman barbie but because of the vibrant 80s setting this movie is in and particularly with who else shows up in the movie offering a great parallel to it, it actually won me over. If this is how Wonder Woman looks as a diplomat I’ll allow it.

I really do enjoy the parallels between the DCEU’s Diana Prince and Bruce Wayne in terms of the detective/vigilante combination. Because there was little fighting here, Diana was allowed to be the detective more, travelling to different places tracking down Max Lord and figuring out that the Dream Stone is the cause of Steve returning from the dead.

However, while they may be pushing Diana and Bruce together in the present day, Diana’s true love is Steve Trevor and the two do have a fantastic blend of a working and romantic partnership on par, for me, with Ant-Man and the Wasp from the comics.

Outside of Steve though, Diana definitely has no love-loss for other men until the end of this movie. She sees right through Max Lord’s childish bravado at the start of the movie, she’s quick to repel any letchy guy throughout this movie, and it isn’t until Steve effectively gives her permission to move on at the end that she does...albeit seemingly with the man whose body Steve took over which seems a little backwards to me but I’ll allow it.

Wonder Woman also gets some fancy new upgrades in this movie. Not only do we have more functions of the Lasso of Truth with showing memories and broadcasting a voice, but also Diana gets her invisible jet through the means of a new power being able to make things invisible which she says is inherited from her father (Zeus) who used the power to hide Themyscira from the world.

The jet is a great precursor to what comes later because while flying in the jet, Diana talks about her longing to be able to fly which we all know as fans that she can do in pretty much every other incarnation yet all we’ve seen her do in the DCEU is leap long distances.

So the payoff when she actually flies after letting go of Steve finally was fantastic, honestly a fist-pumped the air and startled my dog because I got that excited. I do love how she still uses her lasso to propel herself and swing from lightning because it’s kind of like training wheels but seeing her fly at the very end unaided was everything.

I can’t decide how I feel about the ending, I do love how Diana saved the day in terms of using words over weapons, but it’s the fact she is pretty much looking directly at the camera while giving this big hope and love speech implying that she is talking to us as an audience as well as the world within the movie. It just seems very much a #BeKind movement which, again, is an important message particularly in today’s climate. But why does this need to be in a superhero movie?

Gal Gadot continues to be rather funny in the role as well. As with the first movie though, her humour is never really in jokes or in her actions but rather in serious dry whit. This kind of humour is right up my street. From her rejection of Max’s offer to buy her a TV to teaching Steve about the advancements in the 1980s from his time it was all rather well handled.

Diana simply continues to be a very warm and welcoming hero and Gal Gadot radiates these traits effortlessly. You feel bad whenever she feels bad, you want to cry whenever she cries, you get angry whenever she gets angry and you smile whenever she smiles. Gal Gadot continues to be as perfect in the role of Wonder Woman as Johnny Depp is for Jack Sparrow and Rosario Dawson is Ahsoka Tano.

Max Lord:

Okay so this is where things get complex because, to the best of my knowledge, this version of Max Lord is not the same as the one from the comics or any other media I’ve seen...I genuinely actually think they say Lord isn’t even his actual surname in this movie.

Alright, so this is where I’m slightly conflicted on this character. Maxwell Lord from the comics and Smallville where I first became aware of the character is a meta with the ability to control minds.

Becoming the Dream Stone doesn’t really give him the same power as effectively it makes him a genie but the power of the dream stone being equivalent to that of the Monkey’s Paw which grants wishes with consequences I guess is of similar elk.

Also, it’s not stated but shown that Max has some sort of degenerative condition before obtaining the stone but using the power of the stone seemingly sped up the condition because by the third act of the movie he looked like a shell of a man.

Obviously he knew of this which is why he wanted to utilize the stone’s power to a mass audience in order to grant their wishes and in return syphon their health and wealth but this is why I say that neither he nor Barbara were true villains because they were corrupted by the power the stone gave them.

I have a very weird stance of sympathetic villains, Cheetah is supposed to be a sympathetic villain to a degree but I’ve never really seen Max as such. In Smallville he is pretty much a henchman or underling whereas in Supergirl he was somewhat an anti-hero towards the end but mainly a villain.

I get the movie’s message of “Nothing good comes from hate” is in reference to the stone which was made by a trickster god and as such is inherently corrupt which makes its users also corrupt but not evil. But considering I originally didn’t think Max would be the main antagonist of the movie, when it was revealed he was I wanted to see some evil for evil’s sake behaviour rather than power corrupts twice over.

Also, in relation to his wishing power, the scene in which he tries to go through numerous clients to regain his health does play off a lot like Lucifer luring out people’s greatest desires.

Speaking of the wishes, two aspects of this I want to highlight. Firstly, when he reaches out to the world and grants everyone’s wishes, that one wish the diner lady utters about wanting the Irish to go back to where they come from...as someone of Irish heritage this is that wish I mentioned being from the U.K. was a surprising factor in for me...despite my Irish heritage being of Republic blood rather than Northern.

Secondly, I have now seen this movie twice and I do not know the reason for the weird satellite light that Max was in during the climax. I mean everything was basically going to hell and Max receiving the energy of the wishes and granting the wishes was basically giving him this protective funnel which Wonder Woman couldn’t penetrate, but was the light from the satellites and why did he need the satellites other to broadcast himself which he’s clearly already doing so what’s going on? I may not be making much sense but I genuinely don’t know what was going on at that point.

Pedro Pascal was still very good in this role, he comes across a lot better in the actual movie than he does in the trailers because the shots we see of him in the trailers I genuinely thought he was wearing a hairpiece, and he still might be but it looks more natural throughout the movie.

I know Pascal to be a rather funny individual in interviews and behind the scenes of other projects, but I’ve never seen him actually be funny in character...again I’m not sure how I feel about a comedic villain, but between this role and his role as Agent Whisky in Kingsman: The Golden Circle, he has the makings of a great villain actor.

There were times when Pascal played the character like Steve Carrell voice’s Gru in Despicable Me which again plays into the comedic villain angle but overall I felt his motives were clear and the way in which he went about achieving his goals was bold, ballsy and well executed.

I get why they added a son for Max in this movie and I am glad they stuck with the fact Pedro Pascal is Latino despite I don’t believe the character originally is but it added some diversity to the movie along with Gal Gadot’s Israeli accent. But yeah the point of the son was to personify what Max sacrificed in exchange for his wish because all he wants deep down is to be a success in his son’s eyes and feels this is how to go about it, but when it’s the choice between his son’s safety over the completion of his dynastic plan, similarly to Diana choosing to give up what she wants (Steve) for the greater good, he chooses his son.

Also I will say this. When Alastair tells Max that he already loves him because he’s his dad and strokes his face...Had I actually seen this movie when it came out in the U.K. it would have been two days before the finalé of The Mandalorian Season 2. But because I saw that finalé first and the very emotional scene between Din and Grogu...to see that pretty much replicated here felt slightly lacklustre.

Max doesn’t die at the end, no one dies in this entire movie (technically) so there is room for him to return unless they do another time jump. I’m not sure why he would return unless he goes full villain for villainy sake rather than corruption but I am actually happy he survived.

Having said that, one of Wonder Woman’s most famous moments from the comics is snapping the neck of Maxwell Lord. This could have easily been the climax of the movie but I feel thanks to Man of Steel giving this plot point to Superman when he snapped Zod’s neck, despite chronologically this coming first it would lose it’s momentum,

Cheetah:

I will admit I was not as disappointed with Barbara as I thought I would be going into this movie.

Having said that, I’m going to start with the negatives before talking about the positives of the character.

Firstly, both Barbara and later Cheetah are redheads, Kristen Wiig is naturally not but for the role of the character she could have easily worn a wig or died her hair for the role because not only is Barbara being portrayed as the ditzy blonde at the start of the movie a little redundant at this point, when she became Cheetah it did not look right with her as a blonde.

Now let’s talk about the actual Cheetah look. We’ve seen that one shot of her in the DC Fandome trailer but it was so dark and so quick that there was practically nothing to analyse, seeing her appear in the final 30 minutes of this movie...which is how long she actually appears as Cheetah...it’s both a lot to take in but also a lot to be disappointed in.

So Barbara’s turning point to villainy I feel isn’t when she beats up that man who attempted to assault her, but instead when she fears Diana and Steve are talking about killing Max to save the world because he absorbed the stone and the stone needs to be destroyed to save the world from carnage.

At this point she appears at the White House just as Diana has Max captive, dressed in this admittedly trendy Cheetah-print attire, incapacitates or possibly kills the White House security team and gives both Wonder Woman and Steve a whooping.

Firstly, the very fact there was no mention of the fact Barbara could tell Diana Prince and Wonder Woman were the same person just shows how daft the secret identities of some of these DC Heroes is.

But secondly, when Max retreats, Barbara hitches a ride with him and gets another wish for saving his life. Rather than wishing to be like Diana this time, she wishes to become an Apex Predator and is therefore granted the anger and vengeance of all the people Max grants wishes to via satellite.

This combination somehow turns her into a Cheetah as when we next see her she is Cheetah...a very badly CG’d undeveloped version of Cheetah but this is our Cheetah.

My version of Cheetah is from Injustice 2 and I know a bit of her backstory in the comics enough to know she was an archaeologist who was cursed to become the Cheetah and how in the DC Rebirth Wonder Woman, Barbara and Diana were friends but then when she became Cheetah, she felt betrayed by Diana and became her enemy that way.

That’s kind of similar here but it’s not a Cheetah curse that made her Cheetah, it’s a wish and a very literal interpretation of the wish “I want to become an Apex predator”...what’s an apex predator? A cheetah, get it?

Also as Cheetah, she just looks like Barbara styled her hair different and bought a Cheetah onesie. I wish she had gone full cheetah with the face, instead we get some very weird make-up which seems to wash off when they land in the water and some weird contouring or something to give Kristen Wiig a different nose...they could have continued the Cheetah fur on the face, given her cat-eyes, bigger fangs, something!

Again, Barbara’s villainy stems from power corruption, Barbara’s first wish was wanting to be like Diana and because of this got her powers so went a little bit power mad when she discovered she had super strength and speed.

Interestingly though, despite being electrocuted, Barbara does survive and when all the wishes are renounced she reverts back to a human...or does she?

