#professional translation review

[transcriptioncity]

Comparative Review in Translation Services and Language Services

Understanding Comparative Review in Translation Services Whether you’re a seasoned translator or simply curious about the translation process, this blog offers invaluable insights. Understanding how translations are evaluated is crucial for maintaining high standards and ensuring accuracy. One key method of evaluation is the comparative review, a process that compares multiple translations of the…

[mezzy303]

So I've been rereading skip beat from the beginning for the first time in uhhhhh almost 10 years and I'm going inSaNE over characterizations and development that I have to write it down

At this point I'm only at the Heel siblings arc so I haven't gotten to the Guam or Saena arcs which are very big for Kyoko and Ren's character development and healing which I haven't reread since those chapters came out

Can we just take a moment to appreciate Nakamura for basing Kyoko and Ren's childhood struggles and trauma on very real things that aren't often, if at all, dealt with in anime/manga and also writing them with utmost care (Not only do the traumas inform their personalities, but their healing arcs aren't just a one and done thing!! It's a very slow process) Like starting with Kyoko, her single mother neglected her so much that she was raised by a family friend. On top of that, nothing Kyoko did was ever good enough for her mother, and both of these things are so apparent in Kyoko's character. She attaches herself to fairytales and magic as an escapism and because she relates to stories like Cinderella. She literally cannot function if she messes up and no one criticizes her. She can't properly acknowledge her own talents and beauty without it being attached somehow to fairytales; she never quite believes shes good enough. Similarly, she didn't want to bother anyone with her troubles, so she always dealt with them alone/in private spaces. Pretty sure she also has lowkey abandonment issues. And this is all parental trauma!! Things she already has before the series starts and she gets so utterly heartbroken she swears off romantic love entirely so she can never get hurt the same way again.

(I don't think I'll ever get over how Kyoko told all this to Kuu and he was literally like I'm adopting you. Your mine now. Sorry I don't make the rules ¯\_(ツ)_/¯ And Kuu going home to his wife like hey we got a new kid 😂 Like Kyoko freezing up when she made mistakes and then Kuu showing her love instead of reprimanding her makes me go 🥹😩💖✨😭💝 Kyoko getting all fluffy from head pats🥹🥹 But on the downside she literally can't bring herself to call him dad unless she's in acting mode sjdfhsf)

When I really consider it, I wonder if Kyoko really loved Sho as a person or like.... the idea of him. Like he was just a convenient guy via proximity bc Kyoko needed someone to be her "prince". We haven't been shown exactly why she fell in love, but it would explain why she stuck with dedicating herself to him despite his terrible personality and knowing he never saw her the same way. It's portrayed like the concept of hatsukoi in anime where its ✨pure✨and innocent✨It seems very idealistic. Whereas Kyoko's love for Ren is more mature. She sees every aspect of Ren and doesn't sugarcoat it, she sees him as he is (she does him up on a pedestal but partially bc she admires him but also as an extreme measure to protect her heart and hide her feelings imo)

And REN. trauma to the max. He had to deal with the hardships of making a name for himself when his parents are already famous, extreme racism from being biracial, his friend/mentor dying from an accident he unintentionally caused???? Like boy hates himself so much he's literally disassociating 24/7 he needs a fucking therapist. I get how being Ren has helped him in some capacity but he needs a professional asap. Though deep diving into this is so interesting because Ren/Kuon compartmentalized his issues and the parts that he hates about himself so much he created its own persona ("Dark Kuon"), to the point he's rarely ever just himself. And he buried it so deep that as soon as he cracked the lid open, those emotions just spilled out. He can't even allow himself to be happy, and when he does feel truly happy, his automatic response is acting nonchalant,,,,,,,,,,,, he didn't even realize he was doing it at first 😢

Also the symbolism with Ren's watch makes me go a little feral. I don't remember if it's originally his or Rick's but it obviously stopped when the latter died and Ren keeps it as a reminder of what happened and why he went to Japan. It's a weird item since it grounds him but also represents his heavy trauma, and I think having those two things in one kinda showcases Ren's unhealthy coping mechanisms (like grounding himself to something traumatic isn't... great...). But that scene where he realizes he took it off and he has a moment of whether it to keep it on as Cain Heel or not??? *clenches fist* it was so good. (To recap it, he had his watch so he wouldn't lose himself in the role of BJ and then forgot it in the bathroom after an unexpected trauma response) Ren narrates his thoughts as choosing between Rick or Kyoko but interpreting this, he's choosing whether to keep himself stuck in his past trauma or move forward and let himself be happy AKA stick with unhealthy coping mechanisms vs try something healthy and rely on people he trusts. Kyoko essentially becomes someone Ren grounds himself to 🥺 He still needs therapy though lmao. He's so mentally unstable in this arc,,,

As I'm writing this I'm seeing a parallel between Kyoko and Ren and how they both had an experience that completely and utterly broke them, and it was this that pushed them onto their current paths in showbiz. And they likely would never have met each other again if those things never happened (they had to lose themselves to find each other?? 😭). It's so funny to me that Ren is all like ThEiR fAtEs ArE iNtErTwInEd with Kyoko and Sho when you have to consider the fact that him and Kyoko meeting again was like. a chance in a billion. It was fate 😂

KyoRen is such a poetic ship to me. The fact that they're different people when they meet and don't recognize the other. How Ren starts falling in love AS SOON AS HE REALIZES KYOKO IS THE SAME GIRL HE MET (Ren being gray/demiromantic.... more at 5). Kyoko lowkey starting to crush on Ren when she witnesses a bit of his real personality. These two things happening around the same time??????? And Ren being SO afraid of being Kuon, his true self, because of his bad qualities, but Kyoko pulling out the good qualities without him fully realizing it?? (I'm 100% referring to Kuon being a mischievous little shit and I live for how he teases Kyoko) tbh they treat each other differently from other people without even realizing it lol. And Kyoko being surrounded by toxic and possessive men pursuing her, and Ren being anything BUT. Like my man is a gigantic green flag. He recognizes that he can't seriously pursue Kyoko bc she's a minor and he really tries his best to only be a friend and mentor in her life and keeping her trust and never crossing her boundaries despite the stereotypes of men being "unable to control themselves." Y'all take point this should be the standard at minimum☝️

I have to talk about Sho bc this boy is so fucking toxic but he makes such a fascinating character. As much as I hate how Kyoko got heartbroken in the way she did, I think it was necessary so that she could leave Sho's sorry ass and cut him out of her life. Seriously,,,, he took advantage of her and used her as a servant. she literally dropped out of school, moved to a different city, and took on two jobs for the sole purpose of helping his career and then he threw her away like a used rag (JUST THROW THE WHOLE MAN AWAY). And then he has the audacity to fall in love with her smh. Anyway the fascinating part about him to analyze is how he's so possessive of Kyoko. Like she was a mere fly in his life, but she was always his. Until she wasn't. And I think those twisted thoughts kinda morphed into feelings for Kyoko. Ig in a way he still cares about her, but it could never hide how toxic he is. Anyone who's like I don't care how this person thinks of me as long as I take up the biggest space in their heart is egotistical and narcissistic. BUT he and Kyoko bickering like siblings will always be funny. Like epitome of two people who've lived with each other for way too long so they know how the other ticks and also get on each other's nerves 😂😂Sho does makes a good foil for Ren though. Like he's basically everything Ren is not: immature, temperamental, possessive, vain, the list goes on. His only redeeming qualities as a character is providing good drama and humor and being an example of what Ren isn't.

Skip Beat is really a story about healing and learning to love yourself and letting others love you and Nakamura is such a good story teller 🥺

[morningstartranslation]

Learn Chinese Culture with Us

When two people are of the same mind, their combined strength is like a sharp blade which can cut through metal. 二人同心，其利断金（èr rén tóng xīn, qí lì duàn jīn）For more information, visit https://www.morningstartranslation.com

[mibeau]

[Book Review] 🧕Muslim Women’s Participation in Professional, Social and Political Life (#3 Women’s Emancipation during the Prophet’s Lifetime)🧕

🧮 Score: 3.7/5.0

■ I think the most interesting portion of this volume would be in Chapter 3 -- in regards to women’s political participation. My “ranking” followed by Chapter 1, about women in professional sectors. As a so-called independent woman, these issues picked my interest because, contrary to some “orthodox Islamic belief systems” where a good muslimah must stay confined within their home and their movements should be restricted only to selected occasions and locations. Thus, this volume provides valid arguments and clarity to address these issues.

