#my second great true love

[thursdayschild76]

A Scorpio Moon Man Memories ♏🌙

"The merciless desire to see her suffer, making her feel the same atrocious pain she had inflicted on me, was the equal to the Love I felt for her: INFINITE.

She was, is, and will be unforgettable. But I will choose to have beside me, for the rest of my life, a woman whom I will love infinitely less than her, but who will give me tranquility and peace"

A Scorpio Moon man confessions.

No forgiveness after forgiving.

☀️♈ ↑♋ 🌙♏

[smartzelda]

Sorry guys I gotta speak my truth on this one

I'm not kidding when I say that I think that blaming shit media literacy from fans on shipping/shippers avoids the actual root of the problem to throw people you can easily throw under the bus (simply because it's not unpopular to consider people who post about ships or ship characters in media as having lesser or derivative tastes by default)

And here's why.

I think when you blame people who are "shippers" or "consume media through shipping lenses", the true root of it all is a mindset problem.

In actually, putting on shipping lenses can be helpful when trying to analyze a piece of media. When analyzing media you're supposed to approach it through a number of mindsets and put on different lenses (both to deepen your personal understanding of the media, and to pick it apart and see what you can find there (whether intentional or not on the author's part)), and different ships can be some of those lenses

When it comes to ships between main characters (for those who are genuinely willing to see what the narrative is showing with their relationship and what it's doing), there are times when analyzing it from a shipping lens may be helpful. As someone from KH fandom, I have seen people come to deeper understandings and pick canon apart in the process of analyzing a relationship that is genuinely integral to the story (platonic or not). I've also seen people get into rarepairs of characters who barely interact or who just suffer little screen time, and I've seen them come to better understandings of those side characters and how they potentially fit into the world of the media simply because people are now focusing on these characters and how they fit into the narrative.

Frankly, I resent the idea that the only way to truly objectively analyze a piece of media is by turning off the part of your brain that gets excited over relationships and individual characters. Don't get me wrong, that is a way to approach a piece of media and a valid one at that, but the truth is that we cannot be free of bias.

For instance, I was watching House MD with my parents circa last year. At some point I started heavily tuning into what was going on with House and Wilson's relationship. My parents, on the other hand, were largely watching casually. They're not thinking of character relationships or getting heavily invested in most characters, they're watching because they like watching. One of them in particular did try to analyze things that were happening in the show as they happened. However, when it came to the scene late in the series where House threw out Dominika's letter approving her American citizenship, my parents could understand that he was doing that because he didn't want her to leave, but not much beyond that. I ended up explaining to them that House's fake marriage for Dominika was an explicit parallel to when Wilson was living with House in the early seasons. Both situations started with House being none too happy about it but ultimately letting them stay, spending a considerable amount of effort getting them to leave/getting this situation to be finally over so he didn't have to deal with it anymore, and then by the time a piece of news comes through that would mean the person in question actually leaves, House hides this news as long as he can. Because he doesn't actually want them to leave and has grown attached. And by doing this he became a self fulfilling prophecy. By reacting to the truth of Wilson and Dominika leaving him the way he does, he seals his fate and they ultimately leave anyways. Maybe I ship Hilson, but becoming open to how their relationship was handled allowed me to transition to doing character studies and recognizing patterns/parallels that I wouldn't have noticed if I didn't particularly care about the characters or their relationship.

Likewise, I've seen mutuals complain about how people who don't like or don't care about certain characters often overlook these characters (what they're actually like and their place in the narrative), while the mutuals in question (by default) are able to come to deeper understanding of what the writers/story is trying to do because they care about this funky guy

You can't eradicate bias when you're engaging in media analysis, but you can consciously put on a range of lenses and observe the media through different povs with the goal of understanding the media better or bolstering your reading of it. And those lenses/povs can include focusing on specific relationships or the perpective of certain characters

And this is why I say it's actually a mindset problem. Shippers and people who have this one blorbo they like a lot aren't inherently terrible "fandom brained individuals" who are the root of media analysis problems. The problem only arises when people's readings/analysis of a piece of media are inherently restrictive/narrow and self centered. Your problem is with people who view a piece of media through a ship they like but don't keep an open mind about it, and whose "media analysis"/views on canon cannot be split from fanon and their comfortability levels. These are the people whose "media analysis" starts and ends with justifying their fanon as canon, whose views on media revolve around sorting characters and relationships into categories they personally enjoy rather than trying to understand what's going on.

Here's another example.

