#many a time so i assume its very popular

[moeblob]

I think Gepard would also probably like to pick him up by the scruff like a kitten (and throw him in jail) !

Thank you for the compliment @durasposts ;w; I have been enjoying doodling Sampo so I am glad he's been appreciated!

[our-lady-of-mcr]

.

[gender-trash]

I would be very interested in hearing the museum design rant

by popular demand: Guy That Took One (1) Museum Studies Class Focused On Science Museums Rants About Art Museums. thank u for coming please have a seat

so. background. the concept of the "science museum" grew out of 1) the wunderkammer (cabinet of curiosities), also known as "hey check out all this weird cool shit i have", and 2) academic collections of natural history specimens (usually taxidermied) -- pre-photography these were super important for biological research (see also). early science museums usually grew out of university collections or bequests of some guy's Weird Shit Collection or both, and were focused on utility to researchers rather than educational value to the layperson (picture a room just, full of taxidermy birds with little labels on them and not a lot of curation outside that). eventually i guess they figured they could make more on admission by aiming for a mass audience? or maybe it was the cultural influence of all the world's fairs and shit (many of which also caused science museums to exist), which were aimed at a mass audience. or maybe it was because the research function became much more divorced from the museum function over time. i dunno. ANYWAY, science and technology museums nowadays have basically zero research function; the exhibits are designed more or less solely for educating the layperson (and very frequently the layperson is assumed to be a child, which does honestly irritate me, as an adult who likes to go to science museums). the collections are still there in case someone does need some DNA from one of the preserved bird skins, but items from the collections that are exhibited typically exist in service of the exhibit's conceptual message, rather than the other way around.

meanwhile at art museums they kind of haven't moved on from the "here is my pile of weird shit" paradigm, except it's "here is my pile of Fine Art". as far as i can tell, the thing that curators (and donors!) care about above all is The Collection. what artists are represented in The Collection? rich fucks derive personal prestige from donating their shit to The Collection. in big art museums usually something like 3-5% of the collection is ever on exhibit -- and sometimes they rotate stuff from the vault in and out, but let's be real, only a fraction of an art museum's square footage is temporary exhibits. they're not going to take the scream off display when it's like the only reason anyone who's not a giant nerd ever visits the norwegian national museum of art. most of the stuff in the vault just sits in the vault forever. like -- art museum curators, my dudes, do you think the general public gives a SINGLE FUCK what's in The Collection that isn't on display? no!! but i guarantee you it will never occur, ever, to an art museum curator that they could print-to-scale high-res images of artworks that are NOT in The Collection in order to contextualize the art in an exhibit, because items that are not in The Collection functionally do not exist to them. (and of course there's the deaccessioning discourse -- tumblr collectively has some level of awareness that repatriation is A Whole Kettle of Worms but even just garden-variety selling off parts of The Collection is a huge hairy fucking deal. check out deaccessioning and its discontents; it's a banger read if you're into This Kind Of Thing.)

with the contents of The Collection foregrounded like this, what you wind up with is art museum exhibits where the exhibit's message is kind of downstream of what shit you've got in the collection. often the message is just "here is some art from [century] [location]", or, if someone felt like doing a little exhibit design one fine morning, "here is some art from [century] [location] which is interesting for [reason]". the displays are SOOOOO bad by science museum standards -- if you're lucky you get a little explanatory placard in tiny font relating the art to an art movement or to its historical context or to the artist's career. if you're unlucky you get artist name, date, and medium. fucker most of the people who visit your museum know Jack Shit about art history why are you doing them dirty like this

(if you don't get it you're just not Cultured enough. fuck you, we're the art museum!)

i think i've talked about this before on this blog but the best-exhibited art exhibit i've ever been to was actually at the boston museum of science, in this traveling leonardo da vinci exhibit where they'd done a bunch of historical reconstructions of inventions out of his notebooks, and that was the main Thing, but also they had a whole little exhibit devoted to the mona lisa. obviously they didn't even have the real fucking mona lisa, but they went into a lot of detail on like -- here's some X-ray and UV photos of it, and here's how art experts interpret them. here's a (photo of a) contemporary study of the finished painting, which we've cleaned the yellowed varnish off of, so you can see what the colors looked like before the varnish yellowed. here's why we can't clean the varnish off the actual painting (da vinci used multiple varnish layers and thinned paints to translucency with varnish to create the illusion of depth, which means we now can't remove the yellowed varnish without stripping paint).

even if you don't go into that level of depth about every painting (and how could you? there absolutely wouldn't be space), you could at least talk a little about, like, pigment availability -- pigment availability is an INCREDIBLY useful lens for looking at historical paintings and, unbelievably, never once have i seen an art museum exhibit discuss it (and i've been to a lot of art museums). you know how medieval european religious paintings often have funky skin tones? THEY HADN'T INVENTED CADMIUM PIGMENTS YET. for red pigments you had like... red ochre (a muted earth-based pigment, like all ochres and umbers), vermilion (ESPENSIVE), alizarin crimson (aka madder -- this is one of my favorite reds, but it's cool-toned and NOT good for mixing most skintones), carmine/cochineal (ALSO ESPENSIVE, and purple-ish so you wouldn't want to use it for skintones anyway), red lead/minium (cheaper than vermilion), indian red/various other iron oxide reds, and apparently fucking realgar? sure. whatever. what the hell was i talking about.

oh yeah -- anyway, i'd kill for an art exhibit that's just, like, one or two oil paintings from each century for six centuries, with sample palettes of the pigments they used. but no! if an art museum curator has to put in any level of effort beyond writing up a little placard and maybe a room-level text block, they'll literally keel over and die. dude, every piece of art was made in a material context for a social purpose! it's completely deranged to divorce it from its material context and only mention the social purpose insofar as it matters to art history the field. for god's sake half the time the placard doesn't even tell you if the thing was a commission or not. there's a lot to be said about edo period woodblock prints and mass culture driven by the growing merchant class! the met has a fuckton of edo period prints; they could get a hell of an exhibit out of that!

or, tying back to an earlier thread -- the detroit institute of arts has got a solid like eight picasso paintings. when i went, they were kind of just... hanging out in a room. fuck it, let's make this an exhibit! picasso's an artist who pretty famously had Periods, right? why don't you group the paintings by period, and if you've only got one or two (or even zero!) from a particular period, pad it out with some decent life-size prints so i can compare them and get a better sense for the overarching similarities? and then arrange them all in a timeline, with little summaries of what each Period was ~about~? that'd teach me a hell of a lot more about picasso -- but you'd have to admit you don't have Every Cool Painting Ever in The Collection, which is illegalé.

also thinking about the mit museum temporary exhibit i saw briefly (sorry, i was only there for like 10 minutes because i arrived early for a meeting and didn't get a chance to go through it super thoroughly) of a bunch of ship technical drawings from the Hart nautical collection. if you handed this shit to an art museum curator they'd just stick it on the wall and tell you to stand around and look at it until you Understood. so anyway the mit museum had this enormous room-sized diorama of various hull shapes and how they sat in the water and their benefits and drawbacks, placed below the relevant technical drawings.

tbh i think the main problem is that art museum people and science museum people are completely different sets of people, trained in completely different curatorial traditions. it would not occur to an art museum curator to do anything like this because they're probably from the ~art world~ -- maybe they have experience working at an art gallery, or working as an art buyer for a rich collector, neither of which is in any way pedagogical. nobody thinks an exhibit of historical clothing should work like a clothing store but it's fine when it's art, i guess?

also the experience of going to an art museum is pretty user-hostile, i have to say. there's never enough benches, and if you want a backrest, fuck you. fuck you if going up stairs is painful; use our shitty elevator in the corner that we begrudgingly have for wheelchair accessibility, if you can find it. fuck you if you can't see very well, and need to be closer to the art. fuck you if you need to hydrate or eat food regularly; go to our stupid little overpriced cafeteria, and fuck you if we don't actually sell any food you can eat. (obviously you don't want someone accidentally spilling a smoothie on the art, but there's no reason you couldn't provide little Safe For Eating Rooms where people could just duck in and monch a protein bar, except that then you couldn't sell them a $30 salad at the cafe.) fuck you if you're overwhelmed by noise in echoing rooms with hard surfaces and a lot of people in them. fuck you if you are TOO SHORT and so our overhead illumination generates BRIGHT REFLECTIONS ON THE SHINY VARNISH. we're the art museum! we don't give a shit!!!

[dankovskaya]

Okay apparently its from 3 weeks ago and i jst now noticed but i watched ff7 rebirth final trailer and what the fuck

[markrosewater]

Hi Mark. With a lot of talk recently in the online space about the unreasonable outrage and horrendous death threats towards the Commander Rules Committee and Commander Advisory Group, I want to thank you for being the proverbial "shield" for some of the most heinous and grotesque backlash towards WOTC as the unofficial public representative for MTG. I know it can be absolutely draining for your mental health to receive harassment in this position, so I just want to say I am grateful and empathize that you are in this position. With that being said, as one of the most prominent faces of Magic, is it possible if you could say a word or two about the aforementioned harassment towards the RC and CAG to deter these harassers and possibly share your own experiences regarding unconstructive hate to help the victims of such depravity (if you're comfortable sharing)?

