#not home for the holidays

[soulswordlesbian]

that david shrigley lino print made me feeel things

[pearlore]

post-mouseter pearl??

[rogerdeakinsdp]

CINEMA'S BEST SWEATERS — Part 1 (Part 2)

Basic Instinct (1992) · Let's Make Love (1960) · Scream (1996) · The Big Lebowski (1998) · Lucky Number Slevin (2006) · A Nightmare on Elm Street (1984) · The Holiday (2006) · The Devil Wears Prada (2006) · While You Were Sleeping (1995) · Home Alone (1990) · Good Will Hunting (1997) · 21 (2008) · Sweet November (2001) · Knives Out (2019) · How the Grinch Stole Christmas (2000) · Ocean's 8 (2018) · The Matrix (1999) · Mystic Pizza (1988) · Bridget Jones's Diary (2001) · Clueless (1995) · House of Gucci (2021) · The Lighthouse (2019) · When Harry Met Sally... (1989) · Awake (2007)

[sjincer]

welp that was unfortunate

+bonus

[vintagehomecollection]

House Beautiful Christmas, 1994

[toyastales]

Red Velvet Cheesecake

[dailyflicks]

HOME ALONE 1990 — dir. Chris Columbus

[newblvotg]

[catmask]

to my transfem friends/followers... what are some things that you did as baby steps to feel better at the start of your transition? what are some things you wouldve liked for people around you to do that wouldve made you feel more comfortable?

[lynxgriffin]

Eldritchrune - Dreemurr of Sacrifice

1 | 2 | 3

Story Setup Eldritchrune Masterpost

Back in the light world, Asgore is still dealing with the heartache of the sacrifice, even months later. Mayor Holiday is still set on moving ahead, though!

Yay, it's nice to finally get back to some light world characters here! More with the Dreemurr family will be coming along soon!

Alt text for these pages under the read more:

Page 1 Panel 1: a landscape shot of the Holiday house and surrounding garden, with Rudy and Asgore outside the fence and hollybush hedge. The Delta Rune is emblazoned over the door and spiky snowflakes decorate the roof and fence.  Asgore is walking by with a wheelbarrow. Rudy: “Asgore, you old goat! Been way too long!” 

Panel 2: A closer shot of the two men- Rudy is slim and dressed in a crisp tunic, Asgore larger and wearing slouchy overalls. Asgore: “Howdy Rudy. You’re looking well!” Rudy, hand on his knee, bends over to hack and cough. Rudy: “Oh y’know… well enough, I guess! How’s business?” 

Panel 3: Asgore looks down,ruefully scratching the back of his head. His wheelbarrow is full of droopy plants, ready for planting. “Could be better… Those soldiers hassle me almost daily. But, I’ve gotten used to it, so it’s all right.” 

Panel 4: Rudy puts a comforting hand on Asgore’s shoulder. “Aww hey, you can complain to me any time…” he says. Asgore doesn’t avoid the touch but he doesn’t seem comforted. 

Page 2 Panel 1: close up on Rudy, who jerks his head to look as far behind him the door of the Holiday house opens to show the silhouette of a woman in a long dress. 

Panel 2: Rudy: “But uhh, I’ll let Carol here say her piece first. See you, Asgore!” He waves and pushes the gate open to go back to the house. Asgore looks taken aback. 

Panel 3: A textless landscape shot of the front of the yard. Rudy, halfway back to the house, turns to look behind him as Carol comes out of the large Holiday gate to meet Asgore, who is hunched in a half-bow with his hand over his heart. 

Panel 4: Asgore: “Howdy, Mayor Holiday.” He doesn’t look up at her, and we see only the back of her head, not her face. Carol: “Good day, Asgore. I appreciate you stopping by, as I wanted to inform you personally.” 

Panel 5: Carol leans into Asgore’s space, and he leans away, cowed. Neither of their eyes are visible, but we see their mouths: hers stern, his distressed. Carol: “We will be conducting the Ritual again in three month’s time, at the harvest moon. You and Toriel’s presence is required.”

Panel 6: Bust shot of Asgore, dismayed. “A…Again? You’ve… found another one?” His hand is still protectively over his heart. 

Page 3:  Panel 1: We see Carol’s face for the first time: she is severe looking, with medium length hair, a stiff dress, and a choker necklace and ornate belt. Her hand is also over her heart, though more like a formal salute. “I have tasked QC with obtaining the child.” 

Panel 2: Carol’s speech bubble continues as narration. “She’s been quite diligent in her duties, and believes we now have one open to the concept of self sacrifice.” The scene shown is QC- a friendly, soft woman with wildly curly hair- appearing to be at a street market. She is speaking to a child with a bandana neck scarf (Clover, from UT Yellow), but there’s no dialogue. 

Panel 3: Another shot of Carol in profile, gaze fixed intensely ahead. “With the Ritual rites already perfected, this time we will be successful.” 

Panel 4: A wide shot of Asgore, hunched over his wheelbarrow of wilty plant starts and flowers. There’s no dialogue. His expression is despondent. 

