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mysteryanimator · 2 days ago

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Breaking down Castlevania Nocturne Season 01 - Episode 04 "Bedroom scene" (almost) shot by shot!

Breaking down episode 06 / Breaking down episode 08

(Word count 6.3k I am so sorry HAHAHA)

I was heavily considering not going through episode 04 mostly due to being in the public eye but I like talking about shows I enjoy, regardless if my writing is shitty or not. By the way, the title says almost go through this shot by shot only because there's a 30-image limit. This scene is LONG so I can't catch everything but I can catch most.

By the way, before we start, a massive huge thank you to the Nocturne people, i don't think they'd read this, but if they do, all the scenes are really well crafted and interweave soooo nicely to their next point of interaction. I would love to know everyone who worked on this section, but if not I do hope they hear my utmost thanks and applause from all the way from Australia.

(Actually, just everyone who worked on Nocturne take a standing ovation from me lol, the show actually changed my life lmao, but I digress)

To introduce people who may be reading my analyses for the first time:

I implore you to rewatch Nocturne after reading this and make your own thoughts because while this is an analysis, it also comes through my own lens. These are just my thoughts and by no means end-all-be-all!

These are just observations based on my special interest and study in the field of in media production and analysis (i haven't been in that field for a while but I'm trying to get back into the swing of things HAHAHA)! Despite all of that, this is for fun, which is why I will be writing a lot more casually, so please don't take this too seriously! This not only helps me out as a student to become aware of how stories are put together and, in turn, how to apply them and make my own, but it also allows me to impart that excitement to you! Shot choices matter, especially when you have only 8 episodes, a deadline, a budget, asset restrictions, and so on. It all has to count. Everything matters.

Passionate creatives care and there is more than "the curtain is blue just because." The times when things slip under the radar and are put there just because are mostly due to executive meddling, budget restrictions, and deadlines.

With that said, this is actually a lot more thicker than previous breakdowns, WHOOPS. So please feel free to read this in chunks, and I will warn you that my grammar is not the best so you might have to bear with me here! As a warning, I will be using the words like sex, genitalia, etc. I only mention the actual acts of sex when presented as a joke.

Why am I putting in this last close shot of Tera? It is important because the whole scene beforehand has us mentally prepared for a fight or something a lot more action-like. The walls behind Tera and Olrox's room are REALLY similar, therefore once we see this inn room, we make a split-second assumption we're jumping forward in time with the protagonist. A picture says a thousand words.

Right up until the Olrox and Mizrak scene, our protagonist and antagonists both have very distinct places of associations and visuals, which often give the audience clues about their roles. They're established immediately from episode 01 and don't divert that line, that is until inn room. You can argue the line waivers in the courtyard, but the distinction is made REALLY clear in this episode.

The main cast, aka our protagonists, their places of association are usually amongst nature and people. If they're inside buildings, it is small cramped space, very much lived in and not completely upkept BUT it is what makes them very human. Our antagonists are associated with grand buildings and detailed windows that almost touch the ceiling. Gold trimmings. Vibrant rich colours that could only be afforded by the rich. If not the massive chateau, we have larger-than-life catholic churches, with stone walls higher than the eye can see. Our antagonists are congregations and establishments. Our protagonists are individuals.

I'd love to put some examples but I've used up my image slots, which means I'm making you rewatch (jokingly you don't have to) Nocturne from ep1-ep4 making you really conscious of the backgrounds

We as an audience have already slotted Olrox with with high-class, even though we as an audience know there's more to him. Olrox is designed with visual cues of the antagonists. His clothes literally could be wallpaper for the chateau. Not only that, the way he stands and holds himself very much leans into some of the stereotypes and tropes of the upper class that are often shoved into the media we consume. Then Mizrak, we do not see Mizrak anywhere besides the church, just strictly following the commands of the Abbott. We as an audience already have preconceived notions about religion, especially catholicism in the real world. Also, we have an established view of how Castlevania goes about religious characters from the previous series. Mizrak appears to have no other purpose but to be one of the main antagonist's guards.

This is a subversion.

Subtly this is going to tell us there is so much more with Mizrak and Olrox, and how their values align more with the protagonists rather than the villains and antagonists of the show. However, since they already began as oppositions to Richter and co, they need to earn the trust of the audience first so then they become more likable whenever they do have to earn the trust of Richter and co. This is our first building block. A step towards trust towards us and a step towards trust between Mizrak and Olrox.

(The location of their private conversations is REALLY important because they also tell us a lot about the characters, but I'll save it for the ep 3 breakdown when I get to it)

The sequencing and length of these shots are really important for the first half of the bedroom scene because we have exposition to get through. The scene has to be set out very strong from the start BUT, it also has to ease us in because this is a drastic shift, not only visually with naked characters but also a shift on the audience's expectation of already established characters. This is why we need this window first. We need to ease into this bedroom scene, or else we're going to be way too distracted by what is about to be shown.

Going forward SOME of these will be gifs to help illustrate my point. After all this is an animation! This is really important to show you in motion.

This pan down, oh my god this pan down. Camera pans help to reveal new information off-camera or to showcase a shift in tone/perspective. Suffice it to say THAT IS A LOT OF INFORMATION and a new shift in tone. This long shot is here to help establish our setting more clearly, what characters we're following, and what is happening. What are we establishing here? Mizrak and Olrox had sex in an inn room, that's all this shot is. It doesn't have to be anything fancy, other than the fact Olrox is censoring his own and Mizrak's crotch but that's it. As simple as it is, it is extremely effective. Yet it's so pulled back and obscured by the flower we can't be completely certain which is why we need the midshot of them that follows after, which helps to continually ease us into the scene. It tells us so much with so little. Show, don't tell is not only a powerful tool in visual arts. It leaves the audience to their imagination and I'm pretty sure a lot of us can fill in the gaps (I see you writers, I've seen everything on AO3).

This a midshot of Mizrak blankly staring up at the ceiling. Then they both turn to each other before Mizrak leaves and Olrox watches. In silence.

It's simple.

It's straightforward.

It makes you throw your arms up and go "what the fuck is happening???" It works. We're easing into this scene which is what we need. We're distracted by our own shock. So we've gone from our establishing the bed to establishing in our faces that, yes, it is indeed Olrox and Mizrak and they are both naked. That yes, they had sex and that Mizrak decided to stay for the night. Reasons? No clue and it's not important plot-wise, we just need to wrap our heads around that it is THESE TWO. It needs to be simple.

