#my opinions may change

[stuckinapril]

Went from being totally lost as a teenager to finding solace in aesthetics and fitting urself into a template in my late teens and now I think I struck a healthy intermediate where I know who I am as a person generally but I’m also completely subscribed to the idea of evolving and would never deny trying something just bc it doesn’t fit the image of myself I crafted in my head

[sephirthoughts]

Vincent’s lingering obsession with Lucrecia is excellent drama, but their story is not a doomed romance.

This is an unpopular opinion, but I don’t think Lucrecia deserves nearly as much pity and excusing of her actions as she gets. This is not character-hate post, it's an analysis of a character I think gets short shrift as a Mother-Mary in a bell jar, and deserves better.

Lucrecia is morally grey. Charcoal grey. I love complex, morally grey characters, particularly when they're women, since usually women are relegated to roles that infantilize and objectify them, particularly in video games, which have historically been a very backward, androcentric medium. I strongly dislike brainless victims, subject to the whims of the male characters, without much agency, and Lucrecia was not such a character.

Lucrecia was an adult with agency and brains. She was a grown ass adult. She was a brilliant scientist. She made decisions with her eyes open, and even sacrificed her unborn child to her work. She is a very interesting character. The fact that she didn't idolize motherhood as the end-all of female existence, and that her obsession with her work was stronger than her desire to be a 'good mother' makes her far more interesting than otherwise. The fact that she regretted it later and wanted him back doesn’t magically make her a good person, or change the choices she made. It demonstrates guilt and remorse, which are part of character development. The bottom line is that she committed atrocities in the name of science, then felt guilty about it later, once she realized how devastating the consequences were to her personally. To say she didn’t know what she was doing or Hojo manipulated or controlled her is to infantilize and disrespect her character. She’s not some sacrificial angel who was a victim of circumstances; she was a willing participant in her own downfall.

Lucrecia is a tragic character, but she's not a romantic lead. Except in Vincent's head. After all was said and done, she had one of those too-late changes of heart that make tragedy so emotionally impactful. She had a human reaction to Vincent's death and felt terribly guilty for her role in all of it, as she should. That doesn't mean she loved him, it means she wasn't a monster. She lost her son, and gradually, Hojo's callous inhumanity and her inability to escape the net she wove with her own hands closed in on her. Did she deserve to never hold her baby son and never see him even once? No. But she caused it, with her own actions. That's tragedy. She was miserable, bereft, and riddled with guilt, so she made a last-ditch effort to make something right...by doing more insane science shit that turned Vincent into a monster. Seeing that she'd only made everything worse, she tried to kill herself, but was unable to, and thus ran off to become a crystal statue in a cave (this is a trope that I dislike, but that's the story, so that's what we've got).

Vincent is a bad judge of the circumstances. Vincent persists in seeing her as a lost love, and someone from whom he was unjustly separated by circumstances. The fact that he is so blinded by his feelings for her that he places her on this pedestal and can't blame her for what she did is excellent characterization, and I love it, but it's because he’s wrong. He loved her. She didn’t love him (I think she was in love with his father, but that's just icing on the tragedy cake, at this point). His lingering attachment, not to the real Lucrecia, but to the idealized version of her he has in his mind, is a very sad reality that adds so much delicious pain to his character. In the end, he is unable to blame her, because he loved his image of her (and Hojo is a way easier target for anger, because he's literally the worst), which speaks far more to his personal bias in the situation than to her actual role in it. She’s not moustache-twirlingly evil like Hojo but she’s not Vincent's star cross'd soul mate tragically torn away by cruel fate. Lucrecia was her own person.

In summation. Their story is not a doomed romance, it's a complicated, messy, ugly tangle of thorns, and one of the best written tragedies in a game that literally bleeds tragedy from every orifice. It's got one-sided love, obsession, mad science, betrayal, jealousy, fetal experimentation, murder, corpse reanimation, and a guy who can't die, and is left to deal with the consequences of everyone else's actions by himself forever. No one is innocent and no one comes out unscathed…strike that. Vincent is innocent and Hojo comes out unscathed. But still. Lucrecia is not a holy mother, she's not a brainless victim, and she's not Vincent's lost love. She's a person he loved, and who didn't reciprocate. Most importantly, she's a person. A whole-ass, complex, morally grey, fully developed person, who made terrible choices, then made even worse choices, and in the end, couldn't escape the fate she wove for herself.

