#neither will ever happen so

[pocima]

Being a musician multi is kinda a hellish experience bc I really sit down and imagine all these collabs that will never happen and analyze how the artists’ sounds and concepts complement e/o… and then once again realize they probably won’t even breathe the same air

[morganbritton132]

Eddie: *overhears some girls gossiping about how Steve and Nancy got in a fight in an alley and the police got involved*

Eddie: *hears someone else say that Nancy Wheeler was taken to the police station*

Eddie: *sees Steve jumpy as hell with bruises on his face*

Eddie: *notices that Steve doesn’t talk to his friends anymore. notices that Steve and Nancy always seem miserable together. notices that only one of them is trying to please the other*

Eddie: *witnesses the halloween bathroom fight*

Eddie: *sees Steve confused, beat up, bruised to hell, and single the literal next time he sees him*

Eddie: *puts the pieces together and draws a conclusion*

Conclusion: *is wrong*

Eddie, accosting Steve at lunch: Hey, did you know that if a guy is getting hit by somebody that it’s abuse? Even if it’s a girl doing it.

Steve, confused: Oh-kay?

Steve, deciding that Eddie is reaching out to him for a reason and draws the same wrong conclusion about Eddie: I mean, yeah. That’s - yeah? That’s true. And messed up. You should tell someone if that’s, uh…going on.

Eddie: Yes, exactly. You should.

[fizpup]

valentine, you're a horse ❤️

[krysmcscience]

Don't mind me, just slacking on a big Billford comic by making other far more ridiculous Billford comics and also some AU art (please excuse my slapdash human!Bill thank you please, also before anyone asks the art style is messy and all over the place because idgaf LOL)

This started out as an excuse to design a Bill Cipher-inspired "wedding" dress, but then spiraled wildly out of control. Various rambles and a bunch more human!Bill arts under the cut, including another silly little comic at the end! (Feel free to skip the rambles, I won't be offended. I know I'm bad at shutting up. XD)

I may or may not write some comedy stuff for this AU, which I'm calling 'For Better Or Worse (But Mostly Worse)'. While Ford DOES remember getting sloshed enough for one thing to lead to making out with another after karaoke, neither he nor Bill remember this wedding, At All. The Love God did nothing to dissuade them from going hog wild on their marriage spending, either, so it got...uh. Exorbitantly Expensive. As in, the grand total could probably buy the entire fucking MOON sort of expensive. (It's fine, don't worry, Bill's good enough at crime to be able to afford it.) Also, because the logic of this AU is mostly dictated by Rule of Funny, the Love God's powers are close to unlimited when it comes to matters of romance, but ONLY when it comes to matters of romance. (Like weddings!)

Want an empty human vessel to smash the soul of a triangle into for date nights or when it's convenient, or perhaps even when it's NOT convenient? Easy peasy! Want the marriage to be recognized in every corner of the multiverse from now until the end of time, thus making any potential future divorce nigh-on impossible? Can do! Want to buy an entire beach for the ceremony and honeymoon and in general, and totally not at all because it would be Super Hilarious to prevent any specific movies from being made on that very same beach in the future? Fine, whatever, it's not his finances he's ruining!

Does the Love God also provide special rings that just so happen to turn incorporeal as long as the "happy couple" doesn't remember that they barged into his dreams to bully him into presiding over their marriage? ...No comment!

He spends the next thirty years trying and failing to get in touch with either of them for payment. This is why you should always demand half the money up front, my guy!

Also it's absolutely a traditional Jewish wedding, because I like the idea of Bill demanding all the keepsakes from the marriage that he paid for, and being completely confused when one of the things he's handed is a fancy container full of broken glass. He gets it later, but in the moment, he thinks the Love God is just fucking with him some more.

