#must actually really be a really healing experience...

[changingplumbob]

With the pancakes cooked the pair sat down to breakfast.

Silver: Did you sleep well

Glenn: Yeah I did actually. Is that like an old person thing to ask

Silver: I'm not that old

Glenn: You won't tell me your age so in my brain that translates to old

Silver: *chuckling* I'm trying to be mysterious. So you're really okay from the whole bachelor challenge now? You're not just pretending

Glenn: I thought it wasn't good practice to discuss ex's with someone attractive that you can imagine developing feelings for

Silver: You only imagine? I must be doing something wrong

Glenn: No! You're not- I mean... your brother was the first time I properly fell in love so it was a big thing to get over but- I don't want you to think I'm pining for him when I'm not so that's why I'm trying not to mention him

Silver: Good. Because I do like you Glenn. I don't really have any flowery prose to say it in but being around you feels...

Glenn: Amazing? Mind blowing? Like you want to both listen to me prattle on and kiss my mouth to make me shut up?

Silver: I was going to say comforting but sure, let's go with those

Glenn looked down at his plate and felt warm inside. He didn't want Silver to leave tomorrow, but he had to remind himself Silver was still here for now. He was attracted to Silver but saying plainly what his feelings were... he had no experience with that. Relationships were still foreign to him after so much of his life was spent keeping people at arms distance.

Silver: So what do you want to do today then

Stay sitting here talking. Get lost in your eyes. Finally get a glimpse of the abs you claim to have.

Glenn: Well the weathers nice so a run could be good. Then maybe some fishing

Silver: Oh I love fishing! That sounds like a good plan

Glenn: Got any tips you could give me? My fishing skill is still rather low

Silver: I guess you'll just have to wait and see

Glenn: Ah, do you want a proper shower? I need to get changed but I can wait-

Silver: As much as I enjoy your abs I'll let you get changed first. I may have been living outside for decades but I can still be a gentleman

Glenn got changed quickly and left Silver to do what he needed. Trying not to think about what Silver looked like undressed under hot water he headed back downstairs and got startled seeing a visitor at the door.

Glenn: Ophelia! Why didn't you knock

Ophelia: Oh I saw you letting me in so I knew I didn't need to knock for it to happen

Glenn: Right. Well uh... this isn't really a good time for visitors

Ophelia: *quietly* Because of Silver

Glenn: What? How did you know about him? I put extra shields over the house

Ophelia: Ah Glenn... I see the future remember?

Glenn: So... you've seen him sticking around? Staying?

Ophelia: Not exactly. Can I come in?

Glenn let her inside and was filled with an undefinable nervousness.

Ophelia: You know I can't tell you exactly what I see

Glenn: *sighs* Because it's like cheating

Ophelia: You remembered! I wish Drusilla would remember, and Carmine, and-

Glenn: Ophelia?

Ophelia: Hmm? Oh yes, point. Well I've seen enough to know what his name is and that he's here at the moment

Glenn: He told me he's not the best at meeting new people

Ophelia: Oh I don't meet him now, just talk to you. But it's tricky. So I'm telling you this stuff as your friend okay? Not as a fortune

Glenn: Now you're making me nervous

Ophelia: Everyone heals at different speeds from different hurts and running can be a survival method. It doesn't mean someone doesn't care about what they're running from. And just because someone runs doesn't mean they don't want to come back, okay? Sometimes we need to meet people on their terms. Can you get the door for Miranda?

Glenn: *confused* Can I get the door for Miranda?

Ophelia: Yes she'll be here in ten seconds. Nine, eight...

Glenn got up and sure enough when he got to the door he opened it in time to let Miranda and a box in.

Ophelia: You finished it

Miranda: Considering you saw it finished before I did I think it's odd you need to ask

Ophelia: *shrugs* I am odd

Glenn: Is the box for me

Miranda: Yes

Ophelia: No

Miranda: So you wanted me to make it to give to Glenn but it's not for Glenn

Ophelia: Don't worry, he knows who to give it to

Glenn opened the given box. Inside was a cellphone.

Glenn: I already have a phone

Ophelia: That's why it's not for you. Miranda say the stuff you're going to say

Miranda: Ah, right. Well I combined the latest technology and a little bit of magic in this baby. Basically it has satellite reception capabilities combined with magic stability. So wherever the person who has the phone is, they'll always have signal and be able to call and text

Glenn: Reception, anywhere?

Miranda: Mmhmm. Whether they're on a glacier, or deep in a cave, or smack bang in the middle of a forest. This phone will get a signal, the person will be reachable, as per Ophelia's request

Glenn was in shock. He didn't even know if Silver knew what a phone was but... it was so much better than relying on snail mail when he left. Which from this gift it seemed like he would be doing as planned tomorrow. Ophelia got up and pulled him in to a big hug.

Ophelia: Stay strong Glenn

Glenn: Thanks Ophelia

Ophelia: Come on Miranda. Glenn is busy now

Miranda: He's literally just standing in his living room but whatever floats your boat. Later Glenn

Glenn waved them off and steeled himself to go upstairs and talk to Silver.

Previous ... Next

[stormydreams]

every fight scene in naruto turns into a therapy session

[dreamyintersexouppy]

transmascs stop pretending that transfems are untrustworthy sources for transfeminism challenge impos- fuck i didn't even finish and you already complained about our terminology

[inkskinned]

the problem is that being single is seen as the consolidation prize, and not the natural neutral state of being-a-person. at the end of the movie or the book or the poetry, there is a person waiting for you at the altar, and they love you. if the play is a comedy, everyone gets married. the metaphor is about how you are not-whole. the metaphor is about how everyone is going to be happily-ever-after. the metaphor is that romantic love is the most important resource on the planet, not just all-love. all-love is not a thing, that is a disappointment. the treasure is not the friends we made along the way. the treasure is the girl you landed.

the metaphor is that you cannot be alone, that means you are broken. are you getting over someone? that is acceptable, you can be getting over someone, but not for long. you must be single because you would rather not be single. you must be single and looking to not-be-single. you must want to date, eventually.

friendship and community are never seen as being equal-to or even-better than romantic connection. that person is your one! you need to find them. you need to hunt through the sand particles until you can shift out some kind of gem. this is regardless to your own experience of the beach and the sun. you need to be somewhere with someone.

if you are taking this time alone to heal, that is so sad. everyone gives you this little pitying look. the understanding is that you are not actually happier than you were before you were single. it is seen as a sort of pity - oh, you are choosing yourself, making yourself the priority? - that isn't quite right. you must mean that you are making yourself ready for the right person. you are just laying the bed better this time. open up your heart. you'll find them, we promise!

what do you mean you're really-truly genuinely-very happy? you are probably misremembering what it was like to be in a relationship. and besides, once you meet your person, that time will look grey and bland and wasted. your person is the only way for you to see in color. so what if you have taken this time - for the first time in your entire life - to actually-for-real do the fucking work. you can be proud of yourself, sure. but the way we need to know that you got better is that you get a partner. you're healed enough for the next bad part!

people don't choose to be single, they just say they're choosing to be single - they actually mean "nobody wants to date me." it doesn't matter how many people you have gently rejected or how many times you've talked it over carefully in therapy. what matters is that you are single, and by all accounts - that means you are something worth our pity. your successes and life all seem pale in the sunlight. sure, you have done amazing things and finally found your way in life. what matters is that there wasn't a person in the room with you while you did it.

you want to tell them - that's the whole thing. i didn't know how to be alone in the room. i didn't know how to handle the silence. every moment was so sharp, and i kept choosing the wrong way to close the door. i have spent my entire life in the empty well, living in the ricochet of someone else's cruelty. for once i have built myself a ladder. for once everything i taste is all mine, every bite of sunshine and laughter. i have learned how to sleep out in the open with my memories. recently, they have started to purr.

your father rolls his eyes. listen. this isn't about you. i just want a grandchild in my future.

