#she can come back from the dead

[mothnem]

Okay! This is based on a post where Godzilla dies instead of Mothra, and if I knew how to link posts on mobile I would.

But this is how I imagine the aftermath would be.

Monarch discovers an unknown egg, but Mothra is viciously protecting it. One day it hatches and out tumbles a baby Godzilla. Not a Rebirth of her beloved King, but an heir. However, this leads to her savagely keeping the other Titans in line... it's almost as if the gentle Queen died with her King.

Since humans were involved in the death of Godzilla, she only tolerates them now. Although there are a few exceptions. All in Monarch.

Well, for an MvK event, Mothra is out to eliminate threats to her son, Junior. Thus her attack on Kong. There is no reason for her to believe he won't harm a baby Godzilla. And MechaGodzilla? A twisted facsimile of her beloved, built on the bones of him and his greatest enemy.

Now, Junior hasn't been able use his beam yet. Which is how he got captured. In fact, that was the original reason Mothra attacked the first Apex facility. She was looking for Junior. Maddie, Josh, and Burnie find the baby Godzilla, and realize that's why Mothra is rampaging. Simmons intended to celebrate his fully functional Mecha by having it kill Junior.

So Mothra manages to beat Kong. She's slightly better off than him. But MechaGodzilla is loose now. And it has Junior as a hostage. So Mothra is trying to rescue her Godzilla Pup and... it's going.... strange. Sometimes it will try to attack her and other times it deliberately deflects the attack. Almost as if it's at war with itself. Yes. The spirits of Ghidorah and Godzilla are fighting inside. And Godzilla is encouraging his beloved to destroy this body. But there is a very big part of her that doesn't want to. He's BACK.

But Ghidorah is too, and he wants to kill the baby. Kong joins the fight, and during it, Junior finally uses his atomic beam for the first time. And charges the axe. Kong and Mothra come to an understanding, he won't hurt the Godzilla pup. And she won't try to shank him again.

But, Monarch wonders, if the Ghidorah skull is removed.... could Godzilla come back to life?

@paladin-of-nerd-fandom65 @weirdgirl92

[fulcrums501st]

It’s not Powder vs Jinx.

It’s past vs present.

When Silco says Jinx needs to “let Powder die” he’s not trying to get Jinx to “kill her inner child” or that he only wants Jinx to be Jinx. Cuz Jinx and Powder are the same person.

He means you need to let the past die. Move on (or at least gaslight yourself into thinking you’ve moved on). So that you can become stronger and more capable from overcoming it. Untether yourself from the past so that you can accept who you are in the present.

So that the past can’t hurt you anymore.

And Jinx’s choice between the Jinx chair and the Powder chair isn’t about her choosing between two split personalities. It’s about her wondering if she can ever go back to the innocent person she used to be. If she can shrug off the present and revert to the past.

But this is of course impossible. She has grown up to become a very damaged person. You can’t just flip a switch and go back to the way you were pre-trauma and pre being raised by a guy who enabled all your self-destructive behaviors.

And Vi cannot enable Jinx the way Silco has. She won’t shoot Caitlyn for Jinx. There’s no way she would have “passed” Jinx’s messed up test. And even if she had, enabling Jinx’s violence would never have brought Powder back. Because Jinx is just who Powder has grown up to be.

Silco is right. Her name is Jinx. She’s not that girl anymore. Vi is still holding out hope that Jinx can revert back to her past innocent self. But things have changed too much. Some things can’t be undone. There’s no way to go back to the way things were. So might as well embrace the present, no matter how tragic and shitty it is.

So here’s to the new us.

