#relatability factor 100%

[bairdthereader]

There are many, many relatable moments in Heartstopper, but this one right here takes the prize.

[da-janela-lateral]

I've always been curious about esper aura textures. Do they form based on the way psychic energy emerges from its source and weaves itself into an external structure? Do their appearance have a genetic factor just like the very presence of ESP, or its purely a matter of a person's soul? Are there registered patterns in which they can manifest? Do their shapes, colors and movements have a general reason to appear like that, or does it depend on the person? Can the patterns change? Do the patterns interfer in sensorial properties, like perceived temperature, texture or hardness?

Oh that's an anime only thing right.

[mukuharakazui]

genshin impact is craaaazy.....zhiqiong and jeht and lyudochka and dunyarzad don't get visions for all the shit they pushed themselves thru (rana got one so npcs can still get visions) but layla spent a semester writing papers that her professor didn't like and got one.

[drchucktingle]

On your blog you've talked about dealing with chronic as a result from the stress of masking your autism.

It's a bit of a different situation, but my little sister (who we've begun to suspect has adhd) has been experiencing chronic pain in her arms and legs. I may be totally off base, but I was wondering if a similar stess might potentially be a factor in her pain.

If you're willing, would you mind talking about how your pain affected before you found a way to manage it (I tried searching your tumblr, but not much came up, so sorry if I'm asking a question that's already been answered)?

Thanks either way, I love your books. Love is real!

sure buckaroo GOOD QUESTION. i have had chronic pain in some form or another for LONG TIME in a number of STRESS RELATED WAYS. in past it has been cracking teeth from clenching dang jaws while i sleep and things like that, but a few years ago it was FULL ON BODY PAIN AND TIGHTNESS like every muscle was clenching up. went to the doctor over and over all kinds of dang specialists and it was very difficult to figure out what was going on. eventually landed on a sort of nebulous trot of STRESS but i can get more specific.

there are several things about me that you would never know just from looking or even talking to me for long times. i am a bi buckaroo, i am a non-dysphoric trans buckaroo, i am an autistic buckaroo. EVERY SINGLE ONE OF THESE THINGS IS EITHER HIDDEN AUTOMATICALLY OR I AM SUCH AN EXPERT AT HIDING THAT IT IS SECOND NATURE

autism presents its trot in many ways, so my words do not apply to all, but my version is EXTREME ORGANIZATION AND ENDLESS WORK ETHIC. in way of freud (which is a silly way but sometimes good for symbolism talk) i have what you would call an OVERDEVELOPED SUPER EGO which is a double edged sword. i can write 100s of books at an incredible pace, but also feel like my body is constantly collapsing in on itself

this is not really something i consciously think about much, but eventually these health problems started creeping up. it was all from carrying this mystery tension in my body, because while it feels EASY for me to mask i believe all that tension goes somewhere and it stores up and stores up and stores up.

so i think the HEALTHY way that i have found to deal with this (i think of it as releasing the steam valve a bit so the boiler does not break down) is ART. this space where i am allowed to be CHUCK TINGLE and write without obsessing over the spelling or punctuation, or to loudly express my queerness, or explore gender, and to let my neurotypical mask down DIRECTLY RELIEVES my chronic pain because it literally makes my muscles relax.

when i started out this ARTISTIC TROT as chuck i used a LOT of metaphor to keep my privacy, with different words or different versions of people for different things, and buckaroos found this very funny. as a way to express myself artistically i also liked this metaphor trot a lot, but i have also found that the LESS metaphor i paint over my life as chuck, the better it is for my health. if you have noticed, i talk less about some of the parts of my life that were metaphors, or maybe you have seen that my voice has relaxed a bit in interviews, or that i carry myself a little differently over time, this is partially why. (there is another artistic reason that was a planned trot from the beginning and it has to do with my feelings as a young autistic buckaroo of not fitting in on this timeline, but we can dive into that later).

anyway, as PRACTICAL ADVICE i would say that FINDING A SPACE TO EXPRESS YOURSELF WITHOUT FEAR OR MASKING has been the number one trot for me. that can be a pink bag over your head writing hundreds of erotic shorts, or that can be just laying on the ground howling your heart out, or doing whatever stim you need to do.

i will also say that ONCE I REALIZED IT WAS MUSCLE TENSION getting a physical therapist helped a lot. because there are two sides, you have to start releasing steam from the steam valve, but at the same time youve also gotta start HEALING THE DAMAGE. so i think stretching and techniques like that can be very helpful.

hope that helps buckaroo LOVE IS REAL

[maryrouille]

Toxic romanticization of studying

In a word of introduction, my profile partly shows that studying and exploring is wonderful. But as a person involved in science*, I would like to show healthy and true patterns of this beautiful adventure in acquiring knowledge.

The inspiration for writing this post this time was not the phenomenon from Tumblr (although you can also observe it here), but from Pinterest. There you can come across cycles composed of quotes and photos whose aim is to motivate young girls to learn, succeed and get good grades. These images often also show examples of characters from movies, TV series or real life that you can aspire to be like. Overall, I have to agree that it really works! But I would like to draw attention to certain elements that need to be verified.

1. You shouldn't get up at 5am

First of all, the correct amount of sleep is one of the most important factors affecting the proper and effective functioning of our brain. During sleep, nerve cells regenerate, organize information acquired during the day and consolidate memory traces, which is directly related to learning. Lack of sleep increases impulsivity, deepens negative thinking and slows down the body's reaction time!

2. You can be a genius without good grades

Of course, good grades are a pleasant confirmation of our knowledge and praise for hard work. However, sometimes it is worth considering whether the structure of exams themselves, especially those with closed questions, affects the results. We often study for one specific exam, the knowledge of which may be very… limited and sometimes not useful, so it is worth prioritizing the topics that we study hard.

3. It's not cool to think you're better than others

We are different and have different priorities in life. It is also worth considering how many people escape from the rat race and start a slow, stress-free life. So we have to agree that judging people based on grades or responses under stress (sic!) is not cool.

The good thing about romanticizing studying

As I have already said, these types of collages are really motivating. So let's talk about what's great about them and what's worth highlighting and saving for later.

1. Knowledge is beautiful, but your outfit and surroundings can also be

We know that we should never judge a book by its cover, but… the issue of social perception painfully confirms that we do and will continue to do so because this is how our brains work. And isn't it nice when someone looks at us and thinks this girl is so classy?

Moreover, a nice outfit that makes us feel good gives us a lot of self-confidence. There are also many studies confirming the positive impact on motivation and concentration of a neat and aesthetic workplace.

