#one of the best in this show + storylines

[nipuni]

Alright, time to share my opinions about Veilguard!! I have both criticism and praise so bear with me as I jump from one extreme to the other 😆 spoilers ahead of course!

The game has a very rough start with the dialogue being formulaic and rushed and the characters overexposing. It feels like a heavy handed attempt at summarizing all of previous games' lore for newcomers or in case you forgot but it's so overdone it feels coddling and trivializes a lot of previous events. Luckily this gets better once all of the introductions are out of the way, though the excessive hints and clarifications continue until the end sadly.

The locations are absolutely incredible and very diverse!! This is a highlight of the game for me. There is so much detail and care in every map and there are so many of them. My pc is struggling to reach medium settings and yet everything looks stunning. The verticality of the maps is so imposing and the graphics have a very dreamy quality that I love. I also enjoy the maze-like structure to the maps, it's more linear but makes everything look a bit more intentional. The color and light direction was amazing, all the visual development really!! it has to be one of the prettiest games I've ever played.

When I started I have to admit it did not feel like I was in Thedas and it all felt a bit theme-parky, if that makes sense. A lot of previously important and established world elements that made Thedas what it is were overlooked or made irrelevant. But the more I played the more it started to feel a bit more similar to Inquisition, for better or worse depending on what you feel about Inquisition. But!! this also feels like a selectively sanitized version of Thedas compared to previous games. In it's attempt to stay safe and uncontroversial in some aspects it loses a lot of substance and it changes the tone. The surface level politics, ignoring previously established major societal issues and a tell-don't-show approach makes the world seem more simple and shallow with no grey areas to explore. ( the humor also falls flat and out of place often too, and WHY is everyone always smirking, enough!! godlike beings are destroying the planet please this is not the time for Marvel banter aaaa )

The pacing at the start is a bit of a mess. It is so fast it felt like jumping from one world shattering discovery to the next with no time to process. The characters also seem to underreact to important information and major developments. It felt like the game was rushing me through all this to get to the part of the story it wanted to tell me while I was still wrapped in my shock blanket trying to catch my breath lmao. I really like all the key story points they touched upon, I just wish they dwelled more on them to give them more narrative weight. ( though blaming every bad thing to ever happen on the Elves was certainly..a choice )

I think the writing could have used more subtlety in the first half and more boldness in the second 😆 but I loved the thematic parallels between Rook and Solas and how every quest informs the main storyline. I do wish Rook was given more impossible choices and put in more difficult situations that forced them to lie or betray their own to better drive the point home though ( listen I just love a Trolley problem!! we need more of those, I'm the Trolley problem's number one fan!! ) I feel like they missed the chance to put Rook in Solas' role and be as vilified and hated for it as Solas was despite their best intentions which would make Rook's regrets stronger and in turn make their escape from the fade all the more impressive and give them a better understanding of Solas to either use against him or earn his respect. The line 'they called me the Dread Wolf, what will they call you when this is over' from the trailers was so good I was waiting for this!! But everyone just loves Rook no matter what!!

But I feel like I stated too many negative aspects in a row so moving on to some things I enjoyed!

The characters were very lovable to me. The romances weren't as long or impactful as I would have liked but I enjoyed all the companion quests. Emmrich is a delight and his quest is so wild and fun. I loved learning about Nevarra and I was awestruck by the Grand Necropolis. The mourn watch was so interesting, it showed a whole new side of Thedas' lore I knew nothing about! and I loved Manfred! Davrin is so charming, he became a favorite. I loved his quest too and learning more bits and pieces about the Dalish was great, I wish we got more. Seeing the Wardens through his quest also made me enjoy them a lot. Assan was very cute too and I'm glad he was treated as an animal and not turned into a goofy Disney sidekick too much lmao 😭 Lucanis is hilarious. The fantasy Spain/Italy was a bit silly and off at times but he is very sweet! and I love the Spite possession, that was so fun I'm glad they kept him that way! Bellara is adorable, her first backstory quest made me cry and I just love a nerd! I wish the second part of her story was written better however, and she sort of devolves into 'it's hard, I wish it was easy but it's hard' dialogues too often sadly. Anaris and the Forgotten Ones' portrayal was underwhelming and anticlimactic which was disappointing. Harding is also very cute and her Titan plotline was the most interesting to me, I bawled my eyes out in her quest!! I love the dwarven lore of this universe I'm so happy we got more of it!! ( she also fucking died in my playthrough?! I was devastated what the hell 😭 'whatever it takes' WEUEUGHHHG I'M SO SORRY) Neve was a slow burn for me because of my choices in game slowing that relationship down ( saving Treviso I mean, perdón amor 🙏 ) but I love detective novels and she is such a badass I ended up loving her. Taash was unexpected, I didn't think they would be so young. The coming of age story was sweet, though I found myself cringing a lot too at the handling of it I have to admit ( and the Lords of Fortune in general, and the Antaam...and que Qun..listen- kajshfgf ) but I also enjoyed learning more about the first expedition and the Qunari in general despite the messy writing and choices. I also loved Antoine and Evka! and Strife! And I haven't even read any of the novels they are in 😆 also Mila!!!! and her dad oh my god and Felassan haunting the narrative!! speaking of haunting, I would have loved for Cole to be in the lighthouse too I think it would have worked well 🤔 especially with the whole 'reading Solas' secret diary' thing the game had going on lmao

Everyone seems to get along except for a bit of friction that is quickly resolved at the start, which is hmm missed potential? I would have preferred more tension personally. I enjoy the drama! gives me more to work with and gives you a better grasp on everyone's personality by contrasting values. I think they wanted to speed run a found family trope for the new hero to establish some emotional stakes early on but it ended up making everyone seem like a group therapy session instead. The group meetings also have everyone either state the obvious or repeat the same opinion or conclusion to each other, I would have loved these meetings to have more bickering, have people get mad and storm out and also get to listen to different takes on a situation. Make Rook struggle more to take the reins and keep the team functional, learning how to be a leader.

Speaking of Rook! ( who in my case has a northern British accent that I loved so much 🥺) They seem to have a very established personality. I was expecting more of a blank slate but I'm lucky that the personality they went for kind of matches what I would normally choose in a first playthrough. Though the lack of range in the choices is irritating and takes away some replayability and role playing potential. Rook is very supportive and selfless, I wasn't expecting this tbh! But it all made my Rook turn into the team's weird supportive necromancer mom so it worked out in the end I guess lmao. I can't wait to draw her!!

