#no one needs to feel conflicted about living

[ladycremecaramel]

So this was my ask from a long time ago, and I had thoughts of mgit (modern girl in thedas) story for this, but it never came to fruition. What I did do, though, was write a drabble from the Inquistor's POV. I thought it was long gone, but I stumbled upon it through my Google docs. After reading it, I thought I would post it here.

For context, the woman's name is Nora, and she is married and has a kid. There was an accident of some sort where the husband and child didn't survive, but she did and wound up in Thedas with the mark on her hand. She didn't want anything to do with the Inquisition as her spouse and child were her whole world and was grieving. She didn't care if she lived or died, but her moral compass of wanting to help those in need prevented her from outright killing herself.

Over time, the grief becomes...less in a way. After the fall of Haven and becoming the Inquisitor, her depression ramps up again but also has conflicting feelings about Cullen.

Then she becomes kidnapped red templars and...I forgot what they called the evil mages that worked for Corypheus were called. The ones that went crazy or were they called blood mages? Anyway, their plan was to 'kill' the Inquisitor and then use necromancy on her dead body to have control of the mark. Obviously, that doesn't happen cuz the Inquisition comes to the rescue juuuust in time.

So here it is. Below this is a TW of depression, blood, thoughts of suicide, and mentions of rape

Whack.

She yelped in pain as he punched the side of her face again. Another swollen bruise to add the collection on her body and face. She tried to wrench her wrists free of her binds, but the rope held tight was starting to cut into her skin. “Why am I fighting this? Don’t I want to die?” She thought to herself as her body struggled against her captors. 

She wasn’t sure, but her thoughts were stilled when a rough hand grabbed her by the throat. The red templar forced her to look up at him as he tightened his grip. Staring into the glowing crimson eyes, he snarled. “Should I let them rape you, mage? If you keep fighting, I won’t let you have any dignity left.” 

Nora froze upon hearing those words. To be raped and let whatever was to be become of her? His grip was tightening as she went limp with fear. If she were to die anyway, she wanted to at least have the choice to stay intact. The man stilled his tightening grip and slowly loosened his hold to see if she would struggle again. She didn’t move. Taking as a sign of surrender, he ordered the other men to bind her legs quickly. 

Everything moved quickly in a blur for her after that as she was carried to the open wooden box and placed inside. Her eyes began to sting with tears while her captors placed the lid on top and hammered it down with nails. She couldn’t see anything, but she could hear their voices. 

Soon she heard what sounded like chanting. It sounded low and in another language. What was going on out there? Did it matter? She watched interior of the box glow at the seams with a dark purple energy. It glowed brighter and brighter what felt like the longest time before it faded away, plunging her back into darkness. 

The next thing she knew was that box was being lifted and then lowered back down. She rocked back and forth with the casket, but it soon lurched with a soft thump. Nora fidgeted around with her hands tied in front of her until she heard the sound dirt being poured on top of the box she was in. Her eyes grew wide, and she sobbed. “This is it. This is how I die.” She thought as she tried to calm herself and accept her fate as she was being buried alive. 

“It shouldn’t be painful. I’ll fall unconscious as I lose oxygen. I’ll get to see my boys again soon. Just like I always wanted. I would have already offed myself if I didn’t have this fucking curse on my hand. They wanted their world saved though. My stupid guilty, noble do-the-right-thing just HAD to win out…” 

She thought like this as the sound of the dirt grew fainter. She assumed it was because her grave was almost filled up. She wondered how much time she actually had. It could be a few minutes to possibly a few hours or so she was told by Google. Looks like she was going to test that theory. 

Nora let her mind sift through all her memories. From her childhood to her adolescent days to adulthood. Then it went to more recent memories of losing her husband and child in a flash of green and then winding up in Thedas. Going through the story of the game or most of it anyway. She thought about the companions she met and actually becoming friends with them. She even thought about him. She wasn’t sure how she felt about him still but he definitely made her heart race. 

She wasn’t sure how much time has passed but the sound of the dirt stopped and she heard muffled shouts and what sounded like metal clashing. She strained her ears as best as she could. She couldn’t tell how deep she was buried but it didn’t sound like she was buried too deep or she wouldn’t have likely heard anything. 

She was starting to feel tired. When she heard a muffled angry voice that sounded like...

“Cassandra?”

They came all this way for me?

--------------

Aaaaannnnd end. That's it. Then my ask picks up from there.

You don't have to do this one. DAi: LI's only. After locating the Inky's they find that their leader is nowhere in sight. After some fruitless interrogating, they hear a faint THUMP THUMP THUMP and muffled screaming. They search for the source and find a half filled grave and the sound of their leader under the dirt. Their reaction: Discovering their Inky was buried alive.

Cassandra: Her heart drops, and the panic doesn’t even have time to settle before she is loudly barking orders and trying to steady her breathing. The second she gets the Inquisitor out of his shallow grave; she grabs him in a big hug and refuses to let go. The seeker is far from a merciful person, any may Andraste protect whoever dared do this to the person she loves. For a second she looks up at the man she loves, dirty and bruised with a mixture of panic and fear in his eyes. She doesn’t even want to think about what would’ve happened if they hadn’t gotten there sooner. 

Solas: Bring along the fury of a wolf and you will end up being ripped apart by the pack, this is very much apparent with Solas. The apostate is quick on his feet, helping his vhenan out of the grave and staring at the people responsible whom they just questioned; he has murder in his gaze. The only thing stopping him from acting then and there is the soft touch from his lover, her shaking body quickly moving closer to him for comfort. He would never forgive the people who did this and the ones who survived his visit later that night were the unlucky ones.

Dorian: At first he is rather unsettling, extremely calm and soft-spoken, only to lash out when someone makes a rather poor comment as the Inquisitor is helped out of his grave. Dorian feels utterly helpless and furious when he sees his Amatus like that, the man has bruises around his wrists showing he was tied; a busted lip and a tired gaze. he knows that if they had been slower the man he loved would’ve been underneath them all along but lacking the consciousness to ever speak up about where he was. One wrong clue or details lost could’ve led to being one minute too late. And that terrifies him.

Sera: May whatever god these people look up to be a just and forgiving one; because Sera sure as hell isn’t. As soon as Inky is out of that grave, an arrow is lodged into the leg of the nearest guilty person; and she has to be held back from jumping the man. She has no mercy for these people, and absolutely no pity for them as their screams reach her ears. Sera is scarily silent as she calms down, quickly finding her girlfriend and latching onto her- a shaky breath escaping her as she promises that she won’t ever let this happen again.

Blackwall: Honestly; it would surprise noone if Thom admitted to having done this himself, seeing as how calm he was when he was met with the issue itself; quick and steady hands knowing what to do right away. He doesn’t speak much when the Inquisitor stumbles out of the grave, clinging onto him and gasping for air and shaking. The tears in her eyes is enough to send his very being into a angry rampage; but he simply stays silent. Comforting his lover as he leads her away from the site, the others can deal with the vermin.