And then wound up encased in crystal so she could be a pretty statue forever cause the game devs just couldn't help themselves I guess.

[septembersung]

In real life, the traddest men I know: change diapers; do chores; are present and playful with their kids; take good care of their wives; work 50+ hours a week to provide for their families; literally never think about the 1950s.

[binkyfishy]

breaking bus AU as posted on my twitter

credit to OP tysm for the idea!!

[11-angry-bees]

when i was little i asked my dad if the american revolutionaries would have been considered terrorists bc i learned about tarring and feathering and also the boston tea party in school at the same time as the US government was hunting osama bin laden and i think that explains a lot

[swordoffrivolousthings]

Thoughts about Heroes of Olympus and how it could have been better.

Sometimes I think about what would have made HOO a better series. And I'm not talking about the obvious 'too much focus on romantic relationships' and the lack of usage of certain characters or the dumb ending.

I mean the little things that would change so much (mainly character dynamics but also worldbuilding i.e. Camp Jupiter and Gaia's reasoning)

Some of the points are inspired by @crisisreading and their posts. They are the first I saw raise some of my own points so! part 2

Make the ages vary more in the main cast, trust me

Let Percy, Annabeth and Grover get older by 4-5 years. Let them become adults and find themselves outside the godly war. Let them even finish college, I wouldn't get mad. Let them do anything beside being teenagers.

I promise this would make the dynamics more interesting. Percy and Annabeth will be more mentor figures, than fellow comrades. This would create some distance between some of the them, but ultimately create something fun. Piper would come to see some aspiring female figure in Annabeth (I think this would ether be positive or negative, depending how Annabeth changed as a character over the years, but I tend towards negative). Leo would potentially have someone older to exchange ideas with. Jason would possibly feel intimidated by Percy's vastly superior age, prowess and experience, instead of being able to clash heads with him.

Hazel would have not one, but two that people that would play parent to the others' reckless behavior. (go snort your harmful stereotypes up your ass, Riordan.) Frank, when telling Percy and Hazel about his stick, would possibly find in Percy a kind hand (not that he wasn't kind already, let me explain) and Percy would probably share with him this feeling of vulnerability - not dump it on Frank - about having your life tied to a specific thing. I mean his Achilles heel, with which he would have lived for far longer.

And a whole lot more.

2. Add Grover into the series as a perspective character

You have a new trio dynamic introduced in the first book of the series. Let the original trio interact as main characters and let us see how their relationship has changed.

Grover's opinion on the conflict between the gods and Gaia would be important. He is the Lord of the Wild, and Gaia is the literal personification of the Earth. Let us see his struggle between the loyalty he has to the gods and his friends and his powerful feelings towards protecting nature.

Also, he would act as a protector for the demigods. Because while I enjoy Hedge, he is not enough to keep them safe.

3. Throw the bullshit about Gaia getting revenge for Kronos' defeat out of the way

Gaia, as mentioned before, if the personification of the Earth. One of the first gods to emerge from Chaos.

Gaia can, of course, keep her resentment for the gods defeating the son that freed her from her pain (caused by Ouranos initially). But she is a mother goddess. She should want obliterate humanity because humans are slowly killing her. Painfully. She wants to survive and the only way she sees how if by killing all the humans. She wants to save her children, aka animals, insects, nature, and the only way she sees is bloodshed. Gods are not rational in their anger, no one is. So let her be angry and vengeful and out for human blood.

DO NOT MAKE HER A FUCKING VILLAIN, MAN! Make her an antagonist, but someone's whose ideals are worth taking in and adapting. Kinda like Luke about the demigod and minor god recognition. Where have the themes of the original series gone? Remember, an important theme in BOTL was protecting the environment. It was one of the most important moments when Pan faded. Do not let that go to fucking waste. Especially not now, in the world we live in.

4. Show the effects the war had on Camp Half-Blood. Hint it at Camp Jupiter, when Percy does not have the memories to corelate it with

We've had years since the end of the Second Titan War. How did the gods change the course of events ? (the victors write the histories) How much of Luke's reasoning for starting the war was erased. (hint, all of it.) Show us how much the perspectives were shifted and how much the people that fought in it were made into martyrs and villain, basically becoming caricatures.

Let us feel how much this hurts Percy, Grover and Annabeth. How it had impacted and impacts their trauma, grief and utter horror. The younger, newer campers see them as wonderful, all-just and loyal heroes of the gods. The way they hate it.