[bitternanami]

something i think is really interesting about dungeon meshi is the cast's respective views on food as the story progresses. the way many adventurers get through the dungeon is to eat when they Must, but mostly rely on healing magic to keep going when they're tired or beaten down. death is something you can buy your way out of, here.

having these lower stakes when it comes to running yourself too hard has made a lot of people in this setting kind of devalue food and what it does for you.

im not all the way through the manga yet, but so far i really like how it goes about debunking that mindset.

long post under the cut, cw explicit discussion of disordered eating. textual depiction of unhealthy methods of dealing with it. please be cautious!

it seems like to most folks, food is either a decadent luxury, like when the governor offers mr tance a feast as a show of power and wealth, (although he is the only one who actually eats in that scene as he talks about his ambitions);

[id: the governor and mr. tance talk politics and hierarchies, while the governor eats from a bowl. mr. tance's meal is not visible behind a speech bubble.

"so you believe the sorceror is an elf?" he asks.

"i can't say with absolute certainty," mr. tance replies, "but the spells are not ones dwarves and humans typically use." /end id]

like the painted-royal feasts laios tries to partake in that never actually nourish him...

[id: laios, fresh out of the living painting feast, surprisedly holding his grumbling stomach /end id]

or, to the working class, it's pretty much exclusively fuel. i'm thinking about the scene where kabru's party, ostensibly intended to be our view into how adventuring Typically goes for most people, is shown preparing to go to the dungeon by like. walking up to someone and ordering 'a weeks' worth of rations.' purely functional.

[id: kabru enters a store, and the merchant says "welcome!"

kabru says "i need a week's worth of rations for six, and two days' worth of water."

"sure thing." the merchant then reaches behind him and grabs a large cube-shaped package, wrapped in nondescript cloth and tied in place. it thumps onto the counter in front of them both. /end id]

when kabru hands mickbell his food for the trip, he complains about how heavy it is on his back. it's a necessary liability.

we also see chilchuck, in an early chapter where there isn't much food to go around, grumbling about how he used to be better at not noticing when he was hungry. he's frustrated that he's more attuned to his bodily needs, now that he's starting to fill them with regularity.

[id: chilchuck, the only one awake, sits in his bedroll and glares at the timekeeping-candle burning down in front of him while he listens to his stomach growl. moving to find his canteen and fill himself with water instead, he thinks to himself, "my stomach has gotten weaker. i used to be able to go two days without food." /end id]

(like im not even gonna lie this is a big mood. the healing process is really really annoying)

even laios, early on, working out the logistics of going back for falin, considers his expenses and ultimately the thing he decides to save money on is their food supply. like, even the guy most invested in eating as an experience kind of just assumes he will Figure It Out. its what hes eating, not how hes eating it that matters to him at that point.

[id: marcille looks down at the ingredients they've gathered, the walking mushroom and the scorpion in an unappetizing heap on the ground, and asks laios "so how exactly do we eat them?"

he responds "let's just cook them, like normal." /end id]

but its here that senshi introduces the idea of food as art and as healing. its exciting and its fascinating for laios, getting to taste the creatures hes been reading about and fighting, but i dont think it would ever really help him feel full if not for this.

[id: three panels of laios tasting the scorpion hotpot, looking stunned, and then excitedly telling senshi "delicious!"

senshi matches his energy, asking "isn't it? isn't it?" /end id]

pictured: guy who had resigned himself to kind of just doing his best rediscovers the joy in something tasting really fucking good

what they did last time isnt going to work. falin is gone, and constantly anesthetizing their pain and healing through their weakness is no longer a realistic option for the party. in order to make it through they must all relearn how to eat well, one by one and as a group over and over again, because its either that or nothing.

one of my favorite depictions of this idea thus far is when marcille is seriously low on health and mana, and both of these problems are mitigated by taking care of herself, and trying to get iron and protein

[id: marcille, looking sickly, wakes to laios saying, "marcille, marcille, can you sit up? we've got something nice for you."

she watches senshi grill pieces of kelpie liver on a low fire, while laios ties a bib around her neck. /end id]

and drinking a bunch of dead water spirits. she gets the idea, she's supposed to get in nutrients and it'll help her feel better, but in aiming for the quick, inefficient fix, namely chugging that shit down like she heard it was good to Stay Hydrated and decided that would be the thing that fixes her,

[id: marcille throws back a cup of boiled undine-water, her face red. laios asks, "do you really need to drink it that fast?"

she gasps out "...the magical energy stored in nature spirits is actually quite hard to absorb. even if you drink a lot, the majority of it is excreted without being absorbed," and takes another drink. "that's why i need to drink as much as i can."

laios says weakly "you'll get water poisoning," but marcille only stops when senshi puts a hand on her shoulder and says,

"it's easier to absorb nutrients if ye digest them with food. that's a fundamental rule of nutrition."

marcille says, "senshi..." contemplative

and he holds out a bowl of tentuclus and a thumbs up. "let's get cooking!" /end id]

she doesn't immediately realize the answer is that she needs more than that. she's been working hard. she needs care, and she needs nourishment.

once she gets that, though, she makes her boiled water into a stew, and she works to make that stew as good as she can, and everyone can have some.

because in dungeon meshi, to feed yourself or allow yourself to be fed is treated as performing a kindness for yourself. food is what propels you, but there is also an art and a joy inherent to the process of making it; in the way you feel when you've had enough to eat.

[id: senshi watches as chilchuck and marcille eat and excitedly hash out plans.

"i've got a good feeling about this! maybe it'll work out!" chilchuck says

marcille responds, "well it's easier to feel optimistic on a full stomach!"

senshi smiles, proud. /end id]

^^^ i want to put this image on my wall

when you're working through disordered eating habits, you really do have to keep learning this shit. (in my experience, learning about cooking is one of the best ways to do so.)

i'll have to see if my thesis holds up as i continue, but i think one of the reasons the portrayal here resonates with me so hard is that ryoko kui puts most of her characters at eye level with me on this. they're all working at it, too. the text and i are both commiserating, and encouraging each other, 'have some more, you'll feel better.'

[ashherahh]

your next major relationship

Note: Please take it if it resonates, leave it if it doesn't. Meditate before making your decision. It's completely okay if you don't resonate with this reading. The collective is huge and I'm sure you'll receive the messages you need in due time.

pile 1

Cards: Seven of Wands, The Fool Rx, Five of Pentacles, Two of Cups Rx.

You're very close to achieving your goal.

Luck is on your side.

I am surprised that you actually still believe in relationships and love after the absolute shit shows of the past. You must feel like the most unlucky person when it comes to love.

Past relationships always brought out this kind of cold war with you and your partner, as though you were always at odds with your partners. Part of you felt like you were the problem for the longest time because you know, common denominator but upon more reflection, you've come to terms with the fact that you were asking the wrong people for what you need.

Those experiences hardened you. I'm seeing that it'll bleed into this next relationship to a certain degree. Your next relationship will heal a lot of those wounds of the past. You'll go from someone who always finds themselves explaining themselves and having that turn into a fight, to someone who no longer has to worry about being misunderstood.

When the cards first popped out, the messages were quite clear. Past relationships may influence your next major one, but you can always turn that around. You literally have luck on your side, your next major relationship is going to be a good one if you let it.

Love requires trust, and that might be the most difficult thing for you now but it'll be worth it.

pile 2

Cards: Two of Pentacles Rx, Two of Cups, Nine of Pentacles, Knight of Pentacles Rx.

The answers you need are coming.

A time for healing.

You build something in your next relationship. Possibilities are endless, but it'll definitely redefine how you see yourself and your life. It's a leveling up in life.

Gone are the days of feeling uncertain and uncomfortable about making decisions about your life. This next major relationship kicks everything into gear, an inspiration is birthed from this union that brings you closer and closer to the life you've always dreamed of living.

It'll come in suddem but it'll last. This is a relationship you'll have for years and years, this person will be around and see you through so many phases of life.

Maybe you have some planets in the 7th house or some of them are in Libra. Those placements usually thrive in partnerships because it acts as a reflection, it helps them delve deeper. Even if you don't have those placements, that is what this relationship will be.

This will truly be a beautiful partnership. One that is filled with mutual trust and love and ways of thinking. It'll be one that is so understanding and deep. This is someone you can truly be yourself with.

pile 3

Cards: Strength, Five of Wands, The Emperor, The Moon.