Ramble over! Here's the full dress that caused the comic to happen, along with what Ford wound up wearing at the wedding (and begrudgingly agreeing to put on again later for Reasons), aaaaand also a close-up of Bill's ring:

I may have forgotten to draw Bill's hair floofier when drawing the back of the dress, lmao

Since double ring ceremonies have been leaking over into Jewish wedding customs for a while now, Ford also has a ring, but his is the much more traditional plain gold band. There's definitely a message engraved on the inside - embarrassing, cringe, or incriminating somehow - but I haven't decided what it is yet, so use your imagination for now. XD Bill, on the other hand, saw the phrase 'traditional plain gold band' and said "No Thank You" before proceeding to embellish his ring to his liking. And because he's a secret sap who adores Ford's extra fingers, the triangle points add up to twelve, as do the engraved stars. Yes, they're stars, not dots, I just got lazy. There's also six lashes on the eye gem, and probably an eye engraving on the inside with another six lashes. (Bill's got it BAD, okay? We all know this.)

Here are the initial scribbles of Bill's custom vessel in more casual attire, please ignore the wonky anatomy and the fact that I flat out refuse to ever draw him with a proper top hat:

He does actually need a cane in this vessel; since Bill tends to possess men and especially Ford more often than not, he's used to having a higher center of gravity when in a human body, so his ability to balance is pretty garbage. (He may or may not topple over with concerning regularity.) As for his empty eye socket, his bangs don't do much to hide it since he's so high-energy (dude is constantly on the move), and he also refuses to wear a patch over it, because 1.) why bother, and 2.) it's more fun to freak people out.

To better align with Ford's attraction towards the strange, the vessel was designed with super minor shapeshifting ability - Bill can look like a perfectly normal human, but he can also make the teeth and fingers sharper whenever he likes (which is mostly just when he's angry or being more of a menace than usual), as well as slit down the pupils or outright ditch the irises altogether. He can also have whatever he wants in the downstairs department, just because I'm an indecisive bitch on that front, lmao. Maybe he can have boobs if he wants them, too, but I ain't drawin' tits on no triangle, nuh-uh, no sir. His powers are otherwise limited down to what humans can do, because for some reason, the Love God doesn't trust Bill to not snap into Immediate Apocalypse Mode if he's given a physical form that's actually all his and no one else's.

Due to the body being all his and no one else's, it's also not really a standard possession so much as it is just...Bill being temporarily human. He's a lot more aware of and in tune with his human body's senses than he ever was with his "puppets", which makes things like pain a lot more intense. (He is mostly fine with this, because he's a fukken masochist.)

A bit more fashion stuff, including beach and party attire~

The beach outfit was mostly me trying and failing to nail down his body shape, which is still not bottom-heavy enough. I then decided to slap a bikini on it, before making it supremely unsexy with a pair of fugly shorts, because Bill's fashion choices are not allowed to be conventionally attractive. Meanwhile, the party outfit was mostly me looking at the casual attire I designed, asking 'how would Bill make this Worse', and then drawing the result. The mismatched thigh-highs are killing me inside! :D

No, his vessel can't actually summon fire, I just drew it for funzies before I decided on said vessel's limitations. Yes, the gold brick tattoos are absolutely a reference to the fic 'Knowing Me, Knowing You' - I simply could not resist.

I also HAD to draw Bill in one of his canonical(?) shirts, just made tank-top'd:

He is absolutely about to over-correct and fall backwards after this. USE YOUR CANE, GOOFBALL!!! (I meant to draw Bill closer to this degree of bottom-heavy in the other images, but. Alas. I am bad at anatomy, LOL)

And, last but not least before More Comic Time, I attempted to draw him closer to Gravity Falls style:

Jury's out on whether or not I succeeded, but - hey. I tried. Now have some Handyman Bill AU, but with my goofy human design, instead:

Hey, it's a 'mystery snack', and the guy wanted A BITE to eat - the joke was right there, guys!!! (Based on this post, because it just screamed BILL CIPHER to me.)

whoops i forgor bills ring and cracks ahaha too late now

I WILL SHUT UP AND STOP RAMBLING NOW K THX BYYYYYE

[pictureday2005]

DONT REPOST THIS thanks

[ask-the-colony-tree-siblings]

Gourmand: Any minute now.

Hunter: …I-

Arti: I’m sorry!

Hunter: Huh?

Arti: I-I’m so sorry. For attacking you, and for- for everything. 

Arti: I’ve been such an asshole to you.

