#real people have lives and can be affected by things with real consequences

[averysmolkirbo]

Me finding tiny meaningless character details in something that's not even canon to make more shit up about the fictional character i dont like for literally no reason (i want to ruin their life)

like im at making a headcanon off of an assumption off of a headcanon. im multiple layers deep

[luna-azzurra]

Writing a Morally gray character

Think about their backstory, what shaped them into who they are? What do they believe in? And, most importantly, what pushes them to get out of bed every morning and keep going? These characters aren’t simple good or bad. They’re caught in the middle, in that murky, complicated space between black and white. That’s where they get interesting because they’re constantly wrestling with themselves, trying to figure out the right choice, or if the “right” choice even exists for them.

You need to show this internal battle. Imagine your character being torn between what they believe is morally right and what they actually want. This is where the real drama comes in, it’s like watching them juggle their principles with their desires in real-time. They’ll mess up, and they’ll make decisions that are sometimes questionable, but that’s what makes them human and relatable. One way to really highlight their complexity is by putting them in situations where there’s no clear answer. You know, those moments in life where everything’s kind of a mess, and you’re stuck trying to figure out what the hell you’re supposed to do? Your character should face situations like that. These gray areas create tension because readers won’t know which direction the character will go, and honestly, your character might not know either.

And don’t forget, growth is a huge part of writing a morally gray character. People aren’t static, they change based on what happens to them, and your character should too. Maybe they start off with a strong sense of morality but, over time, that starts to shift. Or maybe they start with shaky ethics and slowly become a better person as they learn from their mistakes. Growth can also go the other way, they could spiral downward, giving in to darker impulses. Either way, they need to evolve, just like people do in real life. That’s what keeps the story fresh and unpredictable. The last thing you want is a character that stays the same the whole way through.

Also, please, no stereotypes. A morally gray character doesn’t have to be a brooding anti-hero with a tragic past (unless that’s your vibe, but even then, switch it up). Give them quirks that make them unique. Maybe they have unexpected motivations, like they’re doing something shady for a cause they genuinely believe in, or they’ve got a weird sense of humor that throws people off. Whatever it is, make sure they feel like an individual, not just a copy-paste character we’ve all seen a million times.

Even when your character makes decisions that aren’t exactly clean-cut or heroic, the reader still needs to understand why. Show their vulnerabilities, why they doubt themselves, why they hesitate, and why they ultimately make the choices they do. It’s all about making them relatable, even when they’re walking that fine line between right and wrong. People might not always agree with them, but they should at least be able to see where they’re coming from.

And remember, every choice your character makes should have consequences. They don’t exist in a bubble. Their decisions should ripple out and affect not only them but the people around them. Maybe they make a selfish decision, and it ends up hurting someone they care about, or they try to do the right thing, and it blows up in their face. One last thing, just because your character lives in that gray area doesn’t mean they don’t have any sense of right or wrong. They might have their own personal code they follow, even if it doesn’t line up with society’s morals. Maybe they justify their actions in a way that makes sense to them, even if other people wouldn’t agree. It’s all about exploring that space where they’re not totally good, but not totally bad either. That’s where things get really interesting.

Think about where your character is going. Is their journey going to push them to become a better version of themselves? Will they fall back into old patterns and never really change? Or will they stay stuck in that moral gray zone, constantly torn between doing what’s right and doing what feels right for them?

[critterbitter]

re: your thoughts on legendaries (which is very cool and based) what’s your take on the differences between legends:arceus giratina and platinum giratina, especially since you defined them as hating the world? specifically the bit where giratina (at least seemingly) actively defended the world from cyrus trying to destroy it, after trying to do the same thing with volo’s help centuries prior?

Weird ghost worm upon yee (AND MORE ART BELOW CUT!)

Anyways, here’s my mad ramblings about Giratina and Arceus’s backstory.

Tldr: Giratina’s a conglomerate of angry souls scorned by Arceus.

(Here’s the playlist. It’s all about worms.)

How it Started.

The original one has chosen favorites over the passage of time. Heroes, legends, protagonists…

Arceus intervenes for those it loves, and the consequences of a god touching the mortal world is devastating in its entirety. One act of divine intervention causes entire civilizations to collapse. One whispered suggestion drives an entire legacy insane.

So Arceus, paralyzed by its love for the mortal world, acts very little, learning from its mistakes. Apathy soaks through every motion. And thus is the way of the world.

But people love the Originator. Religions are born from Arceus’s rare deeds, and generation on generation taught its benevolence. Imagine spending your entire life chasing after that golden light. Imagine knowing its real and there, and it loves you.

Imagine begging it for help, and seeing it turn away when you need it most.

I think those people would feel very abandoned indeed, if they spent their lives worshipping, and receiving no response at all.

Giratina is born from the abandoned, the lost, and the angry. They’re a hundred thousand souls who’s adoration turned to spite. They’re an entity who demands for Arceus to look at them, so they can finally rest.

Arcues can not look at them in full, because if it does Giratina will fade.

(Scio, beloved. For I can not let you go.)

So the Original One banishes the Unwanted Beast into the distortion world, and Giratina seethes, and starves, and screams.

(Here are two truths about the Beast Between Dimensions—

1. Some part of them still loves Arceus. Arceus is their anchor, after all— the sole reason why they exist, why they are. But Arceus can not love it back in a way that matters, and that hurts.

2. Giratina is made of a thousand voices. Some of these voices remember that there’s a world above. They miss it.)

Why Giratina attacked Hisui in PLA:

PLA Giratina’s not a new god, but they’re very, very bitter and barely coherent on a good day. Volo serves as a conduct to help unite the broiling mass of ghosts against Arceus, and thus Giratina’s hatred overcomes any flickering affections they have for the land.

It doesn’t help that Arceus intervened for Hisui, sending Akari to directly stop Volo from summoning Giratina.

(As for Volo, well.

Imagine being a child who was thrown into the future due to Palkia and Dialga’s fits, who learned his people (his world) no longer exist beyond a shadow in the history books and a single, bitter lore keeper.

Volo doesn’t remember his original culture beyond vague imprints and singing praises to Sinnoh, but he knew he was loved, and he knew his family is dust four hundred years in the past. There’s a special sort of rage in him that echoes Giratinas.)

(Why did you abandon my people, Arceus? What kind of god are you, to leave those who love you so callously behind?)

(Maybe some part of Giratina recognizes Volo, beyond a feeling of kinship.

Maybe some part of Giratina grieves because it recognized the child Volo was.)

When Volo gets his pound of flesh, (when he realizes Arceus is not beholden to him, that the inherent alien morality Arceus holds is not a personal slight), Giratina will finally rest.

Anyways what I’m trying to say is: Arceus is never a person, but a nebulous embodiment of the connection shared between pokemon and humans. It tries to experience what it’s supposed to embody, but millennia of watching people be and cease has given it choice paralysis, apathy, and a hoarding issue. If something lasts forever next to it? Good.

Giratina was once a person. (Correction, a LOT of persons.) They don’t think very linearly either, but they have context on mortal matters and are thus the more benevolent and malicious of the two. One day, time will smooth them into something like Arceus. We can only hope the two keep each other in check.