2. Not just cramming, but also discovering

Broadening your horizons is easier with passion and real commitment. And to achieve this, the topics must really interest us. Not everyone has yet found something that they are extremely passionate about in science, so that is why you have to dig deeper and discover different areas.

3. Don't be afraid to use your knowledge in practice

Schools and universities, unfortunately, have their own rules and they do not always allow you to show your 100% potential. Thus, share your knowledge with others externally, write essays, blog and social media. This form of activity also makes you learn things faster and easier. In addition, contacts with others will expand your knowledge.

Therefore, I must say that it is worth choosing your inspirations carefully. Nothing helps you enjoy studying better than a clear head and lack of prejudices.

*This post was inspired by my own experience with studying. If anyone is interested, I think I can share my mistakes that did not help me in an academic adventure :)

[milkoomi]

a guide on becoming an academic weapon. ᥫ᭡

being an academic weapon is one of the top goals for a lot of us. we strive for excellence and hope to achieve top marks in all our classes so that we can continue to reach whatever it is that may be our final goal like getting into a top university, graduating as valedictorian, or getting into the career of our dreams. this guide will be about all the habits of an academic weapon and what tools & methods you can incorporate into your study/school routine!

let’s begin …

୨ৎ — lecture preperation

pre-reading chapters/lecture powerpoints

skim through chapters, make note of important headings, highlight key terms! if you can, look through any powerpoints that will be used for lecture notes as well!

jot down quick notes like vocab terms, key pieces of information, and/or any questions on topics you want to understand further!

read chapter summaries & highlight important headings

set up your notes

if you like to use different note-taking methods, try setting up your pages beforehand! this will take up less time while in class and you’ll come in already prepared to take any notes!

i have a post on note-taking here on my blog that you can refer to for a few different note-taking methods!

begin homework assignments

my professor will publish homework assignments on sunday mornings for each week that we’re learning new material, so if your teacher does something similar or you’re taking an all-online course, start by working ahead on those homework assignments!

getting a head start can …

help with having a better understanding of the material by the time of your lecture

help you apply the knowledge you learned from the assignments into your lecture

help you come up with questions for better comprehension of the topics

help you manage your time better

reduce your work load later on

start creating flashcards

if you’re required to know key terms/vocab, start creating flashcards ahead of time! this will help you get familiar with the vocabulary that’s related to the material and will jumpstart that increase in understanding of what’s to come in your lecture or any required readings!

୨ৎ — smart studying

we’re always told to “work smarter, not harder” and i believe that doing so can help you achieve success more quickly and efficiently! while it’s great to dedicate a lot of time to your studies, it’s not always optimal. spending hours upon hours working with no breaks in between and forgetting to take care of yourself can lead to burn out, so it’s important to find ways to study that not only help you study more efficiently but also work with your learning type!

trial periods

there are a plethora of study methods out there that you can try out to see which ones work the best for you!

posts with study methods ( + how-to’s ) …

how to study effectively - @milkoomi

non-basic study techniques - @glowettee [ this post is PHENOMENAL! mindy includes so many unique study methods— some that she created herself! — that give an entirely new way to study & learn material! 100/10 recommend reading through this! ]

take some time each week to try out a new study method while still incorporating techniques you’re used to! pick one study method for the week & test it out at the start of your study time slot.

trying out new methods/techniques also help with keeping your study routine fresh and it creates a bigger study arsenal for yourself! having multiple ways of studying just means having a variety of ways to learn the material! every method has its benefits, some will help with memorization while others can help with better comprehension!

pick your big 3

amongst all the different study methods out there, you should pick your top 3 techniques that help you the most! they’ll be your ultimate go-to study methods!

factors to think about for your big 3 …

how much time does the method/technique take?

what is your success rate with the method/technique?

how easy was it for you to incorporate the method/technique into your study routine?

your big 3 study methods should help with maximizing your productivity time, help you achieve your desired grades, & be within your limits while studying, meaning it shouldn’t make you feel like you’re stretching yourself thin because, again, we need to study smarter, not harder!

my personal big 3:

Feynman Technique - teaching others

active recall - practice questions & flashcards

knowledge application - making real life connections

textbook tests

i feel like a lot of us view textbooks as these giant, daunting bricks we’re forced to lug around, but they’re required material for a reason! they’re more than just a giant book of “boring” chapters!

a lot of textbooks have mini assessments at the end of every chapter, so take some time to do them! they’re just practice tests and they’ll be extremely useful for active recall (plus, you don’t have to worry about creating your own practice questions!)

୨ৎ — change your mindset

being an academic weapon means having the mindset of an academic weapon. the way you think and feel about your schooling plays a huge role in this!

“i have to” to “i get to”

treating your academics and studies as if they’re chores will make you lose your motivation and passion for learning. getting to have an education is a privilege and i feel like a lot of us forget that. be thankful that you get to pursue an academic career and get the chance to further your education! instead of “i have to study” say, “i get to study”!

getting an education is a beautiful opportunity in life, so practice gratitude when it comes to learning!

self care

i will always advocate for self care because you can’t do your best when you aren’t at your best. being an academic weapon doesn’t mean throwing your entire life away or setting your health to the side to solely focus on your studies. going to the extremes for your academics shouldn’t be normalized.

you don’t need to pull all-nighters every other day to study, you don’t need to work/study for 14 hours, you don’t need to harshly motivate yourself to get back to studying— you need to treat yourself kindly and shoe yourself gentle care.

get enough sleep

shower, do skincare, brush your teeth

keep yourself hydrated & well-fed

get your body moving

make time for your hobbies & things that make you happy

remember to take breaks when your mind & body needs them

don’t sacrifice your well-being to get ahead on your road to success. you’ll only bring yourself farther behind if you neglect your health.

final notes —

becoming an academic weapon is 60% mindset, 40% work ethic. you have to motivate yourself to give your best work, but! you have to take care of your mind and body before you even think about giving your best work. be kind to yourself, affirm yourself that you can do this! you are more than capable of achieving academic success!

the work you put in as an academic weapon has to be work you’re proud of. be sure that you’re using your time wisely, that you free yourself from distractions while studying, that you give yourself enough time to get work done (and take breaks & do something for yourself!), and that you always give it your all when you’re completing assignments, writing notes, or studying.

i know that you’ll be able to truly be an academic weapon! you have what it takes! you just have to remind yourself of your own potential.

with lots of love, faustina 🌷

[jozor-johai]

The Red Comet appears exactly 400 years after the Doom of Valyria. Doesn’t that seem significant?

Because round numbers like that make me want to look twice here… and in doing so, there’s something very interesting in the timeline that GRRM has made efforts to keep slightly veiled.

