#or even watch the show

[batmanlovesnirvana]

— Absentee Empires: The Absence of Ottoman Influence in the Grishaverse and Its Potential Depth and Complexity

@aleksanderscult @siriuslyobsessedwithfiction @stromuprisahat @black-rose-writings Please share your thoughts on this—I’d love to hear your opinions!

One aspect of the Grishaverse that truly frustrates me is the absence of a nation inspired by the Ottoman Empire and the Arab world.

We have six well-defined nations—Ravka influenced by Imperial Russia, Fjerda drawing from Scandinavia, Shu Han reflecting elements of China and Mongolia, Kerch resembling the Netherlands, Novyi Zem based on the Americas, and the Wandering Isle inspired by Celtic cultures. But somehow, there’s no representation of the Ottoman Empire? It feels like a significant oversight, especially considering the empire's substantial power during the 16th century and its enduring influence into the 18th and 19th centuries, even amidst its decline.

While the Grishaverse hints at other “colonies” beyond the main nations, that doesn’t quite make up for the lack of an Ottoman-inspired culture. Just think about the richness it could have added! An Ottoman-inspired nation could have been filled with intricate politics, vibrant culture, and a fascinating history of diplomacy—especially with Ravka as a neighbor. The Ottomans had a complex and often contentious relationship with Imperial Russia, which included both trade and warfare. Imagining Ravka’s brooding intensity interacting with a nation influenced by Ottoman culture could have created such a thrilling dynamic, rich in both conflict and collaboration.

At first, I thought maybe some elements of Ottoman culture were reflected in Shu Han. But it’s pretty clear that Shu Han is primarily inspired by Mongolian and Chinese influences, making that connection a bit of a stretch. This feels like a missed opportunity, considering the Ottoman Empire was vast and influential, controlling significant parts of Southeast Europe, Western Asia, and North Africa. At its height, it was one of the world’s most powerful empires, playing a crucial role in European and Middle Eastern politics.

The potential for conflict between Ravka and an Ottoman-inspired nation would have been especially compelling. The 18th and 19th centuries saw numerous wars between the Ottoman Empire and Russia, primarily over territory in Eastern Europe and the Black Sea. These Russo-Turkish Wars significantly shaped the geopolitical landscape of the region. Instead of a straightforward narrative, we could have seen intricate power dynamics where alliances constantly shifted, leading to moments of both tension and unexpected cooperation. Imagine the political intrigue and skirmishes we could’ve witnessed…Instead of a simple “Good vs. Evil” narrative, we could have had layers of complexity, like “Who’s backstabbing whom today?” or “Are we trading grain or are we going to war?!”

But despite their military conflicts, the Ottoman Empire and Imperial Russia maintained a complex relationship that involved significant trade. As neighbors with intertwined economies, they exchanged goods like grain and textiles while competing for influence. A similar relationship in the Grishaverse could have added depth, showcasing how economic interdependence can exist alongside rivalry.

Additionally, the relationship between the Ottoman Empire and Fjerda could have been more diplomatic and friendly, especially given the historical context of increased interactions between the Ottomans and Scandinavian powers. The Danish and Swedish crowns sought to establish formal relations to protect their trade interests and gain support against regional rivals like Russia and Poland. For example, during the Great Northern War, Sweden sought support from the Ottomans against Russia. Although no significant military alliance was formed, the prospect of cooperation was explored. Diplomatic missions often resulted in the exchange of knowledge about military tactics, geography, and culture, enriching both sides’ understanding of each other. The relationship between the Ottoman Empire and Scandinavian countries was multifaceted, involving trade, diplomacy, and cultural exchange that could have deepened the tension between Ravka and the Ottoman-inspired nation. You know the saying, "the enemy of my enemy is my friend"? The Ottoman nation would have taken that to heart!