Keep in mind that we never see Barbara take back her wish, in fact she is quite adamant in not doing that which leads Diana to making the hard call. The fact is it was by Max’s hand that Barbara finally became Cheetah so when he took back the wish of becoming the Dream Stone, that wish was rescinded…but Barbara’s original wish of becoming like Diana and thus gaining the powers of an Amazon demigoddess actually might still be in tact.

It’s implied that she is still pissed at Diana even after reverting back to human, so I do see her returning more than I do Max Lord but in her return I hope there’s a Cheetah redemption.

Steve Trevor:

I am really starting to be won around by Chris Pine as an actor. Originally in my list of “Hollywood Chris’” he was at the bottom because he isn’t Marvel, but now I think I actually would put him ahead of Pratt. Not only do I love him in this role here but also Rise of the Guardians which I’ve re-watched over the holidays.

So when it was announced that Pine would return as Steve Trevor in a movie set decades after the first movie which he died in, I like a lot of fans were curious as to how they were going to accomplish this. I mean we’re dealing with the DC variation of Greek Mythology and so I thought maybe Hades could be a factor, but then when the MacGuffin known officially I think as a Dream Stone became a factor with the trailers, the idea of him being resurrected as a wish by Diana was speculated which was kind of true but there was a catch in that he only came back to Diana but taking over another man’s body.

The movie I think beautifully brings Diana’s childhood lesson taught to her by Aunt Antiope about cheating full circle with the wish she makes to see Steve again. In her defence, Diana did not know what she was doing or that she was actually wishing on a wishing stone, but when she realises the impact that this seemingly innocent wish is having on the world, ultimately she has to wake up to the fact that this is a cheat because Steve is dead but Diana has brought him back in another man’s body...without his consent. Again, NOT DIANA’S FAULT, but she is pseudo-responsible and so can’t win because she cheated. This is a plot point I wish they had developed further or highlighted more because, having seen it twice now in the past 24 hours, that is probably my favourite message of the movie. Cheaters never prosper, not even Wonder Woman or Cheetah.

Steve being introduced to the 1980s was a great chance to reverse the fish out of water story Diana had in the first movie but while hers was one of both wonder and humour, Steve’s was mostly wonder and it was so endearing to see.

I loved how we didn’t take too long on Steve exploring the 80s, I liked how organically it was woven into the ongoing story. We did get that great small touring scene of Diana showing Steve the art and the breakdancing, but that he discovered pop tarts and his wonder in wanting to fly that jet rather than simply get on a plane to travel to Cairo, it was all very well done and that’s mostly on Chris Pine.

I did find the body-snatching a little bit creepy at first and at the very end. We didn’t meet the guy that Steve inhabited (for want of a better word) so I don’t feel strongly positively or negatively about him because we don’t know him, but when we meet him at the end when we somehow flashforward from July to Christmas, I did feel weird that not only did it seem that he and Diana were interested in each other but also the fact it wasn’t even mentioned that he couldn’t remember the time that Steve was in his body.

As I said before when talking about Diana, the blend of the romantic/working relationship between Diana and Steve is (sorry) #relationshipgoals for superhero couplings. I am aware that Steve Trevor isn’t a superhero but neither is Lois Lane but both civilian halves of these superhero couples are very potent in the comics and I have never understood this particular relationship until now.

Steve is as strong a part of the duo as Wonder Woman is because while he doesn’t have her Amazon physiology, he has that core inner strength that he had in the last movie which is why he sacrificed himself originally...now yes he pretty much did the exact same thing here but this was after he was pretty much carrying Diana through that D.C. street and seeing all the chaos that these wishes were causing...genuine anarchy....that Steve knew the only way Diana could regain her strength and save the world was for her to let go of him.

It was the most emotional scene of the movie for me and the only scene to almost make me cry. after crying at the Mandalorian finalé I am not crying at another show or film for a while but still, because not only could you tell both of them didn’t want this to happen but also as Diana pulls herself away from Steve not looking at her as the camera pans away from him you just hear his voice saying “I will always love you Diana, no matter where I am”. There’s never been a more potent portrayal of a superhero couple in my opinion in the movies. Tony and Pepper came close in Avengers: Endgame but this tops it for me.

Do I see Steve returning again? Yes, because I feel when you’re dealing with a property about gods and magic there is always potentiality for anything. I mean this movie is the definition of potentiality for anything because I think if it does succeed then they get away with a lot that other properties wouldn’t, but anyway yes I want Chris Pine to return to this role because I love him in it.

Amazons:

This is another scenario where the advertising lets the audience make up what is in store for us with announcements because announcing that Robin Wright is returning as Antiope after dying at the start of the last movie does raise suspicion.

The obvious solutions were resurrection, vision or flashback and for the majority of Amazon scenes save for one it was all flashbacks which I’m not going to grumble at because I enjoyed that opening scene.

I like how Themyscira basically has their own version of Ninja Warrior and that this scene was most likely set chronologically after Antiope agreed to train her. Which begs the question why her mother was so okay with it considering even as an adult Hippolyta has issues with Diana becoming a warrior but her contribution was so short I let that slide.

I’ve already mentioned how Antiope’s lesson of cheater’s never prosper was utilized so well in this movie but, similarly to Chris Pine, I just love any reason to bring back Robin Wright.

Aside from Hippolyta and Antiope though there was a third minor Amazon focused on in a couple of scenes in this movie, that is the ancient Amazon warrior Asteria.

Asteria was mentioned a couple of times, firstly by Hippolyta in reference to her statue as someone to strive to become and then by Diana to Steve when discussing the origins of her Golden Armor. During this discussion we see a flashback of Asteria in a crouched position being whaled on by Neanderthals protecting the Amazons as they retreated to Themyscira. We only see her eyes and at this point in the movie I thought Asteria was a throwaway character and so Connie Nielson was doing double-time as Hippolyta and Asteria.

However, this proves to be untrue as in the only post-credits scene we get we see Asteria walking down seemingly the same street we left Diana on in Washington, though they never clarify where it is. Furthermore we originally only see the back of her and she is dressed a lot like Diana with the same hair and clothing style. She even effortlessly stops a pillar or lamppost from crashing down.

But it isn’t Diana, at least not the one Gal Gadot is portraying...as it is revealed to be Asteria portrayed by Lynda Carter in a fabulous short, sweet and somewhat cheeky sequence where she states “I’ve been doing this for a long time” with a cheeky wink directly to the camera. I mean she basically echoes lines Diana says in the movie, but the fact it’s OG Wonder Woman and knowing we’re also getting Michael Keaton returning as Batman in the upcoming Flashpoint movie, it’s all just brilliant.

Obviously for fans of the Supergirl series, Lynda Carter had a recurring role on that as Earth-38′s President of the United States who was an alien and I have also seen her in Sky High, but looking at her here she just looks flawless.

Does this mean we’re going to see Asteria in Wonder Woman 3? I can’t wait to find out.

DCEU:

Speaking of the larger DCEU, this movie does absolutely nothing to connect itself to any other DC movie or property. We’re in 1984...Bruce Wayne is 12 so at this point has lost his parents, the original Black Canary is potentially crime-fighting, it’s the year Lex Luthor is born, Clark Kent is living in Smallville, Amanda Waller would just be starting out in the career that would see her become director of ARGUS. There are so many possibilities particularly as we haven’t had a movie set in the 80s within the DCEU before.

This is where DC continues to flounder where Marvel succeeds. They do not grab the opportunities for a cinematic universe expansion and instead keep everything contained. I don’t even think the events of Wonder Woman were mentioned outside of Steve’s death.

Particularly as we now have to wait until August for The Suicide Squad as the next DC movie (outside of the Snyder Cut), it would have been nice either if there would have been a tease to lead into that or even if something in this movie links to the Snyder Cut of Justice League.

Overall I rate this movie a 7/10, it’s a very enjoyable movie if you manage to follow all the threads the plot weaves into this movie, because they’re not seamless.

I’ve actually paid attention to the box office, reviews and CinemaScore for these movies since Birds of Prey and I have to say for being a focussed Wonder Woman movie it is underperforming from the first one with a B+ here as opposed to an A there, but considering Diana’s first outing was in Batman v Superman with a B score, I think the fact both Justice League and this have a B+ bodes well as it averages out with middle of the pack superhero movies, and that’s a good way to describe this movie.

It’s not better than the original, and there are many tangles within it, but it’s not a terrible movie. Again I’ve seen it twice in the last 24 hours and neither time got old for me.

So that’s my review of Wonder Woman 1984, what did you guys think? Post your comments and check out more DC Movie Reviews as well as other Movie Reviews and posts.

24 notes · View notes

im-not-the-spy · 5 years ago

Text

I want The Boys (2019-) to do to superhero movies what Blazing Saddles (1974) did to westerns.

Blazing Saddles, directed by Mel Brooks, is mostly famous for its anti-racist message, but it was also a scalding parody of the then-prominent western genre. And I mean it was prominent. You think superheroes are oversaturated today? Back in the late 50's, there were 4 television channels in total and over 40 western shows running on them at all times. You could not escape them for decades, even if you tried.

Then Blazing Saddles came along, dragged it through mud, and, much like Disco Demolition Night, the genre mostly vanished. Obviously, it wasn't just this one movie that did it, by the 70's people were growing sick of westerns, they desperately wanted something different. Blazing Saddles just happened to come out at a perfect time to contribute the final blow to this idea of a wholesome, whitewashed, all-American western.

We're living through that fatigue again right now, with superhero movies. There are so fucking many of them and they all follow a similar enough narrative that people are growing tired. Despite the movies themselves arguably increasing in quality since the early 2010's, the general consensus on them has shifted from excitement and interest to "oh god, there's more?" It all become monotonous and predictable somewhere around the 15th remake of Batman and the 574th entry into the MCU.

As The Boys is finally starting to get the traction it deserves, I want it to be that final blow to this bloated money printing machine. Just like Blazing Saddles, it's a perfect mix of relevant social commentary and brilliant genre parody. Most importantly, it isn't afraid to show that the emperor has no clothes, that the superhero genre these days is full of shit with it's self-righteous heroes, tokenistic inclusivity and the ever-prevalent worship of America. Having watched this show, it makes it hard to go back and take a superhero movie seriously.

