#she was just good at hiding it

[weedplantar]

People are saying things like "oh going to the boiling isles traumatized Luz" which yeah it did, but also Luz had a HUGE amount of trauma before she even stepped foot through the portal in s1e1 and people keep minimizing and ignoring that.

[homeforclones]

The difference between Season 1 and Season 3 of the Bad Batch

Season 1: Omega: Crosshair, can I have a hug? Crosshair: The audacity??? Of this Child??? Nothing would revolt me more than to show any kind of weakness to sate your neediness. Season 3: Omega: Crosshair, you're getting a hug. Crosshair: The charity??? Of my Sister??? Nothing would give me more joy than to be hugged by the Literal Angel that you are, though I am a lowly worm.

[p4nishers]

crowley, drunk off his ass: and i was yk just some fucked up soul born in cold and rain but he was my fucking sunlight or whatever

hozier, frantically writing on a napkin: HHHMMMM TELL ME MORE

[literaphobe]

You Didn't Tell - Abby S.

[durge-marzio]

Ohhh, I'm rereading Mystra's entry in the Sword Coast Adventurer's Guide... and this detail:

This means Gale was punished for trying to restore and preserve what he thought was a lost piece of Mystra's magic. Gale being Mystra's ex-lover put aside. He as her follower, she his goddess, was punished for attempting to do the one foundational rule of her faith.

I'm seething and so sad at the same time.

Edit: I used the word punish loosely, as in, toxic/abusive people will take any small mistake or action and twist it into something they can take advantage of. This post was also largely from the stand point of a toxic deity rather than a toxic partner, but both takes are valid here. Especially with the, “you didn’t stay compliant so now I’m giving you the silent treatment” part of it—from a god and a partner perspective.

[stevenrogered]

Ritu and Justin's first meeting

[atlas-five]

Alice inviting Sam and Celia to the show seems less like trying to fuck w Sam or his relationship (or even flirting w then both) and more like she's fucking lonely. she might have genuinely wanted them there, cuz, y'know, hanging out w people is how you make and keep friends generally. like,,,, before Celia it sounded like Sam and Alice were chillin' at work and had regular banter but since Celia showed up Sam's attention is all on her and hes started treating every interaction with Alice as an annoyance (and just generally being grumpy, if you consider his interaction w Gwen that one time). plus it's not like Gwen has time for Alice to even mess w her anymore. everything is changing and I don't think Alice is taking it well

[ipostmysimpingstuffanonymously]

My entry for a prompt week we organized on the SatoSho Discord Server. The prompt was Soft Touches

[genericpuff]

say sike right now, she's actually going back to The Doctor Pepper Show-

Like, this is just "What if The Doctor Pepper Show and LO had a baby?" Because at this point it's very clear Rachel only knows how to write from inside her own head, which is full of unresolved salt towards her childhood and medical fetish shit. The imagery in the first panel is very LO, and the imagery in the second is literally The Doctor Foxglove Show-

Evidently she's been reskinning the same shit for years-

Listen, I've been, for the most part, keeping my lips sealed on a lot of Rachel's old projects and what I've dug up on her previous works, for a few reasons:

1.) We were all cringe on the Internet at some point in time and a lot of these older works, such as Freak Scene Surgery and The Doctor Pepper Show, would have been from when she was in her late teens / early 20's. I'm not here to judge Rachel's personal preferences or whatever kind of fetishes she's into. It's totally normal, expected even, for a lot of creators to have older works they're trying to bury or disconnect themselves from because it's simply not them anymore.

2.) Ultimately I've been focused on discussion around Lore Olympus and Rachel as she currently operates as a creator, so I don't want to go digging up her old skeletons as any sort of "gotcha" towards LO today. Ultimately a lot of these works don't have anything to really 'do' with LO as it exists today.

