#please I never even watched the show...
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carol-ing · 5 months ago
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I need the new HSR update now. I'm literally thinking up an X-Files AU for Ratiorine.
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Elim Garak: fucking around vs finding out
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letmetellyouaboutmyfeels · 7 months ago
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For $5 USD stop making everything about that goddamn show for five minutes.
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miraculouslbcnreactions · 1 month ago
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Sorry if this seems confrontational, but for the life of me I can’t get into your “Chloe has no growth” point when the show itself retracts growth from everyone and is inconsistent with everyone. You saying “The show just lays down basic character traits in Chloe” doesn’t make sense when her basic character traits are supposed to be her being selfish and spoiled.
S2 built off of that and despite what you say, had Chloe doing things that in S1 she wouldn’t have done. She apologized multiple times to the people she wronged, she willingly put herself in harm’s way to help the people she cares about and she was openly vulnerable to Ladybug in “Malidiktaor”. Something S1 Chloe wouldn’t have done. If there’s a distinct difference between a Chloe back in S1 and a Chloe in S2, then growth HAS taken place. But it doesn’t stay because of the formula (and the writers just don’t want her to keep that growth)
So what I’m asking is…what do you mean “Chloe doesn’t have growth”?
I can understand the “No arc” argument because an unfinished arc feels like there’s no arc at all (even though they are fundamentally not the same)
I wouldn't say that the show retracts growth from everyone. It's more that no one is ever supposed to grow. Every episode resets the cast. That's just how pure formula shows work and Miraculous is being sold as a pure formula show. The characters are meant to be static (one of the writers literally compared Miraculous to Dora the Explorer).
That static nature is why pure formula shows normally avoid giving their good-guy characters major flaws. It's the wrong medium for that type of thing specifically because the characters cannot change in meaningful ways throughout the show. They can learn little lessons that don't really change them and maybe have big change between seasons via a special or movie, but that's about it. Thus things like the season four conflict working so poorly. It's just a terrible choice for a formula show! The conflict is literally not allowed to develop properly because of the chosen format.
But sure, let's talk about Chloe and why I will die on the hill that she never demonstrated meaningful improvement even with the issue of the inconstant writing. In fact, seasons-one-to-three Chloe is one of the most consistent characters in the show. For this discussion to work, we need to start off by discussing character development and the two main forms it can take: character establishment and character growth.
Character Establishment
When the audience meets a character, they know nothing about said character. It's up to the writer to guide the introduction process. To choose when to reveal already existing elements of the character's personality, skills, and backstory. This is called character establishment. It is the writing telling you who the character is on a baseline level. Those reveals don't need to happen at the start of the story, though. They can be - and often are - held back for when the time is right.
When these reveals are delayed, it's important to remember that these elements were always part of the character. The reveal isn't changing who the character actually is. It's just changing how the audience views the character.
For example, we spend a good chunk of season one uncertain why Gabriel is doing what he does. Then, in Origins, we learn that it's all for Emilie. This is new information that adds depth to Gabriel's character, but it doesn't change him in any way. This is who he always was. We just know him better now and can recontextualize past events with our new understanding of his motivation.
Character Growth
Character growth is when writers take a character's personality or world view or even just their skills from point A to point B, allowing the audience to watch the character change and become a new better - or lesser - version of themself. This is usually part of a larger character arc where all the moments of growth add up, but it can take the form of small moments of growth that don't fit into a bigger picture, too. I'd probably still call that an arc, but we'll use the word "growth" a lot in this post, so let's just call it growth to be consistent.
Miraculous doesn't really have either arcs or growth because - once again - formula shows don't allow characters to meaningfully change, so I'm going to have to make up an example here. I'll use one that illustrates how character establishment and character growth can and do intertwine as that's an important thing to acknowledge to help guide this discussion.
Let's say that we have a character who lost their family at a young age. We'll call this character Mary. Mary's loss guides her character throughout the entire story, but the other characters and the audience are never told that this is what's going on. We just know that Mary acts in seemingly illogical ways at times and that she trusts no one.