Here we have a fictional ship we'll call uhhhh...Blanebin. this fictional ship I made up on the spot for characters that don't exist named Blane and Corbin

Person A is super into Blanebin. They're part of the main cast of characters and canonically childhood best friends, so person A (as much as they enjoy fanart and fic) is also enjoying analyzing how narratively important to each other they are. Recently, Corbin started dating another character in canon, but Person A is enjoying watching how Blane is reacting to this. "Is this potentially a tell that Blane is jealous or is having complicated feelings about this? What if he was, how would that contextualize his behavior this season? Here's what I think based on how Blane dealt with explicit jealousy last season in a different situation". It's not impossible that person A is still missing further understanding due to their obsession with Blanebin, but at the end of the day this obsession has allowed them to start picking through the characters both in and outside this relationship. It has allowed them to see potential subtext and theorize on what might happen next with these characters' relationship. Not to mention that with addition of Corbin dating someone else, instead of trying to erase this fact or state that Corbin canonically isn't into that person, Person A is trying to factor in how Corbin's current dating life affects his relationship with Blane (irregardless on personal views on the nature of Corbin's relationship with the person he's dating).

Person B is also super into Blanebin. They really enjoy fanart and fic of the characters, love obsessing over their moments together, and just feel like there's really something between the characters. To person B, every moment between them is just further proof that the writers are ship teasing them. But Corbin getting together with someone else this season? Oh that pissed person B off. They cannot believe that even though Corbin and Blane are CLEARLY gay for each other the writers had Corbin get with someone else this season. Perhaps, they think, it was even a decision specifically made to spite fans. How evil of the writers to tease a perfectly good ship and then have them not get together first? They must have been just doing those teases to get views from Blanebin shippers those scoundrels. To Person B, since Corbin started dating someone when he obviously has some chemistry with Blane (even though the series is far from over) means that Blanebin can never get together now and Corbin x person he's dating is ruining Blanebin by existing. In fact, they think, this is terrible writing for Corbin to be dating someone else because they don't like that relationship and don't see the point. Obviously if the writers were good then Corbin would have started dating Blane instead because this was supposed to be the Blanebin show.

Person C despises Blanebin. Don't get them wrong, they've always enjoyed the character's childhood friendship, but they actually have always thought Blane would have been better off with Victoria. They have a lot of moments too! But they're tired of seeing people ship Blanebin. Corbin just got together with someone else, so obviously that's not gonna work out. Plus Corbin and Blane totally has always given person C bro vibes. In fact, person C thinks, sure Corbin and Blane have a close friendship, but people shouldn't be shipping them. Person C likes Blanetoria and Blanetoria can't be canon if Corbin is in the way of it. So Person C likes to read Blanebin as siblings anyways. Sure they're canonically friends, but obviously their friendship turned into brotherhood. This means that nothing can be in the way of Blanetoria and Corbin can keep dating the person he's already canonically dating. Actually, now Blanebin just straight up makes Person C uncomfortable. Don't the pesky shippers understand that Blanebin are sibling coded because they're childhood best friends and that they're important to each other because they're brothers? It's obvious to anyone with eyes.

Sure, ships are involved here, but is the root of this problem shipping? Character A isn't as knowledgeable of other characters in the plot due to this lens they're using, but at the end of the day they're dedicated to analysis. Their love of the characters is pushing them beyond what they like or dislike to try to understand what might be happening through their lens. Not perfect, but they are slowly broadening their horizons. But Person B and C's problems here are their restrictiveness. What is or should be canon to them is tantamount to what they personally like or find comfortable. Is person C actually analyzing the this fake show when they decide to "read" Blanebin as basically canonically siblings (and this all of their moments are totally a bro thing) just because they don't like Blanebin and the idea of them getting together over Blanetoria makes them uncomfortable? Is person B actually analyzing this fake show when their "analysis" of Blanebin goes only as far as asserting it's being ship teased and deciding anything short of canonizing Blanebin is a targeted attack or "bad writing" because it's not what they wanted personally to happen?

This is what I'm talking about. This is the mindset. Shipping isn't the problem. The problem is when people marry fanon and canon to the point where they have a vested interest in superimposing their fanon over canon as "a reading" and trying to make "collective decisions" on what is canon (or what canon is trying to say) based on what does or doesn't make them uncomfortable. The problem is people being restrictive and centering their own likes and dislikes in the conversation, so they can only interact with canon "analysis" wise by deciding what is canon or should be canon "as obviously agreed on by everyone". You can't simply claim you like media analysis. To be able to analyze media and bolster your views on any given canon, you must be open to looking at it through multiple povs, to studying characters without trying to pretend things you don't like don't exist or do like do exist. There is a balance that must be kept between trying to keep objectivity and putting on specific focus/bias based upon the lenses you're putting on. You have to be willing to try to figure out what a media is doing or saying, not saying you're trying to figure out what it's saying while in actuality trying to define the narrative around what people believe it's saying in ways that suit you.