[super-nova5045]

sylvia plath, todd anderson and virginia woolf (aka ACTUAL tortured poets) watching taylor “im breaking up with my boyfriend for his intense depression and blaming it on him, im dating a racist who enjoys watching woc being brutalized and harasses young woc artists, i sent my fans out on a hate train to attack a young woc actress for a line she had to say as part of her job to show how mentally ill her character was, im dating a maga supporter, i refuse to say anything about a current genocide despite being the most influential person in the world right now, i am a billionaire, i fly 13 minute flights and have the highest carbon emission of any celebrity, i am a known white feminist who only speaks about issues when it affects me and has constantly let my fans get away with extreme racism and even encouraged it by associating myself with known racists” swift call herself a tortured poet (her writing sounds like a bunch of thesaurus words slapped over gabba hanna and rupi kaur-esque poetry that was created purely as a trinket for an edgy pinterest board)

[s0fter-sin]

ghost stares at the ceiling, chest heaving in a harsh pant; sweat ice on his clammy flesh and soaked into the sheet he restlessly kicks away.

ears still ringing, his fingertips blindly drift down to trail along his vivisection scar. he half-expects blood to smear in their wake. his own line of solomon, who ordered him split in twain; half of him given to a grieving mother and half left with the grieving to be.

just for both his broken halves to be rejected.

what did it make him that his mother grieved him more than she loved him? that she begged to be relieved of him more adamantly than she begged to receive him? why did his worth spill out with his drawn blood? why was his pain lesser than hers?

his hand flexes, digging into the raised scar like it’ll part beneath his fingertips to plunge into his mangled insides. no one knows the cruelty of reforming the halved; his name, his being, not nearly as important as his body when he was stripped from himself. no one knows the pain of healing and understanding losing pieces of yourself means losing your value along with them.

how many more pieces did he have to lose before he was halved once more? before his very presence incurred grief so strong it was better to be rid of him than cradle his bloodied remains?

did the infant fight himself? did he age always at odds with himself; his halves never truly whole? he hopes he wasn’t, that he was spared the loss of self; the fear that one may be welcomed over the other.

who will he lose when the inevitable comes? when he’s ripped apart again? simon? or ghost? is it better to be cursed with choice just like his mother or live with an aftermath chosen for him? does it matter if in the end, he convinces himself there was nothing of him left to lose?

his head lolls to the side and the wild buck of his chest slows. he watches johnny beside him, his face lax with the rare peace of sleep; his cheek squished against the pillow, his lips pursed as long breaths escape him.

johnny. soap. never torn asunder but two all the same.

he carefully reaches out and ghosts his fingers along the jagged scar on his chin. even in sleep, he presses into his bloodied touch. he’s never fled his half-flesh, never shies away from his gore as it spills unbidden from his cleaved torso. he holds on where his mother let him go; cups his stomach to hold his insides in place and never minds the blood that drips through his fingers.

simon will never let him become his own solomon and cannibalise himself. he will never let him question which half of him has more value; which pieces he can afford to lose before he’s cast aside.

ghost’s soap. simon’s johnny. his.

whole, in any incarnation.

[stagefoureddiediaz]

Ohhhhhh!!

The Shannon saying to Eddie at the lake she thought he was someone else and Buck confusing who he has feelings for and ending up dating Tommy parallel!!!

[tornado1992]

A babyfied Tails would absolutely have a Sonic plushie, he never calms down till Sonic holds him so Amy made him his own personal Sonic to hug whenever she or Vanilla babysit him.

[pasdetrois]

Marina Dyachenko and Sergey Dyachenko, Vita Nostra (tr. Julia Meitov Hersey) • Mircea Suciu, Camouflage (2) • Agostino Arrivabene, Immutatio • Matthias Claudius, "Der Tod und Das Mädchen" • Henry Fuseli, The Nightmare • Dragan Bibin, Pull (edited) • Maria Kreyn, Angel's Back • Franz Wimmer, Death and the Maiden • Mel Chin, Bat and Dove • Ana Sanchez, Death and the Maiden

[kaythefloppa]

More rambling about Wild Kratts Game Lore bc I can

On today's episode of "shit about the flash games that I am probably the only person alive to care to notice," let's look at a certain pattern in the tutorials that, whilst it may seem minor, may actually reflect something about the overall website (and if you have no clue what the f*ck I'm talking about, feel free to stay, it's so much funnier that way)

Ok so let's look at the first wave of flash games made by Chocolate Liberation Font (the dev-team behind them). In the tutorials of these games, (i.e. Cheetah Racer, Ride on Remora, Caracal Leap, Draco Glide, Kickboxing Kangaroo, ect), one of the Kratt Brothers would introduce the animal and objective before activating their Creature Powers. When they do so, we see a close-up of their shirt (oddly enough without the suit or gloves??), and we see the buttons on the Creature Power Suit with the Creature Disc insignia in the same color as the suit itself.

