#new chinese design style

[xinyidecor]

Poetic National Color·Oriental Aesthetics

There seemed to be thousands of words to say, but not a single word was revealed.

[retconner]

She is just fashionably late

[matchasartcha]

wishing good fortune for the new year :3

[supercantaloupe]

had a lovely afternoon out

[thatshowthingstarted]

Vase with rabbits, China, Ming dynasty (1368–1644), Late 16th century,

High-fired porcelain decorated with intense blue pigment under a clear glaze reached an unprecedented height of technical excellence and artistic sophistication during the Ming dynasty, when fine porcelain wares were mass produced and sold to many parts of the world. 

Their decoration attests to the active cultural exchanges facilitated by maritime trade. The animated rabbits are derived from Chinese sources, whereas the arabesques of scrolling vines and flowers are common motifs in Islamic art.

Porcelain painted in underglaze cobalt blue (Jingdezhen ware)

Courtesy:Met Museum

[xufangxian]

Bottega Veneta just announced Shu Qi as their Global Brand Ambassador

[victiny-14]

Happy Chinese New Year 2024 🐉🧧🏮

[artbyaikiojoor]

✨NEW VIDEO OUT ON MY YOUTUBE✨

Make an art poster with me to celeb the new year! Its the year of the snake, so lets make some art!🐍

Link: https://youtu.be/ltE5w0V_xLg?si=6f97vCAf0_lLLetl

[counterattacker]

lol. lmao. anyway stream takaokamizuki's cover of idol ft. natsuki karin

HOT TAKE TOURNAMENT!

GREATEST HITS!

Submission 474

vocaloids (and all similar non-Yamaha-owned vocal synths) are bad. all of them.

It's a mockery of the human voice. Frye from Splatoon 3 of all things is the closest we will ever get to having any interesting vocal technique in a voice synth bank. Singing styles around the world are so interesting and take so much skill and you abandon them for a glorified MIDI file? I also blame them for the rise of AI-generated covers, because they first started the devaluing of the human voice and the usage of it as an instrument - a really boring one that will never know advanced or diverse technique. Congrats, Miku made Minecraft, now all of SpongeBob has sang Billie Jean by Michael Jackson. At least the SpongeBob characters have distinct and interesting voices.

[from follow up asks]

hello. vocaloid take submitter here.

i didn't expect my submission to gain as much traction as it did, i thought it was lukewarm at best. i thought there were more vocaloid haters out there. this is tumblr, though, so i guess not. still think vocaloid is ass though.

i will say, it might add context to my take that i myself am a singer and have natural perfect pitch. while i haven't sang in any professional capacity, i've still done some voice training and lots of lower level performances. i have very strong feelings about singing, and hold what the human voice can do in high regard.

i also have a better ear for picking up smaller things in the human voice (re: natural perfect pitch) and the difference between humans and vocaloid is extremely striking to me. no amount of tuning can make a vocaloid not sound lifeless to me, because i will never, ever hear a human voice, and instead of letting the lead of the song Not Be Vocals - which has never been a novel concept - they HAVE to put the voice bank in.

also, re: "frye isn't a voice bank dumbass", congrats! you took away something i felt was actually interesting! god i wish more people knew about more singing styles that they couldn't easily replicate!

while now i know that AI voices are not a continuation of vocaloid, sorry, still think it's bad, go to hell and learn to compose a song without lyrics.

also - still the vocaloid take submitter - to continue:

i will eventually send a link to a playlist of all of the Vocaloid songs i have ever listened to, because i am sure most of the people who think i submitted that think that i do not even know what Defoko is, or that i've heard exactly two Hatsune Miku songs. i know what Defoko is. i know she's entirely computer generated. i've listened to her voice. i still think it's bad. have any of you big shots heard of Big Al? i've listened to him. also bad. it's bad.

Submission 111

I think chicken breast is disgusting and I would rather blend it up into a shake than eat it with my teeth

It’s fast, it’s efficient, it’s nutritious if you add fruits and vegetables. It’s easy to prepare and you can drink it on the go. I need the protein but chicken breast tastes disgusting either way, and I’m tired of putting in so much effort to make the joyless rubbery meat taste good.