Finally, an Ottoman-inspired nation might have treated Grisha in a way that reflects the Ottoman Empire’s approach to its minorities, offering some autonomy under a millet-like system but with enough restrictions to keep everyone on their toes. You know, like “You can have your own laws, but only if you don’t annoy us.”

In conclusion, the absence of an Ottoman Empire or Arab-inspired nation in the Grishaverse represents a missed opportunity to enrich the narrative with the complex dynamics and vibrant cultures that characterized these historical realms. The interplay between an Ottoman-inspired nation and Ravka could have introduced captivating political intrigues, cultural exchanges, and historical rivalries that would elevate the storytelling. The rich history of the Ottoman Empire—its intricate relationships with neighboring powers, its approach to trade, and its treatment of minorities—offers a wealth of material that could have added depth and complexity to the Grishaverse.

Ultimately, incorporating such a nation could have not only enhanced the world-building but also provided a platform to explore themes of power, identity, and coexistence in a compelling way, making the Grishaverse an even more engaging and multifaceted universe.

Any comments or opinions are appreciated it !!!

[yourmajestybee]

EVERYONE NEEDS TO LOOK AT HOW TO TRAIN YOUR DRAGON UNTRAINABLE THE STAGE PLAY RN

[ncutii-gatwa]

really makes me laugh seeing some people complain doctor who is gay now. babe THIS aired in 2005. doctor who has been gay a long damn time get with the program

[littlebigmouse]

"What if my favourite show is delayed due to writers strike?"

With respect, no one cares about your favourite tv shows.

This is about real people fighting for their real livelihoods, for their futures.

I cannot articulate sufficiently how unimportant the production of some tv show or other is.

[wroniec]

Mairon

[mel-kusanagi]

so i watched fallout because of these two, here's a wip 🙆‍♀️

[noodles-and-tea]

Back at it with my enchanted merthur shenanigans

[mintypsii]

i can't believe one piece invented gay people

[phthalosblues]

POV you read the book of bill and then the 3rd journal and then lost legends and then the great gatsby and rewatched the show twice and are on your third rewatch in the past two months and watched a bajillion animatics and character analysises and actually read fanfic which you never do like ever and you’re starting to feel like you’re running out of content and might need to start drawing more

[itsthislake]

“Icarus.”

it's all about freedom really

Credit goes to An Sifakah for the poem. Enjoy!

Support me on Ko-fi maybe?

[stil-lindigo]

when worlds collide

[qiinamii]

i wouldn't have met you

[aethersea]

I do think Blazing Saddles handled its one depiction of native americans very poorly, and the full extent of its representation of chinese workers on the railroad is they were literally just there. not even one single speaking line. unclear if this is worse or better than the redface.

it's fucking phenomenal at lampooning antiblack racism though. extremely blatant, extremely funny satire, which is constantly and loudly saying "racism is the philosophy of the terminally stupid at best and morally depraved at worst, and we should all be pointing and laughing at them 24/7"

plus the main character is a heroic black man who has to navigate a whole lot of bullshit but is constantly smirking at the extraordinarily stupid racists and inviting the audience into the joke. the one heroic white character is a guy who was suicidally depressed until he met the protagonist and they just instantly became buds, and he's firmly in a supporting role the whole time and happy to be there. the protagonist saves the day with the help of his black friends from the railroad, and uses the position of power he was given to uplift not only those friends, but all the railroad workers of other minorities too, in an explicit show of solidarity.

anyone saying "Blazing Saddles is racist" had better be talking about its treatment of non-black minorities. it had better not be such superficial takes as "oh but they say the n-word all the time" or "they have nazis and the kkk in there!" because goddamn if that's the full extent of your critique I very seriously suggest you read up on media analysis. there is too much going over your head, you need to learn to recognize satire.

[krazieka2]

Baby Emblem. Three Babies

[meep-meep-richie]

is buck even listening T_T

[secretly-a-trekkie]

mid crisis but here's firefighter AU despite 75% of the firefighters i know being absolute douchebags