Panel 5: Carol: “Is there something you’re withholding, Asgore?” Asgore: “No. We’ll be there.” We don’t see his expression. Her hands are folded sternly in front of her. 

Panel 6: She moves once again into his space, pushing past the wheelbarrow to lean in. “I know that you two have been avoiding us in public since the last Ritual.”  Asgore cringes away like a dog that’s been scolded. 

Page 4: Panel 1: Carol continues. “Toriel has hardly spoken a word to me since then. I trust there is an explanation?” 

Panel 2: Asgore wrings his hands in front of him. His speech bubble covers up his eyes, but his mouth is downturned. “Carol… Toriel avoids you so much because she respects you. She does not want a confrontation.”

Panel 3: Carol, her expression still severe, almost angry. “A confrontation?” 

Panel 4: Asgore, still cringing and looking down: “I don’t know.. if I can explain just how badly losing Kris hurt.” 

Panel 5: His narration continues from the previous panel. “She’d be so cross if I knew I said this, but…” We see the past, Toriel kneeling and clutching the blankets of an empty bed, crying hard. Asgore kneels beside her, holding her shoulders. He’s crying too, unable to comfort her. “The night of the sacrifice, when we got home… Toriel collapsed and wept so long and hard I was afraid her heart would simply stop.” 

Panel 6: Sill the past with present Asgore’s narration over the top. “And then, once Asriel left too… Both of our children were gone.” Left to right, in the interior of the Dreemur’s house, Asgore stands dismayed as an unhappy Toriel rushes after Asriel, who is walking out the door with a bag on his shoulder. He’s looking back but is clearly set on leaving. 

Page 5 Panel 1: Back in the present, Asgore is even more hunched in on himself, hugging his fists to his chest with his expression drawn tight and sad. “I know Toriel acts as though she is fine, but that’s simply because she is stronger than I am. The tension between us is so terrible that I’m afraid she’d leave me if she had somewhere to go!” 

Panel 2: Close on his distressed, panicky face, looking away from the confrontation. “And part of me can’t help wondering… w-what if we were…”

Panel 3: Carol jabs a finger in Asgore’s face. “We. WILL. Be rewarded for our sacrifices. Of this I am CERTAIN.” She’s stern, but her fists aren’t clenched- she’s controlled. Asgore shrinks under her words, looking up at her as he stammers “I-I know, but…”

Panel 4: Carol’s speech: “You talk of heartache. Kris was not even your child by blood.” Asgore looks down, ashamed. 

Panel 5: Carol continues, hand splayed over her chest. For the first time her expression is something other than stern, perhaps angry- still that, but pained. “Do you think your pain is greater than the one I feel, for December? Whom I gave away first?” 

Panel 6: Asgore plucks at his sleeve, looking away guiltily. “No, of course not-” 

Page 6 Panel 1: Carol’s brief moment of any other emotion is gone. She sweeps her arm to the side. “And yet I have put aside my grief for years, all for the sake of you, and everyone else, in this town. I will do whatever it takes to drive this invader from our doors, and restore this town to the peace it once had.” 

Panel 2: Carol’s face is almost a snarl. “All I require is that you, my oldest friends, trust me.” Asgore looks abashed. 

Panel 3: Close on Asgore’s downturned mouth, so none of the rest of his expression is visible. “Of course. Of course we do.” 

Panel 4: Carol draws away, her face returned to calm sternness. “That’s good to hear. Our children don’t need our tears.” 

Panel 5: Carol turns to go back into her gate, dismissing Asgore with a wave. “But our town does need our efforts.”  Asgore watches her go, putting his hands back to his wheelbarrow. 

Page 7 Panel 1: Another wide shot of the Holiday house and gardens, with Carol walking back to the house and Asgore outside the gate. Carol: “So I’ll see you both at the next gathering.” 

Panel 2: Asgore looks down at his wheelbarrow, despondently. His plants are all notably wilted. “Good day, Mayor.” The sky behind him darkens. 

[dcxdpdabbles]

Cluster of Cores Part 4

Holiday request: cluster of cores x2 please! I love all your writing

Roy helps Danny into the living room, mindful of the two sleeping babes strapped to his chest in a nested sling. Once he's sure Danny has cleared the entrance, he sidesteps them, rushing toward the big swivel loveseat sofa they had just purchased.

It's large enough that the two could sit comfortably and pill up the pillows that were to Dani's demand of fluff. The thing spins, and has a nice little backrest that Danny can both sit and lay down. In the first few months, the twins will need a nest to grow in, and Dani has been cleared that the circular couch will be perfect.

Danny makes a tiny little noise of happiness when he settles in the middle of it. Roy is quick to pile the fluffiest throw blanket across his lap. Jason helps him lean back while Danny carefully holds the head of the newborns.

According to the humans ' medical knowledge, his children, Dan and Danika, have a clean bill of health. The trio had been released after a five-day stay- all expenses paid by Tim Drake- undergoing tests and observations.

