#one million (3) years later

[nyawrler]

hihg rolr

[coollyinterferes]

The unmistakable sound of footsteps approaching begins to fill the air. Whoever is coming seems to have brought some company along…

They are getting closer… and closer… and closer…

…and closer…

……until..................

"Goooooood evenin'!!" Comes the loud greeting from a certain blond man. A big smile on his face and all.

"We beg your pardon for our prolonged absence. It was completely beyond our control..." Then adds the gentleman standing by his side, apologizing on behalf of both, offering a genuine smile along with the apology.

"...BUT! We're back!" And hopefully for good this time…

[yourtipsygrandma]

I saw the Northern Lights and I’m having an extreme emotional reaction excuse me

[sysig]

Let him dad her!! (Patreon)

[rosieblogstuff]

I'm so exited to have posted the VERY LAST CHAPTER of a an Army Days story I started posting on Jan 1, 2022! Huge shoutout to everybody who helped brainstom anything for this ever, and to the people who definitely helped me out with specific plot points or beta reading (@the-itzy-bitzy-spider @nativestarwrites @impossiblepluto @saplesss-tree).

--

Sergeant Alvarez lowers himself into the chair next to Jack’s. “How’s your nerd?”

Jack shrugs. “Dunno. Ain’t heard nothing since they took him to surgery.” He turns Mac's little red knife over in his hands. It’s coated in a thick film of red dust, as if it’s spent a month laying on the ground outside. It’s only been a few hours since he watched Mac put it in his vest pocket when they were gearing up that morning.

“You think he’ll lose the foot?” Alvarez asks after they sit in silence for a couple minutes.

Jack shrugs again. “Dunno,” he says again. “It didn’t look so bad but you know. Can’t ever tell what damage is under the skin.” He clears his throat, as if that will clear up the thickness of the guilt that lays over him like a blanket. He doesn’t want to think about the trip back from the bomb site to the FOB. He doesn’t want to relive that again ever, even if, objectively, there are worse things that can happen to a man than surgical amputation.

Mac’s going to live. Jack needs to focus on that part. It’s good. He’s kept that much of his promise.

Jack keeps the red knife clutched tight in one fist while he ducks his head and rubs one hand over his short hair. “Worse things happen,” he repeats, out loud this time. It doesn’t sound much more convincing to hear the words spoken.

“They’ll ship him back home. Out of your hair.”

“Yeah,” Jack agrees. Losing a leg is a bad way to earn a discharge, but there it is. They won’t keep Mac here with an injury that requires extensive recovery.

The thought of Mac getting out of Afghanistan ought to make Jack happy. Kid shouldn’t have been here in the first place. He’s out of place: too stubborn, too pacifist, too damn much of an idealist. Won’t pick up a gun to save his own life, which is a pretty bullshit attitude for somebody who signed himself up for the one activity in which a person is required to carry a firearm and expected to use it regularly.

The idea of Mac going home just makes Jack sad. It isn’t just that he’s seen how much of a struggle it will be to reintegrate into civilian life, and doubly so while dealing with limb loss, although he has. It isn’t just that he feels responsible for everything that happened to Mac, although he does. It’s more that the idea of sending the kid home and never seeing him again fills Jack with a sense of loss...

[ayyponine]

not to be a milennial but harry potter and the prisoner of azkaban really is that bitch....

[mmmairon]

Your tag about the intersection between grief and homesickness fucked me up ngl. Im dealing with the grief of suddenly losing my father and I never thought of it like that but you're so right that's exactly what it feels like

oh anon :( I am so, so sorry you are going through this. in my own experience, the first few months after unexpectedly losing my own father felt like when you were a little kid at a sleepover you didn’t really want to be at—everyone sleeps soundly but you have this indescribable, aching feeling in your chest of I just want to go home, please let me go home. it’s smothering, more than unbearable, and it doesn’t leave.

this kind of grief makes you feel like a little kid again. but not in a good way. home isn’t really anywhere anymore without the person who made it feel like one.

I hope your grief eases soon. It’s lifelong, but it does get easier, in time.

[minqies]

eleven-year-old me was SAT

[ignatiusteto]

I LOVE having a crisis about what to do with my life. can therapy really fix indecision.

[alienzil]

Nanny Danny

“That is a whole ass baby,” was the only thought running through Lex Luthor’s head when the scientist proudly showed him the tube containing Project KR. It was not remotely the sort of thing he would normally think and most definitely not what he had expected to be thinking the first time he saw the clone.

He’d been pleased when he’d read the reports indicating the success of KR after years of failures. Lex had poured millions of dollars and literally his own blood into ensuring a clone of the alien could be made, one that would be under his total control instead of the unknown aspirations of Superman.  He’d wanted to see the fruits of his labors personally but this…

It. No, not an it. He scrunched his tiny face and smacked his lips and…did he smirk? Was that HIS SMIRK on that baby’s face?! No. No. Babies this small didn’t smile or smirk. They passed gas and their sleep deprived and addled parents mistook it for an intelligent response. He’d heard enough inane conversations in the Lexcorp office about the various progeny of his employees to pick up on that but still. This child had Kryptonian DNA, not to mention his own contribution. Surely, he was far more advanced than the dribbling potato shaped lump of an infant whose pictures he’d been forced to smile and nod over when Mark from accounting had rudely shoved them in his face at the last quarterly budget meeting. Yes, that was definitely a smirk. His, that was his smirk.

“So as you can see its growth is well within expected parameters and we’re planning to start phase one of accelerating the maturation process tomorrow once the testing is do-”

“Take him out.”

“Sir? The testing can all be accomplished while it remains in the tube. There’s no need to-”

“I said, take him out. The project is cancelled.”

“What?! Mr. Luthor you can’t!”

“I think you’ll find I can. Now get me my son.”

*****

Two years later

“Call them again”

“Sir, I’ve called them seven times. They won’t answer.”

“Then call another agency!”

“There isn’t another agency, Sir”

Lex glared at his assistant who stared back at him impassively. Mercy stood by the door staring off into the distance and pretending she didn’t notice him being bested by his own secretary.

He stopped himself from shouting again and took a deep breath before asking, “Then what, exactly, do you propose I do Mrs. Anderson? Adjust my entire schedule around naptimes? Find a toddler size lab coat and safety goggles and bring my son with me to tour the new clean energy project on Thursday? Perhaps buy a tiny business suit while I’m at it for the next board meeting?”

“I’m not suggesting anything of the sort, Mr. Luthor. I’m telling you that no childcare agency in Metropolis will return my calls anymore. Most won’t even answer.  You’ve gone through 27 nannies in the last 3 months. You need someone better suited to your son’s…special needs.”

Lex snorted. “Special needs might be a bit of understatement. He can lift a car over his head and his favorite word right now is No.”

He sighed and rubbed his forehead. “Thank you for…clarifying the situation, Marjorie. If there’s nothing else, you can leave.”

His secretary didn’t move. She looked at him like she was waiting for something and now that he was paying attention, he saw she was holding a file.  “Did you have a suggestion?”

Looking pleased with herself she responded, “Actually, yes, I did.”

“Well?”

She set the file on his desk and flipped it open. He looked down at the first page and raised an eyebrow, “What am I looking at here?”

“This,” she responded pulling out the top set of papers and spreading them out, “is the employee file and background check for Daniel J. Fenton, an intern that started in our engineering department about 4 months ago. He has one sibling, two parents and several close friends he regularly meets with. His current supervisor has nothing but good things to say about him and reports he gets along well with all his coworkers.”

She set out the next set of papers, neatly arranging them on the desk to be easily seen. “These are newspaper articles and screenshots of social media posts regarding a small town vigilante locally known as Phantom. The same small town, Mr. Fenton is from coincidentally. Also coincidentally, Phantom made his first appearance only a few weeks after Mr. Fenton was involved in a minor accident in his parent’s home laboratory when he was 14, the medical records for the incident are included.”

“Hmm,” Lex said observing several photos of Phantom and a younger Fenton arranged in order of similar poses and facial expressions and printed out side by side.

“Finally,” she said handing him the last set of papers directly, “this would be a report from the lab Mr. Fenton works in from an incident that happened yesterday. A test with a new protype went wrong and started a fire. Everyone evacuated per protocol when the alarms went off but one of the other interns was working on a programming issue off to the side of the lab while wearing headphones and didn’t hear the alarm or notice the fire. Mr. Fenton noticed his absence and returned to the lab to get him out.” She stopped talking and let him look at the last several pages in the file, a series of photographs of the lab.

“Is this ice?”

“Yes, it is. It’s several inches thick and covers half of the lab. It completely put out the fire leaving minimal damage.”

“This machine was moved?”

“It was. It was very close to the flames and would have required replacement if exposed to extreme heat or cold. That particular piece of equipment also weighs several thousand pounds and was bolted to the floor.”

Lex read through everything in detail then clasped his hands under his chin and stared at the photo of Daniel Fenton for several moments before turning back to his waiting secretary.

“Have HR send Mr. Fenton up. I’d like to offer him a promotion.”

[feminist-space]

Cat in the Hat:

"The German Health Minister gave an important update on the Covid situation yesterday.

I’ve written up the section of his speech from the video below for easy reading.

It’s immensely refreshing to see a government minister warning of the harms of Covid in such a transparent way."

https://x.com/_catinthehat/status/1732092683508678954

Prof. Karl Lauterbach

Health Minister, Germany

4 December 2023

"This second (long Covid) round table was very interesting, lasting three and a half hours. It serves as a unique forum for dialogue among scientists, researchers and those affected by long Covid, facilitating the exchange of ideas.

There are many new findings about long Covid. Not all of them are good news. One piece of not-so-good news concerns the fact that long Covid is actually still a problem for those who are newly infected. One estimate that has been put forward is that the risk of contracting long Covid now, even after vaccination, is around 3%. Now you may say, "that's not such a big risk" , but there are tens of thousands of people who are repeatedly affected in a short period of time. And so, the long Covid problem has not yet been solved.

We have also established that there really are many subgroups of long Covid and that we do not yet have a cure. And it was clearly pointed out that we are also dealing with problems here that will challenge society as a whole, because vascular diseases often occur after long Covid. Throughout Europe, we are currently seeing an increased incidence of cardiovascular disease in the middle-age group - from 25 to 50. This is associated with the consequences of Covid infections.

We also very often find cognitive impairment in older people. And one participant pointed out that it may well be like the Spanish flu, where 20 years after the Spanish flu there was a significant increase in Parkinson's disease and probably also dementia.

This is something we must pay attention to, as the past infection afiects how the immune system in the brain functions, as well as the brain's blood vessels, potentially increasing the long-term risk of these major neurodegenerative diseases. This is why we need to conduct very intensive research. This research has played a major role.