That said, the reason I'm bringing it up now is because these new series... are bridging that gap that I've been avoiding for ages now. The gap that's filled with skeletons of Rachel's past that she's trying to both disconnect herself from but now fall back on with LO come and gone. It almost goes to show that her being a one-note pony goes back since far before LO - these are literally the only ideas she's able to come up with at this point, and it's painfully obvious in how both these new "graphic novel pitches" are pretty much the exact same and could apply to the same character, and that character may as well just be Persephone, i.e. Rachel, all over again.

Like, I'm calling it now, Patients in the Dark is just gonna be more "moms are bad" rhetoric, and Eleanor's Deathbed is gonna be Hades and Persephone, but replace Hades with some death god and Persephone with a training mortician, which is basically also still just Foxglove training to be a doctor, and Icy Shaw bragging about fondling corpses.

If anything, now that Webtoons is no longer carrying her around on their shoulders, this is gonna be Rachel's moment of "put up or shut up". She can either actually put in an active effort to write something that's decent, or she can flounder under the weight of her own tired mediocrity that's been knocking at her door for years now. As much as she's using her labels that were bought for her to sell these books which aren't even in real development yet-

-Webtoons isn't gonna be there to buy her Eisners forever. This is entirely on her and the imprint that Webtoons shoved her into. Her process is still the same, she's learned nothing from the experience of making LO, she's just got the money and awards now and is trying to run with it, but all she has are the same tired pitch lines that she's been using for decades now and just so happened to work with LO because LO had both Webtoons and the appeal of it being a Greek myth "retelling" to carry it into fame.

I'm gonna go into a bit of a tangent here, but it's been weighing on my mind since I found out this news and have been discussing it with pals within the ULO circle. Rachel once said in an interview that she wanted to use her platform to raise awareness of issues regarding sexual assault, mental health, and "the patriarchy":

"Who do you know that hasn’t been sexually assaulted? The number is depressingly low, right? Why is that? There is no short answer or an easy fix. I have a platform. I can tell a story that will hopefully educate and help others feel acknowledged and vindicated." - Rachel Smythe, Interview with Gossamer Rainbow

"...obviously I'm very feminist, and that sort of stuff really matters to me, um, the best way to approach this question is… I began, the pilot was written in sort of mid-2017, and I think what I wanted, what I wanted to achieve, and I don't even know… probably in 5 years time I don't know how I'm going to feel about this but I'm taking the risk, I really wanted to write a story where, uh…this female character goes through these things and I think what I wanted to do, what I wanted to achieve, was like a really common, I can't speak for like, men, but I can definitely speak for like, you know, if you're sitting in a group of your female friends and you're like "Hey! Who's been sexually assaulted?" �� The response is going to be really depressing… Most female people that you know have probably experienced sexual assault to, on one level or another, and I'm like, for me I'm like "Why is that? Why?" And is it because there is a lack of information, lack of education, like what is it? And I'm lucky enough to have a platform and I'm like, if I could just provide some information in story format, would that help? Is this what I can contribute? So I feel like, especially, when writing sexual assault in media often it's… it's a way for the main male character to be, like, uplifted to hero-ness by, usually like, violence is the way to fix the problem, and that's not the approach that I want to take… um, I think [sighs], oh god, sorry I've lost my train of thought, [sighs], yeah, I think a lot of the time in movies when they, like, show rapists or something it's generally someone who's jumped out from behind the tree at a lady in a park and it's not really how it is like 90% of the time [laughs], so I just wanted to make something realistic where people could at it and be, like, "hey, nagging someone into sex isn't cool" or like removing all of their opportunities to say no isn't cool, or for someone to look at it, and just like feel validation, this is me trying, trying my best to make a difference with the platform that I have, and yeah, this is my roundabout answer for it" - Rachel Smythe, Interview with The Comic Source