Good moment to implement the new cabins for the gods and let the new ones forget that it wasn't always this way. Let Percy's demand to the gods be forgotten, shoved under the rug. The tragedy unfolds, use it.

Since in Camp Jupiter none of the main characters have fought, let us see the subtility. Let the older legionnaires be ragged, scarred. Older and weary, with eyes glassy and suspicious. Have younger recruits have this heavy air around them. They know what happened, what killed most of the older people in the legion.

Have Jason, Hazel and Frank see these things in Annabeth, Grover and Percy too. They realise that oh. oh. these three have fought in the war, of course they would. Show them gain respect for the trio. The same kind of respect they have for the veterans back home.

5. Cut one of the Seven from the prophecy.

I know this seems radical, but it is a symbolism thing, which I think would be more interesting in a world based on Greek mythology.

It is established in PJO that three (3) is an important number: 3 Olympian sisters (Hera, Demeter, Hestia), 3 Olympian brothers (Hades, Poseidon, Zeus), 3 Fates, 3 quest members, 3 Furies, 3 godly realms (the Underworld, Olympus + the sky, the seas). Use this.

Give us six (6) prophesized heroes. It is, after all, the second most used number in the series and a multiple of 3.

I suggest Annabeth. Why? because she has her quest from Athena. Let that be her top priority, while hanging out on the Argo II to get to Rome. Let her bond with the younger demigods and have her possible death be always on her mind. Bring her hubris into play and she would think herself the chosen one, the one demigod child of Athena to survive. This would make her falling into Tartarus with Percy not letting her go more taxing on her psyche.

Show us how she hates herself because she took one of the principal quest members to certain death. She feels like she'd jeopardized the whole saving the world thing.

Cut the Seven to Six and let Annabeth die in Tartarus. Show us why a single-man quest is a death sentence. Why three (3) is such a valuable number.

6. CONSEQUENCES!!!

Jumping straight off the last point.

Change why Annabeth would end up in Tartarus. Make her ignore the string around her ankle because she thing that nothing bad can happen to her now. After all, Arachne is gone, right.

Let this be her undoing. I do not care how she dies, but make her choices, her hubris, be her undoing. Do not let her death up to a chance, a mistake or miscalculation. Show how toxic Tartarus is, because we do not see it enough, but make it Annabeth's idea, the plan by which she dies.

Do not make it Percy's fault. Let him try to do everything to keep her alive, but still failing. Attack his sense of loyalty, his self-esteem. Show how the experiences and her death affect him.

Bring the trauma from the last war back in those chapters, in a place where demigods leave something behind.

To less drastic things - let the others get hurt. Permanently. Show how this life affects and damages people physically, too.

Have one lose an eye, another get horrific scars. Lose a limb, a part of themselves. Do not make it seem like any other could have gotten the same wound.

Tailor them to their character, their pride and their skill. Hit them where it hurts most and let us see how it changes them.

Also, about Leo. Kill him too. The fact that he ended up alive is a deux ex machina. He should have suffered the consequences.

Also also, bring back the fatal flaws. They are missing from the series. Play with them, show why they are important parts of their characters. Bring back ancient Greek fatal flaws, and new ones that make sense in a modern world.

Hurt them because what hurts them is part of who they are. Show us why the Greeks invented tragedy.

7. Age up the target age. Go more young/new adult

I understand that PJO was made for middle schoolers. But the target audience had grown up alongside the characters, and as such they have matured.

This is why I said to age Percy, Grover and Annabeth up further. Leave some distance for the old and new readers to get up and personal with the new main characters. Have them find common ground with the new demigods but have their anchor in the old ones.

Make the readers work to understand and refamiliarize themselves wit the older demigods. Because they've changed.

Targeting a more mature audience allows exploring n. 6. The realistic consequences of living with the fear that something will come and eat you. How just a little mishap could change you for life. (or what has been left of it)

Please do not go grim dark. Show that despite this all, their purpose has not stopped existing. A life exists outside of your appearance or disability still exist, and while it would be hard, do not lose hope.

8. Hope, or lack of its importance in the Heroes of Olympus series

Alongside other callbacks and reinforcements of PJO's lore, where is Elpis (hope)? Why doesn't she appear as a larger theme in the books? I don't know.

