#painting other people's actual artwork

[kabretoss]

Boy! Trying to dig into the root of art block is such a fucking journey. I'm chasing the tail of an absolutely paralyzing spiral of "I won't draw because I can't draw [to my own satisfaction]" and then knowing, in turn, that I can't draw to my own satisfaction because I won't draw.

I mean this in a quantum superstate of both sarcasm and sincerity: I love that the human brain can understand what's wrong with itself even when it can't figure out a way to fix it.

[llycaons]

being home I'm really realizing wow the nature outside is so much more beautiful than I could ever experience back in the city. the interior of this house though. atrocious. nobody likes this

[chromegnomes]

the most frustrating thing about AI Art from a Discourse perspective is that the actual violation involved is pretty nebulous

like, the guys "laundering" specific artists' styles through AI models to mimic them for profit know exactly what they're doing, and it's extremely gross

but we cannot establish "my work was scraped from the public internet and used as part of a dataset for teaching a program what a painting of a tree looks like, without anyone asking or paying me" as, legally, Theft with a capital T. not only is this DMCA Logic which would be a nightmare for 99% of artists if enforced to its conclusion, it's not the right word for what's happening

the actual Violation here is that previously, "I can post my artwork to share with others for free, with minimal risk" was a safe assumption, which created a pretty generous culture of sharing artwork online. most (noteworthy) potential abuses of this digital commons were straightforwardly plagiarism in a way anyone could understand

but the way that generative AI uses its training data is significantly more complicated - there is a clear violation of trust involved, and often malicious intent, but most of the common arguments used to describe this fall short and end up in worse territory

by which I mean, it's hard to put forward an actual moral/legal solution unless you're willing to argue:

Potential sales "lost" count as Theft (so you should in fact stop sharing your Netflix password)

No amount of alteration makes it acceptable to use someone else's art in the production of other art without permission and/or compensation (this would kill entire artistic mediums and benefit nobody but Disney)

Art Styles should be considered Intellectual Property in an enforceable way (impossibly bad, are you kidding me)

it's extremely annoying to talk about, because you'll see people straight up gloating about their Intent To Plagiarize, but it's hard to stick them with any specific crime beyond Generally Scummy Behavior unless you want to create some truly horrible precedents and usher in The Thousand Year Reign of Intellectual Property Law

[peeps-old-blog]

I just found out that they made a movie in 2021 about Louis Wain and fucking Benedict Cumberbatch was cast to play him 😭😭😭 STOP IT!!!! STOP CASTING HIM AS EVERY SINGLE QUIRKED UP WHITE MAN! CAST ANY OTHER PERSON!

[dontbelasagnax]

I wanted to participate in Mermay. It’s now October. Alas. Codywan makeout session forever 🙏

[prints available]

My process is under the cut if you would like to see how I made this :3

I'd been feeling a little dried out and beaten artistically in May so I didn't do much art. However, I really wanted to do something for Mermay so one night before bed I quickly scribbled some quick concepts in the notes app of my phone with my finger.

On the 28th I realized the month ran away from me and was quickly escaping so I knew I had to get started on drawing something for Mermay. My bathroom concepts, as cool as they are and despite how much I like them, had to be discarded because drawing a bathroom and rendering everything to the degree I envisioned wasn't feasible. Unless some miracle happened, it's the kind of artwork that, at the absolute minimum, would take 15 hours. More realistically we'd be looking at 25-30 hours. Really not doable on a time crunch. That's not to say I won't ever return to it!!

So to start off on the other idea I had, I looked through Pinterest for around ten minutes for some inspiration (mainly at photos of pretty underwater shots and also some photos of people swimming underwater) and then sketched for maybe 20-30 minutes.

A while ago, while I was mulling over what fish I would base mercodywan off of in a potential au, @happybean17 recommended the epaulette soldierfish for Cody and once I googled it and discovered it is also called the kuntee soldierfish... well, quite honestly, how could I resist? It's the perfect colors and Cody, my beloved, is soooo cunty.

I initially wanted Obi-Wan to be based off a shark of some sort but when I started drawing it just felt right to make him frilly like a betta which I rationalize is because he wears robes with some swoosh. I then googled and quickly found a betta that's very Obi-Wan colored.

Soooo after looking at the photos I put my sketch in my tablet and started doing lineart.

I drew a big fanned out tail for Obi-Wan but after I had spent all that time on it I decided it was far too static and flat. It didn't feel like it was swishing in water.

I made a copy of the tail and minorly edited that to be Obi-Wan's swooshy butt fin. And to make his tail swooshy I used liquify and also redrew a bunch of it.

And then I began the loooong process of painting.

I've hit the image limit so pretend I've added the finished product here.

All in all, this took me over 14 hours and--due to some hiccups in my life--many more months than planned. Going so long without finishing a single artwork was incredibly demoralizing so I'm relieved to finally finish this and have an actual artwork to show for my hard work. Oh, and thank you for reading my rambles and I hope seeing the process was interesting!

[justporo]

Ok random and very self-indulgent idea that I just had and need to write down because I will forget falling asleep otherwise:

What if, like a hundred years after Tav passed and Astarion went on without them, still mourning them, he goes on to become famous? Not really your knight in shiny armour but like he becomes sort of a legend, an icon people talk about, make artworks for, write stories and ballads about (very much like this fandom tbh).

And there's this one young, really dedicated elven artist that keeps painting him - over and over again, to a point where they are actually known for their works of Astarion. This young artist has simply been smitten by the vampire since like... forever. Since they could think because they just can't get them out of heir head, for whatever reason.

And finally at one point they meet. Of course Astarion is flattered, the artist is starstruck and coy. They cross paths again more often, becoming a kind of unlike friends because they do actually like each other.

But there is something more about them Astarion finds, a haunting familiarity. It's in the way they look at him, how they angle their head or laugh.

And with a bit of shock Astarion realises: it's you, it's the love of his life reincarnated.

Because soulmates will always find each other again. You just don't remember it yet.

[dearest-nell]

a real piece of art

e.m x reader, 2.8k

summary: eddie has some time to kill, and you might just be his new favourite distration. includes: art history student!reader, meet cute, eddie's an absolute dork warnings: mentions of nudity in artwork and allusions to a young eddie who is very excited by the prospect.

a/n: this came to me as i stared blankly into the void of my coffee machine this morning. i'm incapable of proofreading as per usual. i could be convinced to do a part two

Eddie had no business being here. This was an art gallery for crying out loud! He couldn’t remember the last time he’d stepped in one, save that one unfortunate field trip in middle school where he’d been caught ogling a half naked sculpture in front of half the class. Sue him, he’d never seen a naked girl before, and he really had to give credit to the artist because he couldn’t look away. He’d been called a perv for a good year after that, and he’d never thought to visit another gallery again. 

Until now, that was. He was due for a practice and soundcheck in what he thought was only an hour, but somewhere along the line Jeff had got the time wrong, leaving Eddie stuck in Chicago with nothing but his ego to keep him company. Eddie had kicked himself for the mistake – who rehearses at 10 am anyways? There was a silent agreement that Gareth would be handling the bookings next time, where Eddie might be able to actually stay in bed until a reasonable hour. 

He’d thought to burrow down in a cafe for a little while, but the snooty businessmen and shrill giggles of the barista had sent him fleeing. The environment wasn’t conducive to good thinking anyways. He figured a little solace would do him some good, maybe give him some hard earned inspiration to turn into music for the band. So with coffee in hand, he’d taken to the streets, wandering idly as the strings of bodies moved in tandem, dodging and weaving the tracks of Tuesday morning commutes. It might have been enough for him had his jacket not been too thin for the sudden drop in temperature. Worn denim with steamed patches was hardly enough to break the piercing gusts of wind, and even his sweltering coffee in hand could not keep his hands from shaking. Looking around, Eddie felt out of luck. Cafe’s seemed too busy, and he had no real desire to start wandering shops nearby, so what was there left to do? 

$14 later, Eddie puffed a relieved sigh as the warmth of the gallery enveloped him, that trembling cold slowly dissipating from his veins until his hands no longer felt like ice. He figured he’d have taken any sanctuary, though he had been hoping maybe for a Library. At least then he could have bunkered down somewhere with a book. What did you even do at a gallery anyways?  He didn’t see much point in wandering around, scanning his eyes over paintings that seemed a million years old. He didn’t get art. Music was his art, after all. Even as he started to walk, all the pieces seemed to bleed together for him. Acrylics and oils and gouache melted into the blur of faces and places and things. Sure, they looked pretty, but Eddie couldn’t see why anyone would waste their time to sit and paint something like this, let alone stare at it for hours. 