Believe in the impossible.

Balance spirituality and practicality.

This will hit you like a freight train. No one truly expects to meet someone who will become an integral part of their life, it usually builds slowly over time. Not this person though, you'll know when you meet this person. It'll be so immediate and in your face, you won't be able to deny the importance this person will have going forward.

Your connection will feel surreal at times. It's giving Edward and Bella. Get a room, honestly. The emotions are big in this relationship, it's very intense. But it's the kind of partnership that is strong through all trials and tribulations.

You know you can depend on this person no matter what you face, they are solid and strong. Their strength gives you strength in a way.

This next major relationship really exhances who you are. It influences you in a way that solifies your character and who you are. The relationship is quite balanced, giving and receiving is done in great degrees and in your own unique ways.

This is not the kind of relationship you lose yourself in at all. Individualism is respected by both you and your partner.

[untitledgoosegay]

re last reblog I do see fanfic culture pushing/replicating a certain model of "what trauma looks like," "how trauma works"

this is a problem across all areas of society obviously, but transformative works are, well, transformative. they're about crafting and modifying narratives where the fan-creator sees a flaw or a lack -- often for the better! don't get me wrong, I've done my fair share of "I take a hammer and I fix the canon," it's the main thing that gets my creative gears spinning -- but what happens when that "flaw" is simply a narrative not conforming to popular expectations?

some people just don't get PTSD from events that sound obviously traumatic. they're not masking, and they're not coping; they just straight-up didn't get the permanently-locked stress-response that defines PTSD. they walk away from a horrible experience going "well, that sucked, but it's over now." some people do get PTSD from events most people wouldn't find traumatic. we don't really know why some people get PTSD and others don't. but fandom has an idea of events that must be traumatizing, of a "correct" way to portray trauma. you see the problems with this lack of understanding in e.g. fans pressuring the devs of Baldur's Gate 3 to add dialogue where the player character badgers Halsin about his own feelings on his abuse -- because he must be traumatized, and his trauma must fit a certain mold and presentation of sexual trauma, under the mistaken impression that anything outside that narrow window is somehow "wrong" and disrespectful or even harmful to survivors.

take, for another example, the very common trope of a traumatized character who hates touch or sex "learning" to like touch or sex as a part of their healing process. certainly that can be healing for some people; other people will never like, or want, touch or sex, because of trauma or because they just don't. the assumption that someone who doesn't want sex or doesn't like to be touched must be traumatized, must be suffering from this perceived lack, is seriously harmful -- to asexual people, to people with sensory issues around touch, and to people for whom healing from trauma means freedom to refuse sex or touch.

and there's a secondary trope, one that's slightly more thoughtful but ultimately repeats the problem -- that once someone has learned that their boundaries will be respected, they'll feel it's safe to soften those boundaries. once they feel safe refusing touch or sex, they'll feel comfortable allowing it on their own terms. but many people don't, and many people won't! many people will simply never want to be touched, and never want sex, and they are not suffering or broken or lacking because of it. the idea that proving you'll respect someone's boundaries entitles you to test those boundaries -- the paradox is obvious, and yet this is something i've seen hurt (re-traumatize) people i care for.

people are imperfect victims. people don't heal in the ways you expect. many people have positive memories of their abuse, of their abusers. many people hurt others in the course of their trauma, in ways that can't easily be unpacked in a 5k oneshot. very few narratives of trauma and recovery actually fit the ones put forward by popular children's media and romance novels -- which are the ones I most see replicated in fandom spaces, because they provide the clearest narrative and easiest catharsis, and so they're easy and soothing to reach for.

that's not necessarily a bad thing! i am not immune to goopy romance tropes. i am not immune to teary catharsis. not every fic has to grapple with ugly realities. but there's a problem when these narratives become predominant, when people think they're accurate and realistic depictions of trauma, when the truth of trauma is unpleasant and uncomfortable, and doesn't fit any single narrative, let alone one of comforting catharsis

[moetartart]

:*Trigger Warning for Abuse:** An analysis of the nuanced depiction of abuse dynamics in *Baldur's Gate 3*. Please skip if you’re uncomfortable with this topic or you hate long rants <3

**Cazador at the Head of the Table, and His Forced Family, with Astarion as the Scapegoat**

Cazador is one of the best-written abusers in fiction, and Astarion is one of the best depictions of a non perfect survivor. Showcasing how abusers systematically break down their victims in a way that is thoughtful and non-voyeuristic, and how this may effect the victim after.

Astarion often receives criticism for his behavior. Much if it valid. I don’t seek to excuse his actions or speak about him as if he were a real person, But to break down this amazingly written narrative and how his experiences shape his character and a depiction of a non perfect victim. It's great to see actions having consequences in the story and being the driving force in chatecter development and I think it was handled very respectfully

One of the most compelling aspects of Astarion's story is the depiction of the "scapegoat" abuse tactic. Where a caregiver selects one child as the primary target of ridicule and abuse. Astarion says, "He took a special pleasure in my pain. He said my screams sounded sweetest." Often, the scapegoat is the child who most reminds the abuser of themselves when they were most vulnerable, or has similarities to the abuser of the parent or even someone they witnessed being abused when they were a child. The abuser uses this child to demonstrate the consequences of disobedience, and as a way of bonding the other children against the scapegoat, often by forcing the other children to engage in abuse themselves. The parent will inflict the trauma they were exposed to when they were most vulnerable on their child in a twisted way to re-gain their own power and autonomy buy projecting it onto someone elses. Acting out scenarios where they felt weak but now they are the one with all the power.

Cazador's tactics of infantilization are particularly gut-wrenching. He calls Astarion a "stupid little boy" and forces him to call him "father," undermining his belief in his ability to make adult decisions on his own while simultaneously also forcing him into adult work and physical abuse. A way to break down his self esteem and take away his autonomy. This adds another level to Cazador's twisted, intimate abuse.

It's evident when you ask if Astarion called Cazador "master" in the bedroom, and he reacts negatively. It is also implied in the dialogue, "One final thrust... and I'll be rid of you..." as Astarion stands over Cazador, ready to stab him with a phalic symbol and Cazador in a submissive position.

In a Shadowheart playthrough, we see how Astarion seeks someone to follow because he doesn’t know how to think for himself. Auntie Ethel remarks that he misses his chains, and he admits he doesn't know how to make his own decisions. In Astarion's dream, you learn one of Cazador's rules is that Astarion must stay by his side unless told otherwise. We also see that Cazador regularly dined with Astarion, serving him putrid rats. He says "I have spent two centuries with You, and that should be punishment enough," which is quite an intimate insult. In non of these are the other spawn mentioned. He also mentions his sarcasm and jokes, something you wouldn't really think Cazador would permit. This suggesting an intense, twisted co-dependency. A lot of time spent alone together. As what? His child? His slave? His lover? It's sickening. Cazador seemed to want to fill every potential key roll in Astarions life. This is actually pretty common in adults relationships.

The extent of physical abuse is further revealed when Astarion sees the mad doctor in the House of Healing and remarks, "he's just like Cazador." The narrator says, "If you're late, he will flay you... again," and Astarion states, "Sometimes he would have us submit to torture. Other times he would have us torture ourselves."

So, why does Cazador do all this? Beyond sadistic pleasure and rituals off higher power, I believe it's driven by a fear of abandonment. His goal is to strip Astarion of any autonomy so he would return even if freed. When speaking to Cazador alone, he's convinced Astarion will come back because he cannot think for himself. Cazador wants to be the center of Astarion's life, and truly believes he is. A narcissist needing to see himself reflected in others, he required Astarion by his side to validate his awful existence. If Astarion leaves, Cazador feels he's losing an extension of himself. That Astarion is his and his alone to kill.

