#more people need to read this series

[thidwickdoodles]

Okane, Laura, & Clae

A redraw from 2019, where I read the first book—fell in love with this trio—and then never picked up the last two books because I was afraid romance would be introduced (it was not, it’s amazing)

All to say, please go read this series

[poorly-drawn-mdzs]

Do you like sci-fi and indie animation? Check out Monkey Wrench!

[lemongogo]

they should get to kill each other at least twice .i think

[genericpuff]

vent post

[cadriox]

I fucking love this disaster already

[inke-ri]

So I couldn't help but browse the THG tag bc those books own my whole heart. I actually check it now and again, and it's been interesting see how opinions have changed over the years, especially in regards to Gale and Peeta. Going through the evolution of them as just potential love interests to being far more complex than I could have expected has been a wild ride. Crazy how this reads different than from when I was a preteen.

That said, I wanted to give my unsolicited two cents on my boys, because though I have been enjoying the discussion on Peeta and Gale and what they mean to the story, I also feel like reducing them to Peeta = peace and Gale = war is far too simplistic... and oftentimes unfair to one or both of them.

See, I don't think Peeta and Gale are peace and war/destruction. They're compassion and indignation.

Peeta worries about the other tributes, or their families, or how to repay people like Rue and Thresh for what they did.

Gale is indignation at how the Capitol treats its citizens, it's anger at the injustice of inequality and brutality.

Both are needed in a story like THG. You can't have people like even Peeta not say something like "maybe we're wrong about keeping things quiet in the districts", you can't have him not drop the baby bomb, you can't start a revolution without Gale's indignation at the status quo. At deserving a better life but being denied it, at having your kids be mercilessly killed for literal sport.

However, if you start a rebellion and loose sight of your compassion, you end up no better than the people you're fighting against. Gale wasn't a bad person, imo. His heart was in the right place. He was flawed, yes, but so is everyone in this series. Gale, most importantly, lost sight of the line between fighting for the people he cared about and fighting against the people who hurt him.

Reducing Gale's indignation to just revenge and hatred ignores so much of what he stands for. Who hasn't seen laws passed that dehumanize people, who hasn't been angry and furious when someone is elected who fundamentally hates everything you are, who doesn't think some people need to pay for the atrocities they committed? There's a little bit of Gale in every single one of us - and it's important that it's there, because that's what gives us strength to challenge the status quo and make life better for the future generations.

But. You can't let it take over. You can't loose sight of your compassion or your empathy.

That's where Peeta comes in. Peeta is the voice in your head that worries about how many good lives will be lost when they give themselves up for this cause. Peeta is the worry about the people caught in the crossfire. Peeta is rebuilding when it's over and believing that the next generation will have a better life than your own. Peeta is being kind, even to people who may not deserve it.

And Gale... Gale looses sight of his compassion, and he doesn't realize it until it smacks him in the face when the bombs go off and Prim is gone and he's too far gone. Meanwhile, Peeta advocates for the end of the war even though it means the status quo remains - and regardless of what he believes himself, I don't think Suzanne chose him to say those lines by chance. It means both mindsets have their flaws: too kind and things that shouldn't remain will never be challenged and changed, too angry and you may loose sight of what you're fighting for.

And that's just how Suzanne uses her characters, both of them, all of them. Just look at who is with Katniss depending on the situation:

- Katniss chooses to "rebel" after Gale is brutally whipped. She kisses him.

- Katniss realizes that in order for D12 to rebel, everyone would need to be in on it, and she realizes most of them are not like her, that they're scared and she understands, emphasises with them. Peeta walks by her side.

- Katniss finally does it though, shoots the arrow at the force field, and Peeta is taken from her, it's now Gale by her side.

(You can't start a rebellion without indignation, and sometimes you HAVE to do it or things will never change, regardless of the inevitable pain that will come along.)

- Katniss is righteously angry at the Capitol bombing a hospital full of innocents to make a point. Gale remains there.

