#part two: Claudia

[weather-mood]

actually what I really would love to write, well research and write, is like a 5k-ish length essay re: iwtv and fairytales with references and a proper bibliography which is a much lot longer and time consuming prospect but it would scratch that itch in my brain so so precisely

[love-filter]

It has been one of the most magical working experiences of my entire life and career. I have loved every second working with Jessica Madsen. I think she's made from heaven. — CLAUDIA JESSIE on working with Jessica Madsen, Bridgerton BTS.

[in-kyblogs]

Devil’s Minion hints - Part II // link to Part I

Part II Ep 8

- what to say of the whole ‘disregard’ debacle, well. Why do you have such an antagonistic relationship to the former house servant Daniel? What is it about him that makes you even more uncomfortable than Louis, the vampire you actually remember attacking you and almost killing you, does? Arguing as foreplay, as you say. Also clearly the memory wipe doesn’t totally erase feelings: he is angry at him even if he doesn’t remember the psychological torture, but at the same time there’s no fear. Only a need to rile Armand up. (Also Armand are you trying to look extra slutty for Daniel sitting like that? What are you doing with the unbuttoned shirts, really.)

- Mr. Molloy count: 3

- Armand is so sick and twisted btw for that little smirk when Daniel says he’s ‘a bright young reporter with a point of view’. No remorse in sight none. He’s like ‘yes you are. Do you remember who said that to you? Because I do’. My favourite sicko

- When Armand says that journalism is Daniel’s drug, wow he did really clock him. Have you seen that post about Daniel chasing an high from the adrenaline of interviewing dangerous people? Yeah. Armand really does understand him on an intimate level, like the comment in the season 2 finale also reveals. Probably too good an understanding for a superficial-I tortured you once-acquaintance. On the other hand torture sure is an intimate experience to share with someo[gunshot]

- the little wistful smile he has when he talks about ‘the boy we met in sf’.

- the way Armand can’t help but smile at Daniel’s sassy comments directed against him. Like he should want to kill him for the disrespect alone why does he seem almost fond of this insufferable human?

- I am so impressed with this episode by the way. Before seeing this season I was like ‘one hour of ww II Europe? Grim.’ I though I wouldn’t like this one and in the end it ended up being one of my favourite episodes. It’s really a character study and I loved that. Also great job at woveing in European politics (the soldiers saying ‘speak Russian’ and Emilia refusing and speaking romanian, the complex intermixing of cultures in Eastern Europe with the whole urss situation is a big thing we still see the effects of today). Usually I don’t trust at all US shows to talk about eu politics and history without making it usa centric in some way but they proved me wrong here. 9/10 episode all in all

[uniqueearthquaketimetravel]

Stunning 🥰

[ruthariandbluecookies]

~DiScUsSiOn TiMe!~

I know how people are voicing speculation and concepts and stuff about how Leola might come back because of how Startouch Elves are "immortal beings of the cosmos" and just, like, exploded.

Like, IF she did come back, would she fall out of the sky like a shooting star and her star, the brightest star in the sky, "Leola's Last Wish" would just... disappear? 'Cause that'd be a catastrophe for navigation. Or would she just appear/spawn like... BAM! Would Aaravos sense if she came back or be entirely ignorant to it?

On the topic of Aaravos, if Startouch Elves DO come back, why wouldn't he want to join her in the stars so that they could rejoin the world together? Why wouldn't he spare himself having to mourn his literal CHILD? Because he doesn't want her to be forgotten? Because he wants to AVENGE her? He could do that even if he came back with her, so I don't know.

Back to her coming back, wouldn't it be funny if she just-so-happened to come back, say, near The Silvergrove. And Ethari, who had been going to pick moonberries or something, just-so-happened to find her?

So, we have a lost little Startouch Elf and a depressed Moonshadow elf who thinks his husband is dead and all he knows about his daughter in all but blood is that she's alive (because of the lotus). Obviously, he'd take her in, he's ETHARI.

Would he tell the rest of the village or hide her away? That, I don't have an answer to.