And yet not once has Rachel actually used her platform for good outside of herself. She just asks the question, "Sexual assault?" and then writes off the answer "yes, it's bad!" and it especially shows in LO where the resolution to the one plotline she kept around to draw in readers was "assaulters are sent to the timeout corner!" Sure, it works for the readers who are simply seeking validation that their experiences aren't unique to themselves, but is it actually doing any real work to talk about the systems in place that leads to people like Apollo being created? Is it doing anything to address purity culture as it exists and the double standards that exist for women who are navigating sexual relationships? Is it doing anything to take the discussion outside of the narrative and put it into action through support of women's shelters, charities, mental health support for men, etc.? Not really. Like many of Rachel's ideas throughout LO, she simply goes, "Men, amirite?" and the answer is "yeah men suck!" and nothing more. The answer to the entire SA plotline is "rape is bad, don't do it" when anyone who could even relate to that conclusion in the first place already knows that.

Ultimately the activism she claims she's trying to do doesn't actually service the issue at hand - it just services herself and her own insecurities, her own unresolved trauma, her own need for validation through Eisners and merch sales. She asks the question, "Who hasn't been assaulted?" so that when she responds to the women who come forward and relate to Persephone, it's with the intent of getting them to read LO and buy her merchandise. She winds up making herself the center of other people's experiences, even ones that she cannot relate to. At BEST her attempts to "use her platform" as a means of starting discussion around ongoing societal issues like the patriarchy and sexual assault towards women is about as effective as Bell #LetsTalk, it's purely performative, self-profiting, and offers nothing of real tangibility.

If she just wants to write her own self-empowering personal works, that would be fine. Plenty of creators do it. Art is, at its core, self-expression. But it's extremely telling that she's built a platform off her self-expression, and twisted it into what she believes to be "activism" and "feminism", so that she can continue to profit off it in her future works such as this, which, again, are just reskins of her previous projects which were largely centered around the fetishizing of abuse towards women.

I don't want to claim that this is what it is, but... how much of the "feminism" in LO is done purely through the lens of victimizing women? Why is there more effort put into torturing female characters like Hera, and Demeter, and Minthe, and even Persephone to a certain degree, than there is into actually addressing the larger issue that she's claiming she wants to shed light on and resolving her questions with actionable answers?

That is the only question I will leave you all with. I am absolutely 100% not planning on touching these works with a ten foot pole, even if they should come to fruition. With the recent realization that she was into artists like Trevor Brown, alongside the fact that we've known for a long time she's into Lolita and there are very clear parallels to draw between it and LO, I think it's safe to say at this point that Rachel's work is not something I want to continue to support even when it's "hate reading". Again, I'm not going to outright accuse her of anything, but I feel like the writing is clearly on the wall here and I'm taking that writing as my warning to steer clear.

I didn't want to discuss the elephant in the room - her older works as they exist in the distant past of the early 2000's - but she's now riding the elephant.

[sersfandomthings]

wanderer

(referenced from that one shot in the 3.3 interlude quest)

[tanglepelt]

Dpxdc

Danny reveals phantom to his parents. They immediately jump ships to support Danny. That is their baby. Why would they think he was lying? Clearly they let confirmation bias cloud their heads. They have non bias research to conduct!

Unfortunately for them. The GIW does not like this change. Clearly the fentons have gone crazy. They must be mad scientist! The GIW of course reports them mainly to get them out of the way. Can’t have people spreading propaganda that ghost Ms are sentient. They can’t have that.

Maddie and Jack don’t come in easily. Instead they flee. Not letting thier kids get hurt. Of course they locked down the portal before they left. All they needed to do was get set up in a new city. Keep the kids safe after all.

Gotham was to obvious. Why wouldn’t they flee to ecto rich environment. Danny would be to obsessed with hunting down Superman in metropolis. Ever since the reveal Danny had been letting his ghostly instincts out more and more. The whole alien thing would cause to much obsession.

Besides. Technically they were wanted by the government. Couldn’t draw attention with Danny stalking the supers. Which whatever. Maddie and Jack would fight them if it came down to it.

They ultimately decided on central city.