- Coin twists people's compassion into an army to fight for her own personal gain. Peeta is hijacked and looses his sense of self.

- Katniss and Gale go to District 2 and even though she tries to be like Peeta, she's still shot- reinforcing Gale's views, the person who was with her during that sequence.

- Katniss is angry at Snow, Katniss goes to the Capitol to kill him. Gale is there.

- Katniss gets in way over her head and realizes she is responsible for the death of most of her squad. She shares the lamb stew with Peeta, and later cleans his wounds.

- Finnick dies and she's at her lowest up until that point and all she wants to do is give up and give in to the anger. She kisses Peeta and begs him to stay with her.

... Claiming that Gale is destruction ignores the fact that he's with Katniss through her own moments of strength. Her desire to change things, to fight back, is as important as her compassion. Mockingjay just brutally shows you what war does to your indignation, to your compassion. How easy it is to cross a line between righteous anger and revenge, or how your sense of empathy and compassion can be manipulated into something monstrous by others, or by all the terrible, brutal, painful things you see.

How easy it is to loose yourself- and that goes for both of them.

Peeta and Gale aren't static characters, they go from representations of sentiments regarding an injust government to what happens to those feelings when an extreme situation such as war breaks out. All of that, by the way, while dealing with this duality themselves, because they are still characters who think and feel and struggle and have flaws of their own- and while I love what they stand for, I've seen too many comments that pin everything into what they mean, that they forget that Peeta and Gale are still people, they aren't perfect metaphors. They're human.

Ultimately, Katniss doesn't really choose peace. She wants peace, yes. But what she chooses is compassion. empathy. hope. There's a time and place for anger at injustice. There's a time when fighting back is the right thing to do. There are even times when you wanna give in to your despair and lash out. But if you want peace, then you have to choose Peeta, because Peeta represents what you need to focus on to achieve that peace. You have to let go of the anger or you won't ever rest. So Gale leaves, and does not come back... And yet, Katniss still has her moments of indignation, of making a stand, even as he goes - she still casts her vote at that meeting, she still shoots Coin. Katniss does not abandon that part of who she is. It's just not her main drive anymore.

So then she goes on to make the choice, every single day, to be compassionate to others. To have hope. To rebuild. Of course she chooses Peeta.

... Idk, man. These boys are so much more than what I see them so often reduced to. They're in all of us. There will be times to stand and fight, and times to show mercy and be kind. We just need to find that balance, as Katniss eventually did.

[fridaraph]

Wakamiya’ &Yukiya

Source: Matsuzaki Natsumi-sensei's

[cluescorner]

I cannot imagine being a Damian stan right now. You've got both Zdarsky's bullshit (where he clearly doesn't give a shit about your boy) and The Boy Wonder (where Juni Ba clearly gives so many shits about your boy) coming out on the same day. The whiplash must be insane. I hope y'all get some nice warm soup for your efforts jfc

[thrumbolt]

Thrum friend. Would you recommend the ACOTAR books? I see people in a Discord book club mention thinking about reading them and I'm like. 🤔. Obviously you have at least taken to certain characters but everything I see on timeline seems to be. Kind of in spite of the actual books 🤔

Not me finding this ask wedged between several hate anons from this fandom lmao

ANYWAY mzyraj, my friend, my long term mutual, how best to put this....

STAY AWAY FROM THESE BOOKS! (Yes read them? Maybe?)

Long answer: The first book is a 3/5 retelling of beauty and the beast mashed up with the ballad of tam lin. It's nothing special but it's a relatively entertaining, easy read. The first half moves slow and the second half gets more interesting. It has grown on me when I revisited it after finishing the whole series so for me it's a 4/5 now. But I'm biased.

When you ask the general fandom however, they will tell you that the first book is not that great, but you need to read it so you can get to the second book, which is the true masterpiece. For 90% of people this is their favorite book. I am not 90% of people. Book 2 retcons a lot of book 1 and gaslights you about events and I just couldn't really deal with that, I was hate reading this thing for the most part.