He passed through room after room like this, brows furrowed, arms crossed as he tried to puzzle out the meaning. Music and melody had meaning, lyrics filled with the words people couldn’t seem to say any other way. The sounds of instruments were sounds of heartbeats, of head rushes and blood flow and heart aches and burning desires – paintings couldn’t do that, could they? 

Wandering into a smaller room, Eddie found himself caught as his eyes fixated on perhaps the only worthwhile piece of art he had seen all morning. There you were, perched somewhat uncomfortably on the plush leather seat in the room's centre, head resting delicately into cupped palms, your elbows propping you up into a figure he was sure was only meant for statues. You looked like one of the Greek ones, he thought, all soft and graceful curves, pretty lines and prettier expressions. There was a notebook in your lap, though Eddie couldn’t begin to make out what the blurry pen strokes might have  noted at this distance. 

You seemed so lost in thought as you stared at the piece directly before you, eyebrows knitted in concentration to match the deep set focus of your eyes, and Eddie, despite himself, was lost in you. 

It was a horrifying notion to realise he was back in this same situation again, entirely different and yet all the same. Here he was, stuck motionless, staring helplessly at something beautiful, something entirely foreign to him. Naked breasts had been enough to melt a twelve year old Eddie’s mind, but this Eddie, now grown, was entirely transfixed for another reason. Never in his life had just looking at a person knocked the wind right out of him. This was beyond attraction, he thought. Beyond a pretty face and a beautiful body and all those hormones that made people spin. You were all of that, and so much more. 

How he knew that seemed entirely out of reach, but the thought settled in him all the same. 

Eddie watched the subtle angle of your head, the way you tried to see from a different perspective, before fixating your attention on your notebook once more, scribbling away furiously at stained parchment. 

All better judgement seemed to leave him as he approached, slow and long strides to avoid the echoes of boots against floorboards in such vastness. His body took residence beside the lounge, standing tall at the opposite end, arms crossing as he tried to see what it was that had you so fascinated. 

Cheese. Bread. Nuts of some kind. He tilted his head as you had, browns furrowing in confusion. Still cheese. Still bread. Still nuts of some kind. He let out a defeated huff. 

“Are you okay?” 

He hadn’t expected you to speak, let alone notice him, but when he turned his chin towards you he was met with a curious expression. You were even more captivating up close, as it turned out, so much so that he could not decide what captured his attention more. The soft bags of sleepless nights hung low under your eyes, your cheeks flushed with a dusty sort of colour that only the artifice of candies could achieve, your cheeks indented so delicately with the lines of so many smiles that had come before. 

It was embarrassing in his eyes that he was still gawking, and even more embarrassing that you had to ask your question a second time. 

“Oh– yeah. I mean… yeah. Sorry. Was I being too loud?” 

The soft shake of your head was accompanied by an even gentler smile, and Eddie felt his shoulders ease a fraction away from his ears. 

“No, not at all. Just seemed like a forlorn sigh.” You pointed out, uncrossing your legs to lower your feet to the ground. 

Eddie’s brow raised, his tone lilting with amusement. “Forlorn, huh?” 

You shrugged, though Eddie could see the slow creep of embarrassment flush your cheeks, your hand lifting to rub at it absentmindedly. “Yeah, I guess. It was just the first word that came to mind.” 

Eddie was smiling before he knew what he was doing. “I like it. Forlorn. Like it’s from a poem, or something.” 

A soft hum of contemplation fell from your lips, your pen scratching nervously in the margins of your notebook, patterns of stars falling into the sea of words below. “Could be. Poets are meant to be all crestfallen and stuff.” 

He actually laughed at that, something sounding like a punched out breath leaving him, his eyes crinkling delightfully at the corners. 

“Are you a writer or somethin’? You don’t just hear people saying words like that every day. Gotta know them by trade.” 

You shrugged again, tucking a loose strand of hair behind the curve of your ear. “Student, actually. Art history, so I guess fancy words are part of the curriculum.” 

It seemed strange to be meeting you like this, like someone high above had heard his complaints only to send him an angel to set him straight. An art student; maybe you could teach him a thing or two. 

Eddie gestured to the seat beside you, flat palm dampened nervously at the prospect of speaking to someone so pretty, so much more learned than him. You nodded shyly, not bothering to adjust as he took up the empty space beside you, his elbows propping on his knees for comfort. 

“Can I ask you something, then? Since all of this is your thing.” 

You closed your notebook, folding your legs beneath you once more as you fixated your attention on him – something Eddie was sure no man could ever tire of wanting from you. “Sure”. 

“Why are you staring at this one? Out of all the pictures in this place, what makes cheese so interesting.” 

The astonished little chuckle that left you was something sacred, golden and warm and louder than he had anticipated. You could put that laugh to song. Maybe he would. 

“It’s not the cheese,’ You clarify, your smile never shifting from your lips, “though it looks great, doesn’t it? Looks real.” 

Eddie took in the piece once more, letting his eyes trace over the food to take in the finer details. It was true; it looked real. He could see the shadows, the cracks in the bread, the crumbs that had fallen onto the platter below. He realised it mustn’t have been easy to make something so real. It felt like a snapshot. 

Oh fuck, do I get art now? 

“Yeah, it looks real. Kinda crazy real, actually. How do they get it looking like that?” 

“It’s different for different people. This one’s by Peeters, and no one’s sure where she learned to paint, but she was one of the only female professionally working artists of the 17th century. She was a big deal.” 

Eddie tilted his head towards you. “Is that why you like her, then?” 

You shook your head, scrunching up your nose. “It’s very impressive, but it’s not the only reason. I was looking for her signature.” 

Eddie did not need to clarify himself, the confusion that etched across his face spoke volumes, leaving you to laugh again in amusement. 

“A lot of artists leave signatures so you know a work is theirs. Sometimes it’s their name, or an item, or a seal – sometimes it’s on the back, sometimes it’s made to look part of the picture. She writes her name down at the bottom, see?” 

You leaned in a little closer to Eddie, lining up his gaze with your own so you could point out a flourish of cursive in the corner. Drawn into you, Eddie could not help but lean into your orbit, his eyes following the line of your finger to its destination. “Oh yeah. Musician’s do that too, y’know. Chuck in a riff or a line or something to leave their mark.” 

“Seems like it’s an artist's thing. I think it’s pretty cool.” 

Eddie liked the insinuation that musicians were artists. He’d met too many people in his life who’d thought otherwise, who did not understand the value of art. He supposed he was one of them, though. He’d been ratting on the art around him only five minutes earlier. 

“You like music, then?” He asked, eagerness in his voice betraying the cool persona he was hoping to achieve. 

“I love music.” You confirmed, hands busily occupying themselves by twiddling the pen in your lap once more. “I wish they played music here. Imagine looking at all the art and listening to songs that fit. There’s these big dramatic paintings a few rooms over that are just begging for a rock instrumental to accompany it, and the cheese…” you trailed off, seemingly embarrassed to have been so caught up in the idea. “I feel like I'd be lost in it forever.” 

Eddie closed his eyes for the briefest moment, letting the vision of your little dream settle in his mind. He could get around that, art and music together – two worlds colliding. It seemed all the more enticing to think you would be there too, humming away as you watched the paintings and he watched you. 

“I think it sounds brilliant. You tell me when you’re building this fancy gallery and I’ll be the first one there.” 

He might have died at the sincerity with which you smiled. No heart was meant to withstand such adoration brimming inside of it. 

“You know, I–” you paused, garnering some courage to find the words, “the signature I was talking about before? That wasn’t the one that had me looking at this. The cheese, I mean.” You gestured vaguely towards the canvas before you, though Eddie was unwilling to peel his eyes from the work of art before him. 

“Yeah? What had you looking, then?” He couldn’t believe that for the first time in his life, Eddie actually cared about what was splayed across a canvas. Whatever it was that intrigued you so, he was aching to know. 

“She painted herself in the reflection of the lid on the jug. Up the top… see?” Adjusting the items in your lap, you slowly rose to your feet, extending a hand out to drag the boy up with you. Eddie faltered only for a second, contemplating whether this one single touch would make or break him. Would the sweat of his palms disgust you? He was so nervous to talk to you, after all, to take this chance. He swallowed, slipping calloused fingers into your own until he felt unperturbed digits grasp his own, your expression unphased as you guided him towards the wall. 

You both paused a foot short, your free hand pointing upwards to guide his flittering eyes. Lo and behold, painted so delicately into the reflection of the jug, was a face staring back at him. His hand squeezed your own with untapped excitement, and Eddie’s mouth dropped. 

“Holy shit, that’s so cool. That’s really her?” 

You nodded, squeezing his hand back. “Yeah, that’s Clara.”

It was silent for a beat, the two of you soaking in the image before you; the woman in and amongst all the pieces of a life lived so long ago. It was a moment in history, much like the one the two of you were caught in now. 