What is the overall assessment of the situation now?

We have to be careful. Long Covid is not curable at the moment. We also know that over 40% of those who have several manifestations of long Covid, for example, five or more, still have symptoms after 2 years, so it doesn't seem to heal spontaneously. We also know that those whose symptoms are more pronounced at the beginning are less likely to heal.

So some of what we know from the demographics of long Covid has been confirmed, and we now know more precisely which mechanisms in the brain, but also in the blood vessels and the immune system, are responsible for this. Professor Scheibenbogan will explain this briefly later.

At this point, I can only say the following - this is particularly important to me:

First of all, long Covid is a disease that stays with us and that we cannot yet cure. And we are seeing an increasing number of cases as the waves of infection continue to affect us.

Secondly, Covid is not a cold - with a cold, you don't usually see any long-term effects. You don't see any changes in the blood vessels. You don't usually see an autoimmune disease developing. You also don't usually see neurological inflammation - these are all things that we see with long Covid. Therefore, one should not assume that Covid infection is just a common cold. It can affect brain tissue and the vascular system, and we still lack an effective treatment, making these studies crucial.

Significantly, we know that the risk of long Covid decreases when you're infected but have been vaccinated. That's why it's concerning that only 3 million people have been vaccinated with the new, adapted vaccine. That is a very bad result.

Please protect yourself from severe infections.

Please protect yourself from long Covid.

Currently, the danger posed by Covid is indeed being underestimated. Nothing is worse than infecting someone at Christmas who then becomes seriously ill and may not fully recover."

Alt text is included in all images of this post.

[ieirism]

crybaby.

pairing: gojo satoru x f!reader

setting: modern au

genre: smut and fluff

contains: brother’s best friend gojo, protective older brother geto, use of pet names (baby, princess, sweetheart), unprotected sex, slightly mean gojo (but he ends up soft and sweet, I promise), dirty talk, overstimulation, mutual pining, dacryphilia, oral (f receiving), cheesy and happy ending <3

summary: satoru had promised suguru that there'd be no funny business while he takes care of his heartbroken baby sister... but he's never been the greatest at keeping promises.

“Stop being so mean to her, Satoru.” Satoru looks over at his best friend, who's clicking his tongue in disapproval, with a nonchalant grin.

“Not my fault she’s such a crybaby, Suguru.”

“Come on.” Suguru shoots him a warning look. “That’s my little sister you're talking about.”

“Hey, hey,” Satoru laughs, raising his hands in mock defense. “You gotta teach her how to grow thicker skin. Not my problem.”

“Every time you come over, she ends up crying.” The black-haired man sighs. “Don’t be a jerk just for one moment, won’t you?”

“Mmh, no promises.” Satoru grins. Sue him, he’s simply too addicted to the way your face scrunches up indignantly whenever he teases you, the futile yet endearing clenching of your small fists at your side, and most of all, the uncontrollable blubbers that leave your lips as tears roll down your cheeks.

Years later, you’re still the same. Just a little crybaby coming apart at the seams, completely at Gojo Satoru’s mercy.

-

“S-Satoru…” The high-pitched whine of his name only elicits a laugh from the man between your legs, sending shock waves of pleasure shooting through your body.

“Baby, you gotta stop movin’ so much.” Satoru’s large hands grip your thighs, holding them firmly in place as he continues to feast on your dripping pussy. “Gotta let me eat you properly.” He punctuates his point with a loud suck on your clit that has you mewling and twitching under his hold.

“T-Too much!��� You sob, hands curling into the silky white stands on his head, tugging uselessly. “S’too much, S-Satoru…”

“You wanna take my cock later, princess?” He hums against your cunt, licking a hot stripe up your slit, chuckling as he watches your pussy clench around nothing. His gaze lazily travels upwards, greeted with the sight of you nodding furiously as tears stream down your cheeks.

“Yes,” you plead with wide, teary eyes. “N-need you.” Satoru smirks.

“Then be a good girl and let me prep you,” he coos, before diving right back between your folds, enjoying the broken sob that leaves your lips as he draws zigzags across your swollen clit.

-

“I really don’t understand you,” Suguru bristles, frustration evident by the way his eyebrows furrow as he eyes Satoru.

“Hmm?” Satoru looks at him with feigned innocence. “Whatever could you be talking about, dear Suguru?”

“You’re unbelievable.” He sighs. “Those gifts you bought her… they’re worth almost a million yen. What the hell is wrong with you, really.”

“Well, you told me I made her cry.” The white-haired man shrugged. “I had to make up for it, didn’t I?” Suguru squints suspiciously, at a brief loss for words.

“...You are not normal,” he finally scoffs.

“Of course not,” Satoru agrees, unfazed.

“You can’t keep doing this. You’re gonna end up spoiling her.”

“And what’s so bad about that?”

-

“Gimme another one, baby.” He’s faintly aware that if he makes you cum again, you really might pass out. However, he can’t really bring himself to be too concerned about that, not when he’s quickly becoming addicted to the taste of your dripping cunt and cries of pleasure.

“C-Can’t, I can’t — “ You sob, entire body shaking around his mouth; you’re so sensitive.

“You can,” he insists between hungry slurps, not letting any of your arousal go to waste. “Fuck…” You’re so sweet. Just how did he survive this long without having a taste of you?

“Please…” You’re still shy, trying your best to stifle your cries even as they fall in a steady stream from your trembling lips. Each loud squelch of your sopping pussy still has you cringing a little, not to mention the embarrassment that washes over you every time you catch a glimpse of your juices all over Satoru’s face.

“Don’t hold back anymore, sweetheart.” He reaches up to grab your wrists, pulling them away from your mouth even as you blubber out a weak protest. “Wanna hear you this time, say it loud. Say my name when you cum.” One more combined thrust of his fingers, deep into your hole with a flick of his tongue across your clit has you creaming on his lips for the fourth time.

“S-Satoru!” You’re unable to control the beautifully loud whine of his name as Satoru greets your orgasm eagerly, savoring every last drop of your release on his tongue.

-

“You made her cry again.” Suguru says, rolling his eyes as he approaches his best friend at their meeting spot.

“Huh?” Satoru raises a brow. “Haven’t even seen her since two weeks ago. What’d I do?”

“She’s sad you’re moving away.” Suguru tuts. “Can’t imagine why. Probably because she won’t be able to use you for your wallet anymore.”

“You implyin’ I’m just a wallet to her?” Satoru exclaims, a little offended. The black-haired man shoots him a deadpan glare.

“You know you’re not. But even you’re not enough of an asshole to use that against her.”

“It’s just college,” Satoru muses. “Kid thinks I won’t be back for her?”

“In two years she’ll be going off to college too.” Suguru shrugs. “She’ll get over you.”

“What a cruel thing to say.” Satoru laughs it off, ignoring the small flicker of jealousy that flares to life deep in his chest.

-

Satoru watches as your chest heaves up and down, in your effort to try to recover from the multiple orgasms he had just given you. You’re lying limp on your bed, unable to move save for the periodic twitching of your thighs.

“Sorry, princess, was that too much?” He’s teasing, but there’s a genuine edge of concern to his voice as he cups your cheek in his hand. You nod, a few tears falling down your face. “Aww, forgive me. You’ll forgive me, right?” In response, you tug weakly on his shirt collar, asking him to come closer. He relents, allowing you to drag him down towards you. Satoru’s about to ask what you need, before you suddenly tilt your head upwards to kiss him.

Satoru lets out a small noise of surprise as your soft lips press against his, hesitant at first, but deepening once your fingers find further purchase in his shirt, gripping tightly. He wraps his arms around you, pulling you up into his lap.

You kiss him a little clumsily, still boneless from your release but Satoru doesn’t mind. Doesn’t mind at all, of course, when your lips are so soft against his, and he can swallow every quiet whimper that escapes you.

“Satoru…” Your voice is raspy and small, but your eyes are wild as you cling helplessly to him. “A-Am… Am I ready yet?” His jaw goes slack in awe at the adorable, troubled expression on your face. Your lips are swollen into a permanent pout now as you look up at him with those wide doe eyes that always had him weak.

“...Think you are,�� he heaves, realizing that he’s just as fucked out as you are. It takes everything in him to hold back the urge to just take you.

-

“She’s grown up.” Satoru raises his eyebrows in pleasant surprise at the pictures that Suguru shows him. Your family had recently gone on vacation, so Suguru had been gone for an entire week, leaving his best friend and roommate all alone.

“That’s what you’re looking at?” Suguru shoots him an annoyed look.

“Oh,” says Satoru, glancing back at the picture. “Uh, nice waterfall.”

“One of the seven natural wonders of the world and all you can see is my baby sister.” Suguru exhales deeply.

“What? You can’t blame me too much. Kid’s changed,” the white-haired man shoots defensively.

“She’s twenty, not sixteen anymore. Of course, she’s changed.” Suguru pinches the bridge of his nose. 

“I know that, I just…” Satoru pauses, glancing back at the picture. You’re still tiny, only reaching up to your brother’s, and by extension his, chest. Your face has matured, though, baby fat gone from your cheeks. That didn’t stop you from being any less adorable, though — your smile is as radiant as ever. He can’t help but let a small smile of his own slip onto his face.

“Hopeless,” Suguru mutters in disbelief. “Hopeless, the both of you.”

“Huh?”

“Nothing.”

-

Satoru lets you unbutton his shirt, watching in amusement as your eyes narrow with focus as each button pops open, slowly revealing more and more of his skin.

“Um…” You’re nervous. It’s plain as day from the way your lip wobbles as your eyes sweep down the view of his chiseled chest and torso, only to end at the prominent bulge in his slacks.

“You sure you’re okay with this, princess?” He cups your chin in his hand, gently tilting your face to look straight at him. “Need to rest?”

“N-No!” You protest immediately, shaking your head. “I…” You glance back down at his erection, a flicker of desire in your eyes. “I need…” You trail off, unable to say it.

“Okay.” If he was feeling meaner, he would make you tell him exactly what you want. But he wants to be nice today, especially since you’ve already cried so much for him. “Okay, baby. Don’t worry, you’ll have it. Can you unzip me? Can you do that for me?” You hesitate for a moment. Satoru briefly wonders if he’s perhaps pushed you a bit too hard.

But then you’re reaching for him, small hands finding the top of his pants and slowly undoing the button. Your fingers close around his zipper, slowly tugging it down.

“Good girl.” He pecks your forehead. “Take me out of my boxers, alright?” As his angry, swollen cock springs free from his underwear, you can’t contain your gasp.