The lack of dialogue gives us room to breathe and to think. This is why this shot feels and holds on for what feels like a long time, in silence.

It might've changed but last I recall on average, shots will hold for 2-3 seconds. This is due to preventing the audience loose interest because the unchanging visual stimuli (and let's be frank attention spans are shortening, therefore media will change to reflect that). HOWEVER, a shot length heavily depends on the context of the scene and what you're trying to specifically say with a single shot, therefore making it super short OR super long. This one shot is six seconds. It allows for the dramatics to be amped up and it allows us to get through our shock for a bit longer since we're only TWO SHOTS into this scene, and right after this we're jumping straight into exposition and their deeply intricate dynamic. This is out six seconds to scream our heads off in shock and laugh in disbelief before we get hit with Mizrak's existential crisis.

The silence and the simplicity of it all also strengthen their mysterious characterization that has been established in episodes 01-03. We never see how they got here OR the act itself. However, what is really telling of these characters is their lack of body language and facial expressions. From episodes 01-03, Mizrak and Olrox have been seen to be very reserved characters until their fight in the courtyard. Their last scene together was fighting, in a courtyard. Now we're seeing them, post-sex, with neutral expressions and body language? The lack of any answers, the lack of anything dynamic happening from this shot and the last shot makes the audience absolutely learn for an answer. We're now invested in this side plot. What got these two men to be in this vulnerable state? How do we get the answer? We sit, we wait, we watch that vulnerability get earned. Mutual vulnerability that is.

This gets into personal opinion here so feel free to skip, but I really really enjoy how we get absolutely no answer or visuals, which might be a strange take for someone who does of fan-anims and fanart of them coughcough. We as an audience can get through literally two images and understand they had sex. We don't need to be spoon-fed. Media is in my personal opinion is more fun to engage in where we get just enough to know what going on, but we can fill in the blanks ourselves. We can read between the lines. This is adult animation. This is not to say I'm opposed to an explicit scene with them later down the line, I just think this is a very good way to establish the dynamic they are going to have. It has me way more emotionally invested in these characters which I believe is far more important because it tells me we're in it for the long haul and we're going to see a relationship actually develop in real time, both their high points and pitfalls. Also, I personally feel this whole scene is building towards something we have yet to see. I do not believe this is the last time we will see them put in a situation like this due to the whole emotional weight of them being naked, but that's theory territory LOL. I'm so happy to be proven wrong though.

This long shot is slightly tilted up to help to censor genitalia but it is again a REALLY SHOCKING SHOT. I personally don't know any recent Western animated media that has done this, especially of a male couple. Even if there are some animated examples, this is not a very common thing, especially to this extreme.

Now we're actually getting into the meat of their actual discussions, knowledge, if you will.

By the way, the question Olrox is presenting, is already information everyone knows. Actually, a better word is presumed. We saw the abbot in episode 02. Olrox explicitly states it in episode 03, asking "Why is your abbot forging Night Creatures for the Vampire Messiah?" There's technically no reason to say this BUT for this scene, it works because we're still distracted visually. We still need to ease into this, much like how Olrox needs to ease himself into this conversation before getting what he wants truly. Mizrak's opinion.

This midshot of Mizrak's back is so much important then you think.

I can be wrong, but I feel like you're supposed to be half-distracted or get whiplash by Mizrak's back. Frankly, we're supposed to get major whiplash from these two characters naked for a moment. These characters are usually completely covered from the neck down. This also makes the conversation they're having to be put under a way different lens. If they were clothed for this entire scene, the emotional weight would almost be non-existent.

Nakedness/lack of clothes is vulnerability, especially for a knight. Especially for a guarded vampire. I will be talking A LOT about vulnerability, so I hope I don't wear out the word too much.

You can perceive this shot in two ways and I think both work in this scenario. It can showcase even when naked and vulnerable, his unwillingness to open up, unable to fully face his own truths, the truths Olrox lays out for him. Yet, you're also having your back to a vampire, a perceived threat, which is a very vulnerable position to be in. You can't see your opponent.

It shows Mizrak trusts Olrox physically, but not emotionally. Not yet. We're going to watch Olrox earn it and for Mizrak to reciprocate it back throughout the series. Also just in general, sex requires vulnerability, choice AND trust, therefore even the implication of sex, those meanings get slapped down onto these characters. It means that they have the means to trust, be vulnerable, and have a choice with each other physically, but emotionally, they're building up to that.

This medium shot will be the ONLY SHOT we get of Mizrak in his boxers. This is plainly in part of the fact he's hurriedly getting dressed BUT we need to see his hesitation, him slightly lowering his clothes, him actually listening to Olrox.

Olrox is right.

Though Olrox isn't here to converse about other people to Mizrak. He wants his opinion.

Close-up shot of Olrox!

Close-ups are used to make the facial expression of a character the main focus. It gives us clarity on the character's thoughts and feelings on a particular subject, even when lying it can already tell us a lot about a character in the moment. The character themselves are the sole focus of the shot, nothing else. The same goes for objects. This also means when you do the opposite and obscure the face...

(drum roll to the next shot)

This is a great close-up shot to cut to because this has Mizrak fully turn AWAY from Olrox, put on his armor, and paired with the line "I don't know what you're talking about." We're getting visual and audio confirmation that Mizrak does not want to acknowledge his own thoughts, in turn, he will not face Olrox and the audience.

He is actively putting his guard back up as soon as Olrox prods for his opinions. From episodes 01-04, all we have seen him do is be at the church and stand alongside Emmanuel, that's it. He is not a leader, a pillar of the community like the Abbot, he is a follower. A guard dog ( like Drolta Tzentes, though she has way more personal agency than Mizrak). He never voices his own opinion, his own thoughts. To do that would need you have the strength to be

VULNERABLE!

By this point in time, he's not fleshed to the same degree as most of the other characters. Richter gets the episode 01 prologue with Olrox being his main point of trauma. Tera gets her speaker backstory fleshed out along with establishing Drolta and Ezerbet's longstanding history. Annette and Edouard get a really well-established (btw beautifully done too oh my god) flashback as Annette recounts the past. While Maria has no flashbacks, her character gets to have her individual values and attitudes fleshed out due to her screen time and her connections to Richter and Tera.