Eddie marvelled helplessly, unsure what seemed to amaze him more; all these details that he never would have noticed if it weren’t for you, or the fact that you, a complete stranger, were still holding on to his hand as if it were something normal. For the briefest moment, he wondered if this could be normal, you and him. 

“I think this is the ultimate signature in a painting, just writing yourself into the story like that. It’s such a small thing, but… it changes everything, doesn’t it?” You broke the silence, voice a little dream like as you spoke. Eddie could only nod dumbly, a contented smile spreading across his face. 

“You wouldn’t wanna show me more of these, would you?” 

Eddie couldn’t stand the idea that you might walk away after this, back to your own life that until now had been so far away from his own. He wanted to walk the whole gallery with you, your hand in his, your voice whispering sweet nothings about the history and details of the world around you. 

The sheer excitement that crossed your features was an expression unmatched, never before seen. It was like he had asked you the one question you had been waiting for your whole life. Maybe you had been. Maybe no one had ever taken interest in the thing you seemed to love so much. He knew what that was like after all, his music had not been everyone's cup of tea. 

Maybe it could be yours.

“Oh, I– really?” 

“Only if you want to. I spent my whole time here trying to work out what made this stuff so special; I think you might be the one to show me. I’ll buy you coffee as thanks, if you like. I mean… I’d like to take you out for coffee.” 

He felt like a bumbling idiot, pausing to breathe an embarrassed chuckle. “You can also tell me to get lost at any time.” 

Eddie wasn’t sure if you noticed the way your hand seemed to tighten in his own, the movement causing his heart to beat in unsteady rhythms. It was something so small that seemed to shift his entire world – your hand holding his. 

Your head tilted with a smile. “You never said your name, y’know.” 

“Eddie.” He breathed out a little too fast. He’d have to kick himself later for it, because right now, he was too fixated on the way his foolishness seemed to make you smile all the wider. 

“Eddie.” You echoed, turning your body to face his own. “I’d love a coffee.” 

It took everything in him not to fist bump in triumph, his body aching to wriggle with the excitement that was slowly taking over muscle by muscle. How the hell had his morning turned out this good? 

“Sounds like a date, then.”

(images not mine)

“Still Life with Cheeses, Almonds and Pretzels” by Clara Peeters (ca. 1615)

[erika-xero]

Beware, the long post incoming. Pro tips for artists who work on commissions!

DISCLAIMER: I do not have, like, a HUGE online following and can’t be called a popular or viral artist, but I do have some experience and I’ve been working as a freelance artist for more that five years, so I could share a few tips on how to work with clients with my fellow artists. Scroll down for the short summary!

First of all, you always need to have your Terms of Service written down in a document that is accessible for your potential clients. And by terms of service I don’t mean a set of rules like “I don’t draw mecha, anthro and N/S/F/W”. There is much more into it, than you may think when you first start drawing commissions.

You’ll need to understand how copyright law/author’s rights in your country works (for example, US copyright or Russian author’s rights, be sure to check your local resources). There are a bunch of sites where you can actually read some legal documents (. I know it might be boring, but TRUST me, you WILL need this knowledge if you choose this career path.

Russia, for example, is plagued with shops selling anime merchandise. The merchandise is usually printed somewhere in the basement of the shop and the shop owners literally rip off other people’s intellectual property. If the artist ask them to remove their IP from the shop the owners usually try to fool them with lies about how the IP works. They will tell you, that you have to register copyright on every single drawing and if you don’t do it anyone can reproduce and sell your artwork. In reality, copyright law in most countries simply doesn’t work this way. Once you create an original work and fix it, take a photograph, write a song or blog entry, paint an artwork, you already are the author and the owner. Yes, there are certain procedures of copyright registration, which is only a step to enhance the protection, but you become an author the very moment you create a piece of art, and no one have a right to take your creation from you. Knowing your rights is essential.

Some of your commissioners may try to scam you too, but most of them might simply not be aware of how copyright law works. I literally had people asking me questions whether or not the character I am commissioned to draw becomes MY intellectual property. I literally had to convince the person (who was legit scared, since the commissioned piece was going to be a first image of his character ever created) otherwise. If you have an idea of the character written down or fixed in any other form such as a collage, a sketch, or a concept art -- the character is yours. Artist may have rights to the image they create, but not the character itself. Your potential commissioner must acknowledge that their characters, settings and etc. is still theirs, while your artwork is yours, if your contract doesn’t state otherwise. You can sell the property rights on your artwork to your commissioner if you want, but it is unnecessary for non-commercial commissions. And I strongly advice you to distinguish the non-commercial commissions from commercial ones and set the different pricing for them. Even if you sell ownership of your artwork to your commissioner, you can not sell the authorship. You will always remain an author of your artwork, thus you still have all the author’s rights stated in the legal documents.

Another thing that is absolutely necessary to be stated in your terms of service is information whether (and when) it is possible to get a refund from you. You absolutely have to write it down: no. refunds. for finished. artworks.

You have already invested time and effort to finish an artwork. The job is done and the money is yours. I’ve heard stories of commissioners demanding refund a few months later after the commission was finished and approved by the commissioners, because, quote “I do not want it anymore”. Commissioning an artist doesn’t work this way, artwork is not an item purchased on shein or aliexpress that can be sent back to the seller. It is not a mass production. It is a unique piece of art. Example: My friend once drew a non-commercial commission for a client who tried to use it commercially later on. She contacted him and reminded of the Terms of Service he agreed with, offering him to pay a fee for commercializing the piece instead of taking him to the court or starting a drama. He declined and suddenly demanded a full refund for that commission via Paypal services. My friend contacted the supports and showed them the entire correspondence with that client. She also stated that the invoice he paid included a link to the Terms and Service he had to agree with if he pays that invoid. The money were returned to her.

However, partial refund can be possible at the certain stage of work. For example, the sketch is done, but something goes horribly wrong. Either the client appeared to be a toxic person, or an artist does not have a required skill to finish the job. I suggest you keep the money for the sketch, but refund the rest of the sum. It might be 50/50 like I suggested to my clients before (when I still could work with Paypal), but it really depends on your choise. I suggest not doing a full refund though for many reasons: not only you make yourself vulnerable, but you also might normalize a practice harmful to other artists this way.

The main reason why full refund when the sketch/line-art are done must not be an option is that some clients may commission other artists with lower prices to finish the job. This brings us to the next important point: you absolutely need to forbid your clients from altering, coloring or overpainting your creation or commission other artists to do so. This also protects your artwork from being cropped, changed with Instagram filters or even being edited into a N/S/F/W image. Speaking of which. If you create adult content, you absolutely need to state that to request such a commission, your commissioner must at least be 18/21 years old (depending on your country). And as for the SFW commissions you also have to state that if someone underage commissions an artwork from you it is automatically supposed that they have a parental concern.

There is also a popular way to scam artist via some payment systems, called I-did-not-receive-a-package. Most of the payment systems automatically suppose that you sell goods which have to be physically delivered via postal services. This is why it is important to state (both in the Terms of Service and the payment invoice itself) that what commissioner is about to receive is a digital good.

And the last, but not the least: don’t forget about alterations and changes the commissioner might want to make on the way. Some people do not understand how difficult it may be to make a major change in the artwork when it is almost finished. Always let your commissioners know that all the major changes are only acceptable at early stages: sketch, line-art, basic coloring. Later on, it is only possible to make the minor ones. I prefer to give my commissioner’s this info in private emails along with the WIPs I send, but you can totally state it in your Terms of Service. I do not limit the changes to five or three per commission, but I really do appreciate it when I get all the necessary feedback in time.

To sum this post up, the info essential for your Terms of Service doc is:

- The information on whether or not your commissions are commercial or non-commercial. If they are non-commercial, is there a way to commercialize them? At what cost?

- The information on author’s and commissioner’s rights;

- The information on whether (and when) refunds are possible;

- The prohibition of coloring, cropping, overpainting and other alterations;

- The information on whether or not you provide the commissioner with some physical goods or with digital goods only;

- Don’t forget about your commissioner’s age! If you work with client who is a minor, a parental consern is required. And no n/s/f/w for underage people!

- You may also want to include that you can refuse to work on the commission without explanation in case you encounter a toxic client or feel like it might be some sort of scam.

- I also strongly suggest you work with prepay, either full or 50% of total sum, it usually scares off the scammers. I take my prepay after me and my client agree on a rough doodle of an overall composition.

- I also include the black list of the themes: everyting offensive imaginable (sexism, homophobia, transfobia, racism, for N/S/F/W artists it also might be some certain fetishes and etc). Keep your reputation clean!