Throughout the story, Mary learns to trust her costars, leading to a big, dramatic scene where she finally tells them - and the audience - about her past. This big dramatic scene is both the culmination of a character arc and a piece of baseline character establishment that allows us to understand Mary's character better no matter what part of the story we're reading.
Because these combo growth and establishment moments are so common in stories, it can feel like character growth when we learn new things about a character in a dramatic moment, but that's not always what's happening. Sometimes dramatic moments are just there to reveal what was always there by forcing a character to act differently than they usually do through the power of extenuating circumstances. These extenuating-circumstances moments are not character growth because, once the moment is over, the character resets to their normal self. The moment wasn't there to let them grow. It was there for the sake of the plot.
This is actually a really important thing that writers need to know how to do. Figuring out what circumstances will make a character say or do a thing they generally wouldn't say or do is part of how stories work. I have started stories with characters acting wildly "out of character" because I put them in the a situation where the behavior suddenly was in character!
Oh, you don't want to talk to this total stranger because you're an introvert with social anxiety who has yet to learn how to love yourself and open up to others? That's nice. Your leg is broken now and you're stuck in the middle of nowhere. What you gonna do sucker? Lie there in the dirt or talk to the nice lady who wants to help you? Your choice! (Spoiler: he talked to the nice lady. He even let her physically support him when he'd usually never let a stranger touch him!)
As soon as that scene was over, the character reverted because it wasn't growth. He didn't become a more open person. He just did something he normally wouldn't do because the situation demanded it. It was extenuating circumstances so that the freaking plot could start.
This is what happened with Chloe in season two. Everything that people call growth is really just extenuating circumstances that reset by the end of the episode or even by the end of the scene.
Let's Talk About Chloe
Chloe does not have a character arc, aborted or otherwise. She is never taken on a journey where we watch her change. All we get is delayed character establishment via extenuating circumstances, but it's given in ways that make some people feel like she was being given an arc. Let's talk about why that is.
Season one Chloe is a one dimensional mean girl. She has almost no depth. She's just here to be petty and cause akumas. She is not a fully realized character.
Season two takes those traits and keeps them, but also gives Chloe a lot more depth to round her out and make her feel like a real character. She's just as petty and mean as she always was, but we're finally allowed to see her in some moments that make her feel like a well of potential to become something more, which the writers basically had to do if they wanted to let her be a hero. The audience needed to feel like Chloe could be good in the right situation.
The feelings evoked by her newly discovered depth are why people go "oh, she had a character arc! My feelings about her changed in a big way!" But she didn't have an arc. You just got to know her better by seeing her in moments where she was forced to be vulnerable. That's not growth. Growth is meaningful, lasting change, not situational change. Everyone changes based on the situation! It's why the "True Selves" stuff is such nonsense. It implies that there's one set way that we're supposed to act in order to be authentic and anything else is some kind of lie which just isn't how the world works.
Let's look at some examples to drive home what I mean.
Season one established that Chloe idolized Ladybug. It's why we get things like this moment from Evil Illustrator:
Ladybug: Fine! You stay! Later! Cat Noir: What do you mean later? Ladybug: I mean, you're the one who wants to protect her, so you don't need me. So, later! (swings away) Chloé:(looks over balcony) Ahhh! Ladybug! Text me! OK!
And this confession from Antibug:
Ladybug: [Chloe] pretended she was me?! How often does that happen? Armand: She idolizes you.
So Chloe adores Ladybug and wants to impress her/be her best friend. Cool. Got it. That never goes anywhere in season one because season one doesn't see Chloe and Ladybug interact much. The most we get is Ladybug saving Chloe from akumas, which doesn't allow for deep conversations. I don't think that they're ever alone in a moment where they can actually talk.
That changes in season two. In season two, they get to interact a lot and it's often in moments where there's a big threat and no one else is around, letting us see a new side to Chloe. But that's not Chloe changing. It's just the writers revealing that Chloe has more to her than the mean girl stuff because of course she does! Pure mean girls don't exist. Everyone has depth. We simply never saw that depth before because Chloe was never put in a situation where she needed to be open. We can't say that season one Chloe wouldn't confess things to Ladybug or chose to sacrifice herself to let Ladybug win because she never had the chance to do those things!
