#miss me with this shit entirely

[attila-werther]

well then

there's a borderline comical level of cognitive dissonance happening in this bio

[nerdy-hyperfixations]

He just wants to be missed

[gatoburr0]

im so bored so AU lore drop in the middle of the night

I did this in ms paint and yes I was lazy so it looks shitty a bit on purpose

does this mean anything? no. I will continue to draw feral lesbians ripping each other apart because this is just a dumb comfort au

[blueskittlesart]

in the nicest and most non-confrontational way possible. i feel like some of you think that anything that isn't directly openly spelled out for you within a story is "missed potential" or "unexplored." like. sometimes there are implied narratives. sometimes the point is that you as the reader are supposed to think and draw your own conclusions and participate in the story. the writers not directly spelling every little detail out for you doesn't mean that the story is poorly written or missed its own plot details somehow. PLEASE.

[lizzybeeee]

DATV is overly reliant on Supplemental Media - especially if you are a returning player

TL;DR: Supplemental material should not be required reading in order to understand what's going on in the main game -> it's additional material that enhances what we were given. If what we were given is lacking and unable to coherently tell us a story, then the writers and those in charge did not prioritize what was important.

Not a take that's unique to Dragon Age, but one that is very relevant when talking about DATV. I've made a few posts about plot/story points that either make no sense or have been dropped entirely in the lead up from DAI to DATV. Every now and then I get a few comments or messages about how certain points I made were addressed in supplemental material released in the lead up to this games release.

This isn't a call out post, by the way! But it's frustrating, to me, that this games writing is so lacking that my understanding is being inhibited because I can't remember details from a book I read two years ago - not to mention various podcasts, comics, and short stories. My understanding of a video game in a video game series should not be reliant on additional/optional content.

DATV is a weird game in that it is absolutely a 'soft/scorched earth' reboot while also marketing itself as a continuation to what was set up in Inquisition and Trespasser. Personally, I think that if you are up to number 4 in a game series, one with a continuous story-line, it should be expected that new players won't be able to catch up to everything -> it's the game developers job to make the world and story intriguing enough that the new players will go back to previous games in the series and fill in the blanks themselves.

Veilguard, as a sequel, is overly reliant on content that comes from outside the games themselves (including DLC's) if you want to make sense of the world and story. Trespasser left us with an epilogue that set up some plot points for the next game: Solas & the Veil, the Elven Rebellion, and War with the Qun - plot points that have been built up since the time of Origins. But when we get into DATV two of these points have been dropped and resolved, off-screen.

There are more questions, but these are the ones that bothered me the most while playing the game:

What happened to the Agents of Fen'harel/ Elven Rebellion? -> answered in a cursed reddit AMA.

What happened to the Qunari following Trespasser -> addressed in Tevinter Nights, and a codex entry you can pick up (optional).

Why is Skyhold infested with demons? -> mentioned in Tevinter Nights.

How did the Dalish go from worshiping their own pantheon to knowing they are false gods? (specifically those we meet in the Veil Jumpers) -> mentioned in the Missing comic series.

What's up with Nevarra's Royals? -> Tevinter Nights addresses that there is a power struggle in the Pentaghast family and the role of the Mortalitasi in making it worse - though it does not address the whole 'mage puppeting a corpse' issue and all the implications it has.

This is a video game series -> the bulk of the information required for me to understand the story and its relation to previous entries needs to be included in the final game version. I am playing a video game and not attending a uni class - I should not need to have a required reading list in order to understand what the fuck is going on. I should definitely not need to go onto a reddit AMA to understand what happened in-game, either.

What makes this stand out the most is that DAI was very successful in tying in previous games, DLC's, movies, and books! Inquisition did a great job in getting you up to speed on the events of the previous games early on, providing personalization if you played those games, and giving the player the opportunity to inquire into these events.

Hiding away the answers in additional material or a codex entry that may be missed is not good game design or good writing. DAI didn't assume that you had bought and played the Legacy DLC -> it made certain you experienced the conversation with Varric and Hawke if you wanted to proceed in the game. It didn't hide away imperative information in codex entries - it had characters talk about it in scripted scenes and encourage the player to ask more. You would actively need to avoid interacting with characters for you to not experience this information in DAI.

Leliana talks about her role during the Blight, her calling by the Maker, and her relationship with Dorothea/Justinia -> DAO and Leliana's Song DLC.

Cullen talks about his time as a templar at Kinloch & Kirkwall -> DAO and DA2.

Cassandra speaks about her history, investigation into Hawke, and the Seekers -> Dawn of the Seeker movie, DA2, & Asunder novel.

