#menu breakdown

[radio-ghost-cooks]

hi tumblr, your friendly neighborhood culinary student here! the inaugruation luncheon menu is perhaps the single most politically-charged menu i've ever laid eyes on, and i want to deconstruct it. so without further ado:

a culinary student's analysis of the 2025 Inaugural Luncheon Menu

First course: Chesapeake Crab Cake with tomato tartar[e], bay sauce, pickled vegetables, romanesco, dill, and chive oil

right off the bat, we're presented with a single-option menu, which from an event planning (and thus business, which i'm majoring in) standpoint is already a horrible choice. it's also very indicative of Trump's view on choice. my way or the high way, even if its impossible for you. it's immediately alienating people with a shellfish/seafood allergy. this is going to be a common trend here. (also, note the misspelling of "tartare." tartar is a mayo-based sauce. tartare is a finely chopped vegetable dish, which the tomato element is far more likely to be.)

Second course: Greater Omaha Angus Ribeye Steak with Thumbelina carrots, broccoli rabe, carrot top herb sauce, red wine truffle jus, and potato gratin

this course is the most obvious display of values. we start with the omaha steak. statistically, men (however my professor is defining "men") are more likely to prefer steak to other meats, while women (however my professor is defining "women") are more likely to prefer lighter proteins like chicken or fish. it's very in-line with actions taken against women's rights and reproductive health, like the removal of resources.

similarly, this also declares a support of the beef livestock industry, which is the most negatively-impactful sector of the food and beverage industry on the climate. for years, there's been a push to promote alternative meats or make more plant-forward dishes to reduce the impact of beef farming. this is the exact opposite of that. the meat draws the attention in this menu.

this also excludes anyone who cannot eat red meat, or follow diets that exclude it for health, environmental, or political reasons.

then we move to the jus, which is a sauce made primarily using the juice lost in the pan during the cooking process of a meat, normally beef or veal. in this instance, it's combined with red wine and truffles, both viewed as luxurious foodstuffs by most. the dish radiates the vibe of a classic steakhouse dish. very "i'm so high-class, look at me! i'm protein-heavy and full of fancy things!" a very plain meal under a veneer of costly ingredients and percieved value.

Third course: Minnesota Apple Ice Box Terrine with sour cream ice cream and salted caramel

my immediate question, as someone who grew up in NY, is why they went with Minnesota apples as opposed to NY apples when NY is far more known for the fruit. the answer is quite simple. Trump doesn't like NY. NY voted against him, so they chose another state's apples. (this isn't to say that Minnesota apples are lesser than NY ones at all. it's simply a matter of expectation when NYC is the Big Apple and cideries litter the local landscape.)

and again we see the exclusion of those with dietary restrictions with the sour cream ice cream. good luck to anyone in attendance with a dairy allergy or lactose intolerance.

and lastly, a note on the wines. all four were from the USA. not a French or Italian or just generally foreign one in sight. two of the four were California wines, likely as a nod to his Silicon Valley friends. the other two were Virginia and New Mexico.

the menu overall reinforces what we've already seen: a highlight on the rich, the exclusion of anyone who isn't a cishet white man, and even then alienation of anyone who isn't physically flawless. this is fascism in a menu.

[arywizm]

On rot

Prometheus Bound by Aeschylus | unknown | Faustus by Goethe | The Cannibal's Canción by Gloria Anzaldúa | Possession (1981) | Wishbone by Richard Siken | Where It Begins by Erica Jong | View from glas door by Erika Kasischke |

[hissterical-nyaan]

Back in the grind(er)

[darklordreasonable]

[corkinavoid]

DPxDC Danny Is A Self-Fulfilling Prophecy

(not in a necessarily bad way and it's by Clockwork's design)

Bats, or Constantine, or the JL, or whoever you want to be close to Danny in this prompt, don't notice it right away. It takes them a while to figure out its not purely coincidence. And even after they do figure it out, they still have their doubts.

The thing is, it doesn't work all the time. It also doesn't seem to have a system or a schedule to it, nor is it any kind of a superpower, as far as they can understand. By God, does Danny have way too many superpowers, but most of them are consistent, and yet this one... is weird. Weirder than anything they've seen before, and they've seen a lot, okay.

It also only works if Danny does it without thinking.

"You know what'd be perfect right now? A cheese sandwich," Danny says over the comms, in the middle of the fight with Dr. Freeze, "A warm, grilled cheese sandwich just out of the toas- Owch, what?" There's a pause. And then, "Guys, you're not gonna believe it, a cheese sandwich just smacked me in the face! I think someone threw it out of the window or something!" Danny sounds bewildered, but excited, and there's a sound of chewing from his comm now. At least he is eating, so that's good.

"I fucking hate robots," he grumbles the other day, punching his way through the Brainiac invasion in Metropolis, with no comm and only for the Supes to overhear, "No, correction, I hate only evil robots. The ones that interrupt my astronomy class. The ones that shoot motherfucking lasers and walk like crabs, and ruin a perfect day, and- I wish- aw, fuck, no, that's bad wording. Don't wish for shit. But if all these robots would just suddenly, miraculously malfunction and stop attacking me and the whole city, that would be, like, real nice of them."

A few minutes later, something goes wrong with the Brainiac's control over the army of robots, and all of them just stop moving and fall down at once. It is deemed as a chance, a lucky shot, a coincidence. Supes keeps quiet over what he heard Danny say.

"Oh, you bitch-ass fruitloop, you know what I want?" Danny yells at Plasmius, as the ghost is laughing like a madman, "I want a fucking brick to fall down right on your head, like, right now! Maybe that can set your brains straight for at least five minutes!" And even before he is finished talking, there's something falling down from the sky and hitting Plasmius's head. It's not a brick, to be exact, it's Miss Martian's shoe, though. She has no idea how it even came undone and fell from her foot. But it did somehow knock Plasmius out cold, so there's that.

It doesn't happen all the time. Red Robin does the math - the improbable accidents only happen in about 26% of the situations, given that Danny says something. It's by no means a reliable power. It also doesn't happen only during the fights: there were numerous times when Danny just said something like 'I wonder if the cafeteria serves garlic bread today' and sure enough, there's garlic bread there. Even if it was not on the menu. Ever.

They try to question Danny himself, but he has no idea. He doesn't even notice the coincidences most of the times - which is not surprising, knowing that they only happen in one out of four situations and Danny is known to have a short attention span. So, after a few unsuccessful investigations and failed attempts at calculating how this even works, they all give up. It has never jinxed anything, as far as they know, so everyone just leaves it be.

Danny is just magically lucky like that.

Meanwhile, Clockwork is having a good laugh about it. Danny's suggestions amuse him, and it's funny to watch the other superheroes having a mental breakdown over it, so he rigs the timeline from time to time. Just a little.

