#I also read the manga

[cadriox]

I fucking love this disaster already

[fridaraph]

Wakamiya’ &Yukiya

Source: Matsuzaki Natsumi-sensei's

[amamamumumumu]

This has been a most worthwhile evening 🍽

[originalartblog]

Someone's last crush didn't live up to the hype 😬

[hinamie]

sympathy for cain

[bixels]

It's crazy how Dungeon Meshi's manga can feel more cinematic and emotional than the anime to me, even when they're practically the same. Compared to the anime, this moment is such a heartbreaking gut-drop. The way Kui uses negative space and flat compositions to create a sense of horrific stillness is so key.

The way the text (Senshi's monologue) is sequestered to an empty corner of a panel or huddled away from the edge of its text box is not only a great way of showing Senshi's headspace (fearful, isolated, dissociating), but creates a visual representation of pause, as if you hold your breathe after each line. The first panel puts us directly in Senshi's perspective too (compared to in the anime, which puts us as an outside observer over Senshi's shoulder). The detail of the door and bricks so effectively implies that he stared at it for so long, waiting and hoping, that its image is burned in his memory. The wood grain, the brick arch, the number of rivets. The lack of dialogue in the second panel shows a moment of realization too –– "he's dead" (also a great example of the Kuleshov effect). And it's that pause that creates a beat and sets a great rhythm to his headspace, like a music rest: "He never came back." (oh god.) "I'm all alone." Finally, the third panel's negative space, cropping Senshi, shows how truly alone he feels. Without his family, the world ceases to exists. Under shock, he traps himself in a 1-foot radius, too scared to even perceive a world outside its boundaries; a world that can hurt him, kill him, make him disappear with it. There is only his body, the stone beneath his feet and against his back, his thoughts, and that awful bowl of soup.

Even though they're a series of flat images, there's an implicit reading of silence in Senshi's realization and horror. Kui influences your experience to slow down and take your time.

Compare this to the anime, which fills every shot with dialogue. The pacing is fast; we never get to sit in silence like we do with the manga. The horizontal frame allowed the boarders to add Senshi, turning the composition into an over-the-shoulder shot, which takes us out of Senshi's POV. They also added a zoom-out in shot one, which adds unnecessary energy to a very somber scene. The tightening on Senshi as a close-up reaction shot also dulls the moment. In the original panel, Senshi stares ahead at the empty space to his left as a shadow surrounds his mind. It not only shows how Senshi's senses are dulling and his world is shrinking (setting up panel three), but shows how terrified Senshi is of what's in front of him, how the air itself becomes pitch black and opaque, how Senshi is surrendering himself to fear. The pacing is understandable and necessary; this episode packed a lot of story content together. It's just a shame because it really (imo) deflated one of the most nauseating moments in Dungeon Meshi.

[doodlefox2]

good girl

[lazylittledragon]

ok someone please correct me if i'm wrong but am i weird for thinking those 'audiobooks don't count as reading' posts are ableist as fuck????

[chocobolat]

hello gamers. a beautiful twitter illustration showcasing the heights of the cupids from inee sensei was posted today. however. i had a certain thought. please direct your attention to the heart-shaped bullet holes near to them. please also notice the location of the one closest to koharu. please also recall that the pipe that killed her was in a similar area of her midsection. does anyone else get it.

anyway. if this does reflect the ways they died then ena's being close to her neck and kanna's being right around her head is interesting. also interesting to note that there are actually two bullet holes next to chiyo, both around where her wings are on either side. i guess we'll see IF PEOPLE KEEP BUYING COPIES OF LOVE BULLET PLEASE (shameless shilling)

[x-letsbreaksomerules-x]

yuri is so fucking real you guys

[hellspawnmotel]

uran and the god of death

[cloudabserk]

kabru is my favorite dungeon meshi character because he’s completely insane but no one even notices because he’s also the only competent person in the room

[genisflyingkites]

This is me wanting to draw that Gohan and Goten reunion we never got in the buu saga. Like both were dead and one thought the other to be dead.

This started cause I was talking to a friend of Gotens character in regards to Goku at first Goku is hyped up to him this untouchable heroic hero. He sees how everyone feels about him but he feels not much for his Dad other what he was told and he’s scared to approach. Then, reality kicks in his Dad isn’t that… Gohan is “killed” and Goten and Trunks and thrusted into the role of saviors of the Earth. Goten resents him but then… he learns that Goku isn’t none of that he’s real, super approachable, and awesome. It beat the stories he was told.

Then, he realizes he never felt he was missing that love because he had a lot of it. Gohan was always there for him making sure nothing was missing for Goten. Goten realizes he is very lucky to have Gohan. Anyway not me explaining my comic in the comments

[dad-dumpster]

this and a big bag of jelly beans

[hychlorions]

i wanted to see jealous klavier (,,>﹏<,,)

[hinamie]

yuuji smiling and sukuna making a face like That did u really think i wouldn't do a panel redraw