If he told the village, I doubt they would do anything besides kill her or something. I mean, look what they did to Rayla. They GHOSTED (a fate worse than death to them, I'm sure) a fifteen year old with no clear evidence besides the fact that she was the only one alive from a practically SUICIDAL mission (it definitely goes deeper than that and I might make a post about it, but don't count on it). I wouldn't call people like that the voice of reason.

So, it'd probably be better if he didn't tell them and instead hid her away.

However long he takes care of her, I'm sure they talk and grow closer. Leola comes to see him as at least a bit like her father after getting over her panic of appearing in an unknown place, which was definitely by no means terrifying.

And Ethari? He has something to live for again. A person to take care of. And maybe Leola reminds him a bit of little Rayla (minus all the sharp bits).

Meanwhile? If Aaravos CAN sense Leola, then let's say he can also sense where she is. After finding out his little girl, the whole reason he's doing all of this is alive, I'm sure he drops everything and goes after her (of course, Claudia and Terry will go to).

Once he gets there, since he's a Startouch Elf, and one of the "Great/First Ones", he'll easily get past the illusion shielding The Silvergrove.

With Claudia, he probably razes down The Silvergrove, kills some elves until he finds her. When he does find her? He sees a Moonshadow Elf standing over/shielding her. I doubt that goes over well. To Claudia, it'll probably look like the Moonshadow Elves kidnapped her, so she'll 100% be on Aaravos's side.

Anyways, since Claudia is a dark mage what if she puts them all into a coma or sleeping trance, or turns them to stone, or they just all evacuate and no one knows what happened to them, or something else entirely?

Staying true to the "turning your enemies to stone" thing, after Aaravos gets Leola, wouldn't it be cool if Claudia turned all the elves to stone like her father did to Avizandum? And Ethari, while turning to stone, brings a hand to the sky and casts a spell that's like a flashbang that brings attention, and promptly turns to stone completely while a singular tear falls from his eye (Avizandum parallels, anyone?).

After that, they leave to continue the plan (no matter how much Leola pleads for them not to and tries to stop them even though she doesn't really know what's going on because that's her DAD).

Then, when Rayla and Runaan are close to The Silvergrove to tell Ethari that Runaan is alive (which they won't get the chance to do now), they see the words "Silvergrove has fallen" blazed into the ground (because Aaravos is dramatic) and are both horrified. Then they get there and see Ethari's statue (and just AAAAAGGHHHH). I need to see their faces and how they'd react to that.

They both think in their own ways. Rayla probably blames herself (she just lost one of the two parental figures she has left after saying goodbye to the other two and most likely thinks this happened because Aaravos and Claudia were trying to get at her (maybe Runaan even blames her a little, if subconsciously).

Runaan on the other hand? It's terrifying for him. HE'S the assassin, Ethari knew when he married him that Runaan would probably die on a mission. But Runaan? It's HIS job to be in danger. ETHARI'S supposed to be SAFE in The Silvergrove. Runaan's not prepared to lose Ethari because he always knew/thought that he'd be the first to die. He's not prepared to live in a world without him (so now he's going through the grief of his partner dying, the exact same thing Ethari was/is, but Ethari had been prepared for it (not that it made it hurt any less)).

Obviously, they're frustrated because they can't do anything right now because of Aaravos and swear to find something to free him and everyone else afterwards (maybe even get so angry that they try to do/do something rash like go after Aaravos?).

And that isn't even going into how Terry feels when Aaravos and his girlfriend raze a whole VILLAGE to the ground and turn EVERY ELF into stone, including the CHILDREN. That's bound to make him think over some things and which side he should really be on.

Or, what if we move onto a new concept. Everything still happens like this, except Leola's not in it. Like, Aaravos burned down Katolis, which was Callum and Ezran's home, so what if he tries to burn down The Silvergrove since it's Rayla's home (even if it's not really anymore, she'd still be devastated). I doubt he knows that she comes from specifically The Silvergrove, but he's Aaravos, so I'm sure he'd find out easily, adding the fact that he has a dark mage on his side? Piece of cake (now I want cake, specifically chocolate).