[mosspapi]

Anyways whoever decided that Kurzweil 3000, an accessibility software for people with learning disabilities, should have the worlds most non-user-friendly, convoluted, complicated, unreadable, unclear, and downright useless """user guide""" and """help menus""" should be fucking fired and never allowed to work in accessibility services again. I have been using this program for months and every time I open it I want to kill myself because I can't understand any of its instructions and therefore can't make the program do any of the things I need it to. I'm so fucking livid it's unreal. I fucking hate this program and the people who designed it have obviously never worked or even fucking spoken to someone with a learning disability. I'm gonna have a fucking mental breakdown over this shit I'm straight up gonna kill myself over this stupid fucking software

[irndad]

She favorites recipes on Instagram. 

It’s a little embarrassing how Carmen knows- that when she’s at his place watching him sketch dishes she can’t taste, he’s also paying attention to what’s on her phone. And it’s usually kistchy things- dresses and outfits with legwarmers, pop-culture breakdowns he doesn’t have time to understand, and yes, occassionally, recipes. 

Carmen adores her company. It’s a private truth, one that they boht know and yet he can’t admit under her gaze. She’s a friend of Richie’s which is endlessly fucking confusing. Both because of how incredible she is, and because it is truly insane to imagine Richie with friends. 

Carmen supposes they’re friends too, now. It doesn’t feel quite right, the way she scribbles notes for him in the mornings and has slept over quite often. She’s busy, has her own life and her own career and he’s lucky for the time he spends with her. He doesn’t really have time to date her the way he’d like to, with dinner dates and late night drives down Lake Shore, watching the sunrise over the lake on mornings where time feels like no object. 

He’s clearly given this some thought. 

Anyhow, it doesn’t matter now. Now, she’s slept over. He’s got a full-size, which felt like a good enough excuse to share the bed, even though every time they do he still ends wrapped around her like a vice, like roots of a tree, raveled in a way that seems inpenetrable. 

She’s sipping on an energy drink- he’s offered her the coffee that he’s imported, and prepared with care, but she’d obviously thought it was too bitter. And now he keeps energy drinks in the house when she stays over. She’s popped in one of her wired earbuds, and the light washes over her like a halo. She’s got a bonafide glow while she sits on his counter, scrolling through recipes. 

“That looks good,” he hears himself say, a little outside of himself, as she stops scrolling. It’s a pasta dish, and she’s favorited it. It looks more complex than it is, really, but he’s not sure he’s a good source.

“Hmm? Oh yeah, I had it once when I was in Paris. It was fucking insane, Carmen, it’s so good. I’m always looking for a place to get it. I don’t really think there’s a place in Chicago where you can get it, actually.”

“It was seasonal actually,” he says back, her eyes fixed to his now, “Ever used to make it every fall. Easier to source the pine nuts.”

She looks so, so fond of him that Carmen could entertain the idea of leaning over the counter and kissing her. It’s incredibly tempting, the hint of a smile playing at the corners of her mouth, endeared by his knowledge. He feels guilty, how he plays with the pencil, knowing she’s stared appreciatively at his hands. He enjoys being pretty to her, leaning into the fantasy that he could be more than her weird fuck-up friend of a friend that’s too chicken-shit to ask her out. How odd is it, that he knows what it’s like to wake up to the smell of her shampoo, but has no idea how she likes to be kissed?

He’s so bad at this he’s failed before he’s even started. 

He can cook, though. 

Cooking is methodical, and so he does it. it’s an easy love language, for him. he dices the parsely and the other fresh herbs, sautes them wirh precision, uses some of the nice butter from work- it’s a marvel, at the end of it, fragrant and warm, waiting for her arrival. 

When she does make her arrival, just on time for him, he plates the dish before she comes in. 

“Oooh,” she preens, raking her eyes up and down him. He feels perciebed, but in a way that he’d like to be. Look at me, he thinks. What a pleasure to be seen by her. “Is this all for me?”

“Yeah, yeah,” he stammers out, “Thought I’d thank you for all your help. Late nights you’ve been staying up with me, talking through the menu and all- thought I could make you something.”

When she tastes it, it’s careful and adoring, and he’s good at this. 

“Yes chef,” she says teasingly, “Oh my god, Carmen, this is so sweet. You didn’t have to do that. I like being here.”

He wants to kiss her again, doesn’t know why he’s not letting himself. She meets him halfway, though, kissing the corner of his mouth that only a fool would imply has plausible platonic deniability.  

“Thanks, Carm.”

“Anytime.”

He’ll kiss her properly next time.

[wickworks]

Lancer Tactics dialogue layout crisis of faith

(from this month's backer update)

Every so often, I'll run into something in development that eats away at me until it pushes me to a crisis of faith and I have a breakdown, burn down a bunch of work, and build something better from the ashes. These are moments of transformation and we're almost always able to come out the other side with something much better than what we started with.

This all sounds very dramatic until you take a step back and see the issue in question is just, like, the layout of a menu. But if medieval priests were able to have schisms over angels on pins I can have strong feelings about graphic design, dammit!

This month's episode revolved around how we're doing character dialogue. For reference the plan was to do a standard 4-slot visual-novel talking heads layout. I call it a 4-slot because there's usually four positions that characters can stand; two on the left, two on the right:

I had it ingame, and it was working. But... something felt off. Do you see the difference between every one of the above examples and this?

It's all about perspective, baby.

Answer: all the character art in those examples are drawn at a slight angle so they can be flipped back and forth to be made like they're looking at each other.

Trying to do this with the perspective we chose early — straight on — makes for a chorus line of weirdos who are looking directly into your soul as they ostensibly chat with each other. Credulity is strained; the illusion of these puppets interacting in the same space is paper-thin.

(I was skeptical of choosing this perspective for this reason, but we ultimately went with it to make the customizable assets in the portrait maker easier to fit together)

We tried a bunch of different layouts, but they all at least one of these problems:

they'd stare into your soul while ostensibly directing comments elsewhere.

they felt like text messages; this would be fine if that's what we were going for, but we wanted something that could represent face-to-face conversations. (Tactical Breach Wizards was able to pull this style off because they had little 3D dioramas to go along with it)

or, most damning of all, they felt like zoom calls.

So, my heart aflutter and spirit in want, I spent a day doing a research dive into various dialogue layouts (bless the Game UI Database!) to see if any other games had managed to pull this character art perspective off. I ended up with this massive non-chronological taxonomic tree:

(fullsize here)

The type of layout that particularly caught my eye was this style where each character had their own little box. These layouts borrow a concept from comic books called "closure" where the space and time between characters are left blank. Freed from the constraints of trying to simulate a single space, these layouts allow the reader to fill in the blanks with something that feels more true-to-life than anything we'd be able to render ourselves.

I was especially impressed with the dynamism of Tales of Symphonia and The World Ends With You; rather than sticking to single slots they would animate the entire panels moving around to indicate motion an relative position of characters.

So we threw out the old code and copied them. Here's what we've come up with:

We'll be able to have portraits interact, like smacking each other (I felt like a kid hitting two action figures together, lol)

We can also apply effects like princess-leia-holograms and full-screen "lighting" effects like warning banners:

Carpenter and I came up with a number of arrangements that the portraits can smoothly transition between:

I've also implemented support for choices during a dialogue, potentially leading to branching paths.