Some image examples as Exhibit A.

You get the picture.

Now let's move on to the games that were added to the website in 2012 by Pixelpusher; Flower Flier, (R.I.P.) Croc Hatch, Frogfish Feast, Aardvark Town, and Web-tastic!; The Wild Kratts Creature Math Suite that collectively made up a quintilogy game, Creature Roundup. These games features new animals and new Creature Powers, 3/5 of which were featured in Season 2 of Wild Kratts which had recently premiered on PBS Kids at the time. Like before, the Kratt Brothers introduce the creature, the objective and Activate Creature Powers. However, here is one difference;

When the screen zooms in on the Creature Power Suit post-activation, we can see the physical Creature Power Disc itself over where the PowerSuit button/creature insignia would be. Regardless of the disc's color, it would show up. As shown below in Exhibit B.

Quite the difference eh?

But wait, it gets even more fun.

In 2013, two games, Dolphin Dive, and Slither Run, also done by Pixelpusher, are released. They're not affiliated with the Math Suite, but are in the same league as them. In the tutorials where the brothers activate their Creature Power Suits, you realize that, just like in the games developed by Chocolate Liberation Font, the close-ups of the buttons don't have any overlays of the disc (using Slither Run here because Dolphin Dive wasn't a good enough example)

Put a pin in this, because this becomes relevant later.

Let's redirect ourselves to the habitats. You probably remember exploring the habitats, finding and learning about different animals, unlocking photos, and adventuring with the Creature Powers earned from the games. The site was updated to include some new habitats and Creature Powers, but let's exactly look into the details of that, shall we?

Here are the available Creature Powers to use in the habitats to unlock the photos for your adventure journal in the character creator page, Your Room. Rattlesnake Power, Draco Lizard Power, Cheetah Power, Kangaroo Power, Caracal Power, Squirrel Power, Firefly Power, Dolphin Power, and Remora Power.

Now, you may notice that the Creature Power Suits from the Math Suites (Hummingbird Power, Crocodile Power, Frogfish Power, Aardvark Power, and Spider Power) are missing here. In fact, they're not in any way able to use in the habitats. They (along with Dolphin Power and Rattlesnake Power) are also absent amonst the assortment of Creature Powers to use in the supergame, Habitat Rescue Game.

This is where I pull stuff out of my ass cause I'm fcking crazy everything comes together.

Notice how the only Creature Powers that aren't available to use in the habitats are Creature Powers that the brothers use in the games where the physical discs are displayed on the buttons. The only ones available to play are ones where the button is visible when the brothers activate that particular Creature Power.

Conversely, none of the Creature Power Suits from games developed by Chocolate Liberation Font have PowerSuit photos that the user can take with a camera once they complete Level 5. Only the games added by Pixelpusher (this includes the Math Suite, Dolphin Dive, and Slither Run) are, and 5/7 of those games are where the physical disc is placed over the button. Slither Run and Dolphin Dive are anomalies from this pattern, but the majority rules (especially since they were added in post after the Math Suite).

But wait. It gets even deeper.

You know how I said in the assortment of games where the physical discs are present in the tutorials, Dolphin Dive, and Slither Run are anomalies in terms of games that had unlockable photos in levels? You know what pattern they aren't anomalies of?