- Ban N/F/T and blacklist the commissioners who turn your artworks into them anywayss, don’t be shy <3

These are the things that are absolutely necessary but are so rarely seen in artists’ Terms of Service that it makes me sad. Some of these tips really helped me to avoid scams and misunderstandings. I really hope it helps you all!

[anim-ttrpgs]

Eureka: Investigative Urban Fantasy by A.N.I.M.

Allow us to introduce ourselves, we are The Agency of Narrative Intrigue and Mystery, or “A.N.I.M.”, a very small TTRPG studio based out of the southern U.S. but ultimately made up of people from many different walks of life.

Eureka: Investigative Urban Fantasy, our debut TTRPG, is a neo-noir investigation-focused RPG with (as you can probably guess from the title) a supernatural twist, that is currently in production after an extremely successful crowdfunding campaign on Kickstarter.

How far would you go to learn the truth?

Play amateur detectives caught up in things they barely understand, and explore how the lives of your characters unravel as they push themselves to dig deeper into the unknown!

Eureka innovates on and revolutionizes investigative gameplay, TTRPG combat, and what it means to play as a monster as a character in a TTRPG, filling several voids we have noticed in the TTRPG space. Eureka supports investigation to a degree never before seen, ensuring that searching for clues is a granular and player-driven process, but also ensuring that the whole story doesn’t grind to a halt after one single failed investigation check.

Character-driven gameplay!

Stats and abilities are based on who your character is as a person. Freeform character creation allows you to build a totally unique little guy, and have a totally unique gameplay experience with him! This is supported by the backbone of the Composure mechanic. Stress, fear, fatigue, and hunger will wear your investigators down as they trudge deeper into the unknown. Food, sleep, and connections with their fellow investigators are the only way to keep them going!

Secrets inside and out! 

Any investigator could be a monster, helping their friends while trying not to reveal their true natures. The party will learn to trust and rely on each other, or explode into a tangled net of drama!

Though most PCs will be mundane humans—or perhaps because most PCs will be mundane humans—Eureka also supports playing monstrous PCs, such as a vampire, in a way never seen before. This isn’t just a watered-down stat bonus, it’s like playing an almost entirely different game, with all the monster’s strengths and weaknesses to account for while solving the mystery, plus the added incentive to keep it a secret from the other PCs as well as their players.

(You can also play as something like The Thing from John Carpenter's The Thing!)

If you like or are interested in Call of Cthulhu, Monster of the Week, Dresden Files, X-Files, Kolchak: The Night Stalker, Apocalypse Keys, World of Darkness, or Gumshoe, you’ll probably find something in Eureka to really enjoy.

Intense, tactical combat! 

Hits are devastating, and misses are unpredictable–firing a gun will always change the situation somehow, for better or for worse!

Now in Technicolor!

Evocative artwork from talented femme-fatales @chaospyromancy and @qsycomplainsalot and the mysterious @theblackwarden paint a gorgeously-realized portrait of a world with shadows lurking in every corner.

Elegantly designed and thoroughly playtested, Eureka represents the culmination of three years of near-daily work from our team, as well as a lot of our own money. If you’re just now reading this and learning about Eureka for the first time, you missed the crowdfunding window unfortunately, but you can still check out the public beta on itch.io to learn more about what Eureka: Investigative Urban Fantasy actually is, as that is where we have all the fancy art assets, the animated trailer, links to video reviews by podcasts and youtubers, etc.!

You can also follow updates on our Kickstarter page where we post regular updates on the status of our progress finishing the game and getting it ready for final release.

Beta Copies through the Patreon

If you want more, you can download regularly updated playable beta versions of Eureka: Investigative Urban Fantasy earlier, plus extra content such as adventure modules by subscribing to our Patreon at the $5 tier or higher. Subscribing to our patreon also grants you access to our patreon discord server where you can talk to us directly and offer valuable feedback on our progress and projects.

The A.N.I.M. TTRPG Book Club

If you would like to meet the A.N.I.M. team and even have a chance to play Eureka with us, you can join the A.N.I.M. TTRPG Book Club discord server. It’s also just a great place to talk and discuss TTRPGs, so there is no schedule obligation, but the main purpose of it is to nominate, vote on, then read, discuss, and play different indie TTRPGs. We put playgroups together based on scheduling compatibility, so it’s all extremely flexible. This is a free discord server, separate from our patreon exclusive one. https://discord.gg/7jdP8FBPes

Other Stuff

We also have a ko-fi and merchandise if you just wanna give us more money for any reason.

We hope to see you there, and that you will help our dreams come true and launch our careers as indie TTRPG developers with a bang by getting us to our base goal and blowing those stretch goals out of the water, and fight back against WotC's monopoly on the entire hobby. Wish us luck.

[fuckyeahgoodomens]

The Radio Times magazine from the 29 July-04 August 2023 :)

THE SECOND COMING

How did Terry Pratchett and Neil gaiman overcome the small matter of Pratchett's death to make another series of their acclaimed divine comedy?

For all the dead authors in the world,” legendary comedy producer John Lloyd once said, “Terry Pratchett is the most alive.” And he’s right. Sir Terry is having an extremely busy 2023… for someone who died in 2015.

This week sees the release of Good Omens 2, the second series of Amazon’s fantasy comedy drama based on the cult novel Pratchett co-wrote with Neil Gaiman in the late 1980s. This will be followed in the autumn by a new spin-off book from Pratchett’s Discworld series, Tiffany Aching’s Guide to Being a Witch, co-written by Pratchett’s daughter Rhianna and children’s author Gabrielle Kent. The same month, we’ll also get A Stroke of the Pen, a collection of “lost” short stories written by Sir Terry for local newspapers in the 70s and 80s and recently rediscovered. Clearly, while there are no more books coming from Pratchett – a hard drive containing all drafts and unpublished work was crushed by a vintage steamroller shortly after the author’s death, as per his specific wishes – people still want to visit his vivid and addictive worlds in new ways.

Good Omens 2 will be the first test of how this can work. The original book started life as a 5,000-word short story by Gaiman, titled William the Antichrist and envisioned as a bit of a mashup of Richmal Crompton’s Just William books and the 70s horror classic The Omen. What would happen, Gaiman had mused, if the spawn of Satan had been raised, not by a powerful American diplomat, but by an extremely normal couple in an idyllic English village, far from the influence of hellish forces? He’d sent the first draft to bestselling fantasy author Pratchett, a friend of many years, and then forgotten about it as he busied himself with continuing to write his massively popular comic books, including Violent Cases, Black Orchid and The Sandman, which became a Netflix series last year.

Pratchett loved the idea, offering to either buy the concept from Gaiman or co-write it. It was, as Gaiman later said, “like Michelangelo phoning and asking if you want to paint a ceiling” The pair worked on the book together from that point on, rewriting each other as they went and communicating via long phone calls and mailed floppy discs. “The actual mechanics worked like this: I would do a bit, then Neil would take it away and do a bit more and give it back to me,” Pratchett told Locus magazine in 1991. “We’d mess about with each other’s bits and pieces.”

Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch – to give it its full title –was published in 1990 to huge acclaim. It was one of, astonishingly, five Terry Pratchett novels to be published that year (he averaged two a year, including 41 Discworld novels and many other standalone works and collaborations).

It was also, clearly, extremely filmable, and studios came knocking — though getting it made took a while. rnvo decades on from its writing, four years after Pratchett's death from Alzheimer's disease aged 66, and after several doomed attempts to get a movie version off the ground, Good Omens finally made it to TV screens in 2019, scripted and show-run by Gaiman himself. "Terry was egging me on to make it into television. He knew he was dying, and he knew that I wouldn't start it without him," Gaiman revealed in a 2019 Radio Times interview. Amazon and the BBC co-produced with Pratchett's company Narrativia and Gaiman's Blank Corporation production studios, with Michael Sheen and David Tennant cast in the central roles of Aziraphale the angel and Crowley the demon. The show was a hit, not just with fans of its two creators, but with a whole new young audience, many of whom had no interest in Discworld or Sandman. Social media networks like Tumblr and TikTok were soon awash with cosplay, artwork and fan fiction. The original novel became, for the first time, a New York Times bestseller.

A follow up was, on one level, a no-brainer. The world Pratchett and Gaiman had created was vivid, funny and accessible, and Tennant and Sheen had found an intriguing romantic spark in their chemistry not present in the novel.

There was, however, a huge problem. There wasn't a second Good Omens book to base it on. But there was the ghost of an idea.

In 1989, after the book had been sold but before it had come out, the two authors had laid on fivin beds in a hotel room at a convention in Seattle and, jet-lagged and unable to sleep, plotted out, in some detail, what would happen in a sequel, provisionally titled 668, The II Neighbour of the Beast.

"It was a good one, too" Gaiman wrote in a 2021 blog. "We fully intended to write it, whenever we next had three or four months free. Only I went to live in America and Terry stayed in the UK, and after Good Omens was published, Sandman became SANDMAN and Discworld became DISCWORLD(TM) and there wasn't a good time."