Overall, I feel SO much better about this system than our initial designs. It might feel a little more cartoony, but I think we're making a cartoony game so that's not a problem.

Whew. We bit a lot off to chew with this project. I feel like I just made a second visual novel game engine inside of the first. Fingers crossed that it all ends up worth it.

[nightthinker-08]

Sorry I was listening to "When He Sees Me" and this happened-

so weird seeing them in my art style lol also is it very basic of me to give Pomni an undercut? Absolutely 😌

if you're curious about this, I have a few ideas for this AU, so here's a little list.

-Ragatha works at an old family diner that's owned by Kinger.

-Jax works there too; he's a busboy.

-Pomni is new in town and works in an office a few blocks away.

-Pom and Rags hate their jobs :D

-Rags hates it because some of the patrons are annoying (plus Jax is there), but she needs the money and is close with Kinger.

-Pom hates hers cuz new location (she doesn't like change) and toxic work environment.

-Pom had a mental breakdown at the diner when she first met Ragatha.

-It was awkward, but Ragatha comforts her anyway, and Pomni latches on to her like a lifeline from then on. lol

-Pomni does some of her paper work at the diner when Ragatha is about to close up. Rags appreciates her company a lot because she gets lonely at night.

-Pomni likes to walk Ragatha home.

-Ragatha is actually a great cook and likes making new recipes to add to the menu (she would ask for Pomni to taste test them when they finally got close).

-Pomni gets overly protective when customers are bothering Ragatha.

-Pomni always tips, even when she's broke af lol

[uyuforu]

Astrology Observations VI

All pictures were found on Pinterest

Other posts you could like:

જ⁀➴ Boda Persona Chart Analysis I

જ⁀➴ Astrology Observation: Synastry & Composite with In-Laws pt.1

જ⁀➴ How to know when you will get married?

Book a private reading: menus ; Q&A ; rules ; instagram

Buy me a Kofi •ᴗ•

❀˖° Having a 12H Sun in Solar Return Chart is not for the weak. Your life could "fall apart" during this time, you can have a spiritual awakening, a very hard time in fact. I also noticed it can also mean (doesn’t need to be that, it CAN mean) one of your loved one can pass away unfortunately. It happened to me and a lot of people who also had their sun in their 12h, but not all of them! Usually, you have a hard time in general. But you’ll be fine, it is meant to happen for a reason.

❀˖° Synastry aspects are good to look at but the houses where the aspects fall is very important!! Sun conjunct Moon will have a different meaning where it falls.

❀˖° 7H synastry can mean a wonderful connection and desires to marry. BUT! The 7H can also be the house of enemies, so not everyone’s sun falling in your 7H means you have a good connection with them! I found myself not enjoying most of the people who’s sun fell in my 7H…

❀˖° Underrated Houses in Synastry: 2H, 4H, 6H, 10H.

❀˖° When looking at your Solar Return Chart, check the Synastry it has with your Natal Chart. It will tell you where those placements are felt within you. For example, my SRC’s Sun is in 12H and fall in my 10H this year. I’m having a lot of mental breakdown when it comes to my career, and since it conjuncts a big stellium of mine in my Natal, I just feel like my whole world is falling apart 🥲

❀˖° Please remember: North Node PC will tell you about your Soul purpose WHILE your MC will tell you about your career that is best suit for you. Your NN will never tell you about your career!!

❀˖° Union in your SRC could be the person you will meet this year that will have the strongest influence for you this year.

❀˖° 10H will tell you where your FS was born... ☺️

❀˖° 4H Sun people love to stay at home! Even if they are on a date, they will try to continue the date at home, because this is where they feel the most comfortable.

❀˖° Sun conjunct Mercury in a MC PC is a huge indicator of using communication daily to work, your tool n°1 is your voice!

❀˖° Aquarius Sun 4H are so private!! Aquarius usually are quite private people because they enjoy being mysterious and controlling what people think of them, they like that people don't understand them. But in 4H??? they will lie for the sake of their privacy.

❀˖° Opposite signs aren't that different in the end, they are very similar in fact. Capricorn & Cancer are both very family oriented for example. One is logical minded while the other is more feeling driven.

❀˖° Scorpio Rising have something so intense in their gaze, it's truly something you can't put words on. But once you see this gaze, you know.

❀˖° Chiron in 9H Synastry could be that you think you are too different because of the culture, the language, the beliefs, etc. BUT! If you are from the same place, it can just mean you don't understand each other, you are just basically too different.

❀˖° My step mother and I hated each other, and she had her Moon and Mercury in my 7H. Yep, she hated me. She was often insulting me or even trying to manipulate me with words.

❀˖° Saturn 7H Synastry can mean Saturn person feel like it will never work out between you two. But it could also mean they see you long term, depending of other placements.

❀˖° Sun in 5H Synastry usually means the person really enjoy your presence and think you are fun!

❀˖° Venus 6H Synastry means the Venus Person feels safe around you.

❀˖° You can tell by doing a Synastry with a Celebrity if you can hope to meet them one day. Usually Saturn in 9H or 1H is a sign you will never meet them. Of course, this is just an observation.

❀˖° I checked my Synastry with my first love, and it explained a lot. I have a stellium in his 7H, and of course, he was my first love.

❀˖° But I never expected to got his Venus in my 5H! I never knew if he had a crush on me too or if I was delusional lol.

❀˖° His Sun conjuncted my Neptune, he misunderstood me most of the time. He was seeing me in a way that was so untrue lol.

❀˖° He also had his Sun 1H, he was soooo popular among girls! Any girls from middle school had a huge crush on him at some point.

❀˖° He also had a stellium in my 4H and we were childhood friends.

❀˖° My sun conjuncted his Moon. Now, I had nothing against him, I thought he was funny. But he was indeed seeing me in a light that wasn't me.

❀˖° My Venus conjuncted his Vertex, I suddenly fell for him, and it must have been fated in a way?

❀˖° Though, his Mars fell in my 1H... man thought I was very good looking (he told lmao).

❀˖° Sagittarius Rising in Composite could indicate a mixed couple, but it can also mean you are so different no one expected you two to be together.

❀˖° Union 9H in Composite could mean you met in a foreign country, but also in school!

❀˖° Sun in 11H Composite means you are friends originally. Or just friends lol.

❀˖° Ceres 7H Composite could mean you care a lot about each other.

❀˖° Venus in 7H or conjuncting DSC Composite means one of you or both of you desire to marry each other.

❀˖° Pluto 12H to me is not that good usually. Anytime I saw this placement in Composite, the couple or the people never stayed together. It always ends. There can be exceptions of course.

❀˖° Saturn 5H in a romantic Composite means you will most likely never date, there could be obstacles in this union.

❀˖° Mercury conjunct Saturn Composite means misunderstandings and miscommunication.

❀˖° The year I had this first love, I had a 5H stellium in my SRC, and this stellium fell in my Natal 9H! It was indeed a school love lol.

❀˖° I also had Venus conjunct Vertex, it was my first time falling for anyone.