I was so overwhelmed by the amount of information we got about Solas and his past!! I was expecting answers but not these many and not for them to be such an integral part of the plot!! The game feels like it's about him more than anything else. His arc is the best written out of all. He is mentioned in every conversation, he's the main advisor and the narrative foil, you get to talk to him often, you work for him and with him and go into his memories it all feels so surreal to me lmao I love him so I'm delighted ngl! but also making the other Evanuris so cartoonishly evil makes Solas into such an obvious choice of an ally, god of trickery or not, that it sort of takes the decision out of your hands and makes some dialogue options and companions' opinions seem almost nonsensical. I have no idea how this game would feel to someone who absolutely hates Solas' guts honestly. I suppose I will find out soon enough 😆

About Solas' story, I loved it! I somehow also feel that I knew it already, all the speculation and theories that Solavellan fans were crafting for years were so accurate that it was all very validating. Even the wildest ones! Solas as the Maker, the elves spirit origin, Mythal giving him a body, the war with the Titans, the origin of the Blight, Solas being on your side as advisor, I can go on, we knew!! Also I have to mention this I'm sorry but they made him look so hot!! unbelievable. And the bloodied teary eyed pathetic look in the end ouurghhh I'm cheering and clapping!!

The romance conclusion was so lovely 😭 the Loki and Sigyn ending we deserved to such a mythological epic!! and open ended enough for all of us to cook!! and we got to see him fight and transform into the Dread Wolf!! and whimper and cry!! and bleed and love!! that's all I ever wanted, incredible we were really spoiled what the hell I still can't believe it 😭 GDL acting was brilliant as usual! the visuals were also incredible and exactly what I had in mind when I imagined where the story may go, the eclipse, the giant wolf, the glowing eyes, the Elvhenan ruins, the statues, even the hair lmao it all aligned exactly to what I've been painting all these years but better I was thrilled 😭

Solas backstory with Mythal also offers players that didn't romance him a chance to see him act out of love and show a side they wouldn't be able to reach otherwise and I think it was smart! also very tragic and sheds more light into all of his choices and words and his relationship with Lavellan too and the parallels and reversals and uughh thoroughly enjoying the emotional distress 👌

Pleasing both the Solas lovers and haters at the same time was always going to be hard with him being such a polarizing character by design and the world states being so different but I think they did a good job! at least from my side of things.

I think my favorite part besides the Solas related stuff was the Blight. I loved how horrific and gross and threatening it was! I've always loved the concept of the Blights and I'm glad it was such a huge part of the story in this game. I also loved Treviso!! has to be the most beautiful city in Thedas ahhh and the Necropolis!! the gardens!! Vorgoth!!! Kal-Sharok!!! I can't believe we got to see it!! and a Titan!!! the giant floating face of Ghilan'nain in the clouds??? and the huge archdemons and dragons!! oh and that warden dragon trap in the shape of a griffon?? and the giant blight tendrils!! the siege at Weisshaupt was outstanding!! and the floating panopticon castle situation in Minrathous uughh there is so much I loved.

OH I also enjoyed the Varric arc even though I saw it coming since the trailer it was still played well and it was touching 🥺

The ending felt a bit jarring to me in tone though, a bit too cheerful considering...the horrors. Over half the continent destroyed and most of the problems Thedas had before the game are still there. Veil in place and all 😆

But I had fun!! I'm nitpicking really, the conclusion to Solas' story feels very satisfying to me which was my main worry so I'm happy. It is a good game!! with a sort of soft reboot feel to it and aimed at a younger audience which is probably what they were going for? You can sort of feel the struggle the team went through during production in the way the target audience seems unclear sadly. I also can't help feeling like this is an ending, so much was revealed and resolved!! but maybe I feel that way because that is what I felt after Shadowbringers / Endwalker in FFXIV once my favorite part of the story was wrapped? They can always pivot to a new continent and expand on the world and cultures we know almost nothing about, but that is always harder to sell so I have no clue where they will go from here 😵‍💫

Anyway I'm still processing a lot of stuff that I will probably talk (and draw) about later, this is already long enough!! for now I'll look up how to get the artbook because the art direction of this game is fantastic!! I would love to hear your thoughts too really, I'm curious about the experiences of players who made different choices and with different tastes to mine!!

[literaryvein-reblogs]

hello I was wondering if you had any tips on how to write/create an outline for psychological thrillers/horror?

Hi! I have this post on horror.

Writing Notes: Psychological Thriller

A subgenre of thriller that explores the psychology of its characters, who are often unstable.

The biggest questions revolve around the mind and behavior.

Often incorporates elements of mystery and include themes of crime, morality, mental illness, substance abuse, multiple realities or a dissolving sense of reality, and unreliable narrators.

Generally stays away from elements of science fiction, focusing on events that could take place in real life.

The 3 C's of a Thriller

The contract: An implied promise you make to the reader about what will be delivered by the end of the book. It’s crucial to keep every single promise you make, no matter how trivial.

The clock: The fact that adding time pressure to any character’s struggle will create higher stakes and more interest for the reader. The goal of this element is not to be stunningly original but to add pressure that will prompt conflicts and intense responses from your characters.

The crucible: A box that constrains your characters, offers them no escape, and forces them to act. Your story should present an increasingly difficult series of tasks and situations for the hero that will funnel them into the most severe trial of all. You must make sure that each successive task is harder than the previous one and that, for the hero, there is no escape. If readers begin to sense that the journey is becoming easier, they’ll lose interest.

The 3 Elements of a Good Psychological Thriller

Although psychological thrillers vary widely in their storylines, some common elements include:

Major plot twists: Psychological thrillers can be ruined by spoilers, since so much of their excitement hinges on the unexpected twists and turns that the novel takes.

An unreliable narrator: Revealing the narrator, or another important character, to be unreliable is another way authors create suspense as the reader tries to figure out who they can trust. Lies, paranoia, and flawed memories are all staples in the psychological thriller genre.

Familiar elements: Psychological thrillers often take place in the home (aka domestic thrillers) and feature ordinary-seeming characters. This allows thriller writers to get inside the reader’s mind, making them wonder, “What if this happened to me?” Starting with the familiar also allows writers to slowly introduce characters’ backstories, mental health issues, and other elements that create suspense over the course of the novel.