Back in 1991, Pratchett elaborated, "We even know some of the main characters in it. But there's a huge difference between sitting there chatting away, saying, 'Hey, we could do this, we could do that,' and actually physically getting down and doing it all again." In 2019, Gaiman pillaged some of those ideas for Good Omens series one (for example, its final episode wasn't in the book at all), and had left enough threads dangling to give him an opening for a sequel. This is the well he's returned to for Good Omens 2, co-writing with comic John Finnemore - drafted in, presumably, to plug the gap left Pratchett's unparalleled comedic mind. No small task.

Projects like Good Omens 2 are an important proving ground for Pratchett's legacy: can the universes he conjured endure without their creator? And can they stay true to his spirit? Sir Terry was famously protective of his creations, and there have been remarkably few adaptations of his work considering how prolific he was. "What would be in it for me?" he asked in 2003. "Money? I've got money."

He wanted his work treated reverently and not butchered for the screen. It's why Good Omens and projects like Tiffany Aching's Guide to Being a Witch are made with trusted members of the inner circle like Neil Gaiman and Rhianna Pratchett at the helm. It's also why the author's estate, run by Pratchett's former assistant and business manager Rob Wilkins, keeps a tight rein on any licensed Pratchett material — it's a multi-million dollar media empire still run like a cottage industry.

And that's heartening. Anyone who saw BBC America's panned 2021 Pratchett adaptation The Watch will know how badly these things can go when a studio is allowed to run amok with the material without oversight. These stories deserve to be told, and these worlds deserve to be explored — properly. And there are, apparently, many plans afoot for more Pratchett on the screen. You can only hope that, somewhere, he'll be proud of the results.

After all, as he wrote himself, "No one is finally dead until the ripples they cause in the world die away, until the clock wound up winds down, until the wine she made has finished its ferment, until the crop they planted is harvested. The span of someone's life is only the core of their actual existence."

While those ripples continue to spread, Sir Terry Pratchett remains very much alive. MARC BURROWS

DIVINE DUO

An angel and a demon walk into a pub... Michael Sheen and David Tennant on family, friendship and Morecambe & Wise

Outside it's cold winter's day and we're in a Scottish studio, somewhere between Edinburgh and Glasgow. But inside it's lunchtime in The Dirty Donkey pub in the heart of London, with both Michael Sheen and David Tennant surveying the scene appreciatively. "This is a great pub," says Sheen eagerly, while Tennant calls it "the best Soho there can be. A slightly heightened, immaculate, perfect, dreamy Soho."

Here, a painting of the absent landlord — the late Terry Pratchett, co-creator, with Neil Gaiman, of the series' source novel — looms over punters. Around the corner is AZ Fell and Co Antiquarian and Unusual Books. It's the bookshop owned by Sheen's character, the angel Aziraphale, and the place to where Tennant's demon Crowley is inevitably drawn.

It's day 74 of an 80-day shoot for a series that no one, least of all the leading actors, ever thought would happen, due to the fact that Pratchett and Gaiman hadn't ever published any sequel to their 1990 fantasy satire. Tennant explains, "What we didn't know was that Neil and Terry had had plots and plans..."

Still, lots of good things are in Good Omens 2, which expands on the millennia-spanning multiverse of the first series. These include a surprisingly naked side of John Hamm, and roles for both Tennant's father-in-law (Peter Davison) and 21-year-old son Ty. At its heart, though, remains the brilliant banter between the two leading men — as Sheen puts it, "very Eric and Ernie !" — whose chemistry on the first series led to one of the more surprising saviours of lockdown telly.

Good Omens is back — but you've worked together a lot in the meantime. Was there a connective tissue between series one of Good Omens and Staged, your lockdown sitcom?

David: Only in as much as the first series went out, then a few months later, we were all locked in our houses. And because of the work we'd done on Good Omens, it occurred that we might do something else. I mean, Neil Gaiman takes full responsibility for Staged. Which, to some extent, he's probably right to do!

Michael: We've got to know each other through doing this. Our lives have gotten more entwined in all kinds of ways — we have children who've now become friends, and our families know each other.

There have been hints of a romantic storyline between the two characters. How much of an undercurrent is that in this series.

David: Nothing's explicit.

Michael: I felt from the very beginning that part of what would be interesting to explore is that Aziraphale is a character, a being, who just loves. How does that manifest itself in a very specific relationship with another being? Inevitably, as there is with everything in this story, there's a grey area. The fact that people see potentially a "romantic relationship", I thought that was interesting and something to explore.

There was a petition to have the first series banned because of its irreverent take on Christian tropes. Series two digs even more deeply into the Bible with the story of Job. How much of a badge of honour is it that the show riles the people who like to ban things?

David: It's not an irreligious show at all. It's actually very respectful of the structure of that sort of religious belief. The idea that it promotes Satanism [is nonsense]. None of the characters from hell are to be aspired to at all! They're a dreadful bunch of non-entities. People are very keen to be offended, aren't they? They're often looking for something to glom on to without possibly really examining what they think they're complaining about.

Michael, you're known as an activist, and you're in the middle of Making BBC drama The Way, which "taps into the social and political chaos of today's world". Is it important for you to use your plaform to discuss causes you believe in?

Michael: The Way is not a political tract, it's just set in the area that I come from. But it has to matter to you, doesn't it? More and more as I get older, [I find] it can be a real slog doing this stuff. You've got to enjoy it. And if it doesn't matter to you, then it's just going to be depressing.

David, Michael has declared himself a "not-for-profit" actor. Has he tried to persuade you to give up all your money too?

David: What an extraordinary question! One is always aware that one has a certain responsibility if one is fortunate and gets to do a job that often doesn't feel like a job. You want to do your bit whenever you can. But at the same time, I'm an actor. I'm not about to give that up to go into politics or anything. But I'll do what I can from where I live.

Well, your son and your father-in-law are also starring in this series. How about that, jobs for the boys!

David: I know! It was a delight to get to be on set with them. And certainly an unexpected one for me. Neil, on two occasions, got to bowl up to me and say, "Guess who we've cast?!"

How do you feel about your US peers going on strike?

David: It's happening because there are issues that need to be addressed. Nobody's doing this lightly. These are important issues, and they've got to be sorted out for the future of our industry. There's this idea that writers and actors are all living high on the hog. For huge swathes of our industry, that's just not the case. These people have got to be protected.

Michael: We have to be really careful that things don't slide back to the way they were pre the 1950s, when the stories that we told were all coming from one point of view and the stories of certain people, or communities within our society, weren't represented. There's a sense that now that's changed for ever and it'll never go back. But you worry when people can't afford to have the opportunities that other people have. We don't want the story that we tell about ourselves to be myopic. You want it to be as inclusive as possible

Staged series 3 recently broadcast. It felt like the show's last hurrah — or is there more mileage? Sheen and Tennant go on holiday?

David: That's the Christmas special! One Foot in the Algarve! On the Buses Go to Spain!

Michael: I don't think we were thinking beyond three, were we?

So is it time for a conscious uncoupling for you two — Eric and Ernie say goodbye?

David: Oh, never say never, will we?

Michael: And it's more Hinge and Bracket.

David: Maybe that's what we do next — The Hinge and Bracket Story. CRAIG McLEAN

[callmeagardengnome]

˚ʚ paint my world ɞ˚ | SONG MINGI

pairings ᯓ idol!mingi x painter! fem!reader

genre ᯓ soulmate au, one-shot

synopsis ᯓ you’ve been seeing in black and white for all your life - until a popular idol comes in and changes things

w.c ᯓ 2.7k

author’s note: make sure to like and repost!!

not proofread!

masterlist

blue. you’ve never seen blue before.

you stood in front of the clothing rack in shock, trying to process what you were looking at.

from the moment you were born, you were cursed by your soulmark. colour was something that was foreign to you, something that didn’t seem real. you never understood why your friends would fight over certain crayons or when people looked up to the sky, admiring its beauty - it all looked the same to you.

as depressing as it sounds, seeing in black and white wasn’t too bad. you weren’t distracted by the things around you and you could actually focus in school for the most part.

sure, you had a few awkward moments. like when you wore a completely mismatched outfit - highlighter yellow shirt paired with murky orange pants and pastel pink shoes. if anything, it taught you a learning lesson to always ask your parents for fashion advice.

ironically, you became a painter after you graduated. you were always a creative kid and being colourblind wasn’t going to hold you back from releasing your works into the universe.

you slowly rose to fame, with your artworks capturing the eyes of millions around the world. you even managed to earn a lot of money from it, leading you to buy more supplies for your job.

you stood up from your chair, cracking your back. you’ve been working on this certain art piece for at least 7 hours and you decided to finally take a break. it’s been a while since you’ve painted - you took a short holiday to one of your favourite countries which led you to forget the long hours of sitting down.

you reached for your phone, dialling your best friend’s number.