Yeah, the Habitat Rescue Game at the beginning of this post wasn't just bc the game is fucking peak (based on a show that's fucking peak). None of the 7 Creature Powers from Pixelpusher's update to the website appear in the supergame Habitat Rescue. Not a single. One. And none of the Creature Powers available in Habitat Rescue are from games where you can unlock a photo in the site from directly finishing Level 5.

In case this has been way too complex, let me break it down *Activates Lawe's Parotia Power*

Creature Power Discs earned from games where the physical disc is not shown on the Power Suits after the activation in the tutorial are available in Your Room and the habitats.

Creature Power Discs earned from games in which the physical disc is visible over the Power Suit button in the tutorials are available in Your Room, but NOT in the habitats or Habitat Rescue Game.

Creature Power Discs earned from games in which you must complete Level 5 to earn the PowerSuit Photo and Badge, regardless if they physically appear on the Creature Power Suit in the tutorial, do not appear in the supergame.

None of the games that show the physical button of the suit have collectible photos from directly playing Level 5, BUT all of them that do are available to access in Your Room, the habitats, and Habitat Rescue Game.

CONCLUSION: Whilst there are many anomalies and errors in the structures or patterns of the original flash version of the online Wild Kratts website (I'm sure many of you noticed the duplicate Martins in the Aardvark Town tutorial Jesus Christ), some of these inconsistencies have consistencies in their inconsistencies, even if it wasn't the developers' intention. With this, you could logistify several appearances or absences of certain Power Discs in certain games or pages. And to those of you, who like me, grew up with the flash games and were confused as to why you couldn't access all 14 Creature Powers in the habitats or in Habitat Rescue, hopefully this observation could provide good enough answers and closer after a decade.

Thank you for coming to my TedTalk.

[s-aint-elmo]

I'm so glad I'm not the only one obsessed with the Marcille Laios Falin gang. Like they are a unit.... A team.... Even if the rest of the party fell apart they would stay together.... Idk it's just really fun to see all the different groups everyone falls into across the course of dungeon meshi and I love how you can tell that the three of them are a unit even as they are separated for most of the manga.

YEAH!!!! that day in the laughing wolf when falin first stopped marcille from perma-killing her brother that was fate in motion binding them together for the rest of their lives. (/hj but also i have a vague nebulous idea for a series of drawings of the toudens + marcille thru the years starting w the laughing wolf.) i love how we know that in both laios and marcille's ideal visions for the far future they are together with falin and that by the end they make it happen. i love that they both started off being connected only by the strength of their love for falin but eventually developed their own deep closeness that cemented their trio as a balanced whole.

i don't see laimar romantically the way i do farcille but those two for sure mean as much to each other as falin does to them. i love laios's strongest impression of marcille being the moment she gave it all to bring falin back. i love marcille speaking to laios's corpse with her cheek laid on his cold breastplate. i love laios looking out for marcille's comfort and enjoyment as the baseline for the party because she's the most expressive about her feelings. i love marcille always being the first to notice when laios is being dodgy as all hell and making him spit it out.

however it shakes out those three are family 5ever and we all know the lengths they'd go to if they were ever to be separated <333

[mc-critical]

1.06 / 2.09 (33)

[kaidanalenkosprmanager]

"Did I ever tell you about my Omega casino run in with the Blue Suns, Eclipse, and the Blood Pack Vorcha mafia? Five thousand credits and a bottle of whiskey?"

Ft. Staff Cmdr. Kaidan Alenko, Operations Chief Ashley Williams, Zaeed Massani, & Seven. Dominik Shepard. Phoebus. MIRA'S MORE CANON ME1.5 "Are you Phoebus?" AKA: Pt. 1 of some of what happens between ME1 and ME2 with the Vorcha mafia storyline. :) Mass Effect: Legendary Edition (2021)

[kerryweaverlesbian]

Jack au where he's a psychic who can commune with ghosts. Almost every major character from Supernatural is a ghost. Including Sam Dean and Cas. This would serve these major tennants of his relationships:

Isolated. The people Jack spends the majority of his time with are NOT part of the normal world. Sam, Dean, Cas and Mary live in a bunker and don't know how to be people. The AU hunters are literally from another world. His mom is dead. Kaia is split between realms. The only Real people he knows well are his young adult nerd friends and arguably Harper. You don't want 1/4 of your tie to reality to be a witch who wants to be Cheryl Blossom from Riverdale as her life's aspiration. That's no way to live!