THE DIFFERENCE OF LEGENDS ARCEUS GIRATINA VS PLATINUM PEARL GIRATINA

If the ancient version of giratina is an angry conglomerate of ghosts scorned by Arceus, the modern iteration of Giratina’s a creature that’s more settled in its skin and more assured in its duties. Giratina still has beef with Arceus, but they unionized into one being who’s love of the mortal world has triumphed over its ancestral grudge. One might even postulate they have shifted their anchor from Sinnoh the god, to Sinnoh the place.

((We call this character developement. Good for you, weird ghost worm!))

(((FULL DISCLOSURE, VOLO BEING FROM THE PAST IS INSPIRED FROM FOXFALL. You know. The fic that got me into this fandom. Please give it some love.)))

[alex51324]

Now, more than ever, we need to be careful about spreading misinformation and rumors

I can guarantee that over the next few months, we'll be hearing about a lot of alarming things going on here in the US. Some of those things will be true, and some won't. (And some will have both true and false or exaggerated elements.)

It's going to be absolutely vital that important information is not drowned out by misinformation, rumors, and ragebait.

That means, when you see something that would be important if true, before sharing, you check whether it's actually true.

In library world, we use the acronym SIFT:

STOP: Don't spread the information, or get caught up in your emotional reaction to it, before you've checked it out. INVESTIGATE: Who is saying it? How do they know? If there are links or sources in the post, do they actually say what the person is saying they do? FIND other coverage: Do an internet search for key details: quotes, people's names, specific locations. If something major is happening, there will normally be a lot of coverage. TRACE claims, quotes, and media back to their original context.

Usually you don't need to do all four things: just STOP and then pick what makes sense from the other three. If you decide to share the information, you can also say what you did--"This is a firsthand account from XYZ protest; it lines up with what the local TV station is saying, but has a lot more details about what the cops did," or whatever.

The more urgent the information seems, the more important it is to make sure it's reliable.

If we're hearing every other day that this or that vulnerable group is in immediate, life-threatening danger--but 49 times out of 50 it turns out to mean Trump rambled somewhere about something which, if actually implemented, could end up having the described consequences at some point down the line--then people aren't going to know the difference the one time in 50 when the danger really is immediate.

Think, here, things like immigration crackdowns, CPS investigations into parents who affirm a trans child's gender, or demands that health care providers report miscarriages to law enforcement. We all know that these are things Trump World talks about a lot and would like to be able to do, in some form. For the sake of the people affected by these topics, we need different ways of talking about, "Here they are, back on their bullshit," versus, "This is a policy proposal for a real thing that could happen," versus, "Holy shit, grab the kids and run."

We cannot go to "Holy shit, grab the kids and run" every time Trump, or someone in his inner circle, decides to bloviate about something that could disastrously affect people lives. The people who are most in danger can't stay at DefCon 5 every day of their lives, and when they do really have to grab the kids and run, we need that alarm to be heard over the constant background hum of dread.

The same goes for action items--whether protests, ways to help, or little things people can do to stay safe/sane. There's going to be plenty going on, and nobody is going to be able to do everything, so do your part by passing along those things that you can vouch are true and important, and skipping the things you aren't sure about.

I'll leave you with an example. Remember how a few years ago, we were all-in about hand hygiene and disinfecting surfaces? And then it turned out that those were not actually very important in terms of preventing the transmission of COVID-19, and what we really need is better air filtration in public spaces--but, at my work at least, we still have canisters of surface-disinfecting wipes sitting around, and tattered old signs up about hand hygiene, and no air filters.

At the time, early in the pandemic, we were sharing the best information we knew about how to stay safe, but people got a little too fixated on that initial advice--remember how people would wipe down their groceries? And those little sticks for pressing elevator buttons?--and then when the advice changed, they didn't want to hear about it.

Distrust, fatigue, superstitious attachment to the old grocery-wiping ways--there were a lot of reasons, but the key thing to take away is that attention, energy, and goodwill are all finite resources. Try to avoid wasting it with grocery-wiping--or worse, shilling for the guy selling little sticks to press elevator buttons with.

[mostlysignssomeportents]

How Google’s trial secrecy lets it control the coverage

I'm coming to Minneapolis! Oct 15: Presenting The Internet Con at Moon Palace Books. Oct 16: Keynoting the 26th ACM Conference On Computer-Supported Cooperative Work and Social Computing.

"Corporate crime" is practically an oxymoron in America. While it's true that the single most consequential and profligate theft in America is wage theft, its mechanisms are so obscure and, well, dull that it's easy to sell us on the false impression that the real problem is shoplifting:

https://newrepublic.com/post/175343/wage-theft-versus-shoplifting-crime

Corporate crime is often hidden behind Dana Clare's Shield Of Boringness, cloaked in euphemisms like "risk and compliance" or that old favorite, "white collar crime":

https://pluralistic.net/2021/12/07/solar-panel-for-a-sex-machine/#a-single-proposition

And corporate crime has a kind of performative complexity. The crimes come to us wreathed in specialized jargon and technical terminology that make them hard to discern. Which is wild, because corporate crimes occur on a scale that other crimes – even those committed by organized crime – can't hope to match:

https://pluralistic.net/2021/10/12/no-criminals-no-crimes/#get-out-of-jail-free-card

But anything that can't go on forever eventually stops. After decades of official tolerance (and even encouragement), corporate criminals are finally in the crosshairs of federal enforcers. Take National Labor Relations Board general counsel Jennifer Abruzzo's ruling in Cemex: when a company takes an illegal action to affect the outcome of a union election, the consequence is now automatic recognition of the union:

https://pluralistic.net/2023/09/06/goons-ginks-and-company-finks/#if-blood-be-the-price-of-your-cursed-wealth

That's a huge deal. Before, a boss could fire union organizers and intimidate workers, scuttle the union election, and then, months or years later, pay a fine and some back-wages…and the union would be smashed.

The scale of corporate crime is directly proportional to the scale of corporations themselves. Big companies aren't (necessarily) led by worse people, but even small sins committed by the very largest companies can affect millions of lives.

That's why antitrust is so key to fighting corporate crime. To make corporate crimes less harmful, we must keep companies from attaining harmful scale. Big companies aren't just too big to fail and too big to jail – they're also too big for peaceful coexistence with a society of laws.

The revival of antitrust enforcement is such a breath of fresh air, but it's also fighting headwinds. For one thing, there's 40 years of bad precedent from the nightmare years of pro-monopoly Reaganomics to overturn:

https://pluralistic.net/ApexPredator

It's not just precedents in the outcomes of trials, either. Trial procedure has also been remade to favor corporations, with judges helping companies stack the deck in their own favor. The biggest factor here is secrecy: blocking recording devices from courts, refusing to livestream the proceedings, allowing accused corporate criminals to clear the courtroom when their executives take the stand, and redacting or suppressing the exhibits:

https://prospect.org/power/2023-09-27-redacted-case-against-amazon/

When a corporation can hide evidence and testimony from the public and the press, it gains broad latitude to dispute critics, including government enforcers, based on evidence that no one is allowed to see, or, in many cases, even describe. Take Project Nessie, the program that the FTC claims Amazon used to compel third-party sellers to hike prices across many categories of goods:

https://www.wsj.com/business/retail/amazon-used-secret-project-nessie-algorithm-to-raise-prices-6c593706

Amazon told the press that the FTC has "grossly mischaracterize[d]" Project Nessie. The DoJ disagrees, but it can't say why, because the Project Nessie files it based its accusations on have been redacted, at Amazon's insistence. Rather than rebutting Amazon's claim, FTC spokesman Douglas Farrar could only say "We once again call on Amazon to move swiftly to remove the redactions and allow the American public to see the full scope of what we allege are their illegal monopolistic practices."