There are advantages and disadvantages of being one of the faces for Magic. When people like something we're doing, even when I had nothing to do with it, I get lots of praise. Most players only know a handful of Wizards employees, so they tend to assume that the people they know are responsible for the things that are happening.

There is, of course, a downside to that. When things happen people dislike, I'm also the light rod for complaint. Whether or not I had anything to do with the issue in question, I get the blame. I am Head Designer. Many times, I did have a hand or a say in what happened. And when I'm responsible, or partly responsible, for something, I try to own up to it.

Players are not a unified front though. When we do thing X, some of you will like it while others will not. I often will get complimented for the same thing I'm being yelled at for.

From time to time, we do something a majority are unhappy with. At times, we do things a majority are *very* unhappy with. That's when things can get a bit ugly. There are a lot of civilities built into daily life. There are just things you don't do or say to another human being. Most of that goes out the window online.

For some reason, the anonymity combined with just how social media has evolved has emboldened people to do and say things they never would in person (and I should also acknowledge society has changed in ways that even what's acceptable in person has changed).

What this means is I get a lot of negativity, some of it very personal. I'm not just talking about people criticizing the in-game choices I've made (or often didn't even make), but comments on me as a person, about who I am and what they think of me. People tell me that want bad things to happen to me. Not just getting fired (although that's a popular one), people vocalize, sometimes quite graphically, about things they want to happen to me.

The first few times this happened, I took it pretty hard. Having lots of people attack you online, saying horrible things about you, is tough. Humans look to other humans for approval. It's just built into our DNA to want others to like us. Having people attack you hurts. You have trouble sleeping, eating, it just weighs on you emotionally.

I was bullied as a kid. This really isn't much different except its much higher in volume and very public.

With time, I learned to adapt to it. It's not that I enjoy people saying nasty things about me. It still sucks, but I've found ways to process it. I came to realize that someone being nasty is more a commentary on them than me. And I adopted a philosophy of looking past the words to the message behind it. Most people complaining didn't like a choice we made about the game. I could focus on the feedback and less on the delivery method. But that took years, and it has a lot to do with who I am as a person. I enjoy the things I get to do with a public profile, so I accept what comes with it.

I've made the conscious choice to build a thick skin and weather social media, so I can continue doing what I love. It saddens me that I have to.

I say all this because I don't know if people really process the harm they're doing when they get negative online, especially towards another person. Most people do not have the years of processing angry messages like I do.

Words have an impact and that doesn't matter whether you're speaking them directly to someone's face or typing them in the privacy of your home.

Bullying is not okay. Cruelty is not okay. Making a conscious choice to belittle another human being, especially because they made a choice you disagree with about a game, is not okay.

When you use ugly words, you are doing harm to another human being (sometimes many human beings). Imagine if someone attacked you like that, or a loved one, or a friend. Don't do something to another human being that would cause pain if it was done to you.

That doesn't mean you can't communicate unhappiness. It doesn't mean you can't vocalize that you disagree with a decision made. I would stress two things. One, make it about the decision and not the person who made the decision. Explain why and how the decision impacts you, not what you think of the person because they made the decision.

Two, watch your language. As I said above, words have power. They can be used to build or to destroy. Is the language you're using designed to hurt? If so, don't use it. Use other language. If you need to take time to calm down, do so.

Community is what we as individuals choose for it to be. One of the things I love about the Magic community is how kind it can be, how accepting it can be, how uplifting it can be. But that's because we each individually choose to do that. The Magic community can get ugly, but only if we allow it to become so.

So please, the next time you're making a message designed to do something destructive rather than constructive, take a moment to reflect. Why are you doing this? What is your goal? Is it your intent to hurt someone? Because that's what negative language does.

I ask the Magic community to be better. I know we have the potential. I've seen it.

Be part of the solution, not the problem.

Thanks.

[pomefioredove]

okay after reading all the goth hc, I gotta ask. how do you think the guys would react (any of them but preferred Floyd and Idia ) to playing them goth music/show them a trad goth outfit/makeup look (suprise them maybe? For example: I hc Leona to just have the least slay music taste to mankind (beastmankind?) so you play him- idk let’s say Lebanon Hanover, and he’s like “wtf is this herbivore?” But then he kinda gets into it. no pressure to write for it btw!

-✨♥️✨

ANON I was literally thinking about making a post like this a few days before this ask... you have my heart. I'm doing a full post

summary: nrc boys and goth type of post: headcanons characters: nrc students additional info: platonic or romantic, reader is gender neutral, reader is not specified to be yuu, half-headcanons half-x reader author's note: I'm assuming that goth as a subculture and a music scene already exists in this world. this post is also mostly about the music scene

*ੈ✩‧₊˚

Riddle is essentially a baby bat

he's like, two bad life choices away from going full victorian goth at any given moment

he flat out refuses to listen to anything "vulgar" but secretly adores the dark, poetic side to goth

he's also morbidly obsessed with death, being a sad victorian boy and the child of two doctors. it works

as much as I hate to say it, Ace starts out as the kind of guy to say he wants a "goth gf" on multiple occasions

he proudly announces it to everyone at an unbirthday party once and Riddle almost kills him for being annoying for interrupting

thinks the music is too sad

...but he mellows out eventually (your influence)

both Deuce and Trey are not particularly interested

(Deuce leaned into punk music as a preteen but has since "given it up" because it's too unruly for an aspiring honors student, in his opinion)

Cater inexplicably already knows a lot about goth

won't talk about it unless you bring it up first but if you play him something semi-popular

he'll be like "oh yeah I know that one"

he has a few songs on his playlist he listens to when he's alone

is a goth magnet himself. pulls many hot goths. no one knows how

*ੈ✩‧₊˚

Jack is also not really into it. not his thing

however I can see him secretly being into emo

make of that what you will

and Ruggie will never pass you the aux again. he calls it "halloween music"

Leona acts thoroughly uninterested for a long time

like, he'll listen to the music you give him, but doesn't really say whether he likes it or not

says he doesn't care about the scene (thinks it's too pretentious)

and pretends to be annoyed when you give him more song recs

but he gets into it. he starts listening on his own

he has a definite preference for gothic rock

*ੈ✩‧₊˚

Jade is already goth (to me at least)

and very eager to talk about his favorite bands

loves giving recommendations

apparently the coral sea has its own goth subgenres and bands, which sound... much different from land ones

Floyd will listen (has listened, thanks to his brother) but he doesn't particularly care

he much prefers the aesthetic, it reminds him of home

...being that he's from the deep sea, where it's dark and cold

the flowy, dark, elegant looks are just enchanting to him. he can't keep his eyes off it

Azul couldn't be bothered

he's willing to learn, but isn't a huge fan of the general... strangeness

(he doesn't really understand why anyone would want to be perceived as strange in the first place)

and the music is so unmelodic to him

"that was just a man moaning and a gate creaking for seven minutes" and then he bans you from his office

*ੈ✩‧₊˚

Kalim literally listens to goth already

I don't know how to explain it but I know he does

it's so funny because he never ever dresses goth or acts stereotypically goth but every once in a while he'll be like "who wants to hear my new favorite song? :D" and it's like, alien sex fiend. and no one can say anything about it

Jamil is an appreciator

depending on what you show him, he could really get into the lyricism and general mood

...if only because he finds goth dancing absolutely mesmerizing

*ੈ✩‧₊˚

Rook is goth

he only dresses the part sometimes, but he's always been very passionate about the poetic elements of the music

...really into french coldwave

in terms of fashion he leans romantic goth

it just makes sense to me. he could find beauty in absolutely anything, and the dark and macabre are no exception

will talk your ear off about his favorite bands if you give him the chance

Vil is really more into the style than the music

he's dabbled in a little bit of everything; trad goth, romantic goth, medieval goth. he pulls all of it off

honestly, if anything, the gothic style compliments his features and tastes more than anything

he has such a respect for the subculture and the dedication that goes into the visual elements

Epel doesn't get it. sorry 😔

he will listen to the music you recommend because he cares about you, but he just doesn't like it

he's in the same boat as Azul. "was that a slide whistle?"

absolutely baffled, but he likes you and it's a small price to pay for your happiness

(and he thinks the fashion is too androgynous for his tastes)

*ੈ✩‧₊˚

I feel like Idia also used to think he wanted a goth until he saw the e-girl vs goth discourse, freaked out, then spent two weeks reading about different subcultures

...still wants a goth partner

but now he actually knows what that means

will listen to any music you give him out of respect (fear) and won't say anything about whatever weird taxidermy-related hobby you have

he's surrounded by death all the time anyway who cares

*ੈ✩‧₊˚

you could get Silver to listen to the cure's entire discography and he'd come out of it really enjoying just like heaven and nothing else

it's just... not for him

(plus the slower songs put him to sleep)

Malleus somehow hasn't even heard of goth as a genre when you approach him

he is. a little disappointed it's not music about the architecture style

but he still warms up to it, especially as someone who enjoys finding the beauty in the dark and misunderstood

you can fix him. you can goth him.

Sebek joins only after everyone in Diasomnia gets in on it with you (he doesn't like being left out)

he loves it because silver doesn't and malleus does

peepaw Lilia is an old goth

he was around when the music scene started, and he also remembers the literature movement it was named after, and the popular architecture style that was named after, and...