“Oh…” The soft sound leaves you almost involuntarily as you stare and wonder at how the hell that’s gonna fit in you. He’s thick and long, rock hard and dripping with pre-cum. You slowly wrap your own hand around his cock, lips parting as your fingers fail to meet in the middle. Your own pussy clenches in a combination of fear and excitement.

“See why I needed to prepare you, now?”

-

“Sorry to spring this onto you all of a sudden, especially since you just got into town.” Suguru sighs over the phone.

“Don’t worry about it. If you’re not around to take care of her, duty falls on me,” says Satoru as he reverses his car out of the parking lot, heading to the location Suguru had sent him.

“Let me know when she’s home safe. Tell her I’ll be back tomorrow.”

“Yeah, will do.”

A pause.

“And… no funny business, got it?”

“Don’t know what you’re talkin’ about.”

“I’m serious, Satoru. She just confronted her asshole cheater ex. She doesn’t need you drooling all over her right now.”

“Relax, dude. I’m not that desperate.” Satoru rolls his eyes.

“Good. Keep it that way.”

-

His conversation with Suguru lies in the back of his mind, forgotten, as Satoru places a gentle hand on your shoulder. “Lay back and relax for me, sweetheart.” You immediately obey, laying yourself down on your bed, heart beating fast in anticipation.

“S’gonna hurt, right?” you ask softly.

“Don’t worry, baby. I’ve gotten you ready, see?” Satoru comforts you, brushing his fingers against the wetness still soaking your entrance.

“Oh.” Tears suddenly well in your eyes. “Um, s-sorry, it just always hurt with him…”

“What?” Satoru’s eyes darken, unsure if you mean what he thinks you do.

“He just…” You bite your lip, trying not to let your tears fall. “H-He just p-put it in, y’know?” His heart drops in his stomach. Two years, two whole fucking years with that asshole, and he had never given you proper foreplay? No wonder you were so sensitive and responsive to his touch, your body had never received the attention it’s always deserved.

“Baby.” Satoru squeezes your hand, fighting down the urge to find that asshole and beat him up. That could come later. Right now, he has to focus on you. “It’s not gonna be that way this time. Not with me. Okay?” You nod, squeezing his hand in return.

“O-Okay.”

-

It’s the first time he’s seen you in person in four years, and here you are in the passenger seat of his car, crying your eyes out.

You feel absolutely humiliated. You had called Suguru to ask him to pick you up from your ex-boyfriend’s house after you dumped him, but he had told you he couldn’t.

“I’ll send someone to get you. Hang tight,” he’d said.

You just didn’t know it was going to be Gojo Satoru, who hadn’t returned to your hometown since he graduated high school.

“I’m gonna bring you home,” Satoru had told you, getting out of the driver’s seat to open the car door for you. “Relax, okay? You’re safe now.” He had buckled your seatbelt for you before settling in himself, starting the engine without another word.

The car ride back to your house is silent, save for the continuous sniffles that wrack your body as you try your best to stop your tears. Satoru silently puts a box of tissues in your lap at some point, and your heart stutters at the action.

You’ve known for many years now, that you never got over your first love.

-

Clothes fully discarded, Satoru lowers himself on top of you, enamored with the way you shyly glance down at`his cock, gaze wavering for a moment before slowly looking back up at him, eyes begging for him to do something.

“Tell me if you want to stop.” He brushes his fingers, tender and gentle, across your cheek. You nod, hand curling around his bicep.

“Kiss me,” you request, and he gladly obliges, leaning down to peck your lips.

“M’gonna go slow,” he tells you. “You want me to stop, hit me real hard — “ He smacks his own chest. “ — Right here. Got it?”

“I won’t,” you say bravely, eyes glimmering with determination. “I… I can take it.” Satoru laughs quietly.

“Alright, princess. Don’t act all cute, you’re just rilin’ me up now.” You smile, a little mischievously.

“Oh, you caught me.”

“Fuck…” Satoru groans, pressing his forehead against yours. “You’re gonna kill me.” His fat tip taps against your clit once, twice. You gasp, eyes going glossy as you feel your swollen pussy clench desperately around nothing.

“Satoru,” you plead. “P-Please…”

“I’ll give you what you need. Relax for me…” He aligns his tip with your entrance, prodding between your folds. Inch by inch, he sinks his cock into your warm, throbbing cunt, almost blacking out himself at the sensation of your tight, velvety walls clamping around his cock.

“A-Ah…!” You whine, gripping his bicep and squeezing your eyes shut. The stretch is almost too much, but the delicious sensation of being filled to the brim has you seeing stars.

“You okay?” Satoru pants, willing himself to stop from splitting you open on his cock to check on you.

“Yes,” you whimper. “Yes, a-ah, please k-keep going…” Satoru rests his head in the crook of your neck as he continues to push himself in, enjoying the soft, labored whimpers as you take more and more of him, deep into your sopping hole.

“Almost there,” he coos. “Almost there, princess…” After what feels like an eternity, he finally sheaths the last of him in you, biting at your shoulder as he finally, finally feels exactly the sensation of being one with you.

-

“Drink. You’ll feel better.” Satoru places a glass of water in your hand as he leads you to your living room couch. You stubbornly refuse to look at him, letting the glass sit uselessly in your hand as you stare down at your lap.

He sighs, not sure what he should do. He’s never been good at comforting others, let alone his friends’ kid sisters. He knows you’re not a kid anymore, you’re a full grown adult, but the way you’re sulking and ignoring him says otherwise. Still, his fondness for you wins above all else as he takes the water back and puts it on the coffee table, letting you sit in silence.

”You gonna be okay by yourself?” he asks instead. Satoru doesn’t want to leave you alone, but he’s not sure if his presence will even help. He hasn’t been an active part of your life in years, and he has a feeling that this incredibly vulnerable moment isn’t the best time to barge back in. You don’t reply, twiddling your thumbs.

“Call me if you need anything,” Satoru says hesitantly. “You have my number, right?” No response. “I’m gonna write it down for you.” He finds a spare stack of Post-Its and does just that. You don’t react even when he sticks the note right on top of your forehead, in a shitty attempt to lighten your mood. Your deadpan glare, so much like your brother’s tells him it did not work.

“Suguru’s gonna be back tomorrow,” he tells you, taking the note off and soothing the annoyed crease between your eyebrows. “Go get some rest now, yeah?” You look away. Satoru sighs. Seeing you upset like this hurts him way more than he would like to admit. “M’gonna leave. Get to bed soon.” He pats the top of your head, just like he always used to do, which always made you whine when he messed up your hair. You’re quiet now, not a peep of complaint leaving you.

He really misses hearing your voice.

“Bye, then.” Satoru’s about to turn around and leave, but you do something that seems to shock both of you. Your fingers curl and grab onto the hem of his collared shirt, stopping him in his tracks. He stares down at you in surprise, trying to process the sight of your small, thin fingers holding onto him for dear life.

“Stay.” The one word was enough to crumble his self-control.

-

You’re struggling to adjust to his size; he can tell from the way you’re digging your nails into his arm and the trembling of your thighs around his waist. Satoru stays still, waiting for your permission to go any further, right hand rubbing soothing circles on your hip.

“Don’t stress yourself, baby, just tell me what you want, when you want it,” he murmurs against your neck, waiting patiently, torturously, for permission to move.

You’re so overwhelmed by the sensation of being stuffed full; Satoru is much bigger than your ex-boyfriend and yet, the feeling isn’t painful. It’s so good, a throbbing ache that extends outwards from your core all the way to the top of your head and the tip of your toes. You can hardly form thoughts, let alone words, as your pussy stretches around him, trying to accommodate the sheer size of his cock.

A few more moments pass, and you feel like you’re going crazy. The feeling of being so, so full is one that you’ve never felt before, but you think you’re already addicted. Your thighs flex instinctively, closing tighter around Satoru’s waist and pushing his cock even deeper, pressing right against your sweet spot. You mewl, wrapping your arms around his neck, silently begging to be closer to him.

Satoru leans into the kiss you give him, groaning as your walls suddenly clench once around him, brain filling with nothing but white noise. “Fuck,” he grits out against your lips.  “Fuck, baby, I don’t know how much longer — “

“Move.” Your command is quiet. Satoru almost wonders if he’s misheard you. But one look into your pleading, begging eyes confirms what you want. Unable to hold back any longer, he pulls his hips upwards, snapping right back into you with one long, hard thrust. You cry out, nails sinking into his shoulder blades.“M-More,” you whisper. “Need more.”

He doesn’t need to be told twice.

-

Satoru’s at a loss for words and actions as you stood on your tiptoes, reaching up and bringing his head down to kiss him. His arms instinctively wrap around your waist to steady you, craning his neck to allow you better access — oh shit, what the hell is he doing?

He lets go of you like he’s touched something on fire, pulling back from the kiss. As your heels land back on the ground with a soft thud, he’s greeted by the sight of you looking like you’re about to cry again. “Wait — “ He reaches for you, but retracts his hand; he’s not sure if he can trust himself to stay in line. His heart is beating so fast, you had just kissed him, completely out of the blue.

Satoru knew about your crush on him when the two of you were younger. You started having feelings for him when you were thirteen and he was fifteen, making it painfully obvious. You followed him and Suguru around like a lost puppy whenever he came over, despite Satoru’s constant teasing.

He thought your actions were funny at first, becoming the root of his continued teasing. Despite still making you cry all the time, you always came right back to greet him with a smile upon his very next visit. After a while, Satoru looked at you with fondness, in the way that one would gaze at a small animal. You were harmless, sweet, and so very adorable.

Satoru didn’t return your feelings at the time. You were just Suguru’s kid sister that he liked to toy with sometimes. You were awfully cute when you were mad.

But now, as you look up at him with desperation and longing, his heart clenches faintly in his chest. You’re so, so beautiful — the pictures Suguru had showed him hadn’t done you justice in the slightest. You somehow look so enchantingly gorgeous at this moment, even with tears glistening in your eyes and rolling down your cheeks.

Would you hit him if he tried to wipe away your tears?

He never gets to find out, because you speak his name softly, drawing him in like a moth to a flame. Satoru leans down to carefully listen to what you have to say. “W-Want you.”

-

“So good, so fuckin’ good for me, princess,” Satoru groans, reveling in the dizzying heat of your pussy as he drags his cock in and out of your walls, fucking you at a steady pace. “You feel me in there? You feel me in your little cunt?”

“Y-Yes,” you manage to sob out between moans, each rough snap of his hips into you melting your brain into jelly just a little more. 

“What a perfect lil pussy,” He chuckles as you squeal after a rather rough thrust, the loud squelch of your hole sucking him in echoing through the room. “No sane person in this world would ever give this up this tight wet cunt.” You whine at his filthy words, drool dripping out of the side of your mouth as Satoru continues to ram into you, faster, harder.