■ In the practical, reality of life, women deserve an education, and women deserve rights. After all, when Islam emerged during the Jahiliyyah period, it empowered women! Therefore, women's involvements in workforces and political scenes are a necessity for our ummah to strive successfully, biiznillah. After all, men and women are created to complement each other in running this earth, each of us has our fitrahs to contribute. That is why, to have a smoother society management on all levels, interactions and beneficial discussions among men and women being present in the same place, is inevitable. Of course, at the same, we must abide by the Islamic code of ethics. Islam is easy, there are guidelines for everything. People complicate matters.

■ "Learn from history for a better future." As Muslims, we should always go back to the Quran and authentic hadiths. Then, the fatwas and other Kitabs by our verified, respectful scholars in Islam, in all fields. These sources provide solid and sound foundations and exemplary acts for us to refer to and get inspired. InshaAllah, with efforts and tawakkal, we will find solutions and uplift any oppressions. From this research, we will able to effectively strategise plans to be implemented in today’s issues. I highly appreciate the author’s and translator’s sincere efforts to educate and fix these centuries-old misconceptions. One of the few “pioneer” genres in the scene of English Islamic Books.

■ At the end of the day, the author is also a humble human, and he tried his level best. May Allah swt reward him abundantly for his intentions and good deeds. Having said that, within his content in this particular volume, here and there, there were times his explanations were a bit unclear or confusing. I am not sure whether it is due to linguistic issues due to cultural differences, or the meaning was lost in translation. Or, it was just me who failed to understand his words. Wallahualam.

■ Overall, this volume is recommended for casual readers and slow-paced students of knowledge to gain useful insights. It triggers critical thinking and is a good starting point before we delve into a more serious book. ---

Also read on other platforms:

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[my-castles-crumbling]

📝🦊Cas🏳‍🌈🎵 - they/them/she/he - queer - married

Click to view only Marauders/Harry Potter content

Click to only view asks/advice

Age: Over 21

Fandoms: Marauders with a side of drarry.

Ships: Jegulus, Jegulily, wolfstar, rosekiller, pandalily, dorlene, drarry.

Music: Taylor Swift, Conan Gray, Olivia Rodrigo, Lana Del Ray, Hozier, Renee Rapp, Chappell Roan, Gracie Abrams

AO3: my_castlescrumbling

Writing: Requests open!

Link to list of crisis hotlines for many different countries Link to Marauders Knowledge Quiz Link to list of requests (requests are open)

***Please allow me 3-5 days to get back to advice asks! Remember to check back if you write anonymously, you won't be tagged. If I don't reply after 5 days, please resend, sometimes tumblr eats my inbox messages 🙄

(Also please note that I am not a professional. All advice is just one random person's opinion. When you send me an ask you are acknowledging I am not liable for whatever happens if you chose to listen to a random person on the internet 😋)

Please do not post any of my work on fanfiction.net/wattpad. I welcome collaboration, podfics, and translation with permission. I do not support the use of AI in fanfiction/fanart. I do not want to join any websites that involve writing fanfiction for pay.

If you are a minor, please do not interact with any content I mark explicit-minors DNI. This is for both my protection and yours.

Below the cut:

My ao3 Fics

My Microfics

Fic Recs

Request/reading boundaries

Advice/ask boundaries

LGBTQIA+ resources

Writing tips

Song covers

My ao3 Fics:

Note- I am writing all fic ratings. If you are a minor, please take heed. If the fic is rated E and you are a minor, do not interact with it.

AHHHH this got to long! Click here to go to my google doc version of my masterlist!

My Microfics:

Jegulus Microfic Archive

Wolfstar Microfic Archive

Rosekiller Microfic Archive

Jegulily Microfic Archive

Explicit Microfic Archive - Minors DNI

Kinktober Microfic Archive - Minors DNI

Fic Recommendations:

AHHHH guys this list got too long! Please click here for a link to a google doc I made with all recs!

Request/Reading Boundaries:

A lot of people have asked to send me things to read or requests for writing. I LOVE when people send me these things, but just a few boundaries:

No MCD

No incest

No illegal age gaps

No noncon, in any sense

No EDs, SH, or SI

Advice/Ask Boundaries:

Advice about sex (how-to, positions, etc)

Personal topics like my own intimate life, my own personal information (IRL name, names of family members, etc)

Topics that I am not educated on, or do not have a right to give my opinion on. While I am happy to talk and give advice about LGBTQIA+ issues, I am uncomfortable sharing my opinion on issues that I am still working to learn about, because I don't want to spread false information or be unintentionally hurtful. Also, since I hold a lot of privilege, there are certain topics that I would rather amplify the voices of others about, rather than taking up my own space.

LGBTQIA+ Resources:

Here are the websites I often link to when giving people advice. I'll add to these as I find more!

Need help? The Trevor Project has Crisis Counselors

The genderbread person- (sexual attraction versus gender versus romantic attraction)

List of nonbinary identities and definitions

List of ace identities and definitions

A highly-reviewed chest binder that ships to like a hundred countries

Pronouns explained

LGBTQIA+ travel safety guide- world

LBGTQIA+ rights/safety by state in US

United States LGBTQIA+ student rights

The Trevor Project- Sexual Orientation Information

The Trevor Project- Gender Identity Information

Pronoun closet (try different pronouns)

Writing Tips:

Write a lot.

Don't worry about mistakes or editing. Just write a lot to get your ideas out. Practice makes better, and writing a lot will help you gain confidence. You don't have to post it anywhere of you don't want to!

2. Try microfics!

Microfics are a great way to practice writing certain ships, or just practice in general. They're also lovely for getting a feel of posting! They're low-pressure and low-commitment, which is lovely!

3. Find people to write with.

Whether it's people online or in person, find people to talk about writing and write with. It's very motivating and helps hold you accountable.

4. Be gentle with yourself!

This is supposed to be fun. Don't beat yourself up or be too hard on yourself.

5. Write down your ideas.

Ideas come at weird times. Write them down, because you'll forget them.

Song Covers

Sometimes I sing...

People Watching - Conan Gray

Gravity - Sara Bareilles

Blank Space- Taylor Swift

Idontwannabeyouanymore- Billie Eilish

Sparks Fly - Taylor Swift

So Long, London - Taylor Swift

[what-even-is-thiss]

Tips from a former English major and English TA:

Reading the text actually does help you in the class believe it or not and we can tell when you haven’t read it. Sometimes we’re just too tired to call you out on it. Your awkward silence in class speaks volumes.

That being said, if you don’t have time because life happens read at least two different summaries or analysis pages online. Preferably more. One source will rarely mention everything your teacher asks you about.

Other tricks include reading the last sentence of every paragraph or reading every other page

The reason you’re being forced to take an English class when you’re not an English major is to help you come up with arguments when there’s no strict data set to follow and no one correct answer. If your school allows for alternatives to this sort of category like film analysis or art history that you think you’d like better, take it. The goal of GE classes is to turn you into a well rounded and educated person. Not to torture you.

If you’re reading works in translation and don’t want to take the time to learn the language but you also want to get a more accurate idea of the nuances of the original language, read three different translations of the work and compare them. Reading translators notes and reviews of translations by experts is also helpful. In some more rarely translated works translators notes and reviews may be all you have to work off of.

When you’re writing a literary essay you’re entering an ongoing conversation that’s been going on since writing has existed. A tradition that’s existed since before Aristotle. And you’re just as smart as that guy. Add something to the conversation. Participate. Bigger idiots than you have done it.

Chat gbt is really bad at literary analysis and often gets facts wrong. We can tell when you use it.

Everyone has different levels of understanding of the history of literature even within the professional world. People specialize for a reason. Nobody is expecting you to have read everything. An expert in medieval Irish literature isn’t going to have read the same things as an expert in post-colonial west African literature who won’t have read the same things as a general expert in contemporary Asian literature. Being “well-read” is subjective and means something different to everyone. English classes often show you where to start and how to research stuff related to literature and analysis. Especially if you are an English major it’s easy to get overwhelmed early on but you get used to accepting that you can’t know everything. And that’s fine. Just focus on finding your niche. Or maybe you don’t have one and just want to sample everything. Or maybe you’re just here for general knowledge. That’s fine too.

