#my morale is down

[marchessa]

Xxx

[ogeneraloito]

interesting how fords been surrounded by triangles his entire life. looks like ford and bill were always doomed to meet each other

ford did seem to think that he is destined to be in gravity falls, destined to be part of greater things, and bill also thought he was "destined for so much more"

to quote on alex, "that's ford's great flaw, is arrogance. is he believes that there's special people, and everyone else. that human attachments are actually weaknesses. and the song and dance that he’s giving dipper right now, is the song and dance that he gave mcgucket, back when they were younger… ‘you and me are different, we’re better than everyone else. we have a path that no one else can understand, and only us can do this.’"

i think at some point bill really thought ford was the one that UNDERSTOOD him (well, ford did think "why did rudolph not simply kill the other reindeer? he shouldve burned his workshop to the ground"). some of his henchmaniacs didnt seem to actually like bill at all

quick edit for something ive found:

this is from "dreamscaperers", and apparently ford had been dreaming about the cipher wheel for weeks before he even found the cave. enough times that he was even able to perfectly draw the wheel on the journal. bill didnt even know about ford yet.

[thebrainrotsreal]

Drew this real quick because I fucking love these two so much ???? Especially Bee. I wish they interacted more so badly. PLEASE.

Also learning how to draw these guys.. slowly.

[bi-gwen-stacy]

Haven't been the same before reading this comment

[cheekylittlepupp]

I am UNWELL.

[joyfuladorable]

Trust (based on an ask I answered)

[proselles]

clinging to the sex warning for arcane like an angst with a happy ending tag on ao3

[needanaccount2readarcaneposts]

like you guys know warwick is supposed to be a metaphor, right?

and by 'you guys' I am talking to the writers of Arcane S2 (2024), who appear to have forgotten this.

like warwick, in a strictly plot sense, is something that is done to vander. but warwick, in a narrative sense, is supposed to be a metaphor. you understand that, right?

it's a metaphor for the monster within the man?

the hound of the underground?

the way suffering breeds cruelty breeds monsters - the uncaged wrath of zaun?

the sins of his past come back to haunt him?

the violence he tried to leave behind, but never could?

"i knew you still had it in you."?

Sometimes, as he fed in dark alleys on stray gangers, the flash of knives would remind him of an old blade covered in blood. Blood passing from the blade to his hands. From his hands, to everything he touched. Sometimes, he remembered the girl again. And still there was blood. It had always been there, he realized, his entire life, and nothing he did could wash it off. He'd left so many scars that even if he didn't remember his past, the city would. When he peered into the eyes of Zaun's criminals - the gang bosses, murderers, and thieves - he saw himself.

that's the warwick we should have gotten in S2. vander the grey, not vander the unproblematically whitewashed. vander the revolutionary who brought his gauntlets to that bridge to fight for a future; the base violence necessary for change. vander with blood on his hands, just as much as the partner he scapegoated for it; tried to bury in the pilt along with his own guilt; not just vander who felt aw shucks real sorry about the attempted murder that one time. vander the complex. vander who sold out zaun's resistance to ease his own shame. vander the reckoning with his own complicity; his own violence; his own original sin. vander whose murkiness helps vi unpack her black and white worldview, and let go of the rose-tinted past to which she clings; understand jinx, even understand silco; understand that it's not just about Individual Bad People doing Individual Bad Things to Individual Good People, and Individual Good People who have to defeat the Individual Bad People, but that this is something far bigger and far older than any of them, a whole rotten system of misery and oppression that turns people into monsters. that the thing that turned vander into a monster, METAPHORICALLY, happened long before he met singed.

vander the monster, as well as vander the man.

instead, we got whatever this shit is:

[nocek]

Is it a stupid idea? Yes. Did I have to go overboard and animate it? No.

But I had to and I'm not sorry ;P

[pandadrake]

Spider-Society and The Day of Lots of Involuntary Trips to Earth-19999. (Finally finished this, god damn.)

I hadn’t seen any takes on what Spider-Society was like during Spider-man: No Way Home (2021), so I thought about it too hard.

I.e. I pulled up a clip of No Way Home to see what the Peter-abduction spell would look like from Miguel’s POV, then realized he'd have no idea what he's looking at and would probably mistake it for something else.

[kingjasnah]

insane that taravangian had some of my absolute favorite moments in wind and truth. "hey jasnah was it girl power when you used your radiant abilities to straight up MURDER three darkeyed men in the back alleys of my city in book one because a 17 yr old asked you an ethics question you didn't like?" BITCH!!!!!!!!!!!!!!!!! 😭🗣️��📢📢📢‼️‼️‼️

[blindmagdalena]

enough "it's bad writing to portray evil characters sympathetically" and more "i'm uncomfortable sympathizing with characters who do evil things"

discomfort does not warrant censorship, it warrants self reflection. it's good to be challenged by the art and media we consume. the world is messy. fiction should be, too.

[doctorsiren]

Mabel in my OOTD!

Edit: fixed a mistake in the writing 😁

[etirabys]

a frustrating thing about battle royale stories is that they take place in a world where there's a massive popular appetite to see torture and death, the existence of this appetite is the main moral evil of the story (so far so fine), and the author tends to pretend this is also a huge problem in our world so that their work can stand as a Commentary On Real Evil. when the world their actual readership lives in has the opposite problem – too squeamish about seeing torture and death and coercion and collectively agrees to sequester it out of view so that nice things can keep being available for under five dollars at the grocery store

[fluffylord]

Look how far I went, for fear of losing you.

[aardvaark]

the long way down job is such an important turning point in eliot & parker’s relationship bc they’d both been viewing the things they have in common as fairly negative: they’ve both been told that they’re cold and ruthless and dangerous and they know those things are true. so when they’ve recognised themselves in each other, it’s been a sense of "the thing that’s wrong with me is a lot like the thing that’s wrong with you". and there’s comfort in that, in a way. but now eliot gets parker to see that maybe those aren’t all negative traits, they’re just… traits. neutral. it doesn’t make them bad or good, it makes them who they are. and now when they see themselves reflected in each other, it’s not a reminder that they’re wrong and bad - it’s kinship, it’s familiarity, it’s belonging.