Anyway, I know this definitely won't happen in season 7, but, it IS a cool concept, at least to me (and I'd love to hear your thoughts on it!).

[faithandfairies]

Positions of Power

So, Interview with the Vampire famously examines the questions

What happens if one decides not to love or choose someone in a position of power who wants to be loved and chosen?

When the person in the position of power can then wield said power to decide the fate of the person that doesn't love or choose them as well as the fate of those that person does love? To hurt, destroy, help or save said person?

And it does this through all of its relationships although it's most obvious through the relationships between Louis and Lestat and Louis and Armand.

And it starts immediately with Louis the pimp. You see, Louis starts out in positions of power in all of his relationships. Or so it seems.

Lestat actually names them all starting with:

1.The stern landlord=the pimp/building and business owner

He is in a position of power as the pimp that governs his girls. We see this starting with ms. Bricktop Williams when she insults the alderman and Louis doesn't actually punish her for it. He also doesn't punish the girl who yells at his brother. He does punish his brother for making him look "weak" on Liberty street, therefore threatening his position of power. One wrong move in how he governs his girls or his brother could lead to him losing this position.

2.The deferential businessman

Louis has made it as a black man. As a successful black businessman he has made himself a place among the white businessmen but his position is precarious. It requires him to defer to them in order to keep that position. And once he stops doing that, once he stops "knowing his place" by having a white same sex life partner in plain view, who is richer than all of the other businessmen combined and then makes power grabs for businesses he shouldn't want ownership of, he eventually loses this precarious position of power he once held.

3. The loyal son

Louis is also in a position of power at home. He's the successful businessman keeping his family's heads above water and bringing them honor by taking care of them as a loyal son should. He controls the money for the family. He takes care of the family financially. He owns their ancestral home because his father left it to him. He even mentions to Daniel I believe that he's not just the eldest son, but the favored son. The caveat to him maintaining this position isn't what his business entails as in having a respectable business, but his loyalty to the family, to his mother. It initially seems like he's allowing for it to look like his mother is in control by having her take credit for financial purchases of his. But later it turns out to be the other way around, his mother was always in control. Because the moment he fails to fulfill his father's dying wish "to properly take care of Paul" and then also follows it up by moving in with Lestat and barely coming home, he loses the position of the loyal son and it is his mother that takes this position from him directly and gives it to Levi. And it no longer matters that the house belongs to him or that he was the one financially providing for his family.

Enter Lestat.

Who is fascinated by this man who has managed to crawl his way up to the top of the food chain in his world in spite of his race and initial financial state making it seemingly impossible.

Lestat is also at the top of the food chain in his world. In his world, he is in THE position of power and there's very little above him. Especially since he's apparently the only vampire in New Orleans at that time.

In relation to Lestat, Louis wields almost no power. Louis' is a black human. And Lestat is a white sadistic, manipulative vampire, a predator, with an endless supply of funds and to Louis largely unknown ancient powers he's been honing for over a century and no qualms about using his toxic traits against Louis. Louis' power lies in the fact that Lestat is in love with him but even that has its limits. The caveat is that Louis has to love him, choose him in turn. And Louis does, initially. When the power imbalance between them isn't known to Louis he chooses Lestat. He loves Lestat. As his friend. As his confidante. As his lover. For a brief moment Louis chooses to live in the fantasy where he and Lestat can choose each other without there being far-reaching repercussions for him within the society he lives in. Where he can be a black, gay human without it having major unwanted consequences for his businesses, his family and his life as a whole. And then he literally wakes up to the realization that he can't go back on that choice. And that he maybe never really had one. Once Lestat lays eyes on him, once Lestat loves him and chooses him it's game over. Lestat's inherently predatory nature means Louis' time is running out because Lestat's self-control is reaching its breaking point. Louis' only choice then becomes whether he wants nine unlimited lives or just one cut very short by Lestat.