[ayeforscotland]

Just to add a bit of context, the quotes from Wukong's Studio CEO that are floating around are from an article where it plainly states that they were translated using ChatGPT. So unless there is a version of his Weibo post that has been translated by a professional language expert and a human, it is impossible to say how much nuance and meaning has been lost there. We just had the same issue happen with Swen Vincke's TGA speech being mistranslated into Chinese, which prompted negative review bombing of BG3 and thankfullly a much bigger supporting positivity towards Larian from those Chinese players who looked into proper English transcript of the speech. Reporting on statements across language barriers can be tricky, especially with how prevalent machine learning models have become in publications trying to avoid paying human translators. Noting against you, Aye, you were reporting and sourcing the original. Just to add some context now. As the story develops it may invalidate my concern and it turns out the CEO meant exactly the entitles nonsense it appears hepoted on impulse. Or it might turn out the translation was all wrong and he wasn't quite that lacking in self-awareness.

This is going to sound like I’m being that guy but I promise you I’m not!

I have a MA in Chinese and lived in China for several years. While I do think there’s risks of Chat GPT and translation software in general, I don’t think it’s missed the mark here in regard to what he actually wrote.

[jokeroutsubs]

[📝ENG TRANSLATION] The most personal conversation with Nace Jordan of Joker Out: "I wanted to justify being in the band"

Original article written by Alma Rahne for Metropolitan, published 14.11.2024. English translation by @weolucbasu, review by IG 10_anja, proofread by @flowerlotus8

Full article under the cut 👇

Prior to the release of the long-awaited Joker Out's third studio album we had a chat with their member, the bassist Nace Jordan. For him this is an especially huge milestone in his career, as this is the first album after he joined the band in 2022 after the previous bassist Martin Jurkovič left.

When Nace Jordan joined Joker Out two years ago, he probably didn't think he'd experience such a rich musical journey. During this time he performed at Eurovision, their song 'Carpe Diem' won the hearts of foreign audiences like a magnet. This was followed by a long European tour, creating new musical material in London and later in Hamburg. The boys also had a rich festival summer.

(Ph: Primož Lukežič)

The year and a half since it all began with the Eurovision song 'Carpe Diem' and up until today, has been rounded off with a new studio album 'Souvenir Pop' by Nace Jordan, Bojan Cvjetićanin, Kris Guštin, Jan Peteh and Jure Maček. The album will be released on the 15th of November. On it there are a collection of 10 songs in Slovene, English and Serbian.

"From every trip each of us usually takes some kind of memorabilia or a so-called 'souvenir'. That's basically what 'Souvenir Pop' represents," clarifies this time's guest, Nace with whom we talked about the creation of new material and his musical beginnings. We also found out after who his new family member got his name from, what food he eats and for how many years he hasn't been drinking alcohol.

(Ph: Mark Pirc)

Rocker bassist, who doesn't drink alcohol

Nace Jordan grew up in Kranj. Perhaps he was a newbie for most two years ago, but before joining Joker Out Nace had already professionally worked with music for over 10 years. He collaborated with most Slovene performers, including Jan Plestenjak, Samuel Lucas, Katarina Mala... and as he tells he "at least once in his life accompanied all the main Slovene musicians on an instrument."

When he turned 18, he went on a cruise ship where he gained invaluable experience. He always stood up for those who were weaker in school, even if that meant he got the short end of the stick. Likeable and almost always in a good mood, he admits that he also has a bad day sometimes.

(Ph: Nace Jordan's private archive)

"I'm definitely a positive person, but I also have days when I'm the complete opposite of myself and on those days, nothing is good enough, nothing is okay, everything sucks. Actually, the way I'm on stage I'm also privately. When I'm in a bad mood you notice it quickly, because I can't hide it. Which maybe isn't always the best." (smiles)

(Ph: Profimedia)

Alongside music, he's also enthusiastic about cooking, where he transfers his creative approach onto how preparing dishes. He especially likes dishes with polenta and he explores recipes without gluten. A few years ago he even applied to a goulash cooking competition in Kranj with a friend, where they won. He still keeps the medal and the pot at home. Even though he has gotten used to gluten-free food, he explains, with a sparkle in his eyes that he sometimes misses a really "good, freshly baked donut".

During our conversation, Nace confides in us that he hasn't been drinking alcohol for 10 years. If anyone encourages him, to drink something stronger, he playfully declines: "When you have a baby, I will drink to their health." And he stays true to this. He maybe drinks once or twice per year, at a really special opportunity or dinner.

He joined the group without any greater expectations

His integration into the group happened at the speed of light. "When me and Bojan (Cvjetićanin) got together for a drink, he mentioned that Martin is leaving the group and they're looking for a new member. According to him, I was the most appropriate for that and they wanted to meet up with me at their place (practice space), so we could play something together. This was actually before the concert in Križanke (9th September 2022). In the beginning, I was careful, because I've been in situations where I came into a band and we didn't get along. Being in a group isn't easy. Back then I told Bojan: "Let's get together and get a feel for each other." Prior to that, I didn't know the other members. I entered slightly reserved, without any greater expectations," he describes the beginning of his collaboration with the other members of Joker Out.

(Ph: Aleksandra Saša Prelesnik)

"Then we played together a bit. After Križanke, we didn't see each other for a bit, because Kris went to travel in Peru. When he returned, we started practicing again, because we had a performance waiting for us. Martin decided he wouldn't play anymore, I had not yet been an official member of the band, but I did go and play with them." And the rest is, as we like to say, history.

"I wanted to justify being in the band"

The new third album of Joker Out, 'Souvenir Pop' is especially dear to Nace, as it is, as previously mentioned, his first album that he created together with the rest of the band members.

"Maybe I slept a bit worse the final nights when we were finishing up the album. Maybe because of that I was slightly more nervous, because I wanted to justify being in the band and the fact that some new good songs were made. For example, the single 'Carpe Diem', which was accepted greatly, as well as 'Šta bih ja' and 'Bluza', which are amazing songs to me. I also want the same for the other songs on the album. More or less, I felt some kind of pressure that this album has to be really good."

The new album of course has a whiff of foreign countries, as we find songs in two other languages besides Slovene: English and Serbian. But for sure, this album will not have an identical sound as the previous two albums.

(Ph: Vita Orehek)

"I think that everything that Bojan sings and we play is Joker Out. You can't escape that. But for sure, it doesn't sound the same as the previous albums. We all played those songs so often that you want something different in a while to make the concert more interesting. The song 'Carpe Diem' already doesn't sound the same as the previous album to my ears. Maybe the new album sounds more closely like a combination of 'Carpe Diem', 'Šta bih ja' and 'Everybody's Waiting'. That's the genre we're moving in. But there are definitely some surprises on the album, which caused some doubt in me during the middle stage, where I was wondering if this even fits on the album. But now that I listen to the album as a whole, I actually really like it," he says and is satisfied with the final product.

The order of the songs on the album is placed into a story. "I think that Kris described it very well in an interview. The first part of the album takes place right after Eurovision, this hype (circus, noise), confidence, this kind of power, surreality. The second part of the album represents the time after you've taken a step back and summarised all of this. At the same time, some dark things can come out during that time. The second half is a bit more dark and I think we nicely captured the transition into this," he clarifies.

Album cover taken between the sheets

If their last album covers were in colour, this one is black and white. On it, the boys pose in between the sheets. The picture was taken on the morning of the Eurovision final.

"Maybe none of us is perfect in this picture, but we all agreed that this picture isn't just some visual image, but it also has some kind of energy, which tells us exactly what was happening then. You look at this picture and you see some kind of energy between us, a bit of nervousness..." describes Nace.

Album cover of their new album 'Souvenir Pop'. (Ph: Joker Out archive)

The bassist likes it, if the songs jump from genre to genre on albums. "So you don't get bored, when you listen to it as a whole." Each song carries its own story and a kind of emotional charge. Between the new songs you can find ones that especially touched him.

"The first one that really touched me is for sure 'Carpe Diem', it's our first song together after all. Then the seventh song on the album ('Lips'), because is contains the most of me. Already the idea for it was created on a laptop in bed and not at the place with the band. The creative process alone connected me with it, it for sure is one of the most different, striking songs. When you'll listen to it, you'll see what I mean. The ninth song ('Sonce') is a ballad. When I listen to it, it doesn't matter how I'm feeling at that moment, it always touches me. With that song I like: the topic of the song, the lyrics itself and how Bojan serves it. When I played it to my mum, she got teary-eyed."