Iron Bull: May whoever did this rest in peace, because honestly they messed up the second they dared to mess with anyone who had contacts within the chargers. Bull is extremely gentle and careful with his lover; the poor thing shaking and it breaks his heart the second he sees the bruises on their face. Being buried alive is not fun, he would know. He is more aware than anyone else how lucky they were; because you loose oxygen fast in a casket. He lets out a shaky breath before kissing their face, muttering an apology for taking so long.

Josephine: When she had heard the word of what happened, she couldn’t help but close herself inside the office and just cry. Leliana had made sure she got time to let out all the worry and stress as she awaited for her lover to return. When they did? They were met by Josephine, puffy eyes and a lip that she had clearly chewed on more than enough to draw blood. And she only started crying again when she saw their bruised face, just about starting to heal from traveling back. She hated that she had to let them go on these trips; but she knew stopping them would only make things worse. With a tired sigh she grabs their hand, they needed a few hours. Just to be.

Cullen: He was the one leading the rescue operation, and he thought he had the ability to act cool. But when the Inquisitor is helped up from the casket and is finally able to see in the much brighter area; she sees him acting extremely out of character. The man on the ground is bleeding heavily from his face as Cassandra pulls the commander away from him. Cullen had been scared, he had felt so lonely when he found out that his rage blinded him and for a split second he wanted nothing else but to kill the person responsible. He feels his anger melt when the hand of his loved one is carefully placed on his cheek, as she whispers for him to calm down. She is bruised, tired and was probably on her last breaths. He would never forgive himself for allowing this to happen to begin with, but may the maker have mercy on the people responsible. They would face the wrath of Cullen Rutherford.

[revvethasmythh]

listen, now that everything is said and done i'm going to say something i've been thinking but not outright saying for the past nearly four years. frankly, imogen and laudna's relationship is a pale shadow of caleb and veth's and if you really sit and think about it, it's outright embarrassing for the former party. it's like if you saw a beautiful piece of art and tried to emulate it and then the only thing you managed to jot down that was the same was the basic shape and you never added any color when the color was the most important part. imogen and laudna's relationship is formed out of almost the exact same origins (troubled mage who needs to keep a distance from regular society joins up with monstrous misfit with a traumatic backstory and become each other's most important person while traveling place-to-place because they keep getting into trouble in cities). the difference is, genuinely, how much more colorful and lived in caleb and veth's story feels. they met in a podunk county jail and worked together to break out of the place, stayed together for practical reasons (straight-up survival) and then out of genuine friendship. they were hobos in the woods together. they cuddled on the side of the roads on cold nights together. they were genuinely each other's sole lifeline because they were the type of people no one in the world cared about in a very real, visceral way. they were also con artists, and sam and liam worked together to come up with an entire booklet of different cons they used to survive, which come into play surprisingly often during the campaign (Modern Literature, famously, but also Mother's Love and Money Pot featured).

comparatively, we know next to nothing about what imogen and laudna's lives looked like after leaving gelvaan, and the Incident™️ that sent them running in the first place remains amorphous and random no matter how many times the story is told or whatever extra details get added. the people of gelvaan found laudna to be a generically threatening presence (because of her fun-scary appearance and/or kooky-fun-scary behavior) and picked up their torches and pitchforks to run her out of town. imogen heard her thoughts and found them so beautiful she nearly killed two of the townspeople she grew up with the defend her and then they fled into the night together. and that's it. what did they do for two entire years after that? i don't know! neither do you. they don't appear to have struggled for money like caleb and veth did, there's no reference to hard-living, no real reference to what jobs they took to stay afloat, no mention of the practical realities of living as homeless nomads, no mention of towns and cities they'd visited and how those places impacted them. nothing. empty. no color. how did their relationship develop? also don't know! they seem to have slotted together perfectly as friends with no conflict for years before slotting together perfectly as lovers while batting aside all attempts at conflict later. done and dusted, that's the relationship, and people have the gall to call caleb and veth's successor relationship 'soulmatism' when it doesn't hold a candle to what the original offered.

which was, to be clear, endless complexity. i can't tell you how to define it, and i don't think the character's themselves could define it if they tried. sam went into the campaign intending to lean into a familial relationship and quickly realized that wasn't the vibe, course-corrected into veth having a crush on caleb--something sam has said developed fairly early in the campaign.* liam went into the relationship not intending to care about her nearly as much as he ended up doing, then spent the early campaign eps grappling with just how suddenly important she was to him, to the point that, in the face of her potentially dying in episode 20, liam says to sam, "do you want to make my character turn evil already?"** both were surprised at how tightly their characters clung to each other, and developed a deeply caring, highly insular dynamic where they were suspicious of outsiders and desperately guarded each other. with full retrospect, both went into the relationship intending to use each other (caleb for general usefulness/protection and veth, obviously, hoping caleb could change her back one day), then found such deep and tender care that they became each other's worlds. for a time. until nott became veth and veth had a husband and it sent their relationship into a tailspin because no matter how you frame the relationship, caleb clearly felt his feelings for her and the way they behaved together stepped over the line of how one should act with a married woman. after that, he is terrified of the idea that he might not have a place in her life and works so hard to create opportunities to insinuate himself into her present and future (teleportation spells so she can travel home quickly and still return to the group, making room for her family in the tower so she can stay with him, offering to tutor luc in magic to stay in her life, etc). veth gets her body and her life back but fears returning home will be lackluster compared to what she's experienced with the group, starts falling out of love with her husband, and has intense extra-martial feelings for caleb that are canonical. their relationship morphs and changes constantly throughout the campaign, and the one thing about their dynamic that never changes is how deeply and truly they love each other. you want to talk about soulmatism? them being the two party members with fake names who's real names share aspects of each other ("Bren" and "Brenatto") both from small-town dwendalian empire who's lives have been deeply impacted by meddling of the cerberus assembly (veth's in adulthood, caleb's in childhood) and who's deepest traumas are respectively fire and water does the trick for me.

so why is one so popular and the other, particularly as a romantic ship, very much is not? it would be obtuse of me not to immediately point to the fact that imogen and laudna are two pretty, skinny white women who claim to have deliciously little agency in their own stories and provide a blank enough canvas that the relationship can be whatever you want it to be. there's a reason there's so many AU fics for them, after all. caleb and veth on the other hand would center first a relationship between the handsome white fandom-popular sadboi and *checks notes* a self-described ugly, unfeminine goblin with deep neuroses and later a short, fat brown woman who also happens to be a young mother from a small country town. popular fandom, tragically, will almost always turn away from dealing with complexity of the latter for the empty calories of the former regardless of the quality gap between the two. if anything, watching the popularity of imogen and laudna's relationship has cemented my opinion that if veth had been different (either a man or a generically attractive white woman or someone more conventionally pretty just in general), widobrave would have been a massively popular ship, and i think it would have been regardless of veth's marriage. people can forgive a lot to write about their two generically attractive favorites getting together. they're a lot less forgiving for an ugly goblin or a fat, brown young mother, though.

tldr: reject modernity, embrace tradition. ship widobrave

*Talks Machina for C2E88, VOD no longer available, but a paraphrase of the quote can be found here **(2:09:30 on the YouTube VOD).