When Louis rejects Lestat at his brother's funeral and then condemns him in the church, Lestat shows up believing himself an angered god ready and justified to dole out judgment on humanity. Reacting to Louis' actions by revealing the sinister side to his powers and clearly revealing the power imbalance. He reveals the breadth of his power in all of its terrifying glory and likens it in words to godly power through which fates of life and death can be decided depending on who is deserving of mercy or not. Showing Louis exactly what can become of him and those he loves if he chooses to (further) anger Lestat.

This, the power imbalance, continues on throughout their relationship. Louis' power comes from the fact that Lestat loves him which he uses to manipulate him and get what he wants out of the relationship. Lestat continues to manipulate Louis as well and continues to hold the power imbalance over his head by displaying said power in big and small ways to try to keep Louis in line within the relationship. Early on I think Lestat also realizes he can use sex to manipulate Louis. Offering it to Louis to distract from the power imbalance, presenting himself as more vulnerable to Louis, making him and Lestat closer to equals which is honestly what they both crave but can never truly achieve. Lestat also tries offering sex to others once Louis no longer has the energy and later the willingness to have it with Lestat, hoping to get Louis to bend to his will (and indulge) when it comes to his appetites. Hoping to restore their sex life and intimacy through it. Which is the one manipulation that doesn't really work. Which means eventually their relationship doesn't work since it hinges on them having similar appetites, human, the blood, each other.

In the meantime Louis tries to hold on to his positions of power in the human world even more so since he holds almost no power in his and Lestat's vampire world. Then he loses those positions of power.

Enter Claudia.

An eternal child, initially as innocent as they come, and physically the weakest vampire among the three of them.

And suddenly Louis is no longer the one with the least power in his and Lestat's vampire world. In becoming Claudia's parents, suddenly he and Lestat are equals. But also, as far as race, culture, history and humanity goes, Lestat is outnumbered. Suddenly Louis is in a position of power not only as the parent who has the most knowledge about Claudia's background having been human and a black human from New Orleans at that fairly recently himself, but to Claudia he's also the favored parent. Lestat allows it and everything is right with the world. Except that it's not. And over time that becomes abundantly clear again.

As a parent, Lestat initially softens more but eventually becomes even more the predator. He tries to regain some of the power he's lost by cultivating the vampire, the predator, within Claudia and Claudia is the eager and prodigious student. Except she isn't just a predator or a vampire, she is now a teenager with teenage human tendencies, wants and needs. Except she's not human. Incapable of and eventually not allowed to indulge in those human tendencies for fear of the human world she desperately wants to be a part of discovering and destroying Louis' and Lestat's little vampire world.

This is when Claudia becomes aware of power. That she has it, much more than the average human, but can't control it and as an eternal child realizing that it pales in comparison to that of her fathers and she will never be able to wield it in the same way that they do. The power she possesses is practically useless to her. Where Lestat was able to wield his love and vampiric power to get what he wanted from Louis initially and Louis was able to wield his power of both his own love for Lestat and Lestat's love for him to get what he wanted, she cannot do the same. Her vampire powers continue to fail her, her love for her parents and their love for her isn't enough for them to give her what she wants and needs to feel fulfilled and she has no love of her own and seemingly very likely never will.

She exists to fulfill Lestat's and Louis' wants and needs, as their daughter, to even out the power imbalance between them in order to improve their relationship with each other. She is not allowed to have wants or needs of her own. This is eventually enforced by Lestat any time she chooses to forget it. Although initially when he thinks she's done her part he allows her to leave, until the 7 year drought makes him realize that in order for Louis' and his relationship to somewhat continue to work and Louis to not peace out permanently from vampiric life and life with Lestat Claudia needs to keep inhabiting the role she has been. Also her leaving again and traveling to Europe of all places could also expose them all to Lestat's actual coven leader, Armand. Lestat's power does not extend to Europe and he knows very well what Armand does to those who disobey the great laws. Her chasing after what she wants could mean death for all of them and Lestat knows this.

And for Claudia to get what she wants from life she needs either

a love of her own

a different role that gives her useful power of her own and/or

for one of her parents to love her enough for it to make a difference.