(Ph: Nace Jordan's private archive)

They experimented with different instruments on this album. Nace first and foremost plays bass, but recently he also bought a Wurlitzer piano (a type of piano which you plug into electricity). "It's a very dear instrument to me and I finally got to buy it. The same week I bought it, I put it into a new song," excitedly tells the 30-year old, who, for the album, alongside the bass also recorded another guitar, marracas and other pianos and programmed the drums, where there are no acoustic drums.

He often takes on the role of an older brother

In the group Nace takes place of someone who takes care of all the studio things. "I already did this in the past and I felt at home with it. When we were finishing up the album, I took care that the album was be finished on time. The last three weeks before the album was finished, I shared our Producer's ��are Pak's biorhythm which means I was up from 4pm until 10 am." (smiles)

As he is the oldest, turning 30 this year, he often takes on the role of an older brother. With his responsibility and mature approach he takes care of the other members: "Boys, today let's maybe hold back a bit, we have a long weekend ahead of us. Sometimes they make fun of me because of it, but the following day at least one of them is probably grateful." (smiles)

"We encourage each other"

It doesn't happen often that members of a band are also privately good friends. We can say that this certainly isn't true when it comes to Joker Out. As friends they support each other at all moments, go on holiday together, spend their free time together, hang out during social evenings, which creates a unique energy amongst them, which can be felt by the audience at every concert. This friendhsip gives their music additional depth and energy, because of which their fans feel as though they are a part of their story.

(Ph: Damon Baker)

The dynamic between members naturally changes and develops through time. Together they experience new challenges, creative processes and personal transitions, which effects their relationships. Slowly, special bonds are created between them because of this - with some they connect on a deeper emotional level, with some more in a business sense.

"When I feel bad or I want to talk about deeper matters with someone that person will certainly be Bojan. Because he really knows how to get close to a person in that moment and give them good advice. With Kris we are both more business orientated and we have almost daily conversations about what we have to do and what we have to improve. Because of this we often go and grab a coffee and we see each other the most. With Jure you will never just be sitting down, but you have to do another activity as well. A love for keyboards connects me and Jan, we talk the most about music. Jan also often inspires me with his manner of playing," say Nace, who with Jan forms a fantastic guitar duo on stage.

(Ph: Vita Orehek)

Their collaboration is energetic, synchronised and soaked with the right amount of improvisation, which concert goers already feel during the first chords. Their connection is expressed through music, as they can easily communicate through looks alone while playing and improve their performance. This authentic relaxed chemistry between then is something so natural that they have also moved this to the audience.

(Ph: Profimedia)

He takes care of his stamina at night

The Jokers are famous for their dynamic performances, where stamina comes in handy. "It's definitely easier, if you have some stamina. I try to keep it up. Sometimes a bit better, sometimes a bit worse. When I come on stage, I want to support what I'm doing with movement, with my body and to someone in the audience, who is looking at you and wants your attention, I try to give it back tenfold. I try to put myself into the shoes of a fan because I know exactly what I would like. We provide each other with energy, so it's very important that we're in a good mood during our performances. We encourage each other, support each other."

Recently he spends a lot of time at the piano, which relaxes him. As a true Gorenjska local he also loves mountains, but he's recently been running out of spare time. "I like going to the hills very much, but I sadly go so rarely that I'm almost embarassed to say. The walking really relaxes me. I would also like to fish more. Me and Bojan are very amateur fishermen, but that's our common interest."

He mentions that he also likes to run and swim. "I am the funniest runner in the world, because I run between 11pm and midnight. I often look behind me and also run faster. (laughter) Getting out of the door is the most difficult. I admit, it's sometimes torture, but the satisfaction after I'm finished is then that much greater. Running also helps my mental health a lot."

(Ph: Vita Orehek)

New family member - dachshund Pino

A few months ago, Nace's life was enriched by a new family member, an adorable dachshund named Pino. He was named after the amazing English bassist with Italian roots, Pino Palladino, who performed with Adele, Paul Young, The Who, Nine Inch Nails and others. At first, Pino was a bit shy, but he quickly won his heart over.

"In the beginning I always needed a sitter for him. Now we've progressed so far that he can be home alone a bit longer. It's definitely some kind of additional responsibilty, but he made my life better. When I come home he is very honestly happy to see me. Nothing can replace this feeling. Everyone who has a dog knows this well. He also won a right to the bed, he sleeps with me. I spoiled him a bit much," he honestly admits while laughing.

In the past months Nace's life is being made better by the dachshund Pino. (Ph: Nace Jordan's private archive)

Even though taking care of a dog is an additional responsibilty, Nace is grateful for his new furry friend and the feeling of unconditional love, which can only be understood by those, who have a dog.

For the ending, we were interested in what has been the greatest lecture he has learned in the past year, "Oof, great question. I don't now if I've learned it, but I'm still trying. At the moment when something wasn't going my way, I always wanted to do anything to solve it. Now, I've realised that it's much better to take a step back and look at things from a different perspective and then return."

[yuurei20]

Hello! I’ve heard a rumor that there is confirmation in an official book about whether Idia’s hair is on fire or is fire. Do you know if this is true?

Hello hello! Thank you for this question!

In the literal line from the game guide, I agree that his hair is described as being fire! 🔥

The phrasing in the Magical Archives Game Guide (vol.1) is:

テンションが下がっているときは髪も弱火。

I have translated this (and all the game guide translations shared by this account have been reviewed by a paid, professional translator) as:

"The flames of his hair become weaker when he loses interest in something."

"Flames of his hair" might sound a little ambiguous because 髪も弱火 is a little difficult to translate literally 💦

But I agree that it is saying that the fire that is his hair gets a little weaker when he loses interest in a thing ^^

[lintwriting]

I'm making this post to compile the Weibo allegations against Jullian Champenois, the voice actor for Kim Kitsuragi, since I found navigating the screenshots to be a bit confusing. I've translated some of them to the best of my ability and would definitely be open to others reviewing these translations for errors, as I am Chinese American and therefore could be missing some cultural context. I've linked to Chinese definition websites to explain some of the translation choices that are more inferences.

The rest of the translations are from 阿阮 @woon__ton on twitter, who has been in contact with the original Weibo poster to ask for permission for their translated reposts, as well as permission for my repost here.

Outline of the Weibo Post

The allegations originated from a post on Weibo by a Chinese artist. The body of the post contains a summary of their experience, and attached are:

Screenshots of their personal Instagram DMs with Jullian

A screenshot of an older post where they express feeling weary about Jullian's DMs

Screenshot of vent messages demonstrating how this experience has affected their work.

After posting, other commenters chimed in with similar experiences, and this caused the original poster to update the original post.

They first updated it with a screenshot showing them blocking Jullian Champenois

Next, a testimony from a commenter

A second testimony from another commenter

Screenshots of DMs from that second commenter

*Update: Additional testimony from the original poster

The Body of the Original Weibo Post

Below will be screenshots of the body of the original Weibo post, with translations from @woon__ton on twitter.

(via 阿阮 @woon__ton on twitter)

This text was later edited to update about the additional testimonies and to add greater context. The added context explains how the Weibo poster could tell that Jullian Champenois's DMs were targeted, unprofessional, and sexual in nature, as the poster had gone through a similar situation before with another creator. The updated context is translated below.

* I realized something was wrong so quickly because I had a similar experience at the end of 2019. Scott lobdell, a DC comic writer and screenwriter of Happy Death Day, came back to like my drawings and privately messaged me after I followed him on Instagram. His account at that time was nuked (chinese internet slang for when accounts get banned or suddenly have all their content taken down) [so I can't access the logs anymore], so I don’t remember the content of the chat, but for specific news discussions, you can google the keyword “Scott Lobdell sex harrasment”. This situation is very common in the industry. They deliberately prey on people from their fan lists.

For context, Scott Lobdell, from what I can tell, would hit on young female artists working at the same cons as him, both in person and in text messages, with implications of him holding his position in the industry over them.

Although the Weibo poster can no longer access the log of Scott's harassment of them because his account got banned/deleted (at least, I think that's what the usage of 'nuke' is saying, they could also be saying that their own account got nuked), they note how their chat with Jullian Champenois was reminiscent of the same conversation they had with Scott Lobdell—a man known and 'retired' for his harassment of young female artists.

Lobdell's harassment is a good example for context due to how he demonstrates the inappropriateness of 'flirting' and hitting on young female artists in professional contexts.