The Red Comet appears a year before the turn of the century in ASOIAF—that is to say, 299 AC. The Doom occurs in 102 BC. The non-existent year zero of this kind of timekeeping makes it look wrong, but that’s exactly 400 years.

I always thought it was interesting that the Doom of Valyria happened in 102 BC—it’s so close to being a round number, but it’s just off. Just enough off, though, that the Red Comet in 299 AC lines up.

Round numbers feel meaningful, and that’s even true for the characters within the world of ASOIAF:

Joffrey and Margaery shall marry on the first day of the new year, which as it happens is also the first day of the new century. The ceremony will herald the dawn of a new era. (ASOS Tyrion I)

The new century, of course, is 300 years since Aegon’s Conquest:

It’s a new century, my lady. The three hundredth year since Aegon’s Conquest. (ASOS Sansa IV)

It’s almost dissatisfying that all this talk of the new century doesn’t line up with the Doom and doesn’t line up with the Red Coment.

So do we have Aegon to blame for making these numbers not line up? Actually, no—Aegon invaded Westeros in 2BC, exactly 100 years after the Doom of Valyria.

It was then that he crowned himself… but that’s not the date that Westeros counts years from; Westeros counts the years from his coronation in Oldtown. This is a detail apparently so interesting (and perhaps important) that it’s described twice in The World of Ice and Fire. For example:

Only a handful of lords had been present for Aegon’s first coronation at the mouth of the Blackwater, but hundreds were on hand to witness his second, and tens of thousands cheered him afterward in the streets of Oldtown as he rode through the city on Balerion’s back. Amongst those at Aegon’s second coronation were the maesters and archmaesters of the Citadel. Perhaps for that reason, it was this coronation, rather than the Aegonfort crowning or the day of Aegon’s Landing, that became fixed as the start of Aegon’s reign.

If Westeros counted years from the year Aegon crowned himself, rather than from the year Aegon was crowned by the Citadel, then the year that the Red Comet appeared in the sky would be 300AC, and that would be exactly 400 years after the Doom. Seen that way, everything lines up curiously well…

So much happens when the Red Comet arrives—the revival of dragons and the return of magic in the world, whatever the relationship between those things is. Those events, and that year, feels much more like the “dawn of a new era.”

Additionally, seeing it all line up so well raises some eyebrows. Seeing all the dates like this make it seem significant that Aegon invaded exactly 100 years later, and makes room for interpreting the Red Comet as potentially having some kind of relationship to the Doom, because 400 years feels just too regular. Why does the comet appear exactly 300 years after Aegon’s invasion, exactly 400 years after the Doom?

At the least, there’s a sense of fate involved that Dany’s dragons wake exactly 400 years after the Doom—or do the revival of magic and the return of dragons both relate to some unknown third factor?

[still-a-morosexual-help]

Trembling like a little wet idiot again because BECAUSE

Eve was tempted to take a bite from the apple. The Original Sin! It separated her and Adam from God. They were banished from Eden, they had to leave God's Safe Garden, and, for better or for worse, had to venture out into the broader outside world

Diavolo planted a fucking apple orchard for Lucifer while Lucifer was still an angel, just because Lucifer offhandedly mentioned liking apples. It was a gesture that was probably one of the stepping stones towards their budding friendship and towards Lucifer questioning the celestial realm and his father, towards Lucifer's growing anger. One of the many* contributing factors towards Lucifer starting a war against the Celestial Realm that would eventually get him and his brothers banished, that would force them to leave their Father's Safe Realm, and, for better or for worse, venture out into the broader outside world. That would cast them into officially becoming Sins.

And Nightbringer has so much apple symbolism relating to Lucifer, that it's on the fucking title screen itself** and up until the present moment Lucifer's favourite food is Poison Apples (it's not even on the nose anymore, it's just straight up a punch to the face)

Diavolo may not have meant for it to be as such, Diavolo 100% only did it because he was starry eyed over Lucifer from day 1, but at the end of the day a Temptation is a Temptation and he held out the Apple and Lucifer took a bite

*the main reason was obviously Lilith, which y'know you could kinda lowkey parallel with some of the stories about og! Lilith's part in the whole apple/eden thing

**and it's explicitly stated that the type of apples Diavolo grows are a deep, vibrant red as opposed to Celestial Realm apples which are all gold & shining:

[queenvhagar]

"Fire and Blood is biased propaganda by the maesters so nothing in the real Dance of the Dragons actually happened like in the books, you can't critique the show for showing things as they really were!"

I'm so tired of this take...

GRRM wrote the original ASOIAF series as an anti-monarchy and anti-war story. He's an author who makes a point to flesh out characters and motivations, he understands that there isn't truly a good vs bad narrative to any large-scale, real-world conflict like war, and he understands the sociopolitical factors involved. His series highlights that it's the most vulnerable people in society who suffer when those in power play their game of thrones and make consequential decisions based on their own personal motivations without thought to the consequences to those that will have to the pay the price for them. That's GRRM's entire point with the original series: war destroys everything, it is never really justified, and through war the powerful set in motion terrible events that the most vulnerable are most like to suffer.

So the idea that all of a sudden with the prequel book Fire and Blood GRRM pivoted to write a biased textbook that purposefully misconstrues a conflict where the real story behind the pages is that one side of a dynastic civil war was led by a faultless, pure woman whose divine right to rule was stolen from her, and she's justified in plunging the realm into war to reclaim her throne because the other side was uniquely misogynist against her and was made up of selfish flawed people who just wanted to steal her power from her because she was a woman...

Sure, Fire and Blood may be a history book with unreliable narrators and sources that are trying to recount long-lost histories of the realm and possibly failing to capture the totality of what actually occurred. But I can absolutely guarantee you that the intended real history of the Dance of the Dragons as it took place in the world of ASOIAF was not some black and white, good vs bad tale of morality where one side was right and the other side was wrong like the show and some fans are insisting.

The actual Dance of Dragons as it exists in the ASOIAF timeline and universe, keeping in line with GRRM's original intention and message of the ASOIAF books, is 100% a story of a flawed, ultra-powerful family that fractured into two ideologically different factions that led to a pointless civil war in which neither side was justified in their attempts to seize power from the other. The result was that the family killed themselves until the only survivors were the traumatized children left over from either faction. In this pursuit of absolute power within one family thousands were subjected to the abject horrors of war: pillaging, famine, torture, sexual violence, being burned alive, and so much more. Neither side was faultless. Neither side had "the right" or justification to enact this conflict. Neither side bore sole responsibility for the conflict. Neither side was good or bad while the other was the opposite.