[mamayura]

Adrien not knowing what he wants

Hot take about Werepapas, I guess:

I actually like that Adrien said "I don't know" when asked what he wants/ who he wants to go with at the end of "Werepapas"

Cause the people who had to learn and come around in this episode's conflict were the ADULTS, not Adrien.

Adrien has already said that he isn't alone, he's living with Nathalie,

and Milly, too, acknowledged right away that Adrien has known her for most of his life so for Adrien she should count as more much than just an employee by now.

And he has not been trying to hide it whatsoever from Nathalie how much she means to him and that he wants to keep living with her. Literally the first thing we see in the episode's present time is Adrien running to Nathalie for comfort when hes crying over his dead mom, but she's pulling back so he does too eventually.

Marinette as pretty much unrelated main character doesnt know about this when she enters the conflict. Hence why she can effectively bring about development in Nathalie by challenging her long-established mind set and dynamic with Adrien due to Marinette's perspective adding a new angle and shacking things up:

Nathalie's inner conflict is one of my favourite things about the episode (and needs its own post if I get around to it), but for the context of this post, yes, she was the one who needed to come around. Not Adrien. He was already there from the get-go as we can see by him repeating the hug he started the episode with. Just now, Nathalie hugged back:

It was nice seeing Marinette help Nathalie take on her role in the end because Nathalie did the same thing Marinette did in Illustrhater for example. Acting like and saying things that eventually made Adrien accept that they don't want to be with him because, duh, that's now interactions work.

That's why he initially didn't say that he wants to stay with Nathalie in Paris when asked in the end. Nathalie too made him feel like he has to accept that that won't be an option, so he knew he had to decide between his grandparents:

The same Grandparents who had to come around in the end, too, and allow for Adrien to stay with Nathalie in Paris, even though both pairs of Grandparents are still the ones to officially hold the legal custody of Adrien (which I'm glad about that they did it like this and didn't bullshit some reason for Nathalie to get custody cause the episode is right, Nathalie has NO right to Adrien's custody whatsoever. They went with a very reasonable way to resolve this)

Its the ADULTS who had to come around. Not Adrien. Adrien already made it clear all episode what he wanted. But because all involved adults declared the outcome he wanted as a non-option, well, he honestly says that he doesn't know what else he wants (who he wants to go with).

And I- I just really like that Adrien was taking the situation serious enough to say "I don't know". That was very mature of him. To not just go with SOMETHING or go on about how unfair the situation is. Cause it definitely was, but this is a very serious legal matter that COULDN'T stay unresolved. He's an orphaned minor currently living alone with a person who's said to neither be an option as his guardian nor does she herself treat it like an option. This day COULDN'T end without at least some kind of temporary solution where he would stay now. It just couldn't.

I LIKE that he didn't repeat his denied desire that was already known to everyone around and instead seriously thought about the options he had.

I like that he loves and respects Nathalie enough to be the one person amongst Emilie, Gabriel, and now Marinette, too, who left the decision to HER if she wants to take on the position of his new mother:

As much as he wants to be with her, Adrien was characterized to understand that this is a massive thing to ask of Nathalie. He knows he means alot to her too but Nathalie was, by all accounts, objectively forced into this:

But especially by Emilie (look, I know she was literally dying slowly and painfully, I'm not judging her for wanting Adrien to be loved and taken care of. But I gotta ackowlegde that Emilie put alot on Nathalie without giving her a choice first):

In that regard I can't fault Nathalie for not having acted on her motherly feelings for Adrien and Emilie's last wish earlier than s5 (but God DAMN Nathalie, there is a difference between not doing it and actively making everything so much fucking worse!).

Adrien is the one person in this who respected how much was asked of Nathalie, so when she continuously acted like she didn't wanted to take on the role, he respected that. But this also means that the person who's responsible for Adrien coming to this "wrong" conclusion was Nathalie. Not Adrien. He's only acting accordingly to her actions and words:

So I like that Marinette got to help her in the end, because this is passive development that's very relevant to Marinette's character too. Even if I wished the show would hold Marinette to the same standards since both in Adrinette and especially Ladynoir Adrien gets mostly blamed for coming to the logical conclusions that Maribug doesn't like him or being with him in any way doesn't mean much to her because that's how she constantly acts like in almost every conflict ever. Over and over again. So I like that it was done properly this time around even if it's obvious that that was only possible because it was Nathalie and not Marinette.

And yes, I totally get not liking that Marinette is taking over the whole moment again. I'm not much of a fan of it either, to put it nicely. But it is wrong to say that Marinette is the one making the decision here and Adrien had no agency in deciding who he's staying with. Marinette is merely repeating old news she knows are true because that's what Adrien has been saying and acting like the whole episode and even already since season 5.

The decision was long made by Adrien. It were the adults who had to come around.

And beyond that,

I LIKE that Adrien said "I don't know" to the question which grandparents he wants to go with instead of the show having him make it all about his friends, girlfriend, or Ladybug. He only brings that up when he gets to stay:

Cause the question of where he would feel more at home and what is best for his future, when he has to completely start anew, is not just about his current friends, girlfriend, or his secret hero partner (who has made every precaution and decision possible to not actually have or need him in her life and job and he was made to accept that fully because that's her "rightful professionalism" same as killing your bf Ig)

I like that it was "I don't know" instead of "but my friends!", "but my girlfriend!", or "but I can't leave!".

Adrien saying "I don't know" means he thought of himself first and foremost and not everyone else:

I even like that "I don't know" means that he took the Graham de Vanilys into consideration despite how awful Emil was. Cause when the outcome Adrien WANTED (keeping his life in Paris by living with Nathalie) isn't an option, then he's perfectly in his right to not write off the possibilities he has with the Graham de Vanilys in London (and good heavens, I'm glad nothing ever brought up "but Chloé is in London! YIKES!").

I like that Adrien didnt write anything off when the decision was possibly about to change his whole future. Yes, saying "I dont know what I want" is a perfectly valid and even mature answer for a 14 year old orphan to give when they were JUST this day confronted with this situation that denied him the option he actually wanted:

And I also like that Marinette in the end didn't wasnt made to make Adrien's answer about herself in an usual moment of panic (in general, I truly LOVED how supportive Marinette was in Werepapas, even if the akuma battle incident is forever burnt in my love square heart in a very negative way. Yes, I think being willing to kill your boyfriend without trying any other solution first is bad, sue me ig. if that's what I'll be judged for, then I can live with it).

It is a far cry from Marinette in Representation for example being mostly written to make not getting to have her boyfriend near her out to be the biggest tragedy of Adrien being send to another country for good. I'm glad she got to be the supportive girlfriend for once instead of the show forcibly trying to falsely make her out to be the most important person affected by Adrien's tragic life. It was so refreshing and wonderful to watch Marinette getting to be in the lovingly supporting role of the relationship for a change, and it does WONDERS for her characterization.