The Boys is good enough, if not to end the genre, then to at least force superhero movies to actually earn their keep again.

#the boys #the boys tv #amazon #blazing saddles #mel brooks #marvel #dc

41 notes · View notes

silvormoon · 4 years ago

Text

My Hero

A little vignette set in my superhero universe. Juudai’s been giving his all to being a good hero. Sometimes, he just needs someone to give a little something back.

It wasn’t easy, being the most powerful super in the world.

That sounded trite. Worse, it sounded self-congratulatory, a way of boasting that he, Yuuki Juudai, had much grander and more important problems than the humdrum things mere mortals had to deal with. It conjured up images of some movie star or millionaire lounging on their sofa sipping champagne while they talked about how stressful their life was.

And the point was that it wasn’t easy for Juudai, and he didn’t even get the champagne to make up for it. Granted, his life did tend to involve a lot of sofas, but mainly in the, “Can I crash here tonight?” kind of way. The hardest part was that he knew he could change that if he wanted to. He could make himself famous overnight. He could have as much money as he wanted. People would line up for miles to get the kind of treatment he could provide. He could make the world his oyster, if he wanted to, or crush it under his heel, and no one would be able to stop him. That was the whole reason why he worked in the dark, kept his name out of the papers, and slept in a tent or on friends’ sofas and spare beds, earned money doing odd jobs when he had any money at all, and spent a lot of time second-guessing himself.

But he wasn’t doing any second-guessing tonight. Tonight, he had found the hideout of a gang of criminals who had been peddling a bogus drug they claimed would give people temporary superpowers. What it did was to give the user a sense of euphoria, a feeling that they were all-powerful and omniscient. Several people had died from jumping off buildings or doing other equally risky things under the influence of the drug, and Juudai had decided someone needed to put a stop to it.

Just now, he was waiting near the front door of the lab. Yubel was standing over the collection of about a dozen men they’d captured together and was giving them all vicious glares if any of them so much as breathed too loudly. Juudai was aware of a few more who had fled out the back door, but he and Yubel had managed to capture the three ringleaders, so he doubted the operation would be starting up again any time soon. They had been using some specific know-how blended with the application of some unique superpowers to synthesize the drug, and those powers were gone now. It was a shame, really. A power to synthesize chemicals like that would have been invaluable to the medical community. Perhaps if this man learned his lesson, Juudai would let him have it back someday.

For now, he watched as a number of police officers warily approached the building.

“It’s okay!” Juudai called out to them. “My partner and I have things pretty well nailed down here.”

The lead officer edged a little closer. He was eyeing Juudai warily, and Juudai didn’t blame him. Most supers at least tried to look like superheroes when they were on the job. Juudai was wearing ragged jeans, hiking boots, a fleece-lined brown leather jacket that had obviously seen a great deal of life, and a T-shirt advertising a band called Sugar Snow. He looked more like a college student out for a beer than a superhero.

“Doing a little spur-of-the-moment heroing, are you?” asked the officer suspiciously. “Care to show me your license?”

Juudai produced his ID card and flicked it towards the officer, who caught it neatly out of the air.

“Thank you, sir,” he said, and ran it through a scanner at his waist. He looked at the results. His eyebrows rose. He scrolled rapidly through the rest of the file, then looked back at Juudai.

“You’re the Haou?” he asked.

Juudai shrugged. “Apparently. I mean, I didn’t come up with the name, but it’s sort of stuck to me now so I figured I might as well own it.”

“If you’ll excuse me, I didn’t think you were real,” said the officer, handing his card back.

Juudai shoved the ID back in his pocket. “Yeah, well, I like to keep a low profile.”

“I can certainly understand that, sir,” said the officer, a bit more respectfully. “But I would like to see some proof, if you don’t mind. May I...?”

“Huh? Oh, sure,” said Juudai, who had been through this song and dance before. There were ways that a villain could disguise themselves as a hero, many of them quite hard to detect. S-levels, though, tended to stay stable, so one way of proving a person was who they said they were was to test their blood and see if their S-levels matched what was printed on their ID card. It wasn’t foolproof, since it was possible for two people to have the same S-levels, even if the odds of any two people matching were one in several hundred. Nobody, however, had levels like Juudai. He offered his finger to be pricked, and watched as the numbers on the little scanner lit up. It showed 9999, just as it always did.

“You are him,” said the officer. He was visibly impressed now.

“Yeah, that’s me,” said Juudai uneasily. “Look, we’ve got these guys all tied up in the back, so if you wanna...?”

“Oh, yes, of course,” said the officer.

Uniformed men poured into the building and started doing official things. Juudai watched a little while to make sure everything was going as it should, then quietly slipped away when no one was looking.

“I wish they wouldn’t always do that,” he complained, woefully regarding his finger. “Just because I’m famous doesn’t give people the right to punch me full of holes.”

“You don’t have to let them do it,” said Yubel.

“I know,” he said. “It’s just not fair. If I had a normal power like flying or punching holes in walls or laser vision, no one would ever ask if I am who I say I am. They’d just go, ‘oh, you’re Wonder Guy, can I have your autograph?’”

Yubel gave him a knowing look. “And you’d want that, would you?”

“Not really,” Juudai admitted. “Well, maybe a little.”

“Do you know what your problem is?”

Juudai smirked. “I’m sure you have a list.

Through all he’d done in the years since he’d left school, Yubel had been his constant companion. Juudai had promised, after all, that they would stay together once they had found each other, and Yubel took him at his word. Through rain and snow, through train delays and cancelled flights, through cheap motels and leaky tents, gang wars and monster battles and helping lost children find their parents, whatever Juudai did, Yubel did too. Even on those days when everything went wrong and they were both feeling thoroughly sick of each other, Juudai was always thankful that he didn’t have to do all this alone.

“I think,” said Yubel, “that you’re burned out.”

“What do you mean, burned out?” said Juudai. “It’s not like I do very much. Mostly we just travel.”

“That still counts as doing things,” Yubel pointed out. “Anyway, you know what I mean. I’ve been watching you. You’re all give and no get. You do all these wonderful things but you don’t stick around to enjoy the thanks, because you’re afraid it will go to your head. Sooner or later, you’re bound to run out of give.”

Juudai scowled. “You know...”

“I know why you do things the way you do. You don’t want the whole world beating a path to your door demanding you give them all godlike superpowers, or take the powers away from people you don’t like,” said Yubel. “I’m just saying, it might be time for a vacation.”

Juudai knew his laugh sounded forced. “I don’t exactly have money for a tropical vacation.”

“Then ask one of your friends. Any one of them would let you stay with them for a while.” Yubel smiled. “It wouldn’t hurt to relive your school days for a while. Do you remember all the fun we had? The annual snowball fight, staying up late telling ghost stories, eating popcorn and watching movies in the common room...”

“Yeah, I remember,” said Juudai. He smiled a little. “Those were the good old days. Man, I’d give a lot to have another go at some of those games we used to play in Chronos’s class. Remember the time you got tangled up in that net so bad they had to cut you loose?”

Yubel huffed. “I could have gotten out if I’d wanted to.”

“I know,” said Juudai. He took out his phone and poked at it for a moment. “Hey, you know, there’s a gym close by that has those reinforced training rooms for playing capture the flag and stuff. We could see if we could scrape up a team. And then we could, I dunno, grab a pizza or some ramen or something, and then maybe catch a movie? And tomorrow I’ll call around and see if any of our friends mind having a couple of house guests for a few days.”

Yubel grinned. “Now you’ve got the idea.”

Juudai grinned back. “Knew there was a reason I kept you around.”

Yubel reached for his hand. “You keep me around for a lot of reasons.”

“Yeah, you’re right,” said Juudai. “Come on. Mission ‘Have Some Fun For A Change’ is officially under way.”

They began making their way towards their destination. Somewhere in the distance, Juudai could hear sirens. There was always something going on in a big city like this, and a part of him itched to be part of the action, but he knew Yubel was right. Sometimes, the person he needed to protect was himself. He was lucky he had someone by his side to remind him of that.

It doesn’t matter how strong I am, he thought. Sometimes I still need a hero, too. He was glad he’d found one.

“So, Yubel, what movie do you want to see?”

“I don’t know. What’s playing?”

“Well, there’s one about this secret agent who...”

“I am not sitting through another movie full of cars exploding. Pick something else!”

“I didn’t say I wanted to see that one!”

“No, but you were thinking it.”

Laughing and bantering with each other, they walked away, hand in hand.

#soulshipping week #soulshipping #yugioh gx #yuuki juudai #yubel

17 notes · View notes

ty-talks-comics · 6 years ago

Text

The Boys Season 1 Review and Comparison

This was so cathartic.

In an age where we’re inundated with superhero media on all fronts with their bright colors, cheery jokes and positive outlooks, it’s easy to slowly become sick of it, feel the “superhero fatigue” as it were. Where Marvel ruins some stories with far too many jokes (looking at you Thor: Ragnarok) and DC is far too dreary and serious for its own good with a lack of levity, where can one turn to for a GOOD happy medium?

Well, in comes Seth Rogan and Evan Gold, the brilliant minds behind the amazing adaptation of Preacher with yet another brutal and slightly more cynical series. The Boys absolutely stuns not only by being a genuinely compelling series, but also by being one of the few adaptations that improves on the original medium in a few aspects.

Story

The story centers around Hughie Campbell and the titular Boys as they work to expose the horrific deeds of The Seven, a collective of the world's greatest superheroes, and the company that sponsors them, Vought American.

In this world, superheroes are everywhere. They're on breakfast cereals, TV shows, movies, pretty much every piece of media and entertainment imaginable while also protecting America from crime. Sounds familiar, huh? The kicker here is that, much like every asshole celebrity that lets the fame and fortune go to their heads, these heroes are massive cunts. They take performance enhancing drugs, routinely cause accidents that hurt or kill people, sexually harass people left and right and just lie to their adoring public like they’re children.