Mizrak though?

Not much is known about him besides the church. We put this label on him simply due to what the show has given us, but through Olrox we're getting information out of him because clearly Olrox has seen there's more than meets the eye. Especially when Mizrak drops the line "when the world abandons you." Olrox's investment is also now our investment in discovering who Mizrak is.

Mizrak however, does not want to get personal feelings in the way of duty, a common trope in media for knights, soldiers, and religious people. So he shuts him out.

Multiple.

Times.

This shot pans up, moving Olrox from lying down, which is more casual to more structured sitting pose. Specific movement is IMPORTANT to capture, so instead of just cutting to another shot, you move the camera with it. There's a tone shift. We need to see him go from lounging to making a very direct statement. Mizrak is ignoring his question so Olrox has to be more blunt with his statement because he needs him to listen- so the camera and the his body language have to clearly state "I'm not joking or fucking around anymore, just listen."

What he says is absolute truth though, this is exactly what happens in episode 08. "They're revolutionaries, Father. We're here to crush them."

The stark difference here is crazy in this medium shot.

Mizrak. His head is purposely cut off, he's practically clothed, with his chain mail on. He's standing up and his posing is quite stiff with his hands almost balled into fists. You also might be thinking, why is his chest and boxers the only things we see???? It makes him appear so much more clothed up and, therefore a lot more guarded. Cutting off the face means we don't get to see his emotions, he's trying to ignore personal feelings on whether it's right or not.

Olrox on the other hand, is full body, we see his face, naked, and despite his very direct statement in the last shot, he still somewhat casually sitting. Olrox is STILL trying to get Mizrak to be vulnerable and trying to get HIS opinion.

Funnily enough, I've talked about this close up shot before in BOTH episode 06 and episode 08's breakdowns. However, I've never actually discussed this initial way Olrox approaches him.

Olrox again, prods at Mizrak and this time Mizrak does have to sit with that thought. "Do you think he's right?" "Are you sure this path is right?" He's asking if what Mizrak is doing is good. If the horrors committed are justifiable. Both the way their expressions tell us that Mizrak does not think it is, and Olrox KNOWS. This close-up is INTIMATE. We're getting deep into personal matters (well try)

Side profiles not only give an air of drama to a scene, but it usually means there's more to the bigger picture since we're not seeing a person's full face. We're deliberately only seeing one side of the picture.

This is a split-second shot and I've discussed it briefly in another breakdown, but now I can get to discuss it more in-depth now as it's own shot!

This is a top-down shot, putting these characters in a place of vulnerability and weakness. Olrox is put even lower than Mizrak in this shot, he's far smaller and takes up less space in this shot, therefore giving him less presence and less power. Episode 03 had established Olrox was the man (or should I say vampire) in control of the situation, hell, the shot just before this one had Olrox wrapping around Mizrak, again trying to get under his skin. Yet now he's suddenly placed the lowest in the power dynamic.

Not only this, the camera is packed in so tightly and close, it's practically suffocating. We have no visual room to breathe, almost like we're suffocated with the evil that prevails in the world and suffocated with the weight of the question "Are you sure this path is right?". Olrox's eyes are the only aspect we see of his face and Mizrak's eyes are the main focus of this shot.

And they both look horrifically sad. An emotion we have not seen either of these characters make.

This shot does not last long but it shifts the rest of the section completely, even when the moment of concern is gone. It lingers with us when dismissed because it does not match any other scene we've had thus far or what we have known of the characters.

This one specific close-up is very important because it comes back to us in episode 08 and episode 06.

It's the holding from behind and the very concerned look from behind. Mizrak only ends up mirroring ONE of the behaviors. It's the concerned look from behind in episode 06 (timestamp is 19:25). They're put at the same heights, both talking about the evils of the world. Tin foil hat here, Mizrak may end up doing the other behavior, holding from behind, in another season.

The weight of this shot is so heavy that it is treated so differently amongst all of the other shots in this entire interaction. It also holds on for much longer. It holds for 5 seconds. This is important. There are little character moments from Olrox, like how Olrox looks up at him and he holds onto Mizrak as long as he can before has has to let go and watch him walk away. Duty, before desire.

A moment that Olrox has to go through once again for episode 08.

In response to a line. "So we use our heads." Olrox jokingly goes "Or lose them."

This long shot is not only tilted up but it's on the slightest of angles as if to showcase how we're shifting the mood and tone of the scene. We are losing the gentleness and sincerity of the moment, back to the very conveniently placed knee to censor Olrox. We have Mizrak pulling up his pants. Whatever vulnerability they had, it's gone.

I don't think either of them wants to sit in the thought of their existential crisis because not only Mizrak is clearly going through one but Olrox is too. While I'm sure they were sitting with their own thoughts for a long while before meeting each other, it's only forced to be on the forefront and confronted after meeting each other.

So the "lose our heads" line ends up coming back around to where someone actually ends up losing their head in the same episode.

While first, it is very comical because I've seen so many people make the joke of "Olrox gave Mizrak head" (which doesn't help because Olrox smirks at him after passing him the head), it also solidifies Olrox's truths to Mizrak. People will lose their heads under Ezerbet, and there is evidence not even hours after their discussion. Despite the humor, Olrox is deeply concerned.

Olrox is always right. Whenever he makes a statement, he has always been right and has always been proven right. The only thing he hasn't been right about is episode 08 when he says "If you go back, she'll kill you." However, in terms of technicality, Mizrak hasn't gone back to Ezerbet/Sekmet. This will be addressed in season 02 most likely and even then I think Olrox will be proven wrong. Maybe? We shall see LOL.

Which while we're at it:

He eyes Mizrak the ENTIRE time during this very small interaction, and while he eyes him, we get a close-up of the book somewhat revealed before hiding it under his coat- silently communicating to him. This will eventually lead to episode 06. All interactions lead to effecting the next time they meet. I just really like this detail, though that might be a corn plate moment I'm not sure HAHAHA

Ok lets jump back to the bed scene!

So this follows up the "So we use our heads." "Or lose them."

This is said insincerely, so Mizrak jabs back at him with the same insincereity and less seriousness of this scene. Coupled with the fact we have a panning shot of Mizrak pulling his pants up, aka, pulling up his guard. Important note again- his back is STILL FACING HIM. Even with the chainmail fully covering him.