My friends and family are wrong, this is the future.

I see some of you not voting! That's cheating!

It's ok if you agree with neither take! Just choose the take you agree with slightly more!

Think of it like choosing the lesser of two evils!

Propaganda is always encouraged, and remember to reblog your favourite polls for exposure!

[goodgarbs]

Fashion| Valentino Delivers New Red-Adorned 2024 Collection Celebrating Chinese New Year

As we welcome 2024, we also enter into the ‘Year of the Dragon‘ which many brands are taking time to honor and celebrate in their latest collections. Utilizing fiery hues and extravagant fabrics, Pierpaolo Piccioli’s Valentino is adorning their latest capsule in an all-red aesthetic. Supported by brand ambassadors Yang Yang and Yang Zi, Valentino’s 2024 Chinese New Year series highlights…

[tokyo-fashion]

Chinese Physics Student in Jean Paul Gaultier in Harajuku, Tokyo

Physics student (with a focus on next-generation battery technology) Stella is from China and currently attending college in London. She was visiting Tokyo when we spotted her on the street in Harajuku. Stella's cyber-inspired style includes a cyber dots dress by legendary fashion designer Jean Paul Gaultier with Gentle Monster glasses, New Rock boots, My Melody rings, Vivienne Westwood armour ring, and silver horns.

Stella and her brands are tagged on Instagram

[thebleedingwoodland]

TS3 - Pet Bowl, Pet Food Packaging, Pet Kibbles Replacement Mod

D E F A U L T   R E P L A C E M E N T & F U N C T I O N A L P E T B O W L WITH GeoStates (Full, Half, Empty)

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Remember those EA tacky pet bowls and purple pixelated pet food packaging....

Not just pixelated... I made these default replacement mods for the sake of realism. It's because in real life there is no such thing as Pet food kibbles made by commercial pet food industry for both Cats & Dogs. Cat food and Dog food are separated due to different ingredients and nutrition formulated for Cats and Dogs.

Food suitable for both Cats and Dogs are raw food, usually made by small business company or handmade.

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5 styles you can only choose one :

Dog Food

Cat Food

Cat & Dog Raw Food

Dog Biscuit Chinese New Year Edition

Cat Biscuit Balinese Edition

These Mods will replace:

Pet Bowls (Cheap, Moderate, Luxury) & Pet Kibbles

Each Pet Bowl has 3 Presets and recolourable.

‣ Cheap Pet Bowl using EA's Moderate pet bowl mesh, because plastic pet bowl with round shape is much more common in real life rather than rounded square shape.

‣ Moderate Pet Bowl: Removed the EA stencil on Moderate Pet Bowl because of tacky, pixelated and the "For Dog" design (depicted with bones) cannot be changed to "For Cat" version of design.

‣ Luxury Pet Bowl using "My First Pet Bowl" mesh by myself because it much more realistic for expensive pet bowl with shiny aluminum material. EA's Luxury Pet Bowl with carving and feet are too tacky, complicated and does not exist in real life.

Pet Bowls have title name and price same as EA's.

With thumbnail :

Pet Food Packaging (Decoration)

Pet Food Packaging title name is Simina Pet Chow Price: § 75 You can find on Decoration > Miscellaneous Decor. (Same as EA's)

With thumbnail:

Pet Food Packaging (Pouring)

Requirement: Pets Expansion Pack

⚠️ Disclaimer: These Mods are changing appearance of mesh and texture only, no script Mod. Dogs still can eat Cat food and Cats can eat Dog food following EA code in the game.

⚠️ This package will be replacing the default EA, so you have to choose one. Installing more than one default replacement will cause conflict. ⚠️

As usual, install one of these packages on Package folder. You can safely delete the package if you no longer want to use the default replacement.

[ Download Dog Food Default Replacement Pack ]

[ Download Cat Food Default Replacement Pack ]

[ Download Cat & Dog Raw Food Default Replacement Pack ]

[ Download Dog Biscuit Chinese New Year Edition Default Replacement Pack ]

[ Download Cat Biscuit Balinese Default Replacement Pack ]

These Mods are fully tested in the game. The pet bowls are working with GeoStates (Full, Half, Empty) and recolour in Create-A-Style mode.