In fact, I'd go so far as to argue that season one Chloe probably would have done the same things as season two Chloe because season two Chloe doesn't really contradict season one Chloe. Antibug showed us that Chloe was pretty desperate to be loved and welcomed the way that Ladybug is loved and welcomed:
Chloé: Jagged Stone! Jagged: (thinking she's the actual Ladybug) Ladybug! What are you doing here? Chloé: Um… when I find out you were here, I knew you'd wanna see me! I had to come say hello. (Sabrina waves at Jagged)
and Chloe has always been a stubborn girl who stands up for what she wants even if what she wants is something bad. Antibug also showed us that Chloe can be genuinely nice to the people she cares about. Her and Sabrina's relationship is shown to be complex with them often having a lot of fun together.
Similarly, Origins sees Chloe showing her father genuine affection after she's saved from Stoneheart:
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[Image description: Chloe and Andre hugging and looking very happy to be together]
Origins is the baseline episode that tells us who the characters are on day one, so I never once doubted that Chloe loved Andre, but Andre didn't get akumatized because of Chloe's actions in season one. He didn't even get akumatized for something that Chloe had nothing to do with! His first akumatization is in season two, so it's not shocking that we don't get a Malidiktaor type scene until Malidiktaor.
Chloe was vulnerable with her personal hero when her beloved parent was in danger, but not before? Shocking! Who would have guessed?
Me. I would have guessed. I didn't even realize that people were reading it as some sort of character growth because it clearly wasn't. Malidiktaor didn't feel like something new for Chloe's character. It just felt like the writers were leaning into things that we'd always known about Chloe and using them to better establish her character as someone who genuinely cares about select people. She just doesn't show most of the time.
The same thing goes for Chloe's sacrifice and apology in Zombizou. Chloe only sacrifices herself when there's no one left but her and Ladybug. When the choice is to let the terrorist win or take the hit and let you personal hero save the day. Brave? Sure, but also not growth. Chloe is team Ladybug for all of seasons one, two, and three! She wants Ladybug to like her! Plus even a petty brat can have moments of goodness where they pick a hero over a literal terrorist.
This honestly would have been a damming moment if Chloe didn't sacrifice herself. She functionally had no other choice here. The entire episode builds itself to the self-sacrifice moment so that Chloe is forced to make that choice even though she's been her petty bratty self throughout the whole attack. It's genuinely solid writing.
Then, in the heightened emotions directly after the Zombizou win, we get this:
Miss Bustier: But I hurt a lot of people... Chloé: No... I did... I forgot your birthday, once again. And when I saw everyone had prepared a gift for you, I totally lost it. Because I, too, would've liked to offer you something. I'm sorry, Miss Bustier. Miss Bustier: Thank you, Chloé. Those words are the best possible gift you could ever give me. (hugs Chloé) (Chloé hugs her back, forgetting herself for a moment.) Chloé: Huh?... Uh, yeah. Okay then, we're all good.
A brief moment of vulnerability that quickly ends and does not stick around because Chloe's change was situational, not true growth. The next scene of that episode starts with Chloe being her usual self:
Chloé: Me? You want me to apologize to the entire class? Ridiculous! They should be thanking me for saving everybody.
And ends with the reveal of Chloe's gift to Miss Bustier, which was given in private via a note.
Once again, nothing new for Chloe's character. She acts as she always has, being mean to everyone while having moments of vulnerability when things get tense. Remember that hug between her and her father that we talked about earlier? Same concept. She had just almost died from an akuma attack and so she needed some emotional support, leading her to act more openly loving than she usually does when he's around. Once the moment is over, she reverts to the petty mean girl default.
Giving gifts to placate people is also something that we've seen before. A pretty similar thing happens at the end of Evil Illustrator, it's just played less sympathetic towards Chloe because the writers weren't giving her depth back then:
Sabrina: Too late. Chloé and I are doing the project together. Marinette: You mean, you're doing the project? Sabrina: Well, of course! After all she's been through... Marinette: Ughhh.... Nice new beret, by the way. Sabrina: I know, right! Chloé lent it to me. She really is my BFF! Chloé! Your geography homework's ready!