Unlike the books, however, The Boys team isn’t the well oiled machine that’s been taking down and blackmailing superheroes for years and the first four episodes are spent introducing the different team members.This is likely due to wanting to give people time to care about them individually and the limited number of episodes in the season. This definitely works in also retooling the characters themselves for TV since they may not have seventy-two issues of character development ahead of them

For the most part, the show follows the initial story beats of the comics with a few select differences before splintering off in an entirely new direction. Hughie’s girlfriend still gets blown apart by A-Train, he denies Vought America’s hush money which draws the attention of Billy Butcher and Starlight joins the Seven after the “death” of the hero Lamplighter.

This also means that there's less time to focus on smaller plotlines and teams that are referenced to in passing dialogue like the Teenage Kix, a pastiche on the Teen Titans, or Payback, the number two group of superheroes to The Seven. While seeing the team take these guys down on the small screen would have been fun, I like the idea of keeping the plot focused on just the core group of antagonists. This way, we don’t have to slog through three or four seasons of small fry and get the big bads in the last few.

After the first half, fans of the comic may start to feel a little bit of the familiar, but then things start to take a drastic turn when Billy's pride and the rest of the teams sloppiness gets them all burned and branded wanted criminals. This never happens in the books because The Boys are funded and protected by the CIA, but here they’re just another group of concerned citizens that are completely in over their heads, adding to the tension and keeping everyone guessing as to what will happen for the rest of the season and in Season 2.

Themes

The original series was written during the latter years of the Bush Administration. Tensions were high and America was still embroiled in the Iraq War. The president was a simpering fool and companies were fucking people over left and right in the name of patriotism. Reality TV and the awful personalities on our screens were on nearly every channel and all of this only fueled the anger that is Garth Ennis’ pen and Darick Robertson’s pencils. It was a product of its time and it was perfect.

We’re now in the Information Age where superheroes and social media are the only things that matter in everyone’s mind, where women’s empowerment is stronger than ever and our leaders speak bombastically with shit eating grins full of lies. Rogen and Goldberg have kept the series modern and take everything to task.

Media. Marvel and DC are everywhere nowadays with some indie companies managing to scrape up their own part of the pie. The Boys makes fun of the seemingly endless cycle of sequels and the goody-two-shoes images of America’s favorite heroes. Everything is carefully managed and curated by a media team, similar to how Disney micromanages even the smallest details of their properties to make everything so sickeningly squeaky clean.

Not only do the heroes stop crime, but they star in their own movies about themselves as well, some have sponsorships for shoes and have to compete with each other for everything. Almost everything is done for the cameras, even intimate moments whenever Vought can find a way to make it work. The heroes are never too far from the spotlight even when they want to be and oftentimes their acts can go viral without them knowing.

Sexual Assault. In the comics, Starlight is sexually assaulted by Homelander, Black Noir and A-Train in a gross scene to establish that there’s nothing good in that world. It was good for its time in its own dark way, but today there are absolutely consequences to such things as there should have been back then. In the show, Starlight is assaulted by The Deep, her childhood crush, alone.

It’s dark and makes use of the imbalance of power as The Deep threatens to have her kicked off of the team. Soon after, Starlight comes forward with what happens to her, not allowing herself to let what happened stand and unlike in the books, The Deep gets his comeuppance. Though this also unfortunately leading to him getting assaulted as well. It’s powerful and allows for Starlight to move what could have been an image of weakness, though Vought uses this to their advantage as well, painting her a feminist icon. Best for business right?

Politics. While not everything has to be an allegory for Trump, it’s hard to say that Homelander isn’t just that. He’s what the president thinks he is, a strong, blonde haired man that the entire country loves. Homelander has the people eating out of the palm of his hands and he’s only feeding them shit. He hates the common man and will just as easily let many die if it can somehow serve his interests. He’s not above a little sexual harassment himself and he is just an evil bastard.

There’s also a subplot of military application of superheroes that I feel mirrors the discussion on the use of drones in war. Drones are absolutely deadly and have caused the deaths of hundreds, even innocents when things have gone really wrong. Even President Obama was criticized for how reckless and dangerous their use could be. The world could only imagine the hell that would rain down if superheroes were allowed to duke it out over national security.

Characters

The Boys as a comic series was an unrepentantly cynical take on the superhero genre in an established universe of heroes. The creator, Garth Ennis, didn’t grow up with many superheroes and actually felt disrespected by a few of them, like Captain America. He brought on the amazing Darick Robertson and other artists to realize this horrid world of drugs, hardcore sex and brutal violence. Many of the stories are fun and hilarious, but with the unfortunate feeling of a lot of them feeling one note due to the one dimensional nature of a lot of the “heroes” and the ever escalating level of black humor to the point of being cartoonish.

Our main character cast is absolutely fantastic. Jack Quiad’s Hughie is much like his comic counterpart, aside from being like six feet tall and not Scottish. He’s surprisingly smart with a lot of awkwardness about him. He has a good heart and doesn’t see ALL superheroes as being evil, but does have a slight sense of justice that wants to see The Seven and Vought taken down.

Karl Urban’s Butcher was the absolute perfect casting choice. He’s got that wry British wit, the fury to capture Butcher’s rage against supes and can play a manipulator like nobody's business. His character arc is one of the few regressions that I can actually appreciate for how it's done, especially as things become more fucked because of him and how he chooses to blame everyone else.

Everyone else is a slight bit of an improvement over the comics versions. The Frenchman, played by Tomer Capon, is similar to his comics counterpart, but we’re given reason to care about him and The Female. In the comics, Frenchie and the Female knew each other prior, but I don’t think it’s ever revealed how they met or became close. In the show Frenchie frees The Female, played by Karen Fukuhara, from thugs that had been keeping her prisoner and he slowly gains her trust over the course of the next few episodes after her introduction. We see their friendship grow, learn a little bit of her backstory and get a better understanding of what she wants versus just following Frenchie around and being terrifyingly adorable.

Annie January aka Starlight, played by Erin Moriarty, is probably the second best change in character in the series. She starts out as a bright eyed, bushy tailed hero looking to do good, but after being sexually assaulted on her first day in The Seven, decides that it will never happen again. In the comics, Annie stays around in The Seven and takes the abuse for a little while before speaking out and fighting back against the rest of them. What makes things even better, not only does she challenge her uber Christian beliefs during an event sponsored by Vought, but she does so while also getting Vought to force her abuser into giving a public apology at the mere thought of her causing their stock prices to crash.

Consequently, Mother’s Milk, portrayed by Laz Alonso, one of the most layered characters in the comics isn’t made better, but the more ridiculous aspects of is character have been toned down. We don’t hear of his disabled mother and his addiction to her breast milk that fuels his own superpowers, nor is his wife a crack addict that makes pornos with their daughter. He’s simply a reliable member of the team that loves his wife and will give Butcher the truth when he’s acting like an asshole.

The series actually brings a lot of grey to most of these characters. A-Train never once shows remorse for his actions in the books, but in the show he's painted as kind of sympathetic, while still being seen as a monster for what he does and the reasons behind them. The Deep could go either way after his actions with a redemption arc or a full turn to villain, but is shown to be knowingly aware of how little regard there is for him. He calls himself a "diversity hire" and acknowledges his own ineptitude, but he's still an absolutely terrible person.

Queen Maeve may be one of my favorite changes that manages to be even more sympathetic than her already pretty great comic counterpart. She, much like Starlight, did want to change the world, but she let the apathy and jaded nature of the job take her over. She's an alcoholic that sees a bit of herself in Starlight. The change comes in how she reacts to what I think might be Homelander's most heinous act in the show. She shows far more remorse and guilt over what happens than she does in the comic, showing us a side of her makes you want to root for her and to see her get better.

The best character… dear Lord, is Homelander, played by Anthony Starr. Homelander is a bastard. The worst thing imaginable because of his sheer strength and power. He’s a sociopath with all of the powers of Superman and none of the goodness. In the comics he’s simply just another asshole.

He’s the most powerful of the Seven and absolutely revels in the hedonistic lifestyle that he’s accustomed to while also hating being under the rule of Vought. In the show, he’s shown as being supportive to Vought, especially it’s current Senior VP of Hero Management, Madelyn Stillwell. He has something of a mommy fetish as shown with his interactions with her and later in the series actually expresses emotions over learning of his own tragedies, but instead of trying to change for the better, he doubles down on his hatred and anger to become an even bigger monster than before.

In the comic he just wants all of the superheroes to conquer the world, but here, he just wants to hurt everyone who hurts him. He plays games like a child, threatening and revealing secrets to toy with people before absolutely breaking them. He's horrible in a very personal way and his sneering smile only makes him so much more hateable. He knows there isn't a damn thing you can do to stop him and he revels in that fact, I love it.

Pacing and Direction

Coming in at an hour for each episode, the first two to three can feel a bit slow. Getting all of the story elements to sit just right can take time, especially as new things are introduced every few minutes. This slow burn approach easily helps to build the tension before things get really crazy by episode four. By that point, the story is unfolding at a perfect rhythm, the team is mostly together, they’ve made their plans of action and it’s all so smooth.

Thankfully each episode is directed by different people to avoid each feeling so similar. The common humor and tone is kept the same, but some episodes are very hopeful almost before being met with one that absolutely makes you hate certain characters and the actions that they take. In particular, the episode where Hughie and Butcher visit a group therapy session and Butcher flies off into a rage about the weakness of the attendees as they basically lick the balls of the heroes that have maimed them was amazing. The director pulls so much emotion out of that scene and continues on as the episode moves along in a far more dramatic fashion than some of the others.

Some others lean heavier on the debauchery such as the episode where Hughie and Butcher venture into a superhero sex club and watch as these guys do some pretty amazing feats with their abilities in some really gross ways. There’s a good balance of levity and drama that makes neither feel too overwhelming.

Overall

With a great cast, impeccable acting and an unpredictability that I actually enjoyed, The Boys absolutely blew me away. I was wholly prepared to rip it apart if I felt like it didn’t do the story justice, but Rogen and Goldberg are fans and knew what we all wanted. It’s unabashedly a comic book show, but still has enough to it that people who have never heard of the series will be floored by how much they can find to enjoy.

It’s for the nihilistic and jaded comic book fan. It’s for the casual watcher who’s gotten enough of Marvel’s colorful displays of happiness and it’s absolutely for the happy person who just wants to have some fun with what they watch.