Varric talks about Hawke, Kirkwall, and Corypheous -> DA2 and Legacy DLC.

Cole talks about how he discovered he was a 'demon' - it leads to further conversations about Rhys, Evangeline, and Lord-Seeker Lambert -> Asunder novel.

Wicked Eyes and Wicked Hearts -> the game literally continues what the Masked Empire novel sets up, the Orlesian Civil War. The game does a decent job of telling us about the players (Celene, Gaspard, Briala etc...) and the reasoning behind the conflict through dialogue, the ability to explore the battlefields, quests, ambient dialogue, etc... The book is not required reading - though it greatly adds to the complexity of the characters, motivations, and political intrigue!

I never once, playing DA2 or DAI, felt penalized or like my experience was lacking because I had not engaged with supplemental material or DLC's. I got into Dragon Age when I was in high school, it wasn't until I graduated and began working after that I had the disposable income available for experiencing the extra material. I cannot say that for DATV - If you have played Inquisition and go into DATV straight from that you will, absolutely, be confused about how we got from A to B.

Which is especially strange to me!? Why is it that new players will be less confused than those that are returning players? It's like the game is actively punishing you for playing and caring about previous games in the series.

Supplemental media is bought because the main product has earned your investment, love, or interest. Not everyone has the income available to buy it with their own money - especially if you live outside the US and have to pay additional shipping costs. Not everyone has the ability to buy or 'obtain' the digital versions either. My understanding of the main story of a video game in a video game series should not require additional monetary investment into other mediums.

The game itself should be enough and DATV is not enough.

[anoant-haikyuu-dump]

More Nekoma hcs

• One time after an intense match Kuroo makes the mistake of taking the whole team out for hot pot, his treat. Never again. His wallet is in SHAMBLES, especially after the menaces that are Inuoka, Tora, Fukunaga, and Yaku get their hands on the meat menu. At least Kai helped with the bill

• Yaku is secretly super sappy— he gets emotional when reminiscing about the past, he loves romance manga, he tears up at sad movies, etc etc. Kai and Kuroo know about it and love teasing him in private but would never expose his softer side to the rest of the team. He totally bawls at graduation though and no one's suprised (they all knew)

• Shibayama and Inuoka are little gossips, they're always whispering to each other and giggling behind their hands (kinda like Tsuki and Yamaguchi but less bitchy lmao). They're the types to have conversations entirely made of inside jokes so if you hear them in passing it sounds like incoherent gibberish

• Thinking about that panel of Fukunaga holding an entire bunch of bananas, I think he'd bring whole-ass watermelons to school and scoop them out with a spoon for lunch. At first Tora’s appalled by it— as he is with most things Fukunaga does— but eventually he joins in. You’ll often find them hunched over a melon in the courtyard shoveling away like maniacs and spitting seeds into the air. Kenma thinks its the most disgusting thing he’s ever seen

• While we're talking about manga panels look at Inuoka swinging his tie around in the bg. He never ties it right, it drives Shibayama insane so he fixes it for him.

• One thing I like about stage play Kai is that he kinda has a short fuse and is a bit more sarcastic. I think he deserves a good scream in the club room at least once a week (Kuroo and Yaku guard the door so he can do it in peace)

• The third years are kinda like the Date Tech Alums in that they just show up to random practice games and heckle the team from the stands. Yaku's screaming at Lev about his form, Kuroo's teasing Kenma and Tora, Kai made a bingo sheet.

• Fukunaga has the kind of ADHD where he picks up a new hobby every week. Sometimes he's in the club room crocheting, sometimes he's learning yo-yo tricks, folding intricate paper cranes, rubix cubes, cup stacking, card shuffling, juggling, you name it. His favorite will always be cooking though, he uses the team as a test audience for new recipies.

[vynnyal]

This is a pretty good point in the wip to share this, methinks :]

Map part for the hole dwelling map, starring... Not my ocs! I wanted to use ocs, but I don't have any-- so I just used the characters from a fic I was reading at the time 😂

Turns out, the symbolism was so much fun to twist into the 11 seconds I had to work with, I ended up going way more complex than I meant to. If you wanna read the fic this was based on, please do!! And tell the author I said hi! :D

[spywhitney]

I don't want to see Luca anywhere near Sydney in season 4.

If sydcarmy is happening, I don't want no romantic or platonic (pft) storyline with Luca for Syd.

For one, it makes no sense to spend time on a relationship that's going to end. And highkey, I especially wouldn't like if a romance happened only for there to be parallels to Carmen, or Luca is presented as a good viable option for Syd, only for her to get with Carmen anyway.

At this point, I just want the show to give sydcarmy or get the hell away lol. I'm over the multi-channel gaslighting of it not being there in the show and the parallels that many hope are actually going to mean something by the time the show ends.

Syd, Marcus, Ebra, Tina, Gary (and Manny and Angel that won't be getting any screen time atp) haven't got the time I think they deserve (Syd in particular, for the second main character where tf was she in S3? S2 I understand, but for real wtf was that?). That time would be better spent on them rather than a short-lived, reprieve-centred fling for Syd imo.

I wrote a post a while ago regarding sydcarmy after S3 and I still more or less agree with what I said, but in terms of plot, if Sydney is going to struggle along with Carmen when she chooses to stay at the bear, that's perfectly fine. But I don't want anymore ambiguity, "up to interpretation" bs when it comes to them. At least give me the opportunity to wave a satisfied fist in the air with blatant, confirmed romance between them at least, so I can say "the sydcarmy shippers told yall so", even if I don't particularly want it the same way.

[fraternum-momentum]

WE'RE GETTING EVICTED FROM OUR APARTMENT.

[moeblob]

OC !

[cable-salamdr]

Wolfcat is sooooo funky to me esp now that it’s confirmed that Sora and Jordana were in school together and drifted apart. I don’t really see them as toxic yuri anymore and more as Jordana somewhat-joining the ninja and they are both confused as fuck about one another. Just exhausted from life and scared of AND for the other person. They have so many issues to fix between each other and themselves, and if it takes them like 10 years to actually get together then I am completely okay with that. No more toxic yuri only weary yuri now.

[killugon-truther]

“alluka doesn’t have any character outside of being killua’s sister” hey so how does it feel to be absolutely fucking stupid

[toddtakefive]

thinking about todd and his resolve toward… not quite isolation, but being alone in a room full of people again. he goes along to the study room to sit on his own and do his homework, he sits at the poets table and follows along with what’s being said while keeping quiet, he goes to the meetings at all but doesn’t necessarily contribute (in fact, if you watch him when cameron is telling the story ‘from camp in sixth grade’, you can see that he recognizes it before any of the other poets but doesn’t voice it until they all have). he’s not alone, necessarily, if you want to get technical about it, he’s just lonely, and he’s generally okay with that. he doesn’t have friends and that’s fine, he doesn’t participate in class and that’s fine, he doesn’t have a relationship with his family and that’s fine—he could live without any real connection and he’d have been, more or less, fine.

the thing about when he says “i can take care of myself just fine!” is that he isn’t really wrong, you can infer that he’s been doing it his entire life anyway, it’s that ‘taking care of yourself’ isn’t the same thing as really living or being happy. todd’s an introvert, certainly, and even as he gets closer to the group he defaults to sitting quietly in the background, but he’s also denying himself community out of fear not introversion. todd isn’t friendless because he’s an introvert, although that definitely plays a part, he’s friendless because he pushes anyone that might want his company away. if anyone has every wanted for his attention in the first place. (neil’s unwavering interest in him is unique (even when it comes to the rest of the poets, who are fine with todd coming along and joining the group, but aren’t really hellbent on him being there in the beginning) and his refusal to accept it is a direct result of being so lonely growing up.)

there’s obviously something to be said about the implications of his parents neglect, and the more than likely fact that he grew up friendless, and how those both play a part in in him being so skilled at dodging social interaction/being so avoidant of it, but by the time we see him in the movie he’s all but accepted his fate as being alone his entire life. he’s already accepted being the family disappointment, and he’s already accepted he’ll never amount to anything, and he obviously doesn’t like it, but he’d have managed living with that knowledge without the confirmation that it was all wrong. would he have been miserable? almost certainly. but he’d have managed. he’d done it for that long already, anyhow.

[moe-broey]

GOD I would HATE to be stuck at a family dinner with them 😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭 I would NOT fucking survive, the vibes alone would do 1000 points poison damage to me 😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭

Also JUST. JUST.

THE VIBES. ARE RANCID. SHARENA DARLING YOU DESERVE SO MUCH BETTER THAN THIS (ALFPNSE TOO BUT DEAR LORD. Sharena LITERALLY was just told to Don't Speak Unless Spoken To RANCID. RANCID FUCKING FAMILY)

[slugass]

remember when “lobotomy” referred to a real form of abuse against mental patients and not literally just a cutesy quirky synonym for “lol random XD uwu”

[dollypopup]

like. . .are any other Polin fans out there that do not give a singular flying fuck about Debling? we should form a club lol because from the very bottom of my heart and with my whole chest: I could not care less about him. Not sorry, I'm tuning into S3 for Pen and Colin and Pen and Colin alone