#of course its one of those

[earthenterran]

(higurashi meguri manga) nekoakashi 1.2

mmmm I mean, I was never going to happy with the higurashi gou sequel, realistically.

bc the intention seems to boil down to highlighting how rika and satoko were actually too codependent and how that friction would tear at them growing up

wherein higurashi's og story was like, you can overcome tragedy. you learn to reach out for support and help. you don't give up, and eventually, you can make it through and have a new chance at life.

what I wanted wasn't the intent of the sequel. I always wanted a story where one or more of rika's friends found out the depth of rika's time travel/world hopping, the idea of satoko, her closest friend, her family, being that person seemed really cool to me.

I loved the idea of someone going through what rika did, but unwrapping in their own way. satoko isn't rika, and I'm not surprised she would lose herself to the utter power, of looking at the time travel stuff as like... a plaything verse a cage.

but it's instead a power struggle, rika lost to it all. satoko having too much fun and not thinking past that.

meguri has been updating slowly, and I've enjoyed the way it changed from sotsu. but now it's pulling back together where the manga of gou stopped, and it feels like the same issue as before. pacing is weird.

[lomlompurim]

respost separated from the og post bc I really liked this silly little thing I made

And a little extra of my own

little binghe has a goal in this life and it only gets worse once he mets sqq, no one dares to threaten his position as sqq's future wife, he literally was born to be his spouse!!

[sad-leon]

did ya boi enter week 3 of @tmntfashioncompetition just to dress up my blorbo in a villain outfit? yes, yes i did ^_^

anyways~

yes, tis me, going up against @thegunnsara and @cokoweee

outfit is just Talulah (Arknights) cosplay :D

also special thanks to @v-albion for hyping me up everytime i shared progress shots <3

[umblrspectrum]

go read Memento Nori and Like the Stars and What Friends Are For and just generally all of Ad Astra Per Aspera by LadyDaybreaker on ao3

[b4kuch1n]

THEE audiodrama disguised as podcast

[starrysharks]

winter assassin outfit

[poorly-drawn-mdzs]

MDZS Disco Elysium AU part 2 - Psyche Skills

Part 1 - Part 3

[kurozu501]

do you ever just remember how one of the most effective things parvis said to get silence to lose faith in saria was essentially "do you really think she would ever choose YOU over everything?" and silence with her low self esteem really didn't believe saria would.

Then in the end saria really did choose them over everything, left her defense director job and her whole life up to that point behind for the sake of silence and ifrit. and silence still doesnt even know. do you ever think about that and lose your mind a little bit.

[finelythreadedsky]

JSTOR Wrapped: top ten JSTOR articles of 2023

Coo, Lyndsay. “A Tale of Two Sisters: Studies in Sophocles’ Tereus.” Transactions of the American Philological Association 143, no. 2 (2013): 349–84.

Finglass, P. J. “A New Fragment of Sophocles’ ‘Tereus.’” Zeitschrift Für Papyrologie Und Epigraphik 200 (2016): 61–85.

Foxhall, Lin. “Pandora Unbound: A Feminist Critique of Foucault’s History of Sexuality.” In Sex and Difference in Ancient Greece and Rome, edited by Mark Golden and Peter Toohey, 167–82. Edinburgh University Press, 2003.

Garrison, Elise P. “Eurydice’s Final Exit to Suicide in the ‘Antigone.’” The Classical World 82, no. 6 (1989): 431–35.

Grethlein, Jonas. “Eine Anthropologie Des Essens: Der Essensstreit in Der ‘Ilias’ Und Die Erntemetapher in Il. 19, 221-224.” Hermes 133, no. 3 (2005): 257–79.

McClure, Laura. “Tokens of Identity: Gender and Recognition in Greek Tragedy.” Illinois Classical Studies 40, no. 2 (2015): 219–36.

Purves, Alex C.  “Wind and Time in Homeric Epic.” Transactions of the American Philological Association 140, no. 2 (2010): 323–50.

Richlin, Amy. “Gender and Rhetoric: Producing Manhood in the Schools.” In Sex and Difference in Ancient Greece and Rome, edited by Mark Golden and Peter Toohey, 202–20. Edinburgh University Press, 2003.

Rood, Naomi. “Four Silences in Sophocles’ ‘Trachiniae.’” Arethusa 43, no. 3 (2010): 345–64.