While, of course, Marinette was motivated all episode to help Adrien not having to leave, when Adrien said "I don't know" Marinette knew that he's only taking the other options this seriously now because he can't have the option he actually wants.

She wasn't written to go into panic mode the second she heard Adrien NOT saying that staying in Paris is the most important thing on his mind. She knew the problem was laying elsewhere, even if I wished she hadnt made it abuut the Grandparents, but Adrien's right to CHOOSE (and yes, I'm fully aware that people will write this whole post off as salt because I didnt ignore or handwave away Marinette's consistent CANON characterization, even though that's not how salt works. I stand to what I said. More of Marinette as supportive girlfriend please, then we wouldnt have these problems)

I don't know how to end this with a nice little bow to wrap it up. I just REALLY like that Adrien said "I don't know", and how the episode treated the custody conflict for 95% of the plot which is very good for Miraculous.

[bwat5-blog]

It Was Never Jinx's War

**Spoilers For Arcane**

I have written quite a bit about Jinx, and touched on this topic briefly, but I felt that it deserved more than my sarcastic blurbs. Today I wanted to talk a little bit about Jinx, and her being forced into the role of a revolutionary by her people and fans alike. So what do I actually mean?

I mean to address statements like these from fans:

Jinx should have lead Zaun in a civil war!

Jinx should have ripped Caitlyn apart!

The writers are coward for making Jinx apologize to Caitlyn!

What did they do to Revolutionary Jinx?! She was meant to lead the uprising!

I'm not going to spend time going through her whole story again. I have done so many times in various forms as have many others. And I have to assume if you are on Tumblr reading some grouchy nerd's rambling about Jinx, you already know her story. So first let's discuss one question.

Does Jinx hate Piltover/The Enforcers?

OBVIOUSLY. And she has every reason to. Growing up as a Zaunite means she grew up suffering under Piltovan oppression. And the Enforcers took her parent's lives. Take Silco and his teachings totally out of the picture and Jinx still has every reason to feel how she feels. I don't deny that at all. But feeling that way is not the same as being a violent revolutionary for her own reasons and choices. So let's discuss the moments from season 1 that created this false idea that the Jinx we know was fighting for her people's freedom with what she did.

SEASON 1

As A Kid:

It probably seems silly to most of you, it certainly did to me. But I have legitimately seen the example used that Powder was making bombs and had filled one with nails for the Enforcers to justify this idea. Listen folks, she was 11. I'm not saying she didn't want to help her family or wasn't willing. But equating that with wanting to be part of a violent revolution is foolish. In fact we see that childish (not said negatively just honestly) enthusiasm without consideration of consequence play out when she tries to help save Vander.

2. The Theft:

Okay. So this is her first real act as Jinx that I have seen attributed to her being a revolutionary for Zaun fighting the system. Most of the justification for this comes down to the simple fact that she stole from Piltover and hurt Enforcers. Jinx lights a building on fire, drawing Enforcers in using a fake child's voice, then blows it up killing six Enforcers and stealing the hex-tech gemstone. What does that mean?

Stole a source of power from Piltover that gives Silco and opportunity to study hex-tech

Killed Enforcers

Okay. I can see the revolutionary point for sure. Except for one problem. Jinx didn't do any of this for Zaun. Let's roll the tape!

Our reintroduction to Powder who has now become Jinx is the fight between Silco's people and The Firelights on Progress Day. During that incident Jinx sees a firelight that resembles Vi and loses control. This leads to conflict with Sevika.

Later, Sevika and Silco are discussing what happened. Sevika is angry:

Sevika: "She's a problem and we all know it" Silco shuts her down. It is then revealed Jinx has been listening the entire time and she talks with Silco: Jinx: "one of those firelight wackos was a girl with pink hair" Silco: "todays screwup will set us back weeks" Jinx: "I'm sorry" Silco: "I need to know I can rely on you..... Sevika will clean up todays mess" Jinx: "Sevika? That ogre couldn't clean a dust bunny with a blow torch" Silco: "Take some time" Jinx: "I don't need time" Silco: "Take it anyhow"

Jinx is quite visibly upset and leaves

We rejoin Jinx later in her hideout. She is upset, convincing herself it wasn't Vi, talking to the specter of Mylo, justifying the incident that it was just her getting confused. then she says some key dialogue here:

"Now, he thinks I'm weak...I'm not weak... and I'm gonna show him. Oh, I'm gonna show him. You'll see".

And the explosion and theft are how she does so. How she proves to her adoptive father that she isn't weak. And it works! It gives her the validation she is desperate for. When he first comes in he is the most outwardly angry with her we ever see him on screen.

Until she shows him the stone:

Silco values strength above all. We see him espouse this over and over. Jinx has certainly heard it plenty although unless I'm mistaken we don't see him preaching it directly to her until later. She is worried he sees her as lacking the most important quality to him, so she goes out and proves it and now she feels accepted and safe again. Not to mention the fact that her early childhood trauma left a very real mental scar in her regarding feelings of being weak/not ready/a Jinx. I mean come on, it isn't exactly subtle that the specter we see tormenting her more prominently than any is this fucker (calling the delusion that not the dead child. Don't yell at me lol)-

She didn't do any of this for Zaun. She did it because part of her is still a little girl that's terrified if she isn't strong enough she is going to be all alone.

3. The Bridge:

Alright moving on. The next big one that gets mentioned frequently is Jinx attacking the bridge. Again, I can see the argument to a point. Killing the leader of The Enforcers and reclaiming the stone. Definite points for the "Zaunite Revolution". Except for a few things.

She is watching the bridge when Vi says goodbye to Caitlyn & Ekko. Mostly just arguing with "Mylo" about Vi.

2. She doesn't look angry until she sees the stone. The stone that symbolizes Silco's acceptance and recognition of her strength, and therefore his love.

3. She doesn't attack when she sees the stone. she doesn't attack when Marcus shoots Ekko. She is overwhelmed by her mental illness and attacks when Vi "leaves her" again, running back toward the bridge after the gunshot.

4. The symbol of Silco's love is in jeopardy, and she feels like Vi is leaving all over again. Once more she is a little girl facing the terrifying prospect of being all alone again and it's quite simply too much. Look how big Mylo is over her.

I mean this just isn't subtle. This was not the act of a freedom fighter assassinating an enemy. This was the act of a mentally ill young woman losing control and unleashing violence in an attempt to hold on to what she is terrified to lose.

4. Abducting Caitlyn:

Not much to say here but it is worth mentioning as it frequently gets filed under the "Jinx = Oppressed, Caitlyn = Oppressor, so Jinx abduct and possibly torture Caitlyn = Okeydokey Artichokey!" crowd. This didn't have a damn thing to do with Zaun. Because of Silco and Sevika's manipulations, Jinx's history with Enforcers, and Jinx's mental illness she viewed Caitlyn as the one keeping Vi from her and she acted out jealousy, fear and rage.