I also believe he genuinely wants to play house. That he wants a picture perfect family. We don't know much about Cazador before the game, only that he was from a vampire family. That his niece refused to partake. It's quite clear he felt like he was missing something in his family. We know his master committed acts of cruelty far beyond what he did to his own spawn, impaling him for ten years and draining his friend Infront of him. Surly a year of solitude is like being sent to your bedroom without supper compared to that? By Cazadors logic, he's far kinder than he was ever treated. He's been kinder and more loving than his own family. His children should be grateful that he protected them from what he went through. He believes his children are spoiled and if anything he has been to soft. After all, he gave thim his families birth right far above their station, eternal life. He gave them a family that will never abandon them. What more could they want?

And if course, we as plays see this cycle continues with AA, who says he will be a far kinder master he'd never make his dear lover eat rats. They wouldn't be his child, more a pampered pet. Compared to how Astarion was treated, what more could they want?

And how very true to live that an abuser will preach about how much worse they had things and how lucky their victims are. How soft they must be to complain.

This gives us a clear picture of Astarion at the start: someone with a fragile sense of self, preferring to see others tortured rather than be the one in the chair, and looking for someone to follow. He'll fake a smile to keep them around. While this doesn't excuse his cruelty, it explains it; Astarion is free for less than a day when you meet him. There are no perfect victims, and unlearning brainwashing takes time. Reducing Astarion to "evil" or "good" overlooks the complexity of a character who could become either an abuser or a liberator.

What I appreciate most is that Astarion's past doesn't vanish when Cazador dies; he still carries the scars, but in a positive playthrough, there is hope. Astarion has the chance to do better, starts making his own choices, and sometimes gets it wrong.

Crucially, the abuse is never voyeuristic. It is always shown from the survivor's perspective, focusing on its effects on their lives. It's always clear when a player choice disrespects his growth and autonomy. Cazador and Astarion are never framed to titillate or as a mind of grousome special to the viewer, unlike in shows like *13 Reasons Why* or Ramsey Bolton in *Game of Thrones*. The game handles the topic with a lot of care. Infact the only time we see Cazador in person is when we have the chance to stop him. We never see Astarion subjected to something we can alter in some way.

Also, we do hear of Astarions bravery in trying to defy his master and save people. Unfortunately as in the game and real life, people don't always have a choice. Still, in a good ending Astarion can choose to try and help others who have been hurt and use what he has learned to make real change.

The reasons why Cazador is the way he is are another rant entirely. But while I hate him as a person, I adore him as an antagonist. How can a character be written to be pathetic and terrifying at once?

**TL;DR:** *Baldur's Gate 3* presents a complex, nuanced abuse narrative, executed beautifully. Many people overlook or disregard Astarion as an excellent depiction of survival in my opinion.

[serial-unaliver]

How can narcissistic personalities result from trauma?

While narcissism as a personality trait has existed for a long time, there is an increasing amount of people who associate the term the diagnosis "narcissistic personality disorder". I have put this in quotes because I believe cluster B personality disorders should not exist as diagnoses because they stigmatize maladaptive personality traits developed in response to trauma, and this stigmatization hinders a victim's ability to seek support and advocate for themselves.

I am a child abuse victim diagnosed borderline personality disorder with narcissistic traits and this post is based on a combination of research and personal experience. As mentioned above, I am opposed to referring to victims as narcissists, but for the sake of this post, I'll be using phrasing recognizable to people with misconceptions about the topic. Please bear with me.

Childhood trauma is a common contributing factor in cluster B personality disorders even in the psychiatric diagnosis; however, when most people think of these disorders, they think of an abuser and not a victim, especially in the case of narcissism--after all, the term 'narcissist' is a pejorative with synonyms such as 'conceited' and 'self absorbed'.

In order to grapple with the source of a narcissistic personality developed in response to trauma, you must first be aware of what narcissism in NPD is actually like. These narcissists are not supervillains who successfully gain the love and support of everyone. Narcissism holds you back in life. For example, it makes rejection and criticism especially difficult to deal with, which can make maintaining relationships or even having a consistent career difficult. The confident demeanor of a narcissist--while it lasts until narcissistic collapse--is not genuine self-love. It's a way to mask vulnerability to avoid harm that was inescapable in the past. A narcissist is significantly more self-conscious than the average person, as they must inflate themselves in every scenario in order to feel safe and secure. This is where we can see the internal suffering of a narcissist and how such a personality is, at its core, a defensive reaction to trauma.

But what about entitlement?

"I deserved the pain." Self-blaming response to trauma.

"I deserve better". Healing response to trauma.

"Others deserve worse". Vindictive response to trauma.

While narcissism is associated with the last response, it's entirely possible for narcissists to have escalated from the first, or even cycle between all three. You have to keep in mind a narcissist is not actually in love with themselves--but in order for a person to be entitled, you may be thinking they must see themselves as superior in some way, right? Well, it's more complicated than that. Different responses to trauma can arise depending on the person's life experience, past trauma, and current situation. Interaction with victims that have similar trauma, such as in a group therapy setting, can provoke a narcissist's view on vulnerability. With their perception of the world and human relationships, they may view other victims as weak if they appear to have a more 'sensitive' reaction, because this is the type of reaction narcissists try so badly to hide in themselves in order to avoid potential harm. If a narcissist views an abuse victim--or anyone, really--as 'weak' in comparison, they will feel wounded and experience vindictive jealousy when a person that triggers their vulnerability in some way has successes in life. This is where the sense of entitlement comes in. As a defensive reaction, narcissists try to convince themselves they are in some way more deserving of a better life. "A better life" for a narcissist, as developed through trauma, often involves some sort of power. This can lead to fixation on things like wealth, fame, and material items. Anything to appear 'better'. Anything to appear secure. Any way to feel in control and invincible from abuse.

It's not a sympathetic reaction to trauma, but it is equally painful and damaging as any other. If you are a victim with this sort of behavior, you're not "hopeless" like the internet will tell you. At age 25, I have not intentionally caused anyone pain in 6 years. The vindictive feelings are there, but I choose to back away when I feel I may involve others in my own pain. "I don't deserve it, but neither do you."

[catscraftsandcommentary]

Okay, continuing the idea from this post... (Basically, that the witchers from each school can shift into the animal that their school is named after, but also get some comical/cute traits of that animal.)

The mages didn't intend to create shapeshifters originally, they were mostly just fooling around and seeing what would happen. (With real children, yes they are horrible people.) But then someone found a combination of chaos and genetics that allowed a subject to shapeshift into an animal under certain circumstances. So they went "hey, what else can we do with this?" and on the testing went.

Eventually they thought to send their new experiments up against actual monsters and realized that they had the potential for a magnificent warrior...or minion. Same thing.

Over time, they realized some drawbacks:

The new creatures - dubbed "witchers" and further divided by which creature they could shift into - would first shift into a baby of their species. Not terribly useful.

As the witcher grew in age and chaos ability, so did their animal form...and never seemed to STOP growing. (There was a long argument over whether this was beneficial or not.)

When terribly wounded, the witcher would often change into their animal form, seeming unable to control the change until they healed most of their wounds.

Shifted witchers required both food and magical energy to sustain themselves and their abilities. This made them ferocious against chaos-fueled monsters, as they could absorb the chaos from those they killed, but proved a weakness if they absorbed less chaos than they needed to heal the wounds they had taken.

The full moon, which raised the ambient level of chaos in the world, would force a shift unless the witcher had impeccable control. Even then, it was so-so.

Once shifted, the animal instincts easily overpowered the witcher's conscious mind - at least until they had long practice in controlling themselves. Young cats got the zoomies and old ones took long naps. Wolves played. Vipers sunned themselves. Bears foraged for food or - if it was cold - hibernated.

The mages attempted creating a female bear ONCE. It proved to be their downfall - mama bears do not suffer threats to their cubs.

Now please imagine:

Teeny tiny wolf cubs chasing each other around the training grounds, biting each other's tails and tripping over their new paws.

Master trainers scruffing them and carrying them in an elbow or over a shoulder, while the tiny puppy tail wagged uncontrollably. Teaching them what their new bodies could do, with the teacher the size of a wagon and the students not yet knee high.

Puppies trying to scratch an itch and slowly tipping over.

Adult witchers shifting and cuddling with the students, carrying several on their back.