Zeitlin, Froma I. “The Dynamics of Misogyny: Myth and Mythmaking in the Oresteia.” Arethusa 11, no. 1/2 (1978): 149–84.

[endlesslytired]

Penacony.

more from the post looooop:

[thunderc1an]

hollyleaf

[a-sketchy]

persona misogyny is so fucking wild. ignoring literally everything else about the entire rest of the games, every single s.link with a female character is like “entirely for having been born a woman i have had to work twice as hard for a fraction of the benefit. even now, i am stripped of my agency in a position i never wanted in the first place” and/or “i’m put on a pedestal by the people in my life because of my looks. men see me as an object to be conquered, women hate me for ‘stealing’ ‘their’ men. if i’m withdrawn i’m a bitch, if i’m friendly i’m easy. because of this, i’m alone” and/or “because of my personality or hobby or lack of cooking skills, i feel like i’m failing at femininity. if being a woman is something i can fail at, then where does that leave me? i’m scared at the loss of my identity and place in society”

like very consistently they present female characters with complex thoughts towards their place in society as women, femininity as a whole, and facing issues stemming from misogyny, and then the payoff is always “my problems were entirely my own fault. i wasn’t strong enough, i was a coward. but now, i’m gonna work hard to be exactly what society expects me to be (which is what i want to be)! i’m gonna do better at femininity (which is still something tangible i can fail at)! i’m going to try hard at making friends (which was my fault for not doing)! all my problems are solved through personal responsibility (that im totally culpable for), effort (which i previously was not putting in), or you, a man! i am Happy and Satisfied with this outcome, can i be Your woman?”

and like hello? why are we here. what the fuck are we doing. why do we keep doing this every single time. can we not do the constant lukewarm attempts at criticizing misogyny so you can jerk off to your own thoughtfulness, while ultimately reinforcing patriarchal systems and brushing off any deeper misogyny-bred issues as a lack of deference to one’s rightful place in society? like maybe don’t do that? for fucking once? just an idea

[mirrorhouse]

"after what you've put me through here i deserve this" armand says about killing the crying, exhausted boy in his arms and it's not about a meal or cleaning up the mess, really, it's about how this boy's been brought to the edge of accepting death; he's right there, longing for it, and armand can give it. and while he gives it, he feels it too. armand has been drowning for centuries, but he keeps himself afloat this way, by tasting death and feeling just the smallest respite, chasing his victims' slowing heartbeats right down into the dark until he backs away at the last moment. "the comfort we all long for." the comfort armand longs for -- the end.

[mleemwyvern]

is zedaph really about to get involved in a war? ZED??

[way-too-obsessed-gamer]

My personal take on the coalecroux official wedding rings (like they are dating and perhaps decide to do an actual wedding) is that they can look like anything but they must be enchanted. One always feels like the cold side of a pillow and the other always feels like a warm blanket. Yes the former goes to Gideon and the latter to Kremy

[nenoname]

stan twins the canon cptsd brothers i will always think about all your unaddressed issues that would make perfect plot fuel for your spinoff

and also the whole 'stan getting that poem by bill via a website which contrasts with bill getting one from the axolotl via a website' foreshadowing thing

like idk i would love something like su future but like more optimistic, aka not an accumulated breakdown that has to be mostly resolved off screen at the end :/// but something thats being kinda addressed throughout? (although would love to see one of them turn into a monster thats always fun lol)

stan having severe issues from his dad and those years of being homeless that we keep on getting more info on but never really getting confronted on (the drifter catalogue and tijuana incident...), him being completely alone for like twenty years when running the shack before soos comes along to the point that 1998 is noted as his low point, and him not really learning about bill+what he did to ford until ages after he killed him if he ever did get the full context

while i think amnesia and everyone seeing him as a hero actually helped with stan's 'i'm a worse version of my brother' thing its still a lingering issue too and we now got him being insecure over his own hands

ford being immediately thrown from 'being tortured by bill' to 'being stuck in the multiverse and being chased by bounty hunters constantly', him fully expecting himself to die when destroying bill, and him only now being safe for the first time in 30 years ....relatively safe, he's still in constant danger because of course he is

idk in the end the series wants them to be happy and they deserve it, its why i wasn't too worried about the book being like 'ooh bill is back!! and the book is haunting ford' thing cos i knew they'll be ok