#or shinji ikari for that matter.

[miwasae]

shoutout to my 36 loyal followers ily shizumachers take some evangelion screenshot redraws :3

[sumiakita]

« Maybe I was born to meet you »

[86future]

[ 2ND CHILDREN / 5TH CHILDREN ]

— The truth is, Unit 02 simply isn’t compatible with the other EVAs. (E14)

— I never imagined this boy could synchronize with Unit 02 without replacing its core. Quite astonishing. (E24)

Death & Rebirth Pamphlet / Cruel Angel’s Thesis OP / EVA-02 wiki / DEATH (TRUE ²) / E16 / E24 / DEATH (TRUE ²) / E22 / 3.0: You Can (Not) Redo Cover / E09 / The End of Evangelion / E09 / E24 / NGE Manga / The End of Evangelion

[koushuwu]

𝐈𝐤𝐚𝐫𝐢 𝐒𝐡𝐢𝐧𝐣𝐢 ↳ for @strawberrystepmom

[cheeseproducts]

Not everyone is cut out to be a housewife

[wario-land]

- It all returns to nothing -

[6txndrunks]

is it really?

[questioningespecialy]

SiNoMC: for the Love of Rei

post migrated to pillowfort (March 2024) archive: dashboard | blog [removed non-image content for reasons]

[IMAGE DESCRIPTIONS]

1ST IMAGE...

Rei sits with her back diagonally to the viewer on a foldable chair in her 1 bedroom home dressed in school clothes and looking down at something in front of her. A single light source coming from the crack between the long window curtains to her left shines a streak of blue directly infront of her and into her otherwise purple dark room. In the room is what appears to be: 1) a mini fridge (with freezer) diagonally to the front right of her, 2) an open box on the floor to the left of it with bandages sticking out, 3) a satchel hanging from the right side of the fridge, 4) various things sitting ontop of the fridge, 5) a roll top dresser with two books ontop in the corner to her diagonal front left, 6) a partially made bed diagonally to the rear left of her on a low metal bedframe, 7) a wide lamp attached to the “headboard” side of said bedframe, 8) a few articles of clothing on the floor diagonally to her rear right, and 9) an open doorway to her far right. The bedroom wall in front of her is composed of large squares that’re almost a third of her height each and reminiscent of padding.

2ND IMAGE...

Rei (left) and Shinji (right) stand around 2 feet apart on a metal platform in front of a cylindrical tank of small fish. They both wear all-white clothes: Rei a knee-high skirt, Shinji ankle-long pants, both matching closed toe sandals. The image stops just below their buttocks, showing the underside of Shinji’s fingers.

[END IMAGE DESCRIPTIONS]

[could-they-be-a-pro-wrestler]

What’s up everyone. Now that law school is over (woo!), I have time to write out what I’ve wanted to do with this blog since its inception. It’s the first…FICTIONAL CHARACTERS ROYAL RUMBLE!

For this first Rumble, the theme will be: Sci-Fi Protagonists

Same rules as the actual Royal Rumble. We have 30 entrants, wrestlers are eliminated after being tossed off the top rope, and it’s until the last wrestler standing.

“But what if the character has powers? Won’t that give them an unfair advantage?��� “Will how long a character has been in the ring affect the vote?” My answers to those questions are…the show is scripted so it doesn’t matter. The winner will be decided up to the (Tumblr) masses. In addition, I’ll do my best JR/Michael Cole impression provide commentary to let everyone know how the match is turning out.

Here are the next ten entrants (in order):

11) Fox Mulder - The X-Files

12) Jayne Cobb - Firefly

13) Portia Lin - Dark Matter

14) Peter Bishop - Fringe

15) Benjamin Sisko - Star Trek: Deep Space Nine

16) Tom Mason - Falling Skies

17) Helen Magnus - Sanctuary

18) Shinji Ikari - Neon Genesis Evangelion

19) David Bowman - 2001: A Space Odyssey

20) Aeryn Sun - Farscape

/

/

/

Link to Part 1, which has the first 10 entrants

[ancientevangelions]

Who is the true Fashion icon of Evangelion?

Neon Genesis Evangelion, some consider to be a pretentious anime with random biblical imagery and a plot too convoluted to follow. And a fandom preoccupied with arguing over which 14-year-old is the hottest or should have a steamy relationship with another 14-year old.

What they don't know is it is also fashion. We are here to argue over WHO HAS THE BEST FASHION in Evangelion. Nothing else matters. Obviously we know this is true.