Ivar, oldest and most powerful of the vipers, is as large as a barn and can hold his entire school in his coiled form - and can swallow most monsters whole.

Vesemir is the size of a shed, and Geralt (twice grassed) and Eskel (incredible chaos) are not much smaller. Lambert is a perfectly normal size, thank you very much...he just looks tiny next to them.

Clothing, armor, and weapons which are crafted from the remains of chaos-fueled monsters (ie, they are inherently magical) CAN shapeshift with the witcher. Mundane items (cotton or wool, iron and plain steel) cannot. They lose more knives that way...

Young witchers learning how to harvest, process, and use various monster bits so they don't shift, shift back, and end up naked or in ruined clothing. (Yes, even the THREAD used to sew the clothing together must come from monsters. It's a pain.)

An old witcher taking the time to relax in their shifted form in the woods and being mistaken for a monster, so a nearby town hires a SECOND witcher to hunt them...bonus points if the second witcher is a friend or lover of the first, who came looking for them. Just walking into a clearing going "really? You know that town is going crazy over a huge monster that's moved in, and here I find you lying around."

(It's Ivar and Keldar. Ivar just laughs. "I ate the only monster last week, while I waited for you." And then he snatches Keldar up and wraps him in his coils.)

@everything-but-the-not-natural I know you were excited about this AU!

[lycandrophile]

if you had to live even one day as a biological homosexual male (don't play dumb or smart, you know what i'm referring to), you'd fucking k!ll yourself once you realize how miserable it is.

right, because trans people have famously never had to survive being so miserable that we feel like we’d be better off dead, and transphobia totally doesn’t compound with homophobia to make life even harder. i mean, fuck intersectionality, right? obviously being trans on top of being gay would make things easier, not harder. silly me. my stupid little female brain just can’t possibly comprehend how hard your life must be. of course i would be too fragile and weak to survive the hardships that you and only you experience. really, we should all give you a standing ovation for surviving more suffering than anyone else on the entire earth has ever had to experience.

…anyway, this whole stolen valor angle of anti-transmasculinity is weird as hell. big “back in my day we had to walk to school up hill both ways in the snow” energy. have you ever considered that maybe, just maybe, you don’t have some sort of monopoly on suffering? because believe it or not, finding community with other people who have faced similar hardships is actually a really healing experience when you let yourself do it, and would definitely be far healthier than whatever the fuck you’ve got going on here. i’d strongly recommend trying it sometime. if you get the stick out of your ass, you’ll realize we’re in this together, and that’s an incredibly powerful thing.

[irisbaggins]

Because I'm procrastinating on writing about the history of RPGs, I'm going to actually do a little analysis on that "accidental mind control" scene. Specifically, I want to look at it critically as a text and not as a bit. Why? Well, because I can, but also because it's a really interesting moment that somehow actually fits wonderfully into the narrative.

When it comes to who got mind controlled by Sam, it was just Evan and Jammer that got hit with it, whereas K managed to dodge it fully. And here's why that's so interesting to me, narratively; K is the only one of the three hit by the spell who has refused to let go of their burden. Whilst K has had it pointed out to them that they cannot do everything by themselves, they have still refused so see that possibility. They still end up taking things on by themselves, which has only been further proven by their experience in the hospital. Yes, it was fun for them to live in a fantasy for a moment, but isn't it very interesting that K chose to be a doctor and to specialise in the field they had earlier horrifically failed? Yes, it was partially a gag by Erika, but goddamn does it not fit K's character. In a world where K can be a saviour, a healer, a fixer, they decided to be specialised in a field in which their previous mistake had cost them their friend's life. Erika is excellent when it comes to subtle character traits and flaws peeking through, and this "gag" is proof of that; K feels an incredible amount of guilt, but they try to handwave it off when it's brought into the light - "Just messing around in a hot tub!" - because they cannot process their failure. Because if they failed, then what is their point? If they cannot help people, then what are they even doing?

A thing that will never leave my thoughts when it comes to K, is how we were first introduced to them; with Erika describing K as being "chronically online", fighting with people on social media and engaging in social justice. And I have no idea about you all, but I remember being very much the same as a teenager. Of thinking that every problem in the world was mine to shoulder, and thus piling on issues that were never mine to hold. I see the same happening with K, but K hasn't let that mentality go. They have only gotten worse. They have an Atlas Complex: they take the whole world on their shoulders, convinced that they alone can save it. They cannot let go of that desire to help, that desire to fix, that need for control. They were always like this, since the moment we first saw them; they just channelled that into the rest of the Misfits during the events of the first season.

But in this season? They've been alone for a while, with only Teddy for company and as a voice of reason. K has spiralled into thinking only they can save magic, and it's causing fractures that we - the audience - are only just starting to see the consequences of. Their attempt of healing Evan - which I discussed here - was a natural progression of their guilt at what happened to Magic and the Magic World, as well as their guilt for Evan and themself splitting up where the former clearly got into a lot of trouble without them. K falling into the fantasy of the hospital was them, for a moment, experiencing success, instead of the ever-present guilt that is their current adventure. K could exist within that world, not because they let up on their need for control, but because they embraced the need for control in a world that was familiar and predictable.

Which then leads into Sam's incredible feat of magic, and K's ability to sidestep being controlled. Whilst yes, it was the roll of the dice that decided their fate, I also think any other option would have maybe been less impactful: both Evan and Jammer have begun to realise they can depend on others and let go of their need to control everything, but K hasn't yet. K has begun to admit that it is a problem, but has yet to admit that it is something they must change. That they should not be carrying this burden for themselves. They started to open up to Jammer, but they still have not talked about Itsy and what their work truly entailed. They're still hiding some parts of themself, not allowing others to help with their problems. They don't know how to let others in - at least, not anymore - and so they end up refusing to let up control. They cannot give themselves in to Sam's spell, because they have to solve everything on their own. They're slowly opening up to letting others help, though; Sam was not only able to get K out of the hospital, but K also included Sam in their plan to find the source of the amplification magic. They're just not completely ready to surrender fully to letting others help. Not yet.

But hopefully, soon.

Anyway. This episode was so fun, and I loved the look into everybody's character as they were faced with the challenges of The Trope Hospital. I can't help but want to dig my teeth into what all of these islands brings out of the characters, and how the narrative unfolds. I could go on and on about Aabria's worldbuilding, and about the cast and how they play their characters. Just. Ugh. Misfits is so good, y'all.

[neonovember]

dating carmen

a carmen berzatto headcanon for all of us feening for season 2

i must admit I was bored at the start of bear and than the next few minutes I was immediately hooked! carmen is such a unique character with so many layers I’d love to uncover as the seasons progress, but for now these are all coming from the depths of my mind :)

I’ve consumed about all the bear content tumblr has to offer so it’s only right I add to the shallow pool, even though this was pure self indulgence

carmy x reader inserts below!

we all know that Carmen has little to no experience with relationship, so the beginning of yours does not come without challenges. It’s hard for him, he barely registers his own emotions much anyone else’s, but in a way he has this subconscious itch in his mind to constantly know if your okay, to ask about your day, it becomes second nature with you.

Carmen refuses to call you by your actual name, often replacing it with honey, baby girl, sweetheart and with the way that accent glides over those words like honey you can’t bring yourself to protest

Carmen has never really thought of having kids, building a family or being tied to someone forever but sometimes, when he sees you fluttering around the apartment you both share, or giggling with richie's daughter he can’t help but imagine building something like that with you, some time. he doesn't doubt that if he did every have children, you would be the mother of his kids. he has visions of it, dreams where you have a gorgeous girl he would hold close or a mini mickey running around, he has to forget it though, he’s just not ready.