1. Screenshots of their personal DMs with Jullian Champenois

Below are the screenshots of the Instagram DMs the Weibo Poster had with Julllian Champenois. Note the profile picture, as his profile picture will look the same across other screenshots with him in it.

Also note the way the conversation starts out polite, focused on both of their respective arts. Then he shifts the conversation to sexual topics, first by mentioning his explicit song, then by suddenly bringing up an explicit art account, @ken_chk, they were both following. The Weibo poster steers the conversation away from these topics.

They also mention this in the comments, but they find the fact that he asked their age, ethnicity, and sexuality afterwards to also be suspicious/sexual in nature. The sentiment being "Why would the artist's age matter?" or "Why would you fixate on me potentially being 17 years old when I've mentioned college graduation finals?" or "Why would you ask that if not for sexual reasons?"

@woon__ton on twitter notes that he is seemingly consistently looking for college aged girls, and other commenters/victims got the sense that the strange insistent questions about nationality were related to "yellow fever."

2. Weibo Screenshot of an older post where they express feeling weary about Jullian's Dms

The next attached photo was a screenshot of a Weibo post the Weibo poster had made in 2023. I'm assuming that in this screenshot that they're talking about Jullian Champenois, since this whole post is about him.

First I'll be transcribing the translation. Then I'll be clarifying the idioms/translation choices with asterisks, before giving an overall summary of the screenshot.

Feel free to skip to the 2. Summary section, as the translation clarification section is a little long.

“It reminds me a bit of my PTSD, the last time I was praised in private [instagram] DMs it was the Scott Lobdell [situation] where [he] later disappeared from the internet for some reason[.] I don't remember the reasoning, but at the time I had suddenly felt that he was kind of creepy so I indirectly lost my interest on Jason Todd(桶 is the Chinese nickname of Todd/Red Hood, Lobdell was the writer of n52 Redhood comic). It was not a good experience haha..." * "I feel that there is a cultural difference where Chinese people may take getting sent private messages out of nowhere a bit harder. It may also be a me problem. Maybe I am a Sakura girl at heart (internet slang, sakura is the culture symbol of Japan so it’s the nickname of Japanese girl, they tend to be a little bit more shy and social in a more careful and polite way to avoid offending anyone, no negative meaning behind this). uneasy desu ('I am anxious' but using the word desu to stand in for "I am")" "I don't remember the timeline, but it seemed like someone in the industry accused him of sexually harassing young female artists." “As a result, even when I am excited, I am still very wary of people because I have become disillusioned."

*UPDATE: I have updated this post''s translation with clarification from the Weibo poster.

I translated a phrase as "pulled up carrot," but it was actually the transliteration of Scott Lobdell's name into Chinese. I translated a phrase as "climbing the wall" "bucket," but it was actually the Chinese fandom term for 'no longer liking' and the Chinese name for Jason Todd.

In addition, I translated Sakura Girl as (slang based on Japanese animation, meaning a delicately stupid young girl) but the poster has clarified that Sakura girl is not supposed to have a deprecating connotation. The focus is on shyness or politeness, not stupidity!

I will keep my first translations in the next few paragraphs in to maintain transparency and to keep some necessary information, but they are no longer accurate. The paragraphs in brackets can be skipped over.

[[[[[The full idiom goes "the pulled up carrot also pulls up mud," or the idea that investigating a criminal who was arrested first can lead to the exposure of other criminals. The same way pulling a carrot out will pull loose some dirt, exposing one person may also dig up dirt on their associates.

With the mention of "later disappeared from the internet," I think the Weibo poster was referencing Scott Lobdell, whose account was nuked and who also had privately DM'd them with praise/sexual advances. The implication could be that the last time they got DM'd like this, it was in a creepy way and they were too afraid to speak out for fear of getting attacked/exposed themselves. Or that he disappeared to avoid getting exposed. This paragraph is a little unclear.

The 'pulled up carrot' situation might also have something to do with the explicit artist, ken_chk, mentioned in the DMs with Jullian. The weibo poster clarifies in a later edit that they didn't censor @ken_chk's handle in the screenshots because ken_chk was also embroiled in a sexual scandal involving targeting his fans.

"*About why I didn't delete the artist Ken mention in the chat history—because he was the reason why I raised the alarm. One of the reasons is that I read something about his character on Weibo about a few months ago. I just forgot to unfollow him on Instagram. I can’t find any evidence about what he did, but the Internet has testimonies, so I won't write it off." "* Regarding the artist Ken, the matter has been issued with the consent of the person involved. According to the person involved, Ken will also select fans to target. Please see the person’s experience for details"

So another implication could be that Jullian bringing up such a shady person in the DMs unprompted demonstrates his shady associations. Jullian is the 'carrot pulling up the mud' by doing so.

For context, the poster had felt the need to disavow ken_chk by clarifying that they had only been still following ken_chk by accident. Jullian still following him and even bringing him up unprompted could be a bad look in light of the similar allegations of misconduct surrounding both him and ken_chk.

I am unsure though, as I am not very familiar with this idiom, nor am I familiar with the allegations against ken_chk listed here. I could be totally misinterpreting this line of the post and the ken_chk edit, as I've had to infer some pronouns and commas that weren't originally there due to the nature of Chinese grammar.

'Climbing the wall,' in addition to cheating, can seem to mean getting over obstacles in various contexts, like getting over the firewall to pirate stuff. However, I've translated it as 'cheating' as there's the word "bucket" that follows it. Bucket is also a word for 'trash,' so it'd make sense to translate it as 'cheating trash.'

Later another victim who responded in the comments accounted that by sexually harassing them, Jullian Champenois was also potentially cheating on his girlfriend that they knew he had at the time, lending more credence to the idea that wall climbing comment is about Jullian, though I am still unsure.]]]]]

2. Summary Section

I think this post was first made right after Jullian first messaged the Weibo poster with the innocent messages about their art back in October 2023, months before the more recent sexual DMs from him on March 30th, 2024.

Despite the polite nature of these October DMs, the Weibo poster was weary of Jullian's DMs in this first 2023 post, mentioning how in the past they had gotten similar DMs from Scott Lobdell, only for those complimentary DMs to later be revealed as openings for sexual advances. Their 'PTSD,' as they put it.

In addition, they note a potential cultural difference between Chinese netizens and Western/English-speaking ones. It might be a bigger deal in China to get send someone DMs. Maybe it's more intimate/intimidating/professional, in contrast to it potentially being more casual in the West.

With the summary out of the way, I do want to say that some Western netizens have responded to the later DMs with the sentiment of "these are not examples of harassment, just flirting in bad taste," but this could be related to the cultural mismatch the poster mentioned here.

Getting flirted with in the DMs is very normal to a lot of people in the West, as 'sliding into their DMs' is synonymous with flirting, but perhaps in China, either this is not the norm or Jullian's type of flirting is not the norm, especially within the context of a professional art account.

If you find yourself thinking the same way as those western netizens, I'd ask you to reframe Jullian's DMs less as a casual instagram DM, and more like a work slack or LinkedIn message from a colleague/client, as the DMs we have been/will be talking about are in the context of their own work or hiring him for work. This should help you get a better sense of why the victims felt uncomfortable.

3. Screenshot of Weibo poster's vent messages demonstrating how this has affected their work

The next attached photo was a screenshot of vent texts. I'm not sure the context of the texts, but the content is definitely about their regrets with Jullian Champenois.

Why shouldn't I just be frank and rant a little? I want to be so woke (as in another way to say clear-headed, not related to American progressive slang) that you'll see me awake, anaesthesia-free on the operating table when they cut me open[.] Do you get me[?] Well Any way you look at it, I'm miserable On top of all this, I've got a big graduation project that's in comic form. That comic was adapting the poem that is currently acting as my temporary nicotine replacement for my disco elysium withdrawals*** So I would listen to [Jullian Champenois's] songs at the time God, it hurts so much Luckily, my nicotine replacement was for another character (they're probably saying that the poem reminded them of another disco elysium character, not Kim Kitsuragi, hence their relief) For a moment there, I was thinking of to talking to him about my graduation project and about disco elysium.

*** So I'm making the assumption that the original poster is talking about a graduation project that they're working on. Since they're an artist, it's a comic that they're making. They then say something about an original poem. They use the word that means "original" in the context of adaptation, like the original book a movie is based off of. So the full phrase is 'the comic's original poem,' which I'm taking to mean that they're adapting a poem into comic form.