Tips for Writing a Psychological Thriller

The best psychological thrillers keep readers on the edge of their seats with unexpected twists. While reading a psychological thriller is easy, writing one can be difficult. Here are some writing tips to help you from first draft through editing:

Keep tension high. You can do this descriptively by showing your characters in tense situations, and you can do it structurally by rearranging the parts of a chapter to keep the pacing swift. Both techniques involve withholding information from the reader. By doing this, you don’t get bogged down in details or information dumps that slow down the pacing. Crucially, withholding allows room in the reader’s mind for the growth of questions and ideas.

Craft situations where characters are unable to get the information or tools they need. This forces the characters to strategize and take actions to reach their goals. If you do this, it’s important to construct believable scenarios. Make sure your characters don’t have an easy way of getting the information they need. Otherwise, your readers will lose respect for you and your characters.

Heighten the tension. In general, there are two ways to augment tension in your story. Descriptive elements that create tension are individual; they come from your story and from the forces or events that are pressuring your characters. Structural elements that create tension involve the way you write your story, like starting your chapters with a sense of urgency or blending descriptive passages into action scenes.

Flesh out character backstories. One way to create twists and suspense is to slowly introduce surprising elements of your characters’ backstories. A backstory can create a plot twist, or reveal why a character may be unreliable. Backstories can also raise the stakes of a story by giving your characters motivation.

Some Subgenres of Psychological Thriller

The psychoanalysis or ‘psycho-traumatic’ thriller

The amnesia thriller

The stolen identity thriller (including mistaken identity)

The ‘woman in jeopardy’ thriller

The stalker thriller

Serial killers or psychopaths and their psychological profiling arguably fit better in the forensic criminal investigation sub-genre, so they may be classified in the Crime Thriller subgenre.

From the sub-categories listed above, it is obvious that as well as overlap with the crime thriller sub-genre, the psychological thriller is also related to psychological horror. The ‘woman in jeopardy’ and ‘stalker’ thrillers also have elements in common with romance – particularly Gothic romance.

Common Psychological Thriller Tropes

Tropes appear repeatedly for a reason: they're what the readers are looking for. Decide which ones to include in your novel.

The protagonist has an inner conflict exacerbated by an external event.

Some sort of mental health issue plays a major role in the story (doesn't have to be the main character). This could be a diagnosed or undiagnosed mental health issue, paranoia, deep distrust, suspicion, or a slow slipping away of sanity.

Reality comes into question as the story progresses. 

The protagonist finds it hard to decide who to trust.

There's a major plot twist at the climax. (There may be multiple plot twists.)

The characters are flawed, complex, and relatable. 

The settings are common (home, office, child's school, church, etc.)

The stakes may not be life or death (although they can be), but they should be sanity or insanity, or well-being or a ruined life. 

Sources: 1 2 3 4 ⚜ More: Writing Notes ⚜ Mystery ⚜ Tension ⚜ Violence Kidnapping ⚜ Backstory ⚜ Plot Twists ⚜ Crime Fiction ⚜ Character Journey

Hope this helps with your writing!

[so-that-was-okay]

So, 807 and the future of Bucktommy.

This is an open door. And I even want to think Tim & Co always had a plan. The breakup was planned but not final. Buck is pining, he's not depressed to the point of being broken but he is heartbroken. Tommy's constantly on his mind and he'd have called him if Hen and Eddie didn't stop him (which is also part of the classic romance storyline).

What really hijacked this story is those damn interviews presented as exit interviews. They were made to make us believe Lou was definitely done with 911, meaning Tommy was completely written off the show. Without them, no one would have known Lou was off the show for the rest of the half season. We'd have waited for Tommy to appear, and we'd have seen Lou reappear on SWAT, thinking he's doing both. Buddie journos disrupted the show's narrative.

Now that that's passed, what is the show telling us? It's telling us Buck is not over Tommy. It's telling us he's not ready to date someone else right now. He's lonely and he wants Tommy back. It won't happen in 808, I'm not even sure they'll mention Tommy again in next episode because that's the thing: in a classic romance storyline, Buck will now enter the "look at me, I can live without him" phase. He'll try to move on. I can see him go on a couple of dates (maybe during the hiatus or even in 808) with nice people but his heart is nowhere near ready for that even if the distraction is welcome.

Which leads us to 8b and the next phase of the romance storyline. Something should happen that makes them cross path again. On a call? Maybe at first. If they really write that as a typical romcom, then it's all awkwardness, nervous smiles and an irremediable attraction. They never parted by a lack of love or attraction. Tommy left because he already loved Buck too much too soon. But it's also 911. If they see each other once on a call, next time should be a lot more dramatic (chopper crash my beloved), which would lead to their eventual reunion.

It's a stretch but this is what could, and maybe should, happen. 8b is made for their reunion. If we completely forget the interviews, everything is perfectly rolling. It's sad for us, and heartbreaking, but that's the point. That's how romance is done. Hell, they could even cross path while they're both on a date with each other and things would be so weird (and Buck would be jealous without admitting it of course).

Now, that could also be the delusion talking but we deserve to imagine a reconciliation storyline. We're almost owed it. We're tired of the doomed queers, the lonely, the loveless, the forever single best friend clown of the group. They're already trapping HenRen in a mother storyline with no character development left (I miss Hen and her personal ambition), at least let us have bi Buck living the love he deserves with someone who actually cares about him.

We need to continue being (respectfully) loud about them. The GA joined us, we're not being delusional on that point. If the GA is also disappointed then it means something. It's a lot bigger than just a shipper tantrum. Buck and Tommy are meaningful as a couple for a lot of people.

[lemotmo]

As a standalone episode I think it was good. One of the best we've had in a while. What I think is throwing some people off is just where it landed in the season. After last week, I can get why there's frustration at the lack of any movement in some arcs. It does feel very much one step forward, two steps back by interrupting the flow of some of those arcs and not addressing them at all. I get it. It can feel like emotional whiplash. Investing and then expecting viewers to pause that for a silly fun filler can throw people out the plot.

But isn't this a classic 911 thing to do though? We as a fandom, have been complaining about this problem for as long as I remember.