Hunter: …Yeah you have been an asshole. But I fucked up too, I didn’t know what I was saying. I thought… 

Hunter: …it doesn’t matter what I thought. I shouldn’t have said that. I, uh… I-I heard about your k-

Arti: Don’t. It’s in the past now.

Gourmand: Is it? 

Gourmand: You attacked him over saying something that triggered you, so no, it doesn’t seem to be all in the past. 

Gourmand: It isn’t fair to hurt someone for not knowing something that you never told them. 

PART ONE IS DONE!!!!!!!!! Part two will probably come in about, uh, seven years, give or take. /j

(It isn’t perfect, but it’s been too long and I needed to get the first part of this comic out. I’m honestly super happy I finished, because it was unnecessarily hard lmao. Anyways I’m gonna ramble in the tags now)

[the-ships-to-rule-them-all]

the level at which people are misusing the term "Never Again" in the far left absolutely infuriates me.

"Never Again" doesn't refer to the idea of no more genocides -- unfortunately people are evil and corrupt and seek scapegoats and destruction, there were genocides in the years following the Holocaust, there were genocides 10 years ago, there are multiple genocides going on as we speak

"Never Again" means we as Jews will pay attention to the warning signs, will not mindlessly allow antisemitism to fester and take over our communities, we will fight back. it means we will be proud. it means we will not let you hate us without a word of refusal.

"Never Again" is a warning for us, it is a reminder that what happened then can happen now -- is happening now. The Far Left doesn't get to use it against us. You don't get to turn our tragedies into hate-speech and antisemitic rhetoric.

Am Yisrael Chai

[wonder-worker]

Thinking about Elizabeth Woodville as a gothic heroine is making me go insane. She entered the story by overturning existing social structures, provoking both ire and fascination. She married into a dynasty doomed to eat itself alive. She was repeatedly associated with the supernatural, both in terms of love and death. Her life was shaped entirely by uncanny repetitions - two marriages, two widowhoods, two depositions, two flights to sanctuary, two ultimate reclamations, all paralleling and ricocheting off each other. Her plight after 1483 exposed the true rot at the heart of the monarchy - the trappings of royalty pulled away to reveal nothing, a never-ending cycle of betrayal and war, the price of power being the (literal) blood of children. She lived past the end of her family name, she lived past the end of her myth. She ended her life in a deeply anomalous position, half-in and half-out of royal society. She was both a haunting tragedy and the ultimate survivor who was finally free.

[911experience]

We’re definitely getting a canon ship that was headcanoned for years about two canonly (at the time) straight men and that is fucking crazy. What a time to be alive

[lollytea]

I need to watch Sharpay's Fabulous Adventure to reach my final conclusion on if she's even attracted to men

[greenerteacups]

oooh please someday tell us what you think of GOT

oh, no, it's my fatal weakness! it's [checks notes] literally just the bare modicum of temptation! okay you got me.

SO. in order to tell what's wrong with game of thrones you kind of have to have read the books, because the books are the reason the show goes off the rails. i actually blame the showrunners relatively little in proportion to GRRM for how bad the show was (which I'm not gonna rehash here because if you're interested in GOT in any capacity you've already seen that horse flogged to death). people debate when GOT "got bad" in terms of writing, but regardless of when you think it dropped off, everyone agrees the quality declined sharply in season 8, and to a certain extent, season 7. these are the seasons that are more or less entirely spun from whole cloth, because season 7 marks the beginning of what will, if we ever see it, be the Winds of Winter storyline. it's the first part that isn't based on a book by George R.R. Martin. it's said that he gave the showrunners plot outlines, but we don't know how detailed they were, or how much the writers diverged from the blueprint — and honestly, considering the cumulative changes made to the story by that point, some stark divergence would have been required. (there's a reason for this. i'll get there in a sec.)