“hello?” your best friend’s voice echoed in the room.

“i’m boredd,” you groaned out, flopping onto your bed. “can we do something?”

she chuckled. “i’m guessing you’re done painting?”

“i’m taking a break,” you said, shifting, making yourself more comfortable.

“if you want, i can pick you up and we can go shopping?” your best friend suggested, her voice sounding more excited.

“you know me so well,” you replied, hanging up almost immediately. you ran to your closet and picked out a simple outfit, one that you knew matched each other.

you scrolled through your phone, waiting for your best friend to text you. when she finally came to pick you up, the both of you went to your favourite shopping centre, looking at the different stores.

that was what led you to.. blue? pink? yellow?

in all honesty, you had no idea of what colour you were looking at. when your best friend decided to stop at a random clothing store, you thought that it wouldn’t hurt to look around a little bit. while she was in the women’s section, you went over to the men’s section - you never know if they have better clothes.

you browsed through the selection of clothes mindlessly until a shirt caught your eye. “ayo what-“

you went closer to the shirt, one that stood out in a vibrant colour against the monochrome background. you touched the sleeves, the material. it was alien to you. for all of your life, everything was in greyscale. you’ve never seen anything as bright, or beautiful as this shirt that was in front you. you took a moment to inspect the shirt, wanting to imprint the colour into your mind. after all, you never know the next time you would see actual colour.

“‘____’?”

you turned to look at your best friend, who stood a few steps away from you, looking confused.

“…are you okay?” she asked cautiously, not knowing why you looked so stunned.

“dude-“ you coughed out, glancing between the shirt and your best friend. “i can see colour.”

her jaw dropped. “wait- really? can you see the colour of my shoes?” she pointed at her shoes eagerly, nearly dropping the pile of clothes she was carrying.

“well- no..” you replied, disappointed. “but i can see the colour of this shirt..?”

“hm..” your best friend hummed, moving closer to you. she awkwardly reached into her pocket, before starting to google about your soulmark.

˚𝜗𝜚˚⋆｡☆ ⋆౨ৎ˚⟡˖ ࣪ ⋆˚ʚɞ ⋆｡𖦹°⭒˚｡⋆

when mingi found out that ATEEZ was going on tour, he wasn’t exactly thrilled. of course, he was happy that he got to meet the international ATINY, but he couldn’t help but feel slightly disappointed that he couldn’t properly enjoy the trip.

to him, he didn’t really see the fun in leaving the country, or even going outside. everything looked the same to him. no matter what, he couldn’t see the true beauty of the things around him - so what was the point of feeling excited to go overseas?

mingi flinched when the lights shined intensely in the plane. he slept throughout the entire plane ride, not even bothering to look outside the windows. he absentmindedly followed his group, trailing behind everyone as they got off the plane.

“what..?” his thoughts echoed in his head as he looked around at the airport.

it was.. bright. unusually bright.

it was almost comical how bright the airport was - it even hurt his eyes. he had to blink a couple of times to make sure that he wasn’t hallucinating.

he stopped following the group, taking in his surroundings. was this what normal people saw?

everything was so.. vibrant and bold. he couldn’t even comprehend that people could see this on the daily and not talk about it more. sure, he bumped into a few people by stopping suddenly, but that didn’t matter - in fact, nothing else mattered. mingi could see colour, and he wasn’t planning to stop anytime soon.

“dude are you okay?” yunho snapped his fingers in front of mingi, finally catching his attention.

mingi furrowed his eyebrows, hitting yunho’s hand away from his face. yunho looked at mingi, concerned. “we’ve been calling you for the past five minutes, why are you standing in the middle of nowhere?”

mingi turned away from yunho, shifting his eyes around the airport. “i can see colour.”

a collective ‘WHAT’ was heard from the group as they gathered around mingi, attacking him with questions.

“i don’t know, maybe this airport is just.. different?” mingi said, unsure.

“does that mean your soulmate is here?” wooyoung asked, looking at his members curiously.

“maybe,” seonghwa shrugged, typing in his phone. “i just googled it, apparently you can see colour of the objects your soulmate touches or the places they’ve been in often.”

yunho whistled. “that means your soulmate in the same city as us,” he said, nudging mingi.

mingi smiled, running his fingers through his hair. “how long are we staying here again?”

“..four days?”

“i only have four days to find my soulmate?” mingi exclaimed, his eyes widening in shock. “how am i supposed to do that?”

“i mean.. we have one rest day..?”

mingi groaned, his face in his hands. he was so caught up with the thought of finding his soulmate that tour completely left his mind. he had spent all of his life in black and white and he didn’t want to return back to that.

mingi asked his members to teach him the different colours. he ended up learning that colour can have different hues, brightness and he didn’t want to stop being surrounded by these colours.

unfortunately, they had to leave the airport due to their packed schedule. everything became ten times more boring. the cars passing by, the trees, the pavement, nothing interested him anymore.

his member’s obviously noticed his change in mood and did a small detour to a nearby shopping centre. they wandered around, going to different stores, looking at the different items the city had to offer.

mingi cheered up a bit when he entered a clothing store that was his style. he made a beeline to the men’s section and tried on a shirt that he liked. unluckily, his manager had to drag him to the car, preventing him from buying the shirt.

luckily for you though, fate brought you to the shirt. you unhooked it from the rack, bringing it closer to your face.

“what colour is this?” you asked your best friend.

“it’s blue,” she answered with a wide grin on her face, barely containing her excitement.

you nodded, unable to take your eyes off of the shirt. “where is blue found?”

“the sky,” she said eagerly. “the ocean too, it’s really beautiful.”

she added, “blue is normally used for sadness though. a lot of films portray it that way.”

you didn’t know that a beautiful colour like blue, could be associated with such a depressing emotion. it didn’t make sense to you.

however, you put off your feelings of confusion. now wasn’t the time to question these sorts of things. now was the time to find your soulmate.

˚𝜗𝜚˚⋆｡☆ ⋆౨ৎ˚⟡˖ ࣪ ⋆˚ʚɞ ⋆｡𖦹°⭒˚｡⋆

it was day 3 of ATEEZ being in your city. with each day passing by, mingi felt more and more anxious. he hated the fact that he didn’t have time to find you and how he had to spend most of his time performing.

obviously, he was extremely grateful that he got to meet his fans, but there was a part of him that always felt irritated.

not only that, on the day that he was planning on resting, he got interrupted.

“shouldn’t you ask someone else?” mingi asked, raising an eyebrow.

“no one here likes art,” hongjoong groaned, sitting next to mingi. “i get that you’re colourblind but pleasee accompany me.”

hongjoong was begging mingi to follow him to an art museum. there was art exhibition going on that was intriguing to hongjoong - but unfortunately, was not interesting to his members. this led to hongjoong asking his colourblind member as a last resort to follow him to the museum.

“maybe you can find your soulmate there,” hongjoong mentioned, wiggling his eyebrows.

“i doubt it,” mingi scoffed. “but you know what? i’ll follow you.. cuz i’m a good friend.”

hongjoong rolled his eyes before running off to get ready for the art exhibition.

˚𝜗𝜚˚⋆｡☆ ⋆౨ৎ˚⟡˖ ࣪ ⋆˚ʚɞ ⋆｡𖦹°⭒˚｡⋆

you looked at yourself in the mirror, debating what outfit to wear. should you go casual? formal? after a year of working on it, the launch of your art exhibition was finally here. it was an important milestone in your life and you did not want to mess it up.

you sighed, walking over to your closet. your eyes immediately landed on the vibrant blue shirt hanging on the side of your dull wardrobe. was this the right choice? it was a nice shirt, and it did feel nice to know what colour you were wearing for once.

after considering it, you grabbed the shirt from the rack and hurriedly put it on. you needed to make it to the museum quick - after all, you didn’t want to be late to such an important event.

you booked a taxi to the museum, going over to where your artworks were stationed. you looked at your art pieces in pride, unable to stop yourself from smiling wildly at them.

mingi and hongjoong reached the museum slightly later than they wanted to. they had to squeeze through the swarm of art enthusiasts crowding at the front of the exhibition.

when the two men finally reached the start of the exhibition, they’re eyes widened in shock. while hongjoong was impressed by your artistic talents, mingi’s jaw was on the ground for a different reason.

it was fully coloured.

he’s never seen a coloured picture before, let alone a painting. when he glanced over at the other art pieces, he noticed that they were too, coloured vividly.

“why- why is this coloured?” mingi muttered to himself, moving closer to the painting.