Thank you for coming to my ted talk.

[demigodofhoolemere]

Anyone else not able to stop smiling for the entirety of 5x02?

[kumakuma-circus]

not me listening to SNOWFLAKES on loop cuz it's low-key my favorite p4 song and realizing the lyrics like perfectly encompass yu's feelings about inaba and his friends and having to leave.

LOOK AT THIS SHIT. UGHHHHHH. THE PAIN OF HAVING MEDIA COMPREHENSION SKILLS,,,,,,,,,,,,,,

[kyouka-supremacy]

🤔.

[viillette]

it's so crazy how few historical fiction novels are like sharon kay penman's. the way that they're built out of the skeleton of the historical record seems so obvious, but there's so few people who are actually willing to commit to it in the way that she did. it seems like so often that's just a starting point which gets reformed to fit a coherent narrative, but she makes no real attempt to do that. there's themes and foils and patterns, but first and foremost it is a reconstruction. you can't really know what someone who lived that long ago was like, only what they did, and you can feel how she takes these isolated, dramatic events and builds a whole life around them. the books are nothing more than an answer to the question 'what might someone have been like, what could the history between these people have been, to possibly explain something like this?' the ability to string together a handful of facts and events from medieval chronicles to create people that feel so real, and psychology and relationships that develop so naturally that these distant, seemingly impenetrable choices suddenly feel so immediate and clear is just beyond belief. you know this probably wasn't actually how things happened, but it doesn't matter because it was something like this. the particulars are less important the crushing awareness that at one point all of this made sense. there was a time when all of this was right now. the world is unrecognizable and exactly the same. that's something which sounds very simple but is incredibly difficult to accomplish.

you come to know these people so well, their loves and hatreds and ambitions and failures, and those things are rarely resolved in the end. you know them from the time that they're children, you watch each one of them die, and none of it means anything in particular except that they were a human being. things which seem like they must be building to some tragic fallout end in anticlimax. things which seem utterly inconsequential in the moment manifest again decades later in cataclysmic disaster. and then you see it all play out again from the beginning with their children, and their children's children. all these uncanny echoes, this endlessly unfolding palimpsest of lives, each laid over the triumphs and mistakes of those who came before. i've never read anything so epic with so much mastery over the micro and macro levels of history. it's the minute, seemingly inconsequential everyday details, which build into a lifetime, which builds into generation of lives, which builds into the rise and fall of kingdoms and empires. it's the merciless endlessly turning wheel of fortune that replays the same songs in different keys again and again for all time. a person is both an individual with free will, and the prisoner of their blood and circumstances. somehow everything has infinite weight, is tied to everything that has come before and will come after, is the culmination of someone's entire existence—their pains and joys and fears and hopes—and yet is simultaneously completely meaningless, just one more victim of fate in an endless procession of lives and choices. the whole impotent tragedy of humanity is laid out in front of you and it's so repulsive and beautiful. it's deep love and unfathomable, senseless horror briefly and miraculously reverberating in a vacuum, an absurd aberration fading into silence.

if it's not obvious these books have made me cry like 10 different times

[sysig]

It’s hard to put on a bright face, in spite of everything (Patreon)

[littlebluejaydraws]

In honor of @bustyasianbeautiespod finishing their coverage of seasons 1 and 2 of Good Omens (stream Rubbish and Probably a Podcast on the podcast platform of your choice)

I had a lot of fun listening along to this (they nearly had me rewatching along before I remembered season 2) and looking forward to them getting back into spn now too!

Image descriptions in alt text.

[eimearkuopio]

Schrödinger's Messiah. He is both dead and alive until we open the box. If we have had enough faith, He will be alive.

I'm not ready to open the box yet. It's been too long. I believe, but I am afraid. So if you want to open it, do it yourself. I'm going to go set up the Resurrection Feast and hope it won't be a funeral.

[glowingreverie]

.

[todayisafridaynight]

Ichiban looks like a beautiful lady ☺️

real and true

[heyholmesletsgo]

Tagged by @galauvant, thank you :D

Rules: shuffle your 'on repeat' playlist and post the first ten tracks, then tag ten people.