“Satoru!” You’re crying out his name over and over, legs wrapped firmly around his waist, pushing him deeper and deeper. “S-Satoru, I-I — “

“You likin’ this, baby? Tell me how much you like this,” he coos into your ear, hand reaching down to rub at your swollen clit.

“I l-like it s-so much, i-it’s so ahh…! I-it’s so good,” you sob out. You never thought sex could feel like this — you never understood why the people around you were so obsessed with it, especially with the treatment you received from your ex.

Now, though, as each rut of Satoru’s dick into your cunt kisses your sweet spot, you get it. You don’t know if you’ll ever be able to forget this feeling of being filled by cock so brutally sweet.

-

“Hold on.” Satoru had tried to protest, he really had. You’d just broken up with your boyfriend. Like Suguru said, the last thing you needed was any funny business. “Listen — “ He sighs out your name, making your bottom lip wobble. “You have to go rest, don’t be reckless.”

“Please.” You tug at his sleeve, staring at him with that puppy-eyed look that always gets you what you want. He really had spoiled you, hadn’t he?

“Not now,” he tried to reason with you. “You’re still hurting, you’re not in the right mind.” You glare at him.

“Who’re you to say m’not in the right mind?” you whine. “I…” You suddenly seem to lose your confidence, staring down at the floor. “...I only ever wanted you.”

“What?” Satoru stares, wide-eyed, at your confession.

“Know you don’t want me that way,” you continue, voice small. “But I… don’t care.” You sniffle. “Don’t care, Satoru. Just want you.”

And when you tug desperately at his shirt again, this time, Satoru is too far gone.

-

“Fuck, I’m close.” He growls into your neck, his pace picking up as he chases after his release, He coaxes you to join him, thumbing at your clit and cooing for you to “Let go, cum for me, c’mon. Cream all over my cock, princess.”

The only sounds in the room are a symphony of your moans and the slick sounds of his cock pushing in and out of your hole as a coil forms deep in your gut, threatening to snap at any moment. You feel tears stain your cheeks as Satoru’s pace increases, pounding into you so deep you can practically feel him in your throat.

“S-Satoru, I’m g-gonna — !” You cut yourself off with a loud, lewd moan, cunt clenching down hard around him as you come undone for the fifth time just this night. You swear you lose consciousness for a second, lost in the euphoric feeling of your release as your swollen pussy throbs in satisfaction.

“Shit..“ A few quick, shallow thrusts later, Satoru finishes as well, thick ropes of cum splurting into your womb, filling you with a warm sensation.

“A-Ah…” you whimper out, pussy fluttering weakly around his softening cock, which is still fully sheathed inside you. A white ring remains on his dick as he gently pulls himself off of you, cum dripping from your spent pussy onto the sheets. Satoru tuts, placing a pillow under your hips so you won’t leak.

You’re only faintly aware of what he’s doing as he leaves briefly and returns with a warm, wet towel, gently asking you to open your legs for him. You obey, but you’re so exhausted you can’t help it as your eyes droop shut. The last thing you remember before falling asleep is Satoru leaning forward to peck your forehead, praising you for taking him so well.

-

You wake up a few hours later to sunlight streaming through your bedroom window, making you squint a little as you sit up in bed. You immediately gasp at the ache between your legs, and the soreness racing up and down your body.

Memories of the previous night come flooding back as a sleepy groan sounds from next to you. Satoru stirs, awakened by your panicked sound, asking softly, “You okay, baby?”

Oh god. Shit. Fuck. You actually had sex with Gojo Satoru.

“Hmm?” He looks a little concerned at your lack of response, pulling you against him. “What’s wrong, sweetheart? You in pain? Sorry, did my best to clean you up and everything.” Only then do you realize that the place between your thighs is no longer sticky, and that you’re wearing a fresh set of underwear with Satoru’s unbuttoned shirt wrapped around you.

“...What did we do?” You whisper in a muddled mixture of shock and amazement.

“You regret it?” he asks carefully, pulling back a little to gauge your reaction. You shake your head vehemently, snuggling back close to him. You breathe in his scent, eyes fluttering closed. You feel so right at home in his arms.

“No.” You ponder for a bit. “But it’s never gonna happen again, right?” Satoru’s breath catches in his throat.

“What?”

“I know last night might’ve given you the wrong impression.” You swallow hard, trying to contain the feelings bubbling up within you. Satoru just looks so beautiful under the morning sun, his crystal blue eyes glittering in the light. You know you’re not mistaken, you’ve never been so sure about it — you love him. “I don’t… do this. Thank you for being with me for this one night, but…” you trail off.

“Hey, hey.” You’re crying again, and this time, Satoru wipes the tears off your cheek, cupping your face between his hands. “What’re you talkin’ about?”

“Don’t want just this from you,” you continue vaguely, looking away shamefully. “But I don’t… I don’t expect you to want the same.” He stills at your words, trying to decipher them properly.

“You still in love with me?” He deciphered them spot on, but that doesn’t stop a humiliated squeak from leaving you. You’re huffing, face on fire with a mixture of frustration and embarrassment.

“F-Fine, whatever! You know already, so…” You look away, gnawing at your lower lip. “That’s w-why — “

“Don’t really know why you’re so upset, princess,” he cuts you off, pulling you out of the downward spiral he sees you’re about to fall into. “Think…” Satoru pauses to swipe at a tear at the corner of your eyes. “Still such a crybaby,” he can’t help but say, watching with amusement as you scowl at him with all the ferocity of an angry kitten.

“Ugh, jerk! Four years later and you still can’t take me seriously, God, why do I even bo — “ He cuts you off again, this time with a kiss. When he pulls away, he’s smiling gently, chuckling at your dumbfounded expression.

“Think I love you too,” he finishes. “So you’ve got nothing to worry about.” A few moments pass.

“...Are you fucking with me?” You look him dead in the eye.

“Technically, I already did,” he replies cheerfully. You look at him in disbelief. “Okay, sorry, sorry, sweetheart. Let me spell it out for you.” Satoru holds you close to him, tracing slow, comforting circles along your back. “Be my girlfriend?”

You answer him with a kiss of your own.

-

Suguru sighs, fishing in his pocket for his house keys as he approaches the front door. He’s worried about you; although the bastard had cheated on you and deserved to have you dump him, he knows you’re still probably heartbroken.

Or at least a little heartbroken. Suguru’s aware you never really that into your ex, if your drunk phone calls about how much you miss Satoru were enough evidence. Hiding those from his best friend was tough work; he would have to sit in the bathroom or the closet with his headphones and speak as quietly and carefully as possible to not rouse any suspicion.

Either way, he knows you definitely need some cheering up right now. He’s brought you a box of cupcakes from your favorite bakery, hoping it would be enough to at least get you in a talking mood.

Imagine his surprise when he opens the door and the first thing he sees is Gojo Satoru. Not only is Gojo Satoru standing in his kitchen, but he’s wearing Suguru’s apron, a gift from you many Christmases ago. To make things worse, he’s nearly butt naked under it, only wearing a pair of boxers that are — wait a second, are those Suguru’s as well?

“Oh hey, Suguru!” If Satoru is nervous or embarrassed, he plays it off well as he turns around and waves, flashing the stupid, faded picture of Remy from Ratatouille on his apron right in Suguru’s face. “You hungry? Was just makin’ some eggs.”

“What the actual fuck,” Suguru grits out, putting two and two together as you choose that moment to wander out into the kitchen, wearing nothing but an unfamiliar collared button down that reaches down nearly to your knees. Satoru’s.

“S-Sugu.” Your eyes go round, stopping in your tracks. No one speaks for a moment. Satoru’s still happily cooking eggs. Suguru’s expression is stone cold. You’re staring at your brother with embarrassment written all over your face.

“Baby, you ready for food?” Satoru steps away from the stove to wrap an arm around your waist, smooching you on top of your head. You make a stuttered noise under your breath, glancing back at your brother.

Suguru’s smiling now, but not in the traditional sense. He looks almost maniacal as he slowly places the box of cupcakes on the table before locking eyes with Satoru. Finally, the white-haired man has enough shame for his casual grin to falter.

“What happened to no funny business?”

Satoru is forced to abandon the stove, running away from a fuming Suguru chasing after him with the first thing he could find on the dining table — a carrot.

“Sugu, stop, it’s okay — “ Your pleas fall on deaf ears as your brother is hell-bent on finding a way to murder his best friend with a vegetable. You sigh deeply, moving to go after them when you suddenly smell something burning. Your head snaps to where the eggs Satoru was cooking are now sitting blackened over the flame.

Needless to say, the first morning with Gojo Satoru as your official boyfriend was far from perfect.

Thankfully, you would have many, many more mornings with him, each more wonderful than the last, that this one quickly faded from importance.

But not from Suguru’s.

“I still remember,” Suguru says, clearing his throat for dramatic effect. “When I opened the door on that one morning, and you were not only in my house, but you were half-naked wearing my apron and my underwear — “

Satoru groans as the audience bursts into laughter at his best man’s speech, burying his face in your shoulder. You’re giggling right along with them, sparing your new husband a peck on the cheek as his best friend continues to tear him apart.

“Then you had the audacity to pretend nothing was wrong — “

Satoru knew he would never live this down, but he had zero regrets. Not when you’re sitting right next to him in a pretty white dress holding his hand under the table.

“Well.” Suguru looks over at him, raising a brow. “Got anything to say?” Satoru takes the mic from him, face splitting into a shit-eating grin as he says two words:

“Worth it.”

[saerins]

ᯓ ᝰ CRAZY GOOD .ᐟ — itoshi sae

hold up, netizens. you’re in for a treat this time because guess what? out of all people, it’s time for itoshi sae to hard launch his girlfriend: you.

itoshi sae x female reader. content tags pro-player!sae, established relationship, profanity, kissing, kind of a tease here, he likes showing you off, oliver is the matchmaker. word count 1.5k

ᯓ notes .ᐟ hi guys i finally have some sae content for you all !!! >:) yes i’ve missed him , and no i didn’t abandon him :’) heh i hope all my sae lovers that are still here will like this mwah <3

there are many things that itoshi sae is good at.

soccer skills, one of them. snubbing people, the second. (that’s how he got the reputation of being rude—even if it’s not really true!) and three, not last and not least (but still substantially), it’s causing a buzz.

he caused a buzz the moment he debuted on the soccer field. his first game and he already made a name for himself. people started asking where he’d been his whole life (even if he was introduced to the people very early on), equating him to soccer megastars like cristiano ronaldo.

ever since that day, he’d been caught in the spotlight numerous times. mostly related to soccer, but some due to his personal life. more specifically, the media loves to take a guess on who he’s dating.

yeah, he’s had more than his fair share of dating rumours. if it were up to the media, sae would have had about thirty-four girlfriends by now and he’s only twenty-six this year. (go fish!)

but as many people do, almost everyone who consumes media content about sae is particularly interested in one thing that is shrouded in mystery: his dating life.

because despite all the rumours and whatnot, there’s never been any confirmation of any relationships at all. and no one in his circle has ever coughed anything up, so anything in that regard has been strictly hush-hush.

well, until tonight, when your boyfriend of six months invited you to one of his teammates’ high-profile birthday party.