911 has one or two character driven episodes that give us some insight into the character's minds. And then the next episode when we all expect something to happen? Nothing.

I'm used to that rhythm by now. So I kinda knew, going into this episode that it wouldn't give us anything big. It's just the nature of 911 and... most network shows to be honest.

I grew up on network shows, before the streaming era. I remember watching 'NYPD Blue', 'ER', 'The Practice', 'Law & Order', 'Ally McBeal', 'JAG', 'Third Watch', 'The X-files', 'Stargate Atlantis', 'The West Wing', 'Without a Trace', 'Star Trek - Voyager', Star Trek - DS9', 'Castle', 'Bones' and so many other shows, and being frustrated sometimes with the fact that we got filler episodes after a really emotionally intense story arc. It's ensemble shows on network TV. That's the way it works.

Yes, we all want to see these character's personal storylines progress, but we can't see all of them progress at the same time.

Does it feel like an emotional whiplash sometimes? Especially because we love certain characters so much and we finally want to see some progress in their storyline? Well yeah, it does. But that's how it's always been.

And to be fair, we did get to see major character growth in this episode. We got to see a new facet of Athena. She is starting to realise that she's getting a little older, no longer able to do it all by herself and she wants to pass on all of her knowledge to a rookie. That's major progress for her and I'm willing to bet the Athena fans had a blast watching this episode. As they should. Next week it'll be time for someone else to have some character growth. Again, that's the way this works.

So, I'm here, I'm sat and willing to wait it out. And in the mean time? I'm just enjoying my show. You know? 🤷‍♀️

Anyway, this is just my two cents you guys. Feel free to disagree with me and ignore this. You know I don't mind. It's all good. This is just the way I see it.

[canonicallyobserving911]

Review of Episode 8x7 "Hotshots"

Before I delve into this I want to make two things crystal clear. First, I understand 9-1-1 is NOT the Buddie show but the reason I started watching it was because of the shooting and Buck's and Eddie's dynamic. Therefore, since I primarily watch for Buck, Eddie and Chris, I want to see movement in their storylines. Second, I enjoy 9-1-1 as a whole, it's the only show I watch on a regular basis and I like all the main characters. I've watched every episode since season 2 and I even watched a few from season 1 but since it's not my favorite, I don't revisit them unless I need to make GIFs.

I'm indicating this upfront so there aren't any misunderstandings because it's one of the first things people say when someone criticizes an episode. Everyone interprets media differently and people watch for different reasons but their reasons for watching doesn't negate their opinions about an episode or a season. Therefore, it would be great if people stop using the "It's not the Buddie show" excuse when they want to dismiss other people's criticisms because two opposing opinions can coexist. The truth is for some, 9-1-1 hasn't been great for a long time. Therefore, just because one person likes it and they believe it's great that doesn't mean everyone else has to agree and vice versa.

Now let's get back to the regularly scheduled program...

IMO, last night's episode WAS NOT GOOD. The editing was poor, the pacing was off, there were entirely too many guest stars and they completely overshadowed the main characters. It gave seasons 5 and 6 vibes and I didn't like it one bit. The episode didn't even qualify as "filler" for me and it shouldn't have been included in 8A since the mid-season finale is next week.

Since my review of 8x7 "Hotshots" will primarily be NEGATIVE, I'm putting it underneath the cut but it will be a fair and balanced review and I will include information about all the main characters.

Let's get started.

Bathena

I'll start this section with Bobby and Athena because I believe their retirement arcs are being reestablished from the beginning of season 7 but it was horrifically horrible the way it was handled.

Athena's been a sergeant for years and the last time her and Bobby talked about retirement, I mean really had a conversation about it was in season 4 and she said she wasn't ready. But she's four years older now and while that may not seem like a lot of years to some, when someone has a demanding job like hers, there are bound to be some challenges. Her leg being injured while she was trying to catch Flash Rob could have happened to anyone and it doesn't matter their age, however my issues with her storyline ARE MANY and each one is valid.

First, it would have made sense to see her talking to Bobby on-screen about how she was feeling. As someone who's counseled people preparing for retirement, her storyline should have been handled with more dignity and respect. IIRC, Athena's close to 60 years old and the retirement age for people in the LAFD is 55 (so they can start collecting their pension), therefore it would have been better if she sat down with Bobby and shared her concerns about what she wants to do. However, instead of getting that, the audience saw her talking to Hen about it which is cool because FINALLY, after 84 years of them not having any best friends time, they talked but at the same time, it would have been helpful for women struggling with a decision like hers in real life so they could see how to approach it with their spouses or significant others. Second, Sparks was a hothead, she knew it but her captain was too concerned about the amount of money the city spends to train them. She should have listened to Athena and if she would have then that innocent woman wouldn't have been shot in front of her daughter.

PSA: I live in the U.S. and tempers have been palpable here for the last 9 years and with everything that's getting ready to happen in 10 weeks, this IS NOT THE TIME to air an officer involved shooting on TV. It was in bad taste especially with everything that's going on and that has happened in the past. I'm a woman of color and flashbacks of four years ago came to mind and I really didn't need to see that on my screen. I live blogged and my post after it happened proved that I was in shock.

Bobby's nightmare with the "Hotshots" TV show continued and what a cluster f~ck that was. First, the new chief is a jerk (I said it last season when he took credit for the cruise ship rescue) and he's a spinless jellyfish. It IS NOT Bobby's job to do the chief's job but he laid it in his lap and told him to handle it. WTF? He did it because he knew Bobby wouldn't say anything but the chief should have met with Gerrard and explained what was happening. Instead, he sent Bobby to clean up the mess. While I'm on the subject, who replaced Gerrard with a pod person? He was so unrecognizable it was ridiculous. Second, why was Brad allowed to job shadow with Bobby after all the mess he's caused? Buck, Chimney and Hen (I'm not including Eddie because in 6x1 he said he didn't want Bobby to ask him about being captain) are all right there and Bobby's NEVER offered to let any of them job shadow with him but there's a rude actor who throws his weight around on set and he just gets to do whatever TF he wants? Ridiculous! Third, it appears their setting up Bobby's retirement arc too but why don't they do better by him and Athena? Let them sit down and discuss their career goals. They're building a house so why not let the audience hear them say what they plan to do once it's finished?

OAN: Where is Harry? He was recast last season but he hasn't been back since.