❀˖° The year I told him my feeling and got rejected I had Venus conjunct Mercury in 12H!

❀˖° Juno 12H in SRC could mean you have a secret crush!

❀˖° Sun conjunct Juno Solar Return Synastry is a big indicator of having a crush on the Sun person.

❀˖° Juno/ Mars/ Neptune in 1H Synastry Solar Return is an indicators of finding 1H person veryyyy attractive, it can be love at first sight, but it is def a crush!

❀˖° Transits Moon conjunct your Natal Mars will make your emotions boil lol. You could complain a lot or have a lot of negative emotions such as anger, jealousy, etc.

❀˖° Union asteroid conjunct Part of Fortune Synastry is a sign you were meant to meet in order to bless each other. It's a lucky meeting. It is very good and shows that you will do well in each other's life.

❀˖° My FS is a Pisces Venus 4H and he is the softest!! Just very cute and very soft person... I love him very much lol.

❀˖° He also has Neptune 3H, he tends to lie to protect himself (Sun 4H makes this effect too), but he is also a very good poet writer. He wrote me poems before and I believe he would do well for poetry writing in general.

❀˖° Pluto 1H could be a sign you will experience a drastic change in your appearance some day. If Jupiter is also there, it could indicate a big and major glow up.

❀˖° Juno 12H could mean your FS is a soul connection, someone who could be spiritual and awaken. If it is very close to the Rising, or conjunct 1H, OR in 1H, it could mean you'll probably have love at first sight for them.

❀˖° Chiron Virgo/ 6H/ Capricorn/ 10H could indicate a burn out at some point in your life.

❀˖° North Node conjunct Pluto could mean your purpose in your life will transform you deeply, mostly if it is in the 1H. You will live a drastic change in your life.

❀˖° Sun conjunct Mercury 1H in Solar Return Chart means you could think a lot about you this year, and think about your choices, and how it will play out for you. You will do more "selfish" choices because you want to make the best for you.

❀˖° Do I love stalking people I love or do I just have some heavy Scorpio/ 8H placements?

❀˖° Yeah indeed, Scorpio love stalking, but Gemini love that too!

❀˖° I have Gemini Moon 8H... u get it? lol

❀˖° It is a known thing, but in SRC, 4H's ruler in 9H means moving abroad! Another indication could be a stellium in 9H. But the stellium could also mean coming back to school, so it depends.

❀˖° SRC 4H Ruler in 12H could mean the same thing. It could simply be moving out.

❀˖° Speaking of the 12H in SRC, Pluto & Venus there could be end of a relationship BUT it could also be a spiritual love and you will learn lessons because of it.

❀˖° SRC 7H ruler in 1H could mean being in a relationships and it being part of who you are this year. Or you could appear as very romantic, very loyal too. Could also attract more contracts.

❀˖° Mars 7H in SRC could be an indicator you have a fight with the one you love, more if Venus squares/ quincunx/ opposite it. If you are single, it could show also more motivation towards long term connections.

❀˖° SRC 5H ruler being in the 7H could mean being in a long term relationship but also finding the one you want to marry.

❀˖° Once again, SRC Juno conjunct Chiron could mean you will suffer in love but it is indeed for healing.

Thank you for reading!

back to index ; ask ; request ; rules ; instagram

[thebibliosphere]

Spoilers for Gotham Knights video game, but it is so funny to me that after The Gang finds out about the Court of Owls and their horde of ninja zombies literally coming out of the walls of Gotham, Tim's immediate reaction is, "Yeah, no we should probably start killing."

And Barbara is like, "Tim! I can't believe this, one little setback, and you resort to murder!"

Y'know, the one little setback being there's a secret cult of the wealthy elite who have been running Gotham for centuries, and they've got literally thousands of undead ninja zombies ready to go at a moment's notice. Oh, and they're at war with the League of Assassins, so there's that.

And Dick jumps in like, "No, no, let's hear him out..." because fuck all of this. Fuck this, fuck that, fuck everything.

It's slightly more nuanced than that, and of course, Alfred steps in and gets them back on track. But the vibe of unhinged comic!Tim, who will absolutely fuck your shit up if you back him into a tight enough corner, is there and thriving, and I love it.

Meanwhile, Dick is on his third, "I'm fine! Totally fine..." nervous mental breakdown of the week, trying to smile and be bouncy-happy for everyone else but also contemplating the merits of calling in a favor from Deathstroke because, oh my godddd, there are ninja zombies dressed like owls coming out of the walls.

Like, c'mon Slade. You like fighting people dressed up like birds. It'll be fun...

He'll wear the orange and black uniform that's called "Tribute Slade" in the crafting menu...

[whenmemorydies]

This needs to get good or go away.

Having watched all of season 3 of The Bear, Carmy's epic spiral in 1x07 The Review makes so much more sense now. Let's take a look.

Recall Sydney's Cola-Braised Short Rib & Risotto dish from 1x06 Ceres, which she asks Carm to try:

Carmy tells Syd the dish, while tremendous, is not ready to be rolled out as part of The Beef's menu:

Now at Eleven Madison Park, where Carmy was CDC before returning back to Chicago to take over The Beef, when Carmy produced a dish that his EC (Joel McHale as psychopath, Chef David Fields) didn't think was ready, he was berated and abused for it:

Carmy would then be made to THROW AWAY the food he had made:

This is because in Chef Field's kitchen, the food needs to get good or go away:

Note: This particular brand of abuse by Chef Fields almost certainly set the stage for the COLOSSAL waste of food we kept seeing in season 3 as Carmy chucked "not perfect" dish after dish into the trash. He was reverting to learned patterns of behaviour picked up under Fields at EMP in his feral pursuit of a star at The Bear.

Alright, so I think we can establish that in Carmy's experience, there's no serving food to patrons where the EC doesn't think that food is ready to go out. Even if this means huge amounts of perfectly edible and probably delicious food gets chucked in the bin.

But what does Sydney do in 1x06 with her tremendous but "not ready" dish of Cola-braised short ribs with risotto, of which she has an extra plate? She sends it out to a patron. Because Sydney Adamu Does. Not. Waste. Food! (a woman after my mother's heart):

She even tells Carmy that she didn't want to waste the food in the next episode, 1x07 The Review, when we find out (along with Sydney) that the patron she gave her dish to was a food critic who wrote a glowing review about The Beef, and made special mention of Syd's dish in particular (note: this is the same review that Syd has stuck to her fridge door in 3x10 Forever):

Now Carmy plays the review and the fact that Sydney's dish made it out of the kitchen off here. He insists "its all good" but this lasts for about a second before he drops this petty, passive-aggressive barb:

And then as most people know by now, the kitchen rapidly descends into chaos when we come to realise that Sydney accidentally left The Beef's online pre-order option open, resulting in a huge number of orders that the crew could not reasonably be expected to fill. While this is happening, Carmy begins to spiral. He starts berating Sydney:

And then we get it, the moment Carmy snaps to EMP, Chef Fields and Michelin Mode:

Of course, Sydney asks the question that we're all thinking:

Because really, the short rib and risotto dish has nothing to do with the pre-order fiasco...but Carm is in the middle of a spiral here.