so far, i'm not saying anything all that original. a lot of people recognized how bad the show got as soon as they ran out of Book to adapt. (I think it's kind of weird that they agreed to make a show about an unfinished series in the first place — did GRRM figure that this was his one shot at a really good HBO adaptation, and forego misgivings about his ability to write two full books in however many years it took to adapt? did he think they would wait for him? did he not care that the series would eventually spoil his magnum opus, which he's spent the last three decades of his life writing? perplexing.) but the more interesting question is why the show got bad once it ran out of Book, because in my mind, that's not a given. a lot of great shows depart from the books they were based on. fanfiction does exactly that, all the time! if you have good writers who understand the characters they're working with, departure means a different story, not a worse one. now, the natural reply would be to say that the writers of GOT just aren't good, or at least aren't good at the things that make for great television, and that's why they needed the books as a structure, but I don't think that's true or fair, either. books and television are very different things. the pacing of a book is totally different from the pacing of a television show, and even an episodic book like ASOIAF is going to need a lot of work before it's remotely watchable as a series. bad writers cannot make great series of television, regardless of how good their source material is. sure, they didn't invent the characters of tyrion lannister and daenerys targaryen, but they sure as hell understood story structure well enough to write a damn compelling season of TV about them!

so but then: what gives? i actually do think it's a problem with the books! the show starts out as very faithful to the early books (namely, A Game of Thrones and A Clash of Kings) to the point that most plotlines are copied beat-for-beat. the story is constructed a little differently, and it's definitely condensed, but the meat is still there. and not surprisingly, the early books in ASOIAF are very tightly written. for how long they are, you wouldn't expect it, but on every page of those books, the plot is racing. you can practically watch george trying to beat the fucking clock. and he does! useful context here is that he originally thought GOT was going to be a trilogy, and so the scope of most threads in the first book or two would have been much smaller. it also helps that the first three books are in some respects self-contained stories. the first book is a mystery, the second and third are espionage and war dramas — and they're kept tight in order to serve those respective plots.

the trouble begins with A Feast for Crows, and arguably A Storm of Swords, because GRRM starts multiplying plotlines and treating the series as a story, rather than each individual book. he also massively underestimated the number of pages it would take him to get through certain plot beats — an assumption whose foundation is unclear, because from a reader's standpoint, there is a fucke tonne of shit in Feast and Dance that's spurious. I'm not talking about Brienne's Riverlands storyline (which I adore thematically but speaking honestly should have been its own novella, not a part of Feast proper). I'm talking about whole chapters where Tyrion is sitting on his ass in the river, just talking to people. (will I eat crow about this if these pay off in hugely satisfying ways in Winds or Dream? oh, totally. my brothers, i will gorge myself on sweet sweet corvid. i will wear a dunce cap in the square, and gleefully, if these turn out to not have been wastes of time. the fact that i am writing this means i am willing to stake a non-negligible amount of pride on the prediction that that will not happen). I'm talking about scenes where the characters stare at each other and talk idly about things that have already happened while the author describes things we already have seen in excruciating detail. i'm talking about threads that, while forgivable in a different novel, are unforgivable in this one, because you are neglecting your main characters and their story. and don't tell me you think that a day-by-day account tyrion's river cruise is necessary to telling his story, because in the count of monte cristo, the main guy disappears for nine years and comes hurtling back into the story as a vengeful aristocrat! and while time jumps like that don't work for everything, they certainly do work if what you're talking about isn't a major story thread!

now put aside whether or not all these meandering, unconcluded threads are enjoyable to read (as, in fairness, they often are!). think about them as if you're a tv showrunner. these bad boys are your worst nightmare. because while you know the author put them in for a reason, you haven't read the conclusion to the arc, so you don't know what that reason is. and even if the author tells you in broad strokes how things are going to end for any particular character (and this is a big "if," because GRRM's whole style is that he lets plots "develop as he goes," so I'm not actually convinced that he does have endings written out for most major characters), that still doesn't help you get them from point A (meandering storyline) to point B (actual conclusion). oh, and by the way, you have under a year to write this full season of television, while GRRM has been thinking about how to end the books for at least 10. all of this means you have to basically call an audible on whether or not certain arcs are going to pay off, and, if they are, whether they make for good television, and hence are worth writing. and you have to do that for every. single. unfinished. story. in the books.

