#planning i guess?

[bacchuschucklefuck]

couldnt draw my thang for mid-autumn so treated myself to a calne redesign instead

[hosseinis]

the thing about the mummy movies is that you really spend most of the time thinking "wow brendan fraser's character is so cool" or "man oded fehr is so mysterious and heroic" when the fact of the matter is that these two

are the absolute most batshit insane heroes in the entire franchise

these two are intellectual loner siblings with archeology backgrounds who read and speak ancient egyptian, hire a dude directly out of prison to take them to a lost city of gold, and fight mummies literally with their bare hands. twice.

no one in these movies stands a chance against the carnahans. frankly they're lethal in how willing they are to make the absolute and most undeniably deranged decisions. jonathan pickpockets a dude on fire. evy's resurrected from the dead and immediately remembers how to use sai. they're racking shotguns from a cliff in this scene and then proceed to blow away half the antagonists.

rick and ardeth should be so lucky

[a-method-in-it]

You know that Chris Fleming line that goes "Call yourself a community organizer even though you're not on speaking terms with your roommates"?

I honestly think every leftist who talks about the "revolution" like Christians talk about the rapture needs to spend a year trying to organize their workplace. Anyone who sincerely talks about building a movement so vast and all-encompassing that it overwhelms all existing power structures needs the dose of humility that comes with realizing they can't even build a movement to get people paid better at a badly run AMC Theaters where everyone already hates the manager.

[daisybell-on-a-carousel]

Being someone who read Under The Red Hood and came out with the firm belief that, for Jason, it's not about killing Joker, it's about Jason wanting proof Batman would choose him over the Joker (bc shelia chose the joker). Makes seeing any other media where it's all about just wanting the Joker dead is a teeny bit frustrating. to be honest

Jason could've killed the Joker himself, really, really easily. Jason kidnaps the Joker before the confrontation. I can't open my comic for a reference right now, but it felt like he had the Joker for quite a bit before the confrontation. He had him. He beat him up with a crowbar. He had every single opportunity to kill the Joker himself, but he didn't because that wasn't his goal. Make no mistake, he did plan for the Joker to be dead by the end of it, but do you see what im trying to say here

Edit: If I knew this post was gonna get 1000+ notes I would've tried to word it better or something, this was a rant I made on the way to the grocery store 😭

It's not about making Batman kill either. When Batman says he won't kill, Jason adjusts and goes, 'Let ME kill the Joker or kill me to stop me' instead. The test is all about Batman choosing him. The whole final confrontation is Jason's first death again. The parent, The Joker, and the explosives. It even ends with Jason unable to move as a bomb goes off right next to him again because the parent didn't choose Jason. And instead tried finding an option that'd benefit them and (consequencely) letting the Joker walk, again, lol, lmao <-in agony

[egophiliac]

we were fucking ROBBED

[cable-salamdr]

WARNING LEAKS MENTION/ SPOILERS OR SOMETHING

Insert the first few lines from Without Me by Eminem

[camembri]

you wanted zoro to be on whole cake island to fulfil your weird desire to see zoro punish sanji. I wanted zoro on whole cake island because I think he's stupid enough to right place wrong time the plan and accidentally marry Sanji in full view of the whole wedding party in what becomes the most elaborately constructed comedy of errors ever written. we are NOT the same.

[wasyago]

a random ranchers design for fun, realized i haven't actually drawn them properly except for that one time hurriedly on paper

[cabinette]

Christ, hold me like a knife

[technically-human]

Welcome to the reverse verse! This is part 1 of 2 of a commission for @i-am-as-normal-as-you-are and I can't wait to tell you all about it, because I'm incapable of being normal and chill about these concepts, so I ran with it.

Charles Rowland was born in 1900, his mum was from India and moved to the UK after marrying Charles' dad, a soldier who was not... very loving. Charles' heritage gave him some problems, but none as bad as that one time in 1916 when he was sacrificed to a demon and spent the next 7 decades in Hell. He doesn't like to talk about it, except when it can get him what he wants. He was always an angry boy, or so he thought, but after his time spent in Hell, it became so much worse. He's explosive and unpredictable, and so he mostly avoids conflict. He doesn't need to fight anyone, as his charming personality and sweet smile (plus a few smart calculations) always seem to be enough to convince people to give him what he asks for. And when the fight is inevitable... well, he has Edwin for that!

Edwin Payne grew up very sheltered, in a deeply religious home, and he is proud of that. Don't try to argue with him, because he surely has a Bible verse that will help him win (and if not, he is not above using his croquet mallet now that he has someone to keep safe). Unfortunately for him, he realized at a quite young age that he felt attraction towards other boys. Even worse, somehow other people could tell as well, including those peers that ended up killing him for it (the rumour spread throughout school was that he had died due to AIDS, and most people just accepted it). He never acted on those unnatural urges of his, but when he met this ghost who had just escaped Hell... he decided not to risk eternal damnation, and to stay here with Charles, instead. Edwin has no interest in the supernatural or in magic, and sort of looks down on them, but luckily his friend's got that covered.

[arch-angel-o]

Well this definitely didn't take me a long time but alas, more stuff based on my gameplay

I watched Leshy run through the whole cult grounds in slowmo to fight with Narinder, truly loving his dedication

[stervrucht]

Part 2 of some art to @cuips-not-cute's fic Blinking Red Light. As a treat🙈

[rocketbirdie]

face value

[labselkie]

Olivia Octavius X Male Reader headcanons

• She leaves you for a woman.