Also, I just really enjoy the animation here, like the way his arm goes from in front of him and straight, and then goes to being pulled back and bent, but that's a side tangent.

Low-angle tilted down shot. It ends up placing Olrox in a lower position of power than Mizrak in this current interaction, coupled with the fact that Mizrak towers over Olrox when he's standing up.

Despite us not seeing much of Mizrak besides his chest- he's fully clothed with his tunic FACING Olrox. While Olrox is STILL naked. Mizrak is shielding himself behind the cross. His faith. Olrox still is trying to delve into Mizrak's vulnerabilities and Mizrak won't give in.

Props to everyone who worked on this shot he just looked really pretty here.

This shot is tilted up and a close-up, an opposite shot to the previous one. It feels daunting, coupled with that line especially. Unlike a tilted-down shots, which make a character appear more vulnerable and weak, a tilted-up shot can make a character feel more in control of the scene. It makes him appear unwavering and solid in his stance Also, this is so specific but we haven't had any solely focused Mizrak shots for a hot moment now. The last time we had it was when he had his back turned to Olrox- now he has all his clothes on and is fully turned towards Olrox. Say it with me !! Mizrak's guard is up !! He's shielding his vulnerability !!

He feels way more emotionally safer to face him guarded up and a lot of his language has very very subtly shifted from when he had clothes on versus off.

Also thank you to everyone who worked on this shot, Olrox is very pretty here too.

Instead of having a tilted-down shot to do a verse version of Mizrak, it's pretty much straight forward close-up shot, which means the equal power dynamic in this conversation has returned. Simply because Olrox begins to prod at Mizrak again with the line "Who pays for it? Will you?"

Oop naked Olrox. However, despite Olrox's ass being very clearly on display, he's not the main focus since his face isn't shown. He's only here to showcase the visual contrast of him being naked to a fully clothed Mizrak. Even his dagger is strapped to his thigh, which only means there's even more layers to his protective bubble he surrounds himself in.

This close-up is important because it's a declaration of how much Mizrak doesn't care in the slightest. His facial performance, aka what we're focused on, doesn't look like he's lying or secretly worried either, he's genuinely disinterested. He just wants to get dressed and leave because Olrox keeps prodding at HIM for his opinions. As disinterested as he is for whatever Olrox has to say, he's disinterested in shedding his opinion.

This midshot is so casual. He is very non-nonchalantly leaning back with a smile and jokes about demons. The camera moves with Olrox. Camera pans normally mean revealing new information visually, as if something is off camera, similar to the bed reveal at the beginning of this whole scene. What Olrox is doing is revealing new information. Also, he is on the very right of the screen then slowly gets pushed a little more towards the center, but still on the right. Having a character placed on the very cusp of a stage makes the visual balance feel really off, therefore as an audience, we feel really off-balance. So couple that with Olrox's humourous attitude with an information dump...

This so interesting because it sprinkles in that Olrox knows a lot about the forge master ability, hell itself, and a lot more we don't get privy to. He knows way more then he lets on.

This ONE LINE gets three different shots. The very casual, humorous sentiment gets interrupted visually with extreme close-ups of Mizrak who is clearly peeved and tense about this. The quick succession of jumping to different images makes us tense up. This is due to the timing suddenly speeding up AND where the camera is placed is so drastically different.

He's reacting to the conversation unlike how he has before.

Now Mizrak's hands are fully covered, the last part of his skin, the last part that Olrox used in an attempt for vulnerability. Mizrak's guard is now unwavering, covered head to toe. He's gone from reserved and quiet to angrily guarding again.

Lol you thought I was done talking about divides and boxes, you are WRONG.

Mizrak is boxing himself into all his preconceived notions of religion. This is the only time he's been aligned inside of the door frame. Mizrak is done with this conversation and he doesn't want to hear anything else.

Also, funnily enough- Olrox takes up the amount of space in this shot as to Mizrak and the door. Compositional it does make it feel more filled up rather than empty, showcasing Olrox is listening, peeved, but he is listening. It also might hark onto the Olrox God connections that are being subtly slid to us, though this feels like a slight stretch. There's a stronger Olrox God parallel I talk about later, so pocket that thought!

I have to skip some of the shots because of the image limitation, but thought this one needed to be addressed!

Not only does this wide shot make us feel really pulled away and disconnected from whatever private conversation they were having. It also makes us feel like after this interaction, whatever same understanding they had, is gone (well not completely gone, it has to be rebuilt again). Mizrak's unrelenting faith in one God is causing a rift, a divide if you will between the both of them. They feel so separated, so distant from each other because Mizrak is still really stubborn.

Then after all is said and done. After Mizrak has the final say. He leaves and Olrox watches. Like episode 08. Again.

Olrox is pushed into a box, which funnyily enough, Olrox tends to be seen in a lot of boxed-up framing to the right of the screen. You can see a visual collection of it here. Whenever he's from the left of the screen boxed up, it's usually turned towards himself like an inner reflection.

Ok, I have to skip some more shots to get to here.

"One God. And you think he can protect you?"

This is major foreshadowing but the one God, that Olrox scoffs about is himself. This close-up solely focuses on how he looks down and watches Mizrak from above. Much like how God is described in scripture.

Psalm 53:2 NIV: God looks down from heaven on all mankind to see if there are any who understand, any who seek God.

Psalm 102:19 NIV: The Lord looked down from his sanctuary on high, from heaven he viewed the earth,

Olrox looking at Mizrak from above as a protector happens numerous times in episode 08.

There are also a ton of bible verses about living under the shadow of God, it's considered a positive thing because God's shadow covers the entire body, therefore a person is fully protected.

Psalms 91:1-2 NIV: Whoever dwells in the shelter of the Most High will rest in the shadow of the Almighty. 2 I will say of the Lord, “He is my refuge and my fortress, my God, in whom I trust.”

Psalm 36:7 ESV: How precious is your steadfast love, O God! The children of mankind take refuge in the shadow of your wings.

(i do realize now all my examples are psalms i hope that's ok to prove a point LOLOL)

Olrox is the sole protector of Mizrak to the point where he even drags him away for his own safety. The shot choice when he says it is a close-up shot of his face and his eye is slightly glowing, making him appear way more supernatural, almost god-like in a way.