Claudia, ambitious as she is, goes for all of the above.

Commence the power struggle.

Claudia decides that she already has a love of her own in Louis, the parent that even in her 7-year absence, chose the memory of her over a very there and present Lestat. So Claudia returns. Commence the power struggle. It becomes a game to Claudia, one she thinks she's already won even before it starts. She just needs to tweak the companionship a bit. Instead of simply being his daughter, she'll be Louis' Grace, his Lestat. She won't sleep with him of course, but she'll be all that he needs by loving him better than Lestat or Grace ever did, by being more devoted to him than either of them ever were. And luckily for her, with Grace recently out of the picture that position has just opened up. And Claudia is certain of having what Lestat doesn't know he has and certainly hasn't felt he has in a long time. Louis' love. Given that, all Claudia needs to do is convince Louis to leave Lestat.

Only it was never a game. And if it was, Lestat was never just a player, but the gamemaker. Something that Claudia never realized until she did and Louis had forgotten until Lestat made him remember. In doing so though, by exhibiting his power in all its terrifying glory again in order to keep everyone in line he crosses lines he drew up himself in order to keep Louis with him and preserve the authenticity of as well as reduce the power imbalance in the relationship as much as possible.

Lines such as:

No eating black people or if yes, no letting Louis know about this

Physically hurting Louis and his family members is off limits

No limiting Louis in his human hobbies

No forcing Louis to have sex even if sex is desired

Because the one thing Louis can still do is choose to walk away regardless if Lestat then decides to kill him for it. Either way it will mean Louis is lost to him which is the one thing Lestat doesn't want.

Commence the reset.

In Lestat acting out and treating Louis like a rag doll for trying to protect and potentially choose Claudia, the power imbalance between him and Lestat once again becomes glaringly obvious and in such a way that there's no going back to the way things were. There's no sense in pretending. The illusion of Louis having a choice has shattered. The inherent "Choose me and love me or die." that was barely concealed subtext when Louis became a vampire is now undisputed text. And has turned into "Hesitate to choose me and die." seeing as Lestat didn't even wait for Louis to choose this time.

Lestat almost kills Louis and there's really no coming back from it. Lestat then tries to regain the power and Louis initially by trying to create the illusion of completely giving away the power to Louis. But it doesn't work. Acting powerless doesn't actually make him so as evidenced by past events. The only thing that might constitute a reset is Lestat dying at their hands.

For Claudia it's a continuance of her original plan but instead of just leaving Lestat behind she now decides to completely take him off the board.

Once again it's a power struggle. But I think what changes here is that Lestat no longer really wants the power. He makes half-hearted swipes for the power but his heart just isn't in it. He just wants Louis and whatever will make Louis want him again in return. And Lestat's starting to realize all the power in the world is not going to get him Louis back. Technically Louis has all the power but Louis doesn't really want it either. Louis hands the power over to Claudia. And Lestat grudgingly allows it even though it also irritates and low-key terrifies him. He trusts Louis. He does not trust the mini version of his own sadistic self he raised in his image that is Claudia to wield any kind of power over him.

But the one thing he does trust is that he can outsmart Claudia. Until she wins a game. And then Lestat doesn't know what to think. For the first time Claudia holds the power but only because both her parents are allowing it. And not because it has anything to do with her. No. But because they're trying to find their way back to each other and all their power play has done for them so far is destroy them and alienate them from each other.

With the power in Claudia's hands, without their power struggle between them, Louis becomes numb and retreats into himself and Lestat becomes increasingly antsy and paranoid. Claudia realizes that her parents are like a bottle the top is about to pop off and if that happens there will be another power grab from one of her parents, most likely Lestat. So she tells Louis to pretty much go back to the start. To rekindle the love. With Louis' focus on restoring the love he and Lestat initially had between each other at the very beginning and Louis' heart blown open to Lestat and showing and sharing that love in all the ways between them I think for the first time since their initial courtship Louis and Lestat settle into peace.