This is relevant because I think they're trying to say that the poem is currently the thing they're obsessing over while waiting for more Disco Elysium content. They use the term "meal replacement," which seems to be a Chinese fandom term referring to the content people look at during a fandom drought—like people hitting the end of all the Disco Elysium content out there and deciding to check out Pathologic, since they've heard that game scratches the same itch.

So I think this screenshot is supposed to be them venting their feelings about how this situation with Jullian made them feel. They want to be clear-headed about his actions, even if it makes them feel miserable. And they note how his actions have tainted their experience working on a Disco Elysium-inspired comic.

1. Screenshot of the Weibo Poster Blocking Jullian Champenois

After talking with other commenters, the Weibo poster posted their closing remarks with Jullian Champenois, especially noting how he used their work and their interest in his work as a pretense for flirting with them instead of genuine artistic interest.

2. Next, testimony from a commenter

(translation via 阿阮 @woon__ton on twitter)

阿阮 @woon__ton also notes that "If anyone questions why I didn't release the screenshots, it's because this fan suffered severe trauma and was unable to provide the original chat log."

3. A second testimony from another commenter

Hello blogger, I also suffered sexual harassment from Jullian at the end of last year. Because my friends know that I like Disco Elysium very much, [they] said [they] could give me an autograph. I was very excited and happy at the time. A few days later, Jullian himself said that he could add me on WeChat, so I could directly tell him what I wanted him to sign. I was so happy and felt very lucky. After that, he was always very polite and took the initiative to chat with me, but within a few days he started to sexually harass me. I can't find the chat records from that time, only one or two that were sent to friends. I was very disillusioned at the time…so I blocked him, but he added me on New Year's Day. After I saw your Weibo, I remembered this incident again. He was really disgusting… I loved Disco Elysium so much, but he ruined it all. Okay, I hope you can share this. He is a habitual criminal and has yellow fever, and likes to chat up Chinese girls. At the same time last year, I searched for his name on Weibo and found that many people who followed him on Instagram were greeted by him. Everyone thought he was very nice, but that‘s not the case. When I first added him, I didn't expect him to talk to me a lot. Because it was such a surprise, I expressed a lot of my love for Disco Elysium and Kim. He asked me if I knew about Kim's sexuality. When I told him that I knew, he emphasized that he was a straight man, and then asked a lot about exchanging private information. After he sexually harassed me, I couldn't even tell him off for it because my friend was_____, I was waiting until he left _____ before I could block him. After I rejected him, he was still interested in striking up another conversation. I said that I knew he had a girlfriend, and it was very strange to do this. He said that his girlfriend didn't care and knew that he was doing it, which 'was its own kind of fun.' Made me feel very sick.

4. DM Screenshots from the Second Commenter

This commenter then submitted DMs that Jullian had sent them. The original poster has shared them, noting that the profile pic is clearly Jullian's.

This commenter also commented that the friends they had mentioned also had similar experiences with Jullian Champenois, which could push the number of victims to 4+.

I'd also like to share a comment on the original Weibo post from this same commenter:

"This incident did not affect my playing of Disco Elysium (the voice will be turned off hhh), but I really felt a huge spiritual pain, like my faith was completely shattered, like the statue of the Innocence in the church turned into a smelly rotten rag."

Additions

In addition, there is a testimony from a third person not attached on the post, which @woon__ton posted on twitter. It can be found here, and it outlines how an anonymous user paid Jullian in a professional context to voice for a product for her, only for him to make an unprofessional advance on her. Although the harassment is not directly shown in the WeChat screenshot, his apology for his inappropriate behavior is shown.

This testifier would like to remain anonymous.

*5 Update: Additional Testimony from the original poster on Weibo

The original poster is emphasizing the predatory nature of Jullian's DMs, differentiating them from the "just awkward flirting" narrative that some Western/English speaking people have had in response to these allegations.

First of all, his "yellow fever" aspect of specifically asking about Chinese girls, who are often fetishized to be more shy/submissive/less likely to talk. But in this case, it's also him specifically being inappropriate with people for whom there is a language/cultural barrier, making it harder for them to speak out—either due to a literal language barrier between them and his Western audience, or the plausible deniability of all this being a 'cultural misunderstanding' (which is very unlikely, since Jullian has apparently lived in China and therefore is very aware of the norms there).

Second of all, his usage of a professional/work account to make sexual advances. Again, comparisons to the Scott Lobdell situation should be made, as they highlight why it's sleazy to use their work as an excuse/opening to make sexual advances on someone. Not only does it cross boundaries, but it's also not treating the artist with the respect they deserve as someone just trying to work.

Closing

The Weibo poster would prefer if people not follow them on Weibo over this situation, as they posted the situation on their work/professional art account, and it is painful for them to see too many notifications about this.

They also note that they still love Disco Elysium and Kim Kitsuragi and that the allegations against Jullian Champenois should not reflect on the dev team of Disco Elysium, as there were also women working on the team, etc.

With this post, I've tried my best to accurately convey the sentiments of the original poster of the Weibo without commenting on the proof or the legality or what the ramifications should be or how we should interpret this, etc (beyond a quick mention of a potential cultural clash). I'll update the post with better translations if something comes up or if anybody mentions any suggestions/clarifications.

[kaibutsushidousha]

Another Danganronpa linguistics-based that has been about as long overdue as the name study post is the post about the language nuances of Fujisaki's unusual gender situation. I'm genuinely surprised I never got a direct question about this, even when the Danganronpa Translation Critique tag was still active, but one post about the subject in this site and a conversation about it elsewhere (read: a place where can easily copypaste my own explanations from) inspired me to finally put this one out. This used to be a heated topic a decade ago, so there's probably too many disclaimers to be made with this one, so assume I made every one you need to read this study in good faith. Thank you.

I guess I need to start with a general explanation of first-person pronouns. I imagine a lot of people know this part already since it's an omnipresent aspect of the language, but it never hurts to review the basics. Japanese has multiple first-person pronouns instead of the single "I" English has. A person's choice of pronoun informs things about their gender, age, social status, and relationship to the person they're speaking to. In theory, there are maybe over 40. In practice, there are only 3, maybe 6 depending on your standards for what counts as "commonly seen". In modern Japanese, most pronouns are things you only find in fiction.

The three genuinely common first-person pronouns are the traditionally masculine boku and ore, and the gender-neutral watashi. Watashi can be easily mistaken for feminine since that's what women default to in every situation due to the lack of other options, but it's a truly neutral formal pronoun that men are using all the time in professional situations. It's especially relevant here that watashi is not inherently feminine in any way.

Now to the relevant question. What pronoun Fujisaki uses for himself? The answer is boku, a markedly masculine pronoun, the same our male protagonist uses. This can be seen in Mondo's flashback with him, in the scenes contained his inner thoughts, the bonus mode/game scenes that have his secret revealed, and if that counts, how Alter-Ego talks as him.

Fujisaki's boku is a traditionally masculine pronoun, so he obviously didn't use it before the reveal. It's easy to spot this and call it a pronoun switch. These kinds of pronoun switches are a very common language trick and come in all sorts of circumstances in other stories, but Fujisaki's case becomes a lot more intriguing when you verify what it was changed from.

The expected answer is watashi. It's the perfectly gender-neutral pronoun, but it's a pronoun women use far more commonly than any feminine-specific pronouns. It's a perfect fit for the disguise and it's very easy to honestly say Fujisaki has no reason to feel any dysphoria using watashi as a man. It's something his male peers are expected to do when talking to teachers and that they'll need to do in their jobs as adults. But Fujisaki never says watashi before or after the reveals.

The actual answer is none. Fujisaki omits pronouns in every line of dialogue he has alive. Omitting pronouns is a completely normal part of dialogue in Japanese, so doing it 100% of the time is not something people normally do, but it is something you can get away with in Japanese without raising many eyebrows.

This 24/7 pronoun omission has always been a fascinating dialogue quirk to me because in my 12 years consuming stuff as a Japanese student and translator, this is something that I've never seen done before or after, and something no translation of DR1 could convey properly in English. It's a truly unique case as far as I'm aware.

Makes this gimmick work requires an extra level of attention and sometimes getting creative with phrasing, both in Kodaka writing out-of-universe and in Fujisaki speaking in-universe. Genuine work was put into making Fujisaki fiercely refusing to refer to himself with anything less than a fully masculine pronoun, no matter how much he felt "undeserving" of his gender.