It really just fits outside of the world of ASOIAF to think that Fire and Blood's account of the Dance of the Dragons was uniquely biased against a single woman and her side of the conflict wherein this woman and her supporters were actually good people that had bad things done to them and all accounts in the book relating to them are inaccurate, yet most accounts of everyone else in the story were more or less true and accurate to how events played out. Like are you actually serious that this is how you think this story and history played out in this world of ASOIAF? That ultimately the story of the Dance of the Dragons is not anti-monarchy and anti-war in line with the original ASOIAF series but actually it's the story of a uniquely good woman in this terrible world who had a rightful claim to the throne and whose power was taken from her solely because of misogyny so she was justified in going to war to take it back? Like that's your analysis and interpretation on this conflict?

The way that the show is presenting this story is so unbelievably and ridiculously reductionist and simplified to the point where you begin to question why someone wanted to try to adapt the material at all... but then of course you remember that 1) Game of Thrones made a lot of money for a lot of people 2) its later seasons of mediocre, oversimplified writing continued to be rewarded with huge budgets, profits, and awards nominations despite the obvious downgrade of quality 3) so many modern writers believe the general audience needs to be spoonfed ideas and that they can't handle complexity, so it's more important that they shape an existing story into something that is a palatable, profitable hero vs villain tale that everyone can casually enjoy (and ideally appeals to modern sensibilities) than they try to create a compelling, thought-provoking, interesting and faithful adaptation of the source material.

[eroguron0nsense]

The Mysterious Mysteries of Mr Sir Crocodile (Character Analysis)

(Apologies in advance for discrepancies from my usual tone and for holding off on everyone who voted for this on my last poll. Honest to God I hope y'all enjoy this in some capacity because I've been procrastinating on this meta so long it's derailed ALL my other One Piece writing and I only accomplished it through addy-fuelled mania)

This was such a fucking pain to write. I really wanted to say something about Crocodile and what makes him so fascinating that wasn't like, another fan theory or just a set of headcanons, but that's easier said than done?? We could boil it down to immaculate design, screen presence, attitude, or just the fact that he got brought back as an unlikely ally who shocked everyone by saving the protagonist, but I don't know that those factors in and of themselves make for a villain who's become such an object of fandom obsession.

Whatever it is, it's certainly not backstory or depth, because 24 years and hundreds and hundreds of chapters after his introduction, we still know nothing about Sir Crocowani's past beyond a vague confrontation with the Late Great Edward Newgate (that apparently like, ruined his dreams or something?), and some totally-not-just-a-threat-to-out-him-if-he-betrayed-the-alliance blackmail material the Queen of the Queers is holding over his sandy reptilian ass. I was born and grew into adulthood in the time it took Oda to tell the world fuck all about where he's from or his inner thoughts, or his actual honest motivations and traumas.

All we have about this character are questions. Why did he save Luffy and Ace –very conspicuously after both of their lineages were revealed to the world– against all logic and reason? Does he have ties to the revolutionaries? Is he the long-lost son of Rocks D. Xebec? Did he bounce on Comrade Dragon's Monkey D and squirt out the fucking Warrior of Liberation? I assume Oda's going to tell us more about him, but at this point, he's managed to keep a tighter lid on Sir Crocs, Inc.'s past than the fucking Secret History

You may be wondering, dear reader: what the fuck is my point? What is there, at this final stage of Long Running Pirate Manga, for me–Frankie EroGuroNonsense, OP Tumblr Community Z-lister with like, 7 mildly popular meta posts under my belt–to write about the legendary Sir Krokorok that hasn't already been said or theorized? What eagle-eyed observations did I make while rereading Alabasta and writing toxic Crobin fanfic? Am I going anywhere with this? Sorta. Yeah.

Let's start with listing things we actually know about Crockpot, in roughly chronological (??) order: –attended Gol D.'s execution way back when he was my age, along with anyone else who's anyone from his generation.

–At some point, met and was known well enough by Iva that she could effectively blackmail him

–Made it far enough on the Grand Line, somehow getting to the New World, and managed to pick up an 81,000,000 bounty (low end for a warlord, presumably scouted fairly early in his career)

–Wanted to be Pirate King until he gave up on it, not 100% explicitly confirmed but most likely due to getting his ass beat so badly by Whitebeard that he settled for picking off small fry and racketeering behind a government desk job. This makes him profoundly relatable to the rest of us depressed fucking losers who acquiesce to our own mediocrity.

–At 30, after presumably licking his wounds for a hot minute, sets up shop in Alabasta, comes up with a clever evil plan to quietly build up enough arms to conquer the world with a WMD, and then gets his years-long bioterrorist coup attempt foiled by a 17-year-old.

The rest we know: after a brief moment of glory as the unsung MVP of Impel Down/Marineford, he immediately reverts to Failguy Mode, gives all his money to a literal clown, and consequently gets roped into the neverending uncontrollable PR nightmare that is Cross Guild. It's still super vague and we know little to nothing about his past before the Alabasta Saga (for all we know he had a fling with King Cobra)

...Onto his personality and mannerisms. This shit's a lot more revealing. Superficially, he's everything: immaculate Bond villain levels of charismatic villainy, unbelievably ostentatious, dripped out like a Pimp, constantly smoking cigars, absolutely dripping with smugness and grease and disdain. Owns exotic pets and a giant casino, and spends every waking moment either grinning like a maniac when he's got the upper hand or storming around in a fucking mood when anything goes mildly wrong.

He's also pretty hardened underneath all that, obviously couldn't have lived a day on the grand line or survived Impel Down Torture otherwise. But even in Alabasta, Crockery gives off an air of being distinctly more grounded and willing to get his hands dirty than other flashy, established villains who flaunt their wealth and status. A big part of it is just his really hyper-masculine indomitable tough guy persona, but even early on he's very much micromanaging his operation, fighting people hand to hand in (as opposed to, say, Doffy, who literally puppeteers people while lounging around) and makes a point to keep almost all of his followers at a distance and rely on them as little as possible. He rants a bit about how dreams and whatnot are pointless follies, as One Piece antagonists tend to do, and repeatedly taunts Vivi about how her idealism can't save her, but with the context that he wanted to find Laughtale himself, it feels a lot like projection.