I thoroughly enjoyed this season of The Boys. So much so that I’m aching with anticipation to re-read the comic series in preparation for Season Two. It’s unlikely that it’ll follow the plot much, if at all after the ending, but with Stormfront (as a woman) being announced as the new Hero joining the Seven in the next season, I’m excited as to who else they might pull. This first season absolutely earns a high recommendation from me.

1K notes · View notes

mierinette · 5 years ago

Text

day o9 - cone of shame

and somehow i’m feeling, it’s up that i fell.

tumblr month: @marichatmay links: ao3 | ff.net

It all began with a Pixar marathon.

After finding out that Chat Noir had never actually seen a Pixar movie (He'd seen some snippets or the beginnings of the film! He just never reached the end!), Marinette insisted that he come over one night so they could watch it together.

(And after he made a few jokes about the apparent innuendo of staying over, resulting in a less-than-amused look of his girlfriend, he ecstatically agreed.)

They chose a day when Marinette's parents had gone out for the weekend (a long-overdue romantic getaway that she had gotten them for their anniversary), so they could hang out without anyone getting suspicious on why a superhero was casually staying over at a civilian's house.

It was nearing midnight and the two had gone through quite a few movies, already reaching Marinette's personal favorite film: Up.

She cuddled closer to Chat Noir, who was all too happy with the sudden contact.

They had just reached the scene where the two protagonists were being chased by dogs, and Chat Noir felt himself shudder. He turned to Marinette, an evident look of displeasure on his face. "You know, I feel like something like that would be my worst nightmare," Chat Noir stated, as the animals closed in on them.

Marinette laughed. "Who would've thought? The kitty's afraid of dogs."

Chat Noir pouted. "Hey, I think anyone would be afraid if that happened!"

"Well, I wouldn't."

"Well, that's because you're perfect."

Marinette blushed, before immediately huffing and looking away. "... sure."

Chat noir quirked an amused eyebrow. "Really?" He asked, entertained. "No thank you?"

Marinette felt herself turn red, as she attempted to stand and leave; only to have a pair of strong arms wrap around her and pull her onto his lap.

"Chat!" She giggled, as she playfully slapped his chest. "Let go!"

Chat Noir hummed as if thinking, then immediately shook his head. "I think… not." He stated simply, only cuddling her close to him, nuzzling into her neck for a moment before looking up at her.

"But I think I found a way for you to thank me." He continued, eyes gleaming.

Marinette didn't like where this was going. She knew where this was going.

Immediately, she started pushing him back. "No, don't you dare, Chat, I told you we weren't going to—"

"Kiss attack!"

He only stated, before immediately dipping down and peppering kisses all over her face.

Marinette could only laugh, swatting at his shoulders as he continued. "Chat!" She managed to say between breaths. "Come on, we should watch the movie!"

Chat Noir only stared at her, playfully, before finally backing off (not without one last kiss, though). "Fine, fine," he surrendered, only to be met with a face full of pillow.

"I said no kiss attacks until we finished going through the films!" Marinette protested, pouting.

The hero at least had the decency to look apologetic. "But I can't help it," he whined. "You're too cute."

Marinette turned red, before hitting him with the pillow again.

"Stop blaming me for you getting distracted!" She argued, before pointing at the movie. "See, look at how much we missed. We'll have to go back and watch it again." Marinette pointed out, as the film featured Doug, the dog, being forced to wear a cone around his neck.

"I do not like the cone of shame." Movie-Doug stated.

Chat Noir laughed, hugging his girlfriend close. "I don't think we missed a lot," he argued, attempting to kiss her again as she pushed him back.

Marinette rolled her eyes, before suddenly laughing to herself.

"You know what we should do instead?" She suddenly asked, surprising Chat Noir as she leaned closer to him. Her hands placed themselves on his lap, and the latter found himself gulping from the contact.

"W-What?"

"We should…" she started, fingers trailing up his chest.

"... get you…" her hands wrapped around his neck.

"... something like…" her hands cupped his cheeks.

"That." She simply stated, before pushing Chat's face left towards the screen.

Marinette laughed as her boyfriend's face transformed into one of displeasure.

"Really, Mari?" He asked, unimpressed.

"Yeah!" She giggled. "Cats wear them too, you know. Not just dogs!"

"Even if, it's not like I'm sick or anything!"

Marinette flicked his nose. "Yes, you are. Lovesick." She cringed, before immediately taking it back. "Wait, that was corny."

Chat Noir laughed. "Just a little bit."

"But that doesn't change the fact that you can't stop…" she paused, blushing a bit. "Kissing me. So we need that!"

"Really?" Chat Noir asked, smirking, as he suddenly leaned close. "So you're going to cone of shame me?"

"Yes."

The hero pouted, his own hands going up to hold her face. "And you're really not going to miss me?"

"... yes."

"Really?"

Marinette turned red, as Chat Noir's face was only a breath away from hers.

"Feels like you're not against me being so close, though?"

His catlike grin was enough to push her over the edge.

"Oh, just shut up and kiss me already."

#marichatmay2020 #marichat may #marichatmay #marichat #marinette dupain cheng #chat noir #ml #miraculous ladybug #milk writes #ml fic #ml fanfic

16 notes · View notes

nocturna-starr · 5 years ago

Text

Losing Hope

Prompter: @idiot-cheesehead-archenemy

Prompt: Tucker is turned into a vampire

Length: 1718

Warnings: Implications

The motel room was cold and smelled like something had recently died in it. Yet this place was one of the few he could afford with his meagre savings and lack of ID. Here he could hang out until he could fix what was wrong with him.

It would be a while before anyone would even look for him. His parents believed he was sleeping over at Sam's while his friends believed he was at home sick. School had let out two weeks ago so there were going to be no nosy teachers questioning his whereabouts. He was home free.

Tucker Foley threw himself onto his bed. It creaked from all of his weight. He threw his bag against the wall, accidentally ripping part of the old floral wallpaper. The comforter smelled of mould. He was almost afraid to see the sheets beneath. At least it meant that maids don't come up here often. He wouldn't be noticed if he snuck back in...

He picked up the old remote on his bedside table. Half of the buttons were stuck, but it would have to do for now. He turned on the television.

The news was airing another ghost attack. Lance Thunder looked just as uncomfortable as ever.

“Well Amanda, the creep crate is attempting to rob the antique store once again. The Fentons are trying to subdue him. There is still no sign of Phantom.”

Behind the reporter, the Box Ghost was running as fast as he could. A box full of old clocks floated behind him while Jack Fenton chased him with a Fenton bazooka. Every time he shot at the blue ghost, he missed. It was laughable. Danny leaves them the weakest ghost and they still couldn't catch it!

Danny...

It wasn't fair! How come Danny managed to get the cool powers and keep his humanity? Danny got to be the world-famous hero, but Tucker would have to spend each and every day trying not to murder anyone. Why couldn't Sam had been bitten by her creepy friend instead of him? At least the style would have suited her! Why did Tucker always get the short end of the stick? Was this punishment for some awful crime he couldn't remember?

Tucker felt the bitterness creeping through his soul. That wasn't good! He needed to focus on something else before his powers went out of control. Who knew what horrible ability would make itself known? Besides, Jazz always told Danny that good things come to those with a positive attitude.

He changed the channel. A cartoon about a giant mouse and a cat was playing. They were going on some sort of adventure. It was the type of show his grandma used to put on when he was little. It was stupid and mindless, the perfect escape from his panicked mind.

He kicked his shoes off, leaving them to unceremoniously fall onto the floor. He thought about switching into his pyjamas, but what would be the point? He probably wasn't going to get much sleep at night anymore. His body needed to get used to his new needs.

Suddenly, there was a loud banging on the door. Tucker jolted upright, fear coursing through his body. Was it the police? How did they manage to find him?

“Room service!” The voice sounded like the high pitch Danny used to imitate Jazz.

“It's three in the morning lady!” Tucker yelled back, “Go away!”

The person who was most likely Danny, could not be deterred. Instead, the banging became louder and more frequent.

“Go away, Danny!” Tucker yelled. It was still dark out. He still may have those urges. The thought of accidentally killing his best friend only added to the rising panic attack.

And annoyed Danny Phantom phased through the wooden door. In his left hand was two paper bags with the Nasty Burger logo on them. In his right hand, he was balancing a tray of drinks.

“Really Tucker?” Danny rolled his eyes. The ghost boy summoned his transformation rings, “Why did you ru-“

“Stay in your ghost form!” Tucker yelled. The runaway wondered if he had woken up anyone. He hoped they would take him as a normal dude and not come down to investigate.

“Okay.” Danny placed the tray on the side table. He threw one of the greasy bags at Tucker before sitting down on the bed.

The runaway peeked inside the bag. Danny had bought him three burgers and filled the remaining bag full of fries. There was enough food to last him a day or two if he was careful. At Tucker's surprise, Danny smiled.

“Valerie was closing. When I told her I was ordering for you, she filled the bag. I think she may have developed a crush on you Tucker.”

Pain seared Tucker's heart. Why did he have to go on that stupid date?

Danny gracefully sat down on Tucker's bed. The two ate in silence, pretending to watch the inconsequential adventures of the cartoon rat and cat.

Inside his mind, Tucker was falling apart. He knew his best friend would try to convince him to go home, but Tucker could never go back again. Danny would try to find the positives, perhaps even suggest Tucker become his own superhero. Yet the ghost boy didn't understand the intense longing Tucker had every time he looked at a human.

Danny seemed to be deep in thought as well. He was frowning, and every so often he would narrow his eyes or cringe. It was like he was having a war within. Finally, Danny decided to speak.

“As much as I am enjoying watching whatever this is... We need to talk.”

We need to talk...

It sounded like something Sam would say. Her influence was rubbing off of Danny too much. Briefly, Tucker wondered if Danny would be embarrassed if he mentioned it.

“Why did you run away? Did one of the ghosts threaten you?”

“NOT EVERYTHING IS ABOUT GHOSTS!” Tucker shouted, “SOMETIMES YOU REALLY ARE A FENTON!”

His best friend took a deep breath. Tucker could almost hear Danny counting down from 10.

“Tucker,” Phantom said, barely keeping the hurt out of his voice, “What happened?”

