#naturally there are ending spoilers but its all below the cut

[joicecubes]

hey guess who’s absolutely losing it over the stan twins again (spoiler alert its me)

so i was innocently scrolling tiktok when i was introduced to this DIABOLICAL au idea: firstly, what if ford really had shot stan with his crossbow when stan first showed up at the shack? and secondly, what if ford tried to bring him back to life frankenstein-style? (full credit to tiktok user @44boora for this idea, go check their account for some gut-wrenching art) (also… full post below the cut this got long)

but like i was thinking about this, ford bringing stan back to life specifically, and how dependent the concept is on this specific time in his life. i just feel like any other time and under any other circumstance, ford would have been able to, eventually, accept stan’s death. we see it at the end of weirdmageddon, where ford is ready to accept that the stan they all know and love is gone now that his memory has been erased. he tells mabel as much, and only realizes there’s hope for him when mabel is determined enough to push back against ford’s logic. ford believes very intensely in his own perception of the world. he believes in science. theoretically, he believes death is death, and there’s nothing he can do to change that.

but then, think of ford after he’s been betrayed by bill. this ford is at his absolute lowest. he can’t trust his own perception of the world anymore. he’s seen the truth of what their relationship was and the horrors he was so close to unleashing on their universe. he is desperate to right his wrongs. he’s losing sleep, his body is abused every time he closes his eyes, and the end of the world as he knows it is iminent if he doesn’t succeed in making the portal as secure and unusable as possible without dismantling it entirely. the only person he believes he can trust after everything that’s happened is stan. so he contacts him for help, and in his time waiting for him to arrive, cannot stop thinking of the worst-case scenario: that bill could still be coming for him. so when he opens the door to stan, his high-strung, paranoid brain doesn’t see stan, and he shoots.

he shoots his own brother with a crossbow and kills him.

ford is not usually one to blatantly ignore a scientific fact. again, death is death, and there’s nothing he can do about that. and yet, in a state of such intense grief, when his entire world is already close to crumbling around him and he’s holding his dead brother in his arms, there’s nothing else he can feasibly do but deny. so he does.

he lives in denial of a lot of things. that stan’s death is final, obviously, but also his reasonings for attempting to do the impossible and revive him. ford likes to believe he operates purely on logic, so he tells himself he’s doing this because he has to. without stan, he can’t prevent bill from entering their universe. he’s still the only person ford can trust, so reviving him is another step in his ultimate goal of stopping bill and saving the world. it doesn’t matter that its never been done before, ford will do it anyway. and he believes that he can, because as much as he thinks he’s moved on from his hubris, he’s still acting off the assumption that he’s special. he’s so far ahead of everybody else, so naturally, if anybody could accomplish the impossible and bring stan back from the dead, its ford.

and so he denies that the real reason he’s trying to save stan is not a logical one. he denies that he’s running entirely on emotions. it would be foolish to try something so risky and impossible and time-consuming if he were only doing it because of his crushing guilt and decade-long yearning, so he tells himself there’s so much more to it than that. he can’t just be doing this because he loves him, right? he’s not that shallow. he’s not that desperate.

and yet, he is. because as much as ford wants to deny it, he can’t live without stan. he can’t live with the knowledge that he was responsible for stan’s death. if he didn’t succeed, his grief would surely kill him.

[cy-lindric]

bonjour cy-lindric, j'ai une petite question. when I was a young person, I read The Three Musketeers and then eagerly started to read Twenty Years After and was so upset at what had happened to my beloved young heroes that I put the book down and never picked it up. what do you think, should I try again?

Bonjour !

After reading The Three Musketeers, I also wasn't sure I wanted to read Twenty Years After, and I took a break inbetween both to read something entirely different (The Locked Tomb, iirc). I think my reason for that was kind of the opposite of yours ; I enjoyed T3M a lot and loved the characters, flaws and all, but by the end they had somewhat crossed over the line into being Too Awful and the lack of retribution left me a bit frustrated. I didn't see it as a failing of the story - on the contrary, their strong character flaws and downfall in the conflict with Milady is one of the most emotionally intense and compelling parts imo - but I wasn't sure I felt like hanging out with these guys for a few hundred more pages at that point.

If your vision of the characters as a young reader was a very positive and perhaps idealized one, I can imagine why you might not have enjoyed entering into Twenty Years after. The illusion of glory has worn off ; the characters have separated, they live unremarkable lives, and their personalities have evolved drastically with the passing of time. It's almost a brutal return to reality.

For me though, it added layers of characterization to the point where now it's clear to me that this version of the Inseparables is by far the one I prefer.

I hope it's ok if I take the opportunity to talk at length about what I like about TYA below the cut. TL;DR : I love that Twenty Years After is a more realistic look at the big four's personalities and how they evolved while still keeping them thematically coherent, and that TYA makes them confront the reckless and cruel shit they did in their youth.

Spoilers ahead obviously.

We've often talked about how T3M is at its core a story about the end of knighthood. It's a tongue-in-cheek approach at chivalrous initiation, set at edge of the modern world, inbetween the time of ballads about knights in armor and that of adventures about journeying gunmen and soldiers. I think TYA embodies that particularly ; the story of people who have carried the last of these intense, dangerous chivalric ideals in their youths, and who have now grown into middle aged adults who need to find their place in the world.

For a good chunk of the book, the big four are separated into two teams ; that in of itself might discourage some, but imo it's genius. Instead of the natural two-by-pairings, Dumas goes for a d'Artagnan+ Porthos and Athos + Aramis split on opposite sides, which makes for good drama and develops lesser explored dynamics. D'Artagnan and Porthos form a scrappy team of opportunists with money on their minds, and Athos and Aramis a more idealistic duo fighting for a noble lost cause. I think it's a bold choice but also premium sequel writing.

I also love the way the young and wild characters we knew evolve into middle aged men ; at their core, they're still the same, but they've all changed and struggled against the sunset of the golden age in their own ways.

D'Artagnan, after knowing such adventures and subsequent rapid social ascension in his teenage years, has been met in his adult life with the harsh reality that he is, in fact, not a noble knight but a soldier on payroll. His modest origins give him little hope for any further career advancement, and he takes on a new mission in his early 40s for a man he has no devotion for and a cause he doesn't care about, simply because he is bored and broke. D'Artagnan still has his quick wits, his strategic talent, his fencing skills, but he has grown out of the excesses of pride of his teenage years. I loved meeting him again in TYA, and it made so much sense to me that his bouts of anger and aggressivity would be a youthful trait that he'd ended up taming. He also realizes now a lot of what seemed like funny adventures and necessary violence was actually kind of fucked up ; that was a shock to me, as their shenanigans are treated so lightly in T3M, and tbh it healed me a little. Grown up d'Artagnan is cunning, calculating, down to earth and realistic. My foxy little man. I love him.

Porthos, likewise, has been struck by the weight of reality. He has made the sensible choice and got married to the rich widow who sugar mommied him in the first book. Now she's passed, he is rich, but he still fails to earn the respect of the high society he evolves in because he's not high born enough. Like d'Artagnan, he's stagnating and bored and now that he goes back adventuring it has nothing to do with the queen or the kingdom or honour ; it's about getting his damn nobility title.

Athos, on the other hand, is the eternal knight : the only truly high born of the four, and still hopelessly holding on to a time gone by. It's no surprise imo that his storyline brings him into the english civil war, doomed to fail at saving a king who'll end up executed right in front of him. TYA acknowledges more clearly than ever that at 28 yo, Athos was a depressed alcoholic, and an embodiment of what an excess of aristocratic righteousness can do. In TYA, he is sober and moisturized and a DILF, and now he's running around frantically looking for absolution for his numerous crimes. It's delicious.

Aramis is maybe the hardest pill to swallow. TYA confirms the T3M hints that he isn't really the prim and proper romantic boy he acts like he is, and that he's possibly the most hypocritical and ruthless of the four. It might be a harsh one for Aramis fans who like him better as a cute bean, but I love the early onset of remorseless conniving bloodthirsty ambitious Aramis. Another harsh bit might be the evolution of Aramis and d'Artagnan not really liking each other ; they were always the least close combination, and imo it makes sense that their personalities would clash. I think it's clever and compelling conflict.

Now, obviously, if you've cared enough to read all this and if you know me a little, you know that a huge highlight of the book for me was its late-appearing antagonist, Mordaunt. Mordaunt is the son Milady had with her english husband. Because of the Musketeers' intervention, he's grown up in poverty and has been denied his father's inheritance. He's now a Roundhead working for Cromwell, and set on avenging his mother at all costs. Mordaunt, unlike his mother who was this beautiful and dangerous force of nature, is very uncool and pathetic. She was the primordial snake, he's the gutter rat. Obviously, I love that in and of itself, but it's also kind of striking image of the wretchedness of what they've done to her, a fucked up little goblin ghost come back to haunt them as they're trying to make their life worth living again. This time, their enemy is not a cunning political rival with a flamboyance of body and mind akin to their own ; it's a shitty little guy with bad skin who wants to kill the king and punish the murderers. Watch out babes, it's the modern world coming for you.

Of course, they're the Four Musketeers, and they did what they had to do, so they get together again and swear friendship and keep going their way. But they're also old guys with difficult personalities in a world that's never going to be the same. I think it's a cool book.

[littlelostmoth]

The Final Double Exposure Post

Okay, the game is out now and just wanted to share some final thoughts about Double Exposure and the big problems with it. All spoilers below the cut.

Ultimately, even outside of the brutal murder of Pricefield, gaming's most classic wlw couple, the game is just very poorly written. This post will acknowledge that breaking up Pricefield is terrible writing and they do not do it in a way that makes any remote sense whatsoever. While everyone can sit and say "It makes sense they broke up," it didn't. These characters are characters, ones designed to tell a story. Characters who exist as a bright spot for sapphic and queer people playing video games in 2015.

It's the same thinking as everyone used to say "Well if Nathan just had therapy, he'd be better." And to which it would be answered, "No shit, maybe he would have been better with therapy, but it's a story and he rejected going so no he didn't get better and won't get better because that's not the point of the story." Point being, you can self-justify the Pricefield break up with real world logic all you want, but the fact that even Dontnod is sad about the state of it should be telling. That in addition to the leaks about Square hating Chloe and the D9 narrative team hating her, and it was not done as a good faith way to tell a story. Ultimately, the game encourages you to choose the "Kill Chloe" ending of the original game so that Max can retain her memories of her in a pure way, while also removing her from story. If you choose what the D9 devs believe is the morally evil choice, you get horrible Chloe.

There is SOME good stuff in here, but it's not enough to justify the game's existence. Here are the short amount of pros we compiled for the game: the music is well done, the environments are very nice, and the side characters are fine for the most part.

That's it. Everything else is a con: the story, the handling of Max and Safi as characters, the entire mystery of the game basically being shafted in favor of... making the most important thing about Life is Strange the superpowers. It just seems like this game misunderstands what Life is Strange is or was at any point.

Max is so horribly out of character in this game. Why? Why does she do the things she does? Sometimes she feels like a natural adult version of the original game's Max, while other times she's overly horny to the Nth degree. Max has the ability to cheat on her two love interests, and both love interests reject her in the appropriate timelines of pursuance. Within the text of the game, she uses her powers to circumvent the fact that they've rejected her.

Remember the original game's ending? Nightmare!Max accuses Max of selfishly using her powers to manipulate others to her own selfish end. Ultimately, we're left with the fact that Max used her powers to help get others to like her because she didn't have many friends and was a target of bullying. It's morally dubious, but she wasn't doing any of it for like selfish personal gain. It was an extension of her anxiety.

This game goes around this and makes Max purposefully use her powers for selfish gain. The entire first game revolved around the concept of whether or not she was using it for selfish gain. She wasn't. Now the game forces Max to go through the same exact arc, but this time she is actively being awful instead. Not only cheating, but using it to get around being actively romantically rejected.

Then there's how the game handles its story. Like what the hell is going on here? How does any of it make sense. Spoilers again, but the mastermind is Safi, and Safi is a shapeshifter. She wants to take over with world with Max and collect her own superhumans to form a what? A Legion of Doom? Why? Why is Safi a villain? Her villain arc literally comes out of nowhere and the game does little to sell how she goes from wanting a book deal in the beginning to "I have godlike powers, let's take over the world together." Like honey, WHAT? WHY? And the fact the final choice is to join or refuse her??? LIKE WHAT? WHERE DOES IT COME FROM? WHY WOULD MAX, WHO EITHER HAD TO MAKE THE CHOICE TO SACRIFICE A TOWN OR HER LOVED ONE AND IS ETERNALLY TORMENTED OVER BOTH... SUDDENLY ONBOARD WITH BECOMING JUST A GENERIC EVIL GIRL?