Edit im tired of this gaining traction. If you ever reblogged this you ship labseal sorry not sorry

[notbecauseofvictories]

Watching this again, it becomes incredibly clear in s3 that Nate is teaching Parker how to run her own crew. He fully anticipates that she will be his legacy, and more than anyone else---more than Sophie or Hardison, more than Eliot (though I would argue that Eliot never even slightly wanted it)---he is teaching her how to take over, think like he thinks and plan like he plans. He fumbles some of the emotional stuff, never actually tells her explicitly...but by the time you reach s3 he's clearly all-in. He's decided. Parker is going to be Nate 2.0, with different more exciting bugs than the 1.0 version.

[cookinguptales]

You know... I had an experience about two months ago that I didn't talk about publicly, but I've been turning it over and over in my mind lately and I guess I'm finally able to put my unease into words.

So there's a podcast I'd been enjoying and right after I got caught up, they announced that they were planning on doing a live show. It's gonna be near me and on the day before my birthday and I thought -- hey, it's fate.

But... as many of you know, I'm disabled. For me, getting to a show like that has a lot of steps. One of those steps involved emailing the podcasters to ask about accessibility for the venue.

The response I got back was very quick and very brief. Essentially, it told me to contact the venue because they had no idea if it was accessible or not.

It was a bucket of cold water, and I had a hard time articulating at the time quite why it was so disheartening, but... I think I get it a little more now.

This is a podcast that has loudly spoken about inclusivity and diversity and all that jazz, but... I mean, it's easy to say that, isn't it? But just talking the talk without walking the walk isn't enough. That's like saying "sure, we will happily welcome you in our house -- if you can figure out how to unlock the door."

And friends, my lock-picking set is pretty good by this point. I've been scouting out locations for decades. I've had to research every goddamn classroom, field trip, and assigned bookstore that I've ever had in an academic setting. I've had to research every movie theater, theme park, and menu for every outing with friends or dates. I spend a long time painstakingly charting out accessible public transportation and potential places to sit down every time I leave the house.

Because when I was in college, my professors never made sure their lesson plans were accessible. (And I often had to argue with them to get the subpar accommodations I got.) Because my friends don't always know to get movie tickets for the accessible rows. Because my dates sometimes leave me on fucking read when I ask if we can go to a restaurant that doesn't keep its restrooms down a flight of stairs.

I had one professor who ever did research to see if I could do all the coursework she had planned, and who came up with alternate plans when she realized that I could not. Only one. It was a medical history and ethics class, and my professor sounded bewildered as she realized how difficult it is to plan your life when you're disabled.

This woman was straight-up one of the most thoughtful, philosophical, and ethical professors I've ever had, one who was incredibly devoted to diversity and inclusion -- and she'd never thought about it before, that the hospital archives she wanted us to visit were up a flight of stairs. That the medical museum full of disabled bodies she wanted us to visit only had a code-locked back entrance and an old freight elevator for their disabled guests who were still breathing.

And that's the crux of it, isn't it? It's easy to theoretically accept the existence of people who aren't like you. It's a lot harder to actively create a space in which they can exist by your side.

Because here's what I did before I contacted the podcasters. I googled the venue. I researched the neighborhood and contacted a friend who lives in the area to help me figure out if there were any accessible public transportation routes near there. (There aren't.) I planned for over an hour to figure out how close I could get before I had to shell out for an uber for the last leg of the trip.

Then I read through the venue's website. I looked through their main pages, through their FAQs to see if there was any mention of accessibility. No dice. I download their packet for clients and find out that, while the base building is accessible, the way that chairs/tables are set up for individual functions can make it inaccessible. So it's really up to who's hosting the show there.

So then and only then I contacted the podcasters. I asked if the floor plan was accessible. I asked if all the seats were accessible, or only some, and whether it was open seating or not. Would I need to show up early to get an accessible seat, or maybe make a reservation?

And... well, I got the one-sentence reply back that I described above. And that... god, it was really disheartening. I realized that they never even asked if their venues were accessible when they were booking the shows. I realized that they were unwilling to put in the work to learn the answers to questions that disabled attendees might have. I realized that they didn't care to find out if the building was accessible.

They didn't know and they didn't care. That, I think, is what took the wind out of my sails when they emailed me back. It's what made me decide that... yeah, I didn't really want to go through the trouble of finding an accessible route to the venue. I didn't want to have to pay an arm and a leg to hire a car to take me the last part of the journey. I didn't want to make myself frantic trying to figure out if I could do all that and still make the last train home.

If they didn't care, I guess I didn't either.

If they'd apologized and said that the only venue they could get was inaccessible, I actually would have understood. I know that small shows don't always get their pick of venues. I get it. I even would have understood if they'd been like "oh dang, I actually don't know -- but I'll find out."

But to be told that they didn't know and didn't intend to find out... oof. That one stung.

Because.... this is the thing. This is the thing. I may be good at it by now, but I'm so tired of picking locks. I'm tired of doing all the legwork because no one ever thinks to help me. I'm tired of feeling like an afterthought at best, or at worst utterly unwelcome.

If you truly want to be inclusive, you need to stop telling people that you're happy to have them -- if they can manage to unlock the door. You need to fucking open it yourself and welcome them in.

What brought all this back to me now, you may be asking? Well... I guess it's just what I was thinking to myself as I was tidying up my phone.

Today I'm deleting podcasts.