For any of this to be character growth, we need to see Chloe act differently over time. For her to be put in similar situations and get different outcomes, but we don't see that in part because Chloe didn't change and in part because season one didn't do much to develop Chloe's deeper side. We rarely see her alone or in moments of extreme vulnerability, but you need those moments to show her depth. That's why Despair Bear had Chloe crying alone after Adrien threatened to end her friendship and not before. Chloe is very reluctant to openly show depth. You have to force it out of her, which perfectly fits the character we met in season one.
Even her standing up to Hawkmoth and rejecting the akuma isn't character growth in my opinion. Chloe has always stood up to authority and demanded whatever she wants. She has wanted to be Ladybug's friend and be seen as a hero since season one, so it's not shocking that her extremely strong will would allow her to defy a terrorist. If there is anyone in this show who can stand up to a terrorist on shear "no!" power alone, it's little miss I-always-get-what-I-want. I could see a variation of this happening at any point in the show, just change Chloe's reason for defying Gabriel to match the situation. Rework these lines to be about a party that she wanted to go to and I'd still totally buy it:
Chloé: No, Hawk Moth! I am a superheroine! I am Queen Bee! Ladybug will come and get me when she needs me! I WILL NEVER JOIN YOU! (throws her photo onto the ground as the akuma exits it... and pants)
Chloe acted like a hero here because she wants all the perks of being a hero and can't believe that Ladybug would actually bench her. That's impossible! Ladybug wouldn't do that!
As soon as Chloe accepts that she won't be a hero again, Chloe stops acting heroic because acting heroic wasn't growth. It was her playing a part the same way she played a part in Despair Bear. She was doing what she needed to do to be Queen Bee again and not because it's the right thing to do. This would only be real growth if she rejected the akuma after accepting that she wouldn't be Queen Bee again, but that's not what happens. As soon as she accepts that she's out, she no longer has any reason to play nice. She never grew into a character who did what's right for the sake of doing the right thing. It's always been about getting what she wants or being seen how she wants to be seen. Until that changes, she hasn't changed.
So no, Chloe didn't have an aborted arc. They didn't start to redeem her and then change their minds. All they did was make Chloe one of the most complex characters in the show only to then not do anything with the character they wasted our time establishing, ignoring the complexity they gave her while also cranking her mean dial up to the point of absurdity where she's not even fun in her original role anymore.
I get why it feels like she had an aborted arc. The fact that the character establishment was delayed makes it feel like something shiny and new about Chloe. There's also the fact that the character establishment we get in season two is the kind of character establishment that you'd do if you were setting up for a redemption arc, but that doesn't change the fact that it was all establishment work. None of it was a true arc where we watched Chloe grow. We just saw her put in situations that revealed hidden depths.
Her showing depth is not her growing because when in the world does she show off this supposed growth? She only acts differently in the type of scenes that we've never seen her in before or around characters that we've never seen her truly interact with before. When she's around the established teen characters or in her usual scenes, then she acts the same way that she always has. We never see her be genuinely nice to Marinette or something like that. She's only nice to Ladybug and she's still rude to Chat Noir. That's not character growth! That's character establishment that can then be used to guide character growth!
Same thing goes for the stuff in Despair Bear. We learn that Adrien can push Chloe to be better, but he never does it again and she reverts as soon as he lets her off the hook, so it wasn't character growth! It was just Chloe establishing that she can play nice when she needs to. This means that she could grow if the story chose to take her down that path because we've established that she knows what being nice looks like. Fake it til you make it plot go, go, go! But the plot never went, went, went so meh?
Add in the fact that season one was a bit of a test season with lots of elements that got dropped and the fact that characterization in this show has always been wildly inconsistent from episode to episode and I'm really not seeing a strong argument for Chloe having an intentional arc that somehow got aborted. People just saw the potential for her to have one and argue that potential is the same as an aborted arc when it really, really isn't.