And yet. AND YET I finished book 2 within days and had to immediately order the next one. And same story for all the books really. Kind of a hate read, but there is something in these things (fairy crack?) that just sucks you in. Or at least it worked on me.

Is the writing good? Not terribly. Is the plot good? No. The world building? Nu-uh. Is it horribly straight and the fandom awful? You bet. And yet look at me! It's been over a year and I'm still trapped in this hole, eagerly awaiting book 6 to know if my fave will beef it and who gets to bang whom.

So, can I recommend Acotar? Not unless you want to potentially end up in the fairy hellhole with me.

[hanzajesthanza]

also i realize i'm saying all these noble and beautiful things about the channel from the purest depths of my heart. but actually i'm also just doing this because i fucking love the witcher books and it pisses me off that people don't know about them that much in english and i can only go for so long (seven years) with people not knowing that there are books. or that the witcher is from the 90s. or polish.

[bakedbananners]

I think any criticism you can apply to Jason being a boring main character could just as easily be applied to anyone else in the Seven because the entire Heroes of Olympus series lacks a strong definitive narrative voice in general

[wycross]

i absolutely cannot get over the depths of misery that are reflected in gojo going from "we're the strongest" to "i'm the strongest" especially with the recent manga themes. he lost the one person that was his equal, the only one capable of keeping up with him, of showing him love.

the immense loneliness reflected in that. he was alone all his life until he met geto, too strong, too special to make any connections with others. and then he met geto and he was able to interact with him as a peer, as an equal, and finally have something like a normal human relationship despite his powers. and he lost it.

it's almost worse than him never having been able to find someone to keep up with him in the worst place. he knows what hes missing out on. and he doesn't have the normal people option of moving on, finding someone else - there is no one else. only geto was able to match his pace, meet him on equal ground. and then he lost that and had to kill his only friend, lover, real human connection.

"i'm the strongest" sounds a lot like a brag. but it's the loneliest, saddest truth, admitting that he's at the top. and there's nobody who can reach out and touch him there. not anymore.

[inaflashimagine]

Did someone say a Nagumo fic? I would like to see it 🤲🏽

ask and you shall receive (pasting 2k below bc i'm unhinged)

–

You’re considering poisoning the vice principal of JCC.

It’s still in the planning phase, of course. But the true challenge, if this impossible task were to ever be achieved, would lie in the execution portion. Before leaving the airtight rooms of the laboratories, all students in the poisons department must properly discard any concoctions they’ve made in the fume hood (and any other chemicals that require extra care in their disposal are handled by the 24/7 toxic waste team). As many faculty in the department often repeat during their classes, the greatest poisons a student could ever make are arrogance and ignorance. For that reason alone, anything made for off-campus assignments is safely stored by lab managers in the school’s securely locked freezer until they must be given out.

Not to mention that every poisons professor also practices their due diligence by constantly updating the school chemicals inventory, which includes keeping track of the approved materials and poison recipes that students can take out of an extensive library of hazardous reagents, toxic substances, and highly coveted venoms.

That doesn’t mean that students haven’t tried to outsmart faculty or find a loophole in the system. Third-year Tanaka Kaito thought sneaking out with the tiny glass bottle containing his newest poison inside his mouth was a smart choice; and it might’ve been, if he hadn’t tripped over the lab assistant’s foot, which, coincidentally, happened to be in his way. Peers smarter than him have managed to avoid ruptured intestines or chemically burnt mouths, but considering these individuals–of which there are many–still fail and end up being expelled, stealing such precious items is not a risk many in your department are willing to take.

You understand the delicate position JCC is placed in when students break the institutional rules; since the JAA requires any poisons that are used by assassins or during non-educative assignments to be manufactured by those with a toxicology license, it makes sense that the JCC would adopt the most stringent guidelines to avoid a bad reputation.