Unearthly green eyes met emerald. Neither of them found themselves backing down. Minutes past before Danny finally seemed to yield. Tucker should have known better. Danny always had been the most determined of the trio.

“If you don't tell me, I'll just bring you back home,” The ghost boy stood up and crossed his arms. Tucker knew he would stick to the threat.

“I am a vampire.” Tucker was careful to keep emotion out of his voice. Admitting his problem had a calming effect. It was like accepting a punishment one didn't deserve. With the calm came a feeling of hopelessness.

“So, Sam was right…” Danny's stubbornness deflated. Now he looked lost and unsure. It was bizarre to see such emotions on the usually cocky ghost boys face.

“My life is over. No cheerleaders, no movie theatres, no graduation, and no future career in technology. Now, do you see why I can't go home?” Tucker brought his knees to his chest. Part of him wanted to feel something. He just felt so... Empty.

“We'll think of something. Maybe there's a way we can refocus those powers or-”

“No Danny, Tucker interrupted, “I'm not half-vampire! I bear the full curse! If you were in human form, I would have killed you! I barely stopped myself from killing the clerk. I’m a monster…”

“We will figure something out.” Danny had always been the optimist, almost to a fault. Tucker knew it was only a matter of time before the vampire overtook the human. Then Phantom would have to subdue him.

“You can't be the only vampire... Maybe Vlad can help! He kind of looks like one...” Danny had started to pace back and forth.

“Or Vlad will use me as a weapon against you?” Tucker suggested.

Danny paused and gave an unimpressed glare. Then he noticed the clock on the wall.

“I have to go. I'm sorry”

“Patrol?” Tucker felt anguish streak through his heart. He needed his best friend! Couldn’t Danny miss one stupid patrol? Memories of a grieving and guilty Phantom flickered in the back of his mind. Tucker was being selfish again. Bad things always happened when Danny missed his nightly rounds. There was a reason Amity Park was one of the safest places on earth.

“Trust me, Tuck. Sam and I will think of something. Remember to shut your blinds. (Sam said sunlight hurts you.) Sam has a book that you might find useful. See you tomorrow night!”

Within the next minute, Danny was gone. The vampire chuckled to himself as he cleaned the wrappers. If Danny thought he was going to stay put... Then he was way too trusting. Tucker would switch apartments for the rest of the night. Once the sunset, he would travel further away.

He couldn't burden his best friend with his mistakes. Danny already had the whole world on his shoulders with the ghosts. He didn't need any more difficulties. The hero couldn’t constantly watch him. If Tucker did massively screw up, which he undoubtedly would, the ghost boy would forever blame himself. The best thing to do would be for Tucker to leave.

After throwing away his and Danny’s wrappers, the teen grabbed his bag. He pulled out his cell phone and PDA. Tucker knew he should have left them at home, but he couldn't bear the part with his babies.

Here, Tucker needed to become a man. No one was going to solve his problems for him. Danny or the police will track him down (he cursed his stupidity for not getting rid of the find friends app). He turned the TV off and left.

He had to do this on his own. He would find a cure or learn to control his urges. He would go back to Amity Park. He would hug his parents, apologize to Danny and ask Valerie on a date. He would scream at Sam for setting him up with a vampire, and the two would be friends again. The trio would hunt ghosts like they used to. Everything would go back to normal.

He couldn’t lose hope.

#phic phight 2020 #Phic Phight #danny phantom #tucker foley #apparently I've been spelling mould wrong for years #vampire

10 notes · View notes

nerdasaurus1200 · 6 years ago

Text

AU Masterlist

Any and all asks for these AUs are more than welcome.

Kwaminette AU- AU where Marinette is Plagg and Tikki’s daughter. She’s a Kwami instead of a human, but she prefers to take on a human form because she likes interacting with humans. She’s the Panda Kwami of Balance, and the kwami of Cory Bernard/Panda Girl, my Miracusona. When she’s not helping out Cory, she’s busy trying to bond with Adrien. This one takes place within the show.

Miraculous Injustice AU- AU where the members of Team Miraculous are placed in the Injustice video game. The canon Team Miraculous gets sent to a dimension where the team is split up and akumas fight for both good and evil because Cat Noir turned evil after they found out Gabriel was Hawkmoth. The Quantic Kids (Felix, Bridgette, Melodie, Sparrow, Gavroche, Kim Mime, and Mercury) are included in this AU as well.

Dupain Cheng Kids AU- AU where Tom and Sabine adopt everyone in the Miracuclass as their child (except Adrien cause he’s their future son in law). Marinette keeps an eye for fellow classmates that don’t have the best home life. She then passes word to her parents, who fight tooth and nail to earn legal custody of said child (We don’t care they aren’t on the adoption list, they deserve to be in a home FULL OF LOVE).

Catbug AU- AU where Marinette has both the Black Cat and Ladybug Miraculouses. She calls herself Catbug. Plagg and Tikki are like a second set of parents to her, and she eventually develops a harem.

Mike and Mari AU- AU where Marinette has an older brother named Michael. He is her favorite thorn in her side as well as her go-to Miraculous Holder. He’s dating Miss Bustier and is going to school to become an interior designer.

Role Reversal AU- AU where Marinette and Adrien are switched Miraculouses. Lady Noire and Mister Bug protect Paris against Pavona and Hudie (Gina and Sabine); who want the Miraculouses to bring back Tom. Involves reverse crush and somewhat reverse life.

Adrien’s Monster AU- AU where Duusu summons a full time sentimonster to protect Adrien. He names it Hiss and it follows him everywhere he goes. Hiss and Plagg hate each other.

Supernatural AU- AU where everyone except Adrien (who’s still human) is a mythological creature. Marinette is a fairy, Kim and Rose are werewolves, Alix is a Hobbit, Mylene is a Dwarf. Juleka and Luka are vampires, Ondine is a mermaid, Ivan is an ogre, Alya is one of the last of the Nine-Tailed Fox clan, Chloe is an elf, Lila is a changeling, Max is half-sphinx, Nathaniel is a brownie, Kagami is a yokai, Marc is a leprechaun, and Nino is a Kappa (though nobody knows). The Kwmais are fae creatures that run/protect the school. Miss Bustier is a pixie, Ms Mendeleiev is a witch, and Principal Damocles is the owl of Athena. Gabriel is secretly a hunter of mythical creatures and sent Adrien to the school so he could get closer to them. (Courtesy to @miraclesoup for some of these ideas)

Hive Guard AU- AU where Chloe keeps her Miraculous at the end of Miraculer, runs away, and becomes a freelance hero of sorts. She’s extremely active is trying to find and stop Hawkmoth and Mayura. She lives in the eiffel tower, and trains with Pollen every day. Nobody but Sabrina knows her location; and she becomes Queen Bee’s right hand.

Jurassic AU- AU where Emilie’s maiden name was Hammond, and one day Adrien discovers is grandfathers work and reopens Jurassic Park.

House Cat AU- AU where Cat Noir actually decides to date Marinette in Weredad and becomes the Dupain Cheng housecat.

Mother Peahen and Papallion AU- also known as the MP3 AU. AU where Duusu and Nooroo adopt Adrien after Heroes Day with Plagg as the greasy uncle.

Road Trip AU- An AU where Team Miraculous travels around the world looking for Lost Miraculouses after defeating Hawkmoth and Mayura. Ali and Aurore bear the Moth and Peacock Miraculouses in this AU.

Miraculous Descendants AU- An AU where Miraculous characters are in the movie Descendants. Most of them are the children of Akumas.

Thing 1 and Thing 2 AU- An AU where there are two boys that like Kagami. Conner (a new student from America who tries to make Kagami jealous by lying about Ryuuko being into him) & Hiroki (a rival from Japan that she beat who believes that she should be his girlfriend) & Luka/Viperion doesn't like how uncomfortable they make her or how angry they make her feel.

Guard Dragon AU (Rockstar!Luka & Bodyguard!Ryuuko AU)- An AU where Kitty Section's new bodyguard is so mysterious and tough. Anarka trusts her to keep her children and their friends (Juleka and Rose dating) safe. Ryuuko does not plan on letting her down, but with Luka? It's hard for our Lady in red black & gold to stay professional.

SongHeart & The Queen (Ryuuka's Beauty and The Beast AU)- Kim is Lumiere, Anarka as Maurice (great parents are great), Chloé and Sabrina as Gaston and LeFou (duh), Emilie and Adrien as Mrs Potts and Chip (need that adorable mother/son bond), Marinette is (a younger) Wardrobe (fashion girl!) and Luka's closest friend in the place. Luka is Belle and Ryuuko is the Beast. Instead of inanimate objects, they’re cursed to be akumas.

Scales and Whiskers AU- An AU where Ryuuko and Cat Noir fight over who gets to date Marinette. She eventually gets so sick of it that she just tells both of them to date her. Before she knows it, she’s got a superhero boyfriend and girlfriend.

Behind the Scenes AU- An AU where Miraculous actually is a show in the canon universe and the characters are all actors. Chloe and Rose are sisters from the South. Jagged, Marinette, and Kagami are siblings. Gabriel and Adrien are Uncle and Nephew, and Lila is Marinette’s best friend.

Akumavillian AU- An AU where everyone who has been akumatized has the ability to turn into their Akumas without the power of the Moth.

Cat’s Shipping Show AU- An AU where Cat Noir runs a blog dedicated to all the ships of Team Miraculous, because he’s shipper trash. He gives people the news on certain ships, and reviews ships as well.

Ghost Bug AU- An AU where the past Ladybug’s are attached to Marinette. They’re like her 24/7 Obi-Wan, and they’re a little Ladybug family. Turns out, everyone on Team Miraculous (plus Hawkmoth and Mayura) are in the same boat.

Sentibug AU- An AU where Bugette wasn’t destroyed by Mayura and instead becomes Ladybug and Cat Noir’s sidekick/daughter

Mom Pink AU- An AU where Pink appeared instead of Steven when his gem was taken out. Somehow they can both exist now and mother and son are reunited.

Adrien Universe AU- Steven Universe, but with Miraculous characters.

Momma Mayura AU- An AU where as soon as Stoneheart appeared, Nathalie grabbed the Peacock Miraculous and became Mayura. She fights on Ladybug and Cat Noir’s side to bring down Hawkmoth and quickly becomes the team mom.