The character trait that's harped on a LOT in canon, and probably the most pertinent one to whatever demons he has, is Croconaw's profound pathological distrust for everyone around him. It's a huge part of what makes him a good early foil to the Nefertari family and the Straw Hats, whose collective strength is derived from organic human connection; Crocalor, by contrast, makes sure that up until the very last moment, he keeps most of his people so distant from him that they genuinely have no idea he's even their boss. His relationship with Robin is interesting, but he turns on her immediately when he realizes she either can't or won't give him the location of Pluton and has his dramatic stabbing/"I forgive you" lines about how he never trusted her or anyone from the start. He says the same shit to Mihawk when he suggests they join forces, even citing their mutual distrust as a kind of paradoxical justification for why they'd actually work well together.

Arguably the only exception is Daz Bones, but even that relationship is still a pretty reserved one; one of the few traits Daz exhibits is a similar avoidance of human connections to his boss and even though they've ironically formed a bond despite it, I can't imagine that they're emotionally close. I find these more explicit declarations of paranoia a lot less indicative of what's actually going on in Croconut's head than subtext, but I feel inclined to mention them just because it more or less tells us that his background/trauma has something to do either with betrayal or alternatively just being jaded and deprived to the point of self-isolation.

Krookodile's character gets a little bit more interesting when we get to see him again in Impel Down being a smug little manipulative rascal right up until he gets blackmailed by his endocrinologist, which is definitely medical malpractice but also funny as hell. I also appreciate that literally the first thing he does after getting out of his cell is change into a big coat and cravat to keep up appearances, but it's not until Marineford proper that things get really complicated. Saving Luffy and Ace is the first selfless thing we see Crobat do–while yelling at Luffy that he needs to protect what matters to him properly, no less– and he just keeps fighting for them after that, teaming up with his most hated rival crew to cover Luffy's retreat and telling the entire WG to go fuck itself multiple times over. He fights everyone on sight with no regard for his own safety, talks mad shit to Doffy, and demonstrates a genuinely compelling amount of honest to god chivalry.

For a short time, we see Crocomotive less as a really entertaining cartoon villain and more as a person with hidden, profound emotions and a confusing moral code that's seemingly incompatible with the vicious little creature we met in Alabasta. We come to understand, in a few very brief lines that give us way more questions than answers, that Cromagnon has deep-seated, emotional convictions he actively suppresses, and that whatever baggage he has is probably tied to wanting to or failing to save something of his own. His resentment of Newgate, who he really really wants to have a go at (despite theoretically no longer caring about the ambitions of his youth) is indicative of a desire to revisit the fight that probably ruined his dream and ego, but it's also tinged with a deep-seated grudging respect for a living legend.

Crock–Afire Explosion's obvious seething hatred of Doffy also gives us a few more insights into what's wrong with him. On a surface level, it makes sense that he dislikes a profoundly obnoxious, even flashier fellow warlord who achieved more or less the same goal he set out to in a shorter time, fucks with his business, and then mocks him/tries to recruit him right after his very public defeat and imprisonment. He postures a lot, especially with his lines insisting he's on a higher level and that Doffy could only ever join him as a subordinate, but he's visibly steamed in their initial encounter and clearly hasn't liked him for quite some time. I bring this up because if we stretch our interpretation a little (for the sake of my argument), Croc Holliday's distaste for someone who's (outwardly) so much like himself and embodies all of his villainous characteristics from back in Alabasta might also suggest that deep down, he doesn't actually like the things they have in common; he sees right through Doffy because he's done the same shit and he hates what he sees.

Having gone over all that, I've come up with some key characteristics of Crocomelon that I'll use going forward:

–Extremely performative: puts an ungodly amount of energy into maintaining a carefully curated persona, and projecting a certain amount of power, masculinity, and prestige. Not necessarily an unnatural or inauthentic one, but a constructed and purposeful one nonetheless

–Deep-seated paranoia, hidden secrets; probably intertwined. Keeps personal details on tight, tight lockdown, probably afraid of being known.

–Constant projection of his own insecurities and failures onto other people, making a point to be uniquely cruel in Alabasta to an idealist who loves her people and a dreamer who wants to be the Pirate King.

Ironically, he demonstrably respects and defends two people–Luffy and Whitebeard–who theoretically embody everything he hates or scorns (ambition, goodness, love, connection, romanticism, greatness in the traditional sense) and he intensely dislikes the villain most like himself, or at least the one who shares a lot of his worst characteristics (ostentatious manipulative scheming rat bastard backed by people stronger than himself) –The Grinch's heart grew three sizes at Marineford because of like, the compelling power of brotherly love and reminders of his youth or something

SPECULATION, CONCLUSIONS??

The difficulty with writing anything definitive about Crocko's Basilisk is that he's such a mystery, which functionally lets the fanbase project literally whatever weird personality traits, potential backstories, or anything else they could possibly come up with onto him. So I want to be clear that I have absolutely no interest in theorizing about the specifics of his past or secret identity or potential baby daddy or anything along those lines; I'm only interested in what we can infer about his personality by extrapolating from canon. And the conclusion I keep coming back to, the one that I'm convinced is true on some level, is that Crocodile is living a lie and he fucking hates himself. Everything he does, from how he acts to what he claims to believe, is a desperate effort to cope with his own insecurity and failure and cover up a past version of himself he's deeply ashamed of.

Now, unfortunately, Oda did not conceive of Crocodile as a trans man but stories belong to the people and we can do what we want let's forget about that and play it straight because he's constantly performing gender as a means of compensating for a deep-seated shame and self-loathing from whatever traumas and secrets he keeps hidden. Even assuming he's a cis man, he deliberately chooses a hypermasculine persona with a Capital V Villain moniker and pimp outfit and speech pattern he's carefully curated to project masculine power–physical, political, and financial–and we know it's performance because we see him break kayfabe and get legitimately fucking angry whenever he's confronted by a person like Luffy, who's crazy and brave enough to try and do what he couldn't and risk everything for love and hope that he cannot bring himself to feel for another person, or reminders of the past he tries so desperately to bury.

The lessons he's wrongfully obtained from his past are as follows: Idealism is a weakness. Dreaming is a weakness. Connections to other people and being known are crippling liabilities (If he is, in fact, trans and closeted, that's all the more reason to be existentially disgusted by what he used to be). All the hope he brought to the Grand Line, all the excitement of trying to carry on where Roger left off, needs to be purged and buried because all he got to show for it was loss and humiliation. But he can't stop wanting more, and ironically, after he gives up on conquering the Grand Line, he ends up chasing the same fucking poneglyphs and weapons because his ambition's still there; it's just compromised and much more jaded.