Still. It doesn’t hurt to dream–or at least, you can’t get expelled for wishful thinking.

Besides, you have to find some way to pass the time in this dreadful class.

“Who are you thinking about killing this time?”

You blink, your eyes falling on the person who interrupted your delusions. The one who makes this class even more agonizing than should be tolerable.

“What makes you think I want to kill someone?” Flipping over the pages of your notebook to a blank one, you begin to scribble today’s course topic and can’t help but note the irony of you desperately wanting Ito-sensei to enter the room so he can start your least favorite class.

The Art of Espionage: For Intermediate Learners

From your periphery, you can see your dark-haired classmate leaning back into his desk chair as he deftly twirls a pocket knife in his hand, unfazed that all of his weight is balanced by one precious metal leg. He laughs lightly at your question, but it’s difficult to catch any mirth that follows it. “I always assumed only assassins carry bloodlust, but you proved me wrong. Though I guess I should’ve seen it coming.” His smile widens, a hint of smugness tugging the corner of his lips as he points the blade toward you like he’s just pointing a finger in your direction and not a potentially lethal weapon. “The ones in the poisons department do love holding grudges.”

You don’t know what others see in Nagumo. Sure, he’s objectively attractive–it would be stupid to argue that fact, and you’re not blind. And yeah, he’s one of the top second-year candidates in the intelligence-gathering department (though there are rumors of him wanting to transfer to the assassin program)–that’s not a surprise for someone who comes from a prominent family of spies, even if it is quite funny that the tidbit is well-known despite everything else about him being shrouded in the largest cloud of mystery…

…but any of those appealing characteristics seem to be thrown out the window the moment he begins to talk. And boy, does he talk.

“See, if I didn’t know any better,” he speaks up, yet again, eyes closed into half crescents as he cheerily jokes, “that annoyed look on your face says you wanna kill me!”

“Well, if you must know, you’re the third on the list. The first person is the vice principal for not switching me into another class.”

Each semester all JCC students must enroll in one class that falls outside the curriculum for their major. This is to ensure that their graduates are competent in all skills that they may need to succeed on the field or in the lab, even if it is unlikely they’d employ every skill on a daily basis. Since the best assassins, spies, weapons makers, and poison experts in the world are adept at rapidly adapting to different situations, it makes sense that the JCC would implement such a rule for their students. But that doesn’t mean you have to enjoy following said rules.

Your first semester at JCC wasn’t too bad. Technically, only third years can matriculate in poisoning classes–though there are a few introductory courses and practicums you can take starting your second year–so you’ve grown well accustomed to enrolling in classes that are beyond the usual chemistry and physics gambit. And since all students are allowed to rank their top choice electives, you were fortunate enough to get the History of Weapon Craft and Creation (considered one of the easier electives for those outside the weapons fabrication department). 

The semester after, you barely passed Firearm Handling & Defensive Training, but at least that class improved your aim with the laser guns in the cafeteria, meaning getting less of those horrid JCC bowls. Yet your luck quickly ran out at the start of the second year, as this semester you now find yourself to be the only poisons department student in a room filled with good-looking, downright intimidating, and incredibly sharp intelligence-gathering students.

You have no idea how you were even allowed to take a class with prerequisites that are nested in the intelligence-gathering department, but your grievances fell on the deaf ears of administrative staff who didn’t even apologize for the scheduling mishap. (Then again, these are the same people who don’t bat an eye when students in the assassin department are gravely injured and even die during an assignment or in the middle of class. It’s no shocker that the second-year class size has considerably dwindled from last year.)

With all other courses being full, your choice was to stick to this option or switch to Martial Arts & Tactical Hand-to-Hand Combat for Advanced Learners. Even if you can’t avoid your fear of looking like an idiot in front of Japan’s future spies, you can at least evade the terror of literally dying by the hands of the country’s strongest assassins-in-training (you heard Sakamoto Taro was a killing machine, a fact you would be happy to simply believe rather than test out for yourself).