“you can see this?” hongjoong asked in surprise.

mingi nodded, walking over to another painting. “yeah.. all of the paintings actually.”

the two of them stood in silence, both thinking about what this could mean.

“dude- is the artist your soulmate?” hongjoong exclaimed, staring at mingi with wide eyes. “you can see colour of the objects your soulmate touch right?”

“uhuh..”

“you need to find her,” hongjoong said, squeezing mingi’s arm. “it’s the first day of the exhibition, she’s 100% here.”

mingi wasn’t prepared at all to meet you. the idea of even being in the same area as you terrified him. he was thinking about finding you on their last day in the city, he hadn’t even finished planning out what he wanted to say to you.

unfortunately, hongjoong pushed mingi away, forcing him to look for you.

mingi had zero clue of what you looked like - he had no idea of who he was looking for. after a while, he noticed that one of his shoe laces were untied and kneeled down to tie them. that was when he noticed something strange.

he saw blue-coloured footsteps littered all over the ground. he quickly stood up, looking around the room like a madman. at first, he was was searching for you without any real evidence of you being at the museum, but now, everything changed.

you were actually there, and he was going to do his best to find you.

as creepy as it sounds, mingi followed your footsteps, trying to trace where you were going. it was obvious that you were frantically running around the museum, for reasons that he did not know.

while mingi was trying his hardest to find you, you were trying your hardest to prevent any issues from happening. there had been certain entry problems or people requesting you to explain some of your artworks, which led you to scurry around the museum.

your eyes were glued to your clipboard that had all of the things you needed to take note of jotted down. you were so focused that you accidentally bumped into someone.

“sorry-“ you apologised quickly.

mingi picked up your clipboard and handed it to you. not expecting much of the interaction, he almost immediately moved away from you until.. you made eye contact.

the world around you seemed to stop.

the colours came in gradually at first - the blush of red in your cheeks, the rich colours in your eyes, the vibrant blue of your shirt. it was like the first brushstrokes of a painting, the colours spread and bloomed, saturating everything around you.

you blinked, staring at the man in front of you. the moment you locked eyes with him, you knew. he was the one - your missing piece. your soulmate.

“hey,” he spoke up, his deep voice surprising you slightly.

“hi..” you replied, barely above a whisper.

the both of you stood up, the universe revealing itself to you. for the first time, you saw the world in its true beauty - it was alive.

the museum held different hues, different shades of colours you could barely recognise, each colour filling you with a joy you didn’t know you could feel.

mingi smiled. “i can’t believe it,” he said softly. “it’s so.. beautiful.”

you could feel tears welling up in your eyes, your emotions bubbling to the surface. “it really is,” you said, unable to pull your gaze away from him.

mingi wiped the tear rolling down your face, pulling you closer to him.

“you’re so pretty..” he muttered, studying your face.

there was a pause - one that was comfortable. the two of you stared into each other’s eyes, not wanting to look away.

“can i try something?” mingi asked, tilting your jaw up.

your heart raced as a blush crept up to your cheeks. “sure,” you replied, feeling a flutter in your chest.

mingi leaned in slowly, giving you plenty of time to back away if you wanted to. but you didn’t. instead, you closed the distance between the two of you with your lips meeting in a tender kiss.

the world around you seem to overflow with colour, with the blue in your shirt mixing with the brown of his jacket. the colours in your paintings swirled, creating a beautiful illusion of contrast.

the both of you pulled back, smiling at each other. you saw his warm brown eyes, his hair and how his cheeks were dusted with a light pink.

“i’m so glad i found you,” he said, tracing his thumb across your jaw. “i don’t feel so blue anymore.”

any and all feedback appreciated <3

other fics

series taglist [OPEN] - @jiwoongsblondehair @hwasbabygirl @chngbnwf @passerbyforfun @butterfliesinthesky @ismelllikechlorine247 @pansexual-and-eating-pancakes @forever-atiny @arki-sha

[honeqq]

I think It would be funny if, even if Clifford isn’t a traditional scientist, he still ends up innovating. Like he makes a weird glaze he uses on his paintings that will cause someone’s computer to explode if they try and upload a picture of his work into an ai database. (Or take a picture without his consent in general, I feel like he would be very paranoid about people taking pictures of his work, you have to see it in person or special events ONLY. You gotta Appreciate it. The special events are for accessibility and are heavily monitored because techbro assholes like to send in people to scan his work illegally). He shatters the programming communities understanding of the universe every other Tuesday. He gets so fed up with ‘ai’ being a buzzword that he invents genuine artificial sentience ala sci fi tropes and unleashes it at a conference. Science and art are more connected than some people like to think, and Fords are nothing if not consistent in pulling a double middle finger to spite the world. -🦋

This is one of my friends suggestions , that he are this kind of Artist that really exploring every style and still trying to make it work, while I still think he need to make this piece Traditional cuz he need to prove he made it HIMSELF by sled recording every step. and YES he does get paranoid of his artwork get stolen or get photo so he never publish any in Social media . While he actually have a huge followers on social media of him posting of himself (he using his platform to spread awareness about AI at first but he get popular because his reaction to hate comments and ppl follow him cuz he just funny to mess up with)

[halorvic]

Self-rec time! What are your favorite five artworks that you've made and why? After replying to this ask, feel free pass on to five other artists to spread the love. 💗

This is a nice idea -- thank you for sending it! It's hard to choose outright "favourites" but after sifting through some pages of my blog, here are some that I especially like:

1. "Honey-comb". When I thought of this comic it kept making me laugh and then I drew it and posted it and it seems to have made a lot of other people laugh and sometimes that's what it's all about 👍

2. From 2012. I think this was the very first portrait I was actually, properly proud of? So much so that I tweeted it to JSimm back when he was on Twt. I still remember that feeling of instant nervous regret when I did lmfao. He saw it and replied though and then like a year later he uploaded it as his profile pic and I lost a night's sleep when he DMed to ask to make sure I was ok with him using it (+10 respect)

3. "All sharks are trans". Self-explanatory, no notes.

4. "Welcome to the End of the World". About 3-4 yrs before I painted this piece, I made one of my first attempts at a digital study. It's pretty cool to see how much I had improved over that period of time.

5. "Downtime". A simple comic that once inspired someone's 11 yr old brother to do fanart of the characters. A real honour 🙏

[mr-bas00nist]

I’m not sure wether or not your requests are open, I couldn't find a post containing much information, but I have a good idea! Or, at least what i think is a good idea... Okay so hear me out, slashers x blind s/o, and like the slashers get upset if people dump palets or stuff on you during a chase. (Silent hill)

Taking a leap here, assuming you want pyramid head in this with the Silent Hill in parenthesis and I’m gonna assume your requesting killer reader. I’ve gotchu 😏

Contains: Pyramid Head, Danny Johnson, Micheal Myers, Amanda Young and Carmina Mora because she’s my main. Usual dbd and blood stuff.

The Artist (Carmina Mora)

-Carmina is a sweetheart to you, always has been

-She makes artwork for you with chunky paint so you can feel and imagine the patterns

-At first she was skeptical and a bit angry at the entity for bringing in a blind killer

-I mean for gods sake, you can’t see blood pools or scratch marks!

-But as she watches you, she realizes just how lethal you are

-you have incredible hearing and over senses that you don’t even need to see

-When you came out of a match one day you rubbed your head with a groan

-That new survivor Ripley slammed the hell out of you with a pallet

-Carmina walked over to you concerned as she observed your state

-You reassured her you were fine but she was furious

-How dare she! You didn’t deserve that!

-next match she made sure to mori the hell out of Ripley

-The crows needed to eat after all

The Ghostface (Danny Johnson)

-Danny at first couldn’t decide whether to make fun of you or not

-he also was angry at the entity for bringing in a blind killer but he didn’t care in the way Carmina did

-He always kept a close eye on every killer just to see if he had any competition

-he was a bit aggravated that he began watching you expecting nothing much

-oh was he surprised when he saw how you functioned

-all your senses were heightened and in tune with everything around you

-you were a great listener and that intrigued him

-one day he began listening to you and talking with you

-he actually liked you

-you listened to him ramble for hours and could recite anything he could say

-one day after a particularly rough trial you were snarling in anger

-Danny notices this and quickly came over to check on you

-Fucking David and his stupid insults all match

-he pissed you off so bad you lost sight of the gene and everything else

-but don’t worry, Danny will make sure to gut him just for you and describe every photo of his corpse in grave detail

The Executioner (Pyramid Head)

-Pyramid could sense your power so he never underestimated you

-He always watched you outside of trials

-you guys grew closer just relishing in each other comfort

-when you’d talk he’d listen and when you weren’t talking you two would just sit in silence

-When you came out of a match with shakier breathing than usual he could sense immediately what happened

-entitled survivors annoying you, he’ll take care of it, he is the executioner after all

The Pig (Amanda Young)

-Amanda’s intrigued by you

-she’s actually the first to address you

-you two hit it off immediately

-unlike Danny though your the one who talks more and she listens

-She’ll listen to you ramble while she tweaks her bear traps for each match letting out soft hums and nods to make sure you knew she was listening

-Amanda actually developed the habit of helping you out with little things

-she knew you were perfectly capable of doing everything but she wanted to just feel like she was helping

-When you came back from a trial with a lot more blood then usual she didn’t say anything

-she took your coat and outerwear and just simply cleaned it for you

-it’s the least she could do for you since you helped her with her loneliness

A/N: Sorry I’ve been gone for so long! Life’s been busy!