Carmen barely ever eats, despite being a chef, most of the things he consumes is easily accessible and in turn flavourless and unsatisfying. but after you come into his life, you practically force him to eat every time you see him, until carmen begins to eat whenever you're near. You can’t lie, it heals something in you

let’s also talk about the totally canon time where you were up late writing one night and carmen had just come back from the beef, tiptoeing through the corridor to not wake you up until he sees you sprawled out on the couch. there’s this tension that leaves his soldiers and he wastes no time taking his shoes off and sliding under the blankets, burying his tired body into yours, grease stained shirt and all but you don’t mind. you’d scratch and brush back his hair and he’d groan in bliss, closing his eyes before you would ask him that fateful question. carmen feels guilty every time he replies with the same 2 letter word, but every time you tell him that it’s part of being his. he couldn’t lie when he felt his jeans tighten at that sentence.

continuing onto that vision, despite your amateur cooking skills, you whip up something quick for Carmen that is actual sustenance and Carmen has to force his eyes open to watch you as you cook, completely and forever enraptured by you. and this man is crazy with his eye contact so imagine it with someone he loves. it’s inSANE

feeding carmen when he’s back from the beef and is too tired to lift a hand. he’s just murmuring ‘I love yous’ repeatedly between bites and you can’t help but giggle. he’s so delirious from lack of sleep all he can form are words that have been written into his tongue like muscle memory

as we see carmen, dealing with his anxiety and unresolved trauma is often terrorised by night terror and ptsd, and that kind of causes him to have this fear of you finding out somehow, whether that be by staying over or him falling asleep next to you, it all comes to a head one night when exactly that happens, and when carmen realise you haven’t stared at him in judgement or left with the door wide open it’s like everything changes. he’s finally found someone that accepts him fully, with all his jagged ends and sharp corners and he is gone at that moment. he is totally and completely head over heels in love with you.

after that revelation you are spending most nights over at his apartment, and whilst the nightmares are still there, as they might always be, there is a relief when he wakes up and feels the beat of your body rubbing circles gently across his back

the progression of your relationship with carmen happens a bit like falling asleep, slow at first and then all at once. it doesn’t take long for Carmen to confess his love to you, in that awkward yet charming way of his, and it takes even shorter after that for you to move in with him

speaking of, carmen probably fell in love with you the second he saw you, that glow that shone in a place that wasn’t the beefs kitchen, he just couldn’t quite actualise or express his feelings

he’s probably hear Tina or Ebra teasing you about a guy they had seen you with, which was no one but your cousin, and carmen would feel this burn across his chest that sinks his stomach, and then we would just know. you would be noticing the change in his demeanour at the mention of a guy connected to you, he’ll the whole kitchen did, especially when Tina would give you a look when he chastised everyone to ‘get back to work because this place isn’t gonna run itself’

I heard someone post about washing carmen’s hair and just- yes. he’s too exhausted to even eat so washing carmen’s hair would be a frequent thing. you’d always have to do it at night though because carmen would sneak a hand around your waist and hoist you up and then proceed to fuck you against the tile walls. You couldn’t be late, he couldn’t be late. For the 100th time.

carmen is touch starved, and that makes him so incredibly needy, you don’t mind however, because you're as touch starved as him. there are times where he comes home and just reaches for you, mumbling incoherent words before just grabbing your hips and making you straddle him on the living room coach. he’s so sensitive and blissed out then, even the slightest thrust of your closed core against his tight jeans leaves him whimpering

oh yeah carmen whimpers, I mean are you kidding? Look at that man

carmen, despite not having many relationships under his belt, is ridiculously, I mean concerningly good at eating your pussy. this man will spend hours, edging you, nibbling on your inner thighs, licking and sucking before thirsting a finger and tongue into you with no warning. he knows every single inch of your body, he’s got it memorised, he dreams about it in the office, on his smoke breaks, in the kitchen, hell especially in the kitchen. getting hard all over again when he remembers the sweet taste of you on his tongue, and how you fell apart with his name on yours.

you think carmen is needy during sex? he’s a whole other thing after, this man will keep his cock buried in you long after your highs, until it gets soft and uncomfortable, and even then he needs you close to him, holding you tight against his chest or having you rest your cheek on his collarbone

bear hugs. lots and lots of bear guys. there's something about carmen’s arms that just make you feel so soft and warm wrapped up in them

carmen really likes how you smell, its almost primal (ehm anthtony bridgerton) he loves washing his body with you scented body wash, even if cousin would tease the fuck out of him for smelling like strawberries, carmen just shakes his head and smiles at the reminder that he is completely and utterly yours.

carmen isn't that rambunctious with his displays of affection, it's subtle, like making you coffee before he leaves or getting down to tie your shoes for you, but it's genuine. it's unique to him, it’s carmen. he'd probably design a dish based on you without realising how goddamn romantic that is. i imagine him calling you to the kitchen and getting you to try something, little scribbled notes written on paper and a little notebook with written and rewritten recipes and you'd ask what it is and he'd reply with "you" and then idk he’d maybe ask you to marry him

carmy would be an absolutely emotional mess on your wedding day, it's partly because he didn't think he'd have a life that included one, and partly because couldn't wrap his head around you actually saying yes. He’s crying when you both wake up on that morning, hes crying when you both sneak away to see each other before the altar, he's crying when he sees you walking down, you've got a box of tissues attached to your dress for him

carmen is a perfectionist, he has this insatiable need to make things beyond perfect, his work is his passion and that need seeps into most of life. however, a lot of the times things in your relationship don’t go right, and it’s mostly why he has never really given his all to one, he’s scared he’ll fuck it up and once that happens you cant start again, you can’t redo the recipe with a new batch. But carmen, slowly, very slowly, learns that things don't have to be perfect, they just have to be real.

You're carmen's unofficial official taste tester. One snowed in night, you and carm just stayed up all night, designing and tweaking recipes and new dishes for the bear, with carm mostly doing the designing and you being his very scrutinising critic

carmy loved whatever you called him, i think he kind of froze the first time you called his name, but he especially loves it when you call him by his full name. everyone else kinda has the same nickname for him but he loves that you call him by something only you do, because he will always call for you

And oh my god if you call him ‘husband’ after you get married? It does something unholy to him

carmen is constantly searching for you, he gets anxious when you aren't around or when your late, you are his best friend beyond his lover and the only person he can truly feel at ease with, the crew are his family as they are yours but there is so much that he bottles that he can only express to you during those nights under light of the moon and sweat covered sheets.

you take everything carmen gives, and there is so much that he does, but it was not always that easy, loving carmen was hard, it was frustrating and overwhelming and carmen is forever trying to give you the love he could not those first few months where he closed himself off to you

sometimes, your heart aches so much with the love you have for carmen, and carmen sometimes feels like he's wading through a current when he thinks of you, he just wants to give into the rush of love and adoration that overwhelms him. its personified in every vessel of his life, he's got polaroids of you stuck to his car mirror, in his wallet, he's got your necklace around his neck and drinks from your mug, you ruined him for anyone else, and he can't imagine his life without you, your scent, your hair products and bring pink toothbrush all over it.

[pinkiemachine]

How would you do Batman, I'm just wondering because Batman's my favorite character

OH HO HO!! I HAVE WRITTEN SO MUCH ABOUT BATMAN!! HAHAHAHAHAHAHAHAHA!!!!

*ahem*

His show is called BATMAN: GOTHAM FILES, and I have the basic outline for each and every one of the seasons! There’s 9 total, plus a movie finale. Here we go!

SEASON ONE:

Most of us should know basically what Bruce’s backstory is, so I’ll keep this part brief. Bruce Wayne was eight years old when his millionaire mother and father were gunned down in front of him in an alleyway in Gotham City. They never found the killer. The family’s loyal butler, Alfred Pennyworth, took care of Bruce from that point onward. Bruce started taking self-defence classes in-between going to the schwanky Gotham Academy and learning how to run his father’s business, Wayne Enterprises (a massive conglomerate that was famous throughout all of America, but especially the East Coast.) The young man had hardly healed from his traumatic experience, though, and after graduating college (something he was practically forced to do by Alfred), he decided not to stay in Gotham. He hated the city. Instead, he took off in a plane… and secretly never intended to come back…

EIGHT YEARS LATER…

It was a welcome surprise when Bruce Wayne turned up in Gotham, seemingly in a much happier headspace and eager to finally, finally take his father’s business seriously. The Prince of Gotham had returned. Months after that, there was a new legend lurking in the streets of the city. Something called “the batman” or “the bat.” Criminals were getting caught and arrested left and right, and half of them were scared out of their minds about this spectre. The police force didn’t know what to make of it… except for one Captain Jim Gordon. He knew that the legend was true… and occasionally, he would sneak into his office and scare the living daylights out of him. He and Batman had been working together for a little while now, (we get an episode later that explores how they first met), but Gordon doesn’t know who he really is under the mask, and no one else in the force thinks that Batman is even real. But Gordon is eager to help him because the police force is falling apart. They’re completely unable to do their job and keep the streets safe, so Gordon agrees to help Batman stop crime in its tracks. He wants to make Gotham safer for his wife and daughter.