Intangible. Because of Jack's immense power, he is, in a sense, untouchable. He is stopped when people hug him or push him or shoot him because he chooses to stop. There is a veil between him and them. There is also a scarcity of common ground. There is nothing else out there like him. Dean might stomp and bark and howl but, ultimately, what can he do to Jack physically? Nothing. The only power the ghosts have is emotional and social. Imagine being outcasted by the ghosts who can only see you and each other. Ouch!

Fleeting. Everyone he cares for is doomed to die. This happens even before he's born with Cas and Kelly and Mary, but also throughout his life. He both has long strings of tragedy in short periods AND he's immortal and worries about it. Loss and loniness are inevitable for him on a massive scale. Cas might claim that he'll be there with him but he dies like twice a year at least. Picture ghost!Cas midway through a reassuring speech that he's always going to be there with him fading out into the veil mid-sentence.

Guilt-ridden. Life is wasted on the living, isn't it? Youth is wasted on the young. He's got dozens of ghosts needing him to live in the way they want him to so they can feel alive again, and he's not capable of being that (literal) lifeline. He needs to learn how to say no and stick to it. He needs to learn how to live with the fact that he has to disappoint people to live well sometimes. He has to engage with the living, because the dead are going to kill him if he hangs on to them too long.

So if someone could write this devestating yet beautiful 25k+ fic for me that'd be really swell.

[thenegoteator]

👀 Happy New Year!

happy new year!!!

this was while the Ahsoka show was airing and I was feeling salty about how little Kanan came up initially. it's the "my death is unreasonably downplayed/ignored in recent star wars media" support group. but then we did get the barest of crumbs eventually so I didn't feel it was worth following through

[send me a 👀 in exchange for unposted art from 2023]

[silverthelovebug]

Redid my Brooklyn design :3

(Still under the belief that Nublar + getting jumped by Atrociraptors fucked her body up)

[hephaestuscrew]

In Ep55 A Place for Everything, when Minkowski thinks Kepler is doubting the likelihood of Eiffel still being alive after he's floated towards the star in his spacesuit, Minkowski says "Eiffel had plenty of air left, and let's not forget he survived for -" It seems pretty likely that she was about to say that Eiffel survived nearly 200 days stranded in deep space on Lovelace's shuttle. It's interesting to me that Minkowski uses that incident as evidence that Eiffel will survive this time too, because that's not really how situations like that work.

We don't know exactly how much Minkowski knows about Eiffel's time on Lovelace's shuttle, but the reality is that he survived for those 193 days due to an extremely specific combination of impressive ingenuity, incredible perseverance, access to the right resources, a fair dose of stupidity, and an extraordinary amount of sheer luck. Without just one of those ingredients, he would never have made back to the Hephaestus alive. The ingenuity and perseverance could serve him well in this situation too, but the other factors don't exactly apply in the same way.

In my view, it isn't really that Eiffel's survival on that shuttle serves as evidence of any specific attributes that will guarantee his survival this time. I think it's more that the events with Lovelace's shuttle - Minkowski thinking Eiffel was gone forever but then being miraculously reunited with him - have given Minkowski a non-specific sense of Eiffel as a person who survives, a person who ends up in nearly inescapable peril and yet somehow always escapes, a person who makes it back alive against all the odds. It's not a piece of logical practical evidence. It's just an emotional instinct that allows her to believe that she's not going to lose him, allowing her to focus on what she can do to try and find him.

Minkowski's 'Goddamn it Eiffel' when he floats towards the star in Ep53 is so much less dramatic than the way she yells his name as the shuttle drifts away in Ep28. And that's partly about what the story calls for in those moments. And it's partly about the specific situations and the agency Eiffel has had in them. But it's also that in Ep53 she already believes that he will be okay, that he'll come back. He's done it before. He'll do it again.