Henren

Hen was barely in last night's episode and even though she had two episodes this season, why has her arc come to a standstill? In 8x5, her and Karen were arguing about Hen working so much especially on the holidays but it was wrapped up with a line from Karen, "I'm glad you were working." 🙄 Since they have two kids at home, it would be nice to see Hen talk to Bobby about working a flexible schedule or adjusting the schedule so they can work rotating holidays. Reminder, Madney's getting ready to have a baby (I'll talk about this next) which means Chimney might go out on paternity leave so there are some things that should be discussed to prepare the 118 for whatever is going to happen. Also, what happened to Hen and Chimney's friendship? They haven't been shown as besties since before season 7. I know Madney stepped in to help them with Mara but it seems like the showrunner replaced Hen and Chimney's dynamic by pushing Henren and Madney storylines together. All four of them were always friends but Chimney and Hen have a ride or die friendship and I'd like to see more of that again. I'm not counting the argument they had in 7x2 about having each other's back because that was a big nothing burger.

Madney

Maddie and Chimney have been relegated to the back since their wedding in 7x6 and used to help Henren keep Mara but once they finally got a storyline of their own (Maddie's pregnancy) it was once again put on the back burner so Maddie could worry about her brother. She's his big sister but she was holding back their good news because she didn't want to make him feel bad. There was a better way to handle this and it sadden me especially after all that Madney went through with their first pregnancy. Granted Buck figured it out and he was happy for them but they deserve to celebrate this pregnancy. It's good news and they shouldn't have to hide it from anyone. While I'm on the subject, I'm happy for them but at the same time, last night gave season 4 vibes and it seems like Maddie's pregnancy will be used to bring the horrible and emotionless Buckley parents back. TM is doing a repeat of season 4 so IMO, Phillip and Margaret will be there in 8B before Maddie gives birth and it seems like it'll be another "Love me anyway" moment for Buck and another rude comment from Margaret about Maddie's age but we'll see.

Chimney hasn't had a storyline all his own since the engagement ring debacle in season 6 (I'm not counting 7x6 because Doug was in it and that was a CHOICE). I'm really hoping they won't sideline him and just make him be the dad again like they did in season 5. KC deserves his own storylines just like the other mains and it would be great if he could get them. Also, I miss his friendship with Hen.

Buddie

Buck is still trying to get over a breakup and I get it, I really do but he didn't know that dude from a can of paint and he spent the entire 6 months doing the same thing he always does and that's identify himself via the person he's with. He did it with all his previous love interests, therefore, it would be nice to see Buck take some time and do some retrospection on why his relationships always fall apart. I'd like to see him ask himself why no one wants to stay. What is it about him that makes them want to leave? Until he answers those questions, he'll remain on the hamster wheel. I know I'm in the minority but I don't want to see Buck going on any dates or hooking up with random people because he has attachment issues. He doesn't know how to separate them like some people do and his first scene in season 1x1 proved it. He had sex with a woman he met on an app but when he tried to get to know her, she told him he was good at whatever they just did but she didn't want to ruin it by getting to know him. That's been his entire existence on this show and I'm ready to see Buck grow. Sure, he stressed baked and that's cool or what not but I would have liked it better if he actually looked at his past to see what he's been doing. It's not healthy for him to identify himself through the eyes of someone else. Furthermore, when is ANYONE FROM THE 118 going to tell him the truth? Family should be able to share the good and the bad so why hasn't someone suggested he do that? I know Maddie deals with him like she's wearing kid gloves and I'm not saying they need to tell him everything but someone should suggest he take a step back from dating at least until he figures out what he wants. Does he want to get married? Does he want a family? No one knows including Buck because he's never said it. He did tell Eddie he loves kids but IIRC, he's never admitted if he wants to have one of his own. Additionally, Buck should have these conversations before he gets in too deep with someone or else things will end up like before. He was on a different page than all his previous love interests and it was clear they wanted different things but they NEVER TALKED ABOUT IT AND THAT'S F~CKING FRUSTRATING.

Be clear, Eddie is my favorite character and I'm frustrated with the way his storyline has been handled this season. For six years, his arcs have been sidelined and made about Buck but the one season when he finally gets an arc of his own, it's pushed aside and not focused on. I didn't expect last night's episode to be Buddie centric but what I did expect was to see more movement in Eddie's storyline. We haven't seen him attempt to talk to Chris but once and that was in 8x1. Why hasn't he taken a quick trip to El Paso? Newsflash, GM doesn't have to be in the scene the same way he wasn't in 5x17 when Eddie and Pepa went to Texas for Ramon's retirement party. I want to see some movement on this front because Eddie's a great dad and it doesn't make narrative sense for him to be helping Mike reconnect with Weston when Eddie hasn't been shown trying to visit his own son. He said he didn't want his parents raising him so what is happening here? Are they just going to let Helena and Ramon raise Chris for the next year? This is unacceptable on all fronts. Also, what does Eddie do besides go to work? Other than showing him dance to "Old time rock and roll" in 8x6 and him packing away his Halloween decorations in 8x5, NO ONE knows what he does when he goes home. They don't have to show it but it would be nice to hear him say he went to a class or he took a weekend trip. It's not fair for Eddie (Chimney too) to be sidelined in favor of others. While it's true a lot of his screen time was wrapped up in Buck's relationship, Eddie deserves to have his own storyline and I for one was excited to see him happy. It appears that's over until 8B and who knows what kind of BS they'll throw in there within four months.

Finally, I want to talk about my overall impression of last night's episode. Why were there so many guest stars when people we know and love haven't been seen? Where's Ravi, Linda, Sue (she was in Aisha's birthday video) Detective Ransone, Detective Romero all of the others that have guest starred on the show? They brought a rookie cop on for one episode and it was asinine. Flash Rob could have been a no name actor since they didn't really do anything with his character.

I want to see the main characters grow professionally and personally. If they don't, it'll be the same old same old and the show will continue to struggle. People get bored when storylines are rehashed and they aren't moving so TM needs to move their stories along before viewership falls any lower than it already has.

I don't have any hopes for next week and if it ends like 6x9 did, on a dud, I won't be surprised.