However, your earlier fears have now evolved into a living nightmare after Ito-sensei announced that everyone would be assigned a partner to work on assignments together throughout the semester. You didn’t know who Nagumo was until your roommate Asami gasped at the mere mention of him (which isn't even his full legal name! What is he, Prince?). Banging your head against the wall might be a more pleasant experience than having to hear her complain–for the umpteenth time–that you get to learn from such a ‘genius’.

Admittedly, it's only been a few weeks into the semester, but you're still having trouble identifying the genius part.

“Wow, how scary! I’m terrified!” Nagumo sounds anything but after hearing your empty death threat. “Who’s the second?”

“None of your business.”

“Aw, don’t be like that! Do I know them?”

You think about it for a second, drawing the potential lines forming the network before shaking your head. “Well, actually, yes. Because congrats, you’ve just been bumped up to #2.”

He grins at that, big eyes crinkling. “See, now that’s a better response! But wait, am I third–”

“Second, now…”

“–right, second on the list because I forgot to do my part of the presentation? I swear I meant to get to it, but I got carried away with an outside mission.”

Genius? More like a lazy piece of shit, you think bitterly, eyes squinting at him to scrutinize what he’s hiding under those large dark eyes and that apparently innocuous grin. Of course, because you suck at intelligence-gathering, you come up with nothing other than a pathetic, “Stop lying, you sucky liar.”

The corners of his lips droop a bit further down than usual, but he still manages to adopt that customary smile of his and waits for another beat. Fully aware that the silence and staring make you uncomfortable.

“About the mission or getting the work done?”

“Both.”

“You’re funny!”

“See what I mean about the lying?”

The chair he’s sitting on instantly lands on all four, the harsh sound of pegs scratching the linoleum floors making you startle against your better judgment. One hand rests on his chin as he raises a brow at you, clearly amused. “But really, why would I lie about either part? If it makes you feel any better, I’ll make sure we get top marks on today’s presentation.”

You only have enough time to offer your exasperated sigh as an answer, since Ito-sensei finally walks in and announces the start of today’s presentations.

“Good afternoon everyone, apologies for my tardiness as a meeting went over. In preparation for your first exam next week, each group will be reviewing a different fundamental skill for carrying out espionage. First tactic: seduction.”

When you hear your name and Nagumo’s being called out, your suddenly heavy legs slowly drag their way to the front of the room, already anticipating to make a fool of yourself with your half-assed presentation on how to seduce a target, a skill all these students staring at you in boredom more than likely have performed a thousand times before.

Straightening your posture, you’re ready to begin your long unnecessary speech on the purpose of seduction until Nagumo yawns. Loudly.

The action has you momentarily pause, soft tittering spreading throughout the classroom until you narrow your eyes at your beaming partner, clear your throat, and continue.

“Seduction can be used as a weapon when the person employs the technique to obtain an objective, as seen in–"

“This demo we’re about to show!” Nagumo cuts in, waving his hands animatedly as if about to introduce a mesmerizing performing act. Your confusion only continues to grow as he sharply turns on his heel to face you, bewildered to see that his usual bright smile has been replaced with a more coquettish expression on his face.

“What are you–”

“The word seduction means to ‘lead astray’ in Latin. Doing such a thing means you have to observe your target’s every move. How they move. How they look at you. At others. At their surroundings.” Every step he takes forward means you take one step back. Until you find yourself hitting the wall, your eyes widening with how cold it feels against the back of your neck. “How they react. How they respond to you.”

He doesn’t even have you pinned, his arms laying idly by his sides while you dumbly acknowledge you can easily escape right now. But for some reason, you feel trapped under that curious gaze, the upward quirk of his lips sending a weird shiver up your spine.

“Catch the changes in their body language.” He tilts his head, and when strands of his shaggy black hair tickle your cheek you fully realize the distance–or lack thereof–between you two. “Are they fearful? Or are they open to receiving your advances? Do they approach you just as eagerly?”