He is off kilter, triggered by Sydney sending out a dish he deemed was "not ready" and a new system they've tried to implement now blowing up in their faces. When Sydney asks Carmen what her Cola-braised short rib and risotto dish has to do with the pre-order issue, Carm yells at her:

Chef, stop!

Then Sydney does her best to try and manage expo but at this point, Carmy is taking anyone speaking to him as an act of insubordination. His need to regain control is so great at this point in the episode that he blows up at Sydney in a moment that is still hard for me to watch:

As I said at the start of this post, seeing the windows into Carmy's culinary (and familial) ancestry across all 3 seasons of The Bear has contextualised Carmy's breakdown in 1x07 that much better for me. Key to this context is control and agency.

@chaoswillcalmusdown and I talked here about how important a lack of control is in driving much of Carmy's actions, particularly in the context of being locked in the walk-in at the end of season 2. I think this obviously holds for season 1 as well.

Carmy's history of trauma, particularly as the child of an addict, means that he has grown up feeling powerless and fearful in the one place where he was meant to feel safe and secure: his home.

This fear was felt by all the Berzatto kids. In 3x08 Ice Chips, Carm's sister Natalie tells their mother, Donna, that the latter scared all of her children and that this is something Natalie doesn't want for her own unborn child.

In his Al-Anon monologue in 1x08 Braciole, Carm also discloses a number of other instances where he felt powerless, including as an adolescent at school and later in his relationship with his brother Mikey:

Carm wanted desperately for a relationship with his oldest brother but the latter's addiction and mental health issues meant that Carm was kept at a distance. Mikey's death by suicide would have been another foundational trauma for Carmy: an event he could not have controlled at all but, had he been able to, would have tried to change with everything in his power in order to avoid losing the only father figure he's ever really known.

Now, add to all of this: Carmy's experience at EMP working under an Executive Chef who seems to get off on inducing a perpetual state of fear and powerlessness in his staff. We see from Carmy's flashbacks throughout the series that at EMP, he never speaks back to Chef Fields despite the latter's incessant verbal and psychological abuse. The ONLY time we see Carmen challenge Fields is when he makes the decision to sub out his EC's choice of fennel soubise for blood orange in a hamachi dish - a dish that eventually will make its way to Sydney Adamu. But even this challenge by Carmy is oblique, one that doesn't involve direct confrontation of Fields himself. In fact, as far as we know, Fields never finds out about Carm's act of insubordination.

Where folks have experienced repeated or chronic trauma like Carmy has throughout his life, a common coping mechanism is to try and assert control wherever possible. This reflex is an attempt to claw back some of the powerlessness that traumatic incidents have taken away. We've seen Carmy do this most profoundly throughout season 3. But this is also what has been happening all along in the show, including in ep 1x07.

Here at The Beef where Carm was in effect EC, his sous, Sydney, challenged him by sending out a dish he said wasn't ready. She does what he did at EMP but the difference is, here Carmy finds out about it. And then, as the kitchen descends into chaos because of the pre-order fiasco, Carmy ROARS. He doesn't stop to think about how similar Sydney is to him in their rebellions. Or that it makes sense to not waste perfectly good food. Instead, he lets the bear out of its cage in an attempt to scare everyone in his vicinity into submission. He channels the most recent mentor he's had - the one whose abuse would have literally altered Carmy's brain chemistry and behavioural instincts (because thats what trauma does to us) - in order to assert control and avoid, at all costs, that familiar feeling of powerlessness.

All of the above is not to say that Carmy's behaviour in 1x07 (or 3x03 or 3x09 etc) was acceptable. It wasn't. Carmy even recognised this in 1x08 when he apologises to Syd via text:

Later in that same episode, Carmy offers to start The Bear with Sydney: a peace offering and a commitment to their relationship.

We got none of this remorse or show of contrition from Carmy in season 3, which I think has contributed to why the most recent season of The Bear has divided audiences. But given the events of 3x10, I suspect these things are going to come from Carmy in the next season. I also note this interview with co-show runner Joanna Calo where she says (about depicting trauma and recovery on the show):

[I]f you're going to change, its probably temporary [...] or if you do actually change, it takes a while.

[...]

[c]hange is gradual and you do, you go back and forth [...] You make gains in one way but then when its actually tested in another, you realise you actually aren't fixed at all [...] and that felt like a real thing that we knew we wanted to explore.

Watching this interview after season 3 was reassuring. It contextualised a lot of Carmy's behaviour as regression, given his past trauma. This leaves room for the next season of the show to explore what happens after Carmy realises the cost of his regression - on himself and his loved ones. And hopefully we then get more steps forward than backwards in his recovery. Hopefully, we get less perfection (which itself is an attempt at control) and more joyful, loving mess.

[fiapartridge]

wedding bells | quinn hughes

summary: in which y/n and her fiancé, quinn hughes, plan their long-awaited wedding.

request: [...i read invisible string...and it made me think of when they’re actually engaged and planning their wedding...quinn would love cake tasting and picking out the menu...and the bride loves planning the wedding but...[it's] stressful and she wants everything to be perfect. some minor thing goes wrong and she has a bridezilla breakdown moment and quinn is so sweet and calms her down...]

author's note 💌: eeee i love this request!!!! thank u anon for requesting; it's so cute!

cake tasting

“I’ve been waiting for this day since the moment I learned this existed,” Quinn beamed, his eyes fixed on the road as he exited the freeway. His right hand rested gently on your thigh, and you couldn’t help but grin, happy that he finally wanted to be involved in a part of the wedding planning process—even if today was all about cake.

With a playful tilt of your head, a mock tsk of disapproval escaped your lips as Quinn raised an eyebrow. “Shouldn’t you be eating healthy for your game next week? How about I eat the cake and you watch.”

“And watch you live out my dream?” he scoffed. “Yeah, the game’s not that important.”

“That game is gonna secure your spot in the playoffs, Captain,” you smirked, playfully poking his arm. You loved teasing him about his captaincy, like saying Aye aye, Captain whenever he asked you for a favor, or your personal fave, So when does the team give you your honorary eye patch and silver hooky thingy? To which he always responds with, Not that kind of captain, babe. 

As Quinn pulled into the bakery’s parking lot, he cupped your cheeks in his hand, his face growing serious, feeling almost like a team huddle. His voice lowered, and his face drew close to yours as he laid out some sort of plan. “I’m gonna eat a lot of cake today, so much that I wore my stretchy pants-”

“Oh, the Lululemon ones that I bought you?” You got them for him as a Christmas gift along with other items. You were happy that he actually wore them outside the house for once. 

“Yes those ones, but we need to stay focused.” You nodded intently, totally focused. “Jack is gonna call you later and he’s gonna ask you if I ate any of this cake today, and I’m gonna need you to lie.”

A burst of laughter escaped you. “You want me to lie to Jacky? About you eating cake? During our cake tasting? Because…”

“Because him and Luke have a bet going on that I’m gonna break my diet for this, and Luke said that if he wins we’re splitting the cash 50/50, so I really need you to lie, baby.”