It hasn't been confirmed (or denied for that matter) if Olrox's creature form is the Quetzalcoatl (an Aztec deity), but the god parallels are very apparent from the get-go, and a lot of the fandom (aka the audience) who are invested in Castlevania have placed this label onto him not only for the reasons mentioned above BUT also due to his association to Mizrak, who is a man who fights for God. However, this aspect doesn't get fleshed out like their vulnerability because Olrox only goes into this protector role at the very end of the season. After all, that is when he has a change of heart, much like Mizrak. This means this will not be the last time we will see Olrox in this role even after the break-up.

To wrap this up, vulnerability as showcased in episode 04 does appear in episodes 03, 06, and 08! I personally believe though that episode 04 however really hammers you on the head with it because you're able to play around with someone's literal nakedness as a visual metaphor. This episode is supposed to make you really conscious of them and the decisions they decide to make going forward. It is the bridging point between episode 03 and episode 06. It's a stab in the heart when you watch episode 08.

Vulnerability and the ability to open up is a massive thing between these characters and it's only going to get more raw and more human as the series goes on. We see it happen when Olrox is the one to open up first. One thing I noticed from both Castlevania and Castlevania: Nocturne is that love can be the most damning thing or it can save you. The choice, however, is up to you. However, to love is choosing to be vulnerable. By the way, love isn't just romantic it can be very much platonic and familial as seen with practically all the characters, both current and past... Olrox and Mizrak though are just really complicated and messy. Aren't all characters though? Isn't that what makes them human, even if they've lost it centuries ago? HAHAHASBDHADSB

(ok so the paragraphs below is my personal opinion but i think they're a good ending note/side tangent)

If we ever actually get an explicit scene it's going to make a specific commentary on how these characters have developed from season 1 to whatever season they have sex in, especially how they go about sequencing, pacing, and shot choices, especially with Netflix censoring and rating requirements. Limited things you can show, and limited things you're allowed to even imply, so everything has to make sense to what they want to portray AND say. Even simplicity requires a lot of thought. They can do some really cool stuff with it in which vulnerability, both physical and emotional, gets explored between Olrox and Mizrak. Sex is actually a very interesting way to explore a dynamic, I feel it's really underutilized, though it's mostly in part to a societal downpour view on it. With Mizrak and Olrox, two very withdrawn characters, you could say something really interesting about them as individuals and as a pair that you might not be able to do when clothed. The commentary may be as simple or as profound as the creatives behind this want it to be.

A counterpoint though is that you can very easily make a non-explicit scene feel really explicit and sensual without sex or kissing. While yes, we want confirmation through that means, don't get me wrong I love when queer love is straight-up told to us, there's something about telling a story of intimacy between characters that will often engage us first into a story. Phrases like "This is gayer than gay sex" are coined due to the emotional connection a character has, leaving a far more profound impact on an audience. Things like non-explicitly romantic touches like hands, the way the character looks at a person, communication, etc etc, are ways countless media have explored intimacy. Which Mizrak and Olrox already have. Why not build upon a solid foundation?

Whatever the pathway is, it will fit inside the themes of Nocturne and its aspects of revolution, freedom, and choice which is crazy to think "Olrox and Mizrak intimate scene??? meaning-" YES, it can (like sexual freedom, though I don't think it would be explored, it's just cool to think about). All of their scenes serve to strengthen those show's themes since they're a side plot. But I digress! I'm excited to see how they further Mizrak and Olrox's dynamic in a visual manner!

Okay, with that all said, I'm done with episode 04! One more episode to go! This was all for fun and to be silly about a show I really enjoy, but I hope this gets you to rewatch Nocturne! Apply this to other scenes! Enjoy the craft of animation!!

#mystery talks #mizrak #olrox #i didnt think it would be THIS LONG??????#long post #olrox/mizrak #analysis #geniune yap session my bad everypony i hope u enjoy ur morning reading

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cheshiresense · 24 hours ago

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One of the things that had been revealed earlier had been Ichigo's background, because they'd all noticed the flashes of Quincy and Hollow in his reiatsu. Kaien had broken three sake cups and almost Urahara's face, and even by the end, he'd still looked murderous enough that Shunsui had almost pitied Shiba Isshin's foreseeable future.

LOL kaien is a mood

(Because that's the one thing that's never been in question. Because however much Starrk sometimes reacts like Shunsui's very existence pains him, or how much he sometimes makes Shunsui feel completely bare, every sin and secret laid out for judgement, he's also never looked at Shunsui with anything less than the sort of quiet devotion the tide holds for the moon, or the stars for the sky, or dawn for the horizon, steadfast and eternal. Is it any wonder Shunsui can't stay away?)

i just love your shunstarrk so much, your write them with such a quiet and comfortable dynamic, exactly like sinking into a hot spring

thank you SO MUCH for deciding to write for this ship, it's not that popular and also kind of a "relic of the past" by now after starrk died so it's really hrad to find content for it, and i think the few shippers out there get discouraged just because there not much audience for it. but know that you have at least one devoted shunstarrk fan here!

Things would've been so different if Kaien had survived imo, even if Kisuke and Isshin and Masaki still managed to make Ichigo, there would've been hell to pay once Kaien found out, and I honestly think Ichigo would've had a lot more support and like also basic Shinigami lessons that would've actually been useful (like teaching him how to control his reiatsu from an early age instead of just letting it grow and grow until there was too much for him to contain while also having zero knowledge of how to even begin containing it) instead of getting dumped headfirst and blind into the spiritual world. But that's a world where Ichigo and prob his friends would have a functioning support system, which would mean the adults in their lives would actually have to pull their weight from the start, and then where would they be lmao. Certainly not kicking back in their houses while their children go off to war.