Anyway, that's pretty much all on the side of Fujisaki's own self-expression. The question I'm mostly copypasting my own answer from was "which characters used which gender expressions in chapter 2" and I yapped about Fujisaki's own answer because that's the special and unique description trick that frequently occupies my mind, but I guess I'll drop the answer here as well.

----------------------------------------------------------------------------

The first point to be relevant is that many characters, including our PoV Naegi, use the honorifics san for the girls and kun for the boys. Naegi is the first to address Fujisaki after the reveal and he sticks to the san he always used. This continues even after the flashbacks give the full context of Fujimaru's situation.

Next, Celes mentions Fujisaki as "Fujisaki... kun", taking a big pause to indicate intent on the pronoun switch and attention to the habits she's trying to unlearn. Kirigiri, Geno, and Ishimaru also refer to Fujisaki in unambiguously masculine terms before Oowada reveals any of Fujisaki's perspectives on the matter. The rest don't say anything gendered, which is easy to do because Japanese is a really easy language to be gender-neutral on (this says a lot about the choices of the characters who did pick gendered words, perhaps).

How Oowada and Junko (Monokuma) address gender is discussed directly in the trial so I don't think I need to cover it here. They're also the only ones with full context during the trial, so it's not comparable to the 4 above deciding Fujisaki's gender based on fragmentary information.

And the last relevant new factor is Alter-Ego, who refers to its creator as "Goshujin-tama", aside from regularly using he/him. Goshujin-sama used by servants to address the specifically male lords they work for. As maids became a staple anime trope, you probably heard this one coming from a fetishized maid character. The reason why I'm specifying this is that Alter-Ego calls Fujisaki "Goshujin-tama" instead of "Goshujin-sama". The "honorific" tan is a variation of the classic honorific san, used primarily by otaku to address their anime waifus. The -tama there is a -sama equivalent of that. The blatant implication there is that Fujisaki designed his subservient digital clone to be attracted to him, which is categorically weird. That's another character element that the localization doesn't bother trying to convey, opting for a mostly sanitized "Master" as Alter-Ego's title of choice of Chihiro.

Then the next game has AI Nanami referring both to Fujisaki as her father and Alter-Ego as her brother, and I'm closing the post here because I'd rather not to think about how that makes Alter-Ego's title of choice weirder.

[transcriptioncity]

Clinician Reviewed Medical Translation Services

Clinician Reviewed Medical Translation Services Clinician reviewed medical translation services are crucial for ensuring the accuracy and reliability of medical documents. This specialized review process involves healthcare professionals verifying translations for medical accuracy and contextual relevance. It is used to prevent miscommunication that can lead to serious medical errors. The…

[weddingchicken]

reviewing the ranma 1/2 fanzine i made when i was 12 years old.

i just found ranma 1/2 fanzines which I made in 1999 when I was 12 years old. here's a review of the zines - and an attempt at analysing what was going through the head of my younger self.

as professional looking as the 'ranma 1/2 herald' looks, i made these fanzines by curating a combination of pictures I found on the internet, my own art, and my own writing, organised into magazine format - all of which I cut up and pasted by hand onto master sheets and then photocopied to yield the finished product.

what's odd (or one of the many things odd here) is that I had only managed to obtain and read the first few volumes of the ranma 1/2 manga at this point in my life (perhaps only the first three volumes). i had never watched an episode of the anime, and as far as i know it wasn't available in the uk at that time - certainly not on public television (we didn't have cable). furthermore, i didn't have any friends who were interested in ranma 1/2 or even knew what it was or who shared any of my other interests. nevertheless, i wrote the zines in a style as if they would one day be read by other people.

my enthusiasm for ranma, and subsequently the contents of these zines, was driven by my imagination, and what i could find through my relatively new access to the internet, which in turn encouraged my imagination. youtube didn't exist back then, but i remember reading summaries of anime episodes and consuming related media in whatever way i could, e.g. listening to audio files with snippets of the anime dialogue uploaded to ranma fan sites.

the information in my fanzines - the ranma 1/2 herald #1 and #2 - are heavily supplemented with my own creative additions to the ranma 1/2 universe, including what i now realise to be fanfiction - or attempts at roleplay - my own creative original characters and stories, and something of an obscured view of our own world.

parts of the zines are written in what I considered to be the voice and from the perspective of ranma 1/2 characters.

really not sure what was going on with the alignment of the page numbers on the contents page...

the zines contained fact files on characters and various other elements of the story. again, as much as i was fascinated by the franchise, i was working with very little information here. so i didn't let a little thing like not knowing many facts prevent me from writing these fact files.

much of the zines were taken up with displays of images i'd found online which i thought were just rad.

some good old school microsoft word clipart included

let's take a moment to appreciate this image of shampoo and mousse which i made on microsoft paint (i could create better art with physical media, but doing it digitally seemed exciting). i had not even read any manga where mousse was introduced by this stage, but i had read about him online.

other content included a ranma 1/2 alphabet: i matched a to z with characters, themes, and concepts from the franchise. highlights include:

Q is for questionable conduct, as many characters in Ranma are known to prance around shamelessly naked - most noticeable of these people is Ranma. (tsk, tsk) V is for VIOLENCE! Z is for zeal, a common problem with those characters who would like to win the girl, but Ranma just can'tbe [sic] bothered

my exploration of what windows 95 had to offer was not restricted to microsoft word clipart - i found the esoteric fonts of "windings" and "animals" fascinating. i felt like i was translating my writing into Egyptian hieroglyphics and back.

i also seemed to want to use the fanzine to promote my own original manga series. this is despite the fact that my original manga did not exist outside of my imagination. this didn't stop me including a summary article of the background story of my manga, which i called Kung Fu City. i also wrote about something called the Ultra Tokyo Files which, as far as i can surmise, was a planned sub-series of Kung Fu City. i do remember being very determined that i would create my own manga series called Kung Fu City when i was a child, and must have had fairly developed ideas about this, given what i wrote in the zines about my original universe, original characters, and original storylines. as you can see below, the principles of the Kung Fu City manga are 1) very little actual conversation; 2) non-stop sound effects and violence; 3) a debatable amount of humour (i don't know what I was getting at with point 3).

as you can see, i imagined Kung Fu City into history. i described it as having started in 1989, when i was two years old. what's more, i claimed that it was an influential factor in nunchaku being banned in the united kingdom! what a feat! so, through my zines, i seemed to be creating an alternative reality - not just an alternative ranma 1/2 universe, as many makers of fanfiction and fan comics do, but an alternative version of the "real world".

furthermore, i included a promotional segment from Kung Fu City in the zines - presented as if it was a preview of material from the part-way through the manga run. except, i created these panels specifically for the zines. there was no Kung Fu City before this or after this. just this.

i could really go on and on about the idiosyncrasies of my fanzines, but I will finish by bringing up the conversations i "had" with the characters. this includes the interview i "held" with ranma. as in, i wrote an article about me interviewing ranma saotome, the fictional character.

unfortunately, 12-year old me made the unusual editorial decision to print out my article on dark blue paper before photocopying it as black and white. as such, the interview article is difficult to read. if this post gets any interest and people want to read my conversation with Ranma (it was um...something) then i will make a post with the contents of this interview.

i also had a letters page where I encouraged my hoped-for readers to write in. but not to me. i asked them to address their letters to the characters of the kuno siblings - kodachi and tatewaki kuno. i went on to write letters from imaginary fans to the kunos, and wrote responses to the letters in the voice of kodachi or tatewaki.

a one sentence response from the imaginary character kodachi kuno (aka. the black rose) to a letter from a fan (also imaginary). i'm sure this was normal behaviour from a 12-year old.

i recognise this now as ranma 1/2 fanfiction. what's more, I think this was roleplay. i didn't have anyone else to roleplay ranma with, so i roleplayed with myself. no one else read my articles or any other aspects of my zines. i think i would have wanted to share my passion with someone else, i just didn't have anyone to do it with. so, if nothing else, i made these zines for my own enjoyment. z really was for zeal!

i was a lonely 12-year old wannabe weeaboo who supplemented my lack of money to spend on the ranma 1/2 franchise and lack of access to the fandom with my imagination and creativity. some of the world i conveyed in these zines was bizarre, but it was creative. and maybe now - 25 years later - someone else will finally read my zines.