This is my overall review and I expected more from last night. The editing was sloppy and a lot of the things included in the promo were cut for who knows what. I wanted to see Buck and Jee-Yun baking but that was maybe 20 seconds. I also wanted to see less of Brad and if he ends up working at the 118, then WTF? It seems like TM is setting it up so he can change careers at an older age but I don't want that. Grow the MAINS WHO ARE THERE NOW BEFORE SOMEONE ELSE IS ADDED TO THE DAMN CAST.

I'll end this here because I'm getting frustrated just thinking about what may happen for the remainder of season 8.

[titanlord231]

Now for a more serious discussion of 9-1-1 8x06 (check my last post for the funny one). In this episode of 9-1-1 we see both Chimney and Eddie go through some important character growth. We also see a storyline with Buck and Tommy breaking up, that i think has a lot of potential if the showrunners don't just write Tommy off the show.

In this episode we finally see Eddie beginning to move on from the depression he has been in since Christopher left. Eddie meets with Hot Priest, who we haven't seen since season 1, and confesses his sin of cheating on his girlfriend with his dead wife's doppelganger in front of Christopher and driving him off. Hot Priest then tells him to do a few Our Father's and Hail Mary's and he will be forgiven (for those of you who didn't go to Catholic school, these are pretty basic prayers and the equivalent of a divine slap on the wrist). Eddie is frustrated that he is basically getting off with the church's version of a fine. Later in the episode we see Eddie and Hot Priest meet up again at a juice bar. Hot Priest gets a random urge to go to the juice bar (this is relevant to my thoughts on Tommy later, I promise), and when he enters he sees Eddie replacing the juice he was ordering with a water. Hot Priest recognizes his voice, sits with him at the tables outside, and he tells Eddie that he cannot move on until he allows himself to experience joy again. Then later in the episode we see him allowing himself to be happy by doing the Tom Cruise dance from that one movie.

Next on my analysis is the storyline between Maddie and Chimney. Maddie brings up the subject of having another kid with Chimney, who seems offput by the idea. Later either that night or another following night we see Maddie and Chimney in bed unable to sleep. Chimney brings up his concern of what another pregnancy will do to Maddie since the last one ended with her going down a depression spiral and running off to Boston. Both go to bed with feelings unsaid. Then we are treated to a scene of Maddie and Chimney in their kitchen before bedtime. Chimney brings up the concerns he has about another pregnancy again, and while they are talking he realizes the reason Maddie brought it up is because she is already pregnant. Chimney makes some rules he would like Maddie to follow to prevent another depression spiral from happening, and Maddie responds by giving him a rule of her own. That he can't treat her like she is fragile or broken going into this new pregnancy. They both then agree that they will do their best to leave the past behind them, and embrace the new joy this pregnancy will bring them.

Lastly I want to talk about the Buck and Tommy of it all. Buck and Tommy are out on a date when Buck discovers that Tommy and Abby used to date and even got engaged (a pause in my analysis for the cheers of all the headcanoners who took that one scene where Abby mentions a Tommy and ran with this conclusion seasons ago). This upsets Buck, but instead of talking about his feelings that night he goes to Maddie, and incidentally Josh, for advice on the matter. Josh tells him about the difficulty of being gay before acceptance was common and how it may not have been noble they did what they thought they had to survive. Buck seems to have taken this to heart, because later in the episode we see the beginning of a BuckTommy date. Tommy arrives at Buck's apartment and feels great because he scored a close parking spot (I promise this will be relevant). Buck asks him if they can talk, and it is here that he brings up that he is the guy who Abby rebounded with after Tommy broke things off with her. He then leads into talking about how he sees this as a sign that Tommy has grown as a person, and mentions his own growth too. Then he proceeds to ask Tommy to move in with him. Tommy reacts very negatively to this, talking about how he needs to protect himself and if he moves in with Evan it will only lead to him getting his heart broken. Then Tommy breaks up with Evan and tells Buck he will see him around.

This is where the juice bar and the parking space become relevant. I will also post this as a separate post since this is getting super long. In both the Hot Priest and Eddie scene and the Buck and Tommy scene things start because G-d, the Universe, Fate, or the inner workings of the writing room drawing characters together. Hot Priest only stops in the juice bar on a random whim, he seems to think is some sort of divine intervention that allows him to help Eddie. Tommy gets a parking spot close to Buck's place which both shows us (the audience) that there is a place for Tommy in Buck's life, and gives them some time before they have to leave for the movie to talk. But where Eddie gains growth from this intervention, Tommy doesn't grow. He refuses to learn the same lesson that Maddie and Chimney learn in the episode. Where Maddie and Chimney learn to grow past the fears from the past and allow themselves to be vulnerable so they can have that new joy, Tommy refuses to allow himself that same vulnerability. He decides to close himself off and see the future as a predetermined conclusion, even though a few sentences before he mentioned how sometimes the first relationship can also be the last one. Tommy found a relationship that allowed him everything he wanted, both the family at the 118 who would treat him like their own and a good man who likes him and thinks the world of him. But because Tommy refuses to grow in that moment he loses it all, and now I can only hope he learns from this mistake.

Now for a little personal note to all the BuckTommy fans who were hurt and dejected by this storyline. I haven't read the LFJ interviews and honestly I probably won't. In some interviews showrunners have said that Tommy would be Buck's great big romance to settle down with, and in these most recent ones it sounds like LFJ doesn't know if or doesn't think he will come back. I can't tell you which are correct and which are wrong but I can tell you this, don't follow the example Tommy had in this episode. Tommy was too scared of vulnerability and failure to let himself be happy with Buck, but if we let that stop us we might not see Buck and Tommy together again. Instead we need to fight for Tommy as hard as we hope Buck will do. Send feedback to ABC (politely, watch the Smartypants video on how to write emails like a white woman if you need help), comment on posts from the show that are about Buck and Tommy and how you hope they will get back together again, do whatever you can to let the showrunners know you want to see this ship on screen again (other than harass them, I am not telling you to harass them), and most importantly don't give up.

[murfpersonalblog]

Thank you for the video! I ran it through a transcriber:

Daniel Montgomery: Rolin Jones, you are the showrunner for Anne Rice's Interview with The Vampire, which aired its second season this past year.... The two seasons are based on the first book, Interview with the Vampire. What did you most want to capture from the novel over the course of these two seasons?