Everything he does that's seemingly contradictory makes sense when you realize that Crocodile resents his failure and wants to avenge himself. He makes a big show of talking down to Luffy and Vivi's petty ideals and shit-talking Newgate and his family, but he still wants to fight Whitebeard like he did way back when and help Luffy protect what matters to him. He hates Doffy, who's honestly just a more successful schemer than he is because it's a constant reminder of what he settled for when he took that warlord post and fucking gave up. He claims to trust no one, but he keeps Daz by his side and rewards his loyalty because he can't help but trust someone who respects him so deeply and follows him to the ends of the fucking earth long after losing the material incentive to do so. He claims to look down on people who aim for the stars and fight for love and joy and freedom and yet, in his most vulnerable moments–not in the face of violence or imprisonment, but when he's emotionally compelled to defend a child and help save his brother–we see how badly he wants that for himself.

TLDR: Crockman Holic is deeply insecure in his masculinity, desperately needs psychological help, and his character/potential redemption arc in One Piece is just dealing with his midlife crisis.

[paluding]

Owned Restaurant Profit Increase

Two versions to download:

-Double profit: SFS / GD

-Triple profit: SFS / GD

Choose only one version!

We all know how hard it is to maintain a restaurant business in The Sims 2, right? You barely make any money and, if you have some employees to get paid hourly, there's a good chance you'll even end up losing money. Well, once again I've been digging through the files for a while until I've found something to fix this issue. I have to say, this is not the ideal solution at all, but it still makes the business actually profitable, so I thought it might be worth sharing anyways. This tiny mod edits just one single BCON value, and it's super easy to tune to your liking! A lot of technical details, a tutorial on how to tune it, and a big testing research under the cut (bear with me please, I promise it's worth reading).

So the way an unmodded game moves money in a restaurant business goes like this: the moment your waiter puts the dish on the customer table, you get a small percentage of the price of the food deducted. Then, once the customer finishes eating, they pay you the full price of that food (based on how expensive or cheap you set your business). Simple enough, right? Ideally, the best solution would be increasing the price of the food, but no matter how hard I tried, I just couldn't find those values anywhere. So what's left on the equation? Yup, that small percentage you get deducted first. I was lucky enough to find that one, so changing it to a negative value means you actually get extra paid first. And that money comes from nowhere, the customer doesn't pay extra, they only pay the price of the actual food. That works for me!

As a quick example, in a new business with 0 stars, if you keep the default price on average, you always gain 28 simoleons for serving a bowl of Mac N Cheese. However, you also get deducted 4 simoleons first, so it's actually 24 simoleons per customer. That's just sad. The Double version of my mod makes it so you get 22 simoleons first, and then the customer pays those 28 simoleons. That's a total of 50 simoleons per customer. More than double the profit, not bad! The Triple version gives you a total of 71, pretty self explanatory. The numbers don’t match exactly with double or triple profits, but I didn’t want to spend that much time finding the exact value to make it exactly double or triple, you know, especially considering there might be other factors that affect your business income. I’m not that good at maths to be honest... orz

So how do you tune this? All you need is SimPe. Open the package, click on the BCON file and edit line number 14, on the Dec box. The default Maxis value was 20. I changed it to -100 to get roughly double the profit, and -200 to get triple profit. If you want to increase the profit even more, make sure you keep it negative when changing the value! Then just click Commit and Save. Done!

One extra note before I continue. The extra money you get with the mod does count for the balance you see on the UI menu for the business on the top right. So if you like to keep track of your income, the mod will take effect on those bars. However, it won’t count for things like the First Simoleon prize thingy. So for now I’m not really sure if this extra money would count for other things such as Lifetime Wants related to gaining money. I haven’t tested it that much.

Okay, now you know almost everything you need to know about this mod. If you want to read some ramblings on how I tested this, keep reading. Otherwise, you’re good to go!

So, let’s talk testing, because that’s something I actually enjoy doing. I built a simple restaurant lot, with about 5 tables available. The conditions were:

-3 Sims from my household to work as host, waiter and chef. No external employees, so I don’t need to keep track of extra salaries to pay.

-Schedule is roughly 15:00 - 22:00.

-New business level 0. Prices were kept at the default average.

-I didn’t use the Basic Sell interaction. If the customer didn’t want to eat at my restaurant, then so be it.

-The chef had 10 points of cooking skill, so I could add any food to the menu. However, I only chose one food to cook to keep the profit numbers as consistent as possible.

For the first case, I chose cooking only Mac N Cheese, a very cheap food that makes almost no money at all. It doesn’t require any cooking skill points. Mac N Cheese gives you 28 simoleons when the Sim pays. -In an unmodded game, you also lose 4 simoleons, so it’s 24 simoleons per customer. After running the business for the set schedule, I got 240 simoleons of profit. Pretty disappointing! If I had employees to pay, I would only have a few simoleons to spare, if any at all. -With my Double version of the mod, you get an extra 22 simoleons, making a total of 50 simoleons per customer. After running the business with the mod in, I got 400 simoleons. Not much, but hey, it’s something.

For the second case, I chose Filet Mignon. This food is pretty fancy, and it requires max cooking skill. Filet Mignon gives you 83 simoleons when the Sim pays. I also noticed the customers take way less time to eat it compared to the Mac N Cheese, so that’s an extra bonus to make the business run faster. -In an unmodded game, you also lose 13, so it’s 70 simoleons per customer. After running the business, I got 630 simoleons of profit. Not bad, but considering you need to max out the cooking skill, it’s almost insulting spending so many hours just to get that… -With my Double version of the mod, you get an extra 65 simoleons, making a total of 148 (!) simoleons per customer. After running the business with the mod in, I got 1036 simoleons. Okay, nooow we’re talking! That's the fancy restaurant status I like to see.

You might be wondering why these numbers are so inconsistent. Well, sometimes my lovely waiter decided to drop the tray on the customers, poor guy. That added to the randomness of how customers decide to enter the restaurant or not, and if the game sits more than one customer on the table or just one of them, if someone gets stuck for a while losing time… all of that can end up making the results a bit inconsistent. That being said, I had better luck when I was running the business without the mod in, yet I still got quite a lot more money with the mod in. I didn’t keep track of the numbers for the Triple version, but as you can probably guess, that one would be even more profitable.

One last case I wanted to test and compare: a completely different type of business, a games and entertainment one using the Bandatron ticket machine. In that scenario, I got 21 simoleons per customer, each hour. So after that schedule of 15:00 - 22:00, I got a total of 789 simoleons! All my sim did during those hours was bartending. That shows how easy it is to run a business with a ticket machine, and the biggest advantage is that you don’t have to pay employees if you don’t need them, and you don’t need any skills at all. Just plop down that machine, put some objects, relax and let the money flow by itself.