[ananke-xiii]

Rowena and the thick, bloody umbilical cord between choices and faults.

In a previous post of mine I’ve explored a little bit how Mary and Kelly represent a sort of “missed opportunity” for, respectively, Sam and Jack.

At the beginning of s13 Sam resents the fact that he hasn’t been proactive in seeking to create a relationship with his mother and now that she’s (presumably) gone he doesn’t want to deal with that reality. He had wasted his second chance. Jack, on the other hand, never even had a first opportunity to begin with but, unlike Sam, has experienced a sense of unity with his mother so extreme that one of the first things that he tells Sam is that he was his mother(!!!).

S13 reinforces the Mother-Son symbolism because, after Jack’s birth, a rift is opened in space (apparently not in time?): Kelly stays (dead, rip girl I love you) on one side of it while Mary crosses it and finds herself in Apocalypse World. To make things even more clear, this is no random parallel universe: this is the alternate reality where Mary didn’t deal with Azazel. So mothers and their choices/faults are a central theme in this season. Or, well, more or less.

To complete the mothers’ trimurti or, better, tridevi we’re missing the final mother, the destroyer who is, of course, Rowena. It’s therefore quite apt that Rowena reaches her highest potential this season and even confronts Death. What motivates her in an interesting blend of (missing)love and (lacking)power. Lucifer is as part of her story as Kelly’s and Mary’s. Unlike these two, though, she doesn’t have a son who resurrects her, nor a turned-benefactor cosmic being who offers her resurrection as a gift to her son. Rowena has to resurrect herself. Not once but twice. She is, perhaps, the loneliest character in the whole series.

This is actually quite ironic because, if we look back on previous seasons, her “choice” to kill Oskar, her putative son, was what triggered the whole chain of events (the freeing of Amara first and Lucifer second) that directly link Rowena with Mary and Kelly.

It’s only natural, then, that s13 Rowena keeps representing the reversal of the Mary and Sam/ Kelly and Jack relationships because there is no son who’s looking for her, rather she is the mother who’s looking for her (dead) child. Like Sam, she also needs someone who can access another dimension to bring Crowley back but, unlike him, she’s not successful. Now, ngl, this pisses me off to no end, like of course I can understand the real reasons why Crowley couldn’t be brought back, still I kinda hate how it was narratively framed.

When, in "Funeralia", Rowena says that life is unfair she is right but not in the general, pessimistic sense of the phrase: she's right because in-universe some deaths are more important than others and people get back on board depending on whether or not they're still a role to play for them. Rowena's faith in magic is actually justified because magic is the only thing that can help her. And the tragic thing is that it's also what damns her in the process because it's the only form of power she can have access to. There are no angels or cosmic entities looking out for her. She's just... alone.

So, perhaps, it's not that I necessarily hate how her failure to bring Crowley back is described, I just see it as further proof that Rowena is the best example to show how in Supernatural the game is rigged from the beginning and we didn’t even need an interfering and pervy God to realize it. That's all we've been seeing it since S1. All those infinite, booooring talks about being good/evil or doing good/bad actually mean nothing because, at the end of the day, in this show what really matters is how useful you can be, to whom and why (and this is way less booooring, you learn a lot of interesting things about these characters if you go down this road, it's grim but it's more rewarding).

S13 is also when the final connection between Rowena and the Winchesters, Sam to be more precise, is established which is indicative of the fact that she will inevitably die. Before S13 her story was her own, after “Funeralia” it cannot be extricated from Sam’s. To some degree, it’s quite similar to what happened with Crowley and Dean. What’s more, just like Crowley’s powers and shrewdness are what really carry the plot from s6 to s12, magic and spells (and therefore Rowena’s role in the story) will be the key for many plot points from s13 to s15. But there is a big difference.