It's quite a devastating gambit: when critics and prosecutors make specific allegations about corporate crimes, the corporation gets to tell journalists, "No, that's wrong, but you're not allowed to see the reason we say it's wrong."

It's a way to work the refs, to get journalists – or their editors – to wreathe bold claims in endless hedging language, or to avoid reporting on the most shocking allegations altogether. This, in turn, keeps corporate trials out of the public eye, which reassures judges that they can defer to further corporate demands for opacity without facing an outcry.

That's a tactic that serves Google well. When the company was dragged into court by the DoJ Antitrust Division, it demanded – and received – a veil of secrecy that is especially ironic given the company's promise "to organize the world's information and make it universally accessible and useful":

https://usvgoogle.org/trial-update-9-22

While this veil has parted somewhat, it is still intact enough to allow the company to work the refs and kill disfavorable reporting from the trial. Last week, Megan Gray – ex-FTC, ex-DuckDuckGo – published an editorial in Wired reporting on her impression of an explosive moment in the Google trial:

https://pluralistic.net/2023/10/03/not-feeling-lucky/#fundamental-laws-of-economics

According to Gray, Google had run a program to mess with the "semantic matching" on queries, silently appending terms to users' searches that caused them to return more ads – and worse results. This generated more revenue for Google, at the expense of advertisers who got billed to serve ads that didn't even match user queries.

Google forcefully disputed this claim:

https://twitter.com/searchliaison/status/1709726778170786297

They contacted Gray's editors at Wired, but declined to release all the exhibits and testimony that Gray used to form her conclusions about Google's conduct; instead, they provided a subset of the relevant materials, which cast doubt on Gray's accusations.

Wired removed Gray's piece, with an unsigned notice that "WIRED editorial leadership has determined that the story does not meet our editorial standards. It has been removed":

https://www.wired.com/story/google-antitrust-lawsuit-search-results/

But Gray stands by her piece. She admits that she might have gotten some of the fine details wrong, but that these were not material to the overall point of her story, that Google manipulated search queries to serve more ads at the expense of the quality of the results:

https://twitter.com/megangrA/status/1711035354134794529

She says that the piece could and should have been amended to reflect these fine-grained corrections, but that in the absence of a full record of the testimony and exhibits, it was impossible for her to prove to her editors that her piece was substantively correct.

I reviewed the limited evidence that Google permitted to be released and I find her defense compelling. Perhaps you don't. But the only way we can factually resolve this dispute is for Google to release the materials that they claim will exonerate them. And they won't, though this is fully within their power.

I've seen this playbook before. During the early months of the pandemic, a billionaire who owned a notorious cyberwarfare company used UK libel threats to erase this fact from the internet – including my own reporting – on the grounds that the underlying research made small, non-material errors in characterizing a hellishly complex financial Rube Goldberg machine that was, in my opinion, deliberately designed to confuse investigators.

Like the corporate crimes revealed in the Panama Papers and Paradise Papers, the gambit is complicated, but it's not sophisticated:

Make everything as complicated as possible;

Make everything as secret as possible;

Dismiss any accusations by claiming errors in the account of the deliberately complex arrangements, which can't be rectified because the relevant materials are a secret.

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2023/10/09/working-the-refs/#but-id-have-to-kill-you

My next novel is The Lost Cause, a hopeful novel of the climate emergency. Amazon won't sell the audiobook, so I made my own and I'm pre-selling it on Kickstarter!

Image: Jason Rosenberg (modified) https://www.flickr.com/photos/underpants/12069086054/

CC BY https://creativecommons.org/licenses/by/2.0/

--

Japanexperterna.se (modified) https://www.flickr.com/photos/japanexperterna/15251188384/

CC BY-SA 2.0: https://creativecommons.org/licenses/by-sa/2.0/

[rederiswrites]

I wrote this out for FB and then thought I might as well share it here as well. So if you have ADHD, are a late-diagnosed adult with ADHD, and most particular if you are a person with a uterus and/or have children, this one might be for you.

...

Last couple of days have been a little...weird. Let's start at the beginning. Buckle up and learn something.

As many of you already know, I have ADHD. It's a condition with a PR problem--a lot of people, often even medical professionals, have a very distorted idea of what it does, and a very limited one. For starters, it's not about parenting, or lead paint, or lack of discipline. It's genetic, *highly* heritable, starts in childhood and persists throughout life, and is a sufficiently severe disability that it comes with a decrease in life expectancy of up to 13 years. It is a visible difference that can be perceived in brain scans. These are all, at this point, well established and thoroughly attested in the scientific literature. ADHD affects up to 5% of the population and appears across cultures. It is very common.

It's not just about lack of attention--in fact, plenty of medical professionals think the name should be changed, as in fact the problem isn't the volume of attention but the way we struggle to direct it. We are motivated by interest, and struggle to properly weight future goals and consequences, specifically because they are in the future. If the robin outside the window is more immediately rewarding to our brain, we will watch that, and not the teacher. Our ability to properly weigh the consequences of that choice is negatively impacted by our own biochemistry.

We struggle with many of what are termed the "executive functions", the self management systems of the brain. Degree and presentation varies from person to person, but initiating tasks, completing tasks, staying ON task, restraining impulses, emotional regulation, and working memory are among the things impacted. My working memory is notoriously horrible. When they send you those activation codes on your phone? I often have to go back and read them out several times to enter a six digit number. I have to stop and remind myself what I'm doing between every step of my morning bathroom routine, or making tacos. Sometimes I take off my glasses to put on my contacts, reset, and reach for my pill bottles while I still can't see. My long-term memory is also affected, with my husband de facto serving as the memory-holder of the family.

Another common symptom I personally experience is "time blindness", which can mean both that you have no "internal clock" that has a clear idea of the passage of time, and that our ability to properly weight the importance of things in the future is impacted. So, for example, I can know intellectually what's coming, but it takes some really complex and exhausting antics to actually focus and work on those things if they're more than a week or sometimes even a couple days away.

Without externally imposed controls, many ADHD people flounder and fail to meet social markers of success. Estimates of how many ADHD people manage to complete college range from 5% to 15%. Again: 5% to 15%! I have failed twice myself. WITH externally imposed controls, ADHD people often have to work far harder to make their brains do what is required, and either fail and develop an image of themselves as failures (usually with plenty of external help), or keep fighting and suffer crippling burnout.

To that point, ADHD is HIGHLY comorbid with a whole range of knock-on conditions, some of which stem from the same brain patterns that give rise to the ADHD itself, and others from the trauma of living with a disability, but they include very high rates of depression, anxiety, fibromyalgia, social isolation, and addiction. I have dealt with depression, anxiety, and fibromyalgia my entire adult life. I have never ended up in the trap of self-medication but let's be real, that's partly about having supports and a healthy social environment. It's not some accomplishment I praise myself for, nor is addiction a sin I shame anyone for.