So yeah, in conclusion, Eaxis really messed up programming the restaurant businesses, there’s no doubt about it. Hopefully my mod helps balance things out. And if you think it's still too low on the incomes department, you can always tune it to your liking! As far as I know, this should not conflict with anything, but if you run into any issues, let me know and I’ll try my best to fix it asap.

Special thanks to EddySims for their fantastic HQ Icon Pack I used to make the preview pic! <3

[youkaigakkou-tl]

Yohaji Final Exam! (Trivia quiz)

Take it here -> https://youkaigakkou.smartbuzz.jp/app/Quiz/16

You'll get one of 3 possible phone wallpapers if you get all questions correct!

Question translations below ⬇️

Q1: What does the NEET Beniko do at home?

Game

Study

Cook

Work out

Q2: How tall is Oota-kun in his giant form?

100m

110m

120m

130m

Q3: The Ogata twins were reading a youkai smut manga when their phones were confiscated. What was the smut manga's title?

Yuki-onna in the afternoon

Melancholy of the Kuchisake-onna

The Nure-onna's wet spot

Youkai diaries

Q4: During a lesson outside school, they ran into an old woman. What was her job?

Medium

Yoga instructor

Fortune teller

Hostess

Q5: When the group went to Haruaki's house, where was the train that they took going back headed for?

Hakata

Nagoya

Hiroshima

Okayama

Q6: When Hijita won first place at the scavenger hunt during sports day, what did he call himself?

The rice paddy wizard

Mud field-sensei

The mud devil

The galewind mud ball

Q7: When Haruaki was the anchor for the obstacle relay race, how many boxes was his first obstacle?

100

500

1,000

10,000

Q8: Tamao and Kuniko were late one day, they said their reason was "saving a XXX who was being shaken down". What was XXX?

Dog

Cat

Sparrow

Turtle

Q9: In the Karasutengu troupe, Ranmaru is the captain, Bonmaru is the lieutenant, what is Tenmaru's position?

Scribe

Public relations

Accountant

Advisor

Q10: During the Spookology exam at the old schoolhouse, the class divided into 4 groups. Which hand sign did Fuji Touya make when the groups were decided?

Rock

Scissors

Paper

Heart

Q11: Mame's family in Shikoku is part of the Shikoku Tanuki Alliance XXXX group? What is XXXX?

Ponpokopon

Pokoponpon

Ponponpoko

Ponpokopoko

Q12: Takahashi Akira likes cars. What color is his current favorite open-top?

Black

White

Red

Blue

Q13: Factorize this equation: x² + 5x + 6

(x+2)(x+3)

(x+1)(x+4)

(x+5)(x+6)

(x+2)(x+4)

Q14: How many hydrogen molecules are in 2.0mol of H2O?

2.4 x 10²⁴

2.4 x 10²⁵

2.4 x 10²⁶

2.4 x 10²⁷

Q15: Arrange these events in chronological order:

Kiyomizu-dera built

Envoy missions to Tang China abolished

"The Pillow Book" completed

"Genji Monogatari" completed

Envoy missions to Tang China abolished -> "The Pillow Book" completed -> "Genji Monogatari" completed -> Kiyomizu-dera built

Envoy missions to Tang China abolished -> Kiyomizu-dera built -> "The Pillow Book" completed -> "Genji Monogatari" completed

Kiyomizu-dera built -> "The Pillow Book" completed -> "Genji Monogatari" completed -> Envoy missions to Tang China abolished

Kiyomizu-dera built -> Envoy missions to Tang China abolished -> "The Pillow Book" completed -> "Genji Monogatari" completed

Answers:

1 4 3 1 1 4 3 2 1 4 1 2 1 1 4

The Haruakis when you get a wrong answer/didn't get all questions correct are really cute...

Also here's all 3 wallpapers so you don't have to redo the quiz 20 times getting the same 2 every time and end up having to get the 3rd one from someone else

[schizodiaries]

excessive heat and antipsychotics

Where I live, temperatures during the summer can reach “triple digits,” or over 100 °F (37 °C). We had our first triple digit weather of the year just last week, and it’s only going to get hotter as we progress further into summer.

Something I learned only a few years ago is that some medications, including antipsychotics, can affect your body’s ability to regulate heat. Meaning that those who take these meds are more at risk of life-threatening, heat-related illnesses such as hyperthermia or heat stroke.

If you’re on psych meds and live in an area known for extreme heat or humidity, please do your very best to stay as cool as possible. Keep plenty of water with you, try to stay in cool and shaded areas, wear loose-fitting and lightweight clothing, and familiarize yourself with the signs and symptoms of heat-related illnesses. (These are things everyone should do but I wanted to emphasize it for psychiatric medication users specifically because of our impaired ability to regulate our body temperature. But I want everyone to stay safe in hot weather.)

Here are some links to some helpful information I found, from the U.S. Centers for Disease Control And Prevention*

Preventing Heat-Related Illnesses

Symptoms of Heat-Related Illnesses

Heat and Medications (intended for clinicians but has useful info for patients as well)

Risk Factors of Heat Stress (PDF/infographic intended for workers)

*Note that because this is a U.S. based organization that they will use Fahrenheit for temperature. I recommend using google search to convert units of measurement.

[daenerysstormreborn]

The whole concept of left brain/right brain isn’t super solid but I think it’s the most accurate way to describe the difference between Arya and Sansa’s skill sets. I think with training either girl could be a politician or a warrior. I think they both could’ve survived if their roles were swapped. Both have demonstrated the ability to adapt.

Arya specializes in the concrete and logical, in immediate observations and perceptions, and intuitive reactions to those. Arya is quick on her toes and great at making on-the spot assessments and reacting appropriately. She’s extremely observant and perceptive and these things come very naturally to her. She’s great at learning language, but isn’t said to write poetry and doesn’t take marked interest in story or songs. Her focus is typically on her immediate environment and current situation. She doesn’t spend time ruminating or crafting distant future lives for herself. She is alert and attuned to the facts and the present.

Sansa is more abstract and artistic, focusing on the qualitative aspects of life, engaging in creative pursuits. She loves the romantic and fantastical and is more attuned to ideas and concepts than the facts of her immediate surroundings. She absorbs history and heraldry and has a knack for aesthetics and mastery of her native language (i.e., writing poetry and being an eloquent speaker. Learning new language is “left brain” whereas mastery of your native language is “right brain.”), but isn’t said to be very good at math and her romanticized lens inhibits her perception of fact at times. She has a vivid imagination and spends a lot of time ruminating on her past and conjuring fantasies of idealized futures, comparing her own life to familiar narratives instead of being 100% present in her surroundings.