To give an analogy, Chloe's story is like walking into the kitchen and seeing grandma laying out the ingredients for her famous chocolate chip cookies. We get excited because, hey, cookies! Then we come back an hour later and there are no cookies. Nor is there some other sweet that uses the same ingredients. There's just ingredients, sitting unused in their original packaging, making us wonder what the heck grandma was up to. At the same time, she never really started making cookies. She just set out ingredients. They're still there, totally unused, waiting to be made into something, so we can't call them a failed cookie attempt. That implies a level of commitment that was never there. She didn't even say that she was making cookies! We just assumed she was because we, understandably, wanted cookies and wanted to believe that grandma had a purpose to her actions.
#ml writing critical#ml writing salt#chloe deserves better#I did initially think that they were going to redeem Chloe#But they only ever did the initial setup work#They never committed to anything#In fact I though Queen Bee's intro was the writers saying that she wouldn't be redeemed#And that the hero Chloe thing was just a fakeout to make people watch season two#Which is still what I think Queen Bee was#The writers love cheap fakeouts like ending a season on a mass reveal that then goes nowhere#Chloe's writing is par for the course and not anything especially bad compared to the rest of the show#Queen Bee was just an excuse to make you keep watching#Chloe was never getting redeemed or even properly damned#Is that deeply frustrating? Yes#But it's also the most logical read of her story with strong backing in the text itself#I'm not a fan of the conspiracy theories about the writers sabotaging her on purpose#That's just not how this goes#Sorry to disappoint but occam's razor applies to writing too#Bad writing is just infinitely more logical than a bunch of writers purposefully risking their careers to get back at online randos#Chloe stans are just not that important or influential#I can point to so many shows where people came up with insane theories to justify the bad writing and it's just...#I get the desire for complex reasons to explain why a thing you loved failed you but that's just not a logical conclusion in most situation#Nor is it all that healthy to go down those conspiracy rabbit holes. That's just going to damage your mental health#Curious to see the reaction to this one#Remember we're talking about fiction here and play nice please
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moeblob · 6 months ago
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Every single time I draw for an anime I think to myself "never again will I draw for an anime" and then I am proven wrong. So here, take my daughter Lulu.
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t-u-i-t-c · 10 months ago
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make me choose
atsuhiro inukai as sento kiriyu or atsuhiro inukai as hozumi yutaka → atsuhiro inukai as sento kiriyu
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mellotronmkll · 15 days ago
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GOD there is nothing more frustrating than being like oh Yay there's a guitar tutorial for this song I want to figure out how to play and watching it and it's just like completely inaccurate . Like nevermind then
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dollypopup · 7 months ago
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i choose to live in denial about the fact that there are so many desires for 'Babies Ever After' in Polin immediately following the conclusion of season 3 because like. . .this woman is nineteen!!! at the start of it all she should be at the club having a panic attack! and at the end, she should be getting railed up and down the European coast by her hot husband who has miraculously good pull-out game!
we are not the same!!!
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thebirdandhersong · 1 month ago
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Lol
#theres nothing quite like your mother saying Well maybe you shouldve been more careful because now your boss might think youve been flirting#with this male coworker (whom i like splendidly as a friend) and now maybe she thinks youre not trustworthy#and maybe she regrets hiring you because you said you feel like youre making a lot of mistakes this week and she might assume thats because#your head is filled with this boy.#so dont make her regret hiring you.#MA'AM I TOLD YOU I WAS ALREADY ANXIOUS BECAUSE I MADE SO MANY MISTAKES TODAY WHY ARE YOU MAKING ME ASHAMED#OF SOMETHING THAT I HONESTLY HAD NO CLUE I OUGHT TO BE ANXIOUS ABOUT AT MY FIRST NEW JOB AFTER IVE GRADUATED????#anyway going to bed i cant take this anymore LOL she said it so lightly and im like. well i never even considered#being afraid of making my boss regret hiring me somehow because of some kind of behaviour that i had no idea was sending some kind of signal#anywaysssss 😭😭😭😭😭😭😭#and then she was like why are you crying?? 💀💀💀💀💀💀💀💀#not to be like this is partly why i didnt want to move home but confound it all why are things like this#can i not simply confide in my mother my anxieties and worriws#worries#and not also have to worry about her potentially being like Well have you considered you ARE right and it IS your fault?#idk man something something firstborn child eldest daughter can i have some room to breathe. please#also not to whine but Not my father walking in on me eating dinner at 10pm because i was holed up#in my room in a semi depressive state after so many gong shows in a work day and straight up having no appetite#but deciding my body needs the food anyway its better late than never.....walking in and then saying#you know if you eat this late you'll gain weight. SIR??????????????????#sorry to complain and rant again i simply cannot in this house and whats more am doing my best to honour my parents#but why is it so hard out here and how can they say stuff like that with a smile!!!!!!!#also i DO have an inner critic who is always like Its your fault you are the worst you should be ashamed always........why do my parents#not understand after knowing me for so long and watching me grow up#that i can make myself so ashamed of the smallest thing so easily and that what they say drives me to shame almost as easily?#ANYWAY LOL WHAT A DAY#you guys!!! i am working so hard i promise i PROMISE I am!!! it is my first full time job ever and i am working so so hard#i am doing my absolute best and no one sees it and that is FINE i just wish my parents would see that i AM trying!!#i come back home so dead every single day because i put in 120%! this is literally my first job after graduation#and my parents KNOW this has been the most exhausting taxing and soul crushing year ive had in my very short life so far
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narugen-moved · 5 months ago
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i seriously need more narumi and mina moments because just imagine the relief mina felt when narumi joined, similar age to her and was also considered a prodigy in the force.