“what, are you nervous?”

your boyfriend’s ever unbothered tone is still the same as when you first heard it a year ago. somehow you find it funny that one year later you’re living with the same guy you’d first found to be somewhat intolerable.

sighing, you try and zip up the back of your dress, looking into the mirror, making sure you have your best face on. “sae, you have fans that number in the millions, of course i’m nervous,” you comment, watching from the reflection in the mirror as sae saunters over to you, taking his hands out of his pocket.

he smirks at you through the mirror, his body pressed against you as he helps you zip your dress the rest of the way up, his lips right next to your ear. “i’ve never even seen you this nervous in front of me,” he says, poking a little fun at you as he gives you a light kiss on your temple.

a soft chuckle comes from him as you deadpan, obviously in much more distress than he’ll ever know. not that he’ll blame you; he’s used to the fame, you’re not. “relax, they’ll love you.”

“sae, they won’t.”

he shrugs. “yeah, you’re probably right,” he agrees, earning a small slap on the arm—and he’s laughing again, though this time he tilts your chin up and gives you a long, slow kiss. the kind that takes your breath away everytime he does it. “but who cares? i love you.”

and there he goes, saying that as if it’s no big deal. making your heart beat so quickly it’s not funny. and before you know it, he’s whisking you away into the lobby where a personal towncar is ready and waiting, with the chauffeur and everything.

“geez, oliver sure loves to go over the top, huh?”

sae gives a sharp exhale at your comment. “hey, that’s your friend right there.”

you roll your eyes, getting in first and sticking your tongue out at him. “and you should be thanking him, without him we’d never have met.”

you look away from him right after saying that so you don’t see it, but sae’s smiling to himself, already thanking his lucky stars.

he thinks meeting you and getting to love you is the luckiest he’ll ever get in this lifetime.

by the time you’ve arrived at the venue—a hotel in the heart of the city—swarms of paparazzi already litter the streets outside. they’ve no doubt had their fill of the other soccer players and mega celebrities that have already arrived and are now ready for the real star of the night (aside from the birthday boy himself): itoshi sae.

of course, everyone’s expecting to see sae all by himself because that’s what usually happens; sae attending any and every event alone and unbothered by the scene. it’s never a surprise anymore, but sae’s a good payday and they’d never miss a single shot.

the moment sae exits the car, it sounds like there’s a million shutters pressed all at the same time, give or take a few milliseconds. (it’s nothing you’re used to.) he stands right where he got out for a few seconds, and even inside you can hear the amount of photographers just begging sae to look straight at them.

and if you think that’s rowdy enough, oh boy you’re in for a treat. because the moment the paparazzi realise that sae’s not, in fact, headed for the hotel just yet, you can hear just a few confused noises before it turns into even more pleading the moment they realise he’s opening your side of the door.

when he opens it and holds his hand out for you, that ever handsome smile on his face (which you forget that he only ever shows to you), you feel like you’re nearly blinded by all the flashes. you brave through it though, taking his hand and getting out of the town car, being greeted by the mass of photographers yelling out to you and sae.

“sae, who is that!”

“hey, girl! look over here! yes right there!”

“what’s your relationship?”

“obviously that’s his girlfriend! hey you!”

you’re a little wide-eyed, stunned at how chaotic this scene is. it’s easy to lose yourself in it, but as it always is, sae realises it whenever you are, and he’s quick to pull you back in.

in this case, he pulls you into his arms, a hand wrapped around your waist, pulling you close as he rests his forehead against yours.

“hey, focus on me, just me,” he whispers to you, eyes looking into yours, eyelashes fluttering against one another’s.

(the paparazzi are having a field day.)

“you’re enjoying this, aren’t you?” you ask him, chuckling because you only now realise what a fucking tease he is.

sae shrugs, pulling your hair away from your face. (he’s actually just really grateful to you for doing this for him when you don’t need to—when you’re happy to just be able to support him behind the scenes but he really just wants the world to know that you exist, because it’s a blessing, really.) “maybe i am.”

and this time your heart’s beating faster than you know it ever could, his teal blue eyes melting into your gaze, lips getting closer and closer to your own, his calloused hand on the back of your neck.

like clockwork, his lips sink into yours, his tongue snaking its way in. (and the crowd goes absolutely wild.) you’re both laughing at the panicked and hurried yells from the photographers, slowly pulling away from each other.

you reach your hand out to wipe your lipstick stain off his lips but he doesn’t let you, winking at you and leaning in to whisper, “let everyone know who i belong to.”

such a fucking tease.

not that you’re opposed, so you let him be, shaking your head and following him as he holds your hand and leads you in.

within the next hour, pictures of you and sae flood the internet. (notifications come flooding into your phone too.)

itoshi sae hard launches new relationship with mystery woman!

soccer world loses another bachelor—everything we know about itoshi sae’s presumed girlfriend

most of them are pictures of your kiss, with a good chunk of it being his lipstick-stained lips.

as you scroll through some of the articles your friends texted to you, you’re probably never going to be used to it. you’re probably going to be anxious over everything you do in public now.

a slight panic bubbles up in your chest, but then sae comes over, pulling you backwards into his embrace, looking over your shoulder at your phone.

“that quick, huh?”

and suddenly it’s like anxiety has never existed. because even if it may not seem like much, a year of knowing itoshi sae has made you feel safer than you ever did, knowing that he’s always there to catch you, to never make you feel alone.

you melt into his embrace, turning your head and giving him a kiss, your lipstick stain still on his lips.

“i fucking love you, itoshi sae.”

his eyes widen a little before they grow soft, arms pulling you even closer. “i love you too, stupid.”

(and while the two of you are getting all lovey-dovey at his party, oliver’s just slightly—a lot—upset that sae upstaged him during his own birthday party.)

“i fucking hate the both of you,” oliver groans.

[reasonsforhope]

Federal regulators on Tuesday [April 23, 2024] enacted a nationwide ban on new noncompete agreements, which keep millions of Americans — from minimum-wage earners to CEOs — from switching jobs within their industries.

The Federal Trade Commission on Tuesday afternoon voted 3-to-2 to approve the new rule, which will ban noncompetes for all workers when the regulations take effect in 120 days [So, the ban starts in early September, 2024!]. For senior executives, existing noncompetes can remain in force. For all other employees, existing noncompetes are not enforceable.

[That's right: if you're currently under a noncompete agreement, it's completely invalid as of September 2024! You're free!!]

The antitrust and consumer protection agency heard from thousands of people who said they had been harmed by noncompetes, illustrating how the agreements are "robbing people of their economic liberty," FTC Chair Lina Khan said. 

The FTC commissioners voted along party lines, with its two Republicans arguing the agency lacked the jurisdiction to enact the rule and that such moves should be made in Congress...

Why it matters

The new rule could impact tens of millions of workers, said Heidi Shierholz, a labor economist and president of the Economic Policy Institute, a left-leaning think tank. 

"For nonunion workers, the only leverage they have is their ability to quit their job," Shierholz told CBS MoneyWatch. "Noncompetes don't just stop you from taking a job — they stop you from starting your own business."

Since proposing the new rule, the FTC has received more than 26,000 public comments on the regulations. The final rule adopted "would generally prevent most employers from using noncompete clauses," the FTC said in a statement.

The agency's action comes more than two years after President Biden directed the agency to "curtail the unfair use" of noncompetes, under which employees effectively sign away future work opportunities in their industry as a condition of keeping their current job. The president's executive order urged the FTC to target such labor restrictions and others that improperly constrain employees from seeking work.

"The freedom to change jobs is core to economic liberty and to a competitive, thriving economy," Khan said in a statement making the case for axing noncompetes. "Noncompetes block workers from freely switching jobs, depriving them of higher wages and better working conditions, and depriving businesses of a talent pool that they need to build and expand."

Real-life consequences

In laying out its rationale for banishing noncompetes from the labor landscape, the FTC offered real-life examples of how the agreements can hurt workers.

In one case, a single father earned about $11 an hour as a security guard for a Florida firm, but resigned a few weeks after taking the job when his child care fell through. Months later, he took a job as a security guard at a bank, making nearly $15 an hour. But the bank terminated his employment after receiving a letter from the man's prior employer stating he had signed a two-year noncompete.

In another example, a factory manager at a textile company saw his paycheck dry up after the 2008 financial crisis. A rival textile company offered him a better job and a big raise, but his noncompete blocked him from taking it, according to the FTC. A subsequent legal battle took three years, wiping out his savings. 

-via CBS Moneywatch, April 24, 2024

--

Note:

A lot of people think that noncompete agreements are only a white-collar issue, but they absolutely affect blue-collar workers too, as you can see from the security guard anecdote.

In fact, one in six food and service workers are bound by noncompete agreements. That's right - one in six food workers can't leave Burger King to work for Wendy's [hypothetical example], in the name of "trade secrets." (x, x, x)

Noncompete agreements also restrict workers in industries from tech and video games to neighborhood yoga studios. "The White House estimates that tens of millions of workers are subject to noncompete agreements, even in states like California where they're banned." (x, x, x)

The FTC estimates that the ban will lead to "the creation of 8,500 new businesses annually, an average annual pay increase of $524 for workers, lower health care costs, and as many as 29,000 more patents each year for the next decade." (x)

Clearer explanation of noncompete agreements below the cut.

Noncompete agreements can restrict workers from leaving for a better job or starting their own business.

Noncompetes often effectively coerce workers into staying in jobs they want to leave, and even force them to leave a profession or relocate.

Noncompetes can prevent workers from accepting higher-paying jobs, and even curtail the pay of workers not subject to them directly.

Of the more than 26,000 comments received by the FTC, more than 25,000 supported banning noncompetes. 

[renthony]

Nimona: a Story of Trans Rights, Queer Solidarity, and the Battle Against Censorship

by Ren Basel renbasel.com

The 2023 film Nimona, released on Netflix after a tumultuous development, is a triumph of queer art. While the basic plot follows a mischievous shapeshifter befriending a knight framed for murder, at its heart Nimona is a tale of queer survival in the face of bigotry and censorship. Though the word “transgender” is never spoken, the film is a deeply political narrative of trans empowerment.