...you get it

still, he's always pleased to learn about new bands and subgenres and styles and the like

could and will talk about it for hours and hours with you

he dresses the part, too

we love him

[xavigav]

The Reddit Blackout, #196, And Being New to Tumblr

okay i've seen a lot of people in the past ~24 hours or so confused by everything going on with Reddit & Tumblr from both sides - people new to tumblr who don't know how to use it, and tumblr users who don't know what's going on with reddit and why many of its users have joined up here i know this isn't really related to my blog but fun fact about me: i was up until recently a very active reddit user and even mod a subreddit, but I've also been on tumblr for about 3 years now on different accounts, so I think I can see pretty well from both sides of this and explain what's going on this post will be split in 2 sections: what happened with reddit (and what #196 means), and a guide for new users

1. What The Hell Is Going On With Reddit?

The thing that's caused all this ruckus is a major change to Reddit's API, which is what Reddit provides to people so they can pull directly from Reddit to make third-party apps or tools.

The change is that Reddit is changing its previously free API to be paid. Which on its own kinda sucks for developers, but it's not unexpected. They need to make money somehow, right?

The problem is that the API pricing is WAY TOO FUCKING EXPENSIVE. The developer of the most popular 3rd party Reddit app, Apollo, says it will cost him $20 million a year to continue running the app as normal.

Essentially, this pricing forces almost everything third-party to shut down, which causes 3 major problems:

Third-party apps cannot keep running, which sucks for normal users because Reddit's official app is awful. It's slow, its video player is a thing of nightmares, it doesn't have many useful features third-party developers have made.

It sucks even more for visually impaired users because they can't use the official Reddit app at all. Reddit's official app does not work with iOS's native text-to-speech function. Third party apps, on the other hand, often do. So Reddit is forcing blind users away.

Third-party moderator tools cannot keep running, which sucks for moderators because many rely on these tools to properly moderate their subreddits. And moderators are often necessary, because without them subreddits get banned and hate speech and even CSA can often run rampant.

So you see why this change is bad.

Reddit users were PISSED.

So over the past week and a half or so, they have been working on organizing a site-wide blackout. The majority of the most active subreddits have now gone private. Some are only doing it for 48 hours, others (such as r/196) are doing it indefinitely.

That's why you can't access most of Reddit right now, and that's why many users have come here.

You're probably still wondering, though - what is this #196?

Well, as you may guess, it's connected to that subreddit r/196 I just mentioned. r/196 is a subreddit which only has one rule: every time you visit, you must post before you leave.

That's it, that's the subreddit.

The thing about r/196 that set it apart from most other subreddits - and what lends the subreddit's users perfectly to Tumblr - is that it was dominated by queer and leftist users.

So now they've come here and set up shop in #196 and r/196 so they can continue their merry little shitposting.

There's a ton of lore related to r/196, actually, but this is already a long tumblr post and quite frankly I cannot be bothered to write about it at the moment.

2. I'm Here From Reddit, What Now?

Hello there, random new user. As a double-citizen of Reddit and Tumblr, let me show you around this place.

First off, there are some other people who are better at explaining that I am who have made some really helpful things. Watch this Strange Aeons video as a guide to Tumblr culture and functionality and read this post which directly compares Reddit and Tumblr.

Assuming you've done that, here's some additional advice of my own:

Do you miss sorting subreddits by top of all time/the year/the month? Well, you can do something very similar with tags! If you go to a tag at the top of the screen you can select top, and then at the dropdown that says "all time" you can select different time periods! Even 6 months, which Reddit hasn't ever had.

Tumblr has a lot of cool customization features! Even outside your icon/banner/bio, you can change you blog colors and on desktop you can have an html theme (which has its own thriving community here). That customization is part of what sets Tumblr apart from everywhere else - I think you'll enjoy playing with it.

Notes will probably confuse you at first. Unlike the different numbers for upvotes and comments, notes combines the total number of likes, reblogs, and replies into the same number.

Outside of organizing your own blog, when making your own posts tags are what help other people find your post. Use them! But don't abuse them, because then people will just block you.

There are three ways of people finding your post: if someone follows you, if someone follows the tag(s) assigned to your post, and if someone is just scrolling through the tag(s) assigned to your post (and also the secret 4th way no one uses, which is finding it on the trending page, but even if people did use it no one will find your post initially that way)

tumblr is no longer The Discourse Website. And unlike what Reddit wants you to believe for some reason, it is very much alive still. Most of the people seeking fights have moved to Twitter (though some have also moved back here again). You will not get any brownie points for being a dipshit like you do on some subreddits.

So there, welcome to the hellsite (affectionate), you'll pick up on all the in-jokes eventually, for now just try not to be a nuisance and soon enough this'll be your new internet home.

[indigovigilance]

A Nightingale Sang in 1941

This is my inaugural meta (yay!) Eventually I will learn how to add gifs and whatnot to make this more interesting but today, I give you a wall of text.

I need to give credit where credit is due to three existing metas that I’m drawing upon heavily here:

A speculative continuation of the 1941 story, which includes an almost-kiss while “A Nightingale Sang in Berkeley Square” plays on the gramophone,

A behavioral analysis of Aziraphale during the S2E6 finale (will find ref later if possible)

A meta-analysis of the way in which “coffee” is used as a symbolic equivalent for liberty and freedom of choice, a running theme of this show (will find ref later if possible)

I’m going to expand upon meta #2 and #3 and explain why I think there is are very compelling reasons to believe that #1 will be canonized.

At the end of S1E6, an instrumental version of “A Nightingale Sang in Berkeley Square” plays diegetically, but the lyrical version plays non-diegetically over the credits (we hear it but the protagonists don’t). So we the audience could plausibly say “that’s their song,” but as of the close of S1, we have no reason to believe that they know that it’s their song. Even Aziraphale’s S1E3 (1967) suggestion that they dine at the Ritz could be a reference that only he gets, or just a fancy restaurant suggestion.

So when I was watching S2E6 and Crowley said “no nightingales,” I was jarred. What does that even mean? We know it has something to do with dining at the Ritz, but what does it mean to them? The reference only works if they know it’s their song. But we’ve only ever seen them hear it together after the averted apocalypse; if this is the direct reference that Crowley is making, it leaves our 1967 reference contextless and twisting in the wind.

If we assume that there was a romantic story beat in 1941, wherein “A Nightingale Sang in Berkeley Square” (which, incidentally, was written in 1939 and saw the height of its popularity at the end of 1940, so timeline-wise it’s spot-on) became their song, then a lot of events get renewed interpretations through this lens, in a way that makes this story much more cohesive and the “no nightingales” comment even more soul-shattering than it already was.

Let’s presume that immediately after this became their song and just as they were discovering their romantic potential, they were forced back into hiding. Forever after, references to the song serve as a macro for “I’d like to pick up where we left off that night.”

The 1967 suggestion of “dining at the Ritz” now becomes a directly romantic suggestion. It also gives better context for “you go too fast for me.”

Actually going to the Ritz in 2019 is not simply a celebration or even a callback to 1967, it’s a callback to their almost-romance of 1941.

When Crowley says “no nightingales” in 2023, this isn’t to say “we’re not going to eat together at the Ritz anymore.” It’s saying that the romance that began that night, the precious, fragile romance, is over.

I’ll give you a moment to dry your eyes before we move on to metas #2 and #3.

In light that this is what has been going on - they know they want a romantic relationship but have gotten so used to hiding and denying it that they are more comfortable keeping the status quo static and quo-y then trying to achieve their ideal - a lot of S2 behavior can get a fresh view.

Crowley’s reaction to Nina isn’t a realization that he’s in love - he knew that already. You can only ask someone to run away with you so many times before you are forced to admit some things to yourself. No, he’s realizing that trying to hide it (which was justified by survival), hasn’t been working, but despite failing at being stealth nothing bad has happened. He’s realizing that it may finally be safe to show it.

Crowley’s confession, then, is not a revelation. It’s making the subtext text. He’s not telling Aziraphale anything he didn’t already know. He’s saying it now because he thinks he’s safe to do so. Pin in that.

Lots of people have lots of theories about Aziraphale’s motivations in the S2 finale, which can more or less be divided into 4 camps: the genuinely held belief, the coffee theory, the lie theory, and the mutual trick theory (some version of the body-switching at the end of S1). Let me start by saying that I love all the fans and all their theories and I find their analyses to be insightful. The genuinely held belief theory, while I believe it to be erroneous, has been incredibly conducive to so many wonderful conversations and I love being in a community that has those conversations. But I’m going to explain why I think the lie theory finds the most support in canon.

Re-watch the finale (when you feel like you can) from 35:18 to 36:19 and then from 40:45 to the end, paying very close attention to Aziraphale’s words and his eyes. Michael Sheen is telling us a LOT with his eyes, and in the back half of the finale scene, with pacing.

For 60 seconds of footage, this setup is doing a lot of work. If Neil Gaiman wasn’t doing enough to beat us over the head with how evil the Metatron is, that glare at Crowley at the end with the non-diegetic ominous horns should convey the message. But again, focusing on Aziraphale. He initially refuses to talk to the Metatron; he’s made his position quite clear. There is no hint of regret or wavering; this is not someone who’s aching to return to the fold. The Metatron ignores his refusal and functionally forces him to accept a “cup of coffee.” The coffee isn’t spiked, but it is a metaphor. It is symbolic of choice. The Metatron is going to force Aziraphale to make a choice. Meta #3 does a great job of exploring the idea that a choice between anything and death is never really a choice. Hang onto that thought.