to have someone to share the burden of the defence force’s future with must’ve felt so freeing. because before he joined it was just her, age 18, being told that she was going to change kaiju extermination with her exceptional synergy with firearms. and she was so, so scared.
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narumi doesn’t have the kind of skills or talent for long range combat like she does, but he’s also a top candidate (despite his behavioural issues- which aren’t much of a hinderance anyway) and mina doesn’t have to carry the burden of the future alone anymore
(although she’d never admit, given she probably views narumi as someone completely shocking i just think it’s so funny how she stood there like O_O when she first saw him)
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like i LOVE seeing the contrast. mina who was sent onto the battlefield for the first time and was deathly afraid vs narumi who was sent out and immediately took action because that’s how he always lived (fighting)
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and now they’re the top two strongest captains in the force and they will be the ones to lead the new generation..
#egg boils#IM SOOO BONKERS SORRY THEYRE MY FAVES I WANT THME TO HAVE AN IMPACT ON ESCH ORHEF SO FUCKING BAD.#consider this: narumi teaches mina to be less serious. to stop holding onto the burden of others and her team mates and Fight because she#wants to. hold onto ur weapon clench ur teeth because you WANT to be here and protect lives and not because You feel like you have to ashir#and mina teaches him abt team work and yes you can work along but And maybe having to consider ur team members IS burdensome for u but isnt#it nice to have someone watch ur back? for someone to Help you narumi#please please show me how they’ve influenced each other I KNOW DAMN WELL THEY HAVE. I INOW IT. matsumoto please.#i will never be over mina and how genuinely AFRAID she was#ashiro mina my absolute beloved#narumi tells mina to stop being so freaked out all the damn time because you have your team mates don’t you?! always talking my ear off abo#about team work but you can’t even trust your own comrades?!#mina tells narumi that HE keeps acting recklessly because he doesn’t trust his team mates either!!! they’re perfectly capable too#ohhhhh i’m sick im sick i want mina to knock some sense into narumi and vice versa i want them to be the reason they trust their units to#SUCH a degree now. i want them to be the reason why they stand for their men so strongly (narumi immediately pouncing on no.9 when he showe#kikoru isao’s face. mina’s anger and appreciation when her unit stood their ground against no10.#mina#narumi#kaiju no.8#they’re my top two of course i’m making this shit up. i need it so bad bside please please please#i know she grit her teeth and got used to be alone when she subjugates from the roof top but CONSIDER narumi the delinquent but extremely#capable recruit being the one to show her how to live less in fear#i need a tag for them#don’t be stupid#okay that’s it that’s my tag#kn8 spoilers#sorry again. tagging for myself#narumina
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mischievousmoony · 2 months ago
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I CANT KEEP SEEING THAT THEYRE DEFROSTING AD PLEASE RELEASE ME FROM THIS HELL
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starjunkyard · 7 months ago
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"Im not even sure anymore if we get to choose who our friends are" There is a part of me that resents you for making me a worse person than i want to be but i am inexplicably uncontrollably drawn to you. You make me a worse person which is the last thing i want yet i want you in every way. If i could leave i would. Maybe i can but i dont want to. I have fun with you. You challenge me and you captivate me and you push me and pull and run circles around me and it makes me feel like a younger man. For the price of being a worse person i get to feel truly, wholly alive. You are the blood that runs through my veins; vital, inseparable. I was reborn when i met you and you are the womb that haunts me. You are the one person on planet earth who knows me. I wish i could leave, move on and be the man im supposed to be but my heart is tied to yours in a gordian knot. There is a part of my soul that rests in yours, magnetic. For as long as i love you i cannot be better than i am. But maybe thats something i can learn to live with. Gregory House-- I think you're worth it.