[maespri]

let's talk about the many crimes of the phantom thieves

hello and welcome to me detailing the many crimes of the persona 5 royal teenagers... my dearest friend and i got bored and decided to make a list of every crime they could potentially be charged with, and i thought i'd post it to get other people's thoughts (in case i missed any) + laugh about the insane shit they've pulled off.

lets go!!!

before we get into this: we did not count crimes that were committed within the metaverse, as it wouldn't be possible to really charge the phantom thieves. the only exception to this is goro. we counted his metaverse crimes because it made his laundry list of crimes funnier. that's all.

p.s.: i love studying criminology, but i know i'm not an expert by any means. if i mess something up, miss a crime, etc.- let me know!

now, let's get into it, in order from least to most crimes!

sumi yoshizawa commits zero crimes.

good for her... good for her...

ann takamaki commits one crime: battery.

aside from ryuji and haru (who also only commit one crime), ann has the shortest list of crimes with just one: battery. it's a stretch for sure, but technically, she does slap ryuji after shido's palace, and that does qualify as battery. good on her otherwise.

ryuji sakamoto commits one crime: assault.

side note for anyone who doesn't know: assault and battery are two different things. assault is the threat, battery is the action. for example: if i tell someone i'm going to punch them, that is assault. if i actually do punch them, that is battery. that's often why the two go hand-in-hand.

ryuji threatens people quite a bit, but we actually couldn't think of any instances where he goes through with said threats, excluding him punching kamoshida. because that happened pre-canon, however, and because kamoshida clearly didn't charge ryuji, we didn't count it.

haru okumura commits one crime: perjury.

haru lies to sae when being questioned about her father's death. and yes, lying to a prosecutor during a criminal investigation does count as lying to law enforcement in general.

makoto niijima commits three crimes: blackmail, hacking, and theft.

blackmail: makoto approaches the phantom thieves and blackmails them with a video of them stating their identities, threatening to leak it if they do not meet her demands.

hacking: makoto intentionally manipulates sae's laptop in order to steal documents from it.

theft: makoto steals confidential documents from sae's laptop.

ren amamiya/akira kurusu/the protagonist/joker commits three crimes: improperly bringing an animal onto public transportation, resisting arrest, and breaking and entering.

improperly bringing an animal onto public transportation: animals are allowed on most subways in japan if they are documented, in a proper carrier, and, at times, have been paid for with a proper fee. joker brings morgana onto the train every day without doing anything of the sort.

resisting arrest: joker runs from the police and attempts to escape when surrounded outside of sae's palace.

breaking and entering: in one of yusuke's later confidant events, joker picks the lock to madarame's house and enters.

yusuke kitagawa commits four crimes: plagiarism (charges would likely be dropped, however!), stalking, solicitation, and trespassing.

plagiarism: this one was really interesting to discuss with my buddy. yusuke does commit plagiarism by willingly handing over his artwork to madarame and allowing him to claim it as his own. however, it can be argued that he did so because he was being manipulated, abused, and was under duress* (madarame essentially claimed he would end up on the streets if he did not hand over his art). it can also be argued that because yusuke did not place any copyright infringement on his paintings, it wasn't really plagiarism. therefore, this charge would likely be dropped, either on the basis of insufficient evidence and/or his being under duress.

stalking: yusuke does stalk ann for a few days before speaking to her. because this action causes distress to ann (shown by her mentioning yusuke following her around a few days prior, as well as her initial reaction to meeting him), it falls under the category of stalking.

solicitation: yusuke solicits joker to commit the crime of breaking into madarame's house in one of his confidant events.

trespassing: when joker does break into madarame's house for him, yusuke enters.

*under duress: constraint illegally exercised to force someone to perform an act (AKA, forcing somebody to do something illegal via threats, blackmail, manipulation, guilt-tripping, etc.)

futaba sakura commits eight crimes: wiretapping, non-consensual surveillance, espionage, truancy, hacking, tampering, theft, and blackmail.

wiretapping: futaba hacks into phone lines (most notably, ren and akechi's) and listens in on conversations.

non-consensual surveillance: futaba tracks the GPS on a few people's phones.

espionage: futaba spies on people.

truancy: we don't know the full extent, but it is implied that futaba has missed a lot of school, which is a crime.

hacking: i hope i don't have to explain this one HAHA.

tampering: to send shido's calling card, futaba tampers with all the big screens around japan, which is tampering with property.

theft: futaba has stolen plenty of information, classified or not classified, from a loooot of different people.

blackmail: when she first asks the phantom thieves to change her heart, she does so through blackmailing them, threatening to reveal their identities if they don't do it.

goro akechi commits twelve crimes: attempted first-degree murder, mass first-degree murder, unlawful possession of a firearm, conspiracy, fraud, aiding and abetting, terrorism, assault, battery, perjury, blackmail, and obstruction of justice.

attempted first-degree murder: whilst akechi technically doesn't kill joker, he does try to, which means he can be charged with this.

mass first-degree murder: akechi murders. a LOT of people. which falls under this category.

unlawful possession of a firearm: in order to kill joker, akechi steals a gun from a police officer.

conspiracy: akechi states his plans to murder joker and plots it out in advance for a long, long, time.

fraud: faking joker's death certificate is a form of fraud.

aiding and abetting: helping shido kill people is aiding and abetting.

terrorism: terrorism is defined as "the unlawful use of violence and intimidation, especially against civilians, in the pursuit of political aims." akechi's actions fall under this category.

assault: akechi throws plenty of threats people's ways!

battery: and follows through on many of them.

perjury: akechi lies to all sorts of law enforcement around him, most notably sae and the guard outside of joker's interrogation room.

blackmail: akechi threatens to leak the identities of the phantom thieves if they don't infiltrate sae's palace.

obstruction of justice: by lying about what he knew about the phantom thieves, withholding information from law enforcement, and overall just completely messing with the case, akechi commits obstruction of justice.

that's it!

thank you for reading thank you for joining us joy to the world... shoutout again to my wonderful friend for being these guys' defense attorney's

BYE!!

[00-jammy-00]

Hihihihi!!! I js discovered ur account but I'm already in love omg ???!

Yandere! Artist who sends u their nsfw art of u ?! Plus points if he uses different accounts after u blocked the ones from before <33

— 🪼 anon, if possible?

Yan!Artist HC’s

Yan!Artist x GN! Reader

Content warning - Yandere themes, obsession, nsfw mentions, internet stalking, yandere is a creep

A/N - Hey everyone! This is a bit of a two parter as I didn’t want to make it too long, if you’re interested, send an ask in and I’ll make a part two where he actually ends up with you. Btw I’ve updated my master list to make it look nicer xoxo.

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Yan!Artist who first met you through an art competition. Normally all those judges are wrinkly and old, they think his art isn’t good because it isn’t traditional realism. Then he saw you, his heart either stopped beating or was beating too much.

Yan!Artist who through pure charm managed to get your instagram it was under your name on your name badge. He begun to follow you immediately, immersing himself in your culture, your cooking, your art, your pets, your liked videos, your life, you, you, you, you, you!

Yan!Artist who had sent you a few dms about how good your art was, how good you were. You were gorgeous, much like your sculptures and your paintings.

Yan!Artist who realised you were his muse, his everything. He begun to draw, and paint, and sculpt, and collage, anything to capture the beauty he had seen. Eventually that led to some art that some people would find…unsavoury.

Yan!Artist who begun to draw you naked, drawings of your watery eyes as you sucked a dick, close ups of your hole or your pecs/tits, sculptures of your body in some not very safe for work poses.

Yan!Artist who obviously had to share this with you! I mean, you’re his muse, you need some credit. So he begun to send you some dms. Just some, not 209 in two days…

Yan!Artist who simply chuckled when you blocked him. You were always so shy, don’t worry, he can make more accounts. He can make more artworks. What he can’t make is another you. So whether you like it or not, you’re going to be his.

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Likes, reblogs and comments are greatly appreciated, requests are open <3

please do not copy, repost or translate any of my works on other platforms without my permission.