And Claudia becomes the odd one out. And even with all the power it is at that point in time useless to her. Both her parents are lost to her, too focused on each other, belonging to each other once again, with her once again stuck in the role of the daughter simply bearing witness to their love for each other, with no love or lover of her own. Even though having fulfilled her role in their lives by removing the power play completely between them by advising Louis to simply allow himself to love Lestat without reservations and pushing him to take her advice. And Lestat following Louis' lead. With Lestat having what he actually wants, which is all of Louis, he becomes less of a threat, which is the goal. And with Louis having all of Lestat, Louis I think realizes this is what he always wanted. For Lestat to not be a threat to them sure, but not because he was dead or incapacitated but because he was completely in love with Louis with no room for anything else.

And so when it's time to eliminate the power source, Louis takes back the power from Claudia forcefully and chooses a reset instead. A reboot.

[rapha-reads]

IWTV rewatch

(how to resume the second half of this episode: *Captain Holt's voice* paiiiiiiiiiiiiiiiiiiin)

Season 1 episode 5 [A Vile Hunger For Your Hammering Heart] - part 2/2

- The way Louis' face is still as a statue as Loustat make their plans. The way you can feel the resentment covering the entire house.

- Lestat immediately shutting down going to Paris.

- And now welcome to the portion I'd like to call "Claudia Suffered More Than [insert your favourite martyr figure here]". Oof, Bruce immediately gives off a bad vibe, more than that white student who is after all only reproducing classic patterns of racism and classism.

- [Louis] "As the depression set in on the nation, I barricaded myself within the dilapidating walls of 1132 Rue Royale, educating myself from Lestat's library, ignoring all other duties of the role Claudia once mocked me for - the unhappy housewife." - was the raccoon really necessary? It is a nice touch, I won't lie, but really hammering in the point: the depression Louis talks about isn't just the Great Depression, it's his own (I like hammering points too, sorry). But you know what, I WISH I could lock myself wherever my books are and just ignore the whole fucking world and everyone in it for 3 or 4 years.

- [Louis] "Flaubert's style is so dense." - L'éducation sentimentale is, I'll admit it, a horror to read (but less than Le Rouge et le Noir, Stendhal really gave it his whole to make that one unbearable). Madame Bovary on the other hand is a gem.

[Lestat] "Louis Armstrong is in town tonight, playing at the Pelican" - when a bookworm introvert dates a music addict extrovert - beware the conflicting schedules and discordant ambiances. (In which I am Louis and the perfect day is a quiet day with classic music playing lowly in the background and a pile of books)

[Lestat] "You sound like every pompous Sorbonne student I've ever eaten." - ... As a former Sorbonne student, I have absolutely nothing to say in my defence (I studied French and English literature and linguistics for a year with a minor in audio-visual media, fyi). I am sadly very self-aware of how pompous I sound whenever I start talking literature. Sorry not sorry. (would absolutely not protest if Lestat decides to give me a visit. Ahem. Who said that.)

- [Lestat] "'You draw me into your gloom.' [Louis] 'It's your fault she's gone. If you hadn't pushed her... ' [Lestat] 'Claudia.' [Louis] 'If you hadn't done your...' [Lestat] 'Claudia, Claudia. I cannot listen to this insanity about Claudia one more time, bordel de merde.'"

I know we justifiably talk about Armand's "Lestat, Lestat, Lestat" litany, but Lestat's "Claudia" is quite good too.

Also, can't quite decipher what Lestat says in French there. English accent too thick. I think it's "ils me chient dans la main [gibberish]" ("they" or maybe "he shits in my hand") but don't quote me on that.

- Bruce's been stalking Claudia for a while, huh. And interesting to note that it's partly Louis' fault, his repetitive calls to Claudia that attracted his attention.

- Louis's destroying that table. I'm going to focus on that instead of whatever happened to Claudia or what Louis's doing to Daniel, no thanks. Just like how Armand immediately calms Louis down, and gonna cheer for that slap, good one, Daniel, well deserved, about time.