Shocking literally no one, the audience discovers that Bruce Wayne is Batman, working out of a massive secret base underneath Wayne Manor—his ancestral home. But, he must balance the life of a vigilante with the life of billionaire Bruce Wayne, which can be difficult at times. We get several episodes just laying the ground work. Who runs the company when Bruce isn’t around? Lucious Fox. Who manages Bruce’s affairs and schedule? Alfred. Who makes all the gadgets and gear that Batman uses? He does. Using plenty of materials and goods he can buy since he’s a billionaire. When did he learn how to make all this stuff? Hmmmmmm….

We meet our first few villains—Penguin, Two-Face, Scarecrow, Poison Ivy, Mr. Freeze, Riddler, etc—Batman is still trying to track down who murdered his parents, and we’re having a generally good time until THE MID SEASON FINALE. You see, there’s a circus coming to town.

Haley’s Traveling Circus was famous on the East Coast, being one of the oldest circuses in the country, as well as boasting the Fabulous Flying Graysons! A family trapeze act! However, this smiling troop of clowns was actually hiding some pretty dark secrets. When they arrived in Gotham City, they were asked to help out known mob-boss Tony Zucco with some… not-so-nice things. John Grayson, head of the Flying Graysons, had been feeling conflicted about how much behind-the-scenes shady dealings the circus had been involved with over the years. So, he thought that maybe if he just let the tiniest bit of evidence leak to the police, maybe they could handle everything and the Graysons wouldn’t be caught in the cross fire. This is what brings Batman to the scene. He investigates the circus, meets the Graysons, including their son, Richard, aka Dick, and eventually goes on to solve the mysterious crime, pinning it on Tony Zucco and getting certain members of Haley’s Circus arrested. (The ones actually involved in the crime.) However, Zucco manages to avoid jail time. Not only that, but he discovers who snitched on him. That night, after the case has been solved and Bruce shows up to catch the Flying Graysons perform, everything is going great until the unthinkable happens: the lines on the trapeze snap and Mr. and Mrs. Grayson go falling to their deaths.

Dick Grayson is an orphan… and he’s angry. He’s about 11 years old, but he’s smart enough to know what’s going on. He knows why Batman was coming around asking questions, he knows who Tony Zucco is, and he knows that his father made him very unhappy. After the police have arrived, but before social services do, Dick sneaks out and climbs to the top of the building with the Bat-Signal on it (yes, by this point in the story, that’s a thing). He flashes it on and off, rain pelting down, until the caped crusader arrives. He demands to know if this was Zucco’s fault. Batman refuses to say anything, but Dick doesn’t care. He says he’s going to make Zucco pay, whether Batman helps or not, and he tries his hardest to remain true to his word. After that night, Dick runs off through Gotham several times, trying to get in touch with Zucco and attempting to enact revenge, meanwhile Batman has to keep swooping in to keep the kid from getting himself killed. He recognises the pain he’s in—he completely understands his anger—and realises that he needs a teacher—a mentor—a father figure who can lead him through all of this and keep him out of trouble. So, as Bruce Wayne, he decides to adopt Dick. At first, Dick doesn’t want anything to do with this stranger—he’d rather stay with his circus family if he’s going to stay with anyone—but then, in court one day, Bruce says something—something only Batman said to him once—and all of a sudden, it clicks in Dick’s mind. He instantly asks to be placed in Bruce’s care and not a few hours after arriving at Wayne Manor, Dick manages to discover where the Batcave entrance is. Sneaking down there, he plans to become his own kind of vigilante, just like Batman, and get revenge… until Bruce catches him and tries to knock some sense into him.

It’s here that Bruce has to confront his own past. His sense and reason are saying, “Don’t let the kid try to enact revenge!” But then, he has to ask himself, “why am I still hunting down the man who killed my parents?” He has to tell himself, “it can’t be about revenge. Only what is just and fair.” When/if he finds the killer, he will turn him over to the authorities and let him face proper punishment. Zucco… he’s too powerful. There needs to be a lot of incriminating evidence against him before the police can take action, and even then, that’s not what Dick wants. Dick wants Zucco gone. Permanently. THAT is what needs to be dealt with inside of Dick. Bruce refuses to let this boy make himself a killer. Instead, he decides to channel that anger and drive into training him. You see, when Bruce vanished for eight years, it was during that time that he met many teachers and learned many new skills. Through bettering himself and learning these skills, he felt he had grown as a person and had worked through some of his emotions. It was therapeutic. He hopes it will be the same for Dick. He also teaches him about the justice system and detective work so that they can bring down Tony Zucco WITHOUT killing him. Little by little, over the course of the next year, Dick starts to turn into the infamous side-kick Robin, following Batman on small cases and learning about fighting crime… from a distance. (Mostly.) Dick does have a knack for getting into trouble.

On the personal side of things, Dick still needs to adjust to living in Wayne Manor, going to a new school (Gotham Academy) navigating being a wealthy, famous person’s adopted son, etc etc. And then… Ra’s Al Ghul shows up. Now it’s time for Bruce’s past to be revealed. He had traveled the world, and he did have many teachers, but none quite as legendary as the Demon’s Head, leader of the League of Shadows. A secret organisation (cult, really, Bruce later realised) that had mastered martial arts, ninjutsu, and so much more. Each member was a peak specimen of the human race, with no genetic weaknesses or flaws, especially their leader, Ra’s. Bruce had been one of his top students, but then he had revealed his grande scheme for the world. Ra’s wanted to wipe out the rest of humanity (which he deemed as impure and flawed) and then the only people who would be left to inherit the Earth would be his perfect family and his perfect followers! All he was missing was a male heir to his throne. His daughter, Talia, most perfect of his children, had fallen in love with Bruce during his time in the Shadows, but before anything serious could come of it, Bruce had snuck out and left the League, meaning never to come back. Now, though, Ra’s had found him and wanted him to marry his daughter. Bruce refuses. Ra’s tries to take him by force, Robin helps save the day, it’s a big exciting grand finale to the season, and it ends with Ra’s and Talia retreating… because while Bruce was captured, they managed to steal some… “DNA”… and test tube baby Damian would be thus conceived, unbeknownst to Batman and Robin.

(Like, he’s a test tube baby from conception. Talia was never physically pregnant with him.)

Anyway, things are looking up for our main characters. They saved the city, they saved each other, they’re working on their personal growth, and everyone is excited to see Season 2 because—

JOKER TEASE!!!! DUN DUN DUN!!!!

I’mma make more posts, this is a long one, strap in…

I also have a sketch of Talia…

Part 2 👇

[makanidotdot]

How I would have done Teldrassil

There was some Sylv discourse today on twitter, which I totally missed and Nobbel deleted whatever tweet he made so idek what it was about lol, BUT I read some "how it should have been" tweets and I wanted to write down how I would have done Teldrassil:

So, Azeroth just got stabbed and everyone is trying crazy experiments with the newly discovered Azerite. Kaldorei druids end up making some azerite infused super-life substance that has pretty great healing properties, but by accident, they discover it has the opposite effect on undead. It vaporizes undeath. Maybe someone had an undead battle pet out and it touched the goo and it died like a cartoon in roger rabbit.