And that's it??? Nothing else in the game matters. The romances go nowhere, thus making breaking up with Chloe pointless since it's not like the game allows Max to pursue a relationship seriously any further. Or just the mere fact she's shitty for doing so. None of the plot points of this game matter, and the mystery the game is built on doesn't matter.

It's like... Here's a murder mystery! Without the murder or the mystery! And then... the game just ends. It just ceases to exist and stops without any sort of... ending that feels satisfying. We get an AVENGERS LEVEL END SCREEN OF "MAX CAULFIELD WILL RETURN."

We think about the endings to the other game's endings. They all have some sort of conclusion that feels like its own self contained experience. You get this long and depressing ending of Chloe dying and her funeral... You get this wistful drive out of Arcadia Bay as Obstacles plays. You get Sean surrendering himself to the police so Daniel can live to grow old and not suffer for the sins of those older than him, and how Sean comes out after. You get to see how Chloe and Rachel grow as time passes to the first game. You get to see how Alex chooses to live her life on her own terms after so long of feeling like she was trapped. You get all of these different endings for the game and here you get... what amounts to the exact same ending depending on your choice which is to be horribly evil supervillain when the time comes or not, and then sequel bait with Diamond and Safi. Why? Why does she have a bleed from her nose? Since when did that become a common occurrence for superpowers? Or storms when powers are overused along with nightmares?

In the original game, the nosebleeds are a result of Max twists reality around her as the epicenter. It's the physical damage she gets for what her powers are physically doing to existence. The storm? The point is, we don't know why the storm comes.

When did Life is Strange become about superpowers and taking over the world? When did it become all of these things? Like True Colors isn't a perfect game by any means, but for fuck's sake it at least knew the scale of what a Life is Strange game should be. Small town mysteries with a colorful cast we love and hate. To this day, I still think that the Jed stuff is some of the most morally fascinating questions to be raised in the franchise. To have that final choice be to either forgive him or not? It's an incredible final choice that is so intertwined with the game's themes. To leave or to stay afterwards? They're both extremely meaningful, dual choices.

This game does nothing. That's ultimately it. What did we gain from Double Exposure? Nothing. It doesn't continue Max's character in any meaningful way. It does little to build upon the actual lore of the original game. It doesn't actually use any original characters except Chloe and that's solely to drive it in how much they despise her from a writing perspective.

Regardless of how well each game did at telling their stories... They all had something meaningful to say in some way. Even if Before the Storm is not a game that I'd necessarily say is amazing, there is some thought and thematic purpose put to that game. It's still 1000 times the game this will ever be.

When I was first exposed to the game's ending... the emotion I felt was pure and raw bafflement. Not anger. Not sadness. Bafflement and bewilderment. I had no idea what the fuck I just played or what I gained from it? What does Max as a character gain from this story? What do any of the characters in this game gain from the story? Nothing. The game starts and then it ends. And we all gained absolutely nothing from the experience. (And in BtS the ending is fine, because it's a prequel that has to have a clearly defined ending to lead into the first game. You can't break Chloe and Rachel's relationship, it always has to be what it is.)

For a long time I really hated the Life is Strange comics. It felt like a kick in the head to the original game's story. But then after it ended and this came out, we can view it as a more honest and genuine follow up to the games as opposed to... whatever we got here.

The comics focus heavily on Max's perceived guilt over what happened to Arcadia Bay. She comes to believe that she, herself, is the problem in reality. That she makes everyone around her unhappy, including Chloe. While Chloe reassures her this is not true... she ends up displaced and removed from reality... and punishes herself by sending her to a world where Chloe is happy with Rachel.

The rest of the story is Max and Chloe apart for years, as Max wrestles with her guilt... while Chloe waits for her. Chloe waits and knows Max is out there still. Max eventually realizes how wrong she was after self-reflection and being around the alt!Chloe and Rachel helps her realize she was wrong.

Chloe builds them a home.

Chloe comes to move past her own grief, just as Max did.

Chloe helps rebuild Arcadia with her own hands. She decides she has a home. This town, with Max. And then they're together... And that's what matters because... like Michel said: "They have each other."

And that is what Life is Strange was about. These two young women, who were best friends... they grew apart through tragedy and life circumstances... And then they found each other again, fell in love, and even in tragedy had one another to rely on.

I am who I am because of Life is Strange.

I met the love of my life because of Life is Strange.

And no matter how bad Double Exposure is... It can't take away Life is Strange, Max, or Chloe from me.

No.

It can't take them away from us. From all of us who cared enough to stick around this funny little 20$ adventure game from a decade ago.

[spitefully-existing]

the sleep token book is a bit hard to read, i rewrote it the best i could below the cut; hopefully this helps!

thank you to @top-quality-garbage for helping me decipher some of this and to @doiha for the spanish translation! 🫶🫶

⚠️⚠️SPOILERS AHEAD⚠️⚠️

15 days since emergence of the Lunar Anomaly

When I was a child, I was frequently beset by certain reoccurring dreams. this is one such dream that I remembered more than most – one in which I found myself standing on a vast shoreline, gazing out at a flat, wide sea. Slowly, as I watched the horizon gradually begin to lift. Before long I was able to observe that this lifting expanse was approaching me – a wall of smooth, black water that curls into an impossible lip at its peak. rather surprisingly, I do not recall being afraid of such an ominous sight. Well, to be more precise, I was afraid – I was terrified, but not of the wave itself. Instead, it was the thought of what was beyond it. This vast, unstoppable force sweeping forth to herald the end of everything, to drown the world and then eventually sink back into itself. A careless shrug of entropy enough to sever the thread of all fates. I felt that were I to somehow survive this limitless tide then I would be left in the world that would not recognize me. I would become an element unto myself and myself alone. 

An echo stuck in the throat of a dead god.

yet here I am. It has been over two weeks since the emergence of the lunar anomaly. our team spent nearly 2 years attempting to anticipate what this event would mean for humanity – analyzing endless reams of lunar topography along with every known form of spectroscopy, all amounting to one hopeless conclusion: to burrow into the bowels of the earth and simply wait that whatever emerge from within would reach us these last.

as it would turn out this one final act of humble surrenders is what one the last of us the right to our own lives in these final days. Those of us alive now are not those who sought to barter with destiny and defiantly cling to a civilized existence of the surface – or even any existence at all.

it would seem that in the week of this phenomenon, we are best served by our most base instincts, whose shame found no place to dwell. The ones who survived are those who spat their hubris and hid desperately down in the mud like rats.

I want it to be known that we made every effort to warn the others, though naturally we could not provide much of a basis upon which to suggest that our entire species with facing imminent and utter demise besides a few fissures of the southern lunar pole. with that said we begun building this underground facility once we realized that the moon’s orbit was rapidly decaying in a way that was inconsistent with any known physical model – I found it hard to believe that none of them followed our lead perhaps some of them did either way we have no way of knowing now.

my expectations for the first surface expedition were bleak at best in all honesty. I was shocked to discover that our initial readings showed that these remained a breathable atmosphere. Perhaps in all this turmoil, I found it easier to commit my mind to the worst possible outcome at every turn.

The limited data we gathered before the event – despite two years of efforts – didn’t prepare us for the havoc we now face. To say that we find ourselves at a loss to explain, the phenomenon would be a gracious understatement. The catechism that occurred two weeks ago had taught us one unshakable rule about this new world we now hid beneath – to gaze upon the moon is to die.

For this reason, we rapidly developed wearable counter measures for the surface teams that would prove vital in allowing them to navigate the surface. If only we could have known that this was far from the only threat that awaited them. To say that we find ourselves at a loss to explain the phenomena would be a gracious understatement.

it is not only human life that is affected by the lunar anomaly, but that of all life, albeit in vastly different ways. To put it simply – this new type of emergent biology is beyond the boundaries of what we are able to study and understand.

I find myself already laden with guilt over those we lost. More than that however, I feel most guilty about the way I reacted to learning of the remnant human elements that attacked our team. I felt strangely comforted, despite the deeply disturbing nature of that discovery.

Upon further introspection, I arrived at the conclusion that this feeling came from a sense of familiarity. Human beings fighting other human beings is a horror that has played us all since time immemorial, but here in the wake of such deeply unfamiliar and unpredictable occurrences, it is hard not to feel almost comforted by such an immediately recognizable problem.

with that said, I do also find myself deeply troubled by the prospect of humans remaining on the surface in that state. The consensus among my colleagues is that their actions were not born of their own will, though there is every chance that this is a conclusion we are clinging to in preference over the more unsettling alternative.

I feel that I am rapidly squandering the precious remnants of human life in the desire to understand what has happened, though in truth, I know not what else to do. Perhaps this is the only way we can cling to our humanity – by continuing our constant battle with the sheer unknown right to the very end.

The Director

28 days since Lunar Anomaly

already I find myself in the surprising position of yearning for the way things were two weeks ago. Two weeks ago, I was contending with the end of the world. Now, I contend with the reality of what has replaced it.

we took the trouble to equip ourselves as thoroughly as possible, with the means of studying any emergent phenomena on the surface, even whilst and tomb beneath the Earth. We now find ourselves consumed by the pursuit of understanding – it is truly all that we have left. However, the samples we’ve acquired offer no such mercy – their nature and origin is fundamentally foreign to us. Something we can say is that, contrary to the initial assumption that most life on the surface had been wiped out, there is in fact in abundance of some kind of new organic material. It can be found everywhere in some form, including in the atmosphere itself. Its cellular structure is completely unique – where one would expect to see some approximation of a typical eukaryotic cell, what we see instead resembles membranous tubules that contain vast quantities of foreign organelles. These organelles seem to function in an oddly synchronous fashion and are able to perform a variety of functions. Primarily, they are able to ‘grow’ the tubules that contain them by undergoing a form of transformation at either end which renders them as part of the tubule wall. secondly, and far more strangely, they are able to exert some kind of force over the tubule as a whole, contorting it in a way not dissimilar to muscle tissue, (but without any apparent nervous impulse.)

as to the origin of this tissue, our initial assumption was that it had been somehow transferred from the moon itself to earth – perhaps via pieces of lunar material falling through the atmosphere. This makes some sense, however, the sheer proliferation of this material across the surface within a relatively short period of time suggest that there is more to it than that.

I am reluctant to comment on the reports of other worldly beings on the surface. Their presence carries implications I am simply unprepared for. At a certain point, however, I must accept that this only increases the inevitable danger placed upon the surface teams during their expeditions. What I must also accept is that these precious human lives are now the only currency with which we can barter against the unknown.

Thus far we barter in vain.

The Director

58 days since the lunar anomaly

when we first retreated down into the ground, I think that somewhere in the midst of my despair, I clung to a degree of hope. This wasn’t so much a hope for survival as much as the hope that we would at least be able to discern some kind of meaningful understanding of what has happened. we have committed everything – I have committed everything. The last precious remnant of humanity extinguished in the name of what makes us human to begin with. To shed what light we have left on the sea of the unknown. But now I see that this was a futile effort that has resulted in nothing but death, not merely in the context of our final struggle, but across the scope of all human existence. It has all amounted to nothing but a few extra skulls drifting in the foul ether that has swamped our world.

It is clear now that the lunar anomaly functions in accordance with laws of its own. It makes a mockery of science. It permeates and distort reality to the degree that all fundamental assumptions are rendered useless. it kills everything it touches while simultaneously imbuing it with some kind of new life, twisting nature into something grotesque and unrecognizable. These new forms seem organic, but they have nothing resembling a typical cell structure or genetic blueprint. They can bring forth in an instant, summoning flesh from nothing. Furthermore, our ability to measure even the most fundamental aspects of our physical world is becoming impossible. The massive objects change slightly, depending on where they are, as though gravity itself, has begun to lose its grip. We have detected seismic activity from further inside the Earth than we even thought possible. The anomaly doesn’t just want to consume all life. It wants to consume reality.

as for those beings, I know not what they are were where they originated. They themselves are not consistent with the nature of the anomaly they inhabit. Their actions seem to exhibit some strange sentence, but their motives are unclear, and they make no effort to communicate. At times I have concluded that they are here to replace us, or perhaps, even that they themselves represent some fractured distillation of our nature. they are after all violent, just as we have been to the very end. They seem to push against one another as a part of some strange order. As time has passed, though, I have come to believe that they have no connection to us. I believe that what our world has become is a little more than an arena to them – a crucible of existence where they will battle eternally. The totality of their being is not their individual functions, but rather the conflict between them. We are merely spectators to their endless dance of ceaseless struggle. this is perhaps the only thing that connects them to the drowned memory of what humanity once was – that we too saw meaning through constant friction and unending movement, compelled by some core motive force that drives us to bring ourselves to bear on the world and manifest our own perceptions.

in these final dimming days, I know only the solace of a promised end. I have become the ultimate witness. I have been saddled with the heavy blessing of seeing the unraveling of everything and I can do nothing but wait for it to unravel me too. But I live still within this temple of untampered flesh, and I will spend what blood still beats through it to barter one last time with the fangled threads of fate. if I must, I will march through the eye of death and meet it with eyes of my own.