And I'm glad you like my ShunStarrk! I've always shipped them but only very recently got into it enough to write for them. And yeah it's an old ship, and with a very small fandom sadly so it doesn't even have the support that the old but popular ships did to keep it going past the Winter War. But at least there's still a couple ppl writing for it, and clearly at least a few ppl who still enjoy reading it. Thank you for taking the time to read my take on them 💖💖💖

#i love my old man yaoi lolol so even if it's a rarepair i will perservere #but it's also rly nice to know i'm not just chucking my shunstarrk content out into the void and there are actually ppl who like it #so thank you for letting me know #msg #anonymous #ichigo & starrk time travel verse

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jumpingwjoy · 1 day ago

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another watercolor painting!! im going through my pokemon sun playthrough as ricky, and this outfit is what i dressed her up in ^_^ i tried to match her band au fashion as much as possible 🫡

i’ve got game screenshots and long ass ramble under the cut 😭

realizing tumblr can let me ramble continuously as much as i want so i could talk about my thoughts and my previous pokemon runs too woaw...maybe i’ll post pics of those playthroughs one day, but probably on my main blog instead 🤔

here's ricky's current team where i’m at and what she looks like in game!! i was sooo peeved that twin tails are locked in post game, even if they don’t even look like ricky’s hairstyle at all, i just think she needs some kind of ponytail…i used to have her with straight bangs to imitate her three bangs style, but it kinda looked ugly af… :V

i’m just before vast poni canyon so gummy will soon be the rail gun beetle that ricky deserves ^_^ i decided on a sweets/dessert nickname theme, tho i did consider a norse mythology theme, but i thought she’d be more cutesy in a pokémon au/world where she is not in life threatening stakes.

i want to write out my reasonings for each pokémon pick too, this team isn’t exactly what i had in mind since it’s limited to the sun pokédex, but i’m pretty fond of them!! mostly, i thought she could have a non-dex rotom (but since it’s like this, her rotom dex is definitely named mike), and i also thought she’d have a porygon - but u can only get it post-game and i’d have to deal with trade evolutions o<-<

i also chose pokémon sun as ricky’s game since i headcanon her to be wasian HAHA specifically japanese and american/german - since hawaii is known for its japanese immigrant population (which is also reflected in the game itself), i liked the idea of her having an actual game background of immigrating from kanto

1. alolan raichu - pikachu is the iconic mascot, just like ricky XD alolan raichu shares her love of sweets, and i think lets her identify with being alolan too

2. vikavolt - he’s a rail gun!! ricky should always have fun with guns. i think ricky has an affinity with machines, and vikavolt has gundam aesthetics hehe. his pre evolutions are cute too, which i think ricky would like. notably he’s another electric type, a remnant from when i used to have ricky as an electric type specific trainer, before i decided to diversify types for eo teams. rotom also would’ve been another electric type…😅

3. metagross - another association with machines—it reminds me of gladsheim as well. i like the juxtaposition of this hulking creature made of metal next to ricky too. showing off her cute and cool sides...

its name is ike as a companion to mike, making them fit into the sweets theme LOL

4. wigglytuff - i headcanon that ricky enjoys singing (and is the lead singer in band au) so i wanted a music related pokémon. maybe in universe, she would stay as a jigglypuff?

5. toucannon - also because of gun. i actually hunted a shiny version, bc it looks like the bi pride flag aghdjshfd. i think ricky can be prone to have a temper, matching toucannon's angry look

6. alolan ninetales - ok so i was conflicted bc i wanted an ice type, as a reference to ricky’s cryo sleep lol, and i was also considering vanillite bc ice cream… but its moveset sucks ass!!! sorry!!!! i do like ninetales as an additional reference to her heritage though…i have vanillite in rosa’s hypothetical team too so it wasn’t really meant for ricky in the first place :P

honorable mentions:

i chose litten as her starter since i think she’s a cat person, and also someone who likes buff people……….

vanillite like i mentioned—harder to catch than i thought cause it needs to be snowing for this guy to show up as an sos helper >:0

alolan exeggutor - long long yggdrasil

this turned out a lot longer than i thought im not used to writing down so much even in tweet threads but it was fun to spill out some of the very specific things i think about in my day to day lol...if you somehow read all of this, thank you for your time wakjhsdg 🙇🏻‍♀️

#etrian odyssey #eou #frederica irving #pokemon #raughh lots of things i can improve on but its been fun...must simply practice traditional media more 😤

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atleastpleasetelephone · 2 days ago

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IK YOUR DOING KINKTOBER RN BUT I HAVE A REQUEST FOR WHENEVER. JERRY AND E... JUST THEM.. BUT. ELVIS BEING NEEDY FOR JERRY . HEAR ME OUT.

Sorry Always Seems To Be The Hardest Word

A/N: well, well, well. I hope you enjoy, anon! I actually used to write m/m slashfic so this is very much in my wheelhouse. Also happy thanksgiving to my American friends lol.

Pairing: Elvis x Jerry

Word count: 3K

TWs: I mean, fairly obviously it's Elvis x Jerry and there's no reader. Infidelity, dry humping, blowjob, little bit of choking.

“Jer? Jer? JERRY?” Elvis walks around the house, shouting. But there’s no reply.

He sighs deeply. Damn stupid argument about Sandy. He couldn’t believe Jerry would have just stormed off though, and he’s starting to worry about where exactly he might be. He’s got used to having Jerry around. No, it’s more than that. He loves having Jerry around. He doesn’t insist on violent games all the time like Red and Sonny do, and he’s less of a yes man than Charlie. In fact, when he thinks about it, Jerry might be his favourite member of the Mafia right now. His best friend, even. He pinches the bridge of his nose. How has he managed to lose his best friend?

The door clunks loudly and Elvis hears footsteps, but he doesn’t move from the living room. The TV isn’t on and neither are most of the lights, just one lamp near where he’s sitting on the couch. The footsteps get closer, and he hears some heavy breathing too. Then a familiar silhouette appears in the doorway.

“E.”

Elvis nods, curtly. “Jerry.”

“Look, um…” Jerry starts, not really sure where he’s going with the sentence. The whole day had been an absolute trip. From the fight with Elvis to being spotted by a model agency, he really isn’t sure which way is up right now. And he’s exhausted from walking ten miles across LA.

Elvis waves a hand. “It’s fine. You’re back now.”

Jerry frowns. “What’s fine?”

“You storming off like you did. It was stupid but it’s happened now. Just make sure you don’t leave set like that again.”

Jerry’s eyes go wide and he steps further into the room. “You’re not going to apologise for what you said about Sandy?”

Elvis turns towards him, his eyes set on full beam. “Why should I apologise? It must’ve been her.”

Jerry shakes his head in disbelief. “I’ve had it. You know what? I’ve had an offer from a modelling agency. And I’m going to take it up.”

Elvis gets up quickly from the couch, furious but at the same time shocked. A modelling agency? Well, he supposes he had always thought Jerry was kind of attractive, for a guy. Not that he thought of guys like that. At all.