1) The Wrong Company by Flogging Molly

2) Love My Way by the Psychedelic Furs

3) Maybe or Maybe Not by the Adicts

4) Back In Your Head by Tegan and Sara

5) London Dungeon by the Misfits

6) Gossip Folks by Missy Elliott

7) Trust You by Mesh

8) Backslide by Rancid

9) Wild in the Streets by the Circle Jerks

10) Young & Beautiful by Lana del Rey

Tagging @alectoperdita, @apocrypha73, @snarkivistfic, @zaidnovi, @aoxue, @thesilversun, @peridot-tears and whoever else wants to share songs :)

[timeisacephalopod]

On one hand my one sister is Big Stupid and pregnant again, which I wouldn't care as much about if this wasn't the fourth kid with the fourth shitty fucking father who will do nothing but cause even MORE pain and suffering to my sister's life, and on the other hand my other sister keeps sending me apartment ads which is very sweet because she ALSO just had a baby (in August and also her situation is stable, I'm very proud she managed to pull off what she did considering where she's come from. Her boys, especially Older Nephew were SO excited for the baby and I love listening to Older Nephew talk about his sister, it's so heartening to see him so happy and excited. Something tells me my other sisters 3 girls won't be nearly as impressed, especially not Oldest Niece and it's gotten to a point where I feel somewhat compelled to try and mentor this poor kid but I don't know SHIT about kids and don't want to let this poor kid down like everyone else has, she deserves better than that).

Granted my whole life I've preferred Apartment Sister to Making Poor Life Choices sister but also recently Making Dumb Choices has made some serious improvements to her life, very impressive ones too, so it's just disappointing to watch her backslide especially into the same bullshit she's been doing since she was 18 and is now 32. But at least I'm not the only one apartment hunting 😂😂 her efforts are super appreciated given that she just moved herself as well, plus having a fresh baby (very cute baby too). Now with any luck my OTHER sibling will get her shit together hopefully before we're on child number six with father number six with all the same fucking personality flaws and mental health problems not one of these men take even remotely seriously because that's exhausting to me let alone my damn sister.

[oceantornadoo]

inspired by a dramoine fic i read! simon riley x f!reader

it’s the third time today someone has handed you simon’s paperwork and you’re starting to get confused. in fact, there’s the distinct feeling that you’ve missed a memo.

first, it was the visiting captain, so you couldn’t blame him for confusing lieutenants. but then it was johnny turning in his mission report, muttering something about “cannae be late this time if ah give it ye, lass.” which was odd, considering you weren’t his direct report (you were gaz’s). but what really sent you over the edge was getting called into price’s office and being met with a load of folders addressed to one Lt. Ghost (Confidential).

“sir, i’m a bit confused as to why you can’t just give these to him yourself.” price looked up from his desk, eyes flickering from under his boonie hat. “hav’ you seen ‘im today, lieutenant?” you nodded immediately while trying to scoop all of this paperwork (that was not yours!) into your arms. “yessir, i saw him before breakfast and then during training and then…what?” price had silently quirked an eyebrow, his beard echoing the movement. “i haven’t seen ‘im all day, so i figure it’s faster for you to deliver since you’re more well-versed in his movements than i am.” huh. “i’m sure he’s just doing his ghost thing, y’know? slipping into shadows and…”, price patiently gave you an exasperated look, “but i’ll get these to him, sir. see you later!”

the problem was, you knew exactly where simon was. in your office.

his own had an unfortunate ground level window near the track, so he was always complaining about nosy recruits until you offered to share some office space. temporarily, of course. it’s not like you were using all the empty space anyways and it made it much easier to get the opinion of your fellow lieutenant on a report by walking over to his desk, rather than going up and down stairs. that was the second point he made, and who were you to say no?

after pushing open your office door, you beelined for simon’s desk, dumping the stacks of folders on his desk. “wot’s this?” his mask was off so you could see his eyes widen at the mess of papers. “everyone now thinks i’m a drop off box for your paperwork, so i got burdened with all of this when i was doing my rounds.” he nodded thoughtfully, taking a sip of his tea. “cheers, love.”

“what do you mean, cheers? don’t you think it’s odd for them to give me your paperwork? and why do we even have so much paperwork? i swear im drowning in it this week.” he snorted at your last sentence, opening the first folder in front of him while you rounded your desk, sitting in your comfy chair with a hmpf. “yer out an’ about more than me, tha’s all.” well, that was true. the infamous ghost was not known to be a sociable person on base. “i guess…” you turned to your old radio, passed down by a retired captain, and turned on simon’s favorite classical station.