Rolin Jones: Yeah, a very particular romance. The strange war that happens between a 78-year-old man and a 148-year-old man, who still have some stuff to figure out. I wanted Anne's language to make an aggressive appearance; the prose that's so lovely in there, which is sometimes the thing that falls first when you're adapting. And then, yeah, I wanted an almost operatic experience for an audience, as well, to go with it. Emotions are really, really heightened. And yeah, I don't know. Just general, you know, I wanted it to be a nervy, vibrating, weird-ass show. God bless AMC for letting us make it.

DM: And how do you decide where to deviate from the source material, you know, what to expand on, what to leave out? Like, you know, I imagine those are difficult decisions in any adaptation.

RJ: Well...there's a lot of wonderful stuff in our book, a really beautiful book to work off of. I think the challenges were a little bigger in season two, mostly because there was a lot less plot in that book. The book is almost like five meditative conversations between vampires, and then some crazy events, and then, and then you're out! And we had to kind of create a lot of plot out of that. But for the most part, yeah, we try to put as jam as much Anne as we could in there. And the basic, the basic changes you make for anything that was beautifully written as a novel and the choices that you'd have to make to turn it into something that is, you know, for actors to speak. And for it to cut over 15 episodes. I don't know, I think we cannibalized that book! There's like, there's not a lot left. It's a couple of characters that fell off, for this reason, or that reason. We made some decisions about the timeline. But I'd say, I think it was done with a lot of love. And a lot of collaboration with Anne, who is no longer with us.

DM: And Season Two, you introduced the vampire troupe led by Armand. What most excited you about bringing those characters and storylines from from the book to the screen and, you know, folding that in?

RJ: Oh, well, anytime you can shove theater into the face of TV viewers is always a good thing! I hire a lot of playwrights, and a lot of actors from the theater. So I think if there's anything we were just trying to restrain ourselves from making a lot of insider dumb theater jokes that nobody could care about. I think, we always kind of had the specter of the movie behind us ,and they did that part really, really well in the movie. So a lot started out just as, like: Oh, how are we, how are we going to do it? How are we going to justify doing this again? I think there was a caveat from AMC too: Don't repeat the movie! We've seen it! It's beautiful, it's out there! Our timeline really opened up a lot of opportunities to make it a grittier, dirtier, slightly more dangerous Theater of the Vampires than the movie, or even in the book. And the joy of actually setting something in post-war Paris. You see Paris going over the war, you see a lot of Paris during the war, and then you don't see a lot of stuff done in those those first four or five years afterwards. Which was, I think, for all of us, was a nice way to feel like you were, you know, coming into Paris in some kind of a side door. And also just numbers! We had a season one was like a chamber drama between three characters. And we got to expand it, not only with just the bodies, but in space and time to with, you know, what was going on with Dubai; and what what Louis was coming to realize was his truth along the way. So, you know, I got to cast Ben Daniels again! Ugh! <3 Best!

DM: And what was it like writing for him? Ben Daniels, in the role of Santiago? You know, that character being such a highlight of the season?

RJ: Well, we knew that's our that was our guy from the day one! Even if he was already scheduled to go be on Lord of the Rings and our dates weren't working out to begin with. He is somebody we had up on the wall. I worked with him on a TV show previously about like seven or eight years ago, seen his theater work, and know what he can do. He's just one of those really wonderful actors that can sort of turn on a dime, and take something that is very, very funny and then make it very sinister, just like that. The instrument is really huge. And we had a really hammy role for him! Which was, you know, he's just he's one of the really delicate butchers--just the right slice of ham on top of given circumstances and stuff, what a joy. And he also acts like a naughty 14 year old boy when the camera is off too. So it's a nice energy on on Sam. And he gets it like, you know, sort of like the grandad of our theater trip because they were all a bunch of theater actors who had known him growing up in the theater too. So that was a treat. You'd see it on stage. I mean, you see in the camera, there's a lot of joy. There's a lot, it feels like a theater company there. You know, nice to be with it.

DM: Now, there are more than a dozen books in The Vampire Chronicles. You're going into Season Three, you know, and you'll be covering The Vampire Lestat. Would you cover them all if you could, or is there like a specific endpoint that you have in mind?

RJ: I mean, like anything else, you're supposed to take a really good hard look at yourself and go: Do you have anything left to say about vampires? And, you know, they pay you to do this. So that's hard. And I have a three year old child and all that stuff. And who doesn't want a swim in the pool? But I think if you're really honest with yourself, you've got to say: Can you still bring it with the same energy that you brought it the first time? And for Season Three, I believe I can. And I believe our staff can. For 12...for TWELVE books!? Man! I think somewhere along the way, you got to hand that thing off. Because you're just, when you're up to writing the 540th scene of Louis, uhhh...you really need some new blood in there. I think that's a while off. You know, if I had my brothers, we'd do this, figure out Queen of the Damned, Tale of the Body Thief, maybe Memnoch? Somewhere there. And at some point, there will be somebody who already says: Oh, it clearly should be this person. And also! Vampires was--I mean, by that time, who knows how old Sam Reid and Jacob Anderson will look! They might not even look like immortals anymore! So we're just going to try, as long as AMC gives us the dough. We're trying to make aggressive things with it--we're very privileged to do it. But yeah! Look, I'm in the heat. It's hard for me to talk about Season Two, I'm in the heat of Season Three right now! I got Season Three Head in here right now. So I think I hopefully none of this all sounds really canned. It's just that I'm already in the next season.

DM: Now the show is getting a spin off about the Talamasca, who tied into Season Two. Does it complicate the storytelling process to have to factor in storylines that are happening in the same universe, but on another show?

RJ: It's fun, we're communicating with each other. You don't want to be the person that says: You can't do that, you can't do this. You want like John and Mark who are working on the Talamasca show to have as much freedom as I had. That being said, we have a couple of characters that are crossing over. So there's some communications between the two about, like, what those characters need to do in the next season of Vampire, and make sure that those things don't conflict. If anything, make sure that they can help build a better story. Like I'm reading the scripts, and grafting on the given circumstances of their show into ours. And that's cool! That's fun. And they're lovely guys too. So that makes it easy.

DM: Well, I want to congratulate you on your work on Seasons One and Two, going into Season Three of Interview with a Vampire. And thank you so much for talking to me about it!

RJ: Oh, a pleasure! A pleasure! *kisses* Gold Derby!

Interview with Rolin Jones.