The film is based on a comic of the same name, created by Eisner-winning artist N.D. Stevenson. (1) Originally a webcomic, Nimona stars the disgraced ex-knight Ballister Blackheart and his titular sidekick, teaming up to topple an oppressive regime known as the Institution. The webcomic was compiled into a graphic novel published by Harper Collins on May 12, 2015. (2)

On June 11, 2015, the Hollywood Reporter broke the news Fox Animation had acquired rights to the story. (3) A film adaptation would be directed by Patrick Osborne, written by Marc Haimes, and produced by Adam Stone. Two years later, on February 9, 2017, Osborne confirmed the film was being produced with the Fox-owned studio Blue Sky Animation, and on June 30 of that same year, he claimed the film would be released Valentine’s Day 2020. (4)

Then the Walt Disney Company made a huge mess.

On December 14, 2017, Disney announced the acquisition of Twenty-First Century Fox, Inc. (5) Industry publications began speculating the same day about Blue Sky’s fate, though nothing would be confirmed until after the deal’s completion on March 19, 2019. (6) At first it seemed the studio would continue producing films under Disney’s governance, similar to Disney-owned Pixar Animation. (7)

The fate of the studio—and Nimona’s film adaptation—remained in purgatory for two years. During that time, Patrick Osborne left over reported creative differences, and directorial duties were taken over by Nick Bruno and Troy Quane. (8) Bruno and Quane continued production on the film despite Blue Sky’s uncertain future.

The killing blow came on February 9, 2021. Disney shut down Blue Sky and canceled Nimona, the result of economic hardship caused by COVID-19. (9) Nimona was seventy-five percent completed at the time, set to star Chloë Grace Moretz and Riz Ahmed. (10)

While COVID-19 caused undeniable financial upheaval for the working class, wealthy Americans fared better. (11) Disney itself scraped together enough to pay CEO Bob Iger twenty-one million dollars in 2020 alone. (12) Additionally, demand for animation spiked during the pandemic’s early waves, and Nimona could have been the perfect solution to the studio’s supposed financial woes. (13) Why waste the opportunity to profit from Blue Sky’s hard work?

It didn’t take long for the answer to surface. Speaking anonymously to the press, Blue Sky workers revealed the awful truth: Disney may have killed Nimona for being too queer. The titular character was gender-nonconforming, the leading men were supposed to kiss, and Disney didn’t like it. (14) While Disney may claim COVID-19 as the cause, it is noteworthy that Disney representatives saw footage of two men declaring their love, and not long after, the studio responsible was dead. (15) Further damning evidence came in February of 2024, when the Hollywood Reporter published an article quoting co-director Nick Bruno, who named names: Disney’s chief creative officer at the time, Alan Horn, was adamantly opposed to the film’s “gay stuff.” (16)

Disney didn’t think queer art was worthy of their brand, and it isn’t the first time. “Not fitting the Disney brand” was the justification for canceling Dana Terrace’s 2020 animated series The Owl House, which featured multiple queer characters. (17) Though Terrace was reluctant to assume queerphobia caused the cancellation, Disney’s anti-queer bias has been cited as a hurdle by multiple showrunners, including Terrace herself. (18) The company’s resistance to queer art is a documented phenomenon.

While Nimona’s film cancellation could never take N.D. Stevenson’s comic from the world, it was a sting to lose such a powerful queer narrative on the silver screen. American film has a long history of censoring queerness. The Motion Picture Production Code (commonly called the Hays Code) censored queer stories for decades, including them under the umbrella of “sex perversion.” (19) Though the Code was eventually repealed, systemic bigotry turns even modern queer representation milestones into battles. In 2018, when Rebecca Sugar, creator of the Cartoon Network series Steven Universe, succeeded in portraying the first-ever same-sex marriage proposal in American children’s animation, the network canceled the show in retaliation. (20)

When queer art has to fight so hard just to exist, each loss is a bitter heartbreak. N.D. Stevenson himself expressed sorrow that the world would never see what Nimona’s crew worked so hard to achieve. (21)

Nimona, however, is hard to kill.

While fans mourned, progress continued behind the scenes. Instead of disappearing into the void as a tax write-off, the film was quietly scooped up by Megan Ellison of Annapurna Pictures. (22) Ellison received a call days before Disney’s death blow to Blue Sky, and after looking over storyboard reels, she decided to champion the film. With Ellison’s support, former Blue Sky heads Robert Baird and Andrew Millstein did their damnedest to find Nimona a home. (23)

Good news arrived on April 11, 2022, when N.D. Stevenson made a formal announcement on Twitter (now X): Nimona was gloriously alive, and would release on Netflix in 2023. (24) Netflix confirmed the news in its own press release, where it also provided details about the film’s updated cast and crew, including Eugene Lee Yang as Ambrosius Goldenloin alongside Riz Ahmed’s Ballister Boldheart (changed from the name Blackheart in the comic) and Chloë Grace Moretz as Nimona. (25) The film was no longer in purgatory, and grief over its death became anticipation for its release.

Nimona made her film debut in France, premiering at the Annecy International Animation Film Festival on June 14, 2023 to positive reviews. (26) Netflix released the film to streaming on June 30, finally completing the story’s arduous journey from page to screen. (27)

When the film begins, the audience is introduced to the world through a series of illustrated scrolls, evoking the storybook intros of Disney princess films such as 1959’s Sleeping Beauty. The storybook framing device has been used to parody Disney in the past, perhaps most famously in the 2001 Dreamworks film Shrek. Just as Shrek contains parodies of the Disney brand created by a Disney alumnus, so, too, does Nimona riff on the studio that snubbed it. (28)

Nimona’s storybook intro tells the story of Gloreth, a noble warrior woman clad in gold and white, who defended her people from a terrible monster. After slaying the beast, Gloreth established an order of knights called the Institute (changed from the Institution in the comic) to wall off the city and protect her people.

Right away, the film introduces a Christian dichotomy of good versus evil. Gloreth is presented as a Christlike figure, with the Institute’s knights standing in as her saints. (29) Her name is invoked like the Christian god, with characters uttering phrases such as “oh my Gloreth” and “Gloreth guide you.” The film’s design borrows heavily from Medieval Christian art and architecture, bolstering the metaphor.

Nimona takes place a thousand years after Gloreth’s victory. Following the opening narration, the audience is dropped into a setting combining Medieval aesthetics with futuristic science fiction, creating a sensory delight of neon splashed across knights in shining armor. It’s in this swords-and-cyborgs city that a new knight is set to join the illustrious ranks of Gloreth’s Institute, now under the control of a woman known only as the Director (voiced by Frances Conroy). That new knight is our protagonist, Ballister Boldheart.

The film changes several things from the original. The comic stars Lord Ballister Blackheart, notorious former knight, long after his fall from grace. He has battled the Institution for years, making a name for himself as a supervillain. The film introduces a younger Ballister Boldheart who is still loyal to the Institute, who believes in his dream of becoming a knight and overcomes great odds to prove himself worthy. In the comic, Blackheart’s greatest rival is Sir Ambrosius Goldenloin, with whom he has a messy past. The film shows more of that past, when Goldenloin and Boldheart were young lovers eager to become knights by each other’s side.

There is another notable change: in the comic, Goldenloin is white, and Blackheart is light-skinned. In the film, both characters are men of color—specifically, Boldheart is of Pakistani descent, and Goldenloin is of Korean descent, matching the ethnicity of their respective voice actors. This change adds new themes of institutional racism, colorism, and the “model minority” stereotype. (30)

The lighter-skinned Goldenloin is, as his name suggests, the Institute’s golden boy. He descends from the noble lineage of Gloreth herself, and his face is emblazoned on posters and news screens across the city. He is referred to as “the most anticipated knight of a generation.” In contrast, the darker-skinned Boldheart experiences prejudice and hazing due to his lower-class background. His social status is openly discussed in the news. He is called a “street kid” and “controversial,” despite being the top student in his class. The newscasters make sure everyone knows he was only given the chance to prove himself in the Institute because the queen, a Black woman with established social influence, gave him her personal patronage. Despite this patronage, when the news interviews citizens on the street, public opinion is firmly against Boldheart.

To preserve the comic’s commentary on white privilege, some of Goldenloin’s traits were written into a new, white character created for the film, Sir Thoddeus Sureblade (voiced by Beck Bennett). Sureblade’s vitriol against both Boldheart and Goldenloin allowed Goldenloin to become a more sympathetic character, trapped in the system just as much as Boldheart. (31) This is emphasized at other points in the film when the audience sees Sureblade interact with Goldenloin without Boldheart present, berating the only person of color left in the absence of the darker-skinned man.

The day Boldheart is to be knighted, everything goes wrong. As Queen Valerin (voiced by Lorraine Toussaint) performs the much-anticipated knighting ceremony, a device embedded in Boldheart’s sword explodes, killing her instantly. Though Boldheart is not to blame, he is dubbed an assassin instead of a knight. In an instant, he becomes the most wanted man in the kingdom, and Queen Valerin’s hopes for progress and social equality seem dead with her. Boldheart is gravely injured in the explosion and forced to flee, unable to clear his name.

Enter Nimona.

The audience meets the titular character in the act of vandalizing a poster of Gloreth, only to get distracted by an urgent broadcast on a nearby screen. As she approaches, a bystander yells that she’s a “freak,” in a manner reminiscent of slurs screamed by passing bigots. Nimona has no time for bigots, spraying this one in the face with paint before tuning in to the news.

“Everyone is scared,” declare the newscasters, because queen-killer Ballister Boldheart is on the run. The media paints him as a monster, a filthy commoner who never deserved the chances he was given, and announce that, “never since Gloreth’s monster has anything been so hated.” This characterization pleases Nimona, and she declares him “perfect” before scampering off to find his hiding place.

It takes the span of a title screen for her to track him down, sequestered in a makeshift junkyard shelter. Just before Nimona bursts into the lair, the audience sees Boldheart’s injuries have resulted in the amputation of his arm, and he is building a homemade prosthetic. This is another way he’s been othered from his peers in an instant, forced to adapt to life-changing circumstances with no support. Where he was so recently an aspiring knight with a partner and a dream, he is now homeless, disabled, and isolated.