So to you my followers I ask, who is THE BEST DRESSED

[iampastelry]

Gosh I have so much to say about mouthwashing (good things btw)

Spoilers ahead obv

Also I'm gonna talk about Evangelion at the start of this (I swear it's for an important reason lol)

CW: mentions of SA. Also Jimmy. Also Shinji Ikari.

So first off

Heavy Evangelion vibes from this storyline.

Specifically Shinji in the finale + End of Eva.

Shinji was the only person who could save everyone, and he had the full ability to do so. The reason he didn't, was because he himself didn't want to live, so he just ended up taking everyone else down with him. Shinji only had the epiphany to keep living and live his life right, when it was too late. And yet, in the finale (which we can assume is mostly in his head at the end) everyone congratulates him. He hasn't saved anyone, he's just patting himself on the back for finally deciding to do the right thing.

Oh and also, he basically SA'd Asuka very soon before all this happened.

This is all relevant to Mouthwashing because this kind of storyline is exactly what we see happen with Jimmy. He already did a shitty, irreversible thing by assaulting Anya (resulting in her pregnancy), and due to his arrogance, he takes everyone else on the ship down with him. It's only after months of watching everyone suffer, being put through mental torment from his own actions, that he finally decides to 'take accountability'. He even throws a literal party for himself- imagining the corpses of his crewmates congratulating him on being such a good captain. But it doesn't matter at this point, because everyone's already dead because of him, and Curly will never have a normal life even if he is found.

Another note, I think the real action that this whole game is about is actually his assault on Anya. The ship crashing is just a big event that creates the meat of the game (pun not intended), but even from the beginning, Jimmy knew his life was over, after he found out Anya was pregnant- creating solid proof of what he did. That was the real irreparable mistake, the mistake that hurt Anya forever. The one he needed to take accountability for.

And he didn't. Instead, he crashed the ship. Jimmy never took accountability for what he did to Anya. To the end, his efforts were never focused on her. Mouthwashing ends with Jimmy, to the very end, refusing to take accountability for his actions.

[macksting]

It's not the most important thing going on right now but I've been kinda having catradora brainrot the last couple days, and it helps sometimes. Whatever value there is in examining relationships in fiction and talk about normalization or whatever, I think one thing a lot of these pearl-clutchers who hate catradora with such a passion are very much missing is how very much a fuckup Adora is. I'm not saying she isn't a victim, I'm not saying Catra isn't a victim herself for that matter, I'm just saying that Adora's fucked-upedness is more socially acceptable because it's more pliant. She thinks she's without value unless she's She-Ra, and that fucks her up bad; especially since it's reinforced by Brightmoon all falling in love with her only, and I mean only, as She-Ra. Adora is a danger, a menace, and should be discarded. She must perform She-Raness constantly, and be everything they expect her to be, or else she is... unwelcome. Honestly, it's kinda like Ikari Shinji. I wouldn't bother bringing it up except I see it in real life. If one party is consistently more pliable because the way they were fucked up makes them unable to set boundaries or conditions, people love that person, but the person who is fucked up in a way that makes them angry or scared or scary is a menace, a terror, a monster. And god knows some of us could do better, and god knows I work on myself, but that inability to set boundaries, that feeling of worthlessness, that dangerous conformity... That's fucked up too. It's not better. I want to shake these pearl-clutching twits by the shoulders and yell at them "IT'S NOT BETTER." It's fiction. I'm neither condemning nor apologizing for anybody. That part's just not that fucking important. But this does mirror real life: if someone is the kind of fucked up where they're compliant and do everything you tell them to, that's not better.

[magicalchaosnut]

My English class TED Talk script

TED Talk Title: Why We Shouldn’t Become Soup

Neon Genesis Evangelion is an anime that covers the relationships between several people with volatile personalities in a post apocalyptic world, uniquely fighting otherworldly beings while returning to the womb and experiencing intense pain, and suffering through their view of themselves and their idea of others’ perspectives.

The buildup of the series comes to a climax during the movie, leaving some philosophical questions to ponder over. For example, the Human Instrumentality Project and a look at whether individuality is a gift or a curse by showing the alternative: eternal togetherness or unity. Once this project is put into motion, all of humanity is subject to be a sea of ‘LCL’; soul fluid that melds into one eternal ocean of consciousness. The reason for this is the universal fear of loneliness, which was touched on earlier in the show with a discussion about the hedgehog's dilemma: the fear of hurting other people the closer you get to them, similar to a hedgehog trying to find warmth amongst others in its species during the winter.