here's an example: in the books, Quentin Martell goes on a quest to marry Daenerys and gain a dragon. many chapters are spent detailing this quest. spoiler alert: he fails, and he gets charbroiled by dragons. GRRM includes this plot to set up the actions of House Martell in Winds, but the problem is that we don't know what House Martell does in Winds, because (see above) the book DNE. So, although we can reliably bet that the showrunners understand (1) Daenerys is coming to Westeros with her 3 fantasy nukes, and (2) at some point they're gonna have to deal with the invasion of frozombies from Canada, that DOESN'T mean they necessarily know exactly what's going to happen to Dorne, or House Martell. i mean, fuck! we don't even know if Martin knows what's going to happen to Dorne or House Martell, because he's said he's the kind of writer who doesn't set shit out beforehand! so for every "Cersei defaults on millions of dragons in loans from the notorious Bank of Nobody Fucks With Us, assumes this will have no repercussions for her reign or Westerosi politics in general" plotline — which might as well have a big glaring THIS WILL BE IMPORTANT stamp on top of the chapter heading — you have Arianne Martell trying to do a coup/parent trap switcheroo with Myrcella, or Euron the Goffick Antichrist, or Faegon Targaryen and JonCon preparing a Blackfyre restoration, or anything else that might pan out — but might not! And while that uncertainty about what's important to the "overall story" might be a realistic way of depicting human beings in a world ruled by chance and not Destiny, it makes for much better reading than viewing, because Game of Thrones as a fantasy television series was based on the first three books, which are much more traditional "there is a plot and main characters and you can generally tell who they are" kind of book. I see Feast and Dance as a kind of soft reboot for the series in this respect, because they recenter the story around a much larger cast and cast a much broader net in terms of which characters "deserve" narrative attention.

but if you're making a season of television, you can't do that, because you've already set up the basic premise and pacing of your story, and you can't suddenly pivot into a long-form tone poem about the horrors of war. so you have to cut something. but what are you gonna cut? bear in mind that you can't just Forget About Dorne, or the Iron Islands, or the Vale, or the North, or pretty much any region of the story, because it's all interconnected, but to fit in everything from the books would require pacing of the sort that no reasonable audience would ever tolerate. and bear in mind that the later books sprout a lot more of these baby-plots that could go somewhere, but also might end up being secondary or tertiary to the "main story," which, at the end of the day, is about dragons and ice zombies and the rot at the heart of the feudal power system glorified in classical fantasy. that's the story that you as the showrunner absolutely must give them an end to, and that's the story that should be your priority 1.

so you do a hack and slash job, and you mortar over whatever you cut out with storylines that you cook up yourself, but you can't go too far afield, because you still need all the characters more or less in place for the final showdown. so you pinch here and push credulity there, and you do your best to put the characters in more or less the same place they would have been if you kept the original, but on a shorter timeframe. and is it as good as the first seasons? of course not! because the material that you have is not suited to TV like the first seasons are. and not only that, but you are now working with source material that is actively fighting your attempt to constrain a linear and well-paced narrative on it. the text that you're working with changed structure when you weren't looking, and now you have to find some way to shanghai this new sprawling behemoth of a Thing into a television show. oh, and by the way, don't think that the (living) author of the source material will be any help with this, because even though he's got years of experience working in television writing, he doesn't actually know how all of these threads will tie together, which is possibly the reason that the next book has taken over 8 years (now 13 and counting) to write. oh and also, your showrunners are sick of this (in fairness, very difficult) job and they want to go write for star wars instead, so they've refused the extra time the studio offered them for pre-production and pushed through a bunch of first-draft scripts, creating a crunch culture of the type that spawns entirely avoidable mistakes, like, say, some poor set designer leaving a starbucks cup in frame.

anyway, that's what I think went wrong with game of thrones.

[s-aint-elmo]

I'm so glad I'm not the only one obsessed with the Marcille Laios Falin gang. Like they are a unit.... A team.... Even if the rest of the party fell apart they would stay together.... Idk it's just really fun to see all the different groups everyone falls into across the course of dungeon meshi and I love how you can tell that the three of them are a unit even as they are separated for most of the manga.

YEAH!!!! that day in the laughing wolf when falin first stopped marcille from perma-killing her brother that was fate in motion binding them together for the rest of their lives. (/hj but also i have a vague nebulous idea for a series of drawings of the toudens + marcille thru the years starting w the laughing wolf.) i love how we know that in both laios and marcille's ideal visions for the far future they are together with falin and that by the end they make it happen. i love that they both started off being connected only by the strength of their love for falin but eventually developed their own deep closeness that cemented their trio as a balanced whole.

i don't see laimar romantically the way i do farcille but those two for sure mean as much to each other as falin does to them. i love laios's strongest impression of marcille being the moment she gave it all to bring falin back. i love marcille speaking to laios's corpse with her cheek laid on his cold breastplate. i love laios looking out for marcille's comfort and enjoyment as the baseline for the party because she's the most expressive about her feelings. i love marcille always being the first to notice when laios is being dodgy as all hell and making him spit it out.

however it shakes out those three are family 5ever and we all know the lengths they'd go to if they were ever to be separated <333

[tuttle-did-it]

FUCK. THE. TORIES.

They have refused to increase wages whilst forcing the cost of living to skyrocket so high that nearly all of us are counting pennies to pay bills. If we can pay them.

They intentionally and gleefully forced us into a horrible economic (and cultural) depression through Brexit, and not one of them had a single consequence for the constant lies they told to get it passed. This will only get worse.

They have intentionally dismantled the NHS by underfunding it to the point where the NHS staff are all burnt out (having nervous breakdowns, leaving the country for far- better paying jobs or just leaving the field completely) just so they could sell it off to privatised companies worth billions just so they can fill their own pockets. Oh, and the incredible capable staff (medical or support) who were all from Europe have been told they are no longer welcome here and they have returned home because Britain is a cesspool of bigotry and hate

They are dismantling the social care systems for the disabled and elderly, to try to force us back to work even though we are physically and/or mentally incapable of work by stripping away our incomes.

They're doing everything they can to keep us from living by making sure we cannot afford food, housing, utilities, water, and tax.

They are living on taxpayers whilst having millions, even billions in the bank for themselves.

The corrupt politicians fill their bank accounts and buy third and fourth houses across all Europe, another boat— whatever— and they have scandal after scandal with absolutely no consequence, and we can do absolutely nothing.

Their handling of COVID was criminal, and aside from wasting an incredible amount of money, they are responsible for many deaths by not acting fast enough and by forcing people back into the workplace when they knew it was not safe because they wanted to improve the economy they collapsed.

Oh, and don't forget all those lovely parties they had during COVID lockdowns when we were all in our houses and not allowed to see family members who were dying-- or even go to their funerals because of COVID restrictions.

They are intentionally fuelling the hate at queer people-- specifically trans people. This, I assure you, will get so much worse.

They keep sending money from taxpayers over to fund wars in other places-- including genocide-- with no way for us to fight back.

They keep making law after law making it more and more difficult for us to protest against everything they are doing.

Now the Tories expect you to do 12-18 months (+4 reserve years) of mandatory conscripted service in the military so you can go help countries commit war atrocities and genocide. And if you refuse, you are sanctioned. And they are making more and more laws restricting protest and free speech, so if we fight back, we're punished-- criminalised.

Do you understand what is happening right now?

Anyone who can still vote for the Tories after all of this, I have only a deep seeded concern for their sanity, and revulsion at their lack of morals.

FUCK EVERYONE WHO WILL OR HAS EVER VOTED FOR THESE MONSTERS.

FUCK.

THE.

TORIES.

FUCK.

THEM.

ALL.

[flintsilvers]

btw i think armand probably thought he could save louis some other way and lestat just beat him to it. like theres absolutely no reason to believe armand wanted louis dead/would choose the coven over him. ultimately it doesnt really matter tho bc he wanted claudia dead and he got that, he wanted to leave the coven with louis and he got that too

[commanderfreddy]

people are discoursing about the laios and shiro fight bc that was always going to happen but i do hope that wave crests quickly and we can all come to see it as what it is: literally one of the best written fights between two people who are both entirely justified in their actions and acting without any malice or cruelty of all time

[liesmyth]

I think John is right here. From everything we learn about A—, I can't imagine him ever telling John to “let go.”

However. This goes both ways. I think pre-apotheosis John would be thoroughly horrified if he was ever confronted with what John Gaius, the Emperor Undying, has become