- [Lestat] "It could be her, but I am the one who is currently standing in front of you, and unlike Claudia, I am a full-blooded adult... with all the right appendages. So if all my considerable considerables continue to be squandered..."

'Stat... Yeah, I have nothing to say.

- [Grace] "Whoever you are that took my Louis" - yeaaah, if one of my sibling would say that to me, I think I'd just crumble and shut down. But at the same time, kudos to Grace for having the strength to bury her brother while he's standing in front of her and keeping whatever secrets he's guarding.

- [Claudia] "I spent time following Louis and Lestat now that I am my own woman, with no obvious sense of why I follow them, other than meaning slowly disintegrates without them... my companions in immortality. But today at the cemetery, I finally understood something so obvious, which I pondered for a decade... why they made me. To be Louis' sister."

*silently sobbing* It's the way Louis knows that passage by heart, and the way Claudia's prose keeps on being heartbreaking.

It's how Louis curls around his pain, and how Claudia makes herself taller in the face of this pain. It's how they don't even need more than an embrace and a word to make it better. It's how siblings who have gone through the same shit know each other so intimately. It's how that's the moment Claudia goes from daughter to sister.

- [Lestat] "The vampires out there are vicious. Oh. But you knew that already. Who did you meet out there in the American hinterland?" - oh, you are being especially awful, Lestat. I love you but you are being unfair. Even if you fear loneliness and abandonment, even if you've just went through seven years of not getting a single kind word or affectionate gesture from Louis... Lashing out, refusing to tell Claudia the truth about European vampires, the cruelty, the violence... No, that's not a good reason for it. But then again you wouldn't be Lestat if you didn't lash out when terrified and angry.

- Ouch. Contrasting that fight seen through Claudia's perspective with the s2 scene seen through Louis and Lestat's... Shivering. This is baaaaad.

Oh, no, no, no, no, I don't wanna see that part. I don't want to have to think about it and analyse it.

Man, I had forgotten how much that episode fucking hurts.

No, but the way Louis won't even say "I don't love you" not just because he won't give Lestat that satisfaction, because he lives to be stubborn and contrary, but maybe also because after all, after everything, that would still be a lie, and Louis doesn't lie; he forgets, he obfuscates, he redirects, he refashions his memories, but he doesn't lie... Even when his own life depends on it.

Episode insider:

Rolin Jones saying for Claudia "why was I the thing to make up for your mistakes". Yeah.

"This is where we start building the Anne Rice universe. As Lestat rightfully warned her there are wolves around the corner."

"It's the kid that goes 'My parents weren't all that bad. I have gone out and seen life. It is not all easy and conquerable'. And she comes back with hat half in hand, but with a mission - to take the good vampire and continue on with her life, and that is at odds with the other vampire in the house."

"It is about the fight of Louis, the fight for Louis's soul. I mean, in the end, it's 'Everbody Loves Louis', isn't it?" - Louis is catnip for vampires. And honestly I can relate. Did I say lately he's my favourite too...

That shot of Lestat hovering in the air all dressed in black with his hair floating around him while Claudia covers Louis's broken body with hers... Enraged Angel. Oh, that's worthy of a full oil on canvas painting.

Alright. That was harsh. And we're so not done. We love angst and tragedy, yey! *sobbing*

episode 1 | episode 2 | episode 3 | episode 4 | part 1 | episode 6 | episode 7

[blacclotusss]

At fifteen, the innocence was gone astray

Had to take care of home at an early age

I saw Mama cryin', I saw Daddy lyin'

Had to sacrifice and leave my fears behind

The legacy, if it's the last thing I do

You'll remember me 'cause we got somethin' to prove

In your memory, on a highway to truth

Still see your faces when you close your eyes

CLAUDIA - 16 CARRIAGES pt. 1

[pureseasalt]

(holding the mic with trembling hands) iwtv s2e8 was peak tv season ender actually

[lilidawnonthemoon]

[thewingedwolf]

they were doing “is madeleine a pedo for being attracted to claudia” discourse on twitter the other day and i would like it very much if twitter was just nuked as a website lol

[lesbosaur1]

[mikesbasementbeets]

just realized all three boys' parents are standing behind them at will's funeral

these are clearly meant to be lucas' parents, who were then recast for s2, when they took on a more significant role. and mike's parents are behind him which means that these two people on screen right:

are meant to be dustin's parents

[iolaussharpe-24]

I haven't even watched the Interview With The Vampire TV show... but I still dreamt about that version of Louis, Lestat, and Claudia last night.