Rolling your eyes, you opened the passenger door, Quinn doing the same on his side. “I really don’t understand you guys. Like, why not just be normal and bet on who’s winning the next Super Bowl or something?”

Quinn wrapped around the front of the car, intertwining his fingers with yours as you approached the bakery’s entrance. “Did that a few years ago, we each lost $700 to Luke.”

“Jesus, you guys are loaded. The last time my family and I had a bet, we each did $10 and whatever old gift card we had stowed away in our wallets. Apparently mine was from 2015 and the place it was for got shut down for rat poisoning? I don’t know,” you shrugged.

As the hours passed and the 20th cake flavor came around, Quinn felt like his stretchy pants were out of stretch, and you felt like you could take a nap right on top of the table. Cakes were not for the weak, let me tell you that.

“I feel like everything tastes the same now,” Quinn struggled to get the words out. Not because he didn’t know what to say, but because he was trying not to heave and talk at the same time. 

“I feel like I can’t feel my legs,” you replied, a visible food baby proudly displayed on your belly.

Dipping your finger into the frosting of the pink champagne cake, guaranteed to be the most fanciest cake you’ve ever had, you swiped it across Quinn’s nose. “Oops,” you grinned. “I’m just so full; I must’ve twitched or something.”

Rolling his eyes, Quinn smeared the orange creamsicle cake across your face, as if you were donning eye black and dodging defenders past the 40-yard line.

“Oh, you’re getting it,” you laughed, swiping a finger across the blueberry with graham cracker crumble, a grandma’s dying wish, planting strokes on his chin and forehead. “Aw, don’t you look cute?” you teased.

He smirked, getting impossibly close. It was good that the wedding planner and cake baker were in another room chatting, or else they would probably be yelling at you two to get your hands off each other at once. “Wanna make a bet?”

“Hm, does it involve me losing thousands of dollars?” He shook his head. “Hundreds?” Another shake. “Any money?” One more. “Then you’re on, pretty boy. What’s your proposition?”

“We leave right now and you can lick all of this off in the car-”

“Amy!” you shouted for your wedding planner as she came stumbling into the room, afraid something was wrong. “We have to go; family emergency,” you pouted, really selling it. “I’ll see you next weekend, okay?”

“Oh, yeah, okay!” she nodded. “Take care of the family!”

“Will do!” you shouted, dragging Quinn behind you as if you were Lightning McQueen in any of the Cars movies. Boy, were you quick. Even Quinn was shook and he skated with some of the fastest hockey players around. 

“I win,” Quinn whispered, his lips pressed to the crown of your head as you reached the car, pushing him inside. 

“Yeah? Kinda seems like I’m the winner.”

the wedding rehearsal

“Oh, don’t you flower girls look cute?” you smiled, drawing your knees to your chest as you bent down to meet them eye-level. “You ready to walk the runway?”

“Daddy said this was a wedding,” Ella, your brother’s daughter, shyly replied, playing with a couple of petals in the basket. 

“Wedding shmedding,” you grinned, earning giggles from the little ones. “Think of it as a runway, and you’re the models.”

“What about,” Grace, Brady and Emma’s daughter piped up, “it’s a runway and I’m the airplane?”

“Oh,” you said, eyes widening a bit before breaking into a giggle.

“That works too! Just don’t be afraid, okay? If it makes you two feel any better, Uncle Jacky has to walk the aisle and he can barely skate on two feet.”

“Hey!” Jack popped out of the line forming behind the three of you, a procession of earthy-toned dresses and black-and-white suits ready to rehearse for the big day. The sight made you want to cry. Everyone you ever cared about was here for you and Quinn, for your big day. 

It brought you back to the moment you met Quinn, the moment your life truly began. You were friends with Emma, having met in college at Boston University where you also met Brady. You had just gotten out of a year-long relationship and were stressed over midterms, so Emma suggested that you get a “sex-tox” — a detox involving, well, sex. It sounded perfect at the time. Fuck a stranger, never see them again, release some stress, and live your best life.

But that’s kind of hard to do when that stranger is Quinn Hughes. You fell in love with him the moment Brady introduced you. Maybe it was the way his hand lingered in yours for a just a second longer than what’s considered a “normal” handshake, or maybe it was the way his eyes followed you throughout the bar like he was scared that you would come back to the table with another guy’s arm draped over your shoulder, or maybe it was the way he said your name, like it was made for his lips and his voice.

He was just so perfect and now you were marrying him. It all felt so much like a dream, like you’ll wake up one day and everything will be gone. But when you see Quinn laughing with his groomsmen, his eyes immediately finding yours, his arms flying around your body, hundreds of whistles and hoots coming from everyone around you as you tuned them out, your attention solely placed on the man you’ll be able to call your husband as little as tomorrow, you know that this is real, and he is yours, and this is peace.

the wedding day

This is a disaster. The centerpiece flowers are sky blue instead of columbia, your grandma wants to trade seats with William Nylander because she has this newfound obsession with Mitch Marner which would put William Nylander with your grandpa and the weird uncle that always gets way too drunk at weddings but will never admit that he has an alcohol problem, chalking it up to a “one time thing.” Even though we all know that he’s gonna do it again at the next wedding! And to top the shit-cake that is this day, your wedding planner decided to be selfish and break her water overnight, so now she’s in the hospital trying to push a tiny human out of her uterus while you’re here trying not to physically strangle every single person that comes to you with a question.

You were tired, and nervous, and your makeup looks terrible, and you feel bloated, and you don’t feel pretty enough to walk down that aisle, and you don’t feel pretty enough to be with Quinn, and why would he want to be with a girl that can’t even plan her own damn wedding correctly? And you just feel…defeated. 

“Hey, Y/N,” Luke bounced through the door of your bridal suite, his hand hovering over his eyes. 

“You don’t have to cover your eyes, Luke, you’re not the groom,” you muttered, fiddling with the ends of your hair.

“Right,” he chuckled nervously. “Um, so there’s a problem.” 

You closed your eyes, sighing. You felt like your head might explode. What else are we going to add to this ginormous shit storm of a day? Let me guess, Cole already got shit-faced at the mini bar, or Nico got lost on the way here and that car held Jesper, Holtz, and Dougie, or oh! Did your brother get into conversation with Trevor on how he can perfect his alley-oop if he substituted Milano with him? Seriously, what else can get worse than this?

“We can’t find Quinn.”

You’re gonna throw up. Are you already throwing up? Because there’s this tingly feeling that’s bubbling in your throat, and you don’t know if it’s from the copious amount of champagne you consumed last night or the urge to find Quinn and murder him with your bare hands. I think it’s the latter.

Before Luke could say anything else, you dashed towards the door, his calls fading behind you. You didn’t know if you were running to find Quinn or to escape this hell hole for yourself. Maybe Quinn was onto something. Maybe this was a bad idea. I mean, were you that naive to believe that someone like Quinn would actually want to marry someone like you?