And anxiety has a very different texture to it when what you're really anxious about is the next time you fail in some catastrophic way. Lock your keys in the car. Completely space on a doctor's appointment. Go to pay for groceries and find that your wallet is next to your computer at home. Because the anxiety is not irrational fear of some generalized bad thing. These things do and will happen, regularly. Sometimes it feels like the only fix is getting good at recovering. Because no matter how many times you manage not to blow it, there's always another chance.

So, the struggle to be a reliable person, to be a consistent parent, to be a dependable life partner, is continuous. And it is so so so hard and it sometimes feels like you're not actually making any progress at all. I have tried therapy. I have tried three (or four??) different non-stimulant medications that sometimes help people. One of them DID help. ALL of them had catastrophic side effects. There were times as I was trialing these medications when I needed to be minded because I wasn't capable of taking care of anything, not even myself. Without Jacob, I don't know where I'd be. Not here. Probably in poverty, which is where he found me.

I have tried probably most organizational tools you know of. I have tried imposing schedules, all of which turned to dust and ash when the next fibromyalgia flareup or the next major life disruption happened. I don't think a new schedule has ever lasted a month before.

I HAVE felt like I'm made progress lately. I learned things that really helped my fibromyalgia, which gave me the space to work on other things--just like getting the borders of a puzzle finished. Enough things were spiraling upwards, and I think I might be cementing some gains. I have felt optimistic.

But in the meantime, I asked my doctor if, now that no less than three cardiologists have insisted my heart is Perfectly Healthy, I could finally try stimulant medications. After decades of use, Adderall, Ritalin, and a couple related stimulant drugs are still the gold standard for ADHD treatment and improve outcomes substantially for many people. And stimulants are in serious international shortage. Have been for many months. The only one she thought she could get me was Adderall. And she didn't dare try anything but the standard 30mg because nonstandard dosages would be even less attainable.

So now I'm taking Adderall. One week on 30mg, which I stopped when it was clear my function was being seriously impaired rather than improved. Reassessed with the doctor, now trying 60mg, because that's two of the pills I've already managed to obtain. It is....too much. And in some ways it fixes problems I wasn't working on, while so far making my executive function, my initiation or even *contemplation* of tasks, virtually nonexistant. Which was, of course, the thing I was trying to fix.

So yeah. When you have the context, I figure you can understand the substance of my frustration yourself. If you have children, I don't think you need my help to imagine what it would be like to know that you are unpredictable, or to see that your children are used to to you undergoing events that make you act strangely and erratically. I think just knowing that often, new medications introduce themselves by giving me a migraine, and I know this is possible when I take that first pill, is fairly self-explanatory. And so I expect you can imagine what it would be like, with all of this as a backdrop, to experience worsening of your symptoms, probably because of age-related hormonal changes. To in desperation try something you'd previously been denied. And to learn that it probably won't help.

In a week, I will either give up on Adderall for now or find a way to make it work. I'll put together the pieces yet again--at this point, possibly my strongest personal skill--and continue that upward climb as far as I can get. I'm incredibly fortunate in that regardless, I will be fed and dry and warm and loved. But right now, I feel justified in some serious dismay.

[wearepaladin]

I have never liked bringing up politics here. Even as I look this over as I write it, my choice of language lacks names, parties and associations beyond emotion and ideals, because it’s where I live, and how I can connect with reality and my own heart. Whether that’s a strength or a weakness, you can decide for yourself.

For all my love of running this blog as I have for nearly ten years now, I generally don’t get into the fray or to put forward my thoughts. I value privacy for myself and others, and I l feel I don’t need to expose who I am as a person to encourage others find ways to better themselves or to find ways to tell stories about people doing their best against the darkness with whatever light they can find.

But there are times when the light is hard to find, and I am afraid of the more immediate future and its consequences than I care to admit. My choices and my encouragement of others to live a virtuous life feels hollow in the face of a humanity that will forever conflict with itself over what these even mean or if they even matter in the face of more basic day to day needs or the promise of fortune. Or that the very real consequences that will permanently affect lives or end them are not something that we can wait out with grace for the days things get better, when there are people who will not share those days with us.

It’s hard to find light in the face of that. By its nature, it illuminates but cannot be held. We need only close our eyes to it and it is gone. And if enough doors are closed, and shutters slammed shut, we can even block out the sun. But these are things we choose to do to ourselves and others. We can just as easily choose not to do them.

In the face of that, I can only decide to keep reaching for light and encouraging others to do the same. In the immediate, this is a small consolation, even for me. It’s hard to see history repeating itself and not despair. But in the long run, we do more good by continuing the fight regardless, both to ourselves and the world around us. To the world beyond, it’s because absent our efforts, things can only get worse. To ourselves, it’s the quiet fire that can sustain against any winter darkness. The soul deep assurance that you were true to our better selves in the face of it all.

Travel with the light, friends. Don’t close your eyes to it.

[whateversawesome]

Spy x Family Chapter 97: An Old Love Story

Okay, say it with me: FOIL!

You can see it too, right? Looks like Martha x Henry (Henderson)'s story is a foil of Twilight and Yor's story.

Henderson was in Twilight's place; the smart, lonely young man so focused on his ideals that he was blind about who was in front of him and his very own feelings.

Martha was in Yor's place, the strong and graceful girl too young and inexperienced to know her own heart and that she was in love.

This is exactly what's happening with Twiyor, the main couple of the story, and I think we may get to see one of the possible endings for our beloved Twiyor through Martha and Henderson story.

Now, what do we know about these two 🤔...

We know that Henry Henderson has a daughter and a son-in-law. It was mentioned he writes to them, but there was no mention of his wife. This leads me to believe that:

His wife is no longer alive.

He lives with his wife, so there's no reason for him to write to her.

He is divorced.

So, with this information we still can't know what's the current relationship between Martha and Henry, but we can take a guess 😉

From the way the story is being told, it almost feels like it's a semi-tragic love story, doesn't it? We can almost assume that they didn't end up together...or did they?

Theory one: Yup, everyone is right and Martha and Henderson eventually went their separate ways for reasons we'll probably get to know in the next couple of chapters.

If this theory is right, I think it's beautiful that they are getting a second chance 💖They certainly look more mature, confident, and calm (also elegant!). I love the way they look at each other, so much trust and love 😌

Theory two: I know this one is a long shot (and Henderson just said in that panel that "She is merely and old friend") but maybe...they're actually married. Why am I so bold to even consider that possibility?! Well, there's this panel:

The matron is clearly teasing Master Henderson, don't you agree? If she does it, it's because she knows something. Either she knows that there was something between those two in their youth or she knows they are married. I don't know, but they way she said the word "partner" and the fact that Master Henderson is married made me think that Martha is his wife. I know, I know...it's a remote possibility, but you have to remember that marriage is mentioned a lot through different characters and couples during the story, so maybe those two were actually married. (But, it's quite possible it's theory one).

Other things to consider...

How long have Ostania and Westalis been at war?