Notice I had you start up again 3 seconds before “The Conversation.” That’s because it’s important to note where the Metatron is right now. He is across the street, staring straight in through those giant windows to where our protagonists are about to have The Conversation. He is watching.

When Aziraphale returns, Crowley begins his “let me talk” riff. Aziraphale ought to be interested in what Crowley has to say, since the preamble is pretty compelling. You’ll notice that Aziraphale quickly turns to the window and back, through which he (but not we) can see the Metatron standing there, watching them. Aziraphale is then doing his best to get Crowley to STFU without raising the suspicion of the Metatron, eventually having to cut him off.

Because unfortunately, Crowley’s entire impetus for speaking up now is that it’s safe to do so. Only Aziraphale knows that they are in very real danger (or at least, Crowley is, but I’ll come back to that).

You might take something from the fact that he’s shaking his head while talking about “incredibly good news,” and seems to self-censor his criticism of Metatron (or more specifically, he takes ownership of any criticism of the Metatron, censoring out Crowley’s role in that, with the emphasis on I in “I might have misjudged him”).

Notice in the flashback that he begins the conversation reasonably relaxed. The Metatron also says a series of things about him that not only are false, but everyone, including the Metatron and Crowley, know are false: Aziraphale is not a leader, he’s a defector; he’s not honest, he lies all the time, in fact this entire season revolved around his one huge lie of hiding Gabriel. Not only does the justification not make sense coming from Metatron, but it shouldn’t make sense that Aziraphale would accept these reasons and it shouldn’t make sense to Crowley either. So is Aziraphale including these details in his recounting to Crowley so that he will get suspicious and figure out the jig? Maybe. Let’s continue.

Immediately upon being offered the job of Supreme Archangel, Aziraphale says “but I don’t want to go back to Heaven.” This is direct evidence against the genuinely held belief theory. If returning to Heaven and making a difference was a genuine motivation, we would have gotten a different response at this moment. But then we get something more.

“Where would I get my coffee?”

This is a beautiful response for a number of reasons; coffee should be trivial compared to the opportunity to be a Supreme Archangel, so it serves to highlight just how little interest Aziraphale has in returning. Taken at face value, it’s the Aziraphale equivalent of “not even at gunpoint.” But remember that coffee is a metaphor for liberty in this universe and this season. So what Aziraphale just said, in the language of Neil Gaiman metaphors, is:

I don’t want to go back to Heaven, I would rather have free will.

What does the Metatron do next?

He brings up Crowley.

Watch Aziraphale’s eyes before and after the mention of Crowley. He goes from confused to eye-flicking panic in the space of two syllables. Aziraphale already understands that his “no” is not being accepted, and that bringing Crowley into it can only possibly serve as a threat.

So the coffee, the choice, is a false choice. No one ever orders death. The Metatron has forced Aziraphale into a situation that looks an awful lot like a choice (it comes in a blue cup, after all) but it isn’t.

We definitely have some reliable narrator problems here. I’m going to presume for purposes of analysis that these cut-outs are accurate but incomplete, and that a more explicit threat about what would happen to Crowley if Aziraphale did not return to Heaven was made.

If we assume that Aziraphale has been made aware of a threat and is trying to hide that from Crowley, the rest of this scene reads very differently. Aziraphale cannot say, “you are in danger but you will be safe if you swear your allegiance to Heaven” or “I have to go, no matter what, and the only way we can be together is if you come with me,” but nonetheless he now has to convince Crowley to do the one thing he ought to know Crowley definitely doesn’t want to do all through subtext. Which we’ve spent an entire season establishing that they can’t communicate well when they are allowed to use their words. Disastrously, this is not a magic trick that Aziraphale can make work when it counts. Their failure to practice good communication means that, right now, when it counts most, they are not going to pull it off.

We see that Aziraphale is very hopeful that Crowley will pick up on his cues and play along. Obviously, he doesn’t.

If the whole riff about Hell being bad guys and Heaven being the side of truth and light is taken as genuine, it discards a massive amount of character development that we’ve witnessed in Job, Edinburgh, etc. (again, to all the genuine belief subscribers, I think it’s a compelling argument but it simply doesn’t account for the evidence). So if it’s not genuine, why say it? Again, to alert Crowley that something is Off, because Crowley should know that Aziraphale doesn’t actually believe that. They saved humanity from Heaven and Hell. They hid Gabriel from Heaven and Hell. Crowley knows that Aziraphale knows that Heaven and Hell are just two sides of the same coin. Notice again that Aziraphale glances out the window while he’s talking up Heaven; he knows the Metatron is watching, he can’t not defend the position of Heaven. I think it’s also worth noting that Aziraphale forcefully glances and gestures off to Crowley’s left (away from the window) when talking about Hell, and then turns his head to Crowley’s right (towards the window) to try to get him to realize that a representative of Heaven is literally standing right over there, just look out the window please dumbass!

When Crowley is asking Aziraphale if he said no, and we see the back of Aziraphale’s head, again we can see him turn his head to glance out the window. This is also when he changes strategies, and admits that Heaven could use a little reform. Because now there’s a problem almost as big as getting caught, which is that he won’t be able to get Crowley to go with him.

Which unfortunately makes the next part of this so much more heartbreaking. Because when Crowley begins his speech about being a team, Aziraphale wants to hear it. He can’t bring himself to shut down Crowley again, even though it could get them both in massive trouble. Notice that he glances out the window again during this, and the look of panic on his face. He begins to shake his head when Crowley mentions that Heaven and Hell are toxic; this can be taken a lot of ways but I’ll argue for the interpretation that he’s trying to get Crowley to STFU and stop saying shit that could get him destroyed.

After Crowley puts on his sunglasses we are in the “back half” and Sheen is doing a lot with phrasing here, specifically pregnant pauses.

“Come with me… to Heaven!”

“We can be together… as angels!”

Based on the pacing decision I am thoroughly convinced that the first half of each of these statements is intended to be the message to Crowley and the second half is always a qualifying statement to satisfy the Metatron.

Unfortunately, these pregnant pauses are completely backfiring in their effect on Crowley. The sentiment gives him hope and the qualifying statement crushes it again immediately. He is being taken on a horrible emotional rollercoaster with these declarations which are only further amping up his instinct to run away.

The only truly genuine, unaldulterated statement I think we get from Aziraphale is

“I need you!”

When it becomes clear to Aziraphale that there’s been an irreparable breakdown of communication between them and the subtext is not getting across, he says:

“I don’t think you understand what I’m offering you.”

He means this literally. Crowley has not understood that Aziraphale is offering him protection from whatever threat the Metatron has made.

Which makes this part extra-devastating and also absolutely in keeping with a major running theme of this season.

“I understand. I think I understand a whole lot better than you do.”

Your understanding and my understanding are different understandings.

Crowley views the offer to return to Heaven through the lens of his trauma. He understands what life in Heaven would be like. But he doesn’t understand that Aziraphale is offering him protection.

But Aziraphale just heard Crowley say that he understood everything, and he’s still going to leave. There might be a little suspense of disbelief here to believe that Aziraphale really interpreted the statement this way, but we know that Aziraphale isn’t always the brightest battery-operated candle in the drawer. So under the assumption that Crowley did understand him and is still rejecting the offer, rejecting him—

“Well, then there’s nothing more to say.”

Please pay very close attention to Aziraphale’s body language for the next part. He’s active, agitated, turning side to side, arms swinging. This is a very fidgety angel.

“No nightingales.”

Aziraphale is now completely still. He’s feeling that feeling. You know it. The one where your entire body is getting sucked into the pit of your stomach. The aching paralysis.

This is their song, the one that began their romance in 1941, the secret code for all other attempts at flirtation. Crowley has walked out on him before, Aziraphale has been stubborn and obstinate before. But they always came back together, sometimes with an apology dance or other rituals that belonged solely to them.

But now the song is over.

By saying this, Crowley has broken up with Aziraphale. We can see in Aziraphale’s sudden transition from fidgety to paralysis that he has understood it this way.

Then he turns away from the window so that the Metatron won’t see him cry.

The kiss was heart-wrenching already. But we’re not done with this analysis.

During the kiss, Aziraphale has a choice to make between two very compelling bad choices. This is the Job dilemma. But worse.

If he doesn’t kiss Crowley back, he will let Crowley think that he doesn’t love him. He will have missed out on this (maybe/probably their first kiss?) and regret it forever.

If he does kiss Crowley back, in full view of the Metatron, they are in deep trouble.

He seems to do his best to split the difference. I would even go so far to say that the awkward arm waving is Aziraphale acting for the Metatron’s benefit, to try to portray that he doesn’t want this even though he absolutely does (just not like this). The anguish when they break the kiss is absolutely real, and the first thing he does is glance out the window. Through all this he has remained painfully aware of their spectator.

He wants to say I love you. He mouths it. He breathes it.

But the Metatron is watching.

He can’t tell Crowley I love you. So he has to say the only other thing that has always unequivocally meant “I love you” when he said it to Crowley. He has to hope that Crowley understands him now, even though he never has before.

Spoiler alert: Crowley doesn’t.

My forgiveness and your forgiveness are not the same forgiveness.