5. Attack On the Council:

Ok. This is in the big one that is probably the most hotly debated. By now we all know the context here. Jinx has abducted Silco, Vi and Caitlyn to host her dinner party. Silco is now dead, and in a moment of "accepting" who she is Jinx strikes at the Council of Piltover, unknowingly during the very moment they are ratifying Zaunite independence.

Silco's words echo over the strike while the hauntingly beautiful "what could have been" plays. It is truly a moving moment and all sarcasm or nastiness aside let me say that I do understand how people are interpreting this scene the way they are.

Jinx sits in the chair seemingly accepting herself as the daughter of Silco and inheritor of his legacy

Vi blames herself for creating jinx. The camera cuts to Vi multiple times during the song.

Jinx gives the whole "I thought you could love me like you used to" speech. Onece again just piling onto Vi and implying Jinx knows who she is now.

Jinx is clearly remorseful for shooting Silco and striking at his enemies would be a logically fitting way to respond

However, it is not that simple. Jinx is not making the first strike for her people in the wake of her adopted fathers death. She is a grieving, enraged, and yes mentally ill young woman in the middle of a breakdown lashing out at a symbol of pain and loss in her world.

I recently wrote a short sarcastic little blurb about this and that was my bad. This topic deserves more. But someone responded that I was implying Jinx was not capable making plans or decisions in that moment because of her mental illness. That is not what I mean. What I mean is that Jinx's heart and mind are an open ragged wound in this moment, and she lashes out at something that has always symbolized loss and pain and anger. Smashing it down into a first strike for freedom is not only illogical based on narrative evidence, but robs the moment of what Jinx is really going through.

"What Could Have Been":

This song narratively takes us into Jinx's pov as this moment plays out. It is beautiful, and haunting. The key however, as we are hearing Jinx's perspective play out, is to remember that her mind is not well.

We have been watching her unravel more and more since the beginning of S1 A2. Think back to when she and Vi first reunite. She is clearly ashamed of what she has done with Silco. Put that up against her shooting at Vi even one episode later on the bridge.

2. She is still extremely fresh from the Shimmer procedure that even though it saved her life was horrific and painful to the point it could have killed her.

3. She abducts Caitlyn nude from her bathroom and tells Vi she be Powder again if Vi will just murder Caitlyn.

4. She kills Silco in the middle of a breakdown

5. Quite frankly. The whole "dinner party" itself. There is not a damn thing in the world about her behavior or mental state at this time that suggests she is level or even. Her sudden calm after killing Silco isn't a patricide induced clarity. It is a breaking.

She is angry, she is grieving, she is ill and she is afraid. She feels that Vi cannot love her anymore because of who she is and she killed the only other person she had. So she lashes out. And in so-doing actually obliterates her peoples chance of independence.

Intent:

Now I have seen the argument made that it doesn't matter what her reasons or intent were. Because ultimately her actions served Zaun. Did they though?

Blowing up the building and killing six enforcers caused the bridge blockade Her attack on the bridge almost killed Caitlyn, which all personal character bias aside, if she had successfully caused the death of a council woman's daughter Piltover would have gone nuclear. She also almost killed Ekko successfully who was actually a champion for Zaunites. Her attack on the council opens the door for Ambessa and kicks off the events leading to Caitlyn's strike team and the occupation. The most obvious and one that should be taken with a grain of salt given the extenuating circumstances. But Jinx was a part of Silco's operations. Piltover's neglect and oppression may have allowed bad men to rise up and take control, but Silco was their chief. He flooded the lanes with Shimmer regardless of the harm and Jinx played a part in that.

SEASON 2

Alright, moving into season 2. This is where people were angry and feeling that the show was throwing away Jinx's revolutionary arc. But as I've stated it is my belief that is never where her story was going to begin with. So let's dig into some points I feel lend themselves to this point.

Aftermath of Jinx's attack:

What is she doing in the wake of her first strike? Leading battle planning sessions? Nope. Wandering the streets while Chem-Barons rip Zaun apart. Why? Because she wasn't firing the first strike. She was breaking down. And now she is all alone. Her adopted father gone, his organization failing, her sister lost to her.

Ventilation Chamber Battle:

Alright so I see this battle mentioned as well because Jinx and Sevika let The Grey loose in Piltover in retaliation. I wasn't sure if I should discuss this or not, since some people like to pretend Jinx never did this and I don't want to confuse them. But better to be thorough.

As I'm sure you know this is the battle when Vi & Caitlyn finally confront Jinx & Sevika down in the pipeworks of Zaun. They all engage in a massive and brutal brawl to some truly outstanding music, and in the end Sevika detonates a series of charges that send the Grey up into Piltover all over the city.

I have spoken AT LENGTH about the hyperbole and nonsense the fandom has engaged in when it comes to The Grey and Caitlyn. I can assure you I'm not going to magically assign it some ultra-lethal quality just because Jinx is now doing it.

"Jinx was acting in retaliation against their oppressors for Caitlyn's strike team poisoning Zaun's air!"-- You get the idea

The issue of course is that this was not some strategic retaliation in Jinx's rebellion. This was intended to be her suicide and end Vi as well. Jinx wants to die here.

Hard to lead a rebellion when you intend to die at your sisters hands. However I will give Jinx partial credit if that makes anyone feel better. She was at least retaliating against Piltover as well.

Becoming A Symbol:

Alright. This is where we get into Zaun trying to force her into this box as well. Let's do a very quick rundown of events leading up to the occupation of Zaun under Martial Law:

1. Caitlyn leaves Vi after the battle and becomes the commander 2. Caitlyn and Ambessa's forces hunt Jinx throughout Zaun, cannot locate her. Place Zaun under Martial Law until she is caught and try to get Zaunites to turn on her 3. Zaunites make Jinx their symbol of resistance. Their flag to rally behind. Even the spy Maddie says "we made them desperate for something to believe in".

And what has Jinx been doing the entire time?

Which by the way. AS. SHE. SHOULD. She finally found some fucking peace and happiness. But she was not in any fashion out throwing Molotovs and getting arrested. She did not become the symbol of the rebellion because she earned it. She became the symbol because she's the one they had when they need something to believe in. Even when she frees all those people from prison she only does so because she is trying to rescue Isha. And by the way the show is not subtle about what this means for her:

She and Isha are living happily-

When Sevika comes in angry and slamming things and demanding Jinx consider what Silco sacrificed (aside from Jinx's second family of course) Jinx starts glitching and yells.

2. Jinx tearfully admits to Silco's chair she doesn't want to mess up what she has with Isha

3. When Isha is taken and Jinx has no choice but to rejoin the fight, the show is quite clear about the tone it sets for Jinx.

Pop Quiz class, does it seem like they are implying its a good thing?

Side Note:

Jinx has too many barbs, comments, taunts and so on to name regarding her feelings for Piltover. I didn't include them because… duh? She hates Piltover and she hates Enforcers. Again. That is not the same as being a revolutionary. Not to mention at the least in the context of her talking shit to Vi for putting on the badge, it should be noted that all you usually have to do is go a few words in either direction or consider the actual context and her clever jabs at her sister lose some of their luster.