[morningstartranslation]

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Poor people do not need to learn frugality, and humble people do not need to learn respectfulness. 贫不学俭，卑不学恭（pín bú xué jiǎn ，bēi bú xué gōng）For more information, visit https://www.morningstartranslation.com

[slugtranslation-hypmic]

Hello slug! Do you have any piece of advice you wish you knew when you first started out as a translator? (Or just something you want beginner translators to know)

I could go on about this all day if you let me, so I sat on this ask for a few weeks and tried to condense it down to five of the most helpful-- if a little abstract-- points. Hope this helps!

Usual reminder that I'm referring specifically to J->E media translation, although I would imagine most of this applies to media translation of other language pairs.

Edit: Ohhh Tumblr's being a nasty little man and not letting me post everything. Try to curtail my verbose ass, eh? We'll see about THAT! More in the reblogs it is.

A translation is a piece of creative writing informed by the unique needs and limitations of its author, audience, and medium. Before I write a single word, I always consider what approach is most appropriate for translating the work. This is informed by many things, including but not limited to: - Author(s). A work with a single author (most books, indie games) usually demands stricter fidelity, as the words you write become representative of this person's views within the English audience. A work with multiple authors (most bigger games, virtually all anime) may allow greater creativity in the pursuit of other goals. The author's purpose is also paramount. If the author's primary goal is to make people laugh, you will often want to make your work do just that. Serious works should read seriously. Romantic works should tug at heart strings. Occasionally, authors will provide specific guidelines to follow. You do not always have the ability to push back, even if you think they are horribly misguided--in many cases, the company you're working with can lose business if translation teams cause too much of a fuss. If the end result looks silly, you may be blamed for it in reviews and public perception. Responding publicly is not a good look and may hurt your chances at finding employment elsewhere. Conduct yourself professionally! (End of tangent.) - Audience. While rewriting a text to cater to an audience is almost never appropriate, it will often make you and the audience happier if you consider their expectations for translations. Fan translation readers often want to receive a black-and-white, "correct" interpretation of the text--an understandable desire; I'm not knocking this--and therefore may be more receptive to inappropriately detailed translation notes while less receptive to looser interpretations of the text. Readers of professional translations, especially paid works, often demand a higher level of polish and are less tolerant of juvenile goofery that can sometimes be gotten away with in fan translation. Similarly, genres affect the work. BL audiences are more likely to be LGBT+ than isekai action audiences and will expect translators to use more politically correct language. Some niche genres expect (at least, the appearance of) stricter fidelity at the word level than genres that attract a wider mix of casual and serious fans. - Medium. Even if one translator works on multiple iterations of the same series, the nature of the medium will force them to produce two very different translations. Anime and manga are often more understated compared to works of straight text (visual novels, actual novels, some RPGs) to avoid overwhelming the visuals. Anything that is voiced (anime, some video games) must follow the tone and sentence structure (Ie, "short clause, pause, long clause" is often translated as "short clause, comma, long clause" even if there are many, many other ways to express this idea) of the voiced line. Anything with character limits (anime subs, video games, manga) must be concise and punchy. In manga, the script's visual presentation--line length, what words should be placed together to create a nice shape, word length in skinny bubbles--must also be taken into consideration.

[centrally-unplanned]

I blogged before about this company, Orange, that is an AI-powered manga translation company. Essentially, their pitch is that most manga is still (officially) untranslated, a ton of manga gets made after all but few become mainstream enough to get ported overseas. They posit the barrier to that is the cost of translation; if they could automate that process, then they can make viable for release what previously was not. That concept rests on two questions - does the tech pan out, and does the economics add up?

Recently they went live, under the name Emaqi, so we can better explore those questions. What I notice on first glance is the pitch seems to have shifted a little bit in post:

You are not the translators of Vinland Saga, Witch Hat Atelier, or Magic Knight Rayearth, very obviously so. They have Sailor Moon in here lol. These are just the official translations being cross-listed into their "manga platform", where you buy it there and it lives, DRM-locked, in their app. Which is fair enough as a model, that is just Kindle, it works. Though Kindle and a dozen others already exist, so their value-add has to be the AI translation stuff right? That is why I would choose this over another app.

Which they do have, though it is kind of buried:

"Only on emaqi" - there is no mention of the translation approach, poor guys! Can't fault the branding decision I guess given the state of the discourse. When it comes to the products themselves, I went through ~6 or so of the sample chapters of different manga, did a few spot checks with the original Japanese, and read the reviews of some others who looked into it. They seem fine! I am cautiously impressed, I think there proofers did a good job smoothing out some edges, it has a "manga tone", and while small issues like the hyphenation the reviewer above mentioned do exist and are legit noticeable, they aren't common and not a huge deal. It has flow issues? Some dialogue should link together in how it is written, but doesn't. But it isn't crazy off or anything. You will not be wowed by these, but certainly if you are someone who reads bootleg scanlations you are gonna have no problems. A lot of manga uses pretty simple vocab and isn't breaking new ground on plot, I can see how a purpose-built tool could handle it well enough.

The economics though...here is where I don't think this case was ever going to pencil out and isn't now. Because I am pretty sure no one here has heard of any of the manga listed above as exclusives. (I saw 90's manga Geobreeders in there, but that was already partially translated in the 2000's, not sure if they did a new one? Setting it aside) Which, of course you haven't, if you had it probably would have been translated! Books are a 90:10 market, most books never get read and some books get read a ton. Anything big enough can justify a professional translation, and the other can't really sell to begin with.

On top of that, their model is mass translation; which means these obscure manga are presented to you with no context, no hype, no build-up. Wtf is The Blood Blooms In the Barrens?? See, if you were like a boutique publisher, selecting "the best of the best" in untranslated manga, you would promote your specific product. Interviews, social media, the value of the brand-itself as a quality seal. Publishing less is more, actually, your value as a publisher is as a quality selector. Or you could be say the porn market, where you max quantity so people can search "foot fetish breeding kink oshi no ko" and get results; they know what they want. But they aren't doing either! And to be blunt a lot of these are not gonna sell on their art alone:

I'm not mocking The Delayed Highschool Life of a Laborer here, that is better than I could do; but if you want to me spend money on a whim the bar is high and these don't reach it. Which of course they don't, they would be professionally translated if they did.

And finally, the price - $5 dollars, for volume 1's, like a 100-200 pages. The cross-listed manga typically sells for ~$10? That isn't much cheaper! If "translation" was this big cost barrier, and all you got is cutting the price of ebooks in half, I don't know if the analysis was so solid. This is a new product, I doubt they are overcharging to make a quick buck right now - this is the "sell at cost to scale" era.

In all of their lead up press they would say things like this:

Orange's process uses AI to read the manga through image analysis and character recognition, then to translate the words into English, Chinese and other languages. The technology is specialized for manga, meaning it is able to handle wordplay and other difficult-to-translate phrases. A human translator then makes corrections and adjustments. The process can deliver a manga translation in as little as two days. Orange will work with multiple Japanese publishers. The company looks initially to complete 500 translations monthly.

But this is missing a lot of context. For one, these manga are simple high school or battle manga that are ~200 pages long, many of those pages have only a few lines of dialogue, etc. Imagine you are a professional translator, and you are given that manga to translate, all the set-up done for you, all you gotta do is write. How long do you think that would take? Not that long! It could probably take like a week if it's actually all you did (calc'd from a 10k word count manga volume, 2k is a typical "good translator" per day count - many manga are shorter than that). And note how they said "as little as two days" - not median two days! Just, you know, aspirationally.

Translation is just not a big bottleneck. You gotta do layouts, lettering, proofs, etc, these can all take just as much time - and are being done by people, they still need wage workers doing all this. But that is small fry in comparison to publishing contracts, author approvals, distribution, all of that. And most importantly, product acquisition - you have to get authors to sign with you! That can be months of work. I am sure they are trying to get bulk agreements with publishers and such, but authors will push back on that, this is not an easy endeavor.

Which is why, in above, they say they hope to have "500 translations monthly". And after a year+ of work, on launch, they have...

...18. As best I can tell at least, their site deliberately obfuscates what they actually translated versus are just hosting for resale after all.

So yeah, as mentioned I don't think the economics pencil out. These aren't worth $5 dollars, they can't actually generate volume that makes "massive economies of scale" actually valuable, and their approach is currently antithetical to the idea of generating traction for any of their individual works. Niche publishing just doesn't work this way.

But it is early days, and hey I respect the experiment! I do think the tech is pretty good, and it is nice to see a company showcase it. It isn't quite good enough yet for prime time, but it could get there. I do want more manga to get exposure and audience; I will give a fair shake to any who try.