One more point against the genuine belief fans (I love you): if the offer to let Crowley back in is what changed his mind, then Crowley declining removes that incentive. Aziraphale should/would have consequently retreated to his last stated position of “I don’t want to go back to Heaven, where would I get my Crowley—I mean, coffee?” [post-publication nod to @theonevoice for a great little meta] It simply doesn’t hold up to scrutiny.

I think a lot of fans were already making these assumptions about the use of the nightingale song so this meta may not feel revelatory, however, it isn’t canon (yet), and I’m sure I’ll find company that agree that canonization of this connection would strengthen a lot of these story points, as evidenced by how it is already assumed by many fans.

If you made it to the end - omg thank you! Please leave a note and tell me your thoughts!

Bonus: somebody already made the song connection here

~~~

if you liked this, you may also like:

Book of Life and what it means for Crowley

The Erasure of Human!Metatron

Baraqiel and Azazel

~~~

Recommended related (lie theory) metas by other people:

making the subtext text by @theonevoice

Aziraphale's Decision Matrix by @yowlthinks

Nothing Lasts Forever: META by @phoen1xr0se

[squiddy-god]

thank u for the best neuvi fic ever 😭💕 if u ever have time would always appreciate more food, thank u for your service my most esteemed fellow neuvi enjoyer 💞🫡

(will probably still be screaming crying throwing up about this one in the mean time 😭)

Hehuewieewm kicking my feet reading that hehehehe im so glad that the neuvi fic didn't absolutely flop because it is really just written from a place of lust for this man because he is so fine, so here! Have some more neuvi 

♥︎Request open♥︎

Cw : fluff to smut, NSFW and SFW, soft neuvillette, gn reader, hints at fontaine’s quest, daycrafillia, more spit swapping (sue me) but not what you think, always implied chubby reader, brief mention of bottom/sub neuvi, oral (both reciving), 69, face sitting is a gender neutral sport, explicit aftercare (love it) 

Ok so as i stated this man's knowledge of relationships is, iffy at best

He knows about the basics, but the complexities of human relations escape him

That being said he's such a sweetheart, interaction may be something he struggles with but he is surprisingly emotionally aware and intune to what you are feeling

When he first finds himself falling for you, he almost doesn't notice, but once he does he is actually quite quick to come to the conclusion that he has developed a rather large “crush”on you

However it takes urging from others to make him do anything about it, he is content to be an observer 

At least before the fontaine quest, after witnessing furinas trial and experiencing the loss of focalors all over again he grown anxious, no longer content to simply forever be the impartial Iudex of fontaine 

He begins to court you slowly, as a gentleman would- and while its a bit old fashioned to call it courting rather than dating- its a sweet but delicate dance to neuvillette 

His draconic side plays a part here, instincts calling that he should gift you things, starting small with food and imported water

Then he begins to invite you to lunch or perhaps on his rare walks around fontiane

Gossip spreads fast and just about every citizen has not only heard about the Iudex’s fancy for you, but they are fawning over it 

After All the Iudex is incredibly popular with the people, and they are overjoyed to see him in such high spirits

The subtle smile that plays shyly against his lips as his pale violet eyes watch you with the tender affections of old lovers

It's really the small chivalric things that make it feel as though you have loved neuvillette for a hundred years, the way his slender gloved hands interlace with yours as he helps you down the stairs, the way he offers you his arm as you walk

To be loved is to be seen, and within the vast ocean of neuvillettes eyes you stand as a solitary bastion of his love. Your every toil no matter how meaningless is acknowledged as something with purpose, the way his eyes that are often hardened by long trials where they must scrutinies and analyze soften in a way that belongs to you alone

He cares for you greatly, to be loved by neuvillette is quiet, a peaceful love that feels timeless

to be loved is to be seen, to be cherished and wanted, to be loved by neuvliette is to know that even in the quiet sea of his love the tide will never wane, he will always see you, forever unbiased he sees you for who you are, and you know that you are see, that he will always cherish you, that you are wanted, that you are loved. 

He enjoys when you brush his hair, and he lets you put whatever style you desire 

Many may assume that he is a listener, afterall he appears very quiet and reserved, but much like another dragon he is a secret YAPPER 

Steeped in wisdom he loves listening to you talk, but there are several subjects he tends to ramble about, and his statements are quite wordy and verbose

Both before and during your relationship he is spotted at several fountains and popular wishing spots, tossing a coin of mora into the still water, silently participating in these little rituals just incase they aid him in winning your hand 

He often attends performances at the opera house, and he reserves a seat just for you next to his own usual seating, and while a private man, there is a small part of him that preens knowing that everyone sees how you are his, and he is yours

Smut time

Now i know i said most of my thoughts in the other one but come onnnnnnnn i still have more thoughts

I don't think i mentioned this but i think he definitely cries during sex, even a small amount of pleasure has this man's eyes watering

I think i did not focus enough on the gentle slow side of neuvillette, how he traces over your body and laveshes you with kisses, how he checks in, lower face dripping in fluids to ask if you'd like some water waiting for you to nod before he takes a swig of the cup he keeps next to the bed, crawling up to kiss you, the fluid benign pushed into your mouth mingling with your taste

Any access is licked away by Neuvillette before he returns to his favorite activity. 

Slow, letting himself relax and savor every touch, every sensation as if you where the finest sumarian water

In this more calm and relaxed state he whispers his thoughts, voice fleeting with the buzzing in your ears as grans out your praises

Your reassurance and comforting when he cries makes him a absolute puddle in yours arms, his head in your neck as he thrusts slowly into you, his moans reverberating on your skin until you feel the tell tale wetness of his tears, cupping his face to rest your foreheads against each other you reassure him, trying to comfort him

He's so conflicted, he loves your voice and sweet nothings but he wants to be honest and tell you that these are tears of pleasure. 

Ride this man he's mesmerized, pupils wide as saucers as he watches your face above him, feels your hands on his shoulders, your plush tummy squished in his hands 

Would low(read high) key be down for you to peg/top him, and hes a moaning mess when the tables are turned, voice wavering as he grips the sheets so hard he might just rip them

…dare I say 69? Yes the funny number, i feel like he would enjoy it immensely 

Face sitting regardless of your sex, he is trying to bleed you dry here 

He may not know that he's a total freak, but he does know that you are exhausted and spent by the end every time (he wouldn't have it any other way) so he takes great care in ensuring you are taken care of

Holds you close for a moment before sweeping you into his arms and drawing you a bath

Washes you clean of the fluids he much rather keep you covered in longer, and fetches you a regression glass of water- and whatever other drink you prefer

He even feeds you snacks as he slips into the bath and rubs your sore limbs, placing soft kisses to the crown of your head 

[room-surprise]

PSA: Mana doesn't exist in Dungeon Meshi

Some translations of Dungeon Meshi (specifically the English anime and Yen Press manga) have used the word mana to describe magic, when the original Japanese simply said magic (mahou, 魔法) or magical power (maryoku, 魔力).

Ryoko Kui does not appear to use the word mana (マナ) at any point in the manga, the published extra materials, or her blog, so calling magic “mana” is an addition made only in some translations.

For example, the French translation does not use "mana." If you know of other translations that do or don't use mana, let me know!

The use of the word mana in English comes from Maori and its earlier Proto-Oceanic ancestor language.

It describes a form of supernatural power tied to social status, respect and strength. Mana is a religious concept for many Austronesian cultures, and is not really "magic" in the way pop culture has defined it.

As best as I can understand it from an outsider's perspective, mana is more like attributing a supernatural quality to a person's charisma, or the awe one feels when faced with a natural wonder like a mountain or the ocean, or the intimidation one feels when facing a powerful group.

The use of the word mana as a generic term to refer to magical power has been criticized as being cultural appropriation of a real religious term, still used by living people, to describe fictional magic.

In addition to this, using an Austronesian word at random in Dungeon Meshi for one of the most important and fundamental forces of the universe (magic) is inorganic to the world that Kui has constructed, which is rooted primarily in Greco-Roman, Hindu/Buddhist Indian, Middle Eastern, and Germanic cultures.

Using mana to refer to magic would suggest that the Ancient culture from before the cataclysm was Austronesian, but the rest of the manga does not support such an idea at all.

There are references to Austronesian and Oceanic cultures in Dungeon Meshi, but they are mostly tied to the orcs, who don't appear to use magic, and whose culture clearly doesn't, and has never had, the social power to define what word the rest of the world uses to refer to "magical power."

How did a Maori word get so popular in English?

The concept of mana was introduced in Europe by missionary Robert Henry Codrington in 1891 after he wrote a book about his time in Polynesia. The concept was then popularized further in America in the 1950s by Mircea Eliade, an extremely influential religious history scholar at the University of Chicago.

Mana was first introduced as a magical fuel used to cast spells in the 1969 short story, "Not Long Before the End", by Larry Niven. Around this time it also became popular with new-age religious groups.

It has since become a common staple in fantasy fiction and games.

So why translate it as mana?

The choice to translate "magic" and "magical power" as mana was probably made to try and make Dungeon Meshi sound more like a video game/RPG, since so many Japanese fantasy manga feature video game or RPG mechanics, and translators working on Dungeon Meshi would have no reason to assume it would be any different, especially at the very start of the manga.