There is enough that happens there to keep eyes off them. They absolutely totally could stay low to the ground. They couldn’t hide out with any relatives. Plus if it came to it. They were certain they could at least talk to the flash before anything violent occurred.

Maybe he would even listen.

For now. They would just prioritize Danny’s and jazzs safety.

[justvea18]

As a girl with strict parents, I'll share with you my hc that Penelope breaks character (confident persona) when she's caught by her father with Odysseus

[sillyfudgemonkeys]

Interviewer: Avatar Aang, why did you run away from home? Aang: I was told I was the Avatar at like 12, and the pressure got to me so I childishly ran away. :( Ironically that ended up being the right choice, but that's a diff story. Interviewer: Fascinating. Did you take anyone with you? Aang: Of course! My best buddy, ol' pal Appa! :D Appa: Moo Interviewer: Avatar Korra, why did you run away from home? Korra: Well the first time- I don't want to talk about the second time- it was because those jerks wouldn't let me BE THE AVATAR! So I ran away to do my duties! Interviewer: Fascinating. Did you take anyone with you? Korra: Of course! Only the best girl ever, Naga! Naga: Woof

Interviewer: Avatar Kyoshi, why did you run away from home? Kyoshi: After witnessing the death of two of my loved ones. I swore to escape my sifu's control and to get revenge by any means necessary. Interviewer: Fascinating. Did you take anyone with you? Kyoshi: Of course! I took my totally 100%, platonic bestie Rangi! Mmmhmmm just friends, totally, ONLY friends. Haha. No secret longing feelings here, no siree. Rangi: Platonic???? Not by the end of this trip, not if I have anything to say about it!

[legally-allowed-to-slime]

gem’s among us pov is out and That Round is actually crazy??? omg. the whole time being sus and then acting like everyone else is crazy for accusing her??? her literally chasing down jimmy and forcing him to say she’s not the impostor (he knows she is) while giggling the ENTIRE time he’s begging for his life. and then when they run into pearl she just segues back into innocent laughter and says she’s “just walking” and “this man is freaking out”. pearl gets suspicious and she pretends pearl’s being ridiculous. and then her following false and false is like “why are you following me” and she’s like “because it’s fun” before immediately killing her. and scar the other impostor shutting the door from beyond the grave and she yells “pearl!” like she’s genuinely scared and accuses impulse of shutting the door so he could kill pearl and the WHOLE TIME jimmy is actually panicking because gem literally told him she was the impostor but no one believes him??? “jimmy you would be dead if you were the impostor because you’re chatting so much” chefs kiss her turning jimmy’s founded accusations into just him talking too much to make him sound crazy. THE JIMMY KILL with her giggling while jimmy and impulse are shifting around each other is TOP tier work. she literally from scratch created the exact environment in which pearl could plausibly believe that it was impulse. grian screaming “she can’t keep getting away with this!” when pearl votes for impulse. top tier manipulator at work. this is life series level stuff. i’m shaking. brilliant. a masterpiece

[wlwkiryuu]

juri is simultaneously the coolest council member and the most pathetic. she effortlessly picks up literally any skill at prodigy-level. one of her closest friends is a twelve-year-old boy. she's so confident in her identity as a lesbian that she makes the girl characters question their sexualities by just existing. despite being good at literally everything her hobbies mostly consist of long, brooding showers and projecting her insecurities onto everyone around her through cryptic speeches and stories that are sometimes so cryptic that even characters WITHIN a show as weird as rgu don't know what the hell she's talking about. she is objectively incredibly awkward (Your Ball? My Ball) but given she's surrounded by a bunch of equally pretentious teenagers she just becomes much cooler by comparison. she sees through others' bullshit by accepting her own bullshit. girl is BUILT on a card house of lies that can blow away in the wind at any moment if her own stubbornness and denial were not singlehandedly tying it down. she's just as effortlessly a sopping wet cat as she is a Cool Girl™. need more people to understand this

[tricoufamily]

i didn't even play the pack i got distracted by the apply to all button