I don't interact with these guys except on Tumblr, why are they in my dreams?!

I don't understand, but I'm not complaining because I wrote it down and now it's gonna be a story because my dreams can have plots and that one left me on a cliffhanger after jumpscaring me awake before I ever want to wake up in the morning.

[darkmagicmirror]

I wrote this out on Twitter and figured I might as well drop it here, too.

Thoughts on this:

1. Claudia's right and left hand are slightly different because she only has a metal ring on her left hand (while the right is fabric only), so through that you can tell it's not just a flipped image-- it's two separate scenes.

Like it wouldn't be able to even be close to the same scene the way these two are, y'know?

I mean it could happen around the same time, but two different things are happening!

2. Viren's outfit is different: red is the fever dream in his Katolis clothing, while the blue one is actually what he's wearing now :'). Which makes it more possible to be real.

3. The background of the blue one has what looks like the bottom of the ocean. Or something like that. You can see the rocks/ground!

4. Claudia's fingers are extended out more (like stretched out more?) in the new image (prob because in the fever dream she's not awake). Viren's hand looks about the same in that regard, so maybe he's awake?

Though the angle for his hand is a bit different too, so he could be just sinking without being awake. Who knows,

5. There was that one theory about Viren being right-handed normally and left-handed under Aaravos's influence/while possessed, and he's reaching out with his left hand in the fever dream one. Whether this means anything or not probably depends on if that theory is true lmao ;;

Claudia might just like holding his right hand because that's also the hand she's holding in the trailer :P

(/not serious analysis on this part)

Can't really apply the Aaravos-is-left-handed theory to Claudia since she seems to not be particularly left- or right-handed from what I can tell in other parts of the series

Anyway I just want them to be happy and okay please TDP I'm begging,

[pynkhues]

I am very very curious about that tower scene because Sam said in an interview that he didn't think Lestat was at the tower voluntarily--so if Armand put him there, how much of Louis' memory of that scene is accurate? Lestat looks very well put-together for a prisoner, and how is he being kept there? So much about that scene felt intentionally odd (even, and you touched on this in your fic, that Lestat says that he wasn't kept in the room with the corpses/"disappointments", whereas he'd told Louis and Claudia that he was kept in a room with corpses).

I'm really curious too, anon! It definitely feels like one that's going to be revisited, probably in more ways than one given Magnus' tower is such a vital location across The Vampire Lestat, and it makes sense that Sam would say that too given Lestat's not there by choice in the book. Like you said, Armand takes him there after the trial (and pushes him out the window to debilitate him further) and I'm curious as to how much of that the show keeps. They've changed a few elements of that sequence already that I don't think can be reversed - like Claudia's dress ending up with Louis for instance, not Lestat - and the bigger fact of Louis seeing Lestat then at all when in the book Armand tells him Lestat died in the theatre fire even though he knows he didn't).

You're right though that it's an odd scene, both between how good Lestat looked (but then Louis' memories of how he looked at the trial too were coloured by other emotions given the revisited scenes at the end showed how unwell he actually looked) and that change in what Lestat tells Louis about where he was kept in Magnus' tower feels pointed given 2.08 spends quite a bit of time pointing out its own deliberate inconsistencies with s1 moments.

I think like a lot of these scenes, Louis' memory of it will be a partial truth, but it lacks the context that we have (and he now, at least, has some of). I also kiiind of imagine Lestat and Armand are probably talking to each other too with the mind link in that scene, but obviously we're not privvy to if that's happening or what it might entail yet.

I can't wait to see what they do with it.