#new year.2020

[letmetellyouaboutmyfeels]

I am incredibly serious right now when I beg you all, please, and if you have Twitter or Tiktok or whatever to please spread the word: click on an author's profile on Ao3.

You want to know if an author has written more? Want to know if they're still writing? Want to see more from them? Want to know if they've written a trope or kink or sex scenario you enjoy?

Click on their name. And look at their profile.

I cannot tell you how many times in the last six months someone has read a new or newer fic of mine and said they (a new reader who has read nothing else I've done) "can't wait to see what you do next!" I've written 50+ fics and over a million words already.

"I don't know if you're still writing..." click on my profile. I am. I literally wrote a 128k+ fic for that ship last month.

"Would you ever do X?" "Please do Y!" I already did. Click on my name and look at my works.

Archive of our Own is a library. It's an archive. Not social media. It is your responsibility to fight back against the laziness that corporate algorithms have trained into you.

Click my author name. Just click it. Just click it.

Before you demand more, or ask if a writer will do XYZ, or wonder if the author still writing, or anything - click on their profile. Click on the author's profile.

I'm not trying to be mean or condescending or anything like that. I'm just exhausted. It's disheartening and frustrating to repeat myself ad nauseam, because someone couldn't take thirty seconds to do the tiniest bit of work to see if I've written lately, if I've written more for their ship, or scan my works to see if I've written what they're asking for. Please. Please. I'm begging.

Click the author's name, and explore before you ask.

[hinamie]

cursed kids v2 ⚠️👹

i've been a jjk first years stan since day one and have been wanting to redraw the first art i did featuring the three of them

[andisupreme]

I moved recently to start a new job and part of my commute now involves one of those high capacity toll booths where a two lane road suddenly flares out into 5-7 lanes of total anarchy with no lines anywhere, and then narrows back down to two lanes again, and we're just supposed to sort ourselves out? Who designed this

anyway I dreamed up this helpful anatomical guide on the drive home

[heistcinema]

HEIST FILMS + dancing 💃🕺

Happy birthday, Robin! (@madeline-kahn)

[kurakuradon]

𝖘𝖍𝖊𝖉 𝖙𝖍𝖞 𝖘𝓴𝖎𝖓, 𝖇𝖊𝖆𝖘𝖙 𝖔𝖋 𝖓𝖊𝖜 𝖇𝖎𝖗𝖙𝖍

[casscainmainly]

BIG shoutout to Cass fans who endured her evil era, her New 52 erasure, and countless other editorial mandates - like you guys really pulled through for her so that newer fans (like me!) can enjoy her in all her glory. Seriously big thank you to older Cass fans <3333.

[gwaymustd1e]

I was promised to make 2025 the new 2005 why is it 2020

[browsethestacks]

Happy New Year, Everybody!

Art by Mike Mignola

[buffyscmmers]

PERIOD DRAMA APPRECIATION 2024 

Day 2 - Favourite Characters - Emma Woodhouse & Fitzwilliam Darcy

[bylrndgm]

JULIE AND THE PHANTOMS (2020) // JULIE E OS FANTASMAS (2011) 1.01 - Wake Up // 1.01 - Enfrentando Fantasmas -> Julie meets the Band.

[fundyfanic]

Yes I'm obsessed with fundy and yea I am a 2020kid and yes I made a glitter PFP cus I couldn't find any other ones

[myloveonherknees]

@/hisethelcain. “HAPPY F$ING NEW YEAR” twitter, 31 dec 2020.

[finelythreadedsky]

JSTOR Wrapped: top ten JSTOR articles of 2023

Coo, Lyndsay. “A Tale of Two Sisters: Studies in Sophocles’ Tereus.” Transactions of the American Philological Association 143, no. 2 (2013): 349–84.

Finglass, P. J. “A New Fragment of Sophocles’ ‘Tereus.’” Zeitschrift Für Papyrologie Und Epigraphik 200 (2016): 61–85.

Foxhall, Lin. “Pandora Unbound: A Feminist Critique of Foucault’s History of Sexuality.” In Sex and Difference in Ancient Greece and Rome, edited by Mark Golden and Peter Toohey, 167–82. Edinburgh University Press, 2003.

Garrison, Elise P. “Eurydice’s Final Exit to Suicide in the ‘Antigone.’” The Classical World 82, no. 6 (1989): 431–35.

Grethlein, Jonas. “Eine Anthropologie Des Essens: Der Essensstreit in Der ‘Ilias’ Und Die Erntemetapher in Il. 19, 221-224.” Hermes 133, no. 3 (2005): 257–79.

McClure, Laura. “Tokens of Identity: Gender and Recognition in Greek Tragedy.” Illinois Classical Studies 40, no. 2 (2015): 219–36.

Purves, Alex C.  “Wind and Time in Homeric Epic.” Transactions of the American Philological Association 140, no. 2 (2010): 323–50.

Richlin, Amy. “Gender and Rhetoric: Producing Manhood in the Schools.” In Sex and Difference in Ancient Greece and Rome, edited by Mark Golden and Peter Toohey, 202–20. Edinburgh University Press, 2003.

Rood, Naomi. “Four Silences in Sophocles’ ‘Trachiniae.’” Arethusa 43, no. 3 (2010): 345–64.

Zeitlin, Froma I. “The Dynamics of Misogyny: Myth and Mythmaking in the Oresteia.” Arethusa 11, no. 1/2 (1978): 149–84.

[kawaiichibiart]

Tsukasa 🤝 Shiho 🤝 Akito

First New Year's card: 2 Star

Second New Year's card: Limited 4 Star

[thewitchystuff]

Hello witches!

I bring you the 2023 calendar for the remaining months  ☆ﾟ. * ･ ｡ﾟ

How are you holding up mid-mercury retrograde?

This year I just added the Planet Oppositions because there are a few of them in the later months of the year and I wanted to research them.

This is a Northern Hemisphere calendar and specific dates may vary due to different time zones, so always do your research for your specific region.

And if you find any mistakes or anything do add it if you reblog, so I can keep it in mind for future calendars!

See you in the full moon!!