#not my pic but i did color it in

[zecoritheweirdone]

wanna preface this by saying that i am. So normal. anyway i just spent the last week redrawing scenes from mystery skulls animated but as that hermitcraft au i posted about a couple times. you guys should watch msa it is. so so good.

[yangjeongin]

HYUNJIN | ESQUIRE x CARTIER 2024

[tagarilaghost]

I SWEAR CELEBI'S THINGY IS COMING SOON BUT I REALLY WANTED TO POST THIS ALRIGHT

yeaah... future trio got me too...

and Darkrai is there too, because of course he is.

hey look i drew a cute Drifloon :D

...ignore the rest

whatever started at Darkrai doodles ended in brainrot of future trio + darkrai and I'm blaming @scribz-ag24 for this

[thankstothe]

season 1 pretties

[sobselpop]

Puppeteered by somebody else

Lowkey maybe totally inspired by this masterpiece by the amazing @joycew-art

[jerrythebug]

I think they should kiss idc that J'onn is here

[krekee]

[squeakadeeks]

"I am but a grain of sand in an ocean of stars" 💫🪐✨⭐️

JESUS H. CHRIST

Stardust Cookie's cosplay is finally done _(:3」∠) to tell true this costume was actually pretty quick in the grand scheme of things, but it felt like eons. Which is largely due to the nature of this costume, Stardust has two 3/4 circle capes with multiple layers of trim that I ended up calculating to be around 160 feet of hemming....AND a whooping 610+ LEDs (100 in the wig alone) smashing my previous LED record from Wadanohara.

This costume was a huge gamble since I dont like making big things like capes and Stardust's design was not an easy one to translate IRL (he also took over my entire bedroom). I was griping the whole time on this project BUT I really like how this costume turned out. I'm seriously so happy with the outcome!!

[kwillow]

Your art is jaw-droppingly stunning. Can I ask, how do you render things so beautifully? Can you give any tips? Especially with colored lineart.

Aww thank you so much, that's so sweet of you to say. <:3

I don't think I can give much advice on rendering; I've always been highly dependent on line-art to portray form and any attempt at lighting more complex than "shade with one layer of a desaturated color on multiply" frightens me.

BUT I can share what I do with line coloring!

This is a drawing I've done both with and without the coloring on the lines, to show the difference it makes.

In general, the color of the lines is just a darker shade of the color surrounding it. The more defined I want a feature, the darker the hue.

The interior lines, everything that goes on inside the outermost line-art, is where I put most of my attention. I separate the lines into tiers of importance and color accordingly, with the most important things getting darker (and often thicker) line-art.

Here's a cropped image of Ambroys holding a very expensive future murder weapon to try and show what I mean. The big circles are the base color of his dumb face and ludicrous glove, and the smaller circles are the color of the line-art for each of his features.

The hierarchy tends to go like this:

Important Features: eyes, mouths, hands, forearms, anything that I want to be emphasized or needs to be very clear, etc. gets dark line-art. This separates these features from the rest of the image and makes them pop.

Secondary Forms: joints, noses, the edge of bangs over the face, the lines between fingers, big wrinkles on evil old bastards, cravats etc. get medium line-art. These forms are meant to be distinct from what surrounds them (fingers shouldn't look melted together, the hair is not part of the forehead) but giving them dark line-art would draw attention from the important parts (for example, Ambroys' punchable grin), so they get slightly darker line-art to make the forms clear but not distracting.

Fiddly Little Details: fabric folds, flesh creases, strands of hair, seams in clothing, etc. These add texture, but I don't want them to be making everything look like a mess of scribbles. So these have light line-art, relative to the base color, to allow them to blend more than the important features.

Sometimes I'll make the line color more saturated or a slightly different hue (cooler or warmer), but it depends on the image and how much skill I randomly roll in color usage that day. It just looks more interesting than just going over the lines with a low-opacity brush of the base color.

When it comes to the exterior lines, I have two approaches. If I want a form to be bolder or stand out I tend to leave the outside lines around the form black or a very dark color. If I want something to look softer or blend into the surrounding image, or want the form to appear to glow, I color the outside lines closer to what colors surround the form or a brighter, paler color.

For example, all the characters here have nearly black exterior line-art. The background objects all have pale line-art, so they don't overwhelm the characters. Even objects in the mid-ground have slightly lighter line-art than the figures so that the eye is (hopefully) drawn to the characters instead of my labored attempt at drawing a cash register.

Or here, the parts of Ambroys that are en flambé have orange-red exterior line-art, while everything else has dark exterior line-art.

Like most things with my art, it's not hard to do, it just takes a long time. :P

And of course, this isn't the "right" way to color line-art! My art style is pretty cartoony, heavy on line-art and low on shading and very focused on silly characters making silly faces. A softer, more realistic, more rendered style, or one that is more graphic and focuses more on silhouette, would likely require a different approach. But regardless, I hope this ramble is helpful!

[sillyfudgemonkeys]

Rise of Kyoshi deleted chapter/conversation: Animated

(Kyoshi thought Kelsang thinking she was the Avatar was her only trouble, but she miscalculated. Rangi's inquiry reveals a new level of uncomfortable conversations she'll have to tackle in the future.)

[wyvernity]

wip posting just to get something out there, and it's def a mixed bag!! the only thing more inconsistent than my posting schedule is my art style RIP

[charlotte-family-apologist]

I'm definitely interested in those Suchin x Kenshi arts 👀

These are just the magma ones 😫 I'll get around to posting the ones from my sketchbook sometime soon... hopefully...

[crossbackpoke-check]

"Bees" [remixed, abridged], Claudia Emerson // "Letter to Someone Living Fifty Years from Now" [remixed. abridged], Matthew Olzmann // "Letter to my Great, Great Grandchild" [remixed, abridged], J.P. Grasser | Len Redkole, Nina Weiss, Brian Babineau, Christian Peterson, Mitchell Leff, Dave Isaac, Megan DeRuchie

[wishfulsketching]

If nobody else is going to be horny about Owen here, then I have to do it!

[mistykaru]

👀

[hollowsart]

Guy Gardner, as seen in older animated cartoons like "Super Friends" and more !! What a cool Guy!!

Originals: