#more people could use a more in-depth awareness
Explore tagged Tumblr posts
Text
Totally agree with all of the above. At the same time there are distinctly blended nuances to the Tumblr format that people on both sides of this really fail to conceptualize properly.
Your blog on Tumblr is your blog. It's your personal journal. You get to say whatever you want however you want. This is always true.
It's also true that your post is public. Anything you post in public invites interaction. This is also always true. Not everyone "knows" the (mythical and fake) Tumblr style of etiquette. They can and will interact with your post in any way the site allows. Your post is presented as random content on people's dashboards, which does even more to invite interaction (i.e., people aren't going out of their way to find you; your post is delivered on a silver platter). Don't post things you don't want your worst enemy to see and interact with.
People make opinion posts that are stated as fact. They have the freedom and right to do this, but it doesn't help them out if they don't want people to "well, actually" them. They get upset when they get interaction, despite knowing that they posted on the interaction platform in the first place.
Tumblr gives you two main interaction formats. Replies feel much more direct, like you're speaking to OP one-on-one. Traditional "etiquette" (which isn't real, remember) says that you don't use replies unless this is what you intend. But people end up using replies for any old thought dump, without considering how it comes across.
Reblogs are "traditionally" seen as you making the post your own. You have something to say about it, you are NOT directly speaking to OP unless you @ them, and you are speaking indirectly to your own followers or just speaking thoughts into the void. The post now resides on your blog, so it's effectively yours. This is a more considerate way of expressing your thoughts. It's true that sometimes it spawns "discussions" between you and OP, which can be fine. However, too many people mistakenly think that rebloggers have no business "writing on their posts," especially when they disagree. This is not true! The post on their blog now belongs to them and they can say anything at all.
Tags are the secret third interaction, which "etiquette" (fake lol) says is the equivalent of you whispering your thoughts exclusively to your followers. You can pick out someone's tags to highlight and agree with them and this is a coveted Tumblr achievement. But heaven help the person who tries to pick a fight with you over these secret thoughts, because they are a fool deserving of ridicule.
All this is to say: yeah Tumblr peeps need to do better in how they express their commentary and the method they use to express it. The methods are NOT equal. And sometimes it's just better to not comment at all and let the dash scroll by. But also, original posters need to do better understanding that they invite commentary with everything they post. Some things are probably better not being posted at all.
The rule that trumps all of this is that all of Tumblr etiquette is fake! Everything you think is "right" and "proper" is wrong. Nobody has agreed to any kind of interaction format and they're free to use any tool at their fingertips. You can school someone on "proper" use, especially when they clown on "your" post, but you are no more correct than they are.
Which is either hilarious or maddening, but here we are, lol.
there are no hard rules for human interaction but honestly i think everyone online would benefit hugely from operating under the assumption that, unless you have been given a specific reason to think otherwise in discrete instances, internet strangers do not want to be approached with:
your trauma, illnesses, or deep-rooted self worth issues
any come-ons or sexual content
over-familiar playful rudeness
information about your dnd characters/ocs
disagreements with their harmless subjective opinions
if it is your first time speaking with someone i can not highly enough recommend that these do not be your opening topics
#commentary#this is a big aside#like i said i don't disagree in the least#but also i see so many people missing all the nuance#and many similar arguments (not necessarily this one) misrepresent or misunderstand#what tumblr functionally IS#more people could use a more in-depth awareness#also there's no such thing as Tumblr etiquette#DESPITE the older users insisting that there is#and we shall all be our own hypocrites about it#I'll enforce tagging 'rules' until the stars burn out lol#ofc everything OP said ESPECIALLY applies when you get into DMs#no caveats or excuses there whatsoever
83K notes
·
View notes
Text
Oh hi there transfem discussing her experience in the trans community i just had a quick question about your post
What does tme mean?
Oh okay i see i understand, thank you.
What does transmisogyny mean?
Ah I see, I get it.
What's a trans woman?
Oof scary. One last question.
What's a woman?
Thank you for being my own personal google (not like you had anything better to do right?) and derailing the point of your post for my own personal education. I will now add nothing of value to this post in return. Bye bye!
#channel 3#ignore me i'm bitching#it's just like. somehow the word tme/tma magnetizes people who refuse to do a second of thinking EVERY SINGLE TIME#like on one hand i almost feel bad for bitching#because generally if someone is unaware enough to ask theyre probably not aware of the precedent of multiple tme people asking on every post#what tme/tma means#BUT ALSO it happens so often it straight up feels like it's intentional#and like even if you don't want to look it up i feel like it's easy to guess by context clues#but like regardless of that#could you imagine going to literally any other discussion like that and asking them to define basic terms#'hi thank you for sharing your math thesis with us. just one question what does that t shaped symbol mean? this one: +'#'hi thank you for your in depth analysis of whether the cubs win this year. just one question. what's baseball'#'hi thank you for this in depth character analysis. just one question. what's a book?'#like in all of these cases we can agree that either a. they're a bad actor or b. they're not doing the bare minimum to engage with the post#why is it that people think it's still okay to do that on posts by transfeminists? (<- knows the answer)#(also i'm sure this also happens to cisfeminists but i think more people know better than that now)#like. if you do this i don't think you're evil or like transmisogyny incarnate or whatever but like. in the nicest way#i want you to think through what you expected to happen with. like sincerely and ask yourself was this productive to anyone#did this add anything of use to the post or to anyone else#explaining tme/tma doesn't add use to the post because transfems have explained it billions of times elsewhere#and knowing what it means is generally the bare minimum for interacting with a post discussing transmisogyny#so who does it help to ask? further who does it hurt to ask? in what context might my question be taken?#whagever who give a shit
27 notes
·
View notes
Text
ok first murder drones now spooky month depression
#did indie animation wake up and choose angst#not complaining it’s yummy but#I wasn’t expecting angst fromSPOOKY MONTH?????#and the priest character is actually really cool like a lot of media portrays priests as villains and im glad they didn’t do that here#these past few days in indie animation have been actually insane#yesterday was the lackadaisy anniversary and the release of murder drones 7 which was a ROLLERCOASTER#and then the day after that spooky month releases with DEPRESSION#indie animation is so good it’s not even funny#I hope more people become aware of indie shows so they become the new standard#like I dont want all of these plain movies/series we have been seeing from these major productions (with some exceptions ofc)#and with indie animation rising I hope it dis encourages AI use in creative media#because AI can’t make something with such a detailed and in depth plot as humans can#I mean it could eventually(?) but if you have ever interacted with AI you may notice many flaws#this has turned into an essay it’s not even tags anymore but im just psyched for indie animation#murder drones#spooky month#lackadaisy#indie animation#kind of a rant
20 notes
·
View notes
Text
This case is making me so fucking angry. theyre using common transphobic language, and also theyre not even HIDING their BLATANT FUCKING TRANSPHOBIA-
Wanna see the poster that made me aware of this current bullshit going on?
The second paragraph. 'Roxy Tickle is a man that wants to be a woman.' Okay, well a simple google search says shes transgender. Going a bit more in depth? She has done Three years of hormone therapy and gender reaffirmation surgery. Like this isnt a transgender woman who has done nothing to change her identity, she's got surgery and 3 years of hormone therapy! And looking more into it? She has said;
"I am now legally a woman.
“I am already allowed to have a female gendered passport thanks to the letter from my GP confirming that they are treating me.
“I only have one step left - to update my birth certificate to say that I’m female.
“I needed two medical specialists saying they have seen my genitals and they both needed to sign a form in the presence of a JP.
"These are the most extreme levels of identity proof I’ve ever come across – to have to show your genitals to an MD is embarrassing to prove who you are. The documentation has all now been completed and I will mail it this weekend."
That was all 4 years ago. 7 years of this shit now. (as of today, april 11th, 2024)
And the poster still refers to her as a he?
And thats the picture they use. Now heres a better one.
That was deliberate. They used an unflattering photo of her, and a very flattering one of Sall, just to try and tip people to Salls side. Common marketing ploy.
More research shows that she now has her birth certificate identifying her as female.
And this isnt enough?
By her logic, shouldnt a trans man be allowed on giggle, no matter how far through transitioning they are, purely because they were born female? I get the feeling that she would say no. This is simply blatant transphobia. Personally, I cant do anything, being a minor. I'm not sure how far this case is along, seeing as it started 2 days ago.
But I simply cant let this slide. When I saw it this afternoon it made me so fucking angry.
This case could change a lot of things. Make a lot of changes that make everything far worse for non cis gendered people, potentially influencing things world wide
#roxy tickle#roxanne tickle#giggles for girls#sall grover#transphobia#trans rights#australia#australia politics#tw transphobia
10K notes
·
View notes
Text
Burn Wild — Leona Kingscholar x reader
Always so close, yet so far away. Leona pushes it down—he keeps pushing and pushing, until one day, he lets it break.
(it's a happy ending, i swear)
Leona Kingscholar has always known his place in the world. From the moment he learned to walk, to stand tall under the endless, unforgiving sun of the Sunset Savanna, he has been acutely aware of how people see him. They don’t need to say a word—he feels it in the heavy silence that follows him into a room, in the guarded glances cast his way.
Most are terrified of what he represents: the second prince, a shadow of the royal bloodline, someone who could inherit a kingdom but never will.
Others fear him for his strength, the quiet, coiled power beneath his lazy exterior, or for his sharp tongue that cuts deeper than any blade, cleaving through pretense and weakness alike.
“Lazy,” they whisper behind his back, as if the word can sum up the depth of his disdain for this farcical game of status and power. “Unmotivated,” they say, because they can’t understand why someone with the world laid at his feet doesn’t fight harder to claim the throne, to claw his way up and tear it from his brother’s grasp.
They’ll never understand. They’ve never felt the weight of a crown that will never be theirs, the hollowness of a title that means nothing but second best. Let them carry that burden for just a day, and see how long they last.
He could laugh at how little they know.
If he could trade this title, this empty prestige, for even a sliver of genuine acknowledgment, he would. To be seen—not as a prince, not as some spare destined to live in the shadow of his older brother—but as Leona, the man. The individual.
The soul that yearns for more than the scraps of attention thrown his way, like bones to a dog. But life, he knows, isn’t fair. It wasn’t made to be. And for someone like him, it never will be.
So he doesn’t hope for fairness. He doesn’t look for understanding. Instead, he pushes it all inward, presses it deep into the corners of his heart where no one can touch it.
When people try to get close, when they think they can soften his edges or pry into the depths of his guarded soul, he meets them with sharp words and a glare that freezes them in place.
They’ll never know how much easier it is to be feared than to be seen, how much safer it feels to keep everyone at arm’s length.
He is second in line, but he’ll never be second to anyone. He’ll make sure of that. He’ll keep himself locked away, out of reach, untouchable.
If they can’t see past the crown, past the sharpness in his words or the laziness they accuse him of, then they don’t deserve to know him. Let them think he’s content in the shadows, in his naps and biting remarks, in the mask he wears so well.
There’s no use wishing for something different. He’ll never be number one, and that’s a truth he’s long since swallowed. But even so, a part of him, buried deep where even he rarely dares to look, still longs for more.
For a world where he isn’t just the spare, where he isn’t second to anyone. A world where someone might see him—not the prince, not the title—but just him.
But that world doesn’t exist, and it never will. So he keeps it all buried, locks it all behind a wall of indifference, letting the bitterness settle in his bones. Maybe, in the end, it’s enough to live in a world that has no place for him.
At least that way, no one can ever mistake him for someone else’s second choice.
Leona doesn’t actually nap. He just lies there, eyes half-lidded, watching the sky or the flicker of light on the walls. Sleep doesn’t always come; it’s not that he needs it.
No, it’s the weight of disinterest, the apathy that’s soaked deep into his marrow, making it seem pointless to do anything else. Why bother? When every glance cast in his direction is the same hollow reverence for a title, a prince without a crown.
When no one bothers to look past that thin veil, why should he try to show them anything more?
There’s a strange kind of comfort in that inertia, a quiet understanding that nothing will change. People like things easy, predictable.
They would rather see the lazy, unmotivated prince who naps through life than ask why. It’s easier for them, and maybe even for him.
But then, there are those like Ruggie. Leona likes people like him. At least Ruggie’s honest. The kid wants what he wants, makes no illusions about it. There's a rawness to his hustle, the clarity of someone who doesn’t pretend to care about who Leona is beyond his utility.
But you? He never bothered to learn your name, never even gave you a second thought. You would be like the others, surely. Just another face in the crowd. Another person who would pretend to care, only to be drawn by the allure of who he was supposed to be.
So when he overhears your voice one lazy afternoon, chatting with Ruggie like it’s the most natural thing in the world, he almost doesn’t bother to look. Almost. Boredom, though, is a dangerous thing, so he tilts his head just slightly, his gaze barely cracking open to take you in.
There you are, talking, smiling with Ruggie like you’ve never had a care in the world. He watches the way you casually hand over your lunch, like it’s the most effortless gesture. Not out of obligation, not for any hidden motive. Just... because.
It grates on him. That smile of yours, that careless generosity. It makes something bitter stir in his chest, gnawing at the edges of his quiet disdain.
You have no idea, do you? That simple act, that thoughtless kindness—it’s not going to change anything.
It won’t make the world any softer for you, won’t stop it from grinding you down until you feel as jaded as he does.
He closes his eyes, shutting you out, trying to shake off the irritation curling around his ribs. Maybe that’s the thing that gets under his skin the most—that privilege of yours, of someone who hasn’t been broken yet.
Of course, life never lets Leona catch a break. He’s dealt with enough by now to know that any moment of quiet is always followed by something—someone—determined to disturb his carefully cultivated indifference.
This time, it’s you. Paired with him for some group project. The usual routine would be simple: the others would either be too intimidated to approach him, or they’d accept a bribe, a few coins to make it easier on both sides. But you? No, you seem hellbent on dragging him into this.
He still remembers the first time you approached him after class, all bright-eyed and earnest, asking for his number like you had no idea who he was. No idea what kind of reputation he held.
He stared you down, letting his eyes narrow into the glare he knows works every time—cold, dismissive, enough to make anyone with half a brain turn and scurry away. But you didn’t.
You tilted your head, smiled at him, as if the weight of his stare didn’t bother you in the slightest. That moment felt like a spark catching in the dark, a flicker of something unfamiliar in his chest.
But Leona, who has long since mastered the art of burying unwanted feelings, shoved it down without a second thought. That’s how it’s always been. If something gets too close, too real, he locks it away, deep beneath layers of practiced indifference. He’s never let anyone chip away at that wall, and he’s not about to start now.
Yet, you’re relentless. No matter where he goes to escape, you somehow find him. He’s sure Ruggie’s been eating like a king for weeks, considering how often you bribe him for information.
You show up in the strangest places, dragging your backpack along, always with that same smile. And, slowly, Leona starts to let you in—not that he’d ever admit it. Not out loud, not even to himself. But for the first time, he lets someone work with him, just to get you off his back.
But there’s something else too. Leona struggles with control. His whole life has been shaped by what’s been taken from him, what’s been denied. Every opportunity to exert control, to hold power, he seizes it, because it’s the one thing that can’t be stripped away.
So when he gruffly barks orders at you, expecting a flash of resistance, a bite back, he waits. And again, there’s that smile. That stupid, persistent smile. You don’t challenge him; instead, you calmly suggest changes, as if negotiating with a lion was just another part of your day.
And for the first time, Leona feels that flicker in his chest burning a little brighter. He doesn’t like it. It’s unfamiliar, and everything unfamiliar is dangerous. That’s the mistake he made before—letting himself believe that anything good could come from letting his guard down. He locks it down again, hard, throwing the key to the furthest corner of his mind.
He won’t make that mistake again. He’s too old, too wise for that now. But the flame, small and stubborn, remains.
Leona Kingscholar knows exactly what he's capable of. Spelldrive isn’t just a game for him—it’s an arena where his talent roars, where his strength becomes undeniable. He knows he's good. Better than most, and yet… not better than him.
Malleus Draconia—towering, unbeatable, and utterly maddening in his ease. The prince of the fae seems to glide through every match, effortless, as if strength itself bends to his will.
And it gnaws at Leona, festers in a corner of his mind that he tries to forget. Malleus has everything Leona could want—power, status, recognition. And the worst part? It’s never enough for Leona to just be good, not when he knows that the world will never see him as anything other than second best.
Another match, another loss to Diasomnia. Another bitter reminder that no matter how hard he fights, talent doesn’t always win. It’s routine now, this pattern of disappointment, of watching the scoreboard flash their defeat while pretending it doesn’t matter.
His teammates look to him with expectation, but Leona only feels the dull weight of inevitability. It’s almost boring how predictable it all feels.
So he does what he always does—retreats to a corner, far from the chaos and the murmurs of his dorm. If the world insists on making him second, he’s learned how to disappear from it.
Leona stretches out, the familiar lethargy settling in like an old friend. His mind tells him to sleep, to let the world fade for a while, but it’s not sleep that drives him here.
It’s the apathy, the exhaustion that sinks deeper than bone. It’s the bitter taste of realizing that no matter how sharp his claws, no matter how strong he is, there’s always someone stronger.
He doesn’t expect anyone to follow him. But the soft rustle of footsteps makes his ear twitch, and he cracks an eye open, irritation already curling in his gut. It’s you. And for a brief moment, he waits for that stupid smile—the one you’ve been plastering across his path ever since you barged into his life. But today, there’s no grin, no lighthearted quip. You look at him with something else. Concern.
Leona stiffens. He knows the look of pity well enough to recognize it, but this isn’t pity. No, this is something far more dangerous—concern. For him. You sit beside him in silence, no words, just the quiet presence of someone who isn’t there to challenge or undermine, but simply to be there. And then you hand him a bottle of electrolyte water, no fanfare, no explanation. Just a gesture, simple and clear.
It feels like a sudden shift in the air. Like a trap laid bare, exposing parts of him he thought he’d buried beneath layers of resentment and indifference. Leona feels naked under your gaze, like you can see past the layers of arrogance and self-assurance, straight into the parts of him he doesn’t let anyone see.
He can’t decide if he wants to snap at you, tell you to leave him the hell alone, or if he wants to let himself drown in the unfamiliar warmth of your presence.
He knows you’re friends with them—Diasomnia, Malleus, all of them. You’re in their orbit, always close enough to the winning side. You could be anywhere right now, basking in the afterglow of another victory, but you’re not.
You’re here. Sitting beside him, looking at him as though he isn’t second. As though he’s worth more than what everyone else sees.
So he asks you, with a low growl edging his words, why the hell you’re here. And your answer is so simple it almost infuriates him. You wanted to be here with him. No pretense, no hidden motives. Just that.
Leona should push you away, should throw up every wall and bury whatever strange warmth is trying to flicker to life in his chest. But instead, he does what he’s good at—he pretends none of it matters.
He settles down again, using you as a pillow, as if this were nothing more than another nap, another way to escape.
But when your fingers brush through his hair, slow and gentle, something inside him stirs. The flames he’s kept buried for so long, the ones he’s always tried to suffocate, flicker just a little brighter. For the first time in a long time, Leona lets them. Just this once. Just for a moment.
Leona doesn’t waste his time on other people’s messes. Why should he? If someone gets tangled up in their own poor decisions, they ought to figure it out themselves. No one ever held his hand, no one pulled him from the darkness when it crept too close.
So he’s learned to stay indifferent, aloof—disconnected from the endless chaos that surrounds him.
So when he sees you in the middle of a heated argument, your back up against the metaphorical wall, three people towering over you, he tries—he really tries—to let it slide. It’s none of his business.
You can figure it out. Why wouldn’t you? You’re always smiling like the world bends for you anyway, always so… relentless. But there’s something about the way those three loom over you, the sharp glint in their eyes, that makes it hard for him to settle back into the lazy apathy that clings to him. He closes his eyes, feigning disinterest, willing himself to ignore the situation.
But then, he hears something that makes his ears twitch, something that slices through his indifference like a blade. You're defending him.
Defending him as though it’s second nature to you, like it’s not even a question. He strains to hear the words, letting them wash over him like a foreign melody—merits he didn’t even know he possessed, traits you speak of like they’re so obvious, like you’ve been holding them in your heart all this time.
It’s the strangest thing. The tension in the air thickens, the argument escalating, voices growing sharper. And before he can even think about why he’s doing it, Leona Kingscholar stands.
He pushes off from his nap spot, his movements slow but deliberate, each step carrying the weight of something he doesn’t quite want to acknowledge yet.
When he gets close, the three people glance at him, and his glare alone is enough to send them scattering, as if the storm that rumbles within him could tear them apart with just a look.
And then there’s you. Standing there, looking at him with that same damn smile, as if the danger you were just in doesn’t bother you at all.
"What the hell do you think you're doing?" His voice is low, rough, the edges of frustration still clinging to it. He grabs your wrist, dragging you to a secluded corner, out of the public eye, his grip firm but not harsh.
You blink up at him, unbothered by the ferocity in his eyes, and answer with a simple shrug. "I was just telling the truth."
"It doesn't matter if it's the truth," he snaps, the words leaving him more sharply than he intended. "You could’ve gotten hurt, idiot. You don’t need to get involved in something like that. Especially for someone like me."
For a moment, he expects you to falter, to back down like everyone else always does when they realize the danger. But you don’t.
You stand your ground, and that damn stubbornness that seems to be the core of your being lights up in your eyes. "Leona, I’m not gonna stand there and listen to them trash you. You’re more than they’ll ever understand, and I won’t pretend otherwise. I’m not afraid of them, or anyone."
He stares at you, something twisting deep inside his chest. In the middle of this argument, he realizes something he’s never let himself believe before: you chose him. Not out of fear, not out of obligation, but because you genuinely see something in him worth defending. You chose him, even when it meant putting yourself at risk.
Before he can stop himself, before his mind can catch up to what his heart is screaming, he pulls you close, crashing his lips against yours. The world seems to tilt, everything else fading as your hands reach up, steady and sure, pulling him closer. You kiss him back without hesitation, and when you finally break apart, you press your face into his neck, shy but somehow still so sure.
When you whisper softly, your breath warm against his skin, “I chose you, Leona,” the words settle into him like a promise. His chest tightens, the flame that’s been smoldering for so long finally breaking free, burning brighter and wilder than he ever thought possible.
He lets it. He lets the fire consume him, for once not pushing it down, not pretending it doesn’t exist. Because for the first time in his life, Leona Kingscholar is someone’s first choice.
And he lets the flames burn wild.
I'm not even kidding I made myself tear up while writing this because he's so special to me.
Masterlist
#twst x reader#twisted wonderland#twisted wonderland x reader#twst#twst leona#leona kingscholar x reader#leona x reader#leona kingscholar#leona kingscholar x you#leona
645 notes
·
View notes
Text
not me doomposting about l*ona again
I pointed out in an older post that Leona seems to demonstrate a unique ability to unite others under a common cause. This is in spite of the lore stating that it's very difficult to get different kinds of beastmen to see eye-to-eye, so much so that Sunset Savanna's acting king, his older brother, has yet to really unify their people.
WELL.
***Spoilers for Leona's Nightmare Suit vignettes below the cut!***
A central theme to Leona's Nightmare Suit vignettes is figuring out what makes someone worthy of being "king". At the start, everyone is reminded of Jack Skellington's status as the "King of Halloween, which makes him the most important person in town. However, Leona's quick to point out that the title isn't what's important, but what one achieves is. He then expresses interest in what it is exactly that Jack Skellington does around here to earn his crown. His opinion of Jack isn’t that good; in the event story, Leona thinks Jack doesn’t pay attention and doubts that he can have deep thoughts. Jack describes his duties as making Halloween the scariest it can possibly be. He drives around in his buggy, walks his dog Zero through the local cemetery, studies and conducts experiments, and reviews the proposals from Halloween Town residents. An important part of his job is considering his people's ideas! But Leona thinks there could be a more efficient way to do this rather than having the king read the proposals one by one. We can see a divide between their ways of thinking; Jack is willing to hear individuals out whereas Leona is focused on efficiency. This is also reflected in how they assign tasks later in the vignettes. Jack has everyone going up one ladder to decorate, while Leona commands the witches to do this task, as its much faster for them to do on their brooms. I don't know if this was intentional, but the way Jack rules feels reminiscent to how Leona often describes his older brother, Farena/Falena. So often does Leona mention that Falena is too kind and cares too much for others, which impedes on the political and economic gains he could be making if he were just more focused on his goals. “[Falena] could just focus on the kingdom’s affairs–you know, his JOB–but nooo, he’s gotta be the caring big brother who’s nice to everybody." (If you want to read a more in-depth analysis of Falena vs Leona's priorities when it comes to ruling, please read this post.)
Leona claims that the qualifications for king around here are actually really simple--and yeah, maybe there's nothing more to his line than this, but considering that in his home country one's order of birth is also a strong determinant, a merit-based system like what's seen in Halloween Town probably is simpler to him. And that means it's his time to shine and be acknowledged when he wasn't successful at earning this recognition back home.
Now, what REALLY surprised me in these vignettes wasn't that Leona knows how to boss around his peers and put their strengths to use (for example, he tells Vil, who has an eye for detail, to look over the embroidery, and Idia, who is a science and math whiz, to handle difficult calculations). It's that Leona is also perfectly aware of the abilities of the Halloween Town residents--people he has only known for less than three days--and uses them and their skills well too. That's an insanely short amount of time to get to know an entire TOWN'S worth of people and what each of them are like... yet he just pulls it off effortlessly????? HUH... This earns him the praise of Dr. Finkelstein, the mayor, Jack, Sally, and Skully. Sally in particular highlights Leona's strengths very concisely, stating that he can accurately assess the situation and give appropriate directions on how to act in that situation. Skully adds that Leona technically doesn't move himself or do any of the dirty work, he's focused solely on giving orders. This makes him a "king" and a leader of equal standing as Jack Skellington. And then Skully--SKULLY, THE OBSESSED HALLOWEEN OTAKU THAT THINKS HALLOWEEN SHOULD BE A VERY SPECIFIC WAY--says that Halloween was made possible by not one, but two great kings this year. It just goes to show how much one can truly accomplish when not barred by a negative environment and a lack of social support.
One definition of "king" that is offered in these vignettes is "the one who can bring everyone together". That's certainly something that both Leona and Jack do, albeit in very different ways. But then, at the end of the Halloween Town segment of the vignettes, Leona acknowledges that "king" can be defined another way. He realizes that Jack is recognized as king not just because he's a leader, but because he's also needed and loved by the townspeople. This, too, is a "king". However, it seems that this is a definition that Leona somewhat looks down upon, as he basically apologizes to Jack for not thinking highly of him at first. Again, Leona prioritizes getting shit done, no matter what the cost of it may be--and even if it earns him the ire of others. This, as I said earlier, puts him in stark contrast to Jack, as well as his own older brother. But here and now, we have Leona finally seeing the strength that a different kind of ruling can have instead of always speaking so disparagingly about it. Even if it's just a little... it feels like he's growing and learning, doesn't it?
The vignettes end on flashing forward to Leona back at Savanaclaw dorm. A few of his freshmen students are goofing off right before magift/spelldrive practice is about to start. As soon as Leona shows up, the freshmen snap to attention and rush off to change for practice. Jack (Howl, not Skellington, lol) remarks that usually the other first years are so lazy, but their attitudes completely changed when their dorm leader appeared. Ruggie chimes in, saying that Leona keeps the entire dorm in line... THJBAEBVUFAEIYAFIOYBVADFILH ThEN HE CALLS THEIR KING THE BEST... AND JACK AGTREESS... WHAT DO YOU MEAN, SHUT THE FUCK UPAS ALREADY STOP POGINTONG OUT HE'S A AGOODFK leADER DFOR YOUE AEPEOPLE YADFJKHAFLIYVDGVYUADGVUEGAVN
In response to the praise, Leona says that simply scolding misbehaving students doesn't make you a king. If it were as simple as that, it would be a pretty cheap throne build only on flattery. The vignettes end with him telling everyone to move their asses to practice. lh WDBHFAIYOEAIYEIYF BUT TAHAT'S PRETY YMASSIVE FOR HS CHARACTER... These vignettes demonstrate that Leona's not fixated on the title of king, but what it means to truly "be" a king and leader. He doesn't value being called a "king" if he feels it's easily earned, he wants to prove himself worthy of it and earn that title through his talents. This all circles back to a thought I had a while ago: that what Leona is after isn't the literal seat of king, but all the things that come with it but was denied of in his childhood. Respect, admiration, recognition for his abilities.
And 💦 Leona doesn’t realize it yet (either that, or he’s in complete denial) but… He also fits that second definition of “king” 😭 He’s the type of person that gets things done (like what he believes should define a king) BUT GIS DORM MEMBERS ALL ALSO NEED AND LOVE HIM…
OOoogohoggoOGH... OTL I hate how well it comes together...
#ON J WORD’S BDAY TOO NO LESS#disney twisted wonderland#twst#twisted wonderland#disney twst#jp spoilers#Leona Kingscholar#Jack Skellington#nightmare before christmas mayor#dr. finkelstein#sally ragdoll#Skully J. Graves#Farena Kingscholar#Falena Kingscholar#Ruggie Bucchi#Jack Howl#Savanaclaw#notes from the writing raven#leona nightmare suit vignette spoilers#NOT L*ONA ROT#Idia Shroud#Vil Schoenheit#twst analysis#twisted wonderland analysis#twst character analysis#twisted wonderland character analysis
538 notes
·
View notes
Text
this could just be "gatekeeping but im being really polite abt it" but. its less abt thinking only certain ppl should be allowed in, and more like i dont wanna open a pandoras box that makes it difficult for everyone to have fun. shrugs
i wanna post my skip to loafer art but i cant do it knowing ppl are gonna put it on tiktok and pinterest bc itd be like. bringing an invasive species ykwim
#i was in the pokeask community and the only reason i probably didnt get involved in most drama is because i was only in 1-2 discord servers#and i was just staying in my own lane. and i try not to get worked up over smth i dont like in a fandom cuz my first instinct is walk out#ship art i dont really like? ok cool. do your thing man feed your troops. im going to go play over here. opinion i dont agree with?#ill probably keep it in mind whether i want to or not but otherwise not gonna engage. maybe my opinion will change who knows#i think my fandom experience is just gratuitous use of the block button and walking around avoiding eye contact#im not sure if there are people who get into something popular for the sake of it being popular. besides influencers at least#because deep down i really think there has to be something that draws us in and because its different for everyone its easy for it to#look like the wrong thing to another person. im painfully aware of that and im still struggling to get out of my headspace sometimes#but i just. idk. id rather if people just learned to say 'ok the way u live your life is different but if it isnt hurtful or damaging ill#just do my own thing over here.' and then hit the block button. or at least figure smth out privately#i hate the culture of doing everything for everyone under the guise of it bringing people together because sometimes things just arent#meant for me. and unless its done with malicious intent it mightve been an oversight or just plain out doesnt vibe with me#i dont know how to explain this but sometimes things that feel like an attack could be smth that wasnt presented in a way catered to u#and speaking as a fan artist ive found it easier to draw for myself and the right ppl eventually finding it than making smth#engineered to not be taken the wrong way that it loses its depth and for lack of a better word. its soul. being allowed to say i made that#i see a lot of posts abt fandom getting characters wrong or missing key parts of a character.and sometimes i have to agree#like i heard they took out live action sokkas sexism which was a really important point of his characters development. and i know that#pointing these things out can help make people more aware of things they mightve been missing or not realized#but maybe they should be treated less as a call for argument and more like. idk. sitting in a room full of ppl with some heads nodding#yapping
43 notes
·
View notes
Note
hay so I was just wondering if you would do a sahsrau where all the PC's (playable characters) are obsessed with reader but when reader gets inside of hsr they are Immediately captured and sold as a slave and the PC's (maybe topaz or himko) fine the reader recognize the reader and all hell breaks lose for who idk
Also if I can can I be a emoji anon (if yes then I'll be 👹 anon)
Forgive us!
Sahsrau x Reader
Tw: Yandere themes, Mentioning ofAbuse ( not going in depth ), NOT PROOFREAD Death/Lil Describing of gore, I am aware that there might be two more mew characters, but they won’t be included becuase I don’t know them all to well at the moment!
I do not support people that think they are ‘ real yanderes ‘ or act on any of the things mentioned, if you do or think about these things please get professional help
A/N: Ty for requesting! I have a lot so they are a little slow but they are still all going to get to! And I’m happy to call you👹 Annon!
•You started playing Hsr when it first came out, you loved the designs and a characters! •But they certainly loved you back! I mean why wouldn’t they? Your just a sweetheart to them! •Kafka and Silver wolf the first ones knowing feeling your presence, hearing your soft voice complimenting them •Next, The Trailblazer, March 17, and Dan Heng knew next then Hiyoko and welt then so and so on •The characters you gotten is when they knew you were there, they KNEW you were with them •They heard your worried voice when one of them is low on health, apologizing over and over •Gepard and March 17 always try to make their shields better, Bailu and Natasha try’s to heal as much as they could, Hiyoko and welt trying to make you proud •Huohuo try’s to be more brave for you, Dr. Ratio always does harder in his studies •Serval playing her best at concerts in your honor, Clara makes sure she prays to you every day •They worshiped you like no other, every place had this one single law ‘ Don’t hurt the divine one.. ‘ •Simple, right? Wrong. When you got transferred to the game you were about to walk around, until a cloth was over your mouth •You woke up in a cage, weak, scrunched up like a dog curled in its own bed as you groaned ‘ She will make us a whole lot of money… ‘ We just can’t get caught.. ‘ ‘ You worry to much… ‘ •2 Women and one Man you heard, one of them pulling you out, throwing you at the wall as you fall down with a loud ‘THUMP!’ •They burned you, cut you, broke bones hardly fed you, blood all over your body •You were hosted at one of the prizes at a auction, Himiko and Welt was there as she looked around, her eyes spotted you, weak, legs shaking (Not what YOU think…) your body bruised, burned, painted with cuts and scratches •Welt quickly saw aswell, his eyes widened, Their grace… Abused like an object..? Slowly golden blood leaked from your forehead, you gotten more dizzy last thing you heard was a stern voice
‘ 1 Million Credits! ‘ •They took you back, not even paying the fee, but, your their god, their CREATOR, your more than just some stupid credits.. •March 17 stayed at the astral express with you, word got out about what happened… everyone was FURIOUS •Bailu, Loucha, and Natasha going to the express to try to help heal your wounds and to keep watch •Clara and Savorog keeping watch outside the room, Argenti, Archeon, Blade, Dr. Raito going to hunt the people down •Jing Yuan and Imbibitor Lunae, Figuring out the gruesomeness ways to make the people suffer •Kafka and Jingilu doing most of the dirty work, blood splattered everywhere •You woke up at so many people by your side it was overwhelming, Being able to talk to your characters made you smile, something you didn’t do in a long while •They are so sorry for not being there for your proper descent, they will do any for your forgiveness your grace
#pearlsrequests#honkai star rail#self aware honkai star rail#honkai star rail x reader#yandere honkai star rail#sahsrau#yandere hsr x reader#yandere hsr#hsr x reader#self aware au#self awareness#Silly 👹 anon
440 notes
·
View notes
Text
HELP US EVACUATE GAZA
Greetings, my name is Tariq and I am from Gaza. I would like to express my sincere gratitude for your interest in my fundraiser. Unfortunately, the amount raised is still low, currently sitting at only $550 out of my goal of $35,000. Any donation, no matter how small, would be greatly appreciated. Additionally, I would be grateful if you could spread the word about my situation with your friends, family, and across your social media channels. The more people who become aware of my cause, the better my chances of achieving my fundraising objective. Thank you for your support.
I am grateful from the depths of my heart that you have taken the time to read our story and are considering our plea for assistance. Your kindness will leave a lasting impact on our family, and your unwavering support is a testament to the goodness of humanity. Your contribution is not just a monetary donation; it is a lifeline that will enable us to restore our shattered lives and find safety once again. Each dollar brings us closer to our goal and provides a glimpse of hope for a brighter future. We humbly request that you share our story with your network and consider contributing to our cause. Your aid will make a significant difference in our lives, and we thank you from the bottom of our hearts for standing by our side during these trying times. Insha'Allah. ♥️🌹🇵🇸
515 notes
·
View notes
Text
Warning hypnotic covert language and flashing art that may induce a hypnotic trance without you being aware of it
Ah, the elusive blogger emerges from the digital depths, armed with a fresh spark of inspiration! It's like spotting a rare creature in the wild, one that usually prefers the quiet comfort of scrolling through the endless forest of images. But beware, dear readers, for when the inspiration strikes, a flurry of original content is sure to follow, raining down upon your feeds like a delightful storm of creativity. So keep your eyes peeled and your 'like' buttons ready, because when this blogger gets inspired, it's nothing short of a content extravaganza!
While scrolling this time it struck me that hypnosis isn't really sleep. It's a state of focused attention, heightened suggestibility, and vivid fantasies. People in hypnosis can seem zoned out or in a trance, but they're not asleep. They're actually in a state of deep relaxation and their brain activity reflects this, showing a receptiveness to new ideas and suggestions. This is why hypnosis can be so effective since it taps into the power of the subconscious mind to effect positive change. While it's often used as a therapeutic tool to improve sleep quality, it doesn't induce sleep itself; rather, it helps to prepare the mind and body for restful slumber.
you could be in a light trance as you read this because as you read this your mind is so focused on my words, that it's easy to let yourself relax into the things I say. The concept of a light trance is quite fascinating, often associated with a state of focused attention or absorption in an activity. It's similar to the experience of losing oneself in a good book or being engrossed in a hobby, where the world fades away and one's concentration is honed to a fine point. This state of mind can be beneficial for various mental processes, enhancing creativity, problem-solving abilities, and learning efficiency. It's a natural and safe phenomenon that many people experience regularly without even realizing it.
The beauty of reading lies in the magical dance of words, where one leads seamlessly to another, crafting a tapestry of meaning and imagination. As you read, each word acts as a stepping stone, guiding you through a river of narrative and knowledge. It's a journey that begins with a single word, unfolding into sentences, paragraphs, and chapters, each one building upon the last. making you anticipate what will come next, it heightens your focus, so it's easy for your mind to just relax into the things I am saying. Soon you are so focused that your mind isn't thinking of anything but my words. wanting to focus deeper on where I will guide you.
like being the subject of a hypnotist, you follow and feel your mind surrender to the words. The power of words is truly mesmerizing, isn't it? yes, it is, and you find that you felt the yes in your mind as you read my question, because you are now in a light trance, noticing your breathing has slowed and your focus is now fixated on my words, and the way my words are echoing in your mind. You want to be told what to do, how to think, you want to become more submissive and allow yourself not to think, don't you?
YES
411 notes
·
View notes
Text
Yandere! Cheerleader and Football Player Headcanons
Pairing: F! OC x GN! Reader x M! OC
Warnings: violence, weird behaviors in general
A/N: hello all! This is a more in depth headcanons about my yandere couple, Lana and Jake! I will open request and asks about them after posting this so please send anything you want for me to answer :)
Lana Seymour
BACKGROUND
Lana came from a rich and powerful family, they're considered new money. Her father's tech business started to gain momentum when she's only five years old. Because of this she rarely sees her father home.
Her mother was a stay at home mom before the business went successful. But after that, she got busy with charities and being a socialite—essentially helping to widen her father's connection.
Lana was already a spoiled child from the beginning, usually dictating around the house on what others should do if her parents aren't home. She dislikes slow people, and even worse those who deny her things that she wanted. With one phone call to her parents she could fire anyone working in the house. Why would Lana even lie to her parents about the maid stealing her jewelries anyway?
With her parents becoming more absent and only trusting her words, Lana learns to be more cunning and only striking when she really needs too. Although sometimes setbacks like her impatience and ego can ruin her plan.
The first time she met you was when she got grouped in with a bunch of nobodies for a group project. Others try to get her attention by flattering her. And you did too! But you only complemented her hair once and that's it. You continued to try to get work done while others were busy kissing her ass, and she likes that just a little bit.
You were nice but cordial, never really getting to close to her and keeping a distance. Lana doesn't know why because you're so boring and bland! You're literally wearing an atrocious outfit choice that could make her gag if her friends are wearing it. But she doesn't really mind it on you, really she thinks it suits you.
The project in Lana's mind went well (only because she offered to help since only you and her were the ones she thinks are capable of doing it) and after you all present your work, you actually thanked her! By giving her...a small, ugly keychain.
Really, Lana sometimes can't help control her faces and she did make a disgusted one seeing the ugly clay dog in her hand. But when you said that you made it yourself and only for her? That made Lana go crazy to say the least.
Never in her life did she received something handmade. Only the luxurious and high-end items gifted from her friends and family. And when you gave her this? Her heart skipped a beat, her hands turned sweaty, and her cheeks started to get warm. That's when she knew that you were something special to her.
PERSONALITY
Like I've said before, Lana is more or less like Regina George from Mean Girls. I would say that the difference between Lana and Regina is Lana I would say is more of a social butterfly. Sure she's only talking to the people she thinks are worthy of her time but she likes to keep them close if she ever needs them. Only a few people actually had a bad time with her and that's because she fiercely wants to keep her perfect reputation.
A bit of a control freak. Everything needs to fit her standards. She already has lots of control since she was young and no one ever denied her of anything so she needs to control every aspects of her life. And maye yours.
She's very hardworking for her passion. She lead her cheerleading team to many wins and trophies. She's also very serious about school and is already set up to enter one of the most prestigious universities in the country. Of course, you're coming with her if you even show her an ounce of interest to her or Jake.
She's very aware that people are only trying to use her (except for you and Jake) and that's why she sometimes tends to think other people are not that serious for her. Sure, she'll be friendly towards one girl but Lana honestly doesn't really care enough to know anything besides her name. Any information will be thrown out of her mind after the girl goes away anyway.
TENDENCIES
She's very nice and touchy with you, but not to the point of discomfort. She might touch your face or hair a bit longer than usual but she'll back away if she notices any suspicion on your face.
Already knows all of your information. Where you live, your phone number, your phone password, likes and dislikes—everything she needs to know for the future where the three of you lives happy together.
She will always keep an eye for you. Especially pesky people she deems not worthy of your time. Her work's is slightly cut when she realized you never really had a best friend in school, so that made her really happy.
When you're closer, Lana will try to get to sleepover at your place. She'll whine and pout cutely and tries to even offer you to stay at her house on the weekends. She's just trying to expand her collection of trinkets from you. So far, the most precious thing she owns is your favorite shirt that you forgot when you're changing from gym class. She likes to wear it with a smile on her face when she's at home, working on her homework.
Overall this girl is in love and obsessed with you, but she is trying to be respectful while removing any harm from you from a distance.
Jake Savile
BACKGROUND
Jake's family is old money. They own many hotel chains that existed before his mother was even alive. His family dynamics is not perfect, he knows his mother and father only married for business so he doesn't really expects them to love him like a normal parent does.
That doesn't make him to act spoiled though. He's trained to hold the family's reputation since he was young, never acting up or humiliating his family name. He's a blank doll that only smiles politely when meeting other esteemed families.
He does like watching interesting things. Observing his parents fighting, his cousins bullying a maid, anything that catches his attention he will watch with a hard stare.
He's basically a freak that likes to observe things that catch his interest, and when someone catches him in the act—he'll only smile and walk away like nothing happened. Who's going to believe that Mrs. Savile's youngest son was only watching when his cousin pushed someone off the stairs?
Once he got into high school, he felt a little free than he is at home. He likes to do sports so he joined the football team. Although his parents were apprehensive at first, that quickly changed when he started to get more wins for the school and people in town started to talk more about him.
He started to notice you after he dated Lana in freshmen year. She'll tell him stories about you that might freak any normal person, but he'll only nod and listen with an interested gaze. He's curios to say the least the more Lana talks about you and the chance came when he's faced with you when you're interviewing him for the school newspapers.
He was...disappointed to say the least. You were the one Lana's been boasting about? You, who look so boring that you might blend with a crowd seamlessly. He hides his disappointment with a polite smile as you asked him questions about the state championship that the school won.
You were nice and that's about it. Nothing really made him interested in you. But he had to admit he saw a few things that perked up his attention every now and then.
He really thought you're only acting nice to Lana because you wanted to use her. But that quickly changed when he saw you confronting one of the members of your club about asking inappropriate questions to Lana.
Jake had a joint interview with Lana so you had a plus one to help record the interview and also ask questions. He lets out a small scoff when he saw who's sitting besides you, he knows the boy had issues with Lana so he's not surprised when he started asking inappropriate questions not even about the competition that they've won.
He noticed your laid back nature turned more tense the more he asked questions. And after the interview was done, Jake was grabbing his bag from the locker room when he stumbled upon the two of you in a heated argument.
He's surprised at how you defended Lana strongly. He thought you're only tolerating her to be honest, but he quickly changed his mind when he saw you snap at the boy and slamming your locker shut. With one last glare, he saw you walking away with muttered curses.
He might stay with you for a while. Maybe Lana did have a point about you being special. But Jake's going to take this slow and he'll be sure to observe you all the time to make up his mind.
PERSONALITY
Jake is actually a nice to everyone. He's basically Lana without the mindset of everyone is beneath them. He's trained to keep his family's reputation so he's learned to be polite and play nice to everyone.
More calm and controlled than Lana is, but he can get angry or annoyed by people who are kissing his ass. He knows straight away if people are trying to get close to him to use him, but sometimes he'll let them go on for a while to see if something interesting happens.
Very caring and protective about the people he loves. Lana is currently number one in his list (you're slowly getting on top though) but he knows Lana can handle problems by herself so he's usually hanging around in the background as support.
Has a more nastier side than Lana is. He's from old money with family members backstabbing anyone to get ahead of each other. He's learned this from his parents and siblings, watching from the side and taking notes on how he can do it better. If he has any pesky problems, especially people, he has connections and the money to make it all disappear.
TENDENCIES
He'll always know what's going on in your life. You'd never see him for three days straight and then he's asking your trip to the mall. And when you asked how'd he know about it, he'll just shrug and smile before giving you a lie.
Likes to help you with a lot of things. He'll offer you to carry your bag after school when you're hanging out, maybe even sneak a peek on what's inside the bag. He's curious and likes to admire the trinkets on your bag like keychains and pins. Maybe he'll even buy the three of you something to match together.
Very motherly? He likes to take care of you and make sure you're staying healthy. Buys you snacks and drinks, maybe even carrying extra medicines for you. He will glare at you and poke your sides when you skip a meal.
No one will know he's obsessed with you because he's really good at pretending. But the mask will crack every now and then, especially when you're getting too close to someone. He knows you don't have any friends, so why are you being touchy with someone he's never seen you interact with?
Rest assured he will try to intimidate anyone. He'll never get his own hands dirty on his first try though. Like I've said he has connections and he will use it first, and when that's not working? That's when he takes off his goody two shoes mask and just go wild.
#yandere#yandere x reader#yandere x you#yandere oc#yandere headcanons#lana my oc#jake my oc#echo writes!
330 notes
·
View notes
Text
ii. "think about my offer" - t.w.
pairing: female driver! x toto wolff
word count: 2.8k
warnings: cursing, eventual smut, drug & alcohol usage, power imbalances, age gap relationships, flirting, banter, yearning, use of fic tropes, yadayadayada the works
prev. | next.
sypnosis: with the second grand prix of the season well on its way, there is a lot at stake. not only with the race, but other matters as well.
darkness creeps into the motorhome, the lights of the team motorhomes and paddocks illuminating the space. all around you, everything was brushed with a soft white glow.
his fingers remain under your chin, forcing you to maintain eye contact. in the dim light, you can barely make out the glint swimming in his depths. what was it? desperation? anticipation? you weren’t sure.
toto was a complex man. you were well aware of that.
˖⁺‧₊˚♡˚₊‧⁺˖✩₊˚.⋆☾⋆⁺₊✧˖⁺‧₊˚♡˚₊‧⁺˖✩₊˚.⋆☾⋆⁺₊✧˖⁺‧₊˚♡˚₊‧⁺˖✩₊˚.⋆☾⋆⁺₊✧˖⁺‧₊˚♡˚₊‧˖⁺‧₊˚♡
there were days where you would see him glowering around the mercedes paddock, engaged in heated exchanges with engineers. there were moments where you would watch a glimpse of his radiant grin, dimples and all, as mercedes would successfully place or land a podium. of course you had heard the stories about him and his outbursts. his mood seemed to change in a matter of seconds, especially these days.
well, could you really blame him?
mercedes had dominated the world of formula one for so long. with lewis hamilton earning eight world championships, breaking barriers and records along the way, mercedes was the top team. it was a team many drivers dreamed of racing for. when you entered the world of formula one, you could barely get one foot in without hearing the word mercedes or the name lewis hamilton.
that was until redbull had entered the picture in 2022.
now, they were struggling to even maintain second place. hell, there were some races where the team would barely make finish without crashing a car. or suffering from a malfunction.
mercedes was no longer the team. they were on the same level to ferrari and mclaren, fighting tooth and nail for those second and third spots on the podiums.
additionally, you couldn’t help but face the glaring facts. lewis hamilton was leaving mercedes once the 2024 season was complete. their integral driver, the one who had earned them their reputation, their titles, was making an exit.
was there something behind that? something more than the speculations and gossip?
however, you squeeze your eyes shut, sucking in a shaky breath.
“why do you want me on mercedes? these days i feel more like a liability to my team than an asset. i’m sure you just saw the spectacle in the press room.”
“because you’re an inspiration,” the notes in his tone are gentle, “you have inspired so many women to pursue their passions in the world of formula one. not just in terms of racing, but for mechanics, engineers, journalists. you have encouraged so many people to do what they love. you are confident. you know your talents and you utilize them. you have so much fucking potential and it makes me so irrationally angry that james does not see that.”
brows furrowing, your hand grasps toto’s wrist, pulling it away from your face, “does this have something to do with james? it’s common knowledge that you like to hold grudges, toto.”
the principal coughs slightly, “that may have something to do with it.”
“then my answer is no,” venom oozes out of your words, “i’m not some pawn to be used as a ‘fuck you’ to james for leaving mercedes. i’m not taking any part in that. i’m going to need you to leave.”
“that’s fine,” toto nods, responding coolly, “i figured you’d react this way. you are extremely close with james.”
“well no shit,” you mutter, pointing towards the door, “mr. wolff, i am going to ask you kindly once again. please leave.”
“i will,” placing a hand on your shoulder, toto locks eyes with you once more, “think about my deal, little dove. in the meantime, i’ll be waiting.”
“waiting for what?”
“if you’ll accept my deal,” his thumb massages along your collarbone, “you didn’t say yes, but you didn’t say no. i can tell you’re considering it.”
“you’re stubborn,” you retaliate, yet the pressure along your collarbone is relieving, the sore muscles relaxing, “they weren’t wrong about that.”
“i am quite the stubborn man, schatz,” toto can sense your exterior crumbling as his hand glides towards your shoulder blade, massaging gently.
“i know you’re manipulating me with your extremely good looks and nice hands.”
“and yet,” toto’s voice is low and he leans in, mouth hovering by your ear, “you’re falling for it.”
“are you flirting with me, toto wolff?”
“maybe i am,” his breath fans against your ear as his hand delves lower, fingertips brushing along your ribcage, “it seems to be working. look at you, nearly crumpling to your knees at my touch. how long has it been since a man has touched you like this, schatz?”
it takes everything in you not to let out a groan as his hand rests on the small of your back, “y-you need to leave.”
“i will this time,” he murmurs, “but consider my offer, little dove.”
a vibration on the countertop interrupts the principal. snapping out of your trance, you pluck your phone, the illuminated screen notifying you that you had a couple of missed calls, and numerous text messages.
one particularly caught your eye.
it was daniel.
i’m going to be on my way in five. i hope you’re okay. i know you probably don’t want to talk about the press conference very much, but we can just cuddle or something.
“oh fuck.”
toto towers over you, eyes scanning over your phone, “i take it that is my cue to leave.”
“your cue to leave was fifteen minutes ago,” your tone is dry, yet he cracks a smile.
“i hope you know i’m going to keep pestering you until you give me an answer. have a good night, little dove. i’ll see you around, yeah?”
“sure,” you respond. placing two hands on his back, you give him a small push, “you need to go before daniel thinks something weird is going on.”
“is he your boyfriend or something?” toto obliges to your action, the austrian beginning to stroll towards the door of the motorhome.
for him, the exit was merely a few strides. but fuck, was he sticking around. daniel was going to be there in a matter of seconds. who knew what would happen if they happened to cross paths.
similar to toto, daniel was not one to let things go.
“no!” you snap, “leaaaavveee!”
“fine, fine,” toto huffs, “think about my offer, schatz. i will see you around.”
as the principal slides out of the door, you bring a hand to your temple, massaging it.
what the actual fuck just happened?
seconds later, a series of knocks breaks the silence.
“come in!”
daniel peeks his head in, concern painting his features as he notices your state, “why are you still in your suit?”
shrugging you point to your phone, “i was in the middle of an intense phone call when you texted.”
“ah,” he opens the door, a bottle of wine in one hand, a bag in the other, “i brought food, if that’s all right? i figured you would need some after that prick grilled you in the press room.”
“can we talk about something else?” you groan, crossing over to the couch. you flop on it dramatically, earning a laugh from daniel.
“we could talk about how max adores you. i think kelly has some competition.”
“i wouldn’t say that,” you lift your head up, fighting a smile as daniel pulls a series of parcels from the bag, “what did you get?”
“something i knew the american would like,” he teases, ripping open a few wrappers, “a classic cheeseburger with fries. i hope they’re not soggy. i ordered it plain since i know how you are about condiments.”
“no shake with that?” you giggle, sitting up. wrapping your arms around daniel, you bury your head into his shoulder, “it’s a been a fucking day, let me tell you.”
“yeah?” he stuffs a fry in his mouth, “tell me about it.”
“well,” you’re tempted to spill every single detail about what just occurred merely minutes ago. however, as daniel’s gaze meets yours, you hesitate, “i’m concerned about my future with williams.”
“why do you say that?” his eyes narrow, brow furrowing, “you’ve never said anything like that till now. did something happen on the way back from the press conference?”
“no, no, no,” you respond a little too quickly, “i just – i don’t know. you of all people know how quickly things change in this environment and–”
“hey,” daniel lays a hand on your thigh, “i think you need some rest. you’ve had a real fucking busy day. we can talk about your future plans in the morning.”
“but what if i want to talk about them now?”
“you of all people know that i am not one to tell people what to do or how to live their lives,” daniel’s eyes harden, the words stern, “but you need to decompress. take your mind off racing for a minute. your life is not all about racing. you need to take care of yourself too.”
“i know,” you allow him to wrap an arm around your shoulders, bringing you in close, “it’s too much to think about sometimes.”
“tell me about it,” daniel places a peck on your temple as you nestle your head into his collarbone, “how about we eat, and maybe we can talk about it later?”
“sounds like a plan to me,” you nod, “hey, i have a question for you.”
“and that is?”
reaching for a box of fries, you fiddle with it, “are there speculations that we’re dating?”
˖⁺‧₊˚♡˚₊‧⁺˖✩₊˚.⋆☾⋆⁺₊✧˖⁺‧₊˚♡˚₊‧⁺˖✩₊˚.⋆☾⋆⁺₊✧˖⁺‧₊˚♡˚₊‧⁺˖✩₊˚.⋆☾⋆⁺₊✧˖⁺‧₊˚♡˚₊‧˖⁺‧₊˚♡
“how do you think that went?”
james is to your right, tablet in hand. absentmindedly, you fiddle with the visor on your helmet, “all right.”
“just all right?” james queries, “you have pole position for tomorrow and you think that went just all right?”
“well,” you shrug, “we all know that max is going to overtake me, so i can’t be too hopeful.”
“such a pessimist,” james chuckles, placing a tender hand on your shoulder, “you don’t seem like you’re quite here today. i don’t want to press, but is something on your mind? you know you can tell me, right?”
there was quite a lot on your mind, actually.
in the days following the bahrain grand prix, it was almost as if your mind was a torrent of anxiety, fear, and numerous emotions. there were too many to decipher, constantly overwhelming you, distracting you from the matter at hand.
although you felt like you weren’t quite on this planet, you somehow managed to breeze past max in qualifying. it was only by hundredths of seconds, but it was a victory nonetheless. charles leclerc was behind max in the third position on the grid. alex was twelfth, which was not great but not terrible.
the encounter with toto was ever-present, consuming your thoughts whole. part of you wanted to confess the entire situation to james, but you knew that you had to keep it to yourself. this was no time to stir up any drama or rivalry between the two principals.
you couldn’t stop thinking about the way his hand drifted, how his voice shifted when he spoke to you. it was a far contrast from the way he spoke in interviews or to his drivers. it was rich yet husky, brimming with lust. there were gentle notes inflected in it as well, almost if he was admiring you. it was reminiscent of how one would speak of their favorite piece of artwork, or their most prized possession.
from his point of view, were you really a prize to be won? were you really that important? or were you the latter?
were you simply a pawn in his game?
the way he looked at you told you a different story.
there was no calculation. no coldness. there was no trace of the hardened, steely gaze he usually presented to his peers, to journalists, and to the general public.
there was simply a softness. as if you were one of his weak spots. you could remember him looking at you hungrily, as if he was taking in every single detail of the most beautiful thing he had ever seen.
since the encounter in your motorhome, you had only bumped into the principal twice. once was on your entrance to the paddocks with james, where you exchanged formal greetings. the other was after the last practice session, where he congratulated you for your time, wishing you luck in qualifying.
the most odd aspect of it all was that you could count the number of exchanges you had with the principal on your fingers. most of it was formalities, either with the press lurking around, or when you attended events. there were no personal meetings before. it was all business or related to racing.
so he truly meant it when he had mentioned he had his eye on you for a while.
the only thing you could remember was an afterparty after the monaco grand prix in 2023. although max had won the race, both lewis and george had placed fourth and fifth. those were significant placements, especially on a track like monaco. you had placed eleventh, which was pretty monumental at the time.
around four a.m. at the afterparty, toto approached you. his face was flushed, cheeks tinged nearly crimson from the alcohol. the scent lingered on his breath, his hair was tousled, and a sheen of sweat clung to his skin. yet he was still utterly gorgeous, offering you a brilliant smile.
“i didn’t think the golden girl of formula one would make an appearance!”
“golden girl?”
“well of course,” he nodded fervently, the words slurred ever so slightly, “you shine like the sun. so that means you’re a golden girl!”
“mr. wolff,” your laughter was like bells, ringing so beautifully in the principals’ ears, “i think you’re pretty drunk.”
“let’s get a drink or two together. then you can really see that i’m not the big bad wolf.”
you ended up declining his offer, but he didn’t persist, leaving you to join daniel, lando, and oscar on the dancefloor. your heart was racing, and you were sure it had nothing to do with the pounding bass or alcohol consumption.
it was due to the fact that you had a tiny crush on the principal.
ever since you had sat behind the wheel of a race car, you were attracted to the principal. in your teenage years, you had dreamed of racing for mercedes, under the wing of toto. you swooned whenever you logged onto tumblr and read fanfics. you were nearly breathless every time you saw him pop up on your youtube feed.
fuck, even when you watched drive to survive on netflix, you couldn’t help but catch yourself rewinding back to the interviews with toto.
so when he offered to buy you a drink or two in monaco, you had to bite your tongue to say yes. when he entered your motorhome and had you pinned against the counter, you were a little weak in the knees. when he used little dove or schatz, it did leave your heart skipping a beat.
since that moment in monaco, things had been strictly professional. now, that line was starting to blur thanks to the motorhome incident. every time you noticed the principal, you could sense the tension in the air. it clouded nearly everything, thick and electric, sending a shiver down your spine every time the two of you locked eyes.
there was no doubt that the team principal was breathtaking. yet, he was almost thirty years older than you. additionally, you couldn’t help but think about the way the entire formula one world would react the moment they caught wind of mr. wolff and the american girl. the horrible treatment from the media would only skyrocket.
there was also the other elephant in the room.
after you asked daniel whether or not there were speculations the two of you were dating, he distanced himself. although he had said no, you couldn’t help but wonder if he wanted the world to think the two of you were together.
before, the two of you were almost inseparable. after alex, he was the first driver to welcome you to the world of formula one with open arms, often encouraging you, offering advice, and defending your name tirelessly. he was constantly reposting videos of you all over his social media, captioning them along the lines of, “look at my american girl go!” or “go best friend, that’s my best friend!”
of course, there were little rumors swirling around on social media that the two of you were an item. fans often made edits of the two of you, saying things like, “they’ll never tell us they’re dating but in my head they’re together” or “that aussie boy loves his american girl <3”
now, you found yourself distracted. too distracted. between the whole toto debacle, questioning your loyalty to williams, the benefits of joining mercedes, and daniel leaving you out high and dry, you were a mess.
a hot mess, at the very least.
to make matters worse, tomorrow was the biggest race of your season. if not, the biggest race of your life.
and god only knew what tomorrow was going to bring.
˖⁺‧₊˚♡˚₊‧⁺˖✩₊˚.⋆☾⋆⁺₊✧˖⁺‧₊˚♡˚₊‧⁺˖✩₊˚.⋆☾⋆⁺₊✧˖⁺‧₊˚♡˚₊‧⁺˖✩₊˚.⋆☾⋆⁺₊✧˖⁺‧₊˚♡˚₊‧˖⁺‧₊˚♡
thank you so much for reading! let me know if you would like to be tagged! <3 this is going to be a multi-chapter series so buckle up y'all. it's about to get juicy!
#f1#formula 1#toto wolff#toto wolff x reader#toto wolff x you#toto wolff x y/n#daniel ricciardo#formula one x reader#formula one x you#formula one x y/n#formula one imagine#formula one fanfiction#charles leclerc#max verstappen#lewis hamilton#george russell
494 notes
·
View notes
Text
The Right Person at the Wrong Time - A Reflection on Timing and Connection
All our lives, we have heard stories that involve the right person turning up at the wrong time. This concept is jarringly alarming because it layer-peels the facade of finding the right individual in regard to love, connection, or relationship. This indicates, if explained better, that two people fitting for each other might fail to emerge when the various elements of life are against their coming together.
What does it even mean to meet the right person at the wrong time?
The Complexity in Timing
Timing is an invisible force that shapes the connections we make, often in ways of which we are barely aware. You might meet your dream person, that person who checks all the boxes or sees the world through a filter instituted by your soul. But with you not being emotionally available, probably still recovering from injuries of the past, or perhaps in the middle of some personal crisis, such connection might just not blossom. On the other hand, it could be them who is dealing with troubles at this stage, which means they cannot also be fully present.
This is extra challenging because, by nature of things, there is tension between what we feel and what reality presents. There is almost something tragic in the beauty of having found someone incredible but at the wrong time. You're forced, then, to think that love and connection are about more than logical matches, but two lives crossing at a certain point where access and readiness are aligned.
The 'What If' Paradox
That is the question that will haunt when the right person shows up at the wrong time: What if things were different? It's such a haunting thought, and then you are left to wonder how, in some other world, maybe it would have worked between the two of you. You have a vision of how this might have been the case with another chapter of your life. You could run yourself into sleepless nights with 'what ifs' and yearn for something that may never be resolved.
But harboring such questions in one's mind forever would render living in the present light of day an impossibility. It is very human to reflect on the paths not taken, but living in the country of 'what ifs' blinds you to the new opportunities staring you in the face.
Growth, Timing, and Readiness
It might be that meeting the right person at the wrong time sometimes serves a great purpose. Sometimes such experiences will teach us more about ourselves, or perhaps are a reflection of where we need to grow or what we need to let go of to be truly ready for a meaningful connection in the future. Other times, the person you meet is but a mirror reflecting the work yet to be done on yourself.
That person may remind you that deep love is deserved by you, even if at the time that is not fated to be with them. They may provide a catalyzing agent that impels you to align your life through means that serve to better prepare you in the future for a relationship be it with them or someone else.
Embracing Imperfection
One of the most painful things we may learn is that imperfection meets us around every corner in life, and love is no different. Yes, even when we think we have found that person who fits every category on our ostensibly perfect list, it's not as if the universe necessarily plays a role in ensuring that all that lines up. That's just part of the mystery—and frustration—of being human.
But perhaps, other than cruel fate, that is the profound message: love is not about everything working out perfectly. It means the understanding that connections, no matter the depth, sometimes do not come out with fairy tales. It is about embracing the will-o'-the-wisps, beautiful moments for what they are and not necessarily needing them to last.
Moving Forward with Ease
So, what happens when you are in this situation? There isn't some simple answer to this proposition, nor is a one-size-fits-all solution for anything. Some can hold onto the hope that one day, in the future, the timing shall be right and the stars align. While others let go, realizing that even while a connection was powerful, yet it simply wasn't meant to be a permanent fixture in our lives.
Both are correct. The key is to move with elegance. Life, with all the moments of its unpredictability, is a journey that's really full of twists and turns. That person at the wrong time could have been one chapter in your story, but it need not define the whole narrative. Every experience in life adds to your growth, even the bittersweet ones.
Ultimately, the concept of meeting the right person at the wrong time invites us to consider what love, timing, and self-awareness are all about. It reminds us that not everything is about chemistry but about being prepared—about two people meeting at the crossroads of their journeys in life, ready to take that step together. And sometimes, such journeys are meant to meet only briefly, leaving an indelible mark but no permanent union. In those moments, we can only respectfully acknowledge the bond for what it was and know that each interaction—every human contact—is a part of our development and continues to shape us into who we are and who we will become.
#RightPersonWrongTime#TimingAndConnection#LoveAndTiming#PersonalGrowth#MissedConnections#TimingMatters#EmbracingImperfection#LifeLessons#RelationshipReflection#FateAndLove#LoveJourney#DeepConnections#EmotionalGrowth#RightTimeRightPerson#SelfAwareness#WhatIfs#TimingInRelationships#LessonsInLove#ConnectionAndTiming#BittersweetMoments#PersonalReflection#LifeAndLove#GrowthAndLove#EmotionalHealing#LoveAndGrowth#CrossroadsOfLife#UnfinishedStories#LoveReflection#SelfDiscovery#EmotionalConnections
264 notes
·
View notes
Text
Something I think about a lot and wonder if maybe gets overlooked in Twilight’s story and as vitally indicative of his character is actually in the very first chapter:
Anya isn’t needed for Strix. Twilight decides to adopt her anyway.