Shinji shows this fear by continually running away from his caregiver, Misato, and his responsibilities as a pilot because he doesn’t want to get closer to the other pilot, Rei Ayanami, who he has started to care for. This is similar to his father, Gendo Ikari, and his fear of being a poor father. Instead of getting closer to his son after his wife’s death, he leaves his son behind which damages him more than his father’s presence would have.

Misato, the most recurring adult main character in the show, is afraid of getting close to Ryuuji Kaji because she is confident that she cannot open herself to him. Her personality is so cheerful on the outside, when in reality she has been stuck as a little girl who was sent away by her father who died in a nuclear explosion. She is afraid that Kaji will be like her father and leave her to fend for herself, and that she will be unable to reciprocate his feelings in the way that it matters. Ultimately, he dies and leaves Misato alone. Her fears are confirmed, but she is able to brave them through the closeness of Shinji as her pseudo-son in her final moments.

Asuka has a fear of others as well, taking it out more violently than Shinji by forming relationships where she thrives off of her superiority complex (which is really an inferiority complex) and can be considered the best. As she was a child prodigy who graduated college at age 14, she has all of the knowledge of an adult but little of the maturity that is expected of her, making her the extreme example of being a teenager: having all of the burden with none of the respect of experience that others want you to have already. She gets close enough to Shinji to be in sync as a fellow pilot, but never talks about her true drive to be considered good enough: her mother committing suicide while holding a doll of her, symbolizing that she wasn’t enough for her mother to stay alive for and would be more beneficial if she had been exactly as her mother wanted.

The will of God was sent to turn everyone into LCL to rid all people of the inescapable loneliness that they feel because they cannot understand each other. Like the angels before humanity, that are single entities of a species and nothing more, becoming one in the ocean of consciousness would eliminate loneliness and the social suffering that so many people in the post apocalyptic world fear. To retake the importance of being the central descendants of god, humanity feels they must ascend individuality. But in doing so, there is an infinite amount of unwavering suffering and no amount of time to alleviate the pain of one's sense of self when there are no other selves. Similar to how we can fight with our family members, but if we were to be only one self, we would be alone. You can’t be a family if you are just one person. In an effort to curb the societal loneliness felt by an entire population, the will of the few has caused an incurable loneliness that rids all of humanity of the chance to love another and try to understand by turning everyone into one thing. In summary, it is better to suffer for the sake of possible happiness and hope that you will understand people and make friends, than it is to give up and wallow in your own solitude.

The movie ends with Shinji understanding the sacrifice to live as an individual, which is the loneliness of consciousness. He lets the rest of the sea of consciousness decide whether they live for opportunity rather than be essentially comatose in an emotional stasis. The message of the series is that it's better to be lonely and try to be happy than it is to give up and be nothing at all. Even if everyone is unified in that nothingness.

[alilaro]

I have some Thoughts on Evangelion, and I'm hyperfixating right now, so here's a massive info-dump on it. Thank you and I'm sorry.

(trigger warnings for: child abuse, child death, gore mention, pedophilia, mental health, depression, suicide, and potentially more.)

———————————————→

So, my take on the End Of Evangelion is like a 'Worst Timeline AU.' So what would've happened if Shinji had given into the crippling (justified) trauma and deepest depression of an abused, manipulated, and unfathomably damaged child soldier.

The way Misato constantly screams at him throughout the entire series to 'be a man' and pressures him to get into the EVA and fight literal biblical, kaiju-like angels.

The pressure of trying and failing to get a crumb of praise or approval from his neglectful and spiteful father.

The way people (and fans, tbh) get upset with him for constantly changing his mind. How if he doesn't pilot the EVA, either he or his friends could die. The pressure every adult puts on him. Or again, the absolute cosmic terror of just seeing—let alone having to murder these angels.

Of course, he quits all the time, he's 14. He's a child. An average adult with all the combat training in the world would easily do the same.

Yet he comes back again and again, because of the guilt, the self-loathing, the manipulation of the adults around him—

(who can have all the greatest intentions in the world, "the greater good", etc etc, and it doesn't change a goddamn thing that they are putting these children into death machines and treating it like if they dont do it they are selfish and worthless)

—that if he doesn't do it, his friends will do it and either they or others will die if it's not him.