"I busted half of Zaun out of prison while you were passed out in the bottom of a mug" INITIATING TRANSLATION FROM JINX-SPEAK TO REALITY….. "While you were in a self-destructive spiral that was probably going to kill you and caused among other things by my actions as well, I was chilling with Isha during the entire occupation until she went full feral gremlin and got arrested. I freed the others while I was there to get her also"

And that isn't hating on Jinx by the way. But people like to use all her clever little comments to really sell this whole image of her character and justify screaming about her not leading the massacre of Piltover or something at the end so it seemed worth mentioning.

Conclusion

So. When it is all said and done, why even touch on this? Because I think people so stuck on wanting her to be a revolutionary for Zaun are missing the point. Sure her feelings were there, but the actions she took were never for Zaun's freedom. That isn't her story, just like it isn't Vi's. People watched this show expecting everyone to follow traditional heroic journeys. But not every character is meant to become the leader on the throne. Sometimes, they are the long suffering victim of a system that doesn't really care about them, and although they can fight for and defend their people, their greatest victory is getting to live for themselves and their loved ones in peace.

Think about "Silco's" final speech to Jinx: Break free from these labels and restrictions. These "prisons". Walk away from the cycle because otherwise it will. not. stop. Like most of you I'm sure, I wanted to see Jinx and Vi together as sisters at the end of the show. And I have seen SO. MANY. comments saying it's bullshit that Jinx had to go off on her own so Vi could have a happy ending but these people are seriously missing the point.

Jinx not only gave Vi a chance at a happy ending, but she set off to find her own. She was never going to find peace in Piltover where no matter the circumstances, there were very real people living with the aftermath of her crimes. And she was never going to escape the shadow of Silco returning to Zaun, either being held to account for her part in his crimes or expected to lead their people. And that is to say nothing of the memories of everything she'd lost haunting every corner of Zaun.

I understand if her story wasn't what you wanted. We all had our own preferences and ideas and theories for how things were going to go. But by trying to force Jinx's narrative into a certain box and being angry at the parts that don't fit, you miss out on the story we were given.

A tortured but loving young woman who reclaims her soul, and sets off into the unknown to find her peace. Fulfilling the dream of a bright and inquisitive little girl who dreamed of better days.

*** Yall Tumblr had a seizure right at the finish line and the formatting got all messed up and I wasn't really able to fix it completely. Sorry if this looks weird***

[utilitycaster]

Forgive me if you've already been asked something on this topic, but I was curious about your opinions re: Laudna's epilogue. Specifically, about how her lifeforce and aging is now tied to Imogen's in a 'marriage' ceremony even though they've only been dating for a few weeks in-game. It felt like an extension of the flaws baked into her entire arc that Laudna bound her soul to yet another magical woman, and in a way that would discourage any conflict between her and said mage. Laudna's epilogue with Imogen being considered a 'happy ending' really hinges on the idea that those two each other's perfect matches

So this is an interesting approach! I have to admit: I don't find the choice to age to be particularly bad, nor discouraging of conflict. I think it just means that she'll live around as long as Imogen will, as a human woman. I think if they were to break up, or if Imogen were to meet an untimely end, it just means Laudna would still live to a typical human lifespan.

But this is an interesting point that I think I touched on briefly when interacting with that weirdo last night, which is that it really feels in the end that Laudna never has her own life. Hell, Liliana manages to more satisfyingly say "huh, I've spent my entire life from probably my early 20s to my 50s either effectively on the run and alone, I fell into the hands of a very powerful wizard who treated me as a vessel, I never really unlearned my brainwashing from that, and now that it's over I think I need to go out in the world and figure out who I am as a person because my entire adulthood was lost to that" and Laudna never does. Even the ritual to make her live a typical lifespan feels very much a having your cake and eating it too - it's always been interesting that Laudna made these sort of intermittently expressed overtures towards liking her weird gross undead state and that mechanically Marisha leaned into it beyond the rules of Hollow One but then she does not get the unwilling immortality because of yet another quite literal Deus Ex Machina. It feels like just one more case of this party getting to have it both ways, for free, without ever having to choose, and the dumbest people alive shrieking at me that what I find to be a desperate saccharine dying dream of an ending is happy and that because it is "happy" any criticism must be a personal failure (and then some other rando will weakly bust through like an incontinent kool-aid man to fart out how unfortunate it is people are so uncivil and unkind and attacking people's intelligence and morals this campaign, meaning, of course, me for existing while holding an opinion and not breaking down in tears and capitulating to everyone who comes on my posts, but not the people who come on my post and call me stupid and unfeeling, because they agree with those people, because campaign 3 appeals, as I've said many times, to the posers who can dish it out and not take it, and not to like, intelligent adults.)

I don't find this ending happy because it's so divorced from reality it feels like weightless nothing, in the end; that's my feeling on all the lack of consequences, actually - as one of my mutuals said, easy come, easy go. Laudna never has a story; she never lets herself out of her own cages to have a story. The only framing people can even come up with to make it happy is "she had TRAUMA and now she has an ENDING where she's left alone" and even then it's like. Personally my feeling on anyone who treats their trauma as the reason they are interesting should be made to retrace the steps of the Franklin Expedition, which will make them interesting and/or at least temporarily remove them from my vicinity. If being left alone to do nothing is happy, why aren't you guys giving me a happy ending.

I meant to be a bit more reserved in this answer, and I have a similar ask to get to as well but I think what I'm trying to express and slowly losing my mind over is that the people who like Campaign 3 and loudly defend it are increasingly quite literally not of an intellectual caliber or level of interpersonal empathy to even join in the discussion with those of us who found it lacking. It's like explaining quantum physics to toddlers. We find ourselves having to define words as basic as "conflict" and "consequence," and repeatedly, with eroding patience, explain "sometimes, I think it is interesting when bad things happen to pretend people, and it is boring when good things happen to pretend people, because they are pretend, and sometimes different people have different feelings, and that is okay! but you need to let people have different feelings. Someone saying they don't like the blue truck doesn't mean you can't like the blue truck! But you can't make them like the blue truck."

[caffinated-squid]

Jerry Stokes and the consequences of inaction in The Eltingville Club

Time to talk a lot about the last character in the crew, Jerry Stokes. A couple of quick things before getting into some lukewarm observations, this is not me trying to morally grandstand about a character actually being bad, this is The Eltingville Club, all of your faves are problematic. This is just about how his role feeds into the environment, and because I am not satisfied with only going over a list of bad things Jerry has done in the comics and want to go into why he is like this. I have seen a handful of people already go into his toxic behavior, so this is my attempt to contribute. To summarize, Jerry is both the support and doormat of the group. Even though all the characters rip on each other for their interests, Jerry is usually the main target. He is also the character that attempts to break up a lot of the arguments/feuds that the characters have. However, Jerry never actually fixes the problems present in the group, the most he does is postpone the terrible actions, but still goes along with whatever happens. I call Jerry the support of the group, but only by a slim margin. Like Pete, he has the tendency to enable the clubs behavior, but in his case, it’s by his lack of action rather than exacerbating the conflict.