“ya want mess or the pub tonight, love?” another great thing about being on base with simon - you never had to pay for dinner. “actually, that thai place we like is doing a special tonight.” he gave you a half-smirk, one cheek ticking up. “bloody raccoon. we had thai two nights ago.” you didn’t respond, instead blinking your best impression of puppy dog eyes at him. simon sighed, then shook his head at his desk. “olrigh’. the things i do.” you smiled and winked, dipping your head back down to your desk. “thanks, si.”

-

two weeks later, you were prepping for a duo mission with simon. price had been grilling the two of you for the past three hours, making sure you had everything memorized. satisfied, he leaned back in his office chair and rubbed his temples, the feeling of a headache coming on. “one more thing.” both of you snapped your head up at price, desperate to leave and eat. you’d already missed dinner and your stomach was complaining.

“the safe house is pretty small, basically a shack. one bed, no couch. i assumed ‘s fine since y’r datin-“ “‘s fine, captain.” simon cut him off, an out of character move that had you frowning. “it’s fine, cap. not like ive never slept on a floor before.” now price was frowning at what you said. he turned to simon, who shook his head imperceptibly before becoming still again. price’s brow furrowed but he didn’t push further. he got up from his chair, eyes flitting suspiciously between you two. “i’ll see you at 0600.”

“what was that about?” you whispered to simon after as you walked down the hall. “‘s nothin’.” you were missing something but it was so unclear what. “he thinks that we’re datin-“ “said it’s nothin’, sweetheart. he’s an old man. let’s get some food in you, yeah?” you nodded, letting him guide you to the kitchen. price wasn’t that old. and you were not dating simon riley.

-

the mission was beautiful, your best one in years. it was the first duo mission between you and simon, so the nerves of pulling your own weight had settled in hard. thankfully, your skills balanced each other out and you’d gotten the target in record time. now, all you had to do was wait in the safe house for exfil.

“you were so good.” you whispered once he’d locked the door. he only hummed a response, checking exit and entry points while you set up your packs, scrounging up MREs and testing the shack for electricity. price wasn’t kidding - it was practically a studio apartment. one bed, a bathroom and a decrepit stove. the soldier part of you was fine with it, but that small soft part of you ached for the warmth of your apartment. memories of yelling at simon for using all your shampoo even though he didn’t live there, of him running you a bath after a long day of training.

“you were good too, baby.” he snuck up from behind your spot on the floor and lifted you onto the mattress that had definitely seen better days. you hadn’t even checked it for bed bugs yet. “c’mere.” he pulled you into his lap, unbuckling your tac vest as you pulled off your bandana. you tugged off his mask - the hard shell since you were on a mission - and ran your nails through his short haircut. simon started kissing your neck, wet and sloppy like he couldn’t get enough. the unrestrained want he displayed sometimes scared you. the respective pulsing in both your chest and cunt scared you more.

“so are you sleeping on the floor or am i?” he flipped you over, your back flush with the mattress as simon loomed over you. there was still eyeblack around his eyes, caught on his blonde eyelashes as well, and you couldn’t help the hand that reached up to brush some of it away. “y’r funny, sweetheart.” you grinned at that - a real toothy smile. he bent down to kiss you, scarred lips caressing your own. simon bit your lip and you moaned, sliding your legs out from under him to wrap them around his torso. when you tugged him in he went willingly, grinding into your clothed cunt. his tac vest was still on, scraping against your shirt, hardening your nipples.

“keepin’ you in this bed all night.” cold fingers dipped past the waist of your pants. you were already wet, his fingers sliding easily up and down your slit as they warmed up. that’s when you realized he still had his glove on, his movements harsher than normal. wide eyes met his own, and simon stopped so you could make a decision.

it didn’t take much as you dug your heels into his back harder, meeting him in a sloppy kiss as his gloved thumb played with your clit. “fuckin��� made for me.” he whispered, and you chalked it up to dirty talk because obviously, you weren’t together. he just knew exactly what to do, giving your clit the right amount of pressure as his other fingers teased your hole, the stretch burning more than usual. it only took a few flicks and you were off, your orgasm settling through your bones like a warm cup of tea. “jesus, si.” he grinned, his scarred lips pulling up to show a beautiful smile. “know ya like th’ back of my hand, huh?” you shook your head, capturing the idiot in another kiss.