Tales of Pegasus and King Monkey AU- An AU where Master Fu instead distributed the Horse and Monkey Miraculous and Kim and Max are the main characters of the show.

Chatroom AU- An AU where Team Miraculous has a group chat

Genderbend AU- An AU where everyone’s genders are swapped.

Teacher Kwamis AU- An AU where Miss Bustier is fired and the Kwamis take over teaching.

Frozen Dragons AU- A Hiccelsa AU that combines Frozen and How To Train Your Dragon. Basically, just before the events of Race To The Edge, Elsa and Hiccup have an arranged marriage and her, Olaf, Sven, Kristoff, and Anna are present for the events of the show and Dragons 2

Kumafeather AU- An AU where Max and Kim have the Moth and Peacock Miraculous and are trying to bring Max’s dad back. They call themselves Kuma and Dark Feather and are like that classic supervillain and dumb sidekick trope but they’re gay.

GrayBlue AU- An AU where Adrien and Marinette have the Moth and Peacock Miraculous and are trying to bring Emilie back. They call themselves Grayling and Beau Blue.

Mastermind Fu AU- An AU where Master Fu is evil and the Miraculass steal the Miracle Box to fight him.

Evil Miracuclass AU- An AU where the Miracuclass is evil and steals the Miracle Box. Master Fu must use the remaining Miraculous he has to fight them.

Marigod AU- An AU where Marinette and her parents are Gods.

Tangled Sisters AU- an AU where Cassandra grew up in the tower with Rapunzel and Varian is Flynn’s protege/adopted little brother. It’s be the same as the movie, just Cassarian, Aged Up!Varian of course, and the sister duo we deserve.

Apprentice AU- An AU where Master Fu was Emilie’s mentor. They have a father-daughter bond

Killer Princess AU- An AU where Juleka has the Moth and Rose has the Peacock

Timmy Dupain Cheng AU- An AU where Timmy (Sandboy) is Marinette’s foster brother and earns the Dog Miraculous under the name of Pup Fidele

Forbidden Love AU- An AU where Flynn is still a thief and Rapunzel is the ruler of Corona. The two of them have a little flirty to and fro, as he’s the most wanted theif in the kindgom and they both really dig each other but don’t want to admit it, not even to themselves. Lance is his sidekick and Kiera and Catalina are their young protégés. Meanwhile, Varian and Cass work under Raps. Cass as her royal adviser and personal bodyguard, and Varian’s her little brother and the royal alchemist.

Cousins AU- Inspired by the theory that Rapunzel, Elsa, and Anna are cousins. An AU where they were there to celebrate her birthday in Secret of the Sundrop and went with her and the gang to the Dark Kingdom! Sven, Kristoff, and Olaf tag along too, of course.

Twins AU- An AU where Marinette and Kagami are long lost twins

The Prince and The Pup AU- An AU where Prince Ali starts going to Marinette's school after falling for the heroine known as Chien De Guarde after his first encounter with her. What he doesn't know is that Chien De Guarde is Sabrina Raincomprix.

Tales of Monarch and Chien de Guarde AU- An AU where Monarch and Chien are the main heroes

Tales of Ryuuko and Viperion AU- An AU where Ryuuko and Viperion are the main heroes

Tales of Ryuuko and King Monkey AU- An AU where Ryuuko and King Monkey are the main heroes

Elsa Padare AU- an au where Elsa is adopted by Cass and Varian

Gandalf Swears AU- An au where everything is the same except Gandalf swears

#miraculous ladybug #masterlist #ml au #miraculous au #frozen #How To Train Your Dragon #httyd au

345 notes · View notes

cannotgiveafuck · 6 years ago

Text

Shazam Week Prompt 2

I'm a day late and expect to do again, but I'm not quitting!

Heres prompt 2: Holidays

Halloween had always been one of Billy's favorite holidays.

Before he was Captain Marvel, he would spend the day at the Fawcett Park Market, getting his face painted in preparation for trick-or-treating. The amount of candy he snagged would last him weeks, even far into December if he controlled himself.

Before he managed to permanently escape from his Uncle Ben, Billy enjoyed Halloween for the chance it gave him to be far away from the man. At least for the night. When he returned, he'd always have to hide a majority of his stash in his room, lest his uncle throw his entire loot into the garbage.

Ever since becoming the Champion of Magic, however, Billy found no time for Halloween shenanigans anymore. He had a responsibility to uphold, civilians to watch over, monitor duty to attend.

Billy Batson wasn't a kid anymore.

"What do you mean, you're not going out? You're thirteen years old! Go throw eggs and TP at some old tosser's house, get sick from too much candy, and all of that!"

Billy didn't know where to begin, everything about what he'd said was just...wrong. "John, I'm twelve. And I'm on patrol tonight. Do you know how bad it would be if the League found out I… egged someone's house? I'd be toast!"

But the thought of throwing rotten eggs at his Uncle Ebenezer's house brought on a joy he was ashamed to acknowledge.

On the other side of the mirror, Constantine took a long, contemplative drag of his cigarette. "Do you realize how mad what you just said was? You're twelve and you've got patrol for what? Fawcett? The entire bloody world?"

The familiar heat of indignation, of embarrassment, flared at his cheeks. "So what?"

When he sighed, smoke obscured part of his features, but his blue eyes - clear and crisp and so much deeper than others gave credit for - pinned Billy to his spot. It was an accusing stare. A look that challenged Billy, doubted him, was filled with more condescension than John's words could imitate. It was a look plenty of adults gave plenty of kids when they did something particularly exhausting.

Billy hated that look.

He also knew that John hated the League, that Billy was even part of the League. Against all opinions of him, John was actually quite soft for children, became rather protective and reckless for them. Billy knew John thought of him as a child, heck, the magician looked out for him well enough, and Billy appreciated it, really he did. But…

"Know much about the spirit world and Hallow's Eve?" John asked, thankfully diverting the subject. At Billy's head shake, he continued. "The veil between alive, dead, and undead becomes thin, nearly open. All the planes of existence sync up. Get the most supernatural activity around that time. And I know the lot of em throw one killer of a ball."

Immediately, Billy had perked up, always interested in learning more about the magical community. But at the mention of a party filled with paranormal creatures?

Billy knew the glee on his face was evident as John chuckled.

"Unless, of course," he added, tone teasing, "you're too busy patrolling."

Ah, crap.

[[MORE]]

-x-

"Are you sure this will work?" Billy asked as he looked at John's handiwork. It was impressive and amazing, and Billy never got tired of seeing magic in action.

"C'mon now, lad, trust me here," he said with a face that did not at all look like John Constantine.

"It's not that I don't trust you, exactly…"

They were currently in New York City, strolling down an alleyway that John was very certain lead into their destination. As they got ready earlier in the day, he had explained that the ball was a public affair, a yearly celebration that warranted total truce once entered. No murderous or underhanded conflict permitted on the property. The event was hosted by an affluent influence within the magical or supernatural community, though it took the effort of some key abilities to pull it off, to ensure the location was safe and secure.

However, just because there was no guest list didn't mean anyone could waltz on in. Unless they were a plus one, a regular human or extraterrestrial could not enter the compound. Afterall, there was still so much that neither knew or understood about the world, about Earth and her inhabitants and patrons from all walks of existence. Only those immersed in the community and its secrets could be trusted to attend.

Though, Billy was unsure how solid a definition of trust that they used.

And then there were certain individuals or groups on a blacklist. No matter if they had attended before or were invited by someone going - once someone was banned, it took a great deal of influence to be welcomed back.

That is, unless someone was clever and crafty enough at magical tricks to sneak in.

Someone like the infamous and definitely blacklisted John Constantine.

"Think of it like any other Halloween party, yeah? Some folks go as themselves and that's fine, but boring, honestly, and others wear costumes. Nobody's gonna rip off someone's mask, right?" John smiled with far too many sharp teeth, with a face that was not his own. "That's how glamour is around these ilk."

It made sense, sure. But still, Billy couldn't help but feel...weird. Don't get him wrong, it was exciting getting to join in on this adventure, but looking into the mirror and instead of seeing himself, or even Captain Marvel, he saw a strange creature. It was creepy.

Once John applied the glamour dust, Billy used his own magic to shape what he wanted to appear as - an aesthetic look inspired by his own Feyr.

With Tawny's help, Billy became a tiger themed witch boy. Pointed ears and a gliding tail, sharp fangs and claws, wild hair and catlike eyes, a magically fitted black suit with striped markings that followed onto his skin, and eerie blood splatter across his hands and face - Billy so wanted to wear this for other Halloween parties.

(He doesn't actually believe he'd ever get the chance, but well, one could dream.)

Though, he admitted, he was sort of jealous of John's glamour. A full transformation into a stylishly decorated demon - large horns, full black eyes, fancy clothing and a grand colorful coat. He looked really, really cool.

"I could've gone as Marvel, you know. Being an adult seems easier for this," Billy commented. It would have also been safer.

Great adventure aside, Billy wasn't stupid enough to ignore the dangers he was getting into. He may be magical inclined, but Marvel was the Champion of Magic. If things went south, he would prefer to have the Gods on his side. And great costume aside, something about attending a party as a kid, albeit a never aging one, seemed like it was asking for trouble. What if the glamour wasn't enough? What if his magic wasn't enough? What if someone saw right through them and realized Billy really was just a kid? If he got blacklisted from the coolest supernatural party of the year before he even turned eighteen, he would never live it down.

"You telling me that you want the entire place in chaos? That's what the Champion of the Gods would do. Half the party would swarm you for autographs and most likely try to pull you into rooms you do not want to go, and the other half would fall over themselves trying to leave the damn place. Some may even risk breaking the truce to get a piece of you."

"I thought that's what the glamour was for."

"A pretty costume can't hide the fact that he's the Champion of goddamn Magic. His energy alone would blind the lot like a beacon of divine fucking light." John stopped them before they reached a dead end wall practically oozing magical illusion. They kept a good enough distance, though he still lowered his voice. "I know you run with the big superhero league, but his reputation goes farther than you've been flying around in his cape. Near everyone knows about the Ancient Champions and their patron Gods, and half of those know about the Wizard and his lofty seat at the center of all Earthly magic. He's a bloody legend down here, so no shouting for your giant fuckall lightning, alright? You don't need to leave here with a massive target on your forehead."