[Spoiler warning: Mostly this post deals with early chapters already in the anime but there is reference to chapter 62, which has not yet been animated and will be in season 3]
Twilight decides it — “I’m going to rework the mission so it doesn’t involve a child because that’s too dangerous” and he’s 100% right! Donovan Desmond is canonically a far right warmonger with fascistic authoritarian aims. His government made liberal use of the SSS — a group to mirror the Stasi — who continue to operate in morally dubious ways (much more likely they’re actively morally reprehensible, though we’ve mostly only had rumours of that so far). From what we can tell, Desmond is at best an absent father and likely actually worse than that: if that's how he treats his own children, imagine how he might treat others. And the timeline seems to indicate that the experimentation performed on Anya was done under Desmond's government — even if Twilight isn't aware of experimentation on children, he is aware of both human and animal experimentation under Desmond's government. Taking all that and also the complexity of Strix's aims, undoubtedly there were other things that could be done, more straightforward if not necessarily easier.
So. Why? Why entertain the change at all? And then, having entertained it, why go back when the reasoning is indisputable?
On the Doylist level, I think Endo wanted to ensure that Anya had some agency within the set up — Endo also does this with Yor. It would be much harder to be on Twilight’s side fully, or to trust him on an ethical level/take him as any sort of moral authority, if he were just straightforwardly using these two people. To have them be active and consenting participants (arguably to actually be affirming the arrangement: Twilight sets it up, but Anya and Yor actually make it happen) even if the audience only knows the depth of their knowledge/motivations/etc currently, shifts the power dynamic in important ways.
But it also the set up tells us important things about Twilight. He is largely impatient, cold, detached in chapter one. His overarching feelings towards Anya are, I think, real annoyance, real confusion, and real impatience. He just doesn’t understand this damn kid and it turns out she’s a person which is frankly unacceptable — he’d needed and anticipated an automaton, ideally of himself in miniature form. (Though I think one could ponder whether Twilight was, in many ways, an automaton himself at this point, but that's maybe for another meta 🙃)
He’s not entirely unmoved of course — we're given to understand he’s affected when Franky tells him how many times Anya’s been adopted and returned, and isn't amused by Franky's joke about names. Franky's comment — "Just don't get attached" — reinforces this. The prospect of “the future” perturbs Twilight when he’s reading the parenting books. His initial reaction to Anya’s kidnap is horror. All these are true too.
Then there’s also this, from earlier in the chapter:
It’s exposition, yeah, and it’s also exposing. "Hopes" and "joys" are very specific words to describe those events. It could simply have been "A marriage? An ordinary life?" but describing them as such — hope for marriage; joy in ordinary life — expose something of what Twilight feels about those two experiences and, on the flipside, they expose what he deems he's lacking. No hopes of intimacy; no joy in (an ordinary) life. There's an argument as well, of course, that he's being ironic but I don't think that actually invalidates the above analysis. Drawing attention to 'hope' and 'joy' at all are revealing, regardless of Twilight's tone in thinking of them. I think it's also interesting this panel, taken in conjunction with a pair of panels in chapter 62, Twilight's backstory. The above is almost a pulled out version of this below panel of Twilight's recollection of his childhood, and of course the returning image of not just a rubbish bin but a rubbish bin on fire when it comes to disposing of his identity:
Back to Strix. Both his final interaction with Karen and the whole everything of the framing of Strix is making Twilight think (and feel, ahem) things that he hasn't for some time. Twilight decides, I’m reworking this. It can’t proceed this way. Not because Anya is a pain in his ass, not because she’s not as (apparently) intellectually advanced as he’d originally thought, not even because he thinks he can find another child who would better be exactly what mission parameters called for. No:
And what changes his mind is Anya asking to come home.
One of the important parts of this to me is this:
He seeks consent.
This moment is a keystone, I think, to understanding Twilight. It’s also more telling than he maybe realises. Twilight is decisive — we all laugh because he spirals at the drop of a hat when his daughter or wife look even mildly upset but outside those (also very telling) scenarios, he makes decisions and he pursues them. Often he makes decisions quickly. He’s a dab hand at it; it’s a large part of why he’s as good a spy as he is.
He’d decided to change Strix.
Anya asks him, in essence, not to.
So, he doesn't.
But it's wild that he entertains keeping her request at all — why? Why even entertain it? It’s dangerous; it’s impractical; there are too many moving parts outside his direct control; Anya isn’t the sort of child he’d wanted for the mission if he’d spent any time thinking about what a child might actually be like; Strix is in many ways an extremely long shot anyway, Desmond could just stop attending for reasons unknown and unrelated; etc.
So, yeah, why? Maybe because of this —
In conjunction, I often think of this moment in the cruise arc:
Twilight first naming the feeling as lonesome, and secondly tacitly conceding that he perceives Yor as a companion and that that relationship is important to him, something to be missed. What makes this for me though is that Anya calls this out "Papa's you're so sappy" and Twilight's reaction is that of someone caught-out. He doesn’t say “nuh-uh!” but he may as well have. Essentially, something landed a bit close to home, hm? Maybe some of that hope for marriage? A soupçon of joy of an ordinary life?
Twilight’s loneliness underpins many of his decisions with his family — probably without him being fully conscious of it. I think he is at least somewhat conscious of it, but also if he looks too closely... Well, best not to. I could fill this post, I think, with images that demonstrate his loneliness throughout the series; that sorrowful/pensive close-up of his eye(s) is one of the abiding motifs for Twilight throughout. I'd probably start with this one from Twilight's backstory arc:
Anya's request plays directly off his loneliness. Still though, he doesn’t immediately capitulate — he emphasises Anya’s choice. Is she sure? The last day has been scary for a child (and for him, but he's ignoring that part) and Twilight, in his increasing recognition that Anya is a person, is probably aware in the back of his mind that he hasn’t exactly been warm or welcoming or at all patient with her. Things that people respond to — he's otherwise excellent at manipulating people, so of course he understands this. So. Given she'd just had this scary experience, given he hasn't exactly been great with her: Is she sure? She wants to come home — with him?
I think the moment may get a little lost because Anya says something riffing off his own earlier thoughts and self-revelation (featuring that shadowed, lonely eye motif again!)
Were this a post about Anya, I’d talk about how it’s an important character moment for her as well by way both of demonstrating her agency/choice and also that she isn’t nearly as dumb as Twilight thinks (and the audience, maybe, also thinks).
But in my view, she didn’t actually need to say anything about it making her cry. I think she could simply have said yes in that moment and Twilight would have agreed.
Twilight’s an unreliable narrator; he’s disconnected from his heart and that shrouds his own motivations from himself — something he actually also concedes in this chapter!
And it shrouds from us just how much he actually understands himself. He’s also a master of deflection. Easy to assume or say that bringing Anya home is just to align with Strix. Nothing more to see here; nothing else going on. But also that ripping off of the mask in the panel above — and the literal 'riiip' sound effects — also indicate to us that this is an unveiling to himself.
In my view, Twilight agreeing to Anya's request, deciding to go back to original mission parameters, actually shifts his motivations, subtly. Now he’s committed not only to the original mission goals, but also to Anya. He needs Anya to succeed at Strix, not only for Strix's sake, but also because otherwise the mission will end and she’ll have to go back to the orphanage, and he’s just agreed with her not to do that (not right away, in any case). I don’t think at this point he’s thinking it’s forever — his thoughts throughout the manga indicate he still expects the Forgers to be temporary. I don't think the shift in motivation is necessarily even conscious, but given the set up, I think something inside Twilight recognises that agreeing to bring Anya home is a compact, jointly engaged. Mostly all this has become subsumed into Strix: he makes decisions. He pursues them. He deflects, even from himself. Of course it's just for the mission; this saved him the trouble of reworking it, of figuring out something else. Nothing more to see; no need to think any more on it. And to be fair to him, Strix is very high stakes, resting pretty solely on his shoulders, so of course that is, objectively, motivation enough. Why even consider beyond that?
But I personally think that to the extent he's aware of it at all, there is something else going on, that he wants to have Anya for as long as it takes him to work something else out for her. If that's the case, then of course, we have Occam’s razor: the simplest solution may be the best one.
Maybe Twilight should just keep Anya himself, eh?
[Image description: gif from Spy x Family season 1, episode 1. Twilight and Anya have just found out Anya passed her entrance exam and are overjoyed. Celebratory, Twilight picks Anya up and swoops her into the air as they smile at one another. End image description]
#spy x family#spy x family meta#agent twilight#loid forger#sxf manga#sxf manga spoilers#i haven't talked too much about yor in this but ofc she is also an important part of this dynamic#i’ve been in my thoughts for weeks about twilight and they’re all pouring out 🥲#i tried to work them out in fic first but it was not enough 😤#should I put some of this post behind a cut? pls lmk if yes#also caveat that ofc i'm working from translations which may sometimes miss nuance/be somewhat off from endo's originals#here fandom take this!#gif#and i had a whole section about the complexity of consent in children and particularly a child with anya's background#ultimately tho this is fiction we're discussing and i'm sticking within those parametres pls and thx
374 notes
·
View notes
Text
Let's talk about writing POC characters.
Diversity's important in writing. It reflects the reality of our world, where people of various backgrounds coexist and contribute to society. Including POC (people of colour) characters not only enriches narratives with authentic perspectives but also promotes empathy, understanding, and inclusivity among readers, fostering a more equitable and representative literary landscape.
When writing characters of color (POC), it's essential to approach the task with care, sensitivity, and awareness of the complexities of identity and representation. Here are some key considerations:
Avoid stereotypes: Steer clear of relying on clichés or stereotypes when portraying POC characters. Instead, focus on creating well-rounded individuals with diverse personalities, motivations, and experiences.
Research: This is so, so important. Take the time to research the cultural background, history, and experiences of the specific racial or ethnic group your character belongs to. This will help you portray them authentically and respectfully.
Avoid tokenism: POC characters should not be included simply to fulfill a diversity quota or as tokens. Ensure they have depth, agency, and contribute meaningfully to the story.
Consultation: If you're not from the same racial or ethnic background as your character, consider seeking input from individuals who are. Sensitivity readers or consultants can provide valuable insights and help you avoid unintentional biases or inaccuracies.
Complexity: Just like any other character, POC characters should be multidimensional. They can have flaws, strengths, ambitions, and fears that go beyond their racial identity.
Intersectionality: Recognize that POC characters may face intersecting forms of discrimination or privilege based on factors such as gender, sexuality, class, or ability. Explore these intersections in your character development.
Language & dialogue: Be mindful of the language and dialogue you use for POC characters. Avoid dialects or speech patterns that could come across as caricatures or offensive stereotypes.
Avoid monoliths: POC communities are incredibly diverse, with individuals from various backgrounds, beliefs, and experiences. Avoid portraying them as a monolithic group with uniform characteristics or perspectives.
Cultural sensitivity: Respect cultural traditions, customs, and practices when depicting POC characters. Avoid appropriating or misrepresenting aspects of their culture.
Authenticity: While it's important to research and be respectful of cultural differences, remember that no single individual can represent an entire race or ethnicity. Your character should feel authentic and true to their unique identity.
Character agency: Ensure that POC characters have agency and are not merely passive participants in the story. They should drive the plot forward and make meaningful choices that impact the narrative.
Happy writing!