Click Read More to see

[letsatomicbanana]

Ink!Sans Cultural Inspiration

(revised version)

art by @/sakuramochi64 on twitter

Disclaimer!

This post aims to explore and analyze both the prominent and subtle East Asian cultural influences—primarily Japanese—that have shaped the character of Ink!Sans. By examining these influences, we can better understand how traditional East Asian aesthetics and artistic practices are woven into Ink’s design and powers. If any information in this essay is inaccurate or unintentionally offensive, please don’t hesitate to reach out! This essay serves as a revised and updated version of the analysis conducted last year, incorporating new insights and refined perspectives to enhance our understanding of Ink!Sans’s character and his cultural influences.

Ink!Sans by @comyet/@myebi

↓↓↓↓↓↓↓↓↓↓↓↓↓↓↓↓↓↓↓↓↓↓↓↓↓↓↓↓↓

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''It was a night where it felt like i was a miserable artist and i was very frustrated at my work and it felt like i wasn’t worth alot (we all have these), then I came across a picture of a japanese ink brush, and it was all I needed to start doodling a concept.

That’s how Ink is born.''

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According to Ink’s creator, Comyet, the idea for Ink!Sans was sparked by an image of a brush specifically crafted for sumi and Chinese ink art. In China, the tradition of using specialized ink brushes, known as Chinese writing brushes, has been a foundational element in the art of calligraphy and traditional painting for centuries. These brushes are highly valued for their precision and versatility, allowing artists to produce a range of strokes, from fine lines to bold, expressive swashes. The brush itself is composed of a bamboo handle and a carefully tapered head made from animal hair, designed to hold and release ink in controlled flows.

This tool became central not only in Chinese culture but also influenced Japanese, Korean, and Vietnamese art, where calligraphy holds a similar cultural significance and is closely tied to writing systems derived from Chinese characters. These brushes symbolize the control, fluidity, and intentionality required in both written language and visual art across East Asia. This deep-rooted cultural importance of the ink brush inspired Ink!Sans's character design and powers, allowing him to wield 'ink-based' abilities, symbolizing both creativity and adaptability. His main weapon—a brush—reflects this heritage and further emphasizes the connection between art and battle, as he channels the brush’s traditional associations with fluidity and strength into his fighting style, merging the arts of calligraphy and combat.

(visual example of an ink calligraphy brush)

At glance, the ink material is an enduring medium that still surrounds society till this day and it's used in multiple cultures across the world.

Writing with ink calligraphy brushes is also common in Europe and the Middle East, where artisans developed ink using a unique combination of iron salts and oak galls. This type of ink, known as iron gall ink, initially appeared in rich, dark tones, making it highly desirable for manuscripts and official documents due to its bold, readable quality. However, over time, the iron in the ink oxidized, resulting in a distinct color shift to warm, rust-like brown tones. This characteristic fading can still be observed today in ancient manuscripts, such as early European literary works, where the reddish-brown hues give a sense of history to these documents. The durability and aesthetic appeal of iron gall ink contributed significantly to its prevalence in both regions, influencing the artistry of calligraphy and manuscript illumination for centuries.

Like previously mentioned, Ink!Sans was inspired by traditional ink materials developed in East Asia, where artisans mastered the creation of carbon-based black ink, often using soot or charcoal mixed with binding agents like animal glue. This type of ink, known for its rich, deep color and lasting durability, was a staple in East Asian calligraphy and artwork. Unlike iron gall ink, this carbon-based ink maintained its dark, almost jet-black color for centuries, even in varying environmental conditions. The resilience of this ink allowed ancient texts, paintings, and scrolls to retain their striking contrast and clarity, making it a celebrated medium in East Asian art and culture. Ink!Sans draws inspiration from this enduring quality, symbolizing strength, creativity, and the timelessness of artistic expression

(visual example of an ancient art piece that used carbon-based black ink)

To note, unlike iron gall ink, carbon based inks are still very common to this day.