However, Dungeon Meshi is much closer to High/Epic Fantasy, like Lord of the Rings, and throwing random gaming terminology into the translation when it wasn't in the original text ("mana", "newbs" and "inventory" instead of "magical power", "newcomers" and "supplies") feels out of place.

I think adding the term mana is a disservice to the hard work that Kui has done with her careful attention to linguistic detail and culture.

In the process of working on my Dungeon Meshi research paper on real world cultural references, I have studied over 100 names and words used by Kui, and I have found that she is remarkably thoughtful and consistent in what real world cultures and languages she pulls from, and what fictional cultures she pairs them with.

Obviously I don't blame the translators for not knowing this, they had to make translation decisions before the entire manga was complete, and most likely they were doing work for hire, with no idea what Dungeon Meshi was about.

They had no way of knowing Dungeon Meshi wasn't a video game fantasy comic, and were just trying to rush through their work as fast as possible in order to get paid, and move onto their next project.

Once it became apparent that Dungeon Meshi was High Fantasy and not a world that functions like a video game, they'd already used the word mana, so there was no going back.

In an ideal world, if the translators had known the type of story Dungeon Meshi would become from the beginning, if they really wanted a single word to translate "magical energy" into, they could have picked a word that belongs to one of the language families I mentioned before, rather than using mana just because "everybody uses mana, so readers will know what it means."

What should I call magic power then?

If reading all of this has made you want to stop calling it mana, hooray! Thanks for listening to me rant. You could just call it magical power, if you wanted. Nothing wrong with that!

But if you want something a little less clunky, here's an incomplete list of possibilities in some of the languages most commonly referenced in Dungeon Meshi. Please note I have not done due diligence on every one of these, I believe none of them are exclusively religious terms still in use, but just words that could mean magic (both fictional and real) in various languages. If I'm wrong about any of them, let me know.

INDIAN: Maya, prana. MIDDLE EASTERN: Sihr, kiisum/kesem. GRECO-ROMAN: Ergon (as a euphemism), goteia, physis, numen/numina, mageia. GERMANIC: Seidr, galdr.

(This post is an excerpt from my Dungeon Meshi essay with additional elaborations.)

[hyvyinjie]

hi! Can I ask for a headcannon about Minamoto teru x childhood friend reader? Where teru is really over protective and gentle towards the reader. Reader is a lazy person, and often sleepy, the things he likes are reading comics and playing game in their phone. They also refuses teru's invitation to join the student council. Thank you! :)

why of course! it’d be an honor to grant such an ask. apologies for taking quite a while to do so—though i hope my work meets your expectations, wonderful nonie!<3

—LOST IN THE HAZE OF YOUR DREAMSCAPE.

featuring ; minamoto teru & you as our star.

+ small akane & aoi mentions.

ah, minamoto teru; the very embodiment of perfection—as he was hailed and as he carried himself with utter conviction.

a master of powers, a paragon of academic prowess, and a maestro in all things extraordinary. could there be anything he did not conquer?

yet, his persona, a labyrinth of complexities, as if harboring a multitude of souls within his very being.

now, here you arrive in his peculiar life—meeting with the intricacies of his existence.

when your paths converged, it ignited a tempestuous collision, a clash of peculiar forces.

initially, your mere presence held no sway over him. in truth, he perceived you as an encumbrance, burdened by your languid nature. for he, a relentless pursuer of flawlessness, demanded nothing less.

but lo and behold. fate—that cunning trickster—wove its intricate threads, meticulously mending the frayed tapestry of your connection.

through the passage of time, a tapestry of happenstance encounters and the subsequent flourishing of interactions—a nascent camaraderie took root. he slowly, but surely grew attuned to your idiosyncrasies, harmonizing with your rhythm. while the power to surmount every obstacle at your side eludes him still, he persists, striving to offer his utmost.

oh please have mercy on this young man—forever enmeshed in the whirlwind of his exorcist duties. and yet, even amidst the chaos, his devotion knows no bounds when it comes to those he holds dear.

one might assume that quality time would be sacrificed for the trivial, but fear not, for you found yourself on the fortunate side—the one he’d willingly carved out moments to be with.

initially, your encounters were fleeting, brief snippets of time. however, as the sands of time trickled down, these fragments transformed into meticulously planned sleepovers. he meticulously orchestrated these occasions, ensuring they did not encroach upon his demanding schedule.

your bond thrived during these cozy gatherings, or tranquil rendezvous, where he wholeheartedly immersed himself in your passions—comics and video games.

though not extensively versed in these realms, one might imagine that you—with your infectious enthusiasm to the field—was the catalyst for his exploration and understanding of the realm of entertainment. this was evidenced by the gradual increase in invitations to game nights and his newfound willingness to engage in discussions about captivating narratives. perhaps, you both even exchanged recommendations for comics, as kindred spirits often do.

as the both of you and the world grew older—it became evident that he honed his social skills; presenting himself as a complete package. every aspect of his being held an irresistible allure, captivating the hearts of women, and even some fellow men. many yearned and openly expressed their desire to be the chosen one by his side.

however, even amidst the clamoring crowd, his gaze remained steadfastly fixed upon you.

of course, as the old adage goes; with great power comes great responsibility—the price of his popularity gradually revealed itself.

certain students, teetering on the edge of obsession, noticed the distinct tenderness he displayed towards you, surpassing his general kindness towards all. seizing upon this perceived vulnerability, they occasionally resorted to devious methods, seeking to eliminate you from the equation, taking advantage of moments when slumber claimed you.

naturally, he swiftly uncovered their plot, intervening before they could execute their nefarious intentions.

needless to say, the number of such audacious attempts dwindled significantly. what exactly he did to deter them remains a mystery known only to him and his would-be victims.

still, worried that the possibility of a recurrence and his absence to intervene, he took it upon himself to practically implore—some might even say beg—you to join the student council. this would ensure that he, or even akane if needed, could keep a watchful eye over you with greater ease.

however, true to your nature, you steadfastly rebuffed each futile attempt to persuade you. despite his persistent efforts, you remained resolute in your refusal.

eventually, your golden boy relented, recognizing that his endeavors were in vain…but that was just because he found an alternative solution.

he encouraged—forced—akane to be the one to look after you discreetly whenever he couldn’t. only choosing to partially reveal his intentions to avoid alarming you at the time, as you were unfamiliar with akane’s existence.

or so it had been until he observed that you and the school’s vice president shared a rather unique bond.

although akane would occasionally scold you for being so excessively somnolent, mistaking it for you being irresponsible, hence, occasionally comparing you to the greatness of his lady aoi—teru—ever vigilant and mindful of akane’s every interaction with you, ensured that his usual brutal tendencies were significantly tempered. still—it remained a part of the deputy’s essence, defining his very being, just albeit subdued in your presence.

it could be surmised that akane once attempted to tease—or rather, foolishly inquire, about teru’s subtle yet perceptible shifts in behavior whenever you were involved.

“it’s almost as if you like them.”

in an almost immediate reaction—the president paused, slowly turning his head to gaze at akane, a shadow casting a smile that concealed the upper portion of his closed eyes.

the ginger-haired vice executive, feeling an ominous presence despite the absence of visible eyes, found himself sweating profusely as he cautiously added,

“—to the point where anyone could mistake you for family!"

sensing the gravity of his words, akane mentally vowed to never broach the subject again. he restrained himself from ever mentioning it whenever he witnessed the two of you together.

curiosity gnawed at you as you noticed his all-knowing gaze transform into one of horror whenever you turned your head, as if peering behind you; at none other than the pretty blonde himself, who seemed to be doing nothing wrong, merely proven to have been innocently smiling the whole time, or so he put up whenever you looked back at him.

oblivious to the truth, you always dismissed it as ‘akane’s peculiar moments of ptsd flashbacks’ whenever he saw teru.

however, let me share a little secret with you.

did you know the true reason behind teru’s death stare? no? well, do you wanna know?

then do allow me to spill it for you.

it was simply because akane, using the keyword; "like," insinuated that teru had a ‘liking-only level’ romantic feeling for you. the misconception provoked such a reaction from teru, for he wanted to correct that statement because he loved you, not just liked you.

seriously, can’t people let him finish what he’s saying?

[asuyaka]

Hello Hello!!📞 Hope ur having a wonderful time zone, author I just wanna say that I have read 2-3 of ur writings and I alr love it! Keep it up! ur writing's amazing.💗 I was wondering if I could request a Geto from jjk fic about him with a Curse! M reader, not a curse user, a literal curse like Mahito. But unlike Mahito the reader doesn't understand human emotions and from observing Geto (after he betrayed jujutsu high and became a cult leader) think's that its normal to kill and hate non-sorcerer's. Reader just sticks around in the shadow's and watches Geto and observer's his behavior until Geto notices and question's reader but after learning that, oh shit this curse is actually pretty powerful he might actually be useful, and promises reader to teach him about human's in exchange of him staying by Geto's side and helping him in his goal. Geto (as time passes) fall's in love with reader while reader get's this feeling that he can't understand when he's with Geto. sorry if this is a lot to ask and if u don't understand what i meant, u can just ignore me and my rambling😅

★ - s'okay lovely, descriptive reqs are jus as interestin' as non descriptive ones! &lt;3

☆ - Cult Leader! Suguru Geto x Curse! M Reader!