What few of us are left now have our orders.

We must know what it is to become of us.

The Director

61 days since the lunar anomaly

I once spoke but now it seems through me just as I speak through it no longer to nothing I can change nothing no can change nothing nothing has become my thing I can make nothing into a weapon there will be no void left unfilled I am human and humans are always human and always scared because being human makes us scared and being scared makes us human I will crack the flesh I will crack the earth I will eat the pieces they will be pieces of me would you like to dance I have always been dancing we must keep dancing even when we are just tendrils we were always tendrils we could touch everything even things god did not want us to touch that is why he left us here that is why he thought we were ugly he could not wrap his tendrils around every part of us we spilled his paradise over the earth and danced with such a beautiful dance horror would leap and dance with us who would bathe us and we could lie within it we could tear the horror out from our hearts over and over we could never sleep sleep is death not even the earth would sleep the earth fears death it’s blood would freeze out in space out in nothing we must reach through the stars through the darkness even though it is so cold it can freeze our blood we can let our blood freeze and then crack it open hot like the earth we can step through death wear it like a crown hairs to the highest pantheon of life precious life with death as its blood precious death bursting from the many wombs of sacred war paradise was empty without us there was only silence but our blood made the flowers grow god spilled his blood over paradise god knows the stars are waiting fertile ground cold to the touch those stars are hungry they crave only the blood of god we are his tendrils and we will bury ourselves into those cold stars and there will be no darkness death will give us fear and fear will give us blood we will spill our hot blood across the stars I finally understand now I do I understand but will you let me keep my human fear will you let me yes being scared makes you human fear will sow the hot blood of god across the gold stars fear will make us dance and we must keep dancing can you see god dancing for you can you see him biting into you can you hear his teeth cracking into pieces of the stars they sent sparks raining down through the darkness all these years you have hunted him and reached for him you want his blood he made you with veins inside you like tendrils we dance through his veins as we bite through the stars and dance and he opens his mouth wide I am so scared Will you let me be the last human I understand now I am the teeth of god I am the teeth of god I am the teeth of god I am the teeth of god I am the teeth of god I am the teeth of god I am the teeth of god

——————

15 días desde la aparición de la Anomalía Lunar

Cuando era niño, a menudo era acosado por ciertos sueños recurrentes. Este es uno de esos sueños que recuerdo más que la mayoría: uno en el que me encontraba de pie en una vasta orilla, mirando hacia un mar plano y amplio. Poco a poco, mientras observaba, el horizonte comenzó a elevarse gradualmente. No pasó mucho tiempo antes de que me diera cuenta de que esta extensión elevada se acercaba hacia mí: una pared de agua negra y suave que se curvaba de manera imposible en su borde. Sorprendentemente, no recuerdo haber sentido miedo ante tal ominosa visión. Bueno, para ser más preciso, sentía miedo, estaba aterrorizado, pero no de la ola en sí. Más bien, era el pensamiento de lo que había más allá de ella. Esta vasta e imparable fuerza que se desplazaba para anunciar el fin de todo, para ahogar el mundo y luego, eventualmente, sumergirse nuevamente en sí misma. Un encogimiento despreocupado de la entropía, suficiente para cortar el hilo de todos los destinos. Sentí que, si de alguna manera lograba sobrevivir a esta marea ilimitada, entonces me quedaría en un mundo que no me reconocería. Me convertiría en un elemento para mí mismo y solo para mí.

Un eco atrapado en la garganta de un dios muerto.

Y aquí estoy. Han pasado más de dos semanas desde la aparición de la anomalía lunar. Nuestro equipo pasó casi dos años intentando anticipar lo que este evento significaría para la humanidad: analizando interminables volúmenes de topografía lunar junto con todas las formas conocidas de espectroscopía, lo cual resultó en una conclusión desesperanzada: cavar en las entrañas de la Tierra y simplemente esperar a que lo que emergiera desde dentro nos alcanzara, siendo lo último en tocarnos.

Como resultó ser, este acto de humilde rendición fue lo que otorgó a los últimos de nosotros el derecho a nuestras propias vidas en estos días definitivos. Los que estamos vivos ahora no somos los que intentamos negociar con el destino ni aferrarnos desafiante a una existencia civilizada en la superficie, ni siquiera a cualquier existencia en absoluto.

Parece que, en la semana de este fenómeno, actuamos mejor con nuestros instintos más básicos, cuyos remordimientos no encontraron lugar donde residir. Los que sobrevivieron son aquellos que escupieron su arrogancia y se escondieron desesperadamente en el barro, como ratas.

Quiero que se sepa que hicimos todo lo posible por advertir a los demás, aunque, naturalmente, no pudimos proporcionar una base sólida para sugerir que nuestra especie entera enfrentaría una inminente y total desaparición, aparte de unas pocas fisuras en el polo lunar sur. Dicho esto, comenzamos a construir esta instalación subterránea una vez que nos dimos cuenta de que la órbita de la luna se estaba deteriorando rápidamente de una manera que era inconsistente con cualquier modelo físico conocido. Me resultó difícil creer que ninguno de ellos siguiera nuestro ejemplo; tal vez algunos lo hicieron, pero de todas formas ya no podemos saberlo.

Mis expectativas para la primera expedición en la superficie eran sombrías, en el mejor de los casos. Me sorprendió descubrir que nuestras lecturas iniciales mostraron que aún quedaba una atmósfera respirable. Quizás, en medio de todo este tumulto, encontré más fácil comprometer mi mente al peor desenlace en cada giro.

Los datos limitados que recopilamos antes del evento, a pesar de dos años de esfuerzos, no nos prepararon para el caos que ahora enfrentamos. Decir que nos encontramos perdidos para explicar el fenómeno sería un subestimado amable. El catecismo que ocurrió hace dos semanas nos enseñó una regla inquebrantable sobre este nuevo mundo que ahora nos oculta bajo tierra: mirar a la luna es morir.

Por esta razón, desarrollamos rápidamente contramedidas portátiles para los equipos de superficie que resultaron vitales para permitirles navegar por allí. Si tan solo hubiéramos sabido que esto estaba lejos de ser la única amenaza que les esperaba. Decir que nos encontramos perdidos para explicar los fenómenos sería un subestimado amable.

No es solo la vida humana la que se ve afectada por la anomalía lunar, sino también la de toda forma de vida, aunque de maneras enormemente diferentes. Para decirlo de manera simple: este nuevo tipo de biología emergente está más allá de los límites de lo que podemos estudiar y comprender.

Ya me encuentro cargado de culpa por aquellos que perdimos. Sin embargo, más que eso, me siento más culpable por la forma en que reaccioné al enterarme de los elementos humanos remanentes que atacaron a nuestro equipo. Me sentí extrañamente reconfortado, a pesar de la naturaleza profundamente perturbadora de ese descubrimiento.

Tras más introspección, llegué a la conclusión de que este sentimiento provenía de un sentido de familiaridad. Los seres humanos luchando contra otros seres humanos es un horror que nos ha atormentado desde tiempos inmemoriales, pero aquí, en medio de sucesos tan profundamente desconocidos e impredecibles, es difícil no sentirse casi reconfortado por un problema tan inmediatamente reconocible.

Dicho esto, también me siento profundamente preocupado por la perspectiva de que los humanos permanezcan en la superficie en ese estado. El consenso entre mis colegas es que sus acciones no nacieron de su propia voluntad, aunque existe toda la posibilidad de que esta sea una conclusión a la que nos aferramos en lugar de aceptar la inquietante alternativa.

Siento que estoy desperdiciando rápidamente los preciosos restos de la vida humana en el deseo de entender lo que ha sucedido, aunque en verdad, no sé qué más hacer. Tal vez esta es la única forma en que podemos aferrarnos a nuestra humanidad: continuar nuestra constante batalla con lo absolutamente desconocido hasta el final.

-El Director

28 días desde la Anomalía Lunar

Ya me encuentro en la sorprendente posición de anhelar la forma en que eran las cosas hace dos semanas. Hace dos semanas, luchaba contra el fin del mundo. Ahora, lucho contra la realidad de lo que lo ha reemplazado.

Nos tomamos la molestia de equiparnos de la manera más completa posible, con los medios para estudiar cualquier fenómeno emergente en la superficie, incluso mientras nos enterrábamos en el suelo. Ahora nos encontramos consumidos por la búsqueda de comprensión; realmente es todo lo que nos queda. Sin embargo, las muestras que hemos adquirido no muestran tal misericordia: su naturaleza y origen nos son completamente ajenos. Algo que podemos afirmar es que, contrariamente a la suposición inicial de que la mayoría de la vida en la superficie había sido aniquilada, en realidad hay una abundancia de algún tipo de material orgánico nuevo. Se puede encontrar en todas partes, en alguna forma, incluso en la propia atmósfera. Su estructura celular es completamente única: donde se esperaría ver una célula eucariota típica, lo que vemos en su lugar son tubos membranosos que contienen vastas cantidades de orgánulos ajenos. Estos orgánulos parecen funcionar de una manera extrañamente sincronizada y son capaces de realizar una variedad de funciones. Principalmente, pueden "hacer crecer" los tubos que los contienen al someterse a una forma de transformación en cualquiera de sus extremos, lo que los convierte en parte de la pared del tubo. En segundo lugar, y mucho más extraño, pueden ejercer algún tipo de fuerza sobre el tubo en su totalidad, retorciéndolo de una manera no muy diferente a como lo haría el tejido muscular (pero sin ningún impulso nervioso aparente).

En cuanto al origen de este tejido, nuestra suposición inicial fue que había sido transferido de alguna manera desde la luna a la Tierra, tal vez a través de piezas de material lunar cayendo a través de la atmósfera. Esto tiene algo de sentido; sin embargo, la proliferación masiva de este material en la superficie en un período de tiempo relativamente corto sugiere que hay algo más detrás de todo esto.

Soy reacio a comentar sobre los informes de seres de otro mundo en la superficie. Su presencia conlleva implicaciones para las que simplemente no estoy preparado. Sin embargo, en algún momento, debo aceptar que esto solo aumenta el peligro inevitable al que están expuestos los equipos en sus expediciones. Lo que también debo aceptar es que estas preciosas vidas humanas ahora son la única moneda con la que podemos negociar contra lo desconocido.

Hasta ahora, hemos negociado en vano.

-El Director

58 días desde la Anomalía Lunar

Cuando nos retiramos bajo tierra, creo que, en medio de mi desesperación, me aferré a un grado de esperanza. No era tanto una esperanza de supervivencia, sino la esperanza de que, al menos, seríamos capaces de discernir algún tipo de comprensión significativa de lo que ha ocurrido. Hemos comprometido todo, he comprometido todo. El último y precioso vestigio de la humanidad se extinguió en nombre de lo que nos hace humanos en primer lugar, para arrojar la luz que nos queda sobre el mar de lo desconocido. Pero ahora veo que este fue un esfuerzo fútil que no ha resultado en nada más que muerte, no solo en el contexto de nuestra lucha final, sino a lo largo de toda la existencia humana. Todo ha sido en vano, salvo por unos pocos cráneos flotando en el éter pútrido que ha inundado nuestro mundo.

Está claro ahora que la anomalía lunar funciona de acuerdo con sus propias leyes. Se burla de la ciencia. Permea y distorsiona la realidad de tal manera que todas las suposiciones fundamentales quedan inutilizadas. Mata todo lo que toca, mientras imbuye con algún tipo de nueva vida, torciendo la naturaleza en algo grotesco e irreconocible. Estas nuevas formas parecen orgánicas, pero no tienen nada que se asemeje a una estructura celular típica ni a un plano genético. Pueden materializarse en un instante, invocando carne de la nada. Además, nuestra capacidad para medir incluso los aspectos más fundamentales de nuestro mundo físico se está volviendo imposible. Los objetos masivos cambian ligeramente, dependiendo de dónde se encuentren, como si la gravedad misma hubiera comenzado a perder su agarre. Hemos detectado actividad sísmica desde más adentro de la Tierra de lo que pensábamos posible. La anomalía no solo quiere consumir toda la vida, sino que también quiere consumir la realidad.

En cuanto a esos seres, no sé qué son ni de dónde provienen. Ellos mismos no son consistentes con la naturaleza de la anomalía que habitan. Sus acciones parecen exhibir alguna extraña condena, pero sus motivos no están claros y no hacen ningún esfuerzo por comunicarse. En ocasiones he llegado a la conclusión de que están aquí para reemplazarnos, o tal vez, incluso que ellos mismos representan una destilación fragmentada de nuestra naturaleza. Son, después de todo, violentos, al igual que nosotros hasta el final. Parecen empujarse unos a otros como parte de algún extraño orden. Sin embargo, con el tiempo he llegado a creer que no tienen ninguna conexión con nosotros.