Elpis is still in the jar, having been used as a threat of defeat. But now Kronos is gone. Have Gaia use it as s symbol for her own cause.

Make hope Gaia's argument. The most important part of why her cause stands. Gaia is waking now because there is no hope for the betterment of the planet while in human - and therefore godly - grasp. She wants to save the planet, but they, the destroyers, are opposing her.

Hope is what she wants to bring back. The hope that death will not be the end of life, but further evolvement and betterment of all species.

This argument is what the counterargument should unravel. All species? Why are humans considered irredeemable, unworthy of becoming something greater?

Why can't they not coexist and why can't humans learn how to care about the world surrounding them.

Make hope for humanity and for the environment not a question of if they are capable to coexist, but how we can manage that. Humanity and nature are not mutually exclusive, but two halves of the same whole that need each other to sustain their longevity. Yes, nature can exist without humans, but humans can't.

This does not mean that the best way forward is to kill all humans.

There is no need for hope in HOO because there are no greater questions being asked about topics that require hope, because otherwise we would descend into nihilism and fatalism.

9. Give the gods reason to act the way they act, or a look at a greater narrative problem in the series

I may be generalizing, but the gods act erratically and make choices convenient for the plot, as it is, to happen.

Hera: how, specifically, does she know that Gaia is rising and what her plans are. Why is she against Gaia, when the older goddess has a track record of helping the Olympians on different occasions in the myths. Why does she decide to act when she does, how she knows that the king of the giants (whatever his name may be) is coming after her right then.

We don't know.

Athena: we understand why she wants the Athena Parthenos back. Why not force the Romans to give it back. After all, she is a goddess, even if the Romans don't respect her as the Greeks did, she has power and sway over them. Why send her children, a supposedly important part of what brings her glory, to a near-certain death. Is it misguided vengeance, an obsession to get the statue back at all cost, or simple cruelty. These reasons could apply very well to sending the Romans, yet she doesn't.

Zeus: why lock down Olympus? Paranoia, which fair, but you are a King, why wouldn't you look after your subjects? (bc Riordan chose to ignore part of his characterization in the myths and part of his godly domain) (I know kings aren't perfect, but after the last war, one would think he would do everything in his power to stop another one before it begins) Why not seek justice for Octavian's lies, that affect their ability to win the war, and kill/imprison him? Justice is part of his domain, as Zeus Nomius.

I know that we wouldn't necessarily need these answers, but without some of them, some choices left hanging seem to be there only to add to the drama and danger of it all.

All in all, I have many problems with the 'Heroes of Olympus' series. Some of them are nitpicks and personal preference as a high fantasy reader in my free time. Some of them would really add to the story and continue the themes of PJO.

Please ask me if something wasn't clear to you. I'll happily explain further.

If you find something you don't agree with, let's discuss. I'm open to changing my opinions.

[findmeinthefallair]

"It's been a year, I feel so heavy... Mama, will this feeling ever stop?"

“Mijo. It hurts. But you have so many people who love you. We can help you carry that feeling and one day it might not feel as heavy.���

(Dialogue by @childlikegoblinqueen, with some smol additions by me)

[cyarskj1899]

Mind you people say Kanye is acting out to this very day cause he lost his mom years and years ago. Megan hasn’t even gotten a fraction of that grace!

everyone cares about mental health when it comes to Kanye and excuses his antics. You can find articles about his guilt surrounding her death in 2023!!!

but Meg must take full personal responsibility regardless. Megan lost her mom even younger than he did. We don’t see black women as human.

[peacerisendove]

I think the idea that Thad’s characterization is wrong post-Impulse comics is over exaggerated. There’s a difference between a character’s background being disregarded/a character seeming ooc, and disliking the direction a character’s arc/story went.

The crux of Thad’s character post-Impulse is his hatred toward Bart. It’s obsessive, it’s twisted in the sense that it’s misdirected, but it is still very plausible for his character. You may dislike it, but that doesn’t mean it’s not a viable/plausible direction for his character.

[mielireva]

If my head was co-inhabitated by an entity from another plane helping me solve mysterious occult occurrences while putting me in dangerous situations, I'd simply fall in love with it.

Rip to Arthur, but im different

[scentofpines]

have you ever considered...that identifying out of woman/girlhood because you don't relate to the societal implications, expectations, etc... contributes to making womanhood (feel) even more restrictive? maybe you feel better when thinking of yourself as anything but a girl/woman because you do not feel like a woman (what does that even mean?) but in my opinion you just added another brick into the prisonwall that is gender.

