#probably just losing it

[sylphicdragon]

So, ever watch an animatic for something before getting into the series and you know what's going to happen now? Yeah, apparently that doesn't exist for TMA. Instead, whatever you watched before getting into the series was a different video then what you rewatched with context after listening to TMA. In other words, you could technically turn that first impression of tma (whether that be art, video, etc) into an au and it would probably fit among the many other au's as if it wasn't your first impression of it.

[symphonyofsilence]

Let the poor man rest.

[egophiliac]

(looks at upcoming card releases)

I'm in danger :)

[okidraw]

i wanted to show them the stars.

[newttxt]

a smile so rare, it counts as a disguise :)

[planariaareneat]

How The Nocturnal Bottleneck and Nipples Make Us Human

Almost every post here considers what humans do have, really. It’s a little tiring; realistically every world has its harsh environments and vicious species and a sophont to match. We probably wouldn’t be unique for our adaptability or our persistence or even adrenaline

But our evolution is fucked up as hell, to put it lightly.

Mammals went through what’s been dubbed the nocturnal bottleneck essentially since the start of the mesozoic right up until the Cretaceous ended the archosaur’s exclusive hold over the daylight. We lost a lot of things from every mammal spending most of its time in either a cramped, suffocating burrow or scrounging around in the faint hours of nighttime. Our blood cells lost their nuclei to hold more oxygen while we spent time deep underground, we lost protections against ultraviolet rays in our skin and eyes, we can’t even repair our own DNA using the light of the sun. Most aliens probably wouldn’t have such traits unless their evolution followed a very similar path to ours. They’d be able to see ultraviolet and wouldn’t have to worry about sunburn and all the wonderful privileges essentially all fish, birds, amphibians, and reptiles enjoy as we speak. 

There’s also what we gained from spending so much time in the dark.

Brown fat is only found in mammals, it’s a special type of fat which bear cells with several oil droplets and are utterly jammed with mitochondria. This lets it make heat, a lot of it, fast. We don’t even need to shiver to induce this heat generation from brown adipose tissue - factor in our downright hyperactive mitochondria, and we can warm up quickly. Sure, it doesn’t have too much use in adult humans, but it keeps our infants warm and still provides a little boost the whole run we have in this universe.

Unless aliens also went through a time where their small ancestors had to face cold nights, they’d have to produce heat the old fashioned way when chilled. Aliens might have to shiver the whole time they’re in a cold room while the human watches in confusion, quite literally unshaken, and wonders if the room is a lot colder than the thermostat set to 60 says. The aliens stare at their companion in confusion, it’s just a normal temperature to shiver at after all, how is the human sitting so still?

Our small ancestors spending all their time out foraging at night is also why we have such a good sense of touch, smell, and hearing. They were more important senses than vision (we’re lucky to have even redeveloped basic color vision, frankly) at the time and place and simply ended up continuing to serve us well. Birds and reptiles rarely have acute senses of smell and the latter especially are lucky to have acute hearing, and birds rarely have impeccable hearing themselves either. Our skin is free of scales and honed to sensitivity, and our external ears and complicated ear bones provide an immense range of hearing (from 20 all the way to 17,000 hertz!).

Aliens might not be able to pin down the chirp of a cricket or the light click of a lock being picked. The human might be the only one on board a ship that can pick out the finer sounds of the engine’s constant thrum and know the critical difference between when everything is fine and when something is wrong. The human could probably pick out the sounds of an approaching enemy’s careless footsteps - they’re only as light enough for *them* to stop hearing them, after all - and be the one to see the horrified expression (well, more on that later) on their face when we get the drop on them in spite of their perceived stealth. 

But perhaps the most versatile, convoluted, amazing, and utterly unique trait we have is right on your face this instant. Lips.

Lips in most animals are a simple seal to hold in the mouth’s moisture and protect the teeth, even if they’re supple they’re NEVER muscular except in mammals, and we have only one thing to thank for it; milk and nipples. Lips evolved exclusively to allow babies to suckle, it required a vacuum to be created in the mouth, and with no other animal having anything like a nipple it never happened in other animals. Many animals make milk, to be frank, but no other animal has nipples.

Your cheeks and lips are a marvel among tetrapods, no other animal can suck like mammals can. Aliens wouldn’t have straws or even be able to sip from the edge of a glass, they’d have to have a proboscis or simply tilt the whole thing back. Aliens likely won’t have woodwind instruments or balloons you can blow into. We take so much about our lips for granted. Hell, our muscular faces are vital for expressions, we’re probably absolute facial contortionists among a cast of creatures with mandibles and beaks and expressionless scaly maws. Aliens might find us ridiculously easy to read, if anything, compared to their own kind (all the better to deceive them) - or perhaps they’d find us hard to decipher anyways, with our lack of color-changing skin or erectable crests of bright feathers. Baring teeth might not be seen as a sign of aggression in most of the universe, smiling would be all too distinctly human. 

Perhaps with how infectious we are sometimes, that’s what we’d contribute to the universe; others might have to make do with opening their mouths just enough to show their teeth or splaying their innumerable mouthparts with just the right curve, but perhaps we’d teach the galaxy to smile, one ally at a time. 

Wouldn’t that be amazing?

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[galactic-rhea]

yikes.

I hope you're happy @squad-724 and @helloyesthisisdilophsaurus

[moonilit]

He got some fact checking to do

[just-null]

wrestling to be the first to greet you (they broke into your house)

[triaelf9]

"how do you enjoy *insert fandom here* I hear they're the worst"

Find the ppl who enjoy the thing you like the way you do. Ignore, mute or block the ppl who don't.

Ta-Da~

[heartorbit]

make a wish! 🍃

happy 1st anniversary, in stars and time 🤍

[itachaaan]

maybe they're not maineventing today but they have definitely been the main event of my year 🤭 joking not joking

[canisalbus]

Ok ok hear me out: it could end in tragedy,, AND have a happy ending. The attempt(s) on Machete’s life force him to flee, he doesn’t even have the chance to find Vasco. Cue gay longing for at least a few years while Machete despairs over the loss of his love, his life, his status. He and Vasco only reunite (again) in their later years. Their relationship is forever flavored with loss and loneliness, but that only means they savor every moment that much more

I also I would like to see them as old men. Vasco would be so droopy :)

You gave me such old dog brainworms.

[pearleisuma]

In light of Iskall and Stress’s decisions to leave Hermitcraft, I ask all the fan-content creators to PLEASE NOT DELETE STUFF ASSOCIATED WITH THEM RIGHT AWAY. ESPECIALLY FICS. We don’t know the full context, and plus, it’s a part of Hermitblr History. At the very least, if you don’t want to be associated with their content, orphan the works or repost them anonymously. Heck, send them to me, just so we have an archive! Hermitblr has been so good about separating the ccs from the characters, so let’s not let interpersonal conflicts between the ccs majorly affect our enjoyment of the characters, especially with what little we know.

Edit 1: Everyone please take care.

Edit 2: Due to the way asks with Media work, if you send me fanart of Stress or Iskall, I will make it a separate post so as to not include or reveal your user. Alternatively, I can make a Google Form? Lmk.

Edit 3: WE OFFICIALLY HAVE A GOOGLE SHEETS MASTERDOC!! I’m working on formatting it so things are easier to find. Add images, links to both the original and your Wayback Machine Archives, credits, and more! I’ll get working on an anonymous google form.

[lucabyte]

Taking pride in One's own appearance.