“A modelling agency?” He spits. It’s all he can think of to say.

“Yeah. A talent scout spotted me. Offered me a place. Plenty of lucrative jobs where I don’t have to deal with my boss accusing my girlfriend of spreading rumours about him. Rumours that are so obviously true anyway.” Jerry can’t resist the last jab, now he’s decided to leave. Might as well go all in.

Elvis closes the gap between them, grabbing Jerry’s shirt collar and pulling him closer.

“What’s that supposed to mean?”

Jerry shrugs him off, angrily, and steps back. “You know what it means. I’ll be in my room, packing.” And with that, he turns and storms off.

***

Jerry’s hands are shaking as he tries to fold his clothes and put them back in his suitcase. Threatening to storm out of the house in LA is not quite as dramatic as it would have been to storm out of his room in Graceland, all his worldly possessions in tow, but he still feels a rush of adrenalin. He’s never fought with Elvis before, but he’s seen the other man’s temper and knows he’s not to be trifled with. Still, Sandy is a nice, kind girl, and he has to defend her honour. How Elvis could think she’d spread rumours about him is absolutely beyond Jerry.

He pulls open the drawer of his bedside cabinet and grabs the contents, about to stuff them all in his case too, when he notices the title of the book in his hand. Dropping the other bits and bobs on the bed, he sighs. The Impersonal Life. Elvis had given him this copy, on the promise that they would sit down together and talk about it. It’s one of Jerry’s favourite things about Elvis - his passion for reading and self-improvement - although he knows his opinion isn’t shared with many of the other guys. Only really Larry, at this point. He sits down on the bed and flips the book open at a random page.

“You may, with your personality, try a thousand times a thousand times to break through the shell of your human consciousness.”

That sounds like Elvis, all right.

“Thought you were leavin’.”

The voice is very quiet but it makes Jerry jump all the same. Elvis had crept into the open doorway like a ninja, and Jerry hadn’t heard a thing. Now he leans on the wall, looking down at his fingers and fiddling with the rings on them awkwardly.

“I am,” Jerry replies, closing the book and putting it in his suitcase. “I know when I’m not wanted.”

Elvis’ eyes widen and he looks up, letting his hands fall back by his sides. “I um… yer… yer wanted, Jerry…”

The other man carries on busying himself with packing, moving quickly around the room, emptying drawers and pushing more and more things into the bulging suitcase. His hands are shaking again and he can hear his breathing, ragged and a little too loud. He doesn’t want to look at Elvis, in the doorway, behaving oddly. He’d prefer a steaming row rather than this strange, tense kind of stand-off.

“I’ve got a good opportunity,” he starts to say, almost to himself. “An opportunity to do something for myself. I have to take it.”

Elvis is gripping the door frame at this point, staring at the other man with such intensity he’s almost expecting to burn a hole right through him with his eyes. But Jerry is still ignoring him. What is happening?

“This isn’t the life for me. I need my own career, E.”

Jerry stares at the top of the suitcase, full to bursting now with his possessions, and wonders how he’s going to close it. He also wonders just what exactly he’ll do after that, to continue to avoid Elvis’ insistent gaze. Maybe slowly get down on the floor and slide under the bed. He suddenly feels two strong hands on his shoulders, forcibly turning him around.

“I wish ya’d just look at me, damnit.”

Jerry doesn’t have much choice, Elvis’ face is inches away from his own now, and his eyes are on fire. Long fingers are digging into his triceps as those lips curl into a sneer.

“You can’t leave me.”

Jerry frowns, starting to get annoyed again. “Why not?” He spits, moving his arms to try and free himself from Elvis’ grip, and pushing him hard in the centre of the chest.

“Because I SAID SO,” Elvis thunders back, punctuating the words with a shove to Jerry’s chest in return.

“You’re not the boss of me!”

Jerry goes for another shove, but Elvis anticipates him and loops his arms through Jerry’s, trying for some kind of double-arm lock and ending up with the other man’s forehead pressed against his own.

“That’s exactly what I am,” he hisses in response.

They’re both still then, semi-trapped in the deliberate tangle of arms and semi-trapped staring into one another’s eyes. Jerry can hear his heart thumping in his chest, he’s still mad but Elvis is so close, and there’s something so intoxicating about him right now. Elvis huffs air out of his nose like an angry bull, trying to work out what to do next. He knows he should let go of Jerry’s arms, but he doesn’t want to. He likes Jerry this close. Likes it a little more than he thinks he should. He moves his head slightly and presses an experimental kiss against the other man’s lips.

Jerry feels like his heart has stopped. He can’t pretend he hasn’t thought about this before. Elvis is the most beautiful man he’s ever seen, the most beautiful man that probably anyone has ever seen… and his lips are so soft. WHAT ABOUT SANDY? Flashes up in his brain, over and over, in big neon letters as he kisses the other man back. It’s still there when Elvis lets his arms go and puts his arms around him instead, pulling him in close for a passionate kiss that lands both of them staggering towards Jerry’s bed and falling onto it in a tangle of limbs, knocking the overflowing suitcase onto the floor.

“Shit,” Jerry mutters as the loud bang makes them pull apart and he peers down at the mess.

Elvis’ heart is hammering in his chest as Jerry looks back at him. He’s suddenly overwhelmed with the urge to run away from the situation he’s just created. What is he doing with another man on his bed? He can feel his face getting red but he’s still just staring at Jerry, who really is quite handsome and apparently has a modelling career just waiting for him.

“All that time packing…” he mutters, an empty sort of statement that he doesn’t know why he says, other than just to fill the silence.

Jerry looks from Elvis’ eyes down to his lips, shining with saliva, and then back up again, as if that might help him understand what the other man just said. He can hear blood rushing through his ears and he wonders if he’s going to pass out. Elvis on the other hand takes Jerry’s looks as a signal to go back to what they were doing, which seems a damn sight easier than either thinking about it or talking about it. He crashes his lips back into the other man’s and rolls on top of him. Jerry groans into his mouth, feeling their bodies pressing against one another. It’s good for a moment, but then he realises he doesn’t want Elvis in charge of this, he wants control. So he pushes on the other man’s chest and rolls himself on top instead. Elvis feels himself letting it happen, letting someone else take control, and his brain goes pleasantly blank. Someone else was always in control nowadays, the Colonel, Priscilla, whoever happened to be directing the latest shitty movie. Why should this be any different?