Previous | Next
#writeblr#writing#writing tips#writing advice#writing help#writing resources#creative writing#character development#poc characters#deception-united
439 notes
·
View notes
Text
like a french girl 🎨
part 1 - paint me | part 2 | art major ellie x dance major reader | ellie photo
ao3 link
summary: ellie had been struggling with finding the perfect model for her art final. that was until she saw you.
18+ MDNI | 2.2k words | tags; college au, pining, only a little explicit, no use of y/n, not proofread
disclaimer: not an art or dance major, don't shoot!
°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°
Scribble, scratch, throw. This has been Ellie’s routine since she moved onto campus.
Why? Her professor told her that she draws the human body like it’s lifeless. Ranting about how they’re too one-dimensional and have no depth, her lines are too sharp or not sharp enough; flat and boring in looks and in feeling.
Now listen, Ellie has nothing against criticism. She respects her professor and she’s aware that her drawings lack “vitality”. It’s been something she’s struggled with for a while now, an effect of some recent events and overall adjusting to college life.
Ellie isn’t unable to grasp the anatomy of the body, in fact it’s the opposite. She knows the human body is complex and needs thorough observation. The way the sun hits the skin, the hairs on a knuckle, the creases of a smile. Wide, small, big, tall; no two bodies are exactly the same.
Really, the imagery is so clear to her, but she finds it impossible to transfer the life and motion of the body onto a piece of paper without truly understanding the person. The way she sees it, every body has a story, and in order to make a good piece she needs to know that story.
Since art school is filled to the brim with inspiring, exciting, and vibrant people, she has, of course, tried to talk with them. She attempted to get to know the models, ask them general questions and hope something clicks. Unfortunately, that has yet to happen. She can’t really ask her friends either without it getting awkward. Imagine, “ Oh, hey guys! Can you guys get naked and pose in one spot for my homework?” Hear how weird that sounds? Even though she’s sure Jesse would definitely be down, she values her eyes.
Any “muse” she could possibly ever want was right in front of her, so why was it really impossible for her to find one?
Well, because Ellie didn’t find anyone interesting enough. She’s not shallow or anything, it has nothing to do with how the model looked, Ellie has had several good-looking models. It was more about how she perceived them. It’s just that she hasn’t seen a model that made her ask questions like: “ How’d they get that scar?” “ What does that tattoo mean?” Stuff like that.
The last interesting model she had was probably a fucking homeless guy she shared a blunt with outside a gas station many moons ago. Till this day, he might be one of her best pieces. There’s not a lot of moments like that here.
Nonetheless, Ellie saw this developing– extremely lame— personal requirement of hers annoying as shit. It’s holding her back big time, but she couldn’t help it even if she really wanted to.
▃▃▃▃▃▃▃▃▃▃▃▃▃▃▃▃▃▃▃▃▃▃▃▃▃▃▃▃▃▃▃
It’s practically useless to keep trying. The tiny voice in Ellie's head presses her to keep going, keep failing, but enough is enough. She is seriously burnt out and any more of this might kill her. The only thing that could help right now is a meaty slice of pizza and a blunt as soon as she thought of it.
Ellie clears out her desk, knocking the stack of crumpled paper into a conveniently placed trash can; a placement made from her constant trials and errors. She pushes up, and stretches widely, obnoxiously groaning like an old man by the end of it. She quickly tidied herself up, tying up half of her hair into a ponytail and throwing on a dark-green flannel shirt she had to sniff before wearing over her plain white tee. She takes a quick look into her floor-length mirror, making sure she looks presentable before grabbing what she needs to head out.
Just as her hand reached for the silver knob, Ellie felt this overwhelming urge to look back. God, she knows what she is going to look back at, but she really hopes she doesn’t. Unfortunately, her eyes land on her sketchbook, laid flat on the desk underneath a lamp’s warm light. She shouldn’t.
She needs a break. She knows she needs a break, but there is a twinge of hope, faith, lodged somewhere inside her. The same faith that’s kept her from dropping out every day for the past four months. Ellie groans as she drags her feet to her desk where she whisks up the brown book and shoves it in her tote bag with an accompanying pencil. She swivels back to the door and strolls out, silently praying her mood improves in the next hour.
▃▃▃▃▃▃▃▃▃▃▃▃▃▃▃▃▃▃▃▃▃▃▃▃▃▃▃▃▃▃▃
The cafeteria was surprisingly crowded, but Ellie managed to get her pizza without saying ‘fuck it’ to the line. Still, the thought of eating between this buzzing mess when she was in such a shitty mood turned her off. Thankfully, she knew that everyone would be everywhere but the upstairs balcony, especially during this chilly time of year. No sane person would eat out there, and she’s not particularly sane. Ellie saunters off to the balcony and sits herself at a small table facing the view.
It only took a glance around before she came to the realization that the view is not really a view. There’s only a dorm a few feet away, directly across. It’s a large brick-laid, generic building with wide windows. If it weren’t for the blinds, the view into a room would probably be good enough to read a label on something. Ellie’s freckled face grimaces at the thought, imagining what it’d be like if someone watched her rage as she messed up her homework over and over from this distance. Despite that, she thought it’d probably be a pretty good spot to live in. It’s close to the cafeteria and probably a lot bigger than her 1x1 dorm.
With a twinge of curiosity piquing her mind, Ellie glimpses over the windows, and for the most part, they are all closed.
All closed, but yours.
Yours doesn’t even have blinds. You’re on the 3rd floor and almost completely unobscured in a black camisole, sitting on your questionably roomy windowsill with a leg perched up. Ellie can see the fairy lights strung up in your bedroom, and a line of succulents closer to the window; ordered by size, which she briefly thought was cute.
You aren’t facing the window, so she can only see your back. What she could see, though, is you doing your hair, occasionally swaying to what she can only imagine is music. Your room is high, but low enough for her to identify you if she had the pleasure of knowing you. Knowing you, reverberates in her head. Does she know you? Has she met you before? Amongst that babble, there is one more question she is slowly trying to gather an answer to.
Time passes, most definitely shorter than Ellie would have thought passed. Her eyes have been glued on you the whole time, she even forgot about her, now freezing cold, pizza just so she could gawk at you. She still hasn’t seen your face yet, barely even a glimpse, but she already thinks you are stupidly beautiful just by the way you move.
From the graciousness of your movements alone, she thought there was no way in hell you didn’t know she was watching. At some point, your arms got tired, so you smoothly rolled your aching shoulders back; stretching into an arched, effortlessly perfect posture. Ellie’s eyes traced that slight curve of your back as if you’d disappear if she broke off from you.
There is no way it gets better from that, is what she thinks to herself, only to be shut up immediately after when she sees that perfectness of your back stay as you bend over and shift onto both knees to grab something far away, bringing your shorts in view. So short— so tight , they could easily be mistaken for panties.
It was unexpected to say the least, Ellie could feel her face heating up and had to look around her to see if anyone else could see what she was seeing right now. Ellie wondered about the practicality of those shorts, wondered what exactly they were supposed to cover, leering at the plush of your ass peeking out. She thoughtlessly lets her jaw drop before muttering out a low, impressed, and barely over a whisper, “Well, fuck.”
You must’ve noticed your shorts riding up, since you quickly pulled them down after you grabbed what you wanted. Ellie clears her throat, internally scolding herself for being so gross— so perverted. Her brows furrow in embarrassment from all the dirty thoughts she brewed up in that moment. But for some reason, she still doesn’t look away. Well, there’s a list of reasons for her to look away, but she feels like ignoring it.
Then a cold gust of wind bites past her face, clearly a sign from the universe that she should snap out of it, and snap out of it she does.
What the hell happened to her? What is it about you that she keeps leaning into? Suddenly something clicks in her brain. After months of creative agony, something finally clicked. She has sat here completely fascinated by you and she couldn’t tell sooner?
In all honesty, to say she is just “interested” in you would be an understatement. Yeah, now she thinks you’re the perfect model for her final, but she wants to know you beyond just the drawing. A plus is that you just happened to be hot, and Ellie has never been attracted to a subject before, so the whole thing was new and exciting to her. Just the thought of drawing you made her remember why she loved art so much. Ellie reaches for her tote bag sitting in an empty seat beside her, pulling out her sketchbook with more enthusiasm than she probably ever has. She sets the book down, opening up a blank page with one hand and tightening her grip on her pencil in the other.
She looks back up at your window, ready to sketch your life onto paper and.. Shit. You’re looking back.
▃▃▃▃▃▃▃▃▃▃▃▃▃▃▃▃▃▃▃▃▃▃▃▃▃▃▃▃▃▃▃
Today has been a good day for you, your teacher chose you to teach the choreo you’ve been working on for weeks to your classmates. It was an obvious ego booster for you. You felt good and you wanted to look good too, even if you weren’t going out anywhere. It was just one of those nights. You wanted to experiment with your hair, thinking maybe you’ll do something new before your next practice. Dye it, cut it.. something.
It’s been a while since you started, and after several wrist and shoulder cramps, you were finally finished. You take a look into your hand mirror, peering at your reflection. You’re satisfied now, looking exactly how you’re feeling if you minus the dingy sleep clothes you’re in.
♫ My heart, I never be, I never see, I never know. ♫
Grimes? Really? You pout, upset that your playlist didn’t magically read your mood. What you need is real 2000’s hot girl music. Britney Spears, Nelly Furtado, or Beyoncé for crying out loud.
“Alexa, skip!” You shout across the room, just loud enough for the device to hear.
The stupid thing doesn’t even light up, so you call out a few more times but to no avail. Isn’t the whole point of that thing to be voice automated? You sigh and look around for your phone, and seeing it’s nowhere in front of you, you figure it’s behind. You twist your torso to find your phone behind you and luckily you do. As you pick it up, you casually glance out the window without any expectations.
Did you see a figure in the blur as you looked away? You question your eyes, but you decide to take another look and just find out for yourself.
You peer back down and your eyes meet with someone else’s. The sudden eye contact between you and this woman instantly mortified you. Your heart sunk, and all you could do was raise your brows stupidly. She was surprised too, even in the dim light you could see her shocked expression boring back at you. Not only that, it went on for way longer than it should have. Any normal person would’ve looked away, but her eyes lingered on you before she hastily turned away.
You’ve been sitting here, dressing up your hair, listening to your music without a care in the world. Far too absorbed in yourself to realize there’s someone outside your window. You slide off your windowsill and out of sight. Just as your bottom finally hits the wood floor, you feel the coldness of it against your skin and you’re immediately conscious of the fact that your ass was literally out at some point.
The poor girl was trying to eat her food and you were bending over in front of your window like a harlot. It certainly didn’t help that she looked kinda hot. Did she? You peeked over your windowsill, hoping to get another look to really assess her hotness, but she was already gone. Whatever, maybe she didn’t see? But she looked embarrassed… embarrassed for you probably!
You hide your face in your hands and topple to the side, letting out a fake sob. Oh, god. You can already imagine Dina’s face when you tell her. You couldn’t help but burst out laughing at that thought. That was humiliating as shit, but it’s whatever. It’s not like you’ll see her again.
°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°°
side note: if you have any tropes you'd like to see w/ this universe pls do drop an ask 🤭
click 4 more!
#ellie williams#ellie x reader#ellie x fem reader#ellie the last of us#tlou2#ellie williams x reader#the last of us part 2#ellie williams x female reader#ellie x you#ellie x y/n#lesbian#ᝰ like a french girl
467 notes
·
View notes