My guess is that we're talking about two different wars between the same countries; very much like WWI and WWII, where there was a brief period of peace before a second conflict. So, probably the first war started while Henderson was in his 20s and the second war started when he was in his 40s (and Twilight was a kid).

It makes a lot of sense that now they're in a period of "Cold War", just like in real life.

The Garden

I am convinced that the Garden is involved in this. I've talked about this before (read it here). After this chapter, I still think the Garden is going to pop up. Want some evidence?

Do you recognize this guy?

That's right 😏 That's Matthew McMahon. What is he doing there? Too much of a coincidence, don't you think?

And also the way this is phrased:

Odd that there was a mention of the word Garden, isn't it? And the fact that the whole story between those two takes place in a garden...🤔

In addition to that, in a previous chapter, Twilight observes how Martha moves like a soldier. Franky mentioned earlier that Garden people are like soldiers. And the Garden has a history of recruiting young skilled/strong people, like Yor. Things keep adding up.

The Consequences of War

This is a prevalent theme throughout the whole SxF universe: how war (violence, intolerance, manipulation of information, propaganda, politics) has affected the life of all the characters.

No matter their background, nationality or education, we've seen it again and again with most of the characters big or small, like Twilight, Franky, Sylvia, Millie, and now we're about to see it with characters from an older generation like Martha and Henderson.

My guess is that this won't be the last time and this pattern will continue while the story lasts. I think what the story is trying to show us is how war is seen by some (politicians and men in power like Desmond) as a natural, inevitable course of action, but at the same time how brutal the consequences are in the smallest stories. That's one of the things that is truly remarkable about SxF.

[carto0ncritter]

I'm sorry but I genuinely can't understand how people can look at Stolitz and Catradora and think these ships are healthy in any way, shape or form.

Stolas r*ped Blitzø. No, consent given in a life-or-death situation doesn't count

Stolas is racist towards imps, and this didn't change even when he "fell in love" with Blitzø

Stolas doesn't appreciate or respect Moxxie and Millie in the slightest (and was disappointed that his "Prince Charming" wasn't the one to rescue him)

He looks down on Blitzø and calls him things like "impish little plaything" and "his big dicked Blitzy" and doesn't stop treating him like shit even when Blitzø says loud and clear that he hates being talked down on like this (DUH)

The only thing Stolas knows about Blitzø is that he hates books and the only thing Blitzø knows about Stolas is that he's a boring bookworm. Keep in mind, the two figured this out about each other while they were kids, 25 YEARS AGO, after Blitzø was bought so that he could be Stolas' "friend" for ONE DAY

Stolas doesn't love Blitzø for Blitzø. Stolas loves the *idea* of Blitzø. The bird man wants to live a romance that is just like the romances in his cheesy novels. He wants to ride into the sunset with his one true love. He wants grand romantic gestures. He wants his "Prince Charming". Except, Blitzø isn't the type of guy for such sappy displays of affection, he never was. Especially combined with his trauma. And as soon as that other imp guy asked him to dance, Stolas not only accepted the offer, but Blitzø was no longer on his mind. And no, I don't think being drunk is proof that Stolas didn't mean what he had told Blitzø. Drunk people find it easier to say what's really on their mind after all

Blitzø fell in love with his abuser. This makes sense, actually. The guy always pushed everyone away and never got to experience true love, and now that he has the chance to be "wanted," even if the "relationship" is toxic, he finds it hard to let it go

As for Catradora, the things I wanna say about this ship have already been said throughout the years, but it all boils down to these things:

Catra mentally, emotionally and physically abused Adora

Catra had no problem ending the whole entire universe if it meant she'd finally be better than Adora

Catra was a war criminal and a fascist

Catra was responsible for what happened to Glimmer's mom and never apologized, let alone faced consequences

Their relationship was toxic even when they were kids

They were both raised by Shadow Weaver and were the only ones in the Horde who saw her as a mother figure, thus making the ship straight up incest, with even the official source material calling them sisters (adoptive siblings ARE REAL SIBLINGS!!!)

Catra got exactly what she wanted in the end (the girl she's always been obsessed with and dependent on) and, once again, faced 0 consequences for her actions

The show (and C//A stans) fetishizes abuse. As a SA survivor, I felt physically sick during the final episode, where the abuser ends up with her victim/sister and they kiss

In short, these ships are disgusting and the lgbt community deserves better representation

[tteessiiee]

Health impacts of obesity, death feedee edition

TW: this is dark and very real, do not read if you are not ready to understand the consequences of feedism. And I really mean it. It may be f* scary.

You know I study physiotherapy at med school. And Im also a feedee, feeder, FA... Which means that mine internships in hospitals are pretty heavy and hard for me. I see all the impacts of obesity, or even morbid obesity on people and their health. On their life.

We are all talking about heart-attacks. Sure, your arteries getting clugged, atherosclerosis growing in your body and getting you closer to an early grave. But atherosclerosis does not cause only heart-attacks. It would be nice, wouldn’t it? Feeling your heart struggling, pain in your chest (which you deserve for being the pig you were), and pretty soon there is the end. Death.

But atherosclerosis can also cause strokes. And I don’t think you want that. Part of your brain gonna die, part gonna live. It can affect your motor functions, your ability to feel by touch, your ability to know where and how placed your limbs are, your speech, of course your ability to think. You may die, sure. Or you gonna survive and live way way worse life fully dependant on people around you… Did you know that?

You also might ruin your pancreas. Im sure that many of you already have insulin tolerance way higher than you should. Well diabetes mellitus is incoming if you will not change your lifestyle. It does not only mean that you will need to take insulin! It will also damage your nerves. Neuropathies are very common. DM can lead even to amputations of legs. And also an impact on eyes is very well known, you can become blind. Over all diabetes is a metabolic disease and it has huge impact on your whole body – nerves, organs, veins, everything.

Another effect of our feedee diet - your liver become fattier making it work less. And liver are very important organ! Liver steatosis can become cirrhosis, the organ will be very damaged. Btw it also gonna increase your blood pressure which has significant impact on probability of heart-attacks and strokes. Another thing – there can appear stones in your gallbladder. That is mainly caused by eating too greasy and fatty food. And this also can be very painful situation needing a surgery.

It is proved that obesity increases the risk of cancer, especially cancer in gastro-intestinal tract and urogenitals. One more thing that people do not want.

Not to mention your musculo-sceletal system. Arthrosis in joints (another painful thing restricting your daily life), unfit and stiff muscles, bones easier to break by your weight if you fall… And it will not hurt only when you move. But also when you lie in your bed getting stuffed to the brim once again. Who of you have never ever had back pain, mainly lower-back pain? It is not comfortable, is it? And it only gonna get worse if you don’t exercise.

There are also impacts on your skin but i'm not good in this field so can't say much about it.

I know it is a lot of fun to be a feedee. To gain, get fatter, heavier, softer. Getting out of breath easily? Oh f* yes please, it makes you so horny. But there is a huge impact on your health. Im sure you know it. But maybe you don’t know all the specific things that may happen. This is just a brief list of health complications that obesity brings. So if you are a death feedee, go on! Eat yourself to these diseases if that’s what you want. But be aware that your life probably will not end by a sudden quick heart attack. You will suffer many months and years due to many comorbidities till your body will give up on you. Are you ready for that long pain?