Jerry thrusts his tongue deeper and deeper into the older man’s mouth, wanting more and more. It’s as if a switch has been flipped in his brain and now he’s committed to this. The neon sign reminding him about Sandy has been switched off, and all there is is a giant ELVIS sign instead. The same one that’s been shining since they met all those years ago playing football. He’d always admired Elvis, an admiration bordering on obsession and love, and now it seems like that admiration is completely unfettered. He’s given himself permission, and he wants it all. There might not be another opportunity, in fact there almost definitely won’t be. The concept of an empty house, for a start, is a completely alien one in the Presley world. And Jerry can’t help but feel that as soon as they pull apart for any significant amount of time the spell will be broken and Elvis will just pretend this never happened.

Elvis has only ever kissed girls like this, and not for a while. He can feel himself regressing to his 19 year old self, kissing and dry humping, his hips bucking up into Jerry’s, the odd but satisfying sensation of his clothed dick rubbing against another one. Then he starts to think again about their argument, about Jerry threatening to leave when Elvis feels like he’s the only decent friend he has left right now. One of the only joyful things in a depressing life of shitty movie after shitty movie and crappy soundtrack after crappy soundtrack. He can’t let that happen. He has to find a way to make Jerry stay, a way to apologise.

He grabs the other man’s head with both of his hands and forces him to stop kissing for a moment.

“Lemme suck ya.”

Not a sentence Elvis ever thought he would say, but Jerry wastes no time scrambling to sit up and pull down his jeans and boxers. He’s starting to regret not showering when he got in - that ten mile walk had definitely made him sweaty and if he’d known this was going to happen… well. Obviously he had no way of knowing this was going to happen. Of all of the things he’d thought of during that stupidly long walk, this had not even registered as a possibility.

Elvis sits up and looks at the big, cut dick next to him. He swallows awkwardly and wonders what he ought to do next. His own dick is confused. Little Elvis had very much enjoyed the kissing and the rubbing, but is shrinking slightly now being faced with the prospect of Elvis putting his mouth around another man’s junk. But Elvis himself just keeps thinking about the fact that Jerry said he would leave him, the fact that he’d upset his best friend and he wants more than anything to resolve the situation. He wants Jerry. He needs him. And he kinda wants to suck his dick right now.

Jerry decides that maybe Elvis needs a little encouragement. They can’t remain in this weird position, Jerry sitting there with his pants half-pulled down and the other man just staring at his dick and balls. He wraps a hand around his length and starts to pump it, slowly. Elvis still doesn’t move, so he very cautiously puts a hand to the other man’s cheek and then rubs his thumb across those plush lips. Elvis parts them, instinctively, and feels the end of the other man’s thumb slip into his mouth. He moans softly as he sucks a little, and then moves eagerly to take the whole digit, sliding his mouth back and forth on it pornographically and looking up at Jerry through his lashes. Jerry feels like he could just cum there and then, watching that little show, but he slows his movements on himself down and just watches, chest heaving with desire.

Eventually he pulls his thumb back out and Elvis sighs. Little Elvis is standing to attention again now, pressing against his pants, fully wanting him to suck this other man off. So he dips his head down and takes the end of Jerry’s dick in his mouth, slowly and carefully. His tongue slides against the underside of the shaft and Jerry moans loudly, slamming his hand down on the mattress. Emboldened, Elvis crawls closer, one hand pressing on the younger man’s hip as he starts to take more of him, tongue corkscrewing around the head and then the shaft.

“Fuck!”

Elvis doesn’t stop, repeating the movement over and over as he takes more and more of Jerry’s dick in his mouth and down his throat. He’s surprised to find that he doesn’t have much of a gag reflex, so the only thing holding him back from getting the whole thing inside is how girthy it is, and how difficult that makes breathing through his nose. But he doesn’t let that stop him, and soon he’s moving up and down as the other man moans and groans. It’s hard to judge properly, since he’s so used to women, but he feels like Jerry is close for a while and he can’t get him there. His jaw is getting sore, so he slows down a bit and tries to get his breath back. Jerry grunts with frustration. He’d been pretty close a few minutes ago but now Elvis has slowed down and he’s not that close anymore. He starts to think about their fight again, about how mad he’d been, how much he’d wanted to just leave. And now Elvis is half way through a blowjob and can’t be bothered to finish him off. Jerry grabs hold of the other man’s hair roughly and starts to thrust up into his mouth, determined to get his orgasm even if he has to do the work himself. Elvis blinks in surprise and tries to move his head but finds he can’t, Jerry has his hair in a firm grip and there’s a big dick plunging down his throat, almost choking him as Jerry picks up the pace, cursing and moaning as he starts to get close again. Elvis steadies himself with his hands on either side of Jerry’s hips and just decides to let it happen. He deserves this, at this point. And Jerry deserves to cum.

“Oh God! Elvis!”

Jerry doesn’t mean to call out Elvis’ name when he cums, but that’s exactly what happens. Elvis doesn’t mean to cum in his pants whilst having his mouth fucked either. But Jerry calling out his name certainly doesn’t hurt. He rolls onto his back, panting, his mind going at a million miles an hour thinking what he’s going to do next.

Jerry’s head is spinning too. He just came down Elvis Presley’s throat. That was the best orgasm of his life, and he’ll never be able to tell anyone about it. He wonders if that’s really such a bad thing. This can be his precious little secret, something just for him. He turns to look at the other man, lying next to him, still breathing hard. Elvis’ face is flushed and he looks fucked. Jerry starts to think about returning the favour, his eyes trailing down to Elvis’ pants when he notices the damp patch there. He must’ve… oh God. Jerry takes a deep, shaky breath, as thoughts start to crowd into his brain. He decides to silence them by leaning over to press a gentle kiss onto those marshmallow lips.

“Thanks,” he whispers, awkwardly.

Elvis looks up at him through hooded eyes. “No, Jerry,” he whispers back, his hand on the back of Jerry’s head, fingers in his hair. “Don’t thank me. Just don’t leave.”

There’s a long silence as Jerry stares down into those beautiful blue eyes. Eventually he makes himself speak again.

“I couldn’t, Elvis. Even if I wanted to.”

***

@vintagepresley