Anyway, the worst thing to happen to Azeroth in recent history WAS undead and having a potential weapon against that is super good, but there's the whole political problem of ~oops~ we have something that can instantly vaporize a particular enemy race… a race that's not insanely well liked even by their allies... a race that can only keep 'living' by preying on the dead of everybody else, and makes anywhere they live spooky and rotting and gross to everyone but them… anyway we won't keep this secret forever, but, in the middle of this whole azerite-rush, we'll just wait until tensions are not QUITE so high, then bring this all to light in a peaceful and honest way and both factions will have control of supply and security etc., and use it only for the good healing properties, or against any new undead threats, and definitely not against Forsaken.

But ofc, Horde spies end up discovering the existence of this Undead-Away and tell the Warchief.

A good Warchief would handle this by demanding it all fully be turned over to both factions, they would acknowledge the benefit of having that kind of power, studying the tech, but also acknowledge the extreme danger to an integral part of the Horde, and take extra steps to ensure their safety and reiterate the Forsaken's value to the Horde.

Warchief Sylvanas, however, would need to ensure Undead-Away was destroyed, and kill anyone who knew how to make it, at any cost. That type of unique threat to the Forsaken could not be allowed to exist. She would claim the Night Elves had been creating a weapon unbeknownst even to their allies (technically true), and were therefore preparing to be aggressive (a lie). She would omit the fact this weapon only affects undead, maybe even orchestrate an incident that made it seem like it affected the living too, with the help of her alchemists. Even if it came to light that this weapon only really affected undead, the idea of deceitful Night Elf weaponry would still have been planted, that particular knowledge would come too late to really matter.

Teldrassil must be attacked and temporarily controlled in order to purge this substance too dangerous for either faction to control. "USE IT ON THE ALLIANCE" some more bloosthirsty members of the Horde would say. No, no, Sylvanas would say, that would be dishonorable :). For the good of Azeroth, such a weapon must be destroyed. Sylvanas has turned a new leaf after all, she's not blighting anymore, she's interested in stability as Warchief. Both factions should be kept in check.

So, the plan would be to surprise attack Teldrassil, occupy it, purge the city of all the Undead-Away, and then... leave. They would make their intentions clear to the Alliance (after they had started the attack, of course) and actually, pretty true to their word, they would let anyone who wanted to leave the tree go peacefully. Obvs any nobody-druid who knew how to recreate the weapon would wind up dead, and any too-important druid would have to risk escalating the conflict by calling out Sylvanas's lies. But for the most part, there would be no excessive death caused by the Horde forces, Sylvanas would even make a point of publicly punishing any Horde for unapproved violence.

Sylvanas wouldn't need or want a greater conflict than necessary, so there would be none, unless the Alliance wanted to return to all out war against the Horde over what would ultimately amount to just be humiliation.

Because a pre-BFA, pre-Jailer, pre-shit Sylvanas's end goal was this: Don't die. She tried dying before, and she went to Hell, so her goal now is Never Die Again. Never Dying would be achieved by ensuring the Forsaken are a strong race with a secure future. For that, she needs a balance of Forsaken power, but also healthy and happy living races that keep reproducing, so that they keep dying, so that Forsaken can keep reproducing.

But, at some point during the occupation, Teldrassil burns. And we don't know why. Maybe some Horde did it to be mean. Maybe it was an accident as some Night Elves fought back righteously against the occupying Horde. Maybe some kind of magic + Undead-Away is insanely flammable. We never learn the truth, and if we did, it doesn't matter. The Alliance blames the Horde, and the Horde blames the Alliance.

The leaders of the Alliance heroically and epically rescue most of the citizens still in the city, with Tyrande and Malfurion leading the effort. The Horde occupying the city are not quite as lucky, but they're soldiers. So a lot of them are tryhards and have gliders so they can just jump off the tree :). And some Alliance and Horde still die horribly in flames.

Night Elves lose their home, and Sylvanas prepares for the Alliance's retaliation. It wasn't her goal, but it's something she can work with. The Horde and the Forsaken will not fall, and the banger ass BFA trailer actually makes sense and isn't false advertising.

[anoddlystoatishhyena]

Just Like Glass

CW: slight body horror (disfigurement/amputation)

(This is also quite a long post, so bear that in mind)

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Notes: THIS IS MY FIRST WRITTEN THING EVER I HAVE NO EXPERIENCE WITH WRITING - This is somewhat based of Land Of The Lustrous/Houseki No Kuni because I have been SO hyperfixated on that, and also inspired by this image that I have found on Pinterest:

If you know who originally made this picture please let me know Ok back to the fanfic-

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It'd been a while since Glass Joe would get to fight against another boxer, having been injured pretty badly in his previous fight against Bald Bull. The Turkish boxer had managed to do quite a number on him, so much so that the Frenchman's personal doctor was worried some damage would be more permanent than the usual brain damage or broken ribs. Luckily, Great Tiger offered to help, to speed up the healing process if it meant Glass Joe could get another turn in the ring faster. How kind of him. Now Glass Joe's in high spirits, not just because he's not in pain from his former injuries. The Administrator has just informed him that his next fight is only tomorrow, and it's against Disco Kid of all boxers. The happy-go-lucky boxer from Brooklyn is the only other fighter with a negative win-to-loss ratio, so Glass Joe was hoping he'd be able to snag another win from this next fight. It won't fix the ninety-nine losses, but he figured he had to start small to work his way up.

"I'm telling you, mon vieux, I'll be able to improve my win to loss ratio eventually!" The Frenchman exclaimed, explaining his plan to Von Kaiser as the two walk down the hall. "I may never make it a positive one, of course, but it'll be better than just one!"

Von Kaiser could visibly see the pep in Glass Joe's step, as he stomps next to him in his usual stiff and tense walk. "...I must say, Mein Freund, I admire your dedication. You've been doing this for... how long now?" "Hmm... around twenty years, if I'm not mistaken." "Really now?" Von Kaiser paused, his eyes narrowing for a moment as he attempted to do the maths in his head. "...I've been here around twenty-two years. I will admit, I'm surprised time has flown by so quickly." "It really is a wonder, non?" The Frenchman remarked, as the two finally make it to the WVBA's lobby. "Perhaps we can reminisce over a lovely coffee and croissant from the local café? My treat, mon amour!" This is met with a stern sigh and weary chuckle from the German boxer, Von Kaiser moving one of his hands out from behind his back to pinch the bridge of his nose. "You always find a way to twist my hand into taking you to that café, don't you?" He scoffs, though his tone is more of a joke than an actual show of annoyance. "...Fine. Let's go."

Luckily, the weather is perfect for a small walk to the cafe - The sun is bright, the clouds adorn the sky in many odd shapes, and there isn't a drop of rain in sight. The two older boxers walk out of the lobby to the WVBA, Von Kaiser reaching for the stairs' railing and holding onto it with one hand tightly. "Remember to actually use the handrails, Joe." He speaks up sternly, glancing back at the Frenchman as he begins to descend the concrete stairs. "I don't want you undoing the work Great Tiger has done to heal you." "Oui, oui, I know..." Came the dejected reply, as Glass Joe reaches for the handrail and begins using it to get down the stairs as well. "...It feels like you tell me to use the handrails every time- wuh-woah!" Of course, Joe being clumsy ol' Joe, he somehow manages to lose his footing, missing a step and grabbing onto the handrail to catch himself. The sharp sound of glass breaking cuts through the air, stunning Von Kaiser into silence for a moment. Glass Joe can see Von Kaiser tense up from the sudden noise, the German boxer's grip on the handrail nearly denting the metal pole as Von Kaiser attempts to calm himself down. Once he recovers enough to begin breathing normally again, he sighs with a disgruntled scoff as he glances back at Glass Joe. "D-Did you somehow manage to break your little compact mirror again?" "...Non, it wouldn't have been that loud.. Maybe Aran broke one of the windows back inside." "But the noise came from here." "...You're right, maybe-" Glass Joe begins to talk, but the second he stops looking around for the source of the noise, and looks down at his foot, the one that missed the step, he goes silent. His foot has somehow shattered into pieces, the translucent, glass-like shards reflecting the sunlight as they lay on the stairs. The impact has reduced Glass Joe's right foot to nothing but a jagged stump, the two men staring down in horror at the gemstone-like shards now scattered across the ground. "M-Mon dieu.." "..Oh mein gott."