Wanted to let you know so that I can feel better when I actually encourage you to gain. You know, consent means that you agree while being aware of the consequences. If you want me to help you get morbidly obese I wanna be sure I warned you. And maybe (hopefully) this gonna help someone to stop gaining so much if they find out that they would not be happy. Because babes – I don’t want you fat in the first place. I want you happy.

That’s the reason why im drinking 700 kcal hot chocolate made of heavy cream while writing this article. It makes me happy to gain. It makes me happy being fat even though I know all of these things. And it also scares the s*it out of me. I fear it so much. I want it so much. Im not a death feedee in real life, will not let the kink kill me (I hope). But I definitely am a death feedee in fantasies, deep inside and sometimes it is really hard to find the difference between having fun and ruining your body.

••••••••••••••••••••••••••••••••••••

I warned you it gonna be dark and real 🖤

Enjoy your life as you wish 💕 Give fully into hedonism or enjoy the parts of feedism that don't kill you - that is your choice. Your body. Your life. Your death.

~ Tessie

[bloop-bl00p]

Are the suffering and consequences in the room with us?

For a place that is supposed to be Hell, there’s little to no effort into showing that these people are punished. Not necessarily by the Hellborns, I very much like the approach of “Hell is other people” but the writers failed at showing us this aspect. Vivziepop's version of Hell feels more like L.A. painted in red. And that’s disappointing.

It’s still a messed up place but outside of episode 4, there’s no real investment in making sure we understand that this is HELL. We see people do drugs yet we see nobody in a zombie-like state on the street. The closest we had was a randoe in Happy Day in Hell but it was a joke.

This is something very blatant with HH, most of the time, when something serious is presented it’s a joke (Sexual assault, drugs, etc...) It’ll depend on whether you're Viv's favorite character or not.

*cough*

Sir Pentious was not.

*cough*

You also see this in how they approached the crimes committed by characters, most of them did messed up things but Charlie never tries to address these despite being the one supposed to care about redemption.

Vaggie participated in genocide, she was angry but for one episode only, and her rant to Alastor was too light-hearted to be taken seriously (again a joke). Rewatch the scene, with an Alastor that doesn't give a damn, the funny music in the background, her goofy facial expression and tone, that’s not taking it seriously narratively.

Alastor was a serial killer and took pleasure in torturing his victims. Currently, he’s a cannibal and slave owner, Charlie does nothing about it. I’m not asking her to free Husk and Nifty we don’t know if she really can, but she could have had a conversation asking Al to not torture people during his stay at the hotel or treat his employees like humans and not pets.

Angel Dust was part of the mafia. From what we’ve seen he isn't against killing people, in fact, he seems to like it.

Every time we see him fight he’s smiling and enjoying himself, it’s said in the pilot that he’ll never miss an opportunity to help Cherry fight in those turf wars of hers. But his problem is druUuUUugs (this is an issue but that’s the only thing pointed out.)

That’s even more noticeable with the cannibals… who are nice? Whoa… you’re saying that the people whose whole culture is to jump you at your most vulnerable, tear through your flesh with teeth and hands just to feast on you in the middle of the street are actually silly guys and gals who like meat a bit too much. How charming ☺️

She was more annoyed that guts and blood went into her eye than anything.

There isn’t enough effort to showcase the horrors of living in a place where your only chance to survive is to be physically stronger and a good manipulator. When we’re shown something awful like “murders or cannibalizing someone” it’s presented as quirky, and funny, and nobody really mentions it. Aren't we supposed to believe that Hell is a bad place as a whole? Is Extermination really the only thing we have to worry about?

What’s the point of adding concepts like forced labor, addiction, and an unfair hierarchical system if you’re not going to show the viewer the horrendous reality of these things?

Vivziepop needs to pick a consistent tone for her series, there’s nothing wrong with joking about murders and EdgyyYyy humor, but that makes the audience detach from the reality of these things and they will have a hard time caring for a character the second they are portrayed as bad. Especially when the transition between funny and serious is from one episode to another.

“Angel and Husk are suffering!!!!!”

The characters that are supposed to be addicts are sober every time we see them on screen. We see Husk drink alcohol directly from the bottle and rather than showing that the toxins are affecting his body by making him sluggish and/or on the verge of vomiting he’s still able to stand still and hold a conversation perfectly. Even if Husk drank like a sailor, there’s so much alcohol your liver can take before eventually letting it affect your system.

But maybe we could use his addiction in a way to reinforce the fact that he isn't free.

Think of it like this, show a few scenes where Husk is excessively drinking experiencing bad hangovers, and not doing his job correctly as a whole. Vaggie complains about this to Alastor saying that til now he has done nothing significant to help the hotel and the employees he brought aren’t even behaving properly. She threatens him saying that he might get kicked out if this continues.

To that, Alastor could later threaten Husk saying he better fix his drinking habits or he’ll broadcast his scream or whatever. Later Husk would still be drinking but you could have little details of Alastor side-eyeing him and him just letting go of his bottles. He’ll still be sluggish but he’ll make sure he’s sober enough to keep The Radio Demon happy.

We never really felt like Husk’s movements were controlled by Alastor, he was just brought into the hotel without his concent, that sucks, but he can still converse normally with the others. In the Pilot, he insulted Deer Boe in his face with no repercussions. A few more scenes like the one in episode 5 to reinforce the power dynamics between him and Al wouldn't kill.

And Angel Dust how many scenes do we see him do drugs yet his body is able to take it all?

He’s supposed to be an addict, there are few mentions of him hiding things in his room but it's all talking! Talking is not bad, you can talk, but it’s boring and holds NO substances when there isn't SHOWING. Imagine this:

Charlie is worried because it’s been an hour and Angel hasn't come back to the Hotel, she knows his schedule as a sex worker is extremely busy but she usually knows when he comes back and he didn't respond to any of her messages.

Before she could go out to search for him, Cherry burst out into the room, a beaten and knocked out Angel on her shoulder. She was barely standing herself as she was also injured, with many cuts freshly bleeding mainly on her arms and face.

Charlie and the other help her get Angel to his room to tend to his wounds and Cherry’s. When she asks for an explanation Bomb explains that Angel couldn't buy his usual stash of drugs at the local store he went to anymore, as it got plundered right after the end of the extermination, the owner was killed and the shop was vulnerable to thieves.

Angel was looking for a very rare type of drug, made in the Gluttony ring, usually, the things made there take you quickly to cloud nine practically knocking you out in the process. The store he bought it from was the only one with prices affordable enough for him.

He eventually found a gang that was willing to give him a very small portion of drugs in exchange for money. Except that he didn't have nearly enough for what they were asking but he still went with it just after his work in one of Val’s clubs, already a shitty idea since he was exposed to many illicit substances when working with the moth so he wasn’t clean.

Obliviously the gang didn't accept a slip payment and tried to rob and take advantage of him. Cherry stepped up, fought a bit, and escaped with Angel, thanks to her smoke bombs, before things could get too serious. She goes on a small rant about how she and Angel are friends and they mutually help each other, when her wounds are patched up she leaves not before asking Angel to call her when he wakes up. Before she could go Charlie proposed to her to stay at the hotel but Cherry refused stating that there were people in the street who probably needed her help, but she might send people to Charlie’s hotel if she felt like they couldn’t survive in the street.