Although the primary Chinese calligraphic scripts were well established by the fourth century, calligraphy as an art form has continually evolved over the centuries, adapting to new cultural and aesthetic influences. Skilled calligraphers, who spent years mastering brush techniques and perfecting their own unique hand, were celebrated for their distinctive styles, and their works became templates for both art and personal expression. Over time, subsequent generations of artists studied these revered styles, incorporating and reinterpreting them to reflect their individual voices and the changing social landscapes. This ongoing transformation has kept Chinese calligraphy dynamic and relevant, and it remains a respected art form today, blending tradition with contemporary aesthetics.

In Japan, calligraphy also held deep cultural significance, symbolizing both personal refinement and intellectual achievement. Calligraphy was regarded as a mark of scholarly sophistication and artistic taste, with a variety of tools developed to enhance the writing experience. One notable example is the suzuribako ("ink stone box"), a portable lacquered wood box designed to store an inkstone, water dropper, brushes, and solid ink sticks. These boxes were crafted with precision and adorned with intricate lacquer designs, reflecting their owner’s status and appreciation for art. Suzuribako were lightweight and convenient, enabling calligraphers to take their tools outdoors or to scenic locations to write letters, diary entries, or poetry. This practice not only facilitated creativity but also connected the act of writing with nature, creating an immersive experience where one could find inspiration in the surrounding beauty while crafting words in elegant brushstrokes. The combination of these refined tools and settings underscored calligraphy’s role as a deeply personal and aesthetic pursuit in Japanese culture.

From this perspective, it is essential to highlight that Ink's character draws inspiration from traditional ink calligraphy, a detail reflected in his distinctive speech font, 'Note This'.

(Example of Ink's canon speaking font and ancient calligraphy)

Also clarified in an ask on her side blog, Comyet explained that traditional samurai clothing served as a key inspiration for Ink's outfit redesign in 2020. Ink's creator thoughtfully incorporated these characteristics to enhance Ink’s visual appeal and connection to his main source of inspiraton. This influence is particularly noticeable in the first and second analyses of Ink's character, where we see clear visual cues from iconic Japanese garments like the hakama.

(Ink!sans reference sheet for the 2020 design, credit goes to @/comyet)

Ink's pants were inspired by hakama, a traditional Japanese garment known for its distinctive design as skirt-like trousers, typically worn over a kimono. Hakama are historically associated with a range of activities, from ceremonial occasions to martial arts, and are often considered a symbol of status and refinement. Specifically, Ink's pants appear to be inspired by the umanori style of hakama, which is characterized by a split or division in the middle, allowing for greater freedom of movement. This style was traditionally worn by samurai and other individuals involved in horseback riding, as the design allowed for ease of movement and flexibility when mounting or riding a horse.

The umanori hakama were not only practical for riding but also served as a functional yet elegant garment, embodying the balance of form and function typical in Japanese clothing. By incorporating this style into Ink's character design, Comyet likely intended to evoke themes of mobility, agility, and strength, while subtly referencing Japanese martial traditions and the samurai ethos. This choice enhances Ink's overall aesthetic, highlighting his dynamic, action-oriented nature, suggesting that his character is both rooted in tradition and capable of fluid, graceful movement.

The hakama was not merely a functional garment but also a powerful symbol of social status, loyalty, and the samurai's role in Edo society. While the hakama was predominantly worn by samurai, it also found its place in the wardrobe of scholars, priests, and members of the aristocracy, who wore it as part of their ceremonial dress.

Furthermore, Comyet has explained that Ink's outfit and appearance were partially inspired by the clothing worn by samurai, as depicted in ukiyo-e prints from the Edo Period of Japan. Ukiyo-e, which translates to 'pictures of the floating world,' was a popular genre of woodblock prints and paintings that flourished from the 17th to the 19th centuries, showcasing scenes of everyday life, landscapes, kabuki actors, and beautiful women. However, samurai were also common subjects of these prints, often portrayed in full regalia, highlighting their status and discipline.