With your shoes discarded, you found solace on a rock overlooking a small lake near the venue. Your once pristine white gown was now engulfed in the grass, your disheveled hair was poking out of its metal claw clip,  your mascara was noticeably smudged, and the tears wouldn’t stop streaming down your face no matter how hard you tried to stop it. You were nervous about the wedding, but I guess it doesn’t matter anymore since the groom is apparently missing and nothing else is working out. Ha! Now they don’t even have a bride. This is terrific.

With crunching leaves, you heard a small, “Hey,” behind you.

You turned slowly to find Quinn, the man of the hour, finally present. You didn’t say anything, fearing that your words would come out with a choke. You couldn’t stop crying.

Quinn settled down on the rock next to you. “I’m sorry for leaving like that, I just—had to clear my head for a bit. I’m a little nervous.”

“Are you getting cold feet?” you mumbled, scared to hear his answer. You knew he loved you, but you also knew that he would put people’s feelings way above his own. You didn’t want to marry him if he was having doubts.

He shook his head. “No.” His hands found yours amid the puffiness of your dress. “I don’t have a single doubt in my mind that you’re the woman I want to marry.”

“So why-”

“There’s like 300 people out there waiting to see us get married, and Jack’s already talking about us having a kid in the next couple months, and—it’s a lot, you know? You?”

You furrowed your brows. “Me, what?”

“Getting cold feet?”

You shook your head. “I’m tired,” you admitted, your voice breaking. “I feel like everything’s going wrong today. Amy’s out having a baby, the flowers are the wrong shade of blue, Grandma wants to sit next to Mitch Marner, I thought you left, and-”

“Hey, hey, hey,” Quinn cupped your face, wiping your tears with his thumbs, just as he has done time and time before. The gesture never fails to give you a sense of comfort. “Years from now, when we’re old and living in a house in the suburbs, and you’ll probably have an orange tabby cat on your lap, and we’ll be telling stories to our grandchildren about our wedding day, we’re not gonna remember the color of the flowers, or who sat next to Marner, or any of that, okay?”

You nodded.

“We’re gonna remember you and me. We’re gonna remember how much I love you. And we’re probably gonna remember us sitting on rocks, stalling our own wedding day.”

A giggle escaped you because this was all so ridiculous. Quinn was right; you’re not gonna remember everything that went wrong. You and Quinn—that’s all that matters.

You pressed a long, innocent, and probably salty kiss on his lips. He saw you in your wedding dress, a superstitious hockey player breaking a centuries-long superstition, but for once, you didn’t care. 

“You ready to get married?” Quinn grinned, holding his hand out to you. 

You nodded, taking his hand. “I’m ready.”

[bloodyodyssey]

(Repost) Comms still up with 8 slots, 3 for busts, 3 for half body, and 2 for full body! Each listing also allows for up to one extra character to be added on at half price!

***If you don't want to commission me that's also fine i'd apreciate just a regular kofi dono or just sharing this around bc my finances are low, I've been averaging on $20 a month and struggling to pay hospital bills from earlier this year. i will also be considering opening a google doc or some other order form to allow payments via cashapp if there's any interest. Anyways heres a general breakdown of the pricing system and my will's/wont's under the cut:

So how do I (you, the buyer) choose what I want?

SO when you open up the request form it should look something like this!

We're using the bust order as our example here. At its base price, $15, it is set for the black and white option. If this is what you would like, then you don't have to worry about the add ons at all and you go straight to submitting your request! Now, if you're choosing add ons, it'll look something like these:

The first would be an example of an order of a flat color bust + an extra character bust with flat coloring as well. The color option adds the extra $10 (to match the listed price on the poster for $25), and the extra character with flat coloring adds half of that $25 to the order (well a little less bc i knocked off the .50 cents) which is why it comes out to $37.

The second would be an example of a black and white bust order with an added black and white bust character. This just adds an extra $7 to the price totaling $22.

What will you (the artist, me Brutus) draw?

If you want me to draw your oc or fanart of your favorite character I GOT U!!!

I'm also comfortable drawing blood and gore though I'll have to keep it on the lighter side (I enjoy blood if it isnt obvious by my url though so depending on what you want we might be able to go a little further with that).

I can do characters with armor as well, however I will require a reference of some sort from you, the client, as I'm frankly not going to attempt armor off the dome. I won't design armor myself either.

Pinups (not full nsfw due to how much of a struggle it is to navigate different site policies) and other suggestive works are also a-ok! a tity does not bother me if that wasn't made clear by my commission card 👍🏽

What will you (the artist, me Brutus) NOT draw?

Im not comfortable trying to draw real people as of right now sorry! I'm just not really a caricature or realistic portrait artist but this may change in the future.

I also won't do furry/anthro just because that isn't my forte as I haven't practiced drawing animalistic characters. There r plenty of talented furry artists for you to choose from and I could talk to someone to guide you to a few .

(I CAN do more humanoid fantasy characters however. like mermaids, satyrs, etc)

More extreme gore and body horror is also off the table. (so like spilling guts stuff like that)

I may love mecha but as it is like armor and a bit more extreme, I'm not drawing it sorry. And also as stated above I'm not drawing armor regardless without a good reference.

Certain fandoms are a no-go for me due to my own comfort. A quick list would be: mogeko games, omori, south park, hetalia, attack on titan, mcyt, hazbin hotel/helluva boss. if you're not sure just ask!

I reserve the right to decline any comission request for any reason. Getting paid is nice but my comfort is nicer yknow.

And that should cover everything! If you still need to ask me anything, my messages are open. Thank you so much for reading and a little extra thank you if you decide to commission me ❤️

[thelordfool]

HELP ME PLEASE!!!!!

Long story short: I'm unemployed and will not, unlike what I originally thought, qualify for unemployment benefits.

Please read the readmore for additional context on why I'm unemployed. This post is basically a continuation/update/redo of this post. I'm suffering a sickness with no medicine the past week, applied for almost 100 jobs the last two weeks, am disabled/queer/nonbinary/tired of ebegging. I'm also in the negatives in my bank account because my car payment came out, so I need to get that covered.

pp/vm/ca

$250/$1151.51

i need at least $511.51 of this by the first. please spread if you're financially unable to help, every person this reaches helps! here's the breakdown of the costs: $640 - car payment + late fees $380 - rent $131.51 - negative amount in bank currently

Oh hey thanks for stopping by to read this annoying tale of woe and being angry at capitalism. Prepare for wall of text.

I once had two jobs. The first job, at a chain restaurant, was a bit of a clique-y experience where I was working my damndest to be the best bartender they ever had. I still have all the cocktails memorized. However, I continually faced discrimination in the form of severe misgendering, no matter how often I corrected them. I was also set up for failure. Usually, when someone gets hired for a position, there's some amount of training to be done, no matter how experienced they are, right? I was going in nearly entirely inexperienced into the role. I knew how to make cocktails, sure, and was and still am very good with people and selling. But I was trained for two days. Two. Then, on my first night alone (a Friday), I was watched by one of the bigwigs at corporate who saw every little flub and failure. This caused a demotion-ish. I was demoted to barback but was allowed the same privileges. Until their next visit. That upset the hell out of me - I was well trained by that point and could do it all, with one hand tied behind my back. I digress. It was about 2 months following my demotion when i finally walked out. A new bartender had been hired and she thought I was being a total creep by looking at a ticket that had just come in. She stormed off to report me to the manager who, even after hearing my side where I had asked her if there was anything on the ticket that I could grab, said that I "needed to communicate better," and "you should be learning from her," and "you're a grown man, you should know better." I don't think I need to explain why that was so upsetting.