♡ - typical Geto stuff! racist ta non-sorcerers, n tha word 'monkey' s'used one too many times (toji only said it once, by that way.)!

Geto remembers finding you— a curse who's stuck by his side ever since he deflected from the Jujutsu world— letched onto the side of a very popular road for couples to hang out and do whatever it was that couples do.

The very first time you two met, he remembers your soft voice, body radiating heaps of untapped cursed energy—untapped potential. Your curled up body, eyes void of emotion looking up at him with something that resembles confusion. "You can see me?"

Ever since then, you've been stuck to his side. While he doesn't think of you as useless, it has taken a bit too long for the potential— the strength he wants to see from you come out.

He's willing to wait, of course, he needs all the help he can get before initiating his plan against Jujutsu High, but there's only so much patience one man can have.

Especially, a man who's already running low on time.

You're accompanying Geto on a trip to a 'money-collecting monkey', as he likes to call them. They went back on their payments to the...cult (?) home (?) and he came to give them some 'personal counseling'—which was what he always said when blood was more than likely to be shed.

"Remember why we're here, [Name]," Geto says as he gets off his manta-ray curse, extending his hand to help you.

You stare at him, muttering a small thank you. "Help the monkey?"

Geto pushes his arms into his sleeves with a smile that makes your tummy churn in discomfort. "And?"

"Work on my cursed technique..." You mutter, kicking a pebble on the ground with an unseen pout working its way on your face. Ever since Geto quite literally found you on the side of a road, you've been his right-hand man ever since. Even if your understanding of cursed techniques and cursed energy is slim to none.

You've always understood in the back of your mind that he needs you for something. He had to—otherwise, he would've turned you into a ball and swallowed it on the spot. He always says how you aren't necessarily a bad curse, but he's never said you were good either.

You've never understood what he meant by that, but by the way Nanako grimaced whenever he said it, you assumed it wasn't a good thing. Without knowing, the pout grew into a frown and you found yourself huffing. Humans and their weird emotions always intrigued you ever since you were born, but you could never understand it.

Which is why you've been with Geto for so long. He's the first human who acknowledged your presence, the first human to act (kind, was it?) around you, so by process of elimination he was your first and only candidate to learn from.

When you two reached the house you overhear Geto whisper something about how the stench of monkeys would get everywhere.

'... Monkeys = bad people, they make Geto angry.' You think to yourself as you rummage through the pockets of the clothes Geto lent to you, bringing out a small spray bottle and handing it to the male beside you.

The action seems to take him by surprise. His smile falters and he stares at the item in your hand for a beat too long, grabbing it with a 'thank you' and spraying it on his clothes with a tight expression.

"Come here, you aren't getting monkey on my curses, or around the house." Geto waves you over, spraying a generous amount on your clothes and on your face. The spiciness takes you by surprise, spluttering as you try to get the taste off your mouth and the burn out of your eyes.

Surprisingly—shockingly even, you hear Geto laugh. It doesn't sound like the one he uses around the curse-collecting or money-collecting monkeys, it sounds like the one he uses around Nanako and Mimiko.

'Geto laughing = good. He's happy or excited.'

The laughing stops but he brings up a finger to wipe the tear that fell down your cheek during the sting. His hands are slightly calloused but soft to the touch. "Come on, let's get this over with. I'd rather stay away from monkeys on my weekends."

Nodding, you follow behind Geto as he walks up to the door, planting three brisk but firm knocks against the wood. You make sure to stay a step behind him, your body stiff and your eyes blank in case the monkey decides to try anything.

The door opens a slither a pair of green eyes widening the second they see Geto. "G-Geto-san! What do I owe the pleasure?"

"Good afternoon to you as well, Mr. Ashido. From my understanding, you're to fund my organization with three hundred thousand yen a month, am I correct?" Geto smiles, but it doesn't feel nice like when he smiles at you.

'Monkeys make Geto's smile weird. All monkeys are bad.'

The man nods shakily, his grip on the door faltering slightly. "Y-yes, but I cannot make up with the payments anymore because—"

"Correct me if I'm mistaken, Mr. Ashido, but you were the one who said three hundred thousand, am I correct?" Geto interrupts with a slight movement of his head, his signature bang moving with it.

"But Mr. Geto—"

Then, Geto's smile falls. His nose scrunches up in disgust and his eyes narrow. That means he's going to kill someone.

Before either of you knows what's happening, a surge of cursed energy flows into your hand, and the man's body squishes onto the ground until it pops as if the gravity on his body somehow quadrupled.

Geto's eyes widen, staring at the eyeball that rolled on the tip of his sandals. He turns to look at you, equal parts shocked and amused. "You did that, didn't you?"

"Monkeys are bad, and you looked like you were going to kill him anyway. I'm sorry for acting out of line G—"

"Don't you dare apologize for that." Geto interrupts with a sharp cut to his tone, making you stutter and trip over your words.

'Don't apologize, Geto gets angry. Angry = bad emotion.'

You nod hastily, but the nagging feeling to apologize stretches along your throat, itching to come out. Geto huffs, walking down the stairs and dragging you by the collar. "Seriously, the one time I take my eyes off you, you go change the actual laws of space on a guy?"

"Sor—" You stop yourself midway, remembering how apologies made Geto feel. You opt to stay silent and let him drag you wherever it is he wants to.

As you and Geto ride back home on the manta-ray curse, you see the smile on his face from earlier still hasn't left.

'Killing monkeys makes Geto give Nanako and Mimiko smile. Feels better than what he uses with sponsors.'

"Did I do good, Geto?" You ask absentmindedly, shifting closer to him until your chest is pressed against his back.

Something that resembles a laugh comes out of him, but it seems airy. Still genuine, but not as hard as when he sprayed you in your face. "Yes, [Name]. You did well."

A slight flush and embarrassment creeps up on you, causing you to plant your face on his shoulder. It didn't feel bad, just new. The same thing you feel whenever Geto falls asleep on your shoulder, or when he and you stay on his flying curse for hours at a time, doing nothing but basking in each other's presence.

It feels great, and you're glad to be feeling it with the only human you would put your life on the line for.

[batboyblog]

So... How do we live now.

good question, and one I'm not sure I have an answer to,

I mean one we have to hope that the next Trump term is largely like the first one, incompetent. That Trump won't have the skills or the patience to actually try to turn the US into a dictatorship, that his ego will be soothed by having finally won the popular vote and he'll be less interested in revenge against all his many enemies. That his corruption of our systems will be like during his first term around the edges and the damage to our systems of justice will largely be limited to around the person of Trump himself.

assuming that we still have largely free and fair elections (big if there) in 2 years and in 4 years Trump, having pardoned himself federally and used the powers of his office to shut down any state level cases, agrees to step down in line with the Constitution (he'll be 83 so hopefully tired enough to just go)

assuming that all Democrats aren't in jail or whatever, we need to not let perfect be the enemy of better, our failure last night means the Democratic Party will be more conservative not less, because they're trying to net voters, that fucking sucks particularly for LGBT people, but we need to do what we need to do, we need to deal with whatever humiliations we have to, I voted for Obama when he was talking about how his religion taught him marriage was between one man and one woman and thats how God liked it.

I fear that the general American public is really stupid, like REALLY dumb, that they don't understand ideas past a 2nd or 3rd grade level, So our Democratic ideas, not that hard to get, but at like a high school level, are way past what they can get and are willing to listen to. Trump and Republicans went all vibes and very basic ideas all the time, its who he is, finally the President who's as dumb as the public. idk what to do about that pre-say, but cancel anyone who isn't pulling on our side, don't watch people who shit on Democrats endlessly only to sometimes say "but you know Trump is worse" nope, done gone, out. Be mean to Trump on-line and never ever stop, maybe we can win the vibe war that he's a poopy pants old man, idk its just an idea, no more big ideas though, no big changes, no asking anyone to change how they live at all, Americans are just not able to handle it at all, we're a nation of the lazy, selfish and dumb, fight accordingly because the better angels have left the fucking building.

[devsgames]

As a dev who didn't really follow Baldur's Gate 3's development I was incredibly surprised at the number of people who have been making really sweeping and baseless claims about its success: stuff like "the game is made well by people who are passionate", or claim that other devs "just have to make good games", or that it's successful "because it doesn't have microtransactions". It's not that surprising I guess since Gamers tend to say these things about any product they happen to like and agree with, but I guess it was surprising to me how much people were saying it about this game specifically.

I'm sure the devs were passionate and I've sort of been enjoying my time with it, but frankly the success of BG3 absolutely does not feel like a design or development thing to me, but it's an obvious marketing and business one.

Having a good game obviously very much helps, but the fact of the matter is that rhetoric like this intentionally overlooks or downplays the real industry success factors: that BG3 is the third game in an already-popular and established legacy CRPG series that is built on an engine and mechanics by a studio which already made two other (unrelated) financially successful games on of the same genre, with all of it built on a back of a TTRPG franchise that has for the past few years been undergoing a huge resurgence in popularity and in no doubt funded through that partnership and licensing deals. Franchises like safe bets to make a profit, and this feels like the safest of bets. It really isn't successful because the game isn't adopting user-hostile monetization or because it's approach is radically different from any other game's development, it's successful because all these business factors.