Like, the point isn't that he can't make up his mind: it's the fact that even if he "gives up", he still keeps coming back, and putting himself before others, despite the grief, despite the pain, despite the trauma

A fourteen-year-old child refuses to stop getting up and trying. Which I feel is symbolic of the whole shows entire meaning, no matter how dark things are, how much you hurt, how much others hurt you, how you feel like nothing, and you want it all to just stop—the pain, the memories, the guilt, the crushing weight of complete utter depression���even as the darkest envelops you and holds you tight, you feel like you can never escape: there is ALWAYS a way out of it.

It's fucking hard, you will lose yourself in it, you will hurt so, so much—but eventually you can find your way out. Through time, through loved ones, through therapy, and more. It's never too late or someone is too far gone in their own despair that they can't be saved and brought back.

And that's not even mentioning the other children. Fans enjoy Asuka more than Shinji because she's got that quick, snappy, high-energy personality. She's overly proud and stubborn, and she loves to fight in her EVA. And Rei, she's the shy quiet girl (a Kuudere, even (didnt like writing that)) designed to be mysterious, and to speculate over. Who is she? Why is she so calm? Does she have a personality behind that demeanor?

But, just like Shinji, they are all child soldiers, and like him, they are products of trauma and manipulation by adults.

Rei, was made in a fool-hearted attempt to bring back Shinji's mother, Yui Ikari, by combining her remains with Lilith. What they got was Rei. An assimilation of Yui, Lilith, Eva, all combining into Rei Ayanami.

Her creators obviously had attachments to her, both having loved Yui before her death, and Gendo Ikari almost took her on as a daughter-like figure (Rei being the name he would've given to his child Shinji, if he had been born a girl,) and revoltingly even more than that.

But as the theme of the series goes, good intentions from adults mean very little, and often act as nothing more than an excuse for creating/doing inconceivably monstrous acts.

She is of course used as an EVA pilot, being able to manipulate her form into a 14-year-old. She is used as a tool. She is replaceable. She knows this. She has no desires because no one has ever cared enough about Rei as her own person to let her think for herself, asked her what she wants, her likes, her dreams, her fears.

Rei's entire existence at this point is to serve, and in an eerie way, the only thing she wants is to serve Gendo, because he's shown her the only breadcrumbs of "compassion" she's ever known.

And then Shinji comes along. Shinji has no idea what she is, only that she is another EVA pilot like himself. He speaks to her as he would anyone else. He cares about her, and her well-being as another person. Actual true compassion.

In episode 06, when Rei is hurt and thought to have died by Shinji, he pries open the hatch to her EVA, ignoring the scalding heat that burns his hands to do so. He finds her alive and cries, and she smiles for him.

This scene is an exact parallel that takes place before with Rei and Gendo (Shinji's father.) He pries open the hatch, scalding his hands too, and finds her alive inside. It's identical except for one thing: Compassion.

Shinji fights to free and help Rei, and when he sees her alive, he is overcome with relief that she, Rei, is alive. He is in tears, he tells her she isn't nothing, implying her life is worth something and people care about her.

When Gendo does it, he does it like a man trying to save a valuable asset. He sees she's okay, and mutters 'I see', and that's the end of it.

Again, in episode 23, when Rei actually dies and is replaced; she is confronted by herself (the Meta Rei, the Rei in her purest, most godly self. A combination of all her sense of beings,) and realizes that she is feeling, she is lonely, she is suffering, and for the first time she cries, and asks herself if this just for her love of Gendo, before sacrificing herself in death to save everyone—specifically shinji.

She is replaced by her many clones, but this time she regains some of her memories, her feelings, her anger, and she is more human now, less vessel, more soul. She is Rei.

In the End of Evangelion, we see the depths of Gendo's depravity. He wants his wife, Yui, back as she was, of course. But in the meanwhile, there's Rei. Rei who is part Yui—a substitute. He touches her breast, an attempt to merge with her, and moves his hand down further to rest between her hips, inside her.

Rei is as much his daughter figure and a child, as she is a part of his own wife, and arises from this: an Oedipus Complex. Gendo treats her as a disposable tool, yet holds Yui at his highest priority. She is his to do with as she likes. How many times has he used her like this? How many times has he committed these atrocities with this child behind closed doors?

Amongst everything else Rei is, she is also a victim of pedophilia.