(this line of text was found within old versions of Ink's FAQ post, mainly from 2020-2021)

In these ukiyo-e representations, samurai are frequently depicted wearing a distinctive combination of garments, including elaborate kamishimo (formal attire worn by samurai), hakama (wide trousers), and haori (a kimono-style jacket worn over the kimono), along with ornate accessories such as sashes and swords. These samurai were often shown in dynamic poses, suggesting a sense of power, grace, and readiness for battle, which reflected their societal role as both warriors and landowners.

Ukiyo-e representations of samurai often carried deeper meanings beyond their visual impact. Samurai in these prints were more than just warriors; they were cultural icons, symbols of virtue, duty, and sacrifice. Some prints portrayed samurai in the context of popular stories or historical events, such as famous battles or legendary acts of heroism. For example, the prints often depicted samurai as loyal retainers or leaders fighting for justice, reflecting the ideal of bushidō, the samurai code of ethics, which emphasized virtues like loyalty, courage, and respect.

(Ukiyo-e art made by Katsukama Shun'ei, Edo Period)

During the Edo period, the hakama was an important garment worn by the nobility as part of their formal attire, complementing other traditional outfits of the time, such as the noshi and kariginu, a sleeveless jacket with distinctive, sharply defined shoulders. These garments were designed to symbolize the status and refined taste of their wearers. The hakama, with its wide, flowing silhouette, was highly functional and practical, allowing for ease of movement while maintaining an air of elegance.

On another note, Ink's design is not the only aspect influenced by Japanese culture; the musical themes associated with him also draw significant inspiration from traditional Japanese music, as described by Comyet. The incorporation of these musical elements into Ink's character enhances the depth and cultural resonance of his persona, creating a multi-layered experience that ties his abilities, appearance, and thematic representation to a broader cultural context.

A predominant theme associated with Ink that highlights his deep inspiration from traditional Asian styles is one called 'BrushWork.' This musical theme, featured in the popular series Underverse, plays a crucial role in reflecting Ink’s connection to East Asian culture, particularly through its use of the shamisen, a traditional Japanese stringed instrument, and a flute. The choice of the shamisen in this composition is significant, as it evokes the soundscape of Japan, with its distinct, plucked tones often associated with traditional music, storytelling, and performance arts.

The shamisen is a core instrument in genres such as kabuki (a traditional form of Japanese drama) and bunraku (puppet theater), where it is used to underscore the emotional intensity and narrative depth of the performances. In BrushWork, the shamisen helps set the tone for Ink’s character, enhancing the theme of 'brushwork' through its fluid, emotive sound.

Honorable mention: The instrumental video for ''Soulless Heart'', features an artwork that is inspired by traditional sumi-e (ink wash painting), a Japanese art form renowned for its elegant brushwork and minimalistic yet profound depictions of nature. This particular artwork, which accompanies the music, was created by the talented artist @/sakuramochi64, whose style reflects the delicate balance and graceful simplicity typical of sumi-e paintings.

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Sources

1.National Museum of asian art (materials & techniques. Ink section)

2. Asian Brushpaper (an-overview-of-chinese-ink-history)

3. Wikipedia (wiki Hakama-pants+Shamisen)

4. Aikido Journal (Hakama-101)

[hisui-dreamer]

where the light is dim

Pairing: Malleus Draconia x gn!reader

Synopsis: everyone's wandered off in the festival, and you can't even find a familiar face

Tags: poetic themes, fluff, diasomnia shenanigans

Word count: 436

Notes: happy chinese new year everyone🧧🏮🎆!! this was heavily inspired by a chinese poem that takes place on new years (which i attempted a translation of below hehe), and plus it's the year of the dragon, so now we have mal mal festival time (⁠ ⁠╹⁠▽⁠╹⁠ ⁠)

Masterlist

The east wind blows breezes a thousand blossoming trees,

The stars, like rain, descend like a gentle breeze.

Bejewelled carriages and fine horses leave a fragrant trail on the road,

Phoenix flutes resound in the wind, the jade lantern’s light flows,

All night, the fish and dragon lanterns dance.

Maidens adorned with gold, extravagant pins in their hair,

Smiling shyly, fragrance lingering in the air.

In the crowd, searching countless times,

Suddenly, turning my head,

There stands the one, where the light is dim.