Jerry’s main concern in the club is avoiding conflict. If he prevents the club from arguing, he won’t lose his friends. But because of that, it leads to a refusal to challenge any of the groups bad ideas. The Eltingville club has cultivated an environment where they all need to have the same opinion, and anyone who doesn’t is wrong or stupid and not a real fan. So the most that Jerry can do is just meekly suggest that something is a bad idea, but because he is also the doormat of the group, and isn’t really going to stop them, his protests can easily be ignored by the rest of the club.

Jerry ends up becoming both a bystander as well as an enabler, which has the tendency to get looked over because characters like Bill, Josh, and Pete are more blatantly toxic and destructive, so Jerry’s behavior usually goes under the radar in comparison to the rest of the clubs.

**The main reason the club will actually listen to Pete when he tells them to cut it out is because he backs up his threats, he will follow though if they don’t listen to him.

Jerry’s tendency to postpone conflict also comes with the result of refusing to call out any of his friends for their terrible behavior. He has almost never defended Josh even though the entire group bullies him for being fat is because it’s been normalized. From how bad arguments tend to get and how no one in the club takes Josh’s concerns seriously, he probably just writes it off as playful jabbing rather than bullying. Even with something like Bill making the Greedo-318 account to tell Josh to kill himself and telling Jerry to keep his secret, Jerry’s main concern is not wanting to lose his friends. He wants Bill to like him, because if Bill still likes him, the club can still exist. Jerry already has a lot of anxiety about the club breaking up, so revealing this would do nothing but add more conflict.

From what I can tell, the characters live in the suburbs. Eltingville is a tiny town with not much to do. None of them have a drivers license so they can’t go anywhere by car, days are monotonous, and the only place that holds any of their interest is a shitty comic book shop. I mention this because in this environment there is the need for community, even if that community is terrible, because it’s better than being alone. It is established that the club takes up a majority of all of the characters time, so outside of this group, there isn't really anywhere else for Jerry to go to.

Even if Jerry was able to make new friends, I have the feeling that the rest of the Eltingville Club would probably try to sabotage any attempt, considering that they spread rumors about him going around telling people that he fucked Agnes Zawatsky to reel him back into the club.

Misery loves company, and even if Jerry is the main punching bag of the group that the characters put most of the blame on, he can't leave, because they are The Eltingville Club, and its always them against the world.

[rollercoasterwords]

matter of fact can we talk about the incest. just went back & rewatched the 4th appendix story & the incest isn’t even subtextual it’s just textual like kier talks about himself & his twin “blossoming into boyhood” (connection of nature & sexuality) & how when dieter asked to run away kier’s “love for my brother unbalanced my judgment.” & it isn’t said aloud but if you pause & read the part of the paragraph above where the voiceover starts—kier & dieter were sleeping together in the woods, & dieter woke up and snuck off alone. the text says dieter always crept about at that hour, indicating that kier was aware of this habit & had likely followed him before. dieter doesn’t masturbate in front of him—kier follows dieter to his secluded spot obscured by fauna & watches him masturbate, describing him as a beautiful force of nature who kier feels compelled to watch—“i had no choice,” indicating that he has conflicted feelings about his own incestuous desire for his twin. also note the fact that dieter spilled his “lineage” into the soil; he wanted to run away and leave the family/business for life as a “woodland pauper”; his desire to escape the family runs contrary to the reproductive imperative of the family (as does his incestuous allure).

& then later kier & dieter are lying together (dieter “unwashed”; still tainted by sexuality—despite the fact that the pool could be used to bathe, to purify him). when kier says they need to return to father, to business, to reproductive family unit, dieter wants to live as “woodland paupers” forever. this is where the story devolves into abstract horror, but i think the clues are pretty obvious, especially given the scene that comes later in the episode—dieter grasping at his hair, gargling, the waterfall drowning out his cries. kier drowned his twin in the purifying pool of woe’s hollow, meeting woe who specifically says that this is kier’s fault for suffering his twin’s “wantonness”; now dieter is no one’s brother. the phrasing there—no one’s brother—makes me think what remains unsaid is: kier wished dieter was not his brother, first; it was his own disgust and horror at his incestuous desire, perhaps coupled with dieter’s determination to leave the family behind, that drove kier to kill him. dieter becomes nature, unfettered sexuality, and that is what ultimately kills him. woe says: now he’s not your brother, kier, because he is no one’s brother. he is only chaos’s whore.

i think there is a potential reading for kier & dieter having a mutually incestuous relationship, but personally what i’m picking up & the reading i think is more textually supported atm is that kier was in love/lust with his twin and so he killed him. kier drowned dieter

[emma23]

Stay with me :

Marc spector x reader

The air in your shared apartment was thick with tension. It had started as a petty disagreement—something about Marc forgetting to pick up groceries—but it had spiraled into something bigger. Something that cut deeper than it should have.

“You always do this!” you exclaimed, throwing your hands up as you paced the living room. “You shut me out, you make decisions without me, and I’m just supposed to sit here and deal with it?”

Marc stood near the kitchen counter, arms crossed tightly against his chest, jaw clenched. His eyes—those deep, conflicted brown eyes—followed you as you paced.

“I’m not shutting you out,” he replied, his tone sharp. “I’m trying to protect you, Y/N. There’s a difference.”

“Protect me?” you repeated, stopping in your tracks to face him. “You think I need your protection? From what? You? Khonshu? Or just every bad decision you make without thinking of me?”

The words stung. You could see it in the flicker of pain that crossed his face, but his pride wouldn’t let him back down.

“Maybe if you didn’t always question everything I do, you’d see I’m trying to make this work!” he shot back.

“Oh, so this is my fault now?” You scoffed, shaking your head. “You know what? Forget it. I’m done with this conversation.”

You turned on your heel, heading toward the bedroom, your anger boiling over. But as soon as you moved to leave, you felt a strong hand wrap around your wrist, stopping you in your tracks.

“Y/N, you aren’t just gonna leave things like that,” Marc said firmly.

His grip wasn’t painful, but it was unyielding. He pulled you closer, his face inches from yours, and for a moment, all you could hear was the sound of both your ragged breaths.

“Let me go, Marc,” you whispered, but there was no strength behind your words.

“No,” he said softly but resolutely. “I’m not letting you walk away from me. Not like this.”

The argument dissolved into silence as you stared at him, your chest rising and falling with the weight of your emotions. His eyes softened, and you could see the guilt swimming in them.

“Y/N…” he began, his voice quieter now. “I know I mess up. I know I make things harder than they need to be. But I’m trying, okay? I’m trying for you.”

The vulnerability in his tone caught you off guard. Marc wasn’t the type to bare his soul easily, but when he did, it was raw and unfiltered.

“Why do you have to make everything so damn hard?” you muttered, feeling your resolve crumbling.

“Because I don’t know how to be anything else,” he admitted. His hand still held your wrist, but now his thumb gently brushed against your skin. “But I know I don’t want to lose you.”