And in her final moments, while he attempts to merge with Rei in a delusional attempt to bring back Yui, Rei becomes her own being. Rei puts her foot down and says no. She's had enough.

"I will not be a puppet for you to control."

She takes the hand of Adam, fully merges with Lilith, and becomes a God.

And what does she do with all that power? She takes it all, and gives it to Shinji. The one person that ever consistently showed her care and compassion, showed her love. Made her realize she is her own person, gives her the strength to realize her worth and refuse Gendo Ikari, and choose her own path.

Her choice can be argued as good or bad, both. But in the end it was REI's choice, and no one elses.

Asuka uses her anger and her fighting as a means to cope with a barbaric childhood. Her mother, Kyoko, underwent a Contact Experiment when Asuka would have been ~5 years old.

Kyoko survived, but lost her mind completely, thinking her real daughter was actually a doll, and leaving Asuka completely neglected by her mother, all whilst begging and trying to convince her that SHE was her real daughter, not some doll she clung to.

Meanwhile, her father was completely unaffected by this, and even had moved on with another woman (An affair that had been going on before Kyoko fell apart completely, the woman being Kyoto's doctor, that she knew about, and took place in their own home while both mother and daughter were present.) Throwing himself back into his own life with this new woman, and job, Asuka was left with nothing.

Asuka's mother finally snaps and plans her own suicide. She invites Asuka, and with nothing else and wanting nothing more than to be acknowledged by anyone, agrees to take their lives together.

As if all of this isn't bad enough, as a final blow, Asuka's mother takes her own life without Asuka, leaving a five-year-old CHILD to find her mother hanging lifelessly, betrayed and alone again.

Her entire personality isn't because she's 'cool' or 'bossy', its an unfathomably traumatized child, constantly in pain and unable to trust anyone, because she has been taught as an infant that she can not rely on the people meant to care for her, because her parents taught her that in the most brutal and disturbing way possible.

There's even reference to her trying to repeat her mother's suicide after disappearing from the fight, only to be found gravely injured and withering away in a bathtub.

She fights so hard to be independent because she refuses to let herself be hurt and abandoned again.

At the End of Evangelion, even when she is screaming and crying, bleeding to death after being speared through the eye, losing power, and being cannibalized alive in her EVA, she is still so desperate, so angry, that she refuses to die, swearing vengeance on her enemies through dying rattled breaths, and it isn't until she is bombarded with blades that she finally succumbs. And at the hands of NERV.

Again, she, and every single EVA pilot, is only 14 years old.

tldr: The series is about child trauma, children being turned into soldiers, the failings of adults around them, and the tragically brutal and real aftermath of the wreaks of havoc that would have on a child.

[relatableblorbopoll]

Round 1 of preliminaries, group 18

The first two places get a place on the bracket

Little reminder: there will be 2 more rounds of preliminaries, the losing blorbos of this poll still have 2 chances of getting in the official bracket

Propaganda under the cut

Tobias (Animorphs)

"his mom left him and hes at least a little transcoded and also hes a bird for the rest of his life"

Isaac O'Connor (Paranatural)

"he's like me but specifically when i was thirteen which should tell you all you need to know about both me and him. emotional wreck of a lad who feels excluded from his friend group no matter what. drew a gjinka of a fruit bowl in art class. canonically a fan of hatsune miku. will apparently be eaten by a cat in the future and survive."

Trisana Chandler / Tris (Emelan book series)

"Grumpy girl just wants to be left alone with her books but oops she actually has such a big heart with so much love in it. Always annoyed about having to put down her book to help her friends or save a bunch of innocents. Also she's got trauma out the wazoo, her family didn't want her and she was always bullied for her weight, and then at like age ten she has to kill a bunch of people and live with THAT trauma."

Sokka (Avatar: The Last Air Bender)

"I also like meat, sarcasm, and boomerangs. On a more serious note, he's the only one out of his group of friends for the longest time without special powers (relatable when you're friends with super talented people), he really likes organization and charts (same), and he completely fumbles his first attempt at public speaking (painful, but same). We're also both just a little bit goofy."