But I didn't report them, because I just wanted to be done with it. I was also working another bartending job, and everythign was literally perfect other than the hours, honestly. I loved the product the distillery made, I loved the people I worked with, and most of all: I had my own regulars. Last month, they hired a new hospitality director, who announced there would be some restructuring, including getting rid of servers while also making a full dinner menu to serve alongside drinks. I said nothing of it, despite my disagreements, and she assured us all that no one would lose their jobs, but just moved into different roles. We all kinda grumbled about it, and I told her that under no circumstances would I work back of house. Easy peasy. Till it wasn't, and I came home to a voicemail while on break with my partner that I'd been let go due to the restructuring. So much for no one losing their jobs, right? I hadn't been the only victim of this. I have my suspicions as to why the new hospitality director did these things, but I've no energy to throw around conspiracies. All I know is that I was shafted by both of these places and I'm tired of being broke. I'm applying, still going to fight, and... sigh.

tl;dr (why did you click the readmore?): i left a job due to discrimination and lost another due to company restructuring and i'm tired and sad and aaaaa.

[coldhndss]

Wedding blues p.1

Reo Mikage

@sailorstar9 (haven’t seen you in ages! + I always end up kinda changing the plots of requests i receive somehow)

Throughout her life, she had always assumed that the feeling of reliance on someone else was akin to the longing that comes with love. She was comfortable around him; he  made her happy, smile, and laugh.

He also made her sad, tear up, and sob.

“I’ve been seeing an old friend…” His voice rang through the speaker, hitting her ears like nails on a chalkboard. At first, she thought he might not mean what she was thinking. When she questioned him, he floated around the reason awkwardly.

She pushed for an answer, becoming more agitated. That was when he reciprocated her anger, calling her an idiot for not understanding him.

“I don’t want the ring.”

“Lose my number.”

“Call everyone and cancel tomorrow. I wasn’t planning on showing up anyway.”

His voice begun to feel like loose sound, and at some point he hung up.

She glanced over at the beautiful dress in front of her mirror. It dazzled in the light of the early morning sun, sequins and pearls refracting beautiful colours all over her room. Gently grasping the satin sleeve, it slipped out of her hand like a piece of silk, carrying her gaze towards the trail behind it. Falling to her knees, a rush of tears ran down her cheeks as she squeezed the skirt in her hands, pressing her face into it. She was a complete emotional wreck, not knowing what to even feel. Someone who had been with her for so much time, just picking up and leaving.

Her phone sounded from the bed where she had left it. Drowning in the melody of her sobs, she fell asleep as it rang out.

She awoke on the floor with the hem of the dress skirt clenched in her hands. Glancing in the mirror, she caught a glimpse of her tear stained face and puffy eyes.

It wasn’t that she loved him. But over time it began to feel like he understood her emotions, and she grew attached to him as time went on, unable to leave his side.

Though throughout all this, there was one person who remained by her side.

Slumping back down on her bed with her phone, she noticed a missed call and a few messages.

‘Just got reservations for this really nice restaurant by the sea.’

‘I know you and him are probably busy, but do you guys wanna come with?’

She stared at her screen blankly, the words slowly turning into mush as her vision blurred once more. Out of everyone, he’d always reach out to her, being the one person who made sure she was okay. He did things that her ex never even considered. With a few swipes, she dialled his number.

“You called back! What’s up?”

“Hey Reo…” Her voice was still coarse from all the sobbing.

“You don’t sound too good.. What’s wrong?”

“He cut me off..”

“Huh? What do you mean ‘cut me off?’”

Her shaky voice broke, sobs sounding through the phone. “He said he’s been seeing his old crush..”

“What!? What about tomorrow!?”

“We already told everyone… What do I do?”

A few seconds passed, and a sigh sounded through to her end of the call. “Look I can’t leave you crying in your room alone. Are you free later today?”

“..Yeah” She sniffed.

“Be ready by six, alright? And wipe those tears.” The warmth in his voice told her he was smiling.

Slipping on a simple dress, she did as much as she could to hide her breakdown with makeup.

Shutting the door to her apartment, she received a message from Reo letting her know he was waiting outside. Opening the door to his car as she’d done many times before, he greeted her with a smile, asking her if she felt any better.

In any case, breathing the fresh air outside her room would help her feel way better than staring at the dress for the rest of the day.

Upon arrival, he opened the door of her passenger seat, walking together into the restaurant. After a worker guided them to their table by a large window with a scenic view of the water, they were handed the menu to place their order.

He noticed her faint smile and distant expression, doing what he could to make sure she could feel better. He attempted to crack jokes here and there, mentioning things that he knew usually got a laugh out of her. By the end of the dinner, she seemed to have loosened up a little.

As the two of them left the restaurant, they walked back to his car together. She was expecting to be driven home immediately, but Reo had something else in mind. The two of them sat inside, and he placed his keys in the cupholder instead of starting up the car.

“Are you feeling okay?” He turned to face her. She nodded in response.

“So… what’s the plan for tomorrow?” He asked in a soft voice, treading carefully. She looked down at her hands, fidgeting with the ring on her finger before removing it. “To be honest with you..” Her eyes peered at the engraving of their initials inside the band. “I don’t know..”

She wound down the window and with an arm outstretched as far as she could manage, hurled the ring into the sea. “I guess I never did love him. Maybe I just get attached too easily.”

Slumping back into the seat, she turned to look at him. It was then when she began to wonder how she had overlooked his actions in the first place. Someone like him who paid so much attention to her, who was always there to listen to her worries. What kept him beside her for so long?

At this distance, he could see how red her eyes were, although she seemed to have covered up the evidence using makeup, still looking beautiful to him as always. With a deep breath, he reached out and took her hand in his right. Lacing his fingers into hers. He cupped over her hand with his left, rubbing her palm with his thumb.

“Reo..?” Her eyes widened, glistening with emotion.

“I’m here for you.. you know that, right?” His tone was gentle and his gaze upon her was tender. A warmth she hadn’t ever felt until now. It didn’t exactly come as a surprise; he had always been there for her, knowing when she was about to burst from stress and having a solution. Something no one had ever done for her before.

“Every time…” her voice hitched, a lump forming in her throat. “It’s always been you… You were always there, waiting for me…”

Slipping his fingers under hers, he lifted her hand to his lips and pressed a kiss against her knuckles. “…and I don’t plan on leaving. Not today..” His voice softened as he looked up her, his gaze peering through his eyelashes. “And not tomorrow”.

part 2