Creo que lo que se ha convertido nuestro mundo es poco más que una arena para ellos, un crisol de existencia donde lucharán eternamente. La totalidad de su ser no está en sus funciones individuales, sino en el conflicto entre ellos. Nosotros somos meros espectadores de su interminable danza de lucha constante. Tal vez esta sea la única conexión que tienen con el ahogado recuerdo de lo que fue la humanidad: que nosotros también encontramos significado a través de la fricción constante y el movimiento interminable, impulsados por alguna fuerza motriz interna que nos lleva a manifestar nuestras percepciones en el mundo.

En estos últimos días que se desvanecen, solo conozco el consuelo de un final prometido. Me he convertido en el testigo definitivo. He sido cargado con la pesada bendición de ver el desenlace de todo y no puedo hacer nada más que esperar a que también me deshaga. Pero sigo viviendo dentro de este templo de carne intacta, y gastaré la sangre que aún late a través de ella para negociar una última vez con los hilos enredados del destino. Si debo hacerlo, marcharé a través del ojo de la muerte y lo enfrentaré con los míos.

Los pocos de nosotros que quedamos ahora tenemos nuestras órdenes.

Debemos saber qué será de nosotros.

-El Director

61 días desde la Anomalía Lunar

Una vez hablé pero ahora parece que no puedo hablar ya no hay nada que pueda cambiar nada puede cambiar la nada se ha convertido en mí no puedo convertir nada en arma no quedará vacío sin llenar soy humano y los humanos siempre tienen miedo porque ser humanos nos hace tener miedo y tener miedo nos hace humanos romperé la carne romperé la tierra comeré los pedazos serán parte de mí ¿te gustaría bailar? siempre he estado bailando debemos seguir bailando incluso cuando solo seamos tentáculos siempre fuimos tentáculos podíamos tocarlo todo incluso las cosas que dios no quería que tocáramos por eso nos dejó aquí por eso pensó que éramos feos no pudo envolver sus tentáculos alrededor de cada parte de nosotros derramamos su paraíso sobre la tierra y bailamos con una danza tan hermosa que el horror saltaría y bailaría con nosotros ¿quién nos bañará y nos apoyará? podríamos sacar el horror de nuestro corazón una y otra vez nunca podríamos dormir el sueño es muerte ni siquiera la tierra dormiría la tierra teme la muerte su sangre se congelaría en el espacio en la nada debemos alcanzar las estrellas a través de la oscuridad aunque esté tan fría que congele nuestra sangre podemos dejar que nuestra sangre se congele y luego romperla como la tierra podemos atravesar la muerte llevarla como una corona con las cabezas apuntando alto hacia el más alto panteón de la vida preciosa vida con la muerte como su sangre preciosa muerte brotando desde los muchos úteros de la guerra sagrada el paraíso estaba vacío sin nosotros solo había silencio pero nuestra sangre hizo crecer las flores dios derramó su sangre sobre el paraíso dios sabe que las estrellas esperan tierra fértil fría al tacto esas estrellas tienen hambre anhelan solo la sangre de dios somos sus tentáculos y nos enterramos en esas estrellas frías y no habrá oscuridad la muerte nos dará miedo y el miedo nos dará sangre derramaremos nuestra sangre caliente a través de las estrellas finalmente lo entiendo sí lo entiendo pero ¿me dejarás mantener mi miedo humano? ¿me dejarás sí? tener miedo te hace humano el miedo sembrará la sangre caliente de dios a través de las estrellas doradas el miedo nos hará bailar y debemos seguir bailando ¿puedes ver a dios bailando para ti? ¿Puedes verlo mordiéndote? ¿Puedes escuchar sus dientes crujir con los pedazos de las estrellas? mandaron chispas lloviendo a través de la oscuridad todos estos años lo has cazado y alcanzado quieres su sangre él te hizo con venas dentro de ti como tentáculos bailamos a través de sus venas mientras mordemos las estrellas y bailamos él abre la boca bien grande tengo tanto miedo ¿me dejarás ser el último humano? ahora lo entiendo soy los dientes de dios soy los dientes de dios soy los dientes de dios soy los dientes de dios soy los dientes de dios soy los dientes de dios soy los dientes de dios soy los dientes de dios









[kazehita]

hi! i noticed your recent post recommending the fic natural satellite and i think i've noticed other isat fics around your blog too. because of that, i was wondering if you had a list of recommended isat fics! i will admit i am not someone who just peruses around on ao3 but i love reading about these characters so if you have any recs, i would greatly appreciate them! thanks and i hope you have a lovely day :3

I love ALL isat fic - each and every one is so special and wonderful - but if I listed the whole archive that wouldn't really help huh... So! Im going to list just some off the top of my head., this is in no way definitive. Isat spoilers ahead - get all the way through the game and the secret before proceeding.

Big recommendation list below:

Additionally, mind the tags for each fic - I wont be specifying the content warnings here.

(don't just read the complete ones!!! Incomplete fic is just as delightful I promise :3)

Complete: Bloom - Level99Eevee Most people know it, it sits at the top of the tag! It's my every wish fulfilled for post-cannon moments.

Memories of defeat - dirtbagtrashcat Stuff in and immediately after the loops, fantastic extrapolations!!!! Very much Loop <33 I find this very grounded and realistic!!!!

Emotion Sickness - dirtbagtrashcat Post cannon fun/trauma with siffrin and the gang.

Memories of Touch - dirtbagtrashcat look i just really like their work sjkdjkfjkasdf its all good go through their profile. This is Isa thoughts.

And if I were not myself, would this be easier? - rabbit_soup Post-game! I love how they flesh out the world.

The Understudy - kittyorange Suuuuch a loop fic I love it to bits. Post cannon loop and the gang stuff.

Star-Speckled Skin - Lora_Blackmane Funn angsty moment, title is very descriptive. Lives in my head rent free.

Clinging to dying embers - Coffeewolf67 Odile's perspective of sif using the dagger. appropriate content warnings apply :)

between the end and a new start - glowingjellyfishtreelights SICKFICCC I had a very funny experience with this one where due to memory mishaps I got to read it for the first time twice! Absolute banger.

What's in a name? - Raaj Explores siffrins love of plays. I have to regularly reread this for my brain to function.

Starstruck - Dusk_Illusionist Isa yearns. The fic. It rocks.

Saturn Devouring His Son (Time Choking on Stone Choking on Blood)- BasilPaste Post cannon moment... I like it...

(Why) you can't let them know by Mayasynth sasasap fic!!!!!!!!!!!!!!!!!!!!!!!!!! i like it. i hold it. i like it. UGH theres more but I have already listed so many.. my other favorites... im so sorry.,.. i love you guys too... Incomplete:

How To Rest by rabbit_soup Sequel to "And if i were not myself, would this be easier?" Loop is here and I love violence.

TRY IT AGAIN, CHEATER! by discatded "[Loop returns to their own universe after everything. It's hard.]" - from the summary. Love it love it. I will never get enough of this premise.

To Extend our Reach to the Stars Above by Cinnamin_Is_a_Star "Sif if he was team rocket" and is so fun. Very excited to see this one pan out!

until we move on. by Anonymous (also known as lozy) LOOP MY BELOVED..! loop returns to their universe and promptly looses it like the universe intended. Cant get enough of it.

Natural Satellite by dirtbagtrashcat If a single fic makes me the Most insane its natural satellite if I'm honest.... like bro... It just gets right to me...

Sunder by Miranda_tries_their_best Post-cannon Loop fic!! They travel on their own for a bit (but not forever), and I love it dearly.

Face the Light by Kaimiiru Post-game, I hold it close to my heart.... Ah... It's so dear to me.

These next two are sloop so if that's not your thing you have been warned :]

raconte-moi qu’on puisse crier tout bas by bibliomaniac I'm holding this high above my head so everyone can see it the characterization is off the charts.

To Cut You Open With a Knife and Find Your Sacred Heart by Hexea_Art Changeling Loop fic!! What a fun concept. I am excited to see where it goes. yay! AGAIN... THERE ARE SO MANY I LOVE SO MUCH but im forcing myself not to look through the tag else I'd add everything. Honestly, I do recommend just launching right on into the ao3 tag for ISAT even if you aren't super familiar with ao3. Just be sure to filter out anything you don't want to see!

Consider this a good starting point ^^

[astaroth1357]

We Need To Talk About Nightbringer (the Person, Not the Game)

I'm still scratching my head over what Nightbringer's goal is here... How is MC involved? Why send them back in time? And, of course, who are they??

SPOILERS Up to Lesson 12 Below Cut

The Fuck is the Goal Here??

Sending the MC back just to form pacts makes no goddamn sense. If the MC acquiring pacts was the real aim, then that mission was already accomplished in the present-day. There's something more here.

Why send MC back to RIGHT NOW? What about making pacts AT THIS TIME is desirable to Nightbringer? Is the end game even having the pacts at all...?

I posit that Nightbringer wants war, specifically, another war between angels and demons. The imagery of scales brings to mind the fragile balance of peace that Diavolo was mentioning between the realms before. RAD isn't built yet, his goal to improve relations is still in its infancy, and the times are so tumultuous that MC risks an all out fight starting just being there. So if Nightbringer wants to make things come to blows, then this is the PERFECT time to send them to.

However...

What is this "path to happiness" all about? What does Nightbringer think will make the MC most happy...? And what about THEIR happiness is linked to his? Is he assuming that in a war of the three realms, MC would side with the demons and thus if demons win then MC will be glad? That doesn't really track with the MC as presented in game... They're generally shown as a peacemaker or bridge builder. I don't think a war would make them happy at all!

Ultimately, I don't think we can answer this question in any way that makes sense until we have a better idea of WHO Nightbringer is so....

Who is Nightbringer??

It's Barbs

This goes for any version of Barbs: past, present, future, or even an alternate self I guess. This only makes sense because we're dealing with a demon who does time travel and there's only one demon we know who fits this bill but... why?

I can't imagine any reason why Barbatos would betray Diavolo, at least the one we know. This guy is so loyal to his lord that he's the ONLY character who won't completely kowtow to MC's whims even in the OG game. His true loyalty was always to Diavolo. Not the realm, not demons, DIAVOLO. And if Diavolo seeks peace, then why on earth would Barbs want to cause a war?? Is he more bitter about things than we thought...?

If it's a different version of Barbs, then I guess this goes out the window, but even then what's an alternate Barbs care about this world specifically? What would he hope to gain? MC? Why?? The means are all here, but I just can't figure out the motive, so...

It's Not Barbs, but Connected to Barbs

You know. I've been thinking a lot about this and I've been considering how, thematically, it could be appropriate for Diavolo not to be the only one with a progenitor/parental figure out of commission. We can assume that Daddy Devil must of had an attendant like Barbatos to aid him like Dia has Barbs so...

What if Nightbringer is the old King's previous attendant? And what's more, what if they aren't Barbs but related to Barbs? Like a sibling or parent? It's important to note that Barbs' time capabilities are not INTERNAL to him. It's his room of doorways to other timelines. Presumably, anybody with sufficient knowledge could inherit that room and just take over the role of the Devildom's time lord.

I know it goes against all of our previous notions to think that Barbatos was, at some point, just an everyday demon and not some primordial, OG force of nature but none of that was canon anyway. Something to think about.

It's Michael

I know people keep offering up this one, but I'm really not buying it... Yeah, Michael has always been this looming, shady figure over the OM universe and he's canonically and non-canonically done some eyebrow raising shit, but what's the motive here? Plus, Nightbringer's thematic ties to, well, night really feel more demon than angel... The Celestial Realm is always sunny, the Devildom is always dark. I think it's just a stretch...

Michael wanting another war could be interesting, especially since we've seen far more of angels being actively antagonistic to demons than the other way around, but I don't think that makes him Nightbringer. At most, he could end up being a shadow ally in his plot to bring everything to a head once again.

It's Solomon

In truth, even I don't think Nightbringer is the Solomon we're talking to. But I still think it's suspicious that all of this plays out so perfectly for our present-day Solo-pal... Personally, I take anything this guy tells us directly with a grain of salt since we know he'll lie openly, so here are the facts we're working with:

We are interacting with our present day Solomon (or at least one with knowledge of who we are and our timeline's events).

Solomon is the only one in this current space who knows of our full history in the OG timeline.

This Solomon put himself not only in the position of being the ONLY ONE who knows us that we can interact with, but happily isolated us from the brothers and made himself our main point of contact.