There’s probably a lot I could fix with this story but that’s just a quick example. What did I manage to convey without blatantly saying it? Angel Dust isn’t in a great financial situation, his addiction is so bad that he’s willing to put himself in danger just to get his hand on the strongest dope and Hell is a fucked up place. I didn't say it I showed it and since you’re smart you understood the subtext.

Some will say that there’s Extermination, but first, we just learned that they can fight back and they have a year to prepare themselves so the stakes are lesser.

Second, it’s surprisingly easy to get angelic weapons.

Someone like Striker managed to get multiple angelic weapons to kill Stolas and a rope that neutralized his powers.

An imp, the cockroach of the society, either his killing business is extremely successful or Carmilla’s prices aren’t that high. And don’t go tell me “Stealaa bought it!!” that’s never implied or stated.

Plus the angel leaves these in the open, I’d say it’s quite easy to get one of those right after an Extermination, nobody was surprised Vaggie has a spear so it feels like it’s common for someone to have them.

[eroguron0nsense]

Garp, Fascism, and Parental Failure

Garp is truly one of the most interesting One Piece characters for me because of the extent to which his dogged, relentless devotion to a fascist system–and the supposed "order" it promises to uphold in the face of anarchy or rebellion–perseveres no matter how many times it fails him and his son and his grandsons. He's fully aware of the deep-seated corruption and atrocity, and feels some kind of moral obligation to bend its rules to protect the innocent (as we can see with his attempts to protect Rouge and Ace), but when faced with widespread femicide and infanticide, genocide, slavery and endless examples of egregious cruelty, he is unable to comprehend the notion that the system is indefensible, or that the only moral choice he can possibly make when faced with that level of atrocity is to leave and resist it. His son recognizing the inherent, inexcusable failures of the World Government and its armed enforcers–literally quitting the force to start a revolution– changes nothing. The order to slaughter pregnant people and infants at Baterilla can't convince him otherwise. The countless instances of bribery, the tolerance of atrocity from state-sanctioned privateers, everything about the history of the Valley of the Gods are all things he's aware of, and takes issue with, but never comes to the conclusion that he cannot affect positive change within a system designed for oppression. The public execution of his grandson–a prime example of the marine's fundamentally irrational, arrogant, vindictive cruelty clearly bound to blow up in all of their faces even before their Pyrrhic victory at the summit war–makes him waver, but even when confronted with this obvious, indefensible injustice against a child he raised and rescued by people seeking to murder him on live TV and desecrate his corpse as a show of power, he cannot bring himself to act against it in any meaningful way no matter how much it hurts him to leave his grandson to die. If he can't veto it, he'll stay Vice Admiral and suffer through Ace being sacrificed on the altar of fascist state control, and functionally leave Luffy for dead in the process while he's at it. He fails every single person he wanted to love–Ace, Luffy, and almost certainly Dragon–and allows himself to be reluctantly complicit in countless crimes against humanity again and again and again because he's so deeply steeped in this notion of preservation of order through state control that he convinces himself that even this disgusting, atrocious, fundamentally flawed and untenable excuse for a government is better than abolition, better than revolution, or just the act of expecting accountability or literally anything better from the systems that issue false promises to protect you. Dadan beating the living shit out of him and calling him a failure as a grandfather, as a self proclaimed defender of the people, is one of the most important scenes in the Postwar Arc because a lesser series might frame Garp as a tragic, helpless figure suffering more than anyone else due to conflict of love and duty, but One Piece refuses to whitewash his actions/inaction or allow the grief and suffering caused by systems he's complicit in to take precedence over its real victims: the D brothers.

There's so much I could say about statism and anarchism and the ways people have internalized the supposed necessity of state violence to the extent they can't oppose that violence even when it ruins them or their loved ones, but that horrible indoctrination and its devastating consequences for both him and his family are what makes Garp so fascinating to watch and so thematically/politically important to One Piece as a whole.

[luna-azzurra]

World-Building Tips

Make Your World Feel Real

Your story's world should feel like it exists even when the characters aren’t in the room. Think about what your characters eat, how they dress, what kind of slang they use, and what’s considered "normal" in their society. You don’t have to include every tiny detail, but just knowing this stuff will help your world feel richer and more immersive. Does everyone have breakfast or skip it? Is fashion important, or do people not care? Little things like that will make your world come to life.

Set Rules for Magic or Tech

If you’ve got magic or futuristic tech in your story, you need clear rules. What can and can’t magic do? What happens when someone pushes the limits of your technology? The worst thing you can do is let magic or tech become a convenient fix for every problem. Readers want to know there are consequences, limits, and logic behind it. If a character can suddenly do something that breaks all the rules, it pulls people out of the story. So, keep it consistent!

Geography Affects Everything

Where your story is set can influence everything about how your world works. A city in the mountains might be hard to reach and isolated, so they’re super independent and maybe even suspicious of outsiders. A coastal town, on the other hand, could be a hub of trade with tons of different cultures blending together. Think about how geography, weather, and natural resources shape not only the setting but the way people live, what they value, and how they interact with others. Is your world full of deserts or dense forests? Does the ocean provide food, or are the people more focused on mining or agriculture? Geography shapes culture, so use it to your advantage!

[barrenclan]

How do you decide on motifs? Like sleep being associated with death, roses being associated with death? And how did you go about assigning each motif to a character (especially more character specific ones)? Like I get that Rainhaze was seen as a coyote in omens because of his association with Ranger, but why is Nightberry associated with visions, why is Cootstorm associated with never changing, conservative ideals?

Here's a good way to think about this: PATFW is not coming out of nowhere. Seems obvious, right? But every decision made is one that I had to intentionally choose, with a goal in mind for what I wanted to do with them. So I don't have real animals, or real people - I have certain stories in mind, and the characters are tools that I use to express these ideas. Let's take two examples brought up here, and I'll show you what I mean.

Asphodelpaw's death. For this story, I wanted to have a big, climatic moment that really jerks around the story, much in the same way that Shellspring's reveal did in TDS. I know that I want Rainhaze to be an exploration of a character who starts out good and turns complicated, and that I want him to not be redeemed. Okay, so how do I make sure Rainhaze is beyond redemption? He'd have to do something really awful, like killing someone important. The rest of the Clan wouldn't be as impactful if he killed them, so it should be one of his family members, and someone we really care about. Okay, who do I want him to kill? Pinepaw is my narrator, so if I want him to keep narrating, I can't kill him. I want Slugpelt to feel the consequences of this murder Rainhaze makes, and I want her to later confront him about it, so he can't kill her. I can't quite get into why I want Daffodilpaw to live yet, because of spoilers, but I have a certain message I want to create with Daffodilpaw, and she can't die as part of it. So Asphodelpaw is the only one left. Okay, why would it be impactful for her to die? Because she just came into herself, and apologized to Pinepaw, and is on track to grow into a better person. So it's extra tragic - and extra irredeemable - of Rainhaze to kill her. There you go, that's the reasoning behind Asphodelpaw's death.