A wall in the hideout shows a collection of news clippings, suspects, and sticky notes where Boldheart is trying to solve the murder and clear his name. His own photo looks down from the wall, captioned with a damning headline: “He was never one of us—knights reveal shocking details of killer’s past.” It evokes real-world racial bias in crime reporting, where suspects of color are treated as more violent, unstable, and prone to crime than white suspects. A 2021 report by the Equal Justice Initiative and the Global Strategy Group compiled data on this phenomenon, focusing on the stark disparity between coverage of white and Black suspects. (32)

Nimona is not put off by Boldheart’s sinister media reputation. It’s why she tracked him down in the first place. She’s arrived to present her official application as Boldheart’s villain sidekick and help him take down the Institute. Boldheart brushes her off, insisting he isn’t a villain. He has faith in his innocence and in the system, and leaves Nimona behind to clear his name.

When he is immediately arrested, stripped of his prosthetic, and jailed, Nimona doesn’t abandon him. She springs a prison break, and conveys a piece of bitter wisdom to the fallen knight: “[O]nce everyone sees you as a villain, that’s what you are. They only see you one way, no matter how hard you try.”

Nimona and Boldheart are both outcasts, but they are at different stages of processing the pain. Boldheart is deep in the grief of someone who tried to adhere to the demands of a biased system but finally failed. He is the newly cast-out, who gave his entire life to the system but still couldn’t escape dehumanization. His pain is a fresh, raw wound, where Nimona has old scars. She embodies the deep anger of those who have existed on the margins for years. Where Boldheart wants to prove his innocence so he can be re-accepted into the fold, Nimona’s goal is to tear the entire system apart. She finds instant solidarity with Boldheart based solely on their mutual status as outsiders, but Boldheart resists that solidarity because he still craves the system’s familiar structure.

In the comic, Blackheart’s stance is not one of fresh grief, since, just like Nimona, he has been an outsider for some time. Instead, Blackheart’s position is one of slow reform. He believes the system can be changed and improved, while Nimona urges him to demolish it entirely. In both versions, Ballister thinks the system can be fixed by removing specific corrupt influences, where Nimona believes the government is rotten to its foundations and should be dismantled. Despite their ideological differences, Nimona and Ballister ally to survive the Institute’s hostility.

The allyship is an uneasy truce. During the prison break, Nimona reveals that she’s a shapeshifter, able to change into whatever form she pleases. Boldheart reflexively reaches for his sword, horrified that she isn’t human. She is the exact sort of monster he has been taught to fear by the Institute, and it’s only because he needs her help that he overcomes his reflex and sticks with her.

Nimona’s shapeshifting functions as a transgender allegory. The comic’s author, N.D. Stevenson, is transgender, and Nimona’s story developed alongside his own queer journey. (33) The trans themes from the comic are emphasized in the film, with various pride flags included in backgrounds and showcased in the art book. (34) Directors Bruno and Quane described the film as “a story about acceptance. A movie about being seen for who you truly are and a love letter to all those who’ve ever shared that universal feeling of being misunderstood or like an outsider trying to fit in.” (35)

When Boldheart asks Nimona what she is, she responds with only “Nimona.” When he calls her a girl, she retorts that she’s “a lot of things.” When she transforms into another species, she specifies in that moment that she’s “not a girl, I’m a shark.” Later, when she takes the form of a young boy and Boldheart comments on it, saying “now you’re a boy,” her response is, “I am today.” She defies easy categorization, and she likes it that way.

About her shapeshifting, Nimona says “it feels worse if I don’t do it” and “I shapeshift, then I’m free.” When asked what happens if she doesn’t shapeshift, she responds, “I wouldn’t die-die, I just sure wouldn’t be living.” Every time she discusses her transformations, it carries echoes of transgender experience—and, as it happens, Nimona is not N.D. Stevenson’s only shapeshifting transgender character. During his tenure as showrunner for She-Ra and the Princesses of Power (Netflix/Dreamworks, 2018-2020), Stevenson introduced the character Double Trouble. Double Trouble previously existed at the margins of She-Ra lore, but Stevenson’s version was a nonbinary shapeshifter using they/them pronouns. (36) While Nimona uses she/her pronouns throughout both comic and film, just like Double Trouble her gender presentation is as fluid as her physical form.

Boldheart, like many cisgender people reacting to transgender people, is uncomfortable with Nimona. He declares her way of doing things “too much,” and insists they try to be “inconspicuous” and “discreet.” He worries whether others saw her, and, when she is casually in a nonhuman form, he asks if she can “be normal for a second.” He claims to support her, but says it would be “easier if she was a girl” because “other people aren’t as accepting.” His discomfort evokes fumbled allyship by cisgender people, and Nimona emphasizes the allegory by calling Boldheart out for his “small-minded questions.” While the alliance is uneasy, Boldheart continues working with Nimona to clear his name. They are the only allies each other has, and their individual survival is dependent on them working together.

When the duo gain video proof of Boldheart’s innocence, they learn the bomb that killed Queen Valerin was planted by the Director. Threatened by a Black woman using her influence to elevate a poor, queer man of color, the white Director chose to preserve the status quo through violence.

Nimona is eager to get the video on every screen in the city, but Boldheart wants to deal with the issue internally, out of the public eye. He insists “the Institute isn’t the problem, the Director is.” This belief is what also leads the comic’s Blackheart to reject Nimona’s idea that he should crown himself king. He is focused on reforming the existing power structure, neither removing it entirely nor taking it over himself.

Inside the Institute, the Director has been doing her best to set Goldenloin against his former partner. Despite his internal misgivings and fear of betraying someone he loves, Goldenloin does his best to adhere to his prescribed role. As the Director reminds the knights, they are literally born to defend the kingdom, and it’s their sacred duty to do so—especially Goldenloin, who carries Gloreth’s holy blood. This blood connection is repeated throughout the film, and used by the Director to exploit Goldenloin. He’s the Institute’s token minority, put on a gilded pedestal and treated as a symbol instead of a human being.

Goldenloin is a pretty face for propaganda posters, and those posters can be seen throughout the film. They proclaim Gloreth’s majesty, the power of the knights, and remind civilians that the Institute is necessary to “protect our way of life.” A subway PSA urges citizens, “if you see something, slay something,” in a direct parody of the real-world “if you see something, say something” campaign by the United States Department of Homeland Security. (37)

The film is not subtle in its political messaging. When Boldheart attempts to prove his innocence to Goldenloin and the assembled knights, he reaches towards his pocket for a phone. The Director cries that Boldheart has a weapon, and Sureblade opens fire. Though the shot hits the phone and not Boldheart, it carries echoes of real-world police brutality against people of color. Specifically, the use of a phone evokes cases such as the 2018 murder of Stephon Clark, a young Black man who was shot and killed by California police claiming Clark’s cell phone was a firearm. (38) The film does not toy with vague, depoliticized themes of coexistence and tolerance; it is a direct and pointed allegory for contemporary oppression in the United States of America.

Forced to choose between love for Boldheart and loyalty to the Institute, Goldenloin chooses the Institute. He calls for Boldheart’s arrest, and this is the moment Boldheart finally agrees to fight back and raise hell alongside Nimona. When Goldenloin calls Nimona a monster during the ensuing battle, Boldheart doesn’t hesitate to refute it. He expresses his trust in her, and it’s clear he means it. He’s been betrayed by someone he cared about and thought he could depend on, and this puts him in true solidarity with Nimona for the first time.

During the fight, Nimona stops a car from crashing into a small child. She shapeshifts into a young girl to appear less threatening, but it doesn’t work. The child picks up a sword, pointing it at Nimona until an adult pulls them away to hide. When Nimona sees this hatred imprinted in the heart of a child, it horrifies her.

After fleeing to their hideout, Nimona makes a confession to Boldheart: she has suicidal ideations. So many people have directed so much hatred toward her that sometimes she wants to give in and let them kill her. In the real world, a month after the film’s release, a study from the Williams Institute at the UCLA School of Law compiled data about suicidality in American transgender adults. (39) Researchers found that eighty-one percent have thought about suicide, compared to just thirty-five percent of cisgender adults. Forty-two percent have attempted suicide, compared to eleven percent of cisgender adults. Fifty-six percent have engaged in self-harm, compared to twelve percent of cisgender adults.

When Boldheart offers to flee with her and find somewhere safe together, Nimona declares they shouldn’t have to run. She makes the decision every trans person living in a hostile place must make: do I leave and save myself, or do I stay to fight for my community? The year the film was released, the Trans Legislation Tracker reported a record-breaking amount of anti-trans legislation in the United States, with six hundred and two bills introduced throughout twenty-four states. (40) In February 2024, the National Center for Transgender Equality published data on their 2022 U.S. Transgender Survey, revealing that forty-seven percent of respondents thought about moving to another area due to discrimination, with ten percent actually doing so. (41)

Despite the danger, Nimona and Boldheart work diligently against the Institute. When they gain fresh footage proving the Director’s guilt, they don’t hesitate to upload it online, where it garners rapid attention across social and news media. Newscasters begin asking who the real villain is, anti-Institute sentiment builds, and citizens protest in the streets, demanding answers. The power that social media adds to social justice activism is true in the real world as it is in the film, seen in campaigns such as the viral #MeToo hashtag and the Black Lives Matter movement. (42) In 2020, polls conducted by the Pew Research Center showed eight in ten Americans viewed social media platforms as either very or somewhat effective in raising awareness about political and social topics. In the same survey, seventy-seven percent of respondents believed social media is at least somewhat effective in organizing social movements. (43)

In reaction to the media firestorm, the Director issues a statement. She outs Nimona as a shapeshifter, and claims the evidence against the Institute is a hoax. Believing the Director, Goldenloin contacts Boldheart for a rendezvous, sans Nimona. From Goldenloin’s perspective, Boldheart is a good man who has been deceived by the real villain, Nimona. He tells Boldheart about a scroll the Director found, with evidence that Nimona is Gloreth’s original monster, still alive and terrorizing the city. Goldenloin wants to bring Boldheart back into the knighthood and resume their relationship, and though that’s what Boldheart wanted before, his solidarity with Nimona causes him to reject the offer.

Though he leaves Goldenloin behind, Boldheart’s suspicion of Nimona returns. Despite their solidarity, he doesn’t really know her, so he returns home to interrogate her. In the ensuing argument, he reverts to calling her a monster, but only through implication—he won’t say the word. Like a slur, he knows he shouldn’t say it anymore, but that doesn’t keep him from believing it.

Boldheart’s actions prove to Nimona that nowhere is safe. There is no haven. Her community will always turn on her. She flees, and in her ensuing breakdown, the audience learns her backstory. She was alone for an unspecified length of time, never able to fit in until meeting Gloreth as a little girl. Nimona presents herself to Gloreth as another little girl, and Gloreth becomes Nimona’s very first friend. Even when Nimona shapeshifts, Gloreth treats her with kindness and love.