Thankfully, for all intentions and purposes, the twins were fine.

They were sleeping in his arms, having just finished feeding off of Danny's ectoplasm. The young alien seemed confused when a nurse handed him a bottle, but when they explained the usage of it, the young Indigenous Daxamite opened the bottle and weakly poured a green liquid from the palm of his hand.

The babies enthusiastically launched onto the bottles, and Danny could not look away from them. The coma had turned him so weak that he needed one of those feeding pillows, unable to hold them in his trembling arms for too long.

But they were perfect. Roy thought it was adorable how his eyes shone as he stared at his children. During visiting hours, Dani spent most of her time leaning on her father's side, a feeding pillow on her lap, and being a miniature version of Danny.

The alien had even chosen a last name, claiming it was the closest thing in English. Surprisingly, what the Daxamite considered a lost language was what humans considered English.

The Fentons were now welcomed guests in the Todd-Wayne household. They will stay there alongside Roy and Lian until they reach their feet.

It was a shock to find out Danny was a teenager in Daxamite terms, just as much as a he was in human terms. Having three children, a five-year-old and twin newborns, will be difficult for the teenager to raise on his own.

Roy offered him complete support, deciding he would be his rock through every milestone the children needed. It was the least he could do for the person responsible for his daughter's safety.

"Are you comfortable?" Roy asks. Danny offers him a weak smile, nodding. His eyes, however, return to his children as though he is checking to see if they are real.

He can't help but smile warmly at the alien. "Is there anything you need?"

Danny thinks it over, hunching his shoulder slightly when he requests. "Fudge? My Dad would make me some when I was incubating the eggs."

Roy snaps his phone out of his pocket, pressing the speed dial to Oliver. The archer snaps into the speaker before the blond can greet him, "Fudge. Send me the most expensive and delicious fudge you have."

"Yes, of course." Oliver's answer is just as serious and as fast. "I'll have it there within thirty minutes."

Roy's voice softens when he turns back to Danny. "Is there anything else you like?"

The alien blinks his wide blue eyes at him, considering the question carefully before whispering. "Blankets? For Dan and Danika?"

Roy nods, face turning hard as stone when he returns to his phone. "Baby blankets. The softest ones you can find. Have the names Dan and Danika sewed into the blankets. One lilac, the other easter green.'

"It will be done," Oliver promises before hanging up the phone. Roy turns back to the bewildered Danny, then, as soft as spring rain, smiles at him.

"They should be here in about thirty minutes. If there is anything else you want, let Jason or me know."

"Um," Danny curls slightly inwards, holding the babies against his chest. Dan makes a bit of a fuss, wiggling around, but with one quick bottle grab, Danny has him resettle. Danika wiggles a bit, whimpering a little, but the Daxamite bounces his knee a little, moving the pillow under her.

This causes a soft rocking motion that quickly helps her calm down. Roy is mightily impressed that Danny already knows what to do as a new father. When Lian was born, he struggled to figure out all her different cries for weeks.

Dan slurps his bottle with his virgor, his soft tuff of hair shifting into a little flame. Danika makes a slight movement like newborns do when attempting to turn in the direction of their voices.

She seems comfortable facing her little head toward Danny before she settles into a nap. Apparently, as an ice core, she didn't need as much ectoplasm as Dan did. His son needed more help stabilizing in his environment through the help of his father before he was big enough to do it himself.

Roy was so happy Danny had woken. It would be a nightmare trying to figure everything out on their own. Roy's eyes fall to the bag resting on Danny's left side, nested comfortably among the pillows. Inside are the remaining eggs that are carefully waiting for the day they hatch.

He hopes it will take some time. Twins were already hard to manage, even with Roy's and Jason's help.

"Danny!" Dani yells, running into the room with a faint doll. "I brought Danika her first Earth toy!"

"Maybe when she's bigger." Danny laughs, one hand holding the bottle up for his son and the other carefully tracing the features of his new daughter. "She may like to make ice sculptures of it someday."

Dani beams, looking much brighter since the day Roy had met her. "I can teach her how!"

"Me too!" Lian shouts, jumping up and down, growing as excited as the Daxamites seem to gain a little glow around them. Roy's widens, turning away from the group to press the next speed dial on his phone.

"Yes?" Jason's modified voice sends a burst of excitement down his spine, but he squishes it. He needs to remind himself that for all the feelings he has for the other man, they aren't lovers. It likely won't ever be.

"Buy better blinds. Danny glows"

It is a testament to how long they know each other when all Jason responds with is a very serious "Of course. I'll bring some milk, too."

Distantly, he hears one of Jason's goons ask. "Is that the boss's boyfriend?"

"I thought they were married with kids?"

Roy hands up before he has a heart attack.

[rhetthammersmithhorror]

Alice | 1988

[gender-fluidz]

Very brave of me to take these in my parents freezing cold house

[vintagehomecollection]

Christmas with Country Living, 1998

[toyastales]

Orange Creamsicle Cheesecake