Since when did he get so close?

You gulp when his hand dances over your hip while the other outstretched one reaches your face, and you hate how your head instinctively leans toward the motion. It becomes harder to stand your ground while your gaze flits back and forth between the inked numbers on his fingers and those half-lidded eyes, a darkness so rare with how inviting it seems.

As he delicately brushes a strand of your hair behind your ear you wonder if he can hear the frantic hammering of your heart against your chest. Even if he can’t catch it, you can tell by the slight way his eyes glisten that he certainly knows, and maybe even relishes, the effect he has on you–the way you’re futilely trying to snap out of the reverie you’re currently in, drunk in the smell of whatever woodsy fragrance he decided to wear today mixed with the sickly sweet scent of that caramel candy he was chewing on earlier.

Well, fuck.

“And it’s in that moment, when their mind is distracted and more focused on you than their own thoughts”–his nose brushes yours, and your breath hitches as all you can do is close your eyes–“is when you make your move.”

You feel your lungs deprived of air the second he presses you deeper into the wall, one hand still on your hip as he uses the other to swiftly grab a piece of paper tucked in the back pocket of your pants.

A sharp inhale is what returns you to reality, your jaw slackening upon seeing him retreat and wiggle the neatly folded piece of paper he stole from you.

“Nagumo,” you nearly growl as you feebly attempt to get it back from him, which only seems to get him more excited as his face breaks out into a full-blown grin and he waves the item higher with that freakishly long arm.

“Should I unfold it? Reveal to all the secret recipes?”

“Do it and you die!”

“Is that a joke or a threat?” As if he’s some film actor breaking the fourth wall, he turns his head toward your classmates and winks at them. “You can never tell with poisons students.”

The room erupts into laughter.

If only you did lace that paper with poison! You’re mentally preparing to fight (and definitely lose) to him when Ito-sensei’s booming voice keeps you two in check.

“That’s enough, I believe we extracted the main point of your presentation. Either return to your desks or report to the staff room after class for wasting more of our time.”

Both of you don’t need to be told twice–you practically sprint to your desk while an elated Nagumo hums a merry tune from behind, your mind still reeling from what just happened while the chaos in the room dies down and the next group begins their presentation on deception.

How the hell was Nagumo able to do all of that? A presentation you conducted research and rehearsed for around two hours was something he easily accomplished in less than five minutes. And with you as the guinea pig! The thought makes your cheeks burst into flames, but you refuse to hide your face for fear of appearing weaker.

“What did I tell you?” He tosses the paper into your lap–still folded into its original position–as he sends you one of those big smiles that used to give you the creeps but now seems to evoke some other inexplicable feeling. “Top marks!”

The urge to spit out “No thanks to you” is so strong that you have to bite your itching tongue, because that would be a fat lie. So you let out a spiteful ‘hmm’, twitching fingers creasing the folded paper even further.

“Wasn’t it fun teaming up?”

He’s still a bit too close for comfort when he whispers the question, so you lean forward into your desk, trying your best to ignore the buzzing coming from the pest.

“You and I have different definitions of fun.”

“And how would you define it?”

“Not being near you.”

“Guess I’m not the only sucky liar on this team!”

That earns him a glare as you plot several ways to wipe that pleased look off his face. You cross off a few bad ideas that you’re embarrassed your mind even conjured.

“The silent treatment, huh…Didn’t peg you to be the type who does that.”

The eye roll you offer him appears to be a sufficient answer as he lets out a small huff and pretends to listen to his classmates’ project, his bored yawn louder than whatever is being presented. You naively think you’ll be able to endure the remainder of the class without his yapping.

And then he turns to you once again, an impish spark in those large, curious eyes.

“But I just need to ask–what’s written on that piece of paper anyway?”