-

after the mission, after debrief and a hot shower, you made your way back to your base office. thankfully, paperwork had only slightly piled up. one envelope stood out though - a thick card-stock with glossy, swooping letters. an invite to london’s military gala, addressed to a Lieutenant & Lieutenant. simon’s name was next to yours, connected by a singular symbol. you turned to him in disbelief. simon had been going through his own backlog, but his head snapped up under the focus of your glare.

“simon, are we…dating?”

-

this was fun!!! check out the fic i linked it was so good and i couldn’t put it down.

[sysig]

Oh getting very close now, villainy feels right around the corner (Patreon)

[hanasnx]

“ I WAS MADE FOR LOVIN’ YOU ” — logan howlett.

MINORS DNI 18+ ᶻ 𝗓 𐰁 .ᐟ WARNINGS: fem reader ノ age gap ノ established relationship ノ size difference ノ suggestive content ノ sexual content: naughty daydreams about pussy eating, nipple play, and groping; masturbation; voyeurism.

“I’m gonna take care of you.” Those six words—six—have defined your relationship with your husband, LOGAN HOWLETT. There’s a great protector in him, this compulsion to mentor and house within him that stretches far beyond his own needs. You fall within that range, and as soon as you met him you latched onto him. It didn’t take long at all before your imprint was reciprocated. Now he thinks of you first in everything he does.

He may not always look it, but you’re a factor in all his decisions. Settling down, nabbing a good job—one that didn’t ask for his background—was all to put you up in a house in the mountains. Far away from civilization, an ivory tower made up of wood he cut himself, surrounded by acres of nature. He’s always thought of himself a hair on the wild side, somehow you tame that down. It’s good, he tells himself, you and him.

It’s a partnership, and all he wants out of you is your safety. He likes you where he can keep an eye on you, make sure you stay out of trouble, make sure you’re comfortable.

You wish you could explain just why he thinks he has to protect you, why he married you, why he pays all the bills and expects nothing in return. You wish you could explain just why this relationship comprises all facets of a real marriage except for intimacy.

Logan won’t touch you. You’ll eat off each other’s utensils, fall asleep on his chest on the couch watching a movie—hell, he’ll reluctantly incline in your direction with a roll of his eyes to let you peck his cheek good-bye when he leaves for work. Yet, he won’t even kiss you. Even before he married you, there wasn’t so much as a grope or a stray look.

There’s home in Logan. You live to please him. You’ll cook him whatever he wants, keep the house he built for you clean as a whistle, you’ll spend all your free time with him, grab him his nightly beer and light his cigar so he stays content—but you’ve never even seen him naked. You doubt you ever will. Regardless, you stay, you can’t imagine leaving this life, leaving him.

It’s defied your expectations the fairy-tales of your childhood gave you. Your knight in shining armor rescued you, yet refuses to plant even true love’s kiss. When you’d matured, you’d fantasized about an insatiable husband that found you so irresistible he couldn’t keep his hands off you. Logan’s never looked at you that way, even though he calls you his wife without hesitation, married you without a second thought.

“Is it because I’m younger than you? I’m only in my early twenties. That’s not a big deal!” you’ve reasoned with him, but he still treats you like you’re naive. He must want passion, you’re sure of that. Why else are you young and beautiful if not to take advantage of it while you still can? Just once you’d like to see him yearn for you, to show lack of restraint, to come home one day so hungry for you that you don’t make it out of the kitchen.

Those claws… those deadly metal claws… you wish he’d use them in fantastical and deviant ways. Just one would glide through your nighty like sheet paper, bareing you to your husband—a sight for him only. You lie awake next to him at night, envisioning raunchy dreams of him proudly boasting the size difference between you two, demonstrating his sheer raw strength by overpowering you and taking what he wants from you. You’ve run your fingers delicately over his lips and the rough pad of his shaved chin, but you can’t imagine just how good it’d feel against your tit, swirling his hot tongue around your perked nipple while his callused digits pinch the other. You can pretend his head is ducking between your thighs, the sensation of his soft hair tickling your skin and tangling in your fingers as his masculine jaw scratches the fragile tissue of your pussy. As starved as you are, even discomfort like that is enough to make you moan into your palm, only to check over your shoulder to make sure you still hear your husband’s snoring.

You steel yourself at the noise, the low rumbling of his sleep cautions you to stay quiet but to proceed nonetheless. Your hand creeps down your neck, your chest, your stomach… You really should leave the room, but you’d risk waking him up for real at the sound of the door. Instead, you fuck yourself yet again, the soft rocking of the mattress as you hump your own hand filling the ears of your kindhearted husband—who’s been awake this whole time.