Well, then. This was news to him.

"It'd be nice if you told me this before, you know, instead of when we are literally walking into the lions den!" Knowing that there could be powerfully magical beings who would want to hurt him… that seemed like important information.

"That's why I told you to stay as a kid, kid," John flicked at his forehead, infuriating and condescending all at once. Which wasn't an uncommon thing, unfortunately.

The response was immediate, Tawny's low rumble, warning John Constantine away.

"Yeah, yeah. I get it," he lead them forward and to Billy is felt like walking through a curtain to see what was covered on the other side. "Now, stay within eyesight of me, and don't accept drinks you haven't seen the bartender make. And even then, keep to what you know," John said.

Billy knew what to do, thank you very much. He's had talks with his neighbor Candy, and he's heard older teens whisper at foster homes, and him and Freddy have watched teenage party movies. He knows what to do and unlike John, he doesn't go pissing off every magical being he comes across.

He'll be fine!

-x-

He was not fine.

Billy was very much not fine at all.

He felt sick and nauseous and all he wanted to do was throw up, but he couldn't and that made it worse. Thanks to John's quick thinking, he managed to get them out before Billy's glamour wore off. Though, with how fast John was walking, he was practically dragging Billy along, making the sidewalk blur and the street lights flare painfully.

"That's what you get for accepting a drink from the eternal witch boy," John said, voice teasing. It was salt in Billy's wounds along with everything else right now.

Words seemed to escape him for the moment, so he gagged and spat on the ground at John's feet to let him know how he felt about that.

"Didn't take you for a delinquent," John continued. He sounded more amused and Billy hated it. "Not that I'm judging, mind you. I had my first taste of alcohol when I was ten."

"Didn't know," Billy muffled out. He'd tried beer before, him and Freddy had snuck out with a can each one time. They'd stolen it from one of the foster dad as he lay passed out on the couch. It was the most disgusting thing Billy had ever tasted.

"Yeah, can't blame you there. Mead tastes deceptively sweet. Either way, it was from Klarion and that's where you went wrong."

Okay, he really did not need a lecture right now. It was Halloween and he nearly blew their cover and he may have become an ally to Klarion and they almost got found out by Zatanna and all Billy wanted to do was sleep forever.

Still incapable of words, because talking required thinking and that was not going to happen - Billy groaned.

"No, no sleep yet. Gonna need some water and greasy food first, or you'll be feeling even more like shit come morning. Good thing I know a place and they won't ask questions."

At the mere thought of food, Billy felt his stomach turn and finally threw up. Surprisingly, it made him feel better.

"Hmm. Good thing you don't have monitor duty tomorrow, you're sleeping in. And no patrol, either. Consider it an extended holiday."

Halloween had never been this eventful before, at least at a personal level, but it all honesty, Billy didn't feel an ounce of regret. This was probably his favorite year yet.

Vomiting in the middle of the street excluded.

#shazamweek2019 #shazam #billy batson #john Constantine #fanfic writing #captain marvel #maybe someday ill write about what all went on at the party #im sure it was a hoot #is john a bad influence on billy? yes. does that stop either of them? no.#listen john knows kids will do dumb shit. hes not gonna stop that. hell just be there to laugh

76 notes · View notes

ryanmeft · 6 years ago

Text

Movie Review: Joker

The Joker is ubiquitous in pop culture, possibly second only to his nemesis. If there is a Batman-adjacent project, the Joker will show up at some point, and often be the most memorable element. That’s held true for portrayals by Cesar Romero, Mark Hamill, Jack Nicholson and Heath Ledger. Joaquin Phoenix’s turn in the role takes a different tack and makes the villain the central character. It does not make him the hero, and that is an important distinction. Todd Phillips’ film walks a thin line between exploration of the character and adoration of him, and manages to stay upright.

There will, of course, be debate about that, a thing which in and of itself speaks to the unique creature the film is: can you imagine walking out of Avengers and debating anything other than which moments were the most fan-pleasing? I did that after Endgame, and was, on a superficial level, satisfied. Joker is aiming for a more cerebral level. There were times I could see the point and times I could not. That alone is noteworthy. I can’t imagine feeling philosophically conflicted about most superhero films. Is it possible I am giving it bonus credit simply for having thoughts in a typically thoughtless genre? Entirely possible.

One thing I noted is that when the credits roll, Phoenix is not credited as the Joker, but as Arthur Fleck. Fleck is a clown-for-hire who dreams of being a stand-up comedian, but keeps the lights on, barely, for himself and his mother by spinning sale signs or cheering up sick children. We meet him as he is mugged by a group of teenagers for no reason; they break the sign he is twirling, and his boss insists he stole it. His life is a series of such incidents, a pattern of trusting the world will do the right thing and finding it won’t. You sense that, deep down, he knows this. He reacts to each new disappointment not with shock or anger but with simple, resigned acceptance.

His life is one of quiet drudgery leading inevitably to a pauper’s grave, and it is dominated by his mother, played by Frances Conroy, who I have personally not seen since she was owning the brilliant Six Feet Under. We meet her here as a defeated old woman, gazing lovingly at TV interviews being given by Mayoral candidate Thomas Wayne (Brett Cullen) whose attitude toward the poor is derived from the real-world remarks of many right-wing politicians mixed with the savior-ism of the left. She worked for him, years ago, and is convinced he will answer her letters and lift her and her son out of poverty. This is one of several places where the film breaks with society’s stereotypes of the down-and-out: Fleck lives with his mother and does his best to care for her despite his own limitations, and the situation is not seen as especially pathetic. Another is that Fleck is regularly single, but being unlucky in love isn’t a significant contribution to his transformation; a brief relationship with a single mother (Zazie Beets) ends sadly but is not greatly important to his fall.

That transformation is played out slowly, and there’s no one moment that allows us to go “A-ha! This is it!” He discovers things about his true parentage, and then discovers there may be even more secrets to those secrets. He learns his mother may not be all there, and is keeping things from him. A moment is needed to highlight Conroy, who must shift her persona a couple of times during the film. We’ve all likely known an older woman who is oddly obsessed with something she’s seen on television; it has become a cliche, and most cliches have some basis in fact. Conroy feels sympathetic, and yet when we learn she may be unstable and possibly abusive, we also believe it; there is more than one person in her.

The film’s world views are not what Outrage Culture decided ahead of time that they would be. Prior to the film’s release, there were those who watched the trailer and decided it was glorifying sexist societal outcasts and the acts of violence they sometimes carry out. If you go into the movie expecting it to be that, you can probably find evidence of it. For myself, I don’t subscribe to the notion of deciding what a film I have not seen is and is not. I’ve seen it now, and as with almost every film that addresses mental illness in any way, there are things it does well and things it does less well. The slow transmutation of a simple sad sack into a mad anarchist is movie-plausible, if not real-life-plausible. Phillips and co-writer Scott Silver use some convenient shortcuts to let us know how close to the line Arthur is. He’s on seven medications and asks for more; more crazy, of course, requires more pills. He is gaunt and skeletal, with Phoenix losing a lot of weight for the role, to the point where his joints seem misplaced; another shorthand, as you rarely see a character who is both mentally ill and has any meat on their bones. There’s still a basic idea that external forces are needed to produce a real breakdown; the idea it can just simply happen, due to imagined events or to nothing at all, is simply too opaque for a visual medium to capture. The drama concerning Fleck’s parentage veers just this side of soap opera, but rights itself in the end. This is set against a backdrop of economic unrest, and the eventual furor the Joker stirs up resembles Occupy Wall Street on steroids.

What the film gets right is the way most people who end up suffering from a damaged mind get that way not because of one bad day---the cause Joker famously attributes his origin to in Alan Moore’s classic graphic novel The Killing Joke---but because of the slow accumulation of wounds that by themselves would not be serious, or would not be serious to someone with a different brain. The most tone-deaf criticism I have heard is that the things that happen to Fleck are not realistic; that they are contrived simply to make him sympathetic. If someone believes that people are not casually cruel for no reason, I would venture to say they have lived a charmed life. As someone who has spent time in both retail wars and the vastly overhyped halls of many a Comic Convention, I didn’t find anything people did to Fleck to be beyond belief. Robert De Niro plays a late night host who mocks Fleck’s botched attempt at stand-up to score cheap laughs of his own, and that of course is found everywhere. It is, for instance, easy to write a negative review by personally attacking the people involved. The film is not denying that some people are just horrible. Rather, it is saying that maybe, just maybe, the casual cruelty and anger that is so easy to find doesn’t help. We are also, of course, not meant to sympathize with the path Fleck takes, but to recognize that when people are monstrous, they create monsters.

There are criticisms that can be leveled at Joker, and since this is a positive review, I obviously disagree with most of them. Yet one stands out: the idea that the movie glorifies a murderer. There are ample movies and TV shows picturing the common fantasy of not taking it anymore, in which good guys kill anyone and everyone who looks at them funny while obliterating huge parts of the world around them. People die at the hands of heroes for doing their jobs on the regular, and how many innocent bystanders do so when Iron Man rips through downtown New York? Those movies reduce such sequences to cartoons, so we may go away satisfied and empty-headed. The greatest perspective trick movies often pull is not any camera wizardry, but in convincing us that psychopathic mass murderers are heroes. Will Joker start a new wave in film of Watchmen-like introspection on the reality of worlds full of colorful people with powers? Certainly not; we like our candy too much. Yet I will continue to dream of a Batman film in which the question asked is not why Joker kills, but why Batman keeps letting him escape to do it.

Verdict: Recommended

Note: I don’t use stars, but here are my possible verdicts.

Must-See

Highly Recommended

Recommended

Average

Not Recommended

Avoid like the Plague

You can follow Ryan's reviews on Facebook here:

https://www.facebook.com/ryanmeftmovies/

Or his tweets here:

https://twitter.com/RyanmEft

All images are property of the people what own the movie.

#joker #Joaquin Phoenix #batman #heath ledger #movies #frances conroy #jack nicholson #mark hamill #cesar romero #todd phillips #brett cullen #DC comics #zazie beetz

35 notes · View notes