You press your lips firmly into a straight line and stare at him, bemused that he hasn’t figured it out. He matches your stare, looking at you expectantly. Maybe he’s pretending that he hasn’t read it–with how fast he is, you wouldn’t be surprised if he only needed one or two seconds to skim over the writing.

Then again, you’re the idiot for having a physical copy of your plan to cheat and steal from the school chemicals and rare toxins inventory.

“It’s my formula for a poison that I’ll use to kill you.” Like a psycho, you grin triumphantly upon seeing the way his mouth turns into a tiny shocked ‘O’.

And like the maniac he is, he’s quick to return your smile, though it doesn’t quite reach those indecipherable eyes. “Looking forward to it!”

You’re too proud to admit that you feel the same.

[galedekarios]

The people going "it's not a big deal" confuse me. What other character gets shit on by everyone unwarranted and unprompted? What other character is told to not be themselves, because that would be terrible advice for them specifically? None of the devs or writers say that Astarion should be handed over to the Gur hunter and killed by them because as a vampire he's a monster anyway and this way it's a good end and he won't hurt anyone anymore. Lae'zel is brutal and aggressive, but instead of going "haha yeah isn't that so annoying, boo 👎" the devs defend her and say that audiences would not be saying that if she was a man instead. Shadowheart always has something to say, too, about Shar and Selune, and other things, but they don't call her annoying about her religion. Astarion can feed on PC and give you a negative buff, but that's fine. Gale needs a trivial color spray trinket, one of only three(!!) trinkets, and god he's just the worst. And that isn't even the end of it, that's just where I'm choosing to stop this already long message. After a certain point, if the ONLY place where Gale doesn't get shit on is when you're talking to him directly and choosing the nice options, then yeah I feel like there's a problem behind the scenes there. Especially when his story is about forgiveness, belief that you're enough, allowing yourself to love and be loved again, accepting and asking for help, and learning that you deserve to live, but the devs say that an ending where all of that is thrown away and even after telling him that he's enough you still have him sacrifice himself is good... then it's like what would have to happen for people to realize that Gale is treated differently than the rest? And what do they have to say for others to realize that they're going against their anti-suicide message? Because I don't get it. Is the world going to end? No. But that doesn't mean this isn't weird and hurtful. Escaping the cycle of abuse and becoming better is great is the basis of their game, unless your name is Gale.

i really have nothing to add here.

[tumblweeds-omegaverse]

worldbuilding thing I've been wondering about:

how do you handle gender identity, gender expression, and/or gender stereotypes, within your omegaverse writings?

this goes for ocs and for fanfics!

if alphas are physically male in the way we'd consider a human to be physically male, that's a statement on their sex, yeah? not their gender.

you can have the body parts implied there and still be a gender that is not "man". so how's that work for omegaverse? especially if alphas can be male or female.

how do you describe gender within your omegaverse? is it based more around dynamic / secondary? (alpha/beta/omega) or around sex? (male/female/others if they apply)

do people get gendered expectations assigned to them based on their sex, on their dynamic, on the combination of both?

(ex: is there a difference between the gender roles given to a female omega versus a male omega? are the stereotypes for a male beta like or unlike those of a male omega?)

could there be such a difference between female alphas, female betas, and female omegas, that only some female people are considered women, while others are labeled with some other term due to their dynamic? or are all female people considered to be women? (assuming they're all cisgender...but if you've got trans headcanons I wanna hear those too!)

I'm curious about this because it's reasonable to say something like "our image of what is masculine appearance / behavior is shaped by our society and time period," right? (since male doesn't have to equal man or masculine, but there's often some connection)

but that structure wouldn't be built from the same stuff in omegaverse. since behaviors and such could be associated with different groups.

so...if a male alpha is seen as a feminine presenting person, what does that mean in your verse?

are masculine and feminine less about what exists in your verse and more about the limitations of our own language?

is it something else altogether?

[brekker-by-brekkerr]

if you're a magnolia parks fan can we be friends? <3