Which isn’t to say these skill sets are mutually exclusive to the girls. Arya can be very creative (she is excellent with performing and getting into roles as a faceless man) and Sansa can be quick on her toes (like when she saved Dontos). These skill sets also are not opposites and the girls do not “complete” each other. Both are full complete people on their own who are learning to apply their natural strengths to navigate their worlds.

What’s interesting to me is that they’re both a little aimless right now for different reasons relating to what I described above. Arya is great at taking action but doesn’t have a vision of her ideal future (at least not that we’ve seen) so she doesn’t know where to go next. Her biggest desires are “go home” and “go to the wall to see Jon” but those aren’t options to her so she ends up a bit directionless, traveling across the ocean and becoming a faceless man because she has to do SOMETHING because she’s a doer, but doesn’t know what to do. Meanwhile Sansa has goals for her future of being a lady with a loving husband and a family, but she is not a doer and doesn’t know what steps to take to escape her current situation, so she goes along with Littlefinger’s plan. Arya has inertia but no direction and Sansa has direction but no inertia

Of course, for both girls, age and and trauma are factors in them going down the paths they’re on and I expect that we’ll see them both grow!

[unteriors]

Why is France in particular so much worse off than many of the other Western countries on this blog? It looks like some of these places haven't been updated in 100+ years to be safe or liveable, and somehow have evidence people still occupy them. I know poverty is the main answer, but it surprised me. I know their buildings are old but some of these people are still using oil lamps.

I'm not completely sure, there are definitely a lot of centuries-old buildings for sale on French listings that look as though they haven't been updated in about as long. Part of it may be cultural and specific to France - it has a huge number of small settlements, most of which date back hundreds of years, with their original housing stock intact. But it probably has something to do with the confluence of a few different factors that affect the kind of listings you find for each country. One factor is how regulated and (relatively) free of corruption the real estate sector is in each country. In the US, for instance, it's regulated enough to make it possible for aggregate websites like Realtor and Zillow (and Redfin, etc.) to exist. I'm not totally clear on the specifics, but I think it has to do with having centralised agencies that track and provide data for sales prices, dates of sale and other property details that ensure a certain level of quality control. This means that listings tend to be more standardised and easier to navigate (for people like me interested in the imagery for reasons outside of the boring, instrumental original function from which they emerged). One thing I've noticed looking through sites from developing countries is that there tend to be a lot of obviously-fake listings, which re-use the same images and which make it a lot harder to find genuine ones. I'd guess having a substantial proportion of real estate transactions taking place in the grey market probably contributes to this (putting less pressure on these sites to be transparent and functional). If it seems like most of the imagery of this blog comes from western (or western-ish) countries that's one of the reasons why.

Cultural and regionally-specific factors are also important. France has a well-regulated housing sector, but so does Australia, which has a totally different feel in terms of the real estate imagery it generates - generally much more polished and artificial. If I had to guess, this probably has to do with how well-oiled the propaganda arm of the real estate industry in my country is; the idea of buying and renovating and speculating on housing as an investment is deeply embedded in the culture here, you see it all over the place on TV, in books, the kinds of things people talk about. Doubtless it has a lot to do with how structurally deep the housing crisis runs and how intractable it seems. I'd guess that it's also directly related to the kind of aesthetic you find: bright, evenly-lit photography using expensive cameras that make shitty overpriced houses look like offices, standardised camera angles (there must be some kind of style guide that like half the realtors here follow), etc. I've spoken to people who criticise real estate listings - which they have no personal stake in - that don't follow these conventions, as though following and reproducing these corporate aesthetic values is somehow virtuous. I'm not familiar with the cultural context in France, maybe it isn't as bad as ours. Some countries just seem to produce more real estate imagery independently of these factors though. I haven't found much in Germany, for instance, which you would think would have a similar housing stock to France. I've found a ton from Georgia and Hungary. Japan, which has a well-regulated housing sector (and presumably an enormous amount of housing being bought and sold), is much harder to find imagery from, partly due to the language barrier, but also to the way in which its main aggregate websites are designed. And maybe cultural reasons come into it as well. Italy has a lot of imagery, though a lot of it is covered in watermarks and other branding, so you have to hunt around. Spain is similar. When I do find imagery from continental Europe it seems like, outside of Germany, most countries have a lot of rough, older housing stock that people still seem to somehow live in, like you described. I haven't found much like this from the UK; I have from Ireland though.

I'm open to the idea that there's much of this sort of imagery from lots of different countries and I just haven't been proactive enough to find it; if anyone has any suggestions on where to look for any country please send them to me. I'm not just interested primarily in decrepit older housing stock, I think it's more of a project of looking for imagery that has aesthetic or artistic or cultural or whatever value and liberating it from the constraints of its work-institutional-instrumental context, and recontextualising it in a setting where those qualities can be drawn out and appreciated. There's a history of artists doing similar things (probably playing on the relationship between art and work), from Gustave Courbet to Andy Warhol to Tracey Emin. If anyone's interested send me an anon and I'll write more about the rationale here.

[poisonwaterlily3]

Doing research for my Arcane Season 2 fix-it-fic and OH MY GOD WHY WAS URGOT NOT THERE???

One of my big criticisms of Season 2 was how much planting was done in Season 1 for the chembarons to be an important factor in the relations between Zaun and Piltover (since they'd be taking over the shitshow that is Zaun post-Silco) only to be completely irrelevant after three episodes (if that).

One of my other big criticisms of Season 2 is how irrelevant Noxus is to everything. The show is supposed to be about these two sisters and these two cities and while I liked Ambessa coming in near the end of Season 1 as a third, foreign player, I feel like Season 2 overly relied on her as a villain when I don't feel like that's the role for her. She always felt like a well-meaning yet fundamentally misguided mother figure to Mel who also had the strength and power to do as she pleased. She was actually a REALLY complex character in Season 1 in spite of having only 3 episodes of screen time and, despite her antagonistic presence in the story, she was never a "villain".

But do you know what would've tied these two plot points together?? Urgot!! A former Noxian warlord betrayed by his nation and is now a chembaron???? Holy shit, how did they not utilize him????? He and Singed could have 100% had some kind of business arrangement.

Plus! If they really needed Mel out of the picture for a while, make Urgot kidnap her, not The Black Rose. Give her an Iroh-esque training arc where she learns new strength and deception from being imprisoned. It'd also reflect Vi's imprisonment in Stillwater. When she gets out, she can see firsthand the kind of place Zaun is the same way as Caitlyn and Heimerdinger.

This is such a huge missed opportunity how did they not do this 😭

Also his bane-looking as would've been cool as hell to see onscreen.