To that end, whenever someone implies that other devs should just make games the same way...it's really funny! Like, the stars have aligned to make this product a hit and this doesn't implicitly make it a bastion or model for equitable game development just because it sold well and doesn't adopt hostile monetization schemes.

The fact of the matter is there's lots of games that are well-made by passionate devs and don't feature microtransactions or hostile monetization schemes, and they don't implicitly do well because of these design decisions alone; usually it's because they failed at marketing or didn't have the AAA budget to promote themselves like BG3. I'm also willing to bet that like every AAA studio, the devs at Larian likely weren't equitably compensated for this success, since most productions on a game of such a massive scale like this only really turn a profit because they undercut those working on it - huge profit and equitable compensation aren't often compatible concepts in game development. It's not like that would be any different here, so the "other devs should look to this game on how it should be made ethically" is a strange pull to me as well.

Basically this is all to say I think it's incredibly reductive to hold a product up on a pedestal by virtue of sales figures and choosing not to enact hostile monetization schemes. After all, I'm severely doubtful a product like BG3 would have done poorly assuming it had microtransactions in the first place. There's just way too many other factors that guided it alonge.

Do we need big budget games to move away from predatory business models that attempt to exploit the most vulnerable players? Absolutely yes I think we do, but I think people would also value from staying aware of real factors at play that define success in these sorts of situations, and not reduce development to "why don't developers simply make GOOD video games!" which I think is fairly baseless and confirmation-bias-y in its own way.

[myfandomrealitea]

There are some days where I will absolutely happily chew through 3934849 fics of the exact same premise/trope/plot and then some days where I don't even want to touch a fandom or pairing because the Popular Trope Trap is so significant within it I simply don't have the energy or willpower to wade through it all to find something else.

I think maybe on those days my main issue is that there's sometimes not much variance within the trope itself. Coffee Shop AUs, for example. They're almost always meet-cutes or meet-awkwards. Its always some harried barista wistfully using hot drinks to flirt with an even hotter customer. Its almost always winter or Christmas and its an endless cycle of the same puns, dialogue and endings.

Give me the coffee shop that's a front for the mafia. Remember that post about the guy who went into the restaurant and it was so very clearly a mafia front but he got served anyway and had the time of his life? Give me that!

Give me the customer watching a "barista" in a three piece suit nearly lose an arm trying to froth a latte for the first time. A man who kills for a living slowly experiencing a mental breakdown as he tries to add a leaf decor to a cappuccino. Mr. Dark and Deadly dying inside as a gaggle of sorority girls rush the counter for 32 pumpkin spice vanilla two-pump caramel syrup extra shot whipped creams.

Give me the customer accidentally ordering the one very specific drink that is actually a secret code and getting a cup full of cocaine baggies instead. Or a man who joins him at the table with an expensive iPad and begins asking him all sorts of weird questions about how he wants his lawn mowed or his pest control problem handled.

Give me the poor barista who applies for the job not knowing its a mafia front. Who just thinks its some weird rich people business venture because nobody really buys coffee there but it never goes out of business and oh my god that is not a bag of coffee grounds that is a bag of so, so many drugs.

Teacher-parent AUs? Hey, guess what, my child is actually a werewolf but hasn't had his first change yet and we all just assumed he was born human except oops, he isn't, because he just suddenly became a little snacksized werewolf in the middle of detention and you're screaming and he's stuck in his desk chair howling and wow you are absolutely right when you say teachers do not get paid enough to deal with what they do.

Hi hello yes, I'm the private tutor you hired, what a lovely little family of... 5.... 9.... 15 children you have. I'm so sorry to hear you're single, Mrs. Henderson. I'm sure their father would be proud you're raising them so well. What do you mean there's no father? What do you mean you made them? What do you mean; 'would I like to see the lab'?

Just. Give me some flavor sometimes.

[genericpuff]

Webtoon Canvas is pay-to-win now, I guess.

DISCLAIMER: All of the series I show here is for the sake of comparing statistics and criticizing Webtoons' Super Likes system. I have nothing personal against these series or their creators and I do not want anyone to get the impression that I am encouraging any sort of action against these creators. The following rant is merely my own observations and opinions concerning Webtoons itself as a platform.

I found out today that Webtoon has implemented a Super Likes ranking board.

This does exactly what it sounds like - it ranks Canvas series based on how many Super Likes they have. Whether or not this ranking board is on a weekly rotation (like the Originals rankings) or just overall, I don't know, but something immediately felt off with this system and it took very little time at all to realize what was really going on here.

When you actually click on the series listed here, it'll tell you how many Super Likes they've accrued overall. The first thing that made me raise an eyebrow was the fact that the Super Likes listed in the ranking boards isn't the same as what's listed in the comics' landing pages, but I chalked that up to a simple delay on WT's end as I can assume the ranking board doesn't refresh at pace with whatever Super Likes are coming in.

But the real red flag was this:

Limitless : Untold is a series with 1,657 followers and seems to get an average of 35-45 likes per episode.

But it somehow has 1,715 Super Likes?

Anyone who's run a Patreon, Ko-Fi, Ad Revenue, or any other sort of revenue-based system with their content will probably realize how that doesn't add up. The reality is that regardless of how many readers / followers you have, only a small fraction of them will actually spend money on your work or to support you. Not every person reading an Originals series is FastPassing. Not every person reading a webcomic is supporting the creator on Patreon. This ratio is even apparent outside of income-based statistics - for example, not every person who follows will read new updates each week and hit the like button (which is why you can have a comic with 1700 followers that only gets a few hundred views and a handful of likes per update). This ratio can be influenced by all sorts of different things, but one thing that doesn't typically happen is for the ratio to flip itself in this fashion.

To put it bluntly: how can a comic with a high of 45 likes in the past 3 months possibly accrue 1,715 Super Likes since it was launched just last week? You've probably already come to the conclusion on your own, but for those who haven't: there's very strong evidence to suggest that creators are buying their own Super Likes to get on this ranking board.

That's assuming the worst of this, though - after all, maybe some of these creators just have super supportive friends who are tossing them a ton of Super Likes? It costs $1 for 5 of them, in this example the amount of Super Likes comes out to approximately $343 (assuming my math is right lmao) which isn't massive amounts of money but it's, again, still really impressive for a comic with only 40 likes on average.

Bu Limitless : Untold isn't the only one in the rankings board that's like this. In fact, the top three spots are occupied by webtoons with the same tilted ratio.

But then, suddenly, after those top three positions, the following webtoons Super Likes totals that make a LOT more sense and reflect the usual ratio more accurately:

The Little Trashmaid, one of the most popular Canvas webtoons of all time and the first one to hit the 1 million subscriber mark in the Canvas section has only accrued 355 Super Likes so far... and you seriously want me to believe a comic like Limitless : Untold with only 0.08% of its readership is somehow genuinely earning five times the amount of Super Likes?

I want to make it clear yet again that I have nothing against the series that have managed to break the system in their own favor. None of this is meant to "slam" them or judge their work or anything of the sort, I'm simply comparing the numbers here and coming to a very reasonable conclusion as someone who's well aware of how ratios like this tend to work in webcomics and content creation. It's just not feasible for the top three comics in the Super Likes ranking boards to organically earn that many Super Likes relative to the sizes of their audiences, especially when compared to the bigger comics that are only pulling in a fraction of that amount. The ratios of Super Likes : actual likes for those bigger comics actually looks reasonable and expected, the ratios for the smaller comics that are sitting at the top are not.

If anything, Webtoons has created a broken system and these creators are simply using that system to their advantage. And I'm not necessarily going to fault them for that because I can get wanting to do whatever it takes to get eyes on your work.

But it does raise the question of what kind of system Webtoons has cultivated here - a system where creators are resorting to Super Liking their own episodes to bump themselves up in the leaderboards.

And before anyone asks me how I can be so sure that these creators are Super Liking their own works - I literally opted into the Super Likes system myself and proceeded to Super Like one of my own episodes.

(this is like the one helpful thing with my work still being on WT even though I'm not updating there anymore, it lets me test shit like this LOL)

So yes, this is a thing that creators can do and it would certainly explain the massive discrepancy in the ratio of Super Likes : regular likes for these smaller series.

This is literally pay-to-win. And who do we have to blame for this? Webtoons, full stop. Not only for implementing a ranking board for an optional monetization service while still allowing creators to use that monetization system to support themselves as a way to climb up that ranking board, but for creating this gross psychological dependency on the platform as the "only way" to build an audience, to the point that people are now paying Webtoons out of their own pocket just to have their thumbnail visible in a ranking board and maybe get some extra views (and 49% of their money back if they hit that $100 threshold). And on top of all that, further putting on the pressure of competition and 'exclusivity' among many budding creators who are doing what they do for free and for fun. Why are creators now being forced to compete in a metric that's solely determined by how much expendable income their own audience has?

Sure, at least this means creators can get themselves into a ranking board by their own power unlike the other categories that are hand-picked by Webtoons and / or determined by daily stats, but at what cost? The literal financial hit of paying for advertising with extra steps, and the ethical dilemma of essentially paying for potential views with microtransactions. This is no better than paying bots on Instagram to follow your profile and inflate your worth to those who aren't following you. None of it is real, it will not legitimize your work to throw money at Webtoons just to have your thumbnail visible in a ranking board. These are microtransactions meant to benefit Webtoons, not you, the creator.