[thatrandombystander]

I like headcanoning asshole characters as grey-asexual but they don't know asexuality is even a thing and they just thought they were "above such base instincts", and then making them suffer by inflicting their first case of sexual attraction as towards someone they find insufferable. Make the bastard want to rip their hair out in confusion and exasperation

[placesyoucallhome]

/showleft shiny boi

Might still tweak his physique and a few details a little but overall he smol, at least by au ra standards. Most importantly though, is the blue tongue, obviously. Still a timid little fish, still a leviathan-based summoner, he's on the list of toons to get to endgame before DT for rp and availability to other fcs

[doginprogress]

Uhh, well… Hi dogblr.

It’s been over a year since my last post, and a couple of years since I posted with any consistency. But I’m trying to find my love for training and hiking and doing stuff again and I had a lot of that when I was posting here with Aang and Azula. My little family has changed at lot the past 2.5 years, and I’m going to be updating this page and doing individual intros, but I’ll include some sneak peek pictures!

For now, I would love if you could reblog and/or tag some of your favorite dogblrs! I would love to start following everyone I’ve missed meeting in the time I’ve been gone and fill my feed with inspo.

[an-eldritch-peredhel]

I’d love to hear your thoughts on what Eldritch peredhel entail

-@@outofangband

Sorry this took so long @outofangband and thank you for asking this I am! Delighted! And am preemptively putting a read more down because I cannot shut up about they <3

alright I'm just gonna put stuff and headcanons down as they occur to me so expect low-moderate levels of coherency

shapeshifting is an obvious one (gets weaker down the generations) but because my brain is Like This I have caveats!

thanks to my whole peredhil things=gender allegory that my brain spit out without my permission I've long struggled against my inherent feeling that while they can shapeshift they don't like it

but because I'm now aware of my brain's reasoning I can say it's because of ✨fantasy dysphoria✨

that's oversimplifying, obviously, but peredhil already have so much issues with working through who and what they are and compromising between body and mind and spirit that actively choosing to change into/present as something/someone who They Are Not is. Not usually their cup of tea.

As a whole they tend to have specific forms that they prefer as being closer to themselves, and distinct enough that it doesn't feel like they're faking something they're not

(changing to look like a different person, or a edited version of themself is Very Very not fun unless either explicitly for disguise or shenanigans)

(the exception to this is that Luthien can make herself look almost perfectly human without any real issue. she doesn't do it often but especially as she ages she likes to catch glimpses of her reflection and get both excited and sappy. this is in contrast to making herself look almost perfectly like an elf which makes her feel like her skin is on fire.)

(Also I'm pretty sure all of them can flip their agab presentation while only feeling varying degrees of off, and even then it's a different feeling than the shapeshifting dysphoria. Dior and Elwing are the two who I think mind it the most)

They all have the (agonizing to write) trait of feeling very distinct relationships to their species in their body vs soul/mind vs spirit/fea and they all feel it very differently! This isn't exclusive to Luthien's line but the maia blood does make it worse.

Oh! This is a new headcanon of mine actually but!

They all have faces that are very very hard to capture in image. They are the bane of portrait artists (and, to a degree, sculptors) everywhere because the art never looks accurate to life

It's not blatantly off it's just. missing something? Or something was added? maybe it's a little too wide, or narrow, or long, or short, in one place or another

It's not unrecognizable but if you've ever seen the subject in real life you can just tell

It's especially bad with Luthien (and Daeron) and Dior (to a lesser extent) because everyone literally sees them differently, as in their features will be slightly different depending on what each person finds attractive/aesthetically appealing and beautiful

(not a lot, again, it's not unrecognizable, but there has never and will never be any accurate depiction of Luthien as she was as a person)

(as a concept, though, as the most beautiful creature to have ever existed in Arda, a little of her image exists in every portrait lovingly made of a beloved spouse, every child's drawing of their family, in biological sketches of songbirds and field mice, in a sculpture of a stranger's face. Daeron remembers his sister perfectly, but he collects these regardless)

(Arwen, Luthien come again, isn't described as such by her grandparents. Galadriel and Celeborn both knew Luthien, and while Arwen and her father both look as closely to her as genetically possible, to those who actually know them both it's nothing more than uncanny family resemblance. Luthien was to most a concept personified, Arwen is a person with concepts imposed on her.)