Tears pricked at your eyes, and you hated how easily he could break down your walls.

“Marc…”

He leaned closer, his forehead resting against yours. The tension in the room shifted, replaced by something heavier, more intimate. His other hand came up to cup your cheek, his calloused thumb wiping away a stray tear.

“I’m sorry,” he whispered, his voice cracking slightly. “For all of it. Just… don’t walk away from me. Please.”

One moment, you were standing there, caught in the storm of his emotions, and the next, his lips were on yours. It wasn’t a gentle kiss—it was desperate and messy, filled with all the words he couldn’t say.

You melted into him, your hands gripping his shirt as if to ground yourself. The world outside disappeared, leaving just the two of you tangled together in a web of love and frustration.

“Y/N,” he murmured against your lips, his voice hoarse. “You drive me crazy, you know that?”

“Good,” you replied breathlessly, pulling him closer. “Because you do the same to me.”

Hours later, you lay tangled together on the couch, your head resting on his chest as his fingers traced lazy circles on your back.

“Marc?” you asked softly.

“Yeah?”

“Next time, maybe don’t wait until we’re screaming at each other to talk to me.”

He let out a low chuckle, the sound rumbling in his chest.

“Noted,” he replied. “But in my defense, you’re kinda cute when you’re mad.”

You smacked his chest lightly, but you couldn’t stop the laugh that escaped your lips.

“You’re impossible,” you said, shaking your head.

“And you love me for it,” he countered, his smirk audible in his tone.

“Unfortunately.”

His laugh echoed in the room, and you couldn’t help but join in, the weight of your earlier argument finally lifting.

“You know,” Marc said, grinning, “if we fight like this every time, I might start picking arguments on purpose.”

[haleigh-sloth]

God the range of conflicts in Blue Lock is so funny. They get increasingly more personal and intense and comparing some of them to others is hilarious.

Isagi and majority of the cast's main conflict is just wanting to become the best in the world. Normal soccer dreams. This doesn't really change for most of them. Their arcs are not really about soccer but about finding the happy medium between shooting for the spotlight but also remembering soccer is a sport played by 11 people. In a metaphorical sense, asserting yourself and living your life how you want without going too far and being a selfish/self-serving asshole.

Then Bachira has an actual internal crisis over being complacent depending on Isagi, but then solves his problems pretty quickly. Like a legit personal issue he has to navigate through, and successfully does so. He's so happy just being able to play soccer all the time. He's also in love with Isagi. This isn't a problem for him though.

Then there's Reo and Nagi going through the messiest divorce ever (well, Ness and Kaiser might take the cake on that one atp) because Nagi realized that having feelings is cool actually and didn't realize that he basically dumped Reo. They have a complicated ex arc and a backslide arc that is doomed to implode. They're both crazy about each other but also unwell. They are a mess and everyone in canon atp just looks away from this trainwreck. Nagi's arc is decently heavy with emotional conflict due to the fact that Nagi himself experiences very little emotional conflict (as far as he's aware of). Lmao.

Then there's Rin who has like actual problems that were inflicted on him. He really has every reason to be miserable and devastated and angry. He is miserable and devastated and angry. He is not handling this well. He is having actual psychological turmoil he can't escape, he is misplacing his anger on other people (one person), he is spiraling further literally every chapter every week. He has ten times as much emotional conflict in his arc as everybody else. His arc is not about soccer, it's about relationships and his role in them and how he needs to find his own ego and motivation. It's about letting people in and lifting him up even when he's hurting, especially because he's hurting. He is not handling this teamwork thing very well. He is the saddest meow meow in blue lock. He needs help, he has issues. Isagi help him.

(There is Kunigami and whatever the fuck is going on with him, but we know not too much so I will not rope him in yet).

Majority of the cast is trying to find their ego and play soccer and be the best. Then there's Nagi and Rin who are so lost on what to do with their lives and they are clearly massive trainwrecks amidst what I personally would consider a mostly normal group of people fighting for normal personal goals. I love when everyone is normal and then a very small amount of people among this normal group of people are absolutely not fucking normal and everyone in the story actually sees it.

[askshivanulegacy]

This definitely gets to be said to the people who take international flights, who also absolutely deserve two-hour showers and red meat. Delicious.

Trying to keep your footprint as low as possible is a great way to self-destruct.

And I'm not saying this to people who take two hour showers during international flights while shoving red meat into their mouth. I'm saying this to my fellow activists who feel conflicted about heating their home on fossil fuels even though they don't have any other options (and struggle to afford it).

Like, we can talk about how 'consumer choice' is never going to save the planet and stuff, but more importantly: You are not a sin. Your basic needs deserve to be met. You deserve to be warm and filled with food that satisfies you and you deserve to see your friends.

We are not fighting to save 'the planet', that's a piece of rock. We want to save ecosystems and plants and animals, including people. You are part of that. Don't leave yourself out of the list of creatures that deserve to thrive.

[waitineedaname]

MXTX protagonists ranked by how bad their mommy/daddy issues are

Luo Binghe: absolutely nuclear level of mommy/daddy issues. this is the consequence of giving your protagonist two deadbeat dads and two dead moms, and then letting him project all those issues onto his overly indulgent teacher

Wei Wuxian: he could've had perfectly normal orphan levels of parent trauma, but what's that?? IT'S THE JIANG PARENTS WITH A STEEL CHAIR!!! the combo of fear and respect he had for Yu Ziyuan is already bad enough, but then there's also the feeling of responsibility for the Jiang siblings that they put on him, which then leads to, you know, all the Yunmeng sibling problems

Lan Wangji: this dude is so haunted by his father potentially kidnapping his mother and then locking her up and putting himself in seclusion, and this significantly shapes his relationship with Wei Wuxian. plus he took his mother's death really, really badly :(

Shen Qingqiu: he like never mentions his parents?? which is weird, but at least he's not haunted by it. however, he gets the special privilege of being the person exacerbating someone else's mommy/daddy issues. he brought this on himself. he doesn't get to walk out of a confession involving a metaphor where he'd be pregnant with his partner and act like that's normal

Xie Lian: he definitely has trauma surrounding his parents for sure, but they don't seem to have manifested as specifically mommy/daddy issues? it's just, you know. normal grief. honestly, there's so much shit going on with his trauma and baggage that he can't be defined by this one thing

Hua Cheng: does not seem to care about his parents?? at all???? he's presumably an orphan and they're probably the origin of his self worth issues, but like. in the grand scheme of things, they do not seem to be that big of a concern for him. who needs mommy issues when you have devotion to dianxia i guess

[frobby]

Yukio doesn't realize rin was lonely because he was key contributor to said loneliness

[my-thoughts-and-junk]

finished hazbin hotel and what the fuck it's actually kind of??? good???

[imminent-danger-came]

I really am so sad I don't like isat. The themeing was very good

[s-ccaam-era-crepe]

wough weird sad feelings about my dad who could have expected that

[okitanoniisan]

i keep saying i need to make some zhaoryu shit but i'm back on my y5 kazusaeji bullshit again they are just so. m