Then the adults of Gloreth’s village see Nimona shapeshift, and the word “monster” is hurled. Torches and pitchforks come out. At the adults’ panic, Gloreth takes up a sword against Nimona, and the cycle of bigotry is transferred to the next generation. The friendship shatters, and Nimona must flee before she can be killed.

After losing Boldheart, seemingly Nimona’s only ally since Gloreth’s betrayal, Nimona’s grief becomes insurmountable. She knows in her heart that nothing will ever change. She’s been hurt too much, by too many, cutting too deeply. To Nimona, the world will only ever bring her pain, so she gives in. She transforms into the giant, ferocious monster everyone has always told her she is, and she begins moving through the city as the Institute opens fire.

When Ballister sees Nimona’s giant, shadowy form, he realizes the horrific pain he caused her. He intuits that Nimona isn’t causing destruction for fun, she’s on a suicide march. She’s given up, and her decision is the result of endless, systemic bigotry and betrayal of trust. Her rampage wouldn’t be happening if she’d been treated with love, support, and care.

Nimona’s previous admission of suicidal ideation repeats in voiceover as she prepares to impale herself on a sword pointed by a massive statue of Gloreth. Her suicide is only prevented because Ballister steps in, calling to her, apologizing, saying he sees her and she isn’t alone. She collapses into his arms, once again in human form, sobbing. Boldheart has finally accepted her truth, and she is safe with him.

But she isn’t safe from the Director.

In a genocidal bid she knows will take out countless civilian lives, the Director orders canons fired on Nimona. Goldenloin tries to stop her, finally standing up against the system, but it’s too late. The Director fires the canons, Nimona throws herself at the blast to protect the civilians, and Nimona falls.

When the dust settles, the Director is deposed and the city rebuilds. Boldheart and Goldenloin reconnect and resume their relationship. The walls around the city come down, reforms take hold in the Institute, and a memorial goes up to honor Nimona, the hero who sacrificed her life to reveal the Director’s corruption.

Nimona, however, is hard to kill.

Nimona originally had a tragic ending, born of N.D. Stevenson’s own depression, but that hopelessness didn’t last forever. (44) Though Nimona is defeated, she doesn’t stay dead. Through the outpouring of love and support N.D. Stevenson received while creating the original webcomic, he gained the community and support he needed to create a more hopeful ending for Nimona’s story—and himself.

The comic’s ending is bittersweet. Nimona can’t truly die, and eventually restores herself. She allows Blackheart to glimpse her, so he knows she survived, but she doesn’t stay. She still doesn’t feel safe, and is assumed to move on somewhere new. Blackheart never sees Nimona again.

The film’s ending is more hopeful. There is a shimmer of pink magic as Nimona announces her survival, and the film ends with Boldheart’s elated exclamation. Even death couldn’t keep her down. She survived Gloreth, and she survived the Director. Though this chapter of the story is over, there is hope on the horizon, and she has allies on her side.

In both incarnations, Nimona is a story of queer survival in a cruel world. The original ending was one of despair, that said there was little hope of true solidarity and allyship. The revised ending said there was hope, but still so far to go. The film’s ending says there is hope, there is solidarity, and there are people who will stand with transgender people until the bitter end—but, more importantly, there are people in the world who want trans people to live, to thrive, and to find joy.

In a world that’s so hostile to transgender people, it’s no wonder a radically trans-positive film had to fight so hard to exist. Unfortunately, the battle must continue. As of June 2024, Netflix hasn’t announced any intent to produce physical copies of the film, meaning it exists solely on streaming and is only accessible via a monthly paid subscription. Should Netflix ever take down its original animation, as HBO Max did in 2022 despite massive backlash, the film could easily become lost media. (45) Though it saved Nimona from Disney, Netflix has its own nasty history of under-marketing and canceling queer programs. (46)

The film’s art book is already gone. The multimedia tome was posted online on October 12, 2023, hosted at ArtofNimona.com. (47) Per the Internet Archive’s Wayback Machine, the site became a Netflix redirect at some point between 10:26 PM on March 9, 2024 and 9:35 PM on March 20, 2024. (48) On the archived site, some multimedia elements are non-functional, potentially making them lost media. The art book is not available through any legal source, and though production designer Aidan Sugano desperately wants a physical copy made, there seem to be no such plans. (49)

Perhaps Netflix will eventually release physical copies of both film and art book. Perhaps not. Time will tell. In the meantime, Nimona stands as a triumph of queer media in a queerphobic world. That it exists at all is a miracle, and that its accessibility is so precarious a year after release is a travesty. Contemporary political commentary is woven into every aspect of the film, and it exists thanks to the passion, talent, and bravery of an incredible crew who endured despite blatant corporate queerphobia.

Long live Nimona, and long live the transgender community she represents.

_ This piece was commissioned using the prompt "the Nimona movie."

Updated 6/16/24 to revise an inaccurate statement regarding the original comic.

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Notes:

1. “Past Recipients 2010s.” n.d. Comic-Con International. Accessed June 10, 2024. https://www.comic-con.org/awards/eisner-awards/past-recipients/past-recipenties-2010s/.

2. Stevenson, ND. 2015. Nimona. New York, NY: Harperteen.

3. Kit, Borys. 2015. “Fox Animation Nabs ‘Nimona’ Adaptation with ‘Feast’ Director (Exclusive).” The Hollywood Reporter. June 11, 2015. https://www.hollywoodreporter.com/movies/movie-news/fox-animation-nabs-nimona-adaptation-801920/.

4. Riley, Jenelle. 2017. “Oscar Winner Patrick Osborne Returns with First-Ever vr Nominee ‘Pearl.’” Variety. February 9, 2017. https://variety.com/2017/film/in-contention/patrick-osborne-returns-to-race-with-first-vr-nominee-pearl-1201983466/; Osborne, Patrick (@PatrickTOsborne). 2017. "Hey world, the NIMONA feature film has a release date! @Gingerhazing February 14th 2020 !!" Twitter/X, June 30, 2017, 3:16 PM. https://x.com/PatrickTOsborne/status/880867591094272000. ‌

5. “The Walt Disney Company to Acquire Twenty-First Century Fox, Inc., after Spinoff of Certain Businesses, for $52.4 Billion in Stock.” 2017. The Walt Disney Company. December 14, 2017. https://thewaltdisneycompany.com/walt-disney-company-acquire-twenty-first-century-fox-inc-spinoff-certain-businesses-52-4-billion-stock-2/.

6. Amidi, Amid. 2017. “Disney Buys Fox for $52.4 Billion: Here Are the Key Points of the Deal.” Cartoon Brew. December 14, 2017. https://www.cartoonbrew.com/business/disney-buys-fox-key-points-deal-155390.html; Giardina, Carolyn. 2017. “Disney Deal Could Redraw Fox’s Animation Business.” The Hollywood Reporter. December 14, 2017. https://www.hollywoodreporter.com/news/general-news/disney-deal-could-redraw-foxs-animation-business-1068040/; Szalai, Georg, and Paul Bond. 2019. “Disney Closes $71.3 Billion Fox Deal, Creating Global Content Powerhouse.” The Hollywood Reporter. March 19, 2019. https://www.hollywoodreporter.com/news/general-news/disney-closes-fox-deal-creating-global-content-powerhouse-1174498/.

7. Hipes, Patrick. 2019. “After Trying Day, Disney Sets Film Leadership Lineup.” Deadline. March 22, 2019. https://deadline.com/2019/03/disney-film-executives-post-merger-team-set-1202580586/.

8. Jones, Rendy. 2023. “‘Nimona’: Netflix’s Remarkable Trans-Rights Animated Movie Is Here.” Rolling Stone. July 3, 2023. https://www.rollingstone.com/tv-movies/tv-movie-features/nimona-netflix-trans-rights-animated-movie-lgbtq-riz-ahmed-chloe-grace-moretz-1234782583/.

9. D’Alessandro, Anthony. 2021. “Disney Closing Blue Sky Studios, Fox’s Once-Dominant Animation House behind ‘Ice Age’ Franchise.” Deadline. February 9, 2021. https://deadline.com/2021/02/blue-sky-studios-closing-disney-ice-age-franchise-animation-1234690310/.

10. “Disney’s Blue Sky Shut down Leaves Nimona Film 75% Completed.” 2021. CBR. February 10, 2021. https://www.cbr.com/nimona-film-abandoned-disney-blue-sky-shut-down/; Sneider, Jeff. 2021. “Exclusive: Disney’s LGBTQ-Themed ‘Nimona’ Would’ve Featured the Voices of Chloë Grace Moretz, Riz Ahmed.” Collider. March 4, 2021. https://collider.com/nimona-movie-cast-cancelled-disney-blue-sky/.

11. Horowitz, Juliana Menasce, Anna Brown, and Rachel Minkin. 2021. “The COVID-19 Pandemic’s Long-Term Financial Impact.” Pew Research Center’s Social & Demographic Trends Project. March 5, 2021. https://www.pewresearch.org/social-trends/2021/03/05/a-year-into-the-pandemic-long-term-financial-impact-weighs-heavily-on-many-americans/.

12. Lang, Brent. 2022. “Disney CEO Bob Iger’s Rich Compensation Package Revealed, Company Says Bob Chapek Fired ‘without Cause.’” Variety. November 21, 2022. https://variety.com/2022/film/finance/bob-iger-compensation-package-salary-bob-chapek-fired-1235439151/.

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[jackoshadows]

Ex-NHS surgeon Nizam Mamode broke down as he told the international development committee what he witnessed when working as a surgeon in Gaza.

Q: You believe it was deliberate targeting of civilians? A: Absolutely no question in my mind and I and it's been uh it's been the experience of so many healthcare workers who've documented it time and time and time again um but my personal experience and those of my colleagues was this was clearly persistent deliberate targeting of civilians and I've worked in a number of conflict zones um in different parts of the world I was there at the time of the Rwandan genocide um I've never seen anything on this scale ever and that was also the view of all the experienced colleagues that I worked with um one of the surgeons in my team had been to Ukraine five times and said this is 10 times worse normally in a conflict Zone you would have a front line have fighting going on between um two sets of forces and you might get some civilians injured in in that um in that exchange there doesn't seem to be a front line there just seems to be 1.4 million people trapped they can't leave and having bombs dropped on them on a daily basis and then drones coming in and shooting them and um and there's plenty of evidence um out there uh from from Israeli soldiers that that's what's going on but we saw it you know we saw the results of it

Dr. Mamode talks about how they are running out of supplies to operate and how they used the last of their shunts - device used to bypass artery in the neck to supply blood to the brain - on a three year old shot deliberately in the neck by an IDF drone. The 3 year old died 4 days later from infection because they don't have the medicines either.

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