The sleep/death motif. I have suffered from personal difficulties surrounding death, specifically involved with intrusive thoughts before I go to sleep. So those two ideas are very linked in my mind, and because PATFW is a darker story, I wanted to explore it. Okay, how do I work it into the story? Rainhaze is a character who's disappeared, presumed dead, by the time the story starts. Alright, maybe I can work it in there. I used it for the first time in Issue 4, contrasting between Rainhaze and Slugpelt's views on what happens after death. Alright, so now I have a thematic parallel between their characters and their views. Okay, how does this affect the future plot? As Rainhaze gets further involved with Defiance, his views on killing change, and that strengthens this association with sleep. So later, when Slugpelt kills him, I can bring this thematic parallel back around and make it really resonate, because I've built up the connection over the whole story. There you go, that's how you create a motif.

I hope you found this interesting. Often I find that a lot of writing advice is vague and nonspecific, so I tried to make my reasoning behind these things as clear as possible. From the outside, it may seem like absolutely anything can happen in a story, but from an internal perspective there are only so many ways to get to a point I want to make, so those decisions have to lead to each other if I want to create a natural thread.

[glitter-stained]

Oh I see you also wanted to see Jason abusing benzos after Gotham War. Good taste etc.

Anyway, I've given some thought about how that could end up happening, and... Well, for starters, I think this:

Should have consequences!

Maybe Jason takes more time to push through the fear and rescue the girl, and she ends up in the hospital, or maybe she dies (I'm always advocating for them both to die here, but in this situation, I thinking - she inhales a lot of smoke, has to go to the hospital, stays there in critical condition).

Anyway, Jason wouldn't have started abusing benzos just because of himself, but if affects his vigilantism? If it put other people at risk? Yeah, then he's gonna do it.

Alternatively, maybe he even tries to step back from vigilantism, because his condition is putting more people in risk than he not being there at all, and then ends up in the emergency as a civilian and there he is given alprazolam/diazepam/some other benzodiazepine and it works (somewhat? I won't try to understand how comic book logic for body modifications would interact with real world drugs). So afterwards Jason is like... "Hmmmmm this could make me functional again 👍 interesting" and there you go, that's the beginning of his descent into benzos abuse :/

I was about to say "Jason needs to abuse benzos because with the vicious circle of adrenaline/panic attacks he will die" but then I realised this man has the survival instinct of a lemming so your theory is much better, I do think he would take them to be able to continue vigilantism.

I don't want the little girl to die, not because I don't think you're right, but because it makes me too sad. With that being said, I've been considering some things:

-Jason died (his first death) of smoke inhalation

-PTSD is associated with memory issues regarding the event (not an erasure of the moment so much as distorsions, issues with memories, details remembered wrong or incoherently...) Add to that the fear failsafe and the fact that on top of being a traumatic event, this scene could be triggering to him, and Jason does dissociate sometimes (which in extreme case can be linked to "memory" issues when you're not aware of what's happening, ie because you're trapped in a flashback).

-with the rest of the Gotham War storyline happening, Jason had no opportunity to follow-up and take her to the hospital

Put all of that together in the shaker, and you have the perfect cocktail for a Jason overwhelmed by doubt because he can't remember whether the little girl survived.

And then

AND THEN that's where it gets interesting, because the fun thing about benzos is aside from all the other shitty side-effects those drugs, esp in high quantities, can cause temporary memory loss (kinda like when you get black-out drunk). So I'm picturing a Jason addicted to benzos, horrified at the idea of ending up like his mother but not even chemically capable of feeling afraid of it, always wondering if he failed to save that little girl, and with chunks of missing time... I like to think he'd dissociate more often too, as a reaction to the anxiety on top of that, so there's the horror of having his memory full of holes, feeling like he's living a half-life, not being sure of anything...

And, well. When you find a traumatized young man with such dangerous skills, memory issues, attachment issues and such evident vulnerability... There's a lot of things you can do with a man like that. A lot of things you can make them believe, make them feel, make them think.

[astrababyy]

i think the thing that frustrates me the most about feyre's character post-acotar — hell, even post-acomaf — is that she stops being a character past that point in the series. acomaf, i can still see elements of feyre's original character, but i think acowar and beyond (especially acofas and acosf) is where her character devolves completely into something virtually unrecognizable. and this, in my opinion, is because once she and rhysand become established in their relationship, her entire characterization starts to revolve around him.

prior to acomaf/acowar, feyre has a personality independent of the relationships she has with other people. her characterization has its flaws, as the first book is flawed as a whole, but she's generally a decently-crafted character. feyre is an interesting character because, in the first portion of the book, we learn that she's a jaded, clever huntress who is willing to kill to survive and make painful decisions for the good of herself and her family. she's bitter, resentful, and miserable, and the crux of her life revolves around survival.

but then we learn new things. feyre loves painting, and if she had a choice, she'd marry off her sisters and live peacefully with her father, spending her days painting anything her heart could desire. she's capable and an able killer, but her dreams and wants are for a peaceful life. these desires are expanded upon later in the book when we learn that, if given the option, feyre wouldn't kill. she's jaded and can come off as someone who'd be a stereotypical "girlboss," badass killer. but in reality, feyre doesn't like bloodshed. she doesn't like killing, and if she had it her way, she'd never kill another living thing again.

this is interesting. acotar!feyre is actually a very interesting and dynamic character when compared to who she becomes in later books. she has an internal conflict that affects every aspect of who she is, and it is this conflict that is so deeply tied to what she's forced to do in the climax of the story: either kill innocent faeries or watch as the love of her life dies before her very eyes. this final trial is so painful because it's been established that, in a peaceful environment, a killer is not someone feyre wants to be, and a killer is instead what she's forced to become.

then, of course, acomaf happens and yada, yada, yada. she's still a relatively interesting character on her own, if (arguably) ooc, but has an independent characterization regardless. it's after this book where things take a turn for the worse.

in acowar, feyre is no longer the character who protects the "little guy" and would give up petty jewels to make sure a faerie can eat. she's no longer the character who acts based on her morals and inherent humanity, rather than faerie logic. instead, she's the character who destabilizes an entire court on the brink of war, uncaring of the consequences to the people of spring. in acofas, she's buying another goddamn house while people in velaris and beyond are struggling to make ends' meet following the war that she and rhys dragged them into. in acosf, she's doing the same fucking thing to nesta that destroyed and traumatized her a few books previous, and she's become the glorified housewife to rhysand. she's having his kid when she's not even 25 yet. she's being paraded around like some prized horse. she's sitting around, painting and decorating houses, while rhys does all the actual politicking. she's exactly what she feared she'd become in acomaf, and there's no consequence whatsoever.

this is not the feyre of acotar. this feyre is the faceless, empty love interest to the real main character: rhysand. she's a reflection of him. that's why she went from the woman who feels uncomfortable wearing fancy jewels to the woman who'd spend her newfound millions on frivolous lingerie rather than do anything meaningful with her position as high lady. that's why she went from the character who had respect and a new understanding of nesta in book 1, to the character that'd do such horrendous things to her in acosf. that's why she stands around and lets rhys and amren bully and degrade nesta. she's not a character anymore. she's just rhysand's mate.