#house md#james wilson#gregory house#hilson#johan being crazy about yaoi md#johan's mindpalace#Im crazy#like im tearing up#this scene is so romantic it genuinely makes me nauseous#the lowlight setting the lingering stares the soft little smile a dam thats finally broken#I need a 12 gauge bullet in the thigh#Please watch this scene screencaps do not do it near enough justice#do you know whats so genuinely actually sickening#its been months since i finished house md#and i have not watched a single show that has managed to fill even a quarter of the gaping bleeding hilson shaped hole in my heart#shows that have actual gay people actual representation and not a single one has managed to alter my brain chemistry the way hilson has#since day 1 episode 1#Like its actually nauseating a little its so over for me for the rest of my life#Like im actually never recovering#people say “they dont make xyz like they used to haha” But Guys they Genuinely dont#Im going through withdrawls#I need my yaoi cocaine so bad but my plug died 12 years ago and i cant fucking Move#House md capital of fatphobia homophobia transphobia early 2000s edgy humour outshining modern shows with actual rep like im sick#Its not even because i want to like i feel like there are worms in my brain. I feel like ratatoullie if the rat was evil#This is not what the stonewall riots were for#I feel like so nausous why couldnt i be crazy about an actual gay pairing like a normal gay person. Im gonna throwup#Why couldnt i like music and girls#Its not even that house md is objectively logically better than these shows like no. Im just crazy#Im so sick they make me so sick i feel like there are worms in my head. My head#Dont know when i will ever be onorlmal again. Sorr
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weepingfishturtledragon · 1 year ago
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This is a rant about "The Boys" comics parody version of Billy Batson/Shazam!
TW: Ranting, swearing, "The Boys" comics, and mention of S/A
You guys know about "The Boys" comics and how they did a side story of a fake Billy Batson where they made him a r*pist. WHAT THE FUCK!!!! You're telling me they made a kid into one of the most disgusting kinds of people in the world when he could have an incredibly unique perspective of the universe in "The Boys"!
I know the comics are meant to show the evil side of superheroes but that can be done in infinitely better ways! Like showing how Vought would react to a potentially powerful child supe, showing how the people closest to supes change in response to the powers, showing how complex figuring out new powers are (especially as a child), showing how power can turn the most innocent people in society evil, showing how others might seek to control or manipulate the child, showing how the child may unintentionally cause harm to themselves or others due to a lack of understanding of the consequences, showing him idealizing superheroes and finding out the truth in his adult form, showing ect…
Literally anything else would have been better but the writers decided they wanted a cheap shocking side story! If they do add Billy into the tv show then they better change the story or not add him at all because I will not stand for this bullshit!
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elwolfen · 1 month ago
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God... Steven Universe is so good
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coulsonlives · 1 year ago
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Omg, Dante Basco ships Zutara! My life is complete.
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waterfallofspace · 1 year ago
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Where A/tsushi accidentally (?) runs into a struggling A/kutagawa at the grocery store. D/azai might have arranged the whole thing.
First time voicing these guys, but I had to give it a shot for @goodlucksnez's birthday!! Vic I hope you know how deeply loved/cared for you are, and that you never listen to the absolutely ridiculous voices that tell you otherwise!! (Whether in your own head, or out of it <3)
(Quick drawing added last minute, dropping bigger version under cut~ Not snz, but that miiiight come later <333)
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