Full video here 👇🏻

[soup-child]

The fact that Adaine "i don't know if im asexual im 15" Abernant and Riz "why is everyone so horny im definately aroace" Gukgak both being in the same show is incredibly important to me

[charliewrites99]

Ludovico, I just want to talk about that ending, Ludovico I just- I just wanna talk...Ludo-Ludovic- LUDOVICO WHEN I CATCH YOU-

[buddiesmutslut]

I’m genuinely so fucking sick of the “you all would have loved it if it was Eddie who made that comment” take.

First of all, Eddie wouldn’t have made comment then, bc he knows how hard it is for Buck to talk about his emotions, & is REALLY good at giving him the space to talk about them, even if he does make jokes, they’re not out of pocket (the coming out scene, anyone? Breaking the tension with a joke & still being supportive without making a joke of his feelings.)

Secondly, even if Eddie DID make that comment, I’d probably still roll my eyes, but I’d be more willing to accept it. Do you wanna know why???

Who was the person that knew the details of what Buck was talking to his therapist about during their emergency session before the Buckley’s visit? Who is the first one they show at Buck’s side when he gets stuck in the warehouse trying to pull Saleh out after learning about Daniel?? Who is the one who was pacing downstairs in the station & making sure Buck was okay after the warehouse, and the one who warned him about his visitors??

Who was the one praying at Bobby’s bedside, right next to Buck in the hospital?

(I’ll give you a hint, it’s not the dude that’s had 10 minutes of fucking screen time that everyone forgot about post s1.)

It wouldn’t have been the same bc TOMMY AND EDDIE ARE NOT THE SAME. They are not on the same level of knowing Buck & understanding when to make jokes & what jokes to make. Your best friend, partner & co-parent of 6 years and the man that you haven’t even called your boyfriend yet are not on the same level of familiarity.

I get that you’re pissed that Tommy is being compared to Buck’s previous love interests (which would be the case, even if he wasn’t just as shitty & uninterested in Buck as a person as they all were) but if you genuinely think that he’s anywhere near Eddie’s level, EVEN PLATONICALLY, then I fear that you have been watching another show entirely, & I encourage you to watch more than just s7, bc that’s the only explanation I can come up with for why this fuck ass take exists.

[zonatcannibalism]

Im really enjoying the Agatha show for now, but wanda maximoff, kate bishop and billy kaplan are my favorite comic book characters of all time and if they treat billy the way they treated wanda in doctor strange 2 and kate in the hawkeye show i will go there and personally assassinate whoever did it

[cuntmand]

this was kinda the worst episode out of the entire series tbh simply because of the pacing. i liked the episode, but it was all over the place. they tried to tie in all the lose ends in 50 minutes, and that just wasn’t possible. louis being imprisoned, then released, losing his mind, recovering, AND burning down the theater and killing santiago, all in the span of like 5 minutes, the whole louis/lestat/armand scene, daniel exposing armand, loumand divorcing (that was so underwhelming, esp after 2x05, like, i needed these bitches to have a proper verbal argument, i needed them to be AT EACH OTHER’S THROATS), armand turning daniel (offscreen, cause they didn’t have time to get into all that, cause like… no way it was that simple lol there were too many devil’s minion hints throughout both seasons), louis flying to nola, reuniting with lestat (they have far too long and complex a history for it to be resolved so quickly, it would’ve been far more meaningful had it been done right), daniel publishing his book (compiling, writing, editing, publishing it AND selling 4-5 million copies must have taken a lot of time, so time jump, i guess?)… just by typing this out, it’s too much, way too much to cover in a single episode. the hectic pace left me unsatisfied and it also left a lot of room for plot holes (no more unreliable narrators now, cause the interview is done). idk i think they really should’ve split this into two episodes, at least. one of the things that i really admired about this show was the pace. in season 1, they managed to cover 3 decades in the span of only 7 episodes, while simultaneously showing us what was happening in dubai in 2022, and it never felt rushed. season 2’s pacing was still amazing and satisfying, up until this episode. idk man… i hope this doesn’t happen again, cause it really left a bitter taste in my mouth, and it was the finale, so my expectations were high.

[dcbnam-aep]

The sad thing about this episode is how blatantly the fact that Alicent is a woman is being used against her (it’s been clear throughout the show yes, but now at the council Larys has said it plainly).

In her opinion this conflict was never about rhaenyra being a woman! She thinks rhaenyra would have made ‘a fine queen’! Alicent believes that Aegon is on the throne Not Because he is a Man but because Viserys ‘changed his mind’. But now the fact that he is a man and she is not is being used against her.

Though Alicent has done what is asked of her and proven herself time and time again (including on the council in the absence of Viserys!!!), she (like rhaenyra) is being punished and removed of the luxury of power simply for being a woman.

But unlike Rhaenyra, Alicent has no power from her title and can’t force anyone to listen to her because they were her father’s antis. This is Alicents tragedy

but the real tragedy is arguably the antis who say that Alicents storyline is somehow ‘deserved’. So much for absorbing the shows messaging about the danger of women being villainised for having opinions or authority!!

[saessenach]

No but why is this silly show so much FUN and why am I several years late to it!!!

I love lying characters who tell the truth but only to a certain degree, so I am absolutely YELLING about Sauron flat-out TELLING Galadriel about the blood-oath to Morgoth and "I am not the hero you seek"

I especially find it really fun how you've got the little sleight of hand trick setting up Sauron behind Halbrand - the so-called kingship of the Southlands, the mystery of a crest that marks the way, the whole forge thing!! Gosh, it would have been sooooo much to go into this blind about the reveal BUT this is also really FUN.

(I've only ever read one of the LOTR books, but had a lovely time with the movies, so I am not the best at discerning whether this is a ~good~ adaption, but hooo boy am I having a lot of fun with it!!!)

[distractionpie]

the thing that peeves me about the sperm donor plot is that 'donor not dad' so Buck isn't closely involved in the kid's life is fine, reasonable even, but Connor and Kameron approach Buck like he's being asked because he's their friend despite the fact Connor and Buck haven't kept up a friendship in years, they lean on him emotionally and practically throughout the process, then dissappear from his life again (to the extent we don't even get a throwaway mention of them) as soon as soon as they've got what they wanted

[prentissluvr]

just saw someone saying that jared's acting in spn was bad... gonna commit heinous crimes