Haruhi Fujioka (Ouran Highschool Hostclub)

"She gets into a rich kid school and immediately goes into debt. Constantly annoyed by rich kid problems (including but not limited to: buying them instant coffee instead of expensive ground coffee). She’s supportive but doesn’t let them walk all over her. The whole show revolves around everyone thinking she’s actually a boy just because she has short hair and wears the boys uniform instead of the girls one— and that’s relatable because i wouldn’t want to wear the girls uniform either it’s not great"

Shinji Ikari (Evangelion)

"THE LAST 2 EPISODES OF THE SERIES??? holy shit I've never actually related to some fictional character so much. his self image, attitude, emotions, decisions, relationships, etc; he's just. me. that's not even funny. also thank god this thing is anonymous i would've delete my blog outa shame"

[baenyth]

Bethany's Bizarre Miraculous Halloween Special

Ah, October 15th. The midway point of October, a good time for me to post my Miraculous Halloween Special idea. This is honestly pretty independent from both my Rewrite and Shift Season, because chronologically it takes in late season 3, which I determined to be in Spring 2016, but this takes place in October. So yeah. Not really canon, but fun!

The akuma plot is pretty simple. It's Halloween in Miraculous Paris, but Grandpa Rolland is pissed that an American holiday is invading France. Hawkmoth akumatizes him into the Gargoyle, Ladybug and Chat Noir fight him, you know how it goes. What really matters is the civilian plot, and what everyone is going as:

Marinette, Alya, and Nino are all going together and Chaperoning their little siblings or Manon, in Marinette's case:

Alya is Ladybug while Marinette is Chat Noir. This was Alya's idea.

Nino is Jason Voorhees.

Manon is also Ladybug, while Ella and Etta are both Rena Rouge (one of them is supposedly an illusion, I'm not sure which one,) and Chris is Carapace.

Chloe and Sabrina are also going trick-or-treating going to a secret exclusive Halloween party. Chloe is Zelda while Sabrina is Link.

Adrien somehow convinced Nathalie (who's dressed as a witch,) and Tomoe to let him and Kagami go trick-or-treating together with the Gorilla as a chaperone. Adrien is Shinji Ikari, Kagami is Utena Tenjo, and the Gorilla is EVA Unit-01.

Ivan and Mylene are also going together alongside Ivan's little sister. The three are going as Sulley, Mike, and Boo from Monsters Inc. respectively. (Thanks to msweebyness for the idea, btw!)

Rose and Juleka are going as well, chaperoning Rose's four little goblin brothers (headcanoned characters):

Rose is Ladybug (she couldn't get Juleka to be Chat Noir.)

Juleka is Killer Queen (she couldn't get Rose to be Kira Yoshikage.)

The triplet brothers are the three little pigs, while the fourth youngest brother is the big bad wolf.

Although she's not coming with them, Rose's bratty younger sister (also headcanoned) is also trick-or-treating with her boyfriend, going as Peach and Mario respectively.

Nathmarc are also going, with Nathaniel's first cousins once removed niblings (even more headcanoned characters):

Marc is going as Kyoya Otori and managed to rope Nathaniel into being Tamaki Suoh.

Nath's niece is dressed as a goat, while Nath's nephew is dressed as a chicken.

Not everyone in the class is trick-or-treating, however. Many of them are going to the school's Halloween party:

Max is dressed as Markov, while Markov is dressed as Max.

Kim is a basic sheet ghost while Ondine is a mermaid.

Alix decided to go as the scariest thing she knows: Chloe. Chloe, when she comes to the party because she's done trick-or-treating Sabrina got tired of the secret exclusive party, is not amused.

Principal Damocles is the Owl (Hoo Hoo!), Ms. Mendeleiev is the Bubonic Plague, and Ms. Bustier is inexplicably a succubus.

Most of the students are going to the party after trick-or-treating. Aurore and Mirelle are some of these students. Aurore is Hurricane while Mirelle is Snowflake (both United Heroez.)

Lila unfortunately didn't have time to dress up because she was too busy planning the downfall of her enemies and living multiple lives helping out with all her charities.

As for adults giving away candy on Halloween:

Tom is in a gorilla suit while Sabine is a nurse.

Marlena is out working this Halloween, so Otis is handing out treats dressed as a Leopard.

Andre is giving out large candy bars to the kids that trick-or-treat there. His wife wouldn't let him dress up, though.

Luka (dressed as Josuke Hishagikata,) is handing out candies on the Liberty. Anarka is dressed as Lisa Lisa.

Max's mom is dressed as an astronaut.

Mylene's dad is dressed as the mime from his performance.

Roger's busy with his job, so he left out a bowl of candy that tells you it's your civil duty to take one and only one candy.

The Agreste Mansion isn't giving out candy, unfortunately. Gabriel doesn't like the holiday.