―青玉案・元夕 辛棄疾

The street pulses with energy, vibrant and bustling beneath a canopy of scarlet lanterns that sway gently in the evening breeze. Each lantern, adorned with intricate designs and tassels, casts a warm, inviting glow that bathes the cobblestone pavement below in a rich crimson hue.

The air is alive with the hum of chatter and laughter, as locals and visitors alike meander through the thoroughfare, their footsteps echoing against the ancient brick walls that line the street. Vendors peddle their wares from colourful stalls, their voices competing with the lively strains of traditional music that drift from nearby taverns and teahouses.

'Where is he?' you thought to yourself, tired from the heavy ornaments painstakingly styled into your hair as you turned and turned your head to catch even a glimpse of him amidst the bustling crowd.

Malleus had invited you to a short trip to the Far East, prompted by Silver's longing to explore the lands of his childhood hero, and swiftly organized by Lilia's enthusiastic urging. You're not sure whether Lilia was aware of it or not, your travels happened to coincide with a grand local festival.

The street offers a multitude of intrigue, from mouth-watering scents from the food skewers to the delicate souvenirs hand-crafted by merchants, and it's not long before you find yourselves gradually becoming separated from the group amidst the bustling crowd. The allure of the vibrant surroundings pulls each person in a different direction, until eventually, you can no longer spot any familiar faces amidst the sea of glamorous outfits adorning the local ladies.

A whirring noise catches your attention, and you turn to the direction of the sound. Your gaze is met with the spectacle of fireworks illuminating the night sky, their explosions of brilliance painting the heavens with vibrant hues, scattering glittering sparks like diamonds. Brilliant reds, dazzling blues, and alluring golds intertwine and collide, creating a breathtaking tapestry of colour that captivates all who gaze upon it.

It's a view you want to share with him.

You weave through the crowd once again, deftly sidestepping opulent carriages and elegant ladies. Their alluring perfume mingles with the joyous melodies of the flutes, enveloping you in a whirlwind of sensation that leaves you momentarily dizzy.

A glance down a narrow alley catches your attention, and in the distance, a lone lantern flickers. Squinting to sharpen your focus, you realise you've found the very person you're looking for.

Malleus, tucked away in the shadowy corner, his focus fixed solely upon a weathered lion stone statue.

You can't help the exasperated smile that graces your lips.

Maybe you should've expected that.

Masterlist

if you liked this post, don't forget to reblog!

[gee0man]

Year of the Dragon collection. Jointly presented by Harrison Armory, IPS-N, and Smith-Shimano Corpro.

It's too late for actual new years but too early for chinese new years but I'm not going to just sit on a finished piece of art for 3 weeks so here you go. Rather than design another animal themed power armor, I thought it'd be fun to take the dragon theming of this year's zodiac and design some sukajan style jackets.

[theygotbitchesinmedia]

Just watched the first episode of Jentry Chau vs the Underworld, which is a new netflix original animation that dropped today. It's got 13 episodes in its first season which is a pleasant surprises.

Aesthetics: top notch! Beautiful colors, pleasing character design style, interesting shot compositions, and I like the cinematic aspect ratio they went with

Writing: pretty standard fare for animated series first episode. Nothing that's stuck out to me either positively or negatively yet. Definitely willing to see where it goes

Our premise is this: Jentry Chau, is a chinese-american teen who has been living in Seoul until, on the day before her 16th birthday, she begins being pursued by an evil spirit who wants to take her to his master. In order to protect her, her grandmother brings her back to her texas hometown that she left 8 years ago after accidentally starting a massive fire with her uncontrolled powers that the town still hasn't fully recovered from. In her attempt to fight back the evil that's pursuing her, a portal to the underworld opens there.

It seems like the show is going to be a buffyesque, where high school life is interspersed with the burdens of demon fighting for this girl who just wants to be an average teen. whether or not it can deliver on that premise in a fun way is yet to be seen but i'll definitely try and give the rest of the episodes a watch and I suggest any animation fans at least just check it out to get a taste of the animation and boost its numbers a bit, since they've done zero promoting of this show.