The list of people who have seen Luthien how she actually, physically, defaultly is, essentially consists of Melian, Daeron, Beren, and Dior

Beren doesn't see her as she is right away because he doesn't know her right away, but they learn about each other and she shows herself and he sees her and by the time she rescues him from Tol-im-Gaurhoth there are no echoes on her face

(He's always a little bit haunted that he nearly died without realizing he'd never quite seen the truth of her before)

Neither Thingol or Beren can quite see their own features on their children's faces. They clearly take after their mothers, after all!

(This leads to much affectionate eye-rolling on Melian and Luthien's part)

Hair stuff!

It's alive! kinda! it's definitely not normal hair!

It moves a lot on its own. Sometimes like a breeze is blowing where there isn't one. Sometimes more like tentacles. It depends on its mood.

They've got some very pretty traditional cosmic horror vibes swirling around on their heads. It's very sparkly and colorful but in a Forbidden Shrimp Colors that your brain is unable to comprehend way so it reads as iridescent black mostly, or holographic white, where applicable

Luthien's hair actually is a glimpse into space, Daeron's is a glance at a star

(Luthien's magic hair cloak survives, I think, into the 4th age and beyond, though if anyone/anything has found it they certainly don't know the origins of the beautifully intricate living star map. It has seen the reign of countless north stars, yet the lines always point to the same coordinates- where the ancient, sunken, ruined remains of what once was Tol-im-Gaurhoth lay)

Speed round!

Fangs and talons and horns oh my! Are they tooth and keratin and bone, or are they petrified wood and gem and stone? Yes!

They all smell a little like ozone and a lot like petrichor, flowers, and Green. If you've smelled green you know what I'm talking about. Also, unfortunately, like bird. Birds don't smell great, especially wet bird.

Weird Foresight Powers++

(Most of them don't have actual foresight, but all of them are more in-tune with the Song than is natural for an incarnate)

Their eyes glow, most notably in the dark, unless the irises turn black as they sometimes do. They are also all unnaturally bright versions of the less-spooky parent's- Dior's are gold, Elwing's are blue-green like a tropical sea (Elured and Elurin split the color between them- ultramarine and emerald), Elrond and Elros have pale star-gold, Elladan, Elrohir, and Arwen all have silver.

(Daeron and Luthien being the exception again, because I decided they have Melian's eyes before I decided this, and I don't know what color eyes Thingol has. Watsonianly: Melian's spooky genes overwrite a lot. Luthien's genotype is probably much closer to his than her magically overwritten phenotype)

Their sclerae turn black and their pupils white, on occasion, usually when using powers

They don't bleed right. It's a little too red for an elf, a little too light for a human, and it shines strange as it beads like quicksilver on the skin

They have very shiny, cool skin. Luthien looked like her's was silver plate under a stretched stocking, the rest toned it down from there but it's still noticeable.

The Song is. Attached to them. They are all very much Main Characters. Their lives have a clear story arc with symbolism and narrative parallels. They are all subconsciously aware that their lives are a fairytale, whether tragic or no, and yes this has many Implications and affects. They are not the only ones like this, but they are the only ones who, to some level, know they are in a story.

This is the fundamental separation between them and everyone else.

The difference in how they perceive themselves between heart soul and spirit is very difficult to explain and understand, but not impossible to someone who knows them and is willing to put in the work.

The life-long knowledge that they are Important to the Song and their every choice and event they experience and their mere existence serves a greater purpose in a way that most other people simply do not- that's very, very isolating.

No one else can understand how they see the world. Very very few people are willing to try, and even fewer in a way that's not frustrating. There is a reason most of them find only one person to latch on to outside of their family, and a reason they hold on through hell and high water.

(This is about being neurodivergent)

[wanderingmind867]

I think Superman and Batman really paint a picture of almost two different philosophies. Superman is Hope personified, he embodies light and positivity. Batman is like the personification of Cynicism and Pessimism, a man who's very dark and edgy and intimidating. A man who's paranoid, doesn't trust easily and doesn't have many friends. And let me just say: batman is the one who's more relatable, but he's also the one I dislike. Maybe that says something about me. Because I'm as cynical and pessimistic as characters like batman, that makes me gravitate towards Superman. I need that happy, hopeful feeling. I need it to ground myself. So superman is definitely the more important character to me.