Both Crowley and Rowena’s sacrifices are described as heroic but, let’s be honest, only Rowena’s was. Crowley’s demise was a clean-up after his own mess at best. It also proved to be unnecessary. Rowena and that awful MBOL’s egg thingy would have managed to confine Lucifer, like, they actually did it. It was Crowley who perverted the spell for reasons that I personally find OOC. I would’ve liked the Crowley vs Lucifer power struggle but not the way it was done in s12 because it felt very nonsensical to me. As in: I can see you need a reason to keep Lucifer around and this is what you’ve come up with but it’s still quite illogical.

At its hidden and secret core S13 is the season of the “let’s reframe the sons’ stories and blame it on the mothers”. Just like Kelly is blamed for Castiel’s ideal vision of Jack and Mary’s "choice" is established as the most important point in the whole show, Rowena-as-Mother must face the same fate: it was her fault if Crowley, Fergus!, ended the way he ended. It’s a naaaaaaaaaaaaaah for me.

This is what we’re told in “Funeralia”:

Rowena: Oh, but it is. Death has something I want. Sam: What’s that? Rowena: My son. After you told me he was gone, how he died, I had an unexpected reaction. We had our differences, but it’s my fault he went down the path he did. I left him. Dean: We’re talking about Crowley-- demon, King of Hell? Rowena: We’re talking about Fergus-- a man abandoned and loveless, tricked by a demon, died in a gutter. He deserved better from the world. From me.

Now, just to be clear: yes, Rowena had the responsibility to do better; yes, she was the absolute worst; yes, she played no small role in her son’s story. However, I personally don’t like all these negative associations between “worlds” and “mothers” as if every fucking thing in the universe is dependent solely on them. How did we end up here? It’s almost as if absent fathers are, like, not THAT bad after all (and the show, as far as I'm concerned, ultimately approves of and absolves absent fathers). So I’m very suspicious of the way motherhood is portrayed specifically in s13 and Rowena’s attempt at redemption well demonstrates that there is reason to be so.

This dialogue in “Funeralia” confirms my gut feeling:

Sam: You know, what happened with Crowley? That wasn’t your fault. Rowena: He never had a chance. Dean: He made his choices, just like we all do. Look, every one of us has done something that we have to live with, that were trying to make up for. Every one of us. Sam: Even without all that extra juice, you’re still the deadliest witch around [Sam's flattering Rowena. He's gonna ask for her help in 3,2,1...]. Rowena: Flatterer. Sam: Yeah, well, we, um... we may need your help [Here we go!]. To save our family. To… hell, to save the world. Dean: You wanna be redeemed? This would be a pretty big step. Rowena: And do you think I still can be? Dean: Yeah, I do.

I mean, not to be rude, but who the fuck cares if Dean Winchester thinks that Rowena can be redeemed? Like, how is Rowena’s redemption (which is strictly connected to her being a bad mother and not, among other things, a zero-regret murderer, which she also happens to be, for instance) connected to saving the Winchester’s family? Don’t get me wrong, I understand that this is SPN and that Sam and Dean’s problems are Apocalypse-level problems (lol, they really did that, when I say that their story is like a cosmogony maybe I’m not that wrong) but, as I’ve said, I cannot help but notice the similarities between Rowena’s arc this season with Mary’s and Jack’s, i.e. you can be redeemed if you either do something useful for the Winchesters or... realize that it's not your "fault" that your sons suffered terribily because "choosing" to deal with Azazel was actually the right choice... for the world. How come fathers saving the world are framed as heroic while mothers actively creating worlds by making hard choices that benefit the greater good need redemption?

So to sum up: while fathers invade S13’s main storyline as solvers, restorers and fixers, mothers are the bones of the story, they carry its weight and its sins but get little if nothing in return: Kelly stays dead, Mary ends up helping out a world that absolves her of her Original Sin but that’s nevertheless a mess (you can never win lol) and Rowena can’t get her son back (but she can save Sam and Dean's family the world!). Looks good, right? Hurray mommy!