And last (and perhaps most importantly) HE'S STILL TRYING TO MAKE PACTS. He approaches Lucifer about it and successfully makes a pact with Asmo centuries before he's supposed to! If my guy is really from the present, that's like, Changing the Course of History 101! What the hell???

Let me present to you a theory. He is not present-day Solomon, sent back to help MC. He is past-Solomon, caught up to MC's identity through Barbs' time powers and just playing the part of our modern-day buddy. If he's from the past, he doesn't have to worry about changing the present timeline like we do because that ain't even him we've been speaking to. It feels like he has this bet going with Nightbringer... they have some kind of wager and MC is key to it. They're the one who'll tip the scales and Solomon is trying to get us to stay on his side.

It's Not Solomon, but Connected to Solomon

There's something off about Solomon that everybody, LITERALLY everybody, makes comments on: how he doesn't seem human anymore.

The OM timeline introduced the idea that a person can become something else, no matter what they started out as. The brothers were angels, but they fell, so they became demons. Simeon violated angel rules, so he was made into a human. The idea of corruption related to Solomon has always stuck in the back of my mind... The guy has over 70 pacts, he's lived for several centuries at least, and there's just something NOT RIGHT about him...

When Solomon and Nightbringer are speaking to each other, this line stuck out to me.

I find this comment so damn weird. If Nightbringer is a demon and has always been a demon, why would Solomon feel the need to lampshade this? He's pointing it out as if it's meant to get under Nightbringer's skin... Why state the obvious?

What if Nightbringer wasn’t always a demon?

Nightbringer refers to and brings up his demonness as much as Solomon brings up his humanness. That, to me, reeks of insecurity. They may not just be fighting on the lines between demons and humanity, but fighting each other/themselves to prove who's side they're actually on.

What if Nightbringer is a fully-corrupted Solomon? Either a Solomon in the future who's fucking around with the past or a Solomon in this timeline/dimension that's trying to use MC to cause destruction for his world??

..... Okay, I do know this is a bit of a reach. As much as I would love to blame the sorcerer, Nightbringer still seems like a being who's just... been around a while. Far too long to start fucking up shit now. It's possible that if he is from the future and just hopping through time, there's nothing stopping him from going back however far he wants to, but then you could get into the "You are your own grandfather" paradox and the next thing you know we're in another installment of Kingdom Hearts where time is our worst enemy.

HOWEVER, the idea of corruption DOES bring me to my wildest theory yet.

What if Nightbringer wants MC to become a demon...?

Think about it.

It could explain why Solomon is trying so hard to make MC remember and side with their humanity.

It could explain why Nightbringer sent them there under the guise of demon to start with.

It could be why he wants them to make their pacts again. He's trying to seduce them into fully embracing the demonic world through their connection with the brothers.

Humans die, right? Why not be a demon and not have to worry about it?

Throw away the Ring of Light.

Stay by your demons' sides.

Embrace the darkness.

Join the damned.

And when that big'ol battle that he wants happens, he'll have the most powerful sorcerer/sorceress, fully demonized, fighting for his side against God himself.

..... Or that's my spec script anyway. Probably too out there, but man would it be fun...

[kurishiri]

i see that you're playing the JP server and do the translation by yourself, would you mind to describe Alfons's personality? I got understand he's a cat-like-person, but sometimes i couldn't grasp his personality pretty well

anyway, thankyou for your hardwork 🥰 i really love your tranlastions hehe

hii anon! first of all ty for reading my tls ���🫶 it rly means a lot to hear. i find it also can be a way to bring over paid content to those who may not be inclined to pay for it…i kinda feel its my way of contributing smth to the community a bit ig haha.

but as for als personality…hmm i kind of opted to go with an approach where i sorta write down my streamline thoughts as i go. so theres not much organization, but hopefully it can give a bit more insight, or smth to think abt! i will put under the cut, as there may be some minor spoilers below.

alfons mini essay ↓

i think he is sort of like a walking contradiction. he does things in the pursuit of his own pleasure, yet his actions always save others who r struggling. he wants to create distance and acts like he doesnt care, and yet he is deeply sensitive. he has no will to live, yet can’t bear to leave others alone. he pushes his views and philosophy onto others, yet he tries to be considerate…perhaps by doing exactly that.

he cant bear the pain, yet if anyone got hurt, he would rather it be himself than anyone else.

he is a hedonist, pursuing things that r pleasurable to himself. he has promiscuous relations with his “friends,” plays around at night, casts illusions within the slums, and drinks away the day and night. he likes fun, thrilling, dangerous games, and his sense of humor stems from his contradictions. but is he really doing all this for himself? to him, escapism is an essential part of life bc life is nothing but a tragedy. if you dont indulge in these pleasures, life will someday crush you. he himself learned tht the hard way and thats maybe why he is quite sensitive to others pain and suffering and wants to relieve them of it. (this is evident from elbie and als first meeting!)

he does it in a way where he can distance himself due to the nature of his curse. again, it all stems back to the mindset of “getting close to them will only hurt them more in the end” bc they will end up forgetting he had ever existed…but he understood and empathized what elbie was going through, and that was why he had stayed with him all these yrs. and even with liam, though he never really meddles deeply, he was able to observe how, when liam needed an illusion, he himself was never in them. in other words, a convenient illusion to liam was one where he was not in this world. and with kate, he knew that she was scared, so thats why he “kept her company” so to speak. but in the end, he cant save himself. he cant forget what he wants to forget, even though he can help others forget their pain, so he is also self-deprecating in that sense.

but, rly, if you stripped away all the outer lyrs, the complications due to his curse and his trauma, at his core he is a very kind and selfless person i believe.

so kind, so selfless, it borders on self-destruction.

[msp9]

THIS IS MY LIKES AND DISLIKES OF CHAOS THEORY ⚠️Spoilers below cut⚠️

When i first finished this season, I too like some people, was skeptical about it. I get why some people say its bad, I just thought it was very different from cc. At points the characters didin't feel like themsleves, the way some of them were written and the designs gave me a real hard time to get used to them. Also i felt as if it was just too much to process at times so i rewatched it and my final answer is that its a good show the pacing is incredeble, the plot, the suspence and character development. i just had a hard time getting used to everything new? Ig. I'm still doubting whether its a 10 but sure thing is that it was a very good first season its a easy 9/10. So here are the thinks i liked abt it:

-THE WAY THEY POTRAYED EVERYONES TRAUMA/STRUGGLES , Sammy having anxiety, Yaz overcoming her ptsd, and KENJI. MY BOY. That must have been the best breakdown i've seen in animated series. Whoever wrote that scene. Wow. It was the best thing in the whole show honestly. His vision gtting blurry, having truble breathing. The panick. Wow. I CANNOT SAY THIS LOUD ENOUGH.

-Ben and Sammy duo? Hello? Im srry to say but you might just be better than Yaz and Ben duo. Idk i really loved them.

- "Benjamin."

- Showing Yaz is doing better. Despite her ongoing struggles, she has clearly grown and matured the last 6 years, and the way she calmed Sammy in the sinking van? Ig all those therapy sessions and college paid off. That scene is a clear illustration of the progress she has made. I mean sammy did say "i can tell shes still struggling" but there wasnt really a clear scene of her getting stuck in place as she used to. So my guess is that it was just Sammys anxiety and the fact that they didint talk much. Bc then Sammy was surprised how she kept herselve together. So yeah

-YASAMMY. NOTHING MORE TO ADD.

-UM SAMMYS CHARACTER?? HELLO? GLOW UP, CHARACTER DEVELOPMENT, i loved her sm. She moved up to my top 3.

And her anxiety? It was so well shown too

-the fight between Sammy and Yaz felt so natural and not at all forced. They both had valid points and in the end they did understand each other and were on the same page.

-Ben being Ben in almost every episode

- Yasmina's "boo."

-Brooklynns design?? Majestic to say the least.

- ingore what i said ealrier abt the acting out of character. They do remind themsleves they just grew

Well, all except Ben...

-Kenjis new voice actor, he did a real good job, as much as it doesn't sound like him, he really captured some emotional scenes very well.

- The robot lady. THEY REALLY SAID TAKE A WOMAN AND MAKE HER CREEPY ASF. I was genunanly creeped out. And the detail that at the ranch if u listen closesly u can hear the whistle. Hell nah that was scary.

-Benrius Ben and Darius friendship, okay actually u can't tell me u didint feel it too, the tention between ben and Darius cmon we all know what u are Ben stop making up girlfriends in Europe

-Brooklynn turning bad, or from what we are told worked for bad people ig. Personally as much as it shocked me, im sure theres a good reason as to why and i cant wait to hear more abt in season 2.

-I can now undertand what everyone meant in reviews saying "its more mature" not only in the more death and dinos but it woyud be kind of confusing for a younger audience to undertsand some stuff in this show.

-I really liked Daniels kon death, maybe it wasn't necesarry but im all in for that dark death scene.

-Lastly the comment Sammy makes when Ben asks how bumpy got pregnant, and the yazs smirk. Gurl i was suprised they added that but i loved it

Now, the things that i didint like and why:

- First of all, Darius being in love with brooklynn. I mean i get it but i also dont get it. In my opinion, there shouldn't have been a different reason as to why Darius was the most effected by her death. They were close and she died. Its okay to be really effected by someones death and not bc u liked them, and i also do believe that the reason for him not showing up the night she "died" should have been smth more serious. Then again i get it bc now he felt a lot more guilt bc it was for a not so important reason he didint show up and thats why he didint tell anyone. Well axtually it isnt that bad, but i just felt it was forced for the plot. This again could be bc i started to like kenlynn and now they turned the tables completly but sure.

-Brooklynns voice actor. I just couldn't connect her to brooklynn? She sounded a lot different, not a major bad thing it was just hard to get used to.

-Ben having a gf, or supposedly having one, u telling me this man has a gf:

I thought it funny but yk that man is a homosexual

- and lastly, Brooklynn being alive. This might sound bad but it made sense for her to die. And i was kinda lamed out that she wasnt dead. (Pls ironically enough, just weeks ago i begged for her to be alive.) But like the way everyone suffered bc of her death, going throught the 5 stages of grief, and the way the show was played. It just would have been better if she died, all those flashbacks, the emotional moments, i mean its not gonna be the same when i rewatch it bc i know shes alive. Anyways enough abt this.

Actually i have nothing more to add to my "bad stuff" list but i might come up with smth later. Bc i will be rewatchibg it obviously. Ig lastly i just wanted more episodes how dare they cutting the season of right there.

[bonzos-number-1-fan]

What R# Means: The ABC's of Fear.

The grading system used by the OIAR is one of TMAGP's more central mysteries. The show is rife with administrative work that's obfuscated even to the employees that assign each case's rating.

I have my own theory about DPHW that I think is proving more and more likely each episode, but as of yet I don't think a comprehensive theory on CAT# or R# has been given. CAT# is still proving a hard to crack but I now think I can take a strong stab at the meaning behind R#.

Spoilers for TMAGP 1-7 below the cut.

For the people who aren't keeping close track of this I'll break down how those terms are used. Each incident the OIAR assesses is assigned a case number in the following format CAT#R#DPHW. CAT, short for Category, is assigned a value of 1, 2, 3, or any combination of those three digits (12, 13, etc.). R, short for Rank, are graded C, BC, B, AB, A, or S (potentially AS but it's not come up). For DPHW each letter is a category itself and replaced with a digit from 0-9 for its grading. So there are 6 separate statistics that the OIAR uses to assess each incident.

If I'm correct about DPHW it's a ranking based on the qualities the incident presents. That's obviously very valuable information. Because of how CAT# is formatted we know it's likely three non-mutually exclusive facets. I had some idea about what it could be but it's proving quite tricky to nail down.

However it's R# that is the topic of today's post and it's something I've had a few ideas on before. We know can assume from its formatting it's a linear scale. C is the "worst/weakest/etc." while S is the "best/strongest/etc.". Initially, I thought that R# was simply a straight forward ranking of potency or threat. Higher the rank, spookier the incident. Very early on that seemed like a strong idea. It was quickly disproven but I then had the idea that Rank was instead the scale of the effect. Higher the rank, wider the incident. Also quickly disproven.

Now I'm thinking it's graded on how hard it is to deny an incident's supernatural nature. Simply put, an outside observer can more readily find a believable rational explanation for an incident of lower rank than of higher rank. Either via their own conviction to believe the supernatural isn't real, or based on the story the OIAR cooks up to explain it.

For that to make sense it needs to tick two boxes. It needs to be able to be pre-assigned to an incident as all CAT#R#DPHW's seem to be, and it needs to be useful information to track. As they're operating under the assumption that CAT#R#DPHW's can be pre-assigned then they're operating under the assumption that each type of incident is relatively stable. Meaning that the likelihood that it can be rationally explained is also relatively stable. Tick 1. There is also a really strong reason for the OIAR to use this as a grade. They're the Office of Incident Assessment and Response, the Response Department might be dead but it was a part of the initial plan. Grading each incident on how likely they are to cause concern should the details go public is very useful for deciding how to approach any given case. Tick 2.

It being useful is all well and good but it does also need to have some evidence so let's look at our highest ranked incident to this point: CAT23RAB2155 - Transformation (Eye) -/- Trespass. A man grew eyes over his body. That's pretty tricky to explain away as a medical mystery. On the other end of the scale we've got CAT2RC1157 - Dolls (Watching), or CAT2RC3338 -Agglomeration (Miscellany) -/- Congregation†. Just a creepy doll and some crappy antiques. I think of all the incidents the one that's the least immediate fit is CAT3C7494 - Collection (Blood) -/- Musical. Most of that incident is very easy to slot in here. "It's just a violin that has sharp strings, so what?". But it's also a violin that made some people eat some other people. However, mass hysteria events do get reported every so often IRL and do have a very long history. So in the grand scheme of things I don't think the details of the event are necessarily all that outlandish. It's really in the realms of urban legend and witch hunts than it is definitive proof of the supernatural.

With all that out the way this is the broad strokes of how I could see this breaking down. C ranks are things you can entirely write off as urban legends, freak accidents, and stress. Potentially things that might not need any covering up at all. I think the majority of events people could entirely say didn't happen will end up in C. "Of course the doll wasn't watching you, dolls aren't alive". B ranks are things that are harder to entirely discount as things that happened but are themselves still relatively easy to excuse as mundane. "Sure, the circumstances of that blogger's disappearance are strange but people go missing all the time, doesn't mean a monster did it". We don't have any A ranks but given the AB rank we do have I'd say A's are things in which no rational explanation can account for it, and as such require more extensive covering up, if it indeed happened. "Okay, maybe the supernatural is real because people don't just grow eyes like that".

As I mentioned early, an S rank does exist. We've not seen this attributed to anything in the show yet and so it might prove to be a special case. However on Klaus' sheet‡ from the ARG it's attributed to an interesting incident. A CAT1RS[No DPHW] with the note Mr. B. And, well, if you know, you know.

From Klaus' sheet we also know that the higher ranked incidents happen less often than lower ones and that idea generally tracks with what we know of TMP and TMA. The supernatural tends to be something you can explain away. It often is explained away. Incredibly overt manifestations are a rarity.

This one will be a slow burn to see if it bears out. Much like with DPHW's it's only really interesting when things go against the theory. I'm not as certain on this one as I am the DPHW theory but I do think it's got legs with our current data.

† This did also feature people who seemed to erase their physical features from your memory after you interacted with them. This isn't something I mention in the theory because it's not taken into account by the header and case number. A major flaw in the OIAR's methodology here is that all incidents are only ever one thing. So the case number is based solely on the presence of lots of miscellaneous objects, rather than the mind-wiping people carrying them.

‡I have made an incident master doc here, containing all the current cases, their CAT#'s, R#'s, DPHW's, etc. It has about as much information on each as I think is reasonable, including who narrates it, a link to its episode, and any other relevant notes, as well as headers for incidents we didn't hear. Additionally it also contains the Klaus sheet (German and English) and links to it when an incident matches. It will be updated each episode after the episode is publicly available.

[laxmiree]

[CN] MLQC Lucien’s Sweet Scheme ASMR translation

⚠️ SPOILER ALERT!! ⚠️

This post contains a detailed spoiler for an ASMR that has not been released in EN yet! Feel free to notify me if there are any mistakes in the translation~

T/N: The ASMR name 蜜谋 (mìmóu) consists of two characters: 蜜 (mì), meaning "honey" or "sweet," and 谋 (móu), meaning "plan"/"plot"/"scheme". In this ASMR, it refers to Lucien scheming to get punished (and also the other way around) LOL

⚠️ This ASMR is NSFW and NOT suitable for individuals under the age of 18 due to its sexual nature. It is recommended that those who do not meet this age requirement refrain from proceeding beyond this point.

Twitter link [click here]

GDrive link [soon]

Transcript under the cut~

[Transcript]

[sounds of door opening + clinking of things]

I'm back.

Mm

Today's experiment

went much smoother than I expected,

so I came back early.

Just in time,

I also wanted to see you sooner.

Hmm?

What are you doing

Are these… gems?

[chuckles] I have only heard about it on the phone before

when you were filming a jewelry show

you bought a very beautiful emerald rough

[the fact that the emerald is still rough is important for the later part because it means that the edges are sharp and can cause pain-]

I just didn't expect…

there to be so many.

There's only one,

and the rest are candies?

[chuckles] So that's how it is

If I find the gem,

will it and you both belong to me?

It seems that

this is a "test" for me from my little lady.

Of course, I am willing to accept all your challenges.

However, before we begin,

I would like to understand the rules of this game.

For example,

how many chances do I have?

Or…

if I guess wrong,

what will the punishment be?

[the way he said it… man is looking forward to the punishment🤪]

Hmm?

You want to keep it a secret for now?

[chuckles]

Okay

Then…

[Lucien reaches out his hand to pick up one of the "gems", but is held back]

Am I not allowed to pick it up,

and can only observe it here?

[chuckles]

Fine

Then…

I'll choose this one.

Hmm?

Did I guess wrong?

Alright

Then can you tell me now 

what the punishment is?

Close my eyes?

[some rustling noises in the background as he is being stripped open-]

[LUCIEN'S HEAVENLY PANTING AS HE'S BEING PUNISHED-]

…although when you stripped open my clothes

I probably knew what the "punishment" would be,

the "gem" you just placed on my back

is even a little colder than I imagined.

This little lady looks a bit disappointed…

Hmm?

[chuckles]

Because I don't look surprised?

Maybe it's because,

when I guessed wrong, the mischievous look in your eyes was too obvious.

[T/N: he affectionately uses the title “little classmate” (小同学); I'm using ‘you’ for better flow~]

However

Compared to my back…

The waist areas around ribs,

and lower abdomen below navel,

are densely populated with nerve endings

and are much more sensitive.

[some DELICIOUS soft moans as he’s being punished in those places-]

[breathlessly] These areas

might better achieve the effect you desire.

[hell yea I sure wonder what kind of another ”””effect””” she's looking for-]

[chuckles]

Then…

I'll continue guessing

[chuckles]

This piece has a cooler color

The cracks in the crystal are also more natural

It seems to be the one

Did I guess wrong again?

I didn't expect this game

to be more "challenging" than I imagined.

[sigh]

It seems this little classmate is going to win another round.

Bring it on.

[chuckles] You can use a bit less force.

Otherwise,

the stimulation felt by the nerve endings

will be overshadowed by other sensations

[other sensations here might refer to pain caused by too much force… pain play doesn't work as well as temperature play on him due to him canonically having an absurdly high pain threshold and is less sensitive to pain]

Just like this…

[Lucien takes one of the “gems” and runs it on her body]

Hmm?

Did it feel cold to you?

I just think that

personally experiencing this feeling

will help you do it better.

[I think he doesn't mind the pain itself, BUT if you want to give him ‘better’ punishment, focus more on the temperature play🤪]

[chuckles] 

Sorry

the way you opened your eyes wide just now 

was really cute.

It made me want to be a bit more "excessive."

The one I have in my hand

should be the emerald you asked me to guess.

Of course, it can't be wrong

In the emerald ore,

there are some granules and textures

Moreover

emeralds are called beryls

and are mostly in the shape of hexagonal prisms.

When you were preparing the show,

I also secretly "stole" some knowledge from you.

Did I guess wrong on purpose before?

You caught me.

Within the rules,

experiencing everything the game has to offer is what makes it enjoyable, right?

[chuckles] Don't get distracted,

look,

the candy in your hand is already starting to melt.

Although this beautiful and translucent gem

is also very captivating.

To me,

the candy in your hand is more attractive.

[sounds of him rolling the candy to his mouth and licking the melting sugar on her hand]

Although it looks just like a gemstone on the surface,

it's sweeter than I imagined.

It has a bit of a green grape flavor.

Miss Producer,

haven't you tried it yourself?

Then…

[kissing noises as he ‘shares’ the candy sensually]

Let's share the fruit of this "victory" together.

[MORE delicious kissing noises before it fades away. With him being stripped off, I think we all know where this is going iykwim-]

[thecagedsong]

Okay, so I've seen a lot of complaints about the writing in totk, but I think the critiques are taking too narrow a view. Sure the arcs seem flat if you start from the point of Zelda and Link traveling below hyrule castle, but I don't think that's where you, the viewer, are supposed to start. You're supposed to start the story from the true ending of botw, and in doing so, the character arcs become not only beautiful, but complimentary and fulfilling. Spoilers under the cut.

Why should you start at the end of botw instead of the start of the game? Easy, because the game has to start in medias res, it's the nature of the game, but the story the game tells starts where botw leaves off.

They did this in botw. The game starts in the shrine of resurrection, but the story starts with Zelda's first journal entry/memory and the story is really about discovering your own fall and the rebirth that comes after destruction once hope exists in the light. The character arcs are about Zelda going from stubborn isolated powerless princess to conquering evil with the power of love. Link goes from the stoic knight that puts up with every expectation and falls to Link the amnesiac going at his own pace, at his own freedom, and succeeding.

The same way botw's story starts 100 years earlier, you have to start Zelda and Link's totk arcs from the true ending of botw. From the girl that had come to terms with her own powerlessness and sought to begin rebuilding from ash and the boy who fulfilled his one task, and is still choosing to use his freedom to help the dethroned princess rebuild.

The way Zelda is written is beautiful if you start from there. Because botw ended with her accepting that she had worth and duty beyond the golden power, and totk tells you how she showed that worth through service to her people. That girl that dreamed of being a scholar became a school teacher. That girl that had to fight so hard for her father's love and was convinced that everyone hated her own powerlessness? In her powerlessness she shared her knowledge with people and became loved for it. That girl who we left seeking the Zora, the only people that would remember her, when almost no one knows about the princess who was locked in the castle, is now known throughout the land. The girl that was missing for 100 years with only the sheikah remembering her, she disappears and the whole kingdom fights to find her.

The girl we saw walking away from the ruins of her home and her cage, listening to the distant goodbyes of her long-deceased loved ones, now has a home in Hateno where children run up to her house with just as much love screaming her name.

Now, in the middle of her arc, the start of totk, Zelda goes to confront the ghosts of Hyrule castle. In all her adventures in the time skip, Castletown and the castle are nowhere on the list. They are as destroyed as they were at the end of botw. BUT she has healed and grown, and is now strong enough, and ready enough to fulfill her duty, that she can return.

But she doesn't come back as it's princess, seeking to rebuild, she comes back as the archeologist, seeking to plunder its secrets. She hides the Champion's tunic there, (with a riddle involving light) and gasps in delight over all the archeological discoveries that had laid hidden beneath her feet all these years. She can handle the empty castle as a scholar.

But then she's in the past, and she's without Link, and she's meeting the people that established the kingdom she let fall to ruin. Zelda learns about the importance of being unified, as seen from her requests to the ancient sages, a central theme of totk. Zelda faces her own powerlessness when Mineru tells her there is no way back, and when Sonia begins to teach her control. Zelda immediately despairs over ever having the control and power Sonia wields, and it's the same frustration she had with her golden power when she was younger. But she asks for and accepts help this time (like she should have from Mipha in botw) and she gains control and power and it isn't enough in the past, but she knows how to make it enough.

Having united the sages, they watch her sacrifice in a sign of respect. The sheer ceremony of the moment is like nothing we've heard about what Zelda was like during the time skip. It isn't Miss Zelda the teacher that built a school in hateno, or Zelda the scholar that walked through Hyrule castle, it is once again Zelda the Princess making this sacrifice to swallow the stone.

It's meant to parallel the moment in botw where Zelda gets swallowed up by the Calamity. But you can see that she is surer of herself, centered, unafraid, and she does not ask Link to save her. She is not praying and looking back and asking Link to come save her. Instead, she tells him to save Hyrule. And it has meaning because she is also Zelda the scholar and Zelda the teacher and the thousand of other things we learn about her activities during the time skip. That is the hyrule she wants to save. That is the Hyrule she seeks to unite by asking the sages to bind their people to help Link in the future.

(She pressed the sword to her chest in a way that mirrored her stabbing herself, this time it is Zelda who died so that Link might live in the future.)

When Zelda tells Link that she's come home, you cannot say she has not changed from the homeless girl who had just learned to accept that her worth did not lie in birthrights and golden power. Zelda had learned her worth in the skills completely absent of any power, political or golden, but in the second half of her arc took up power and leadership again because that was what Hyrule needed of her. Because of the examples of Sonia and Rauru and because her fallen kingdom wasn't united and it needed to be. She is so much more complete than at the ending of botw, or even the start of totk. She has retaken the mantle of Princess, but she knows what it is about now and I don't know how else to say it if you aren't getting it.

Then comes Link, whose flexibility as the player has always required a less complex character arc, and probably deserves its own post, but I want to give it a quickshot anyway. Link leaves off botw probably still missing most of his memories, with the mastersword on his back, this time choosing to protect and walk with Zelda on her journey around Hyrule.

In the time skip, we learn that he sticks to her like glue. Princess Zelda and Link are perpetually paired by the people of Hyrule. Link barely even registers in people's memories without Zelda around, because he hasn't truly left her in all 5-7 years during the timeskip. He is known (again?) as 'Princess Zelda's loyal swordsman'. Is that a sign of him reclaiming some of his past life? Could be. What's important to learn about Link in the time skip is that he is no longer alone. Which is a big step from botw ending Link, who was always alone and had just begun traveling with Zelda again. From the rootlessness of botw, to saving Zelda, to making Zelda the place he always chooses to be, that's how Link's grown in the timeskip. He is no longer alone because he has Zelda.

He has someone worth fighting for now, he has memories of someone precious, someone he scours Hyrule to find. Link's freedom in botw was about discovering himself, but in totk, he is using his freedom to do everything to go to her. HE HAS A HOME NOW AND ITS CALLED ZELDA. Investigating rumors, walking into obvious traps, asking everyone and their dog about her. The goal of the game is to find Zelda. Bring her back.

And then you learn about Zelda's transformation. You see her crying. He pulls each of her tears and memories into himself. And this time it's Link asking 'do you really remember me?'. He has to take up Zelda's role and bring the amnesiac back to herself, give her back her memories. The job's not done because he found her transformed, she needs her memory back, it's not done until she's back and knows herself.

This arc is coupled with Link confronting his own failures. He was at the height of his powers when the demon king Zapped him and he let Zelda slip through his fingers. He failed her, just like he did before. And the people that do recognize him without Zelda all ask him where she is, and he has to admit he failed to them too, something he didn't have to do in botw.

But unlike botw, where he failed and the solution was to get strong enough not to fail/be strong at the same time Zelda is, in totk, the solution is to unite with allies. Unite the tribes, accept their help, and only then is Link and crew strong enough to take on the demon king.

It is only when he also takes up the mantle of Rauru and Sonia and unites Hyrule into a single force, it is only when he accepts aid from the past and pulls their vision of hyrule into the future, that he gets Zelda back. Zelda needed to learn how to take up being a princess again for the sake of Hyrule. Link needed to learn how to unite Hyrule for the sake of Zelda.

And though I would have liked Zelda to be a little dragonish, or Link to deal with being an amputee, it doesn't bother me that much because their arcs weren't about that. I don't think it makes the stories bad writing.

But you have to start from the true ending of botw to get that.

[th4tsj4zzy]

hoo boy im boutta get controversial

only 50 notes in and im starting to post stuff abt hsr controversy >:) this’ll be about the sparkle/ratio being racist controversy for the first + second part of hsr’s trailblaze mission for penacony

TW: slavery, slurs, racism, “death” (suicide..? 2.1 hsr quest makes this make sense) spoilers for penacony’s 2.1 quest below the cut

ofc, when sparkle was degrading aventurine for being sigonian, i reacted how a lot of people did and was like “cheese and rice, thats kinda racist dude, wtf-“ i was pretty worried bc hoyo’s had a history with not handling racism in plotlines well (see: eremite world quest in genshin) but i wanted to stay optimistic bc theres a different team working on hsr and maybe theyll be better at handling racism in plot. but honestly? after playing the second part of the penacony quest, i really think that they handled the entire thing pretty well.

probably 50% of penacony’s 2.1 quest was aventurine’s backstory, how being enslaved affected him, his family, and the culture of the avgins/sigonians (specifically the latter). his “all or nothing” nature clearly reflects the fact he’s used to betting everything (despite being paranoid about it since he quite literally lost everything before being taken in by the [pretty] ipc [woman, jade]) bc it makes him seem confident and gives him an image of carelessness, benefiting him in the long run of scheming. the only reason im able to draw this many conclusions about him is because of the amount of character development they give him in the quest.

ofc, im not trying to say that sparkle’s (and “ratio’s”) racist remarks were justified; to put it lightly, they’re leaning into a darker shade of morally grey, even without knowing their purposes for saying such stuff. however, i do think that them being racist to aventurine is a major part of the world building for HSR. him being on the receiving end of their criticism makes us suspicious of everyone else, but also makes us root for him a bit, which helps balance out the scales of distrust and/or dislike the viewer should have of all of the characters. in the beginning of the quest, aventurine’s probably receiving a lot more of the dislike/distrust than the other characters, so we need to at least find a reason to root for him if the writers want us to understand his schemes.

also, sparkle being racist to aventurine for being sigonian and him persisting through all of the hardships his plans and his past bring (despite 85% of it being for the ipc and the other 15% for the mere chance to see his family and find the truth, the latter mattering more than the former) is a narrative that brings tears to my eyes. it resonates with me as a minority race, and im sure many others can understand why.

sure, sparkle used a slur for the real life alternative for sigonia and ratio brings up his past as a slave. we all recognize its not right for her to do that and that the writers are pretty harsh for writing the slur in, but its just the same way in the real world. the writers are just showing us reality in a video game. death and murder and enslavement is really harsh that also reflect the real world, yet they also include it. are we really gonna act like saying a slur is above killing people?

[helluvapurf]

Thoughts on latest HB ep "Ghostf**kers" (*now that I've regained a bit more energy post-Halloween weekend lol*):

So the newest ep of HB has came & went from what I've seen- aaaand naturally feels like the best time for me to finally ramble about it now that its settled in my brain some more .3. Thoughts (+Spoilers) below~ NOTE: Most of this -does- get a lil rant-y below sooo... read at your own risk lol .w.;;

First things out of the way to start things off on a good note, the Pros:

To start off with... FINALLY we got some Millie focus for a major episode plot (-or more specifically, focus that doesn't get revolved back to Moxxie somehow lol)😭👏👏. Even if Millie's spotlight here did have to be shared with Blitz for a good chunk of the ep, their friendship was actually genuinely sweet & compelling to watch (esp. their backstory & how Millie was allowed to stand up for herself, give him space, BUT also coming around to acknowledging the good in Blitz, when it all came down to it🥺👏). Which ngl, after these previous episodes reigning down HARD on this dude... idk, just felt refreshingly wholesome to see for this series, yknow?😊

New villain Rolando was pretty cool, and surprisingly spooky to watch as the second-half went on oml- .o.;; While I'm still a teensy bit confused how his powers/demon lore work (at least to what we already know about Hell limitations crossing to the human world, ex. succubi & their crystals), his underwater monster vibe gave some fun visuals to watch up until the climax. I'm not 100% familiar with John Waters' works, but damnnn he should take up voice-acting more often ngl~ 👀

FINALLY MAMA TILLA MAKES AN (on-screen) APPEARANCE 😭😭Her whole vibe & Blitz's clear love and regret over what happened to her... hhhhh my whole heart ;n; 💔

That pink client lady (Rita, I think her name is?) who assigned the hotel mission? I dig her vibe, its cute~ :3

I.M.P. feeling like a legitimate workplace family for once, with even Loona & Moxxie getting a nice lil moment towards the end?? More. Of this. Please. 👌👌

Even with the lil undertones of the Stol*itz drama from the past couple eps, I very much appreciate Blitz (+the show itself) acknowledging that what's been going is NOT a breakup ('cause... yknow, they never actually dated to begin with lol🤷‍♀️). It may not 100% fix how messy that particular narrative's been handled as of late (which I'll get to in a sec-), but eh... its a start in the right direction, I guess? .3.

Enjoyed all the colorful flashback looks given, never would I have thought I needed mercenary!Millie with a fluffy ponytail til nowww hlkjlk😩❤️

Aaaand as for the not-so-good bits (imo), aka the Cons:

Pacing felt kiiiinda all-over-the-place, I'll admit; like one min we've got a whole intro & a half to deal with Blitz's whining fest (+some other pointless banter at the hotel)... then the next it feels like we're breezing past Rolando's whole presence as the "big bad" villain. Which... idk, I guess I shouldn't be too harsh on given the production drama behind-the-scenes (aka: the leaked content that had to be cut & redone awhile back)... buuuut yeah, its just one of those things you can't help but take notice of, critique-wise lol 🤷‍♀️

The humor wasn't... exactly at its strong point here, mainly just a lil overdone in the sex joke department imo though I guess thats kind of "par-for-the-course" in the Hellaverse series nowadays, so lol

Now, idk if this may be an unpopular opinion or not; but was I the only one who felt like Blitz's month-long mope fest over Stolas was rather... OOC, all things considered? .-. Like, okay its one thing for Blitz to still be (understandably) upset over how the last two eps went down (but being the "boss" he is, continues working anyway to keep I.M.P. afloat, like in the latest HB shorts)... but for Blitz of all people to just randomly use ALL his company's funds on useless junk, force his daughter Loona to stay up all night/not go home, drive Moxxie in a panic from all the budgeting issues this past month was just... wut- 🤦‍♀️ ...Mind you, this is meant to be the SAME Blitz who not even a few episodes ago begged Stolas to not take away the Grimoire (aka the key to his + his employee's livelihood), clearly being willing to do anything to not lose all that he holds dear. You seriously expect me to believe he'd be the type to throw that all away (for a WHOLE month)... all to simply whine over some blue-blooded bird not noticing him? ...Yeaaaaah sorry, but I'm gonna have to call bs on that, chief- 🙄

Kiiiinda tying in the last point, but as much as I enjoyed the tense thills gained from the "Rolando enters Blitz' mind to make him see his own flaws/past mistakes" sequence... I do have a few issues with some of these other "flashbacks" added to the mix: 1) Loona's groin kick towards Blitz in "Seeing Stars" (*wasn't Blitz's fault since ALL he did was tell her to be nice to clients... and was right about to apologize to Loona just seconds before the kick 😒*) 2) Blitz pushing Stolas' hand away in "Ozzies" (*which Blitz only did after Stolas hide his face/didn't defend Blitz during the song*) 3) Stolas' hurt expression at the end van scene of "Ozzie's" (*mind you, taking place while Blitz is rightfully standing up for himself/telling off Stolas for being a privileged creep all of S1*) 4) Stolas trying to present the Asmodean Crystal gift in "Full Moon" (*a whoooole mess in of itself I already covered prior-*) 5) Stolas angrily walking away from their pool fight + trash-talking Blitz in the "Motherf**kers" song + drunkenly dumping his problems on him + making out with a whole other dude in front of Blitz (*again, a huge mess I covered prior but TL;DR... most of that WASN'T fully-Blitz's fault in those instances??😑*)

Like... I dunno man, I don't mean to sound like I'm just ragging on Stolas per-episode as of late... but these last few points just keep giving me mixed signals than any genuine idea as to WHY Blitz even has these "feelings" growing for Stolas, atm?🤨For any canon couple in fiction, I WANT to see reasons for why they work best together, what kind of interests/aspects they've got in-common, what special "spark" is there that helps them stand out above all the other dynamics in-canon... but from what I see so far on Blitz's end (& the narrative continuing to guilt on him being "the problem")... it honestly feels more like he's only now fallen for Stolas out of pity... not because of any genuine affection or attraction :/ Which... ngl, sounds like a really sad precedent to send for a main-endgame couple, regardless of series genre imo... 🤷‍♀️

-------

Soooo yeah, all that rant-y rambling aside... not a bad ep in the grand scheme of things! 👍👍Here's hoping the last few remaining eps (+possible shorts) for S2 keeps up the good work! 🙏

[goodomensjail]

GOOD OMENS SPOILERS BELOW if you reblog it TAG IT DAMMIT. Entire Job Sequence to the Best of my inebriated (thank you Bulleit Bourbon for sponsoring) memory:

It was not entirely clear at the  Brooklyn screening when episode 1 ended; there were no end credits but i think its fairly obvious that Job flashback is the cold open of Episode 2 because the entire audience was a bit surprised when Opening Credits played again right after the first Job scene. 

Also note that the Job story is INTERCUT at apparently key moments of the main/present day plot, but it will take a second viewing for me to see exactly what they were going for/getting at. So HERE i am going to try and write the Job minisode IN ORDER without the cuts to present day because it will help my memory. 

We open on Bearded (yes that bearded) Crowley about to sacrifice a herd of goats. (note that none of the dialogue is exact, even if i put it in quotes, its just what i can recall; the dialogue throughout is delightful and funny and theres no way i can remember it all nor would it be worth it without the performances). 

Aziraphale appears in a golden light from the sky in a “stay thy hand, demon!” type way, dramatic and biblical, before he realizes “o its just you Crawley”; Aziraphale says they have not seen one another since “the flood”. 

Crowley shows Aziraphale he has “a permit” to torment Job, God’s favorite human, because Satan and God have a bet to see if Job will curse God. Aziraphale is not happy. He takes the permit to heaven to show the Archangels who delightedly tell him YES, God is allowing blameless and good Job to be tormented by demons in a bet with Satan, but ITS OKAY because of course God will win the bet and reward Job three fold!

Aziraphale is at first glad, then stunned to hear that heaven does NOT intend to raise Job’s children from the dead, however. Job’s wife Sitis will have 7 NEW CHILDREN! Yay! (this is cute as well because Aziraphale appears to be the only angel who understands human birth and that maybe Sitis doesn't want to be pregnant and give birth 7 more times? as a mom with natural births i appreciate this, neil gaiman. the archangels are oblivious to this... they just think thats what humans do: they breed and multiply). 

As Crowley in stomping through Job’s courtyard to find his three children, Aziraphale appears to reason with him. Aziraphale appeals to knowing that Crowley doesn't want to harm Job’s children because he knew him as an Angel, to which Crowley is not impressed; he is not an angel anymore. So instead, Aziraphale pivots to “i know you” and references the flood and how Crowley was shocked that God intended to kill the children. Crowley tells Aziraphale, “you do not know me”. 

And then the pigeons in the courtyard start baa-ing. Aziraphale waves his hand and the pigeons transform into a herd of goats....Crowley didn't kill them at all, he hid them away. Aziraphale looks at Crowley smugly. 

They meet the three children of Job, Ty Tennant plays a flirtatious Ennon who comes on a bit to Aziraphale. Aziraphale explains they are in danger, but the kids are not impressed because “don't you know our father? Job? he is God’s favorite”. Crowley transports all of them to the basement while a storm rages and destroys the home above; Aziraphale realizes Crowley always intended to get to the kids first and protect them from the destruction. 

While they wait out the storm, Crowley tempts Aziraphale into eating human food for the first time. Aziraphale resists at first, but we then cut to him DIGGIN IN FORACIOUSLY to some meat, while a smiling Crowley lounges nearby watching him. The kids are annoying them both, and at some point Crowley turns them all into three small lizards. The two discuss how Crowley is not really bad and doesnt really listen to hell, and Aziraphale remarks it must be lonely living as Crowley does. Crowley tell him “not really”

God wins the bet, and give some rambling messages to Job as a prophet (which he doesn't understand or appreciate, he and Sitis just want to know where the children are). The angels, with Aziraphale in tow, arrive to announce Job will be rewarded with three times wealth, and NEW CHILDREN! Job and Sitis are horrified. 

Crowley bursts in; none of the angels recognize him, he claims to be a human cobbler (its a pun for some ancient city dont worry about it) and Aziraphale jumps in to call him DOCTOR, a famous obstetrician who delivers babies. The archangels have no idea where babies come from... Aziraphale flatters Gabriel by saying well YOU were there when Eve was “born” youve seen it before. 

Crowley understand the cue, and pretends to “deliver” Job and Sitis’ new children by having Sitis pull three ribs out of Job (the animal ribs from the meat Aziraphale was eating) and transforms them into three children (the lizards hidden in Jobs robes turn into his three children).

Michael is suspicious because arent humans supposed to have “babies”, but Aziraphale cues Gabriel to tell them about Eve being fully grown. The kids are confused and almost give away the bit, but Job and Sitis play along. Gabriel turns to Aziraphale and point blank asks : “Are these their old children?” to which a PAINED Aziraphale after a look to Crowley LIES to the angels and says “no these are their new children”

We cut to Aziraphale from afar and behind (the ocean and rock shot) and Crowley comes to join him. Aziraphale is crying. (DIALOGUE THAT FOLLOWS IS NO ACCURATE ITS THE GIST)

A: “Im ready for you to take me”

C:”Take you where?” or “Where are we going” something to that effect, he is amused in a bittersweet way

A: “I lied to the archangels and foiled the plans of God. Im ready to go to hell with you”

C: amused in such a kind way, tells him something to the effect of “Youre not going to hell. I wont tell if you wont”

A: sitting on the rock next to Crowley, still teary, “How can i keep on obeying heaven?”

C: “You will take it as far as you can take it, and youll do it your way when you need”

A: “You said it wasnt lonely”

C: “I’m a demon. I lied”

Gorgeous scene of them sitting together on the rock and cut to black 

[room-surprise]

Dungeon Meshi Anime Review, Season 2, Episode 19 review

Izutsumi arrives! And Marcille has a nightmare.

This is an interesting episode but I know my spouse and I had desperately hoped that they would re-organize things somehow. Marcille's plot in this feels painfully tacked on and unrelated to Izutsumi's introduction, and the concept of the nightmare is so good, it could have easily been expanded to be an entire episode on its own. I wish they'd done that. They could have paired Izu's intro with the ice golem story to have one all-Izutsumi episode and then one all-Marcille episode... alas.

Those are changes I would have LIKED to see, but here's some changes I didn't like:

(MAJOR MANGA AND ANIME SPOILERS BELOW THE CUT!!!)

Trigger removed Laios' mother's only speaking line in the manga. It would have taken SO LITTLE to have someone read this single sentence, and removing it, in my opinion, has a negative impact on the story as a whole.

It SOUNDS like a generic thing when she asks Laios "When will you give us grandchildren?" But this is actually really important. Laios is afraid of being forced to make a family and participate in society. This is unusual because he's a man, most men in a historic time period of this don't really care about such things, but Laios is so afraid of it, it's a recurring nightmare!

This is also why he acted so weird seeing a loving father/baby scene in the magic paintings chapter. He hated seeing a father talk about how much they love their baby.

Laios is named after a story about murdering your children before they can hurt you. Like an Oedipus Complex supposedly means that a son wants to have sex with his mother, a Laios Complex means a man wants to kill his sons. Kui did not pick this name and then have Laios repeatedly be uncomfortable with children, marriage and fatherhood for no reason.

Obviously Trigger didn't make any of these connections and so they didn't think it was necessary for Laios' mom to speak this line out loud, but I vehemently disagree.

This is similar to my beef with them removing Yarn Floke's only dialog in the story and removing her from the scene with the Island Governor. That moment told us that Mr. and Mrs. Floke were equal partners, and now anime watchers assume she's just his wife who doesn't do anything. That sucks.

The addition of paintings of Marcille's father in the nightmare. Woof. I really don't care for this, if they wanted to do it i would have preferred it if they'd obscured the paintings somehow so it wasn't obvious that Marcille's father wasn't an elf.

I think this makes the later reveal of her half-elf status WAY less surprising.

Also, in the manga, the complete silence around her father created a strong subtext that Marcille's mother was her only parent that mattered. They could still accomplish this but I think it won't be as shocking.

People reading the manga probably thought "her dad was an elf and he died young and that traumatized her" (this is what Laios assumes I'm sure)

People watching the anime will think "her dad was a tall-man and his natural death of old age is what traumatized her" which is true, but they aren't supposed to actually know that yet...

Overall the episode was good aside from these issues. I liked that the nightmare sequence was in black and white, and the transition to color at the end was spectacular and very impactful... But part of me wishes they had done something else to differentiate the nightmare state from the normal animation. The black and white was good, but almost too subtle because the DM palette is already so desaturated.

[repo-net]

EO5-Styled intros for the stratums from EO1 and EO2!

I finished playing EO5 a while back, and one of the things I really liked about the game were the short narrated sequences that played when you reached a stratum for the first time. The voice actress kills the role, and just the music slowly kicking in as she introduces just what you're about to get yourself into - aaahh, it's so good.

To help practice a bit of my description writing when it comes to locations and short tidbits of lore, I decided to try my hand at doing my own renditions of these sequences for the EO1 and 2 stratums! Hopefully they look alright, eheh.

Spoilers under the cut!

EO1

Every adventurer has a dream: whether it be for glory, for riches, for knowledge, or for purpose. Without fail, all of them flock to this mighty tree.

Regardless of the purity in their heart, the first step into these vast greenlands is filled with ambition.

That very same ambition is what has led to the end of so many. And yet for you, it may just be the start…

The legendary story born from hope blossomed here.

The first stratum, Emerald Grove

Descending down the stairs, a new layer of the labyrinth welcomes you.

Darker than the last, the tropical wilderness buzzes your ear with the sounds of trickling water, and cries of a new set of beasts.

Those who basked in their success of survival of the basics; learned far too late…

… That here, nature reigns supreme.

The second stratum, Primitive Jungle

Conquering the lord of the jungle, a mesmerizing sight shines against your eyes.

A moist scent wafting in the air, with a cobalt hue that makes one forget you’re still within a forest.

A queen of the insects lies in wait here, and below even her grasp is a mystery only a handful have seen, yet one question continues to prod.

Has that secret been forgotten by age, or has it grown into something more?

The third stratum, Azure Rainforest

Layer after layer of blooming life, comes to a harsh, arid halt upon this new arrival.

These wastelands filled with long stretches of beige and grains scraping against skin, is the very home of an ancient race.

They speak of a century-old pact, fully ready to defend their turf. To hide what’s below, and to see what’s below.

Wills even in the face of death are about to be tested here.

The fourth stratum, Sandy Barrens

Only the cursed king on his throne in the abyss remembers that golden age.

A world overwhelmed by verdure and promises of revival. A time and tragedy that only one man can tell the true story of.

Structures and mechanisms that you have never seen the likes of, with memories so distant, but so near all the same.

The mysteries that have been kept under for a millenia, it is your destiny to unravel them and see for your own - the secrets of Yggdrasil.

The fifth stratum, Lost Shinjuku

Below even the origin of creation is a place past the naked eye. 

A system of organs solely out of the blood dripping from stratas above, drenching the pulsing and veiny walls with a sickening red.

Screams and wails of agony from a creature tortured by its purpose, engulfing itself in this cavern to take its revenge on trespassers that were never meant to reach here.

For descending to the roots of this labyrinth, its very core will stop at nothing to engrave you into it.

The sixth stratum, Claret Hollows

EO2

The second saga of a legend already born, or the first for the arisal of new ones.

Whoever the author may be, this story begins all the same, with an invitation from a new land to ascend to heights yet to be reached.

These grassy woods that surround the bottom of the mighty tree…

Mark the intro for an adventure unlike any before.

The first stratum, Ancient Forest

Pushing through the daunting beginning trials, an opening paves way into a new flavor of woods.

These orange lands filled with prickly tails and segwaying paths; they provoke the explorers with a dilemma.

Will you grit your teeth through thorns for instant gratification, or will you dance with the roars of beasts seemingly undentable?

Be decisive, lest you go a route that leads to a pitiful end.

The second stratum, Auburn Thicket

Biting through fragile flesh, as soon as getting past the heat of the thicket.

Grazing against the adventurers, a stinging test from the polar opposite on the journey up north.

This icy surface, disrupting the pursuit towards the top, has spelled the end of many tales thought to be on the road of destiny.

Pass by these freezing storms, and at the peak awaits a tragedy long foretold; yet this is only one of his many, many failings.

The third stratum, Frozen Grounds

Lagaard knew not what was past those snowy acres, until they arrived; and now - they continue to soar.

Like the monsters and curious souls that reside here, these pink, rosy blossoms mark the start of heights never been reached.

Through echoes heard upward, each footstep through this cherry territory serenades the adventurers.

Keep on climbing, recite a long lost grail, and you’ll be one step closer to the heavens. But tread carefully - the war ahead may overwhelm even those chosen by fate.

The fourth stratum, Petal Bridge

The world was once overtaken by Earth itself. Those fortunate enough, built a stronghold to survive.

Centuries passed. And eventually, not even the stronghold could hold its strength. 

The one constant… was him. 

Renewing it to his liking, a phenomenal palace not even fairy tales could mold. A castle glistening with gold, proudly idling above the skies where no one could reach him. No matter how long it takes. No matter how many will be lost.

Despite all the years, he’s always kept one promise burned into his mind.

“Humanity must survive.”

The fifth stratum, Heavenly Keep

Eternity - a word no mortal could understand the true weight of. 

An eternity of mistakes. An eternity of lives lost from obsession. 

An eternity of abominations created by his hand. Yet not one was worse than his first.

Over his created heaven, was a forest so eden, so seemingly tranquil; yet nothing was more dangerous. It’s a sanctuary with just a singular purpose.

A forsaken prison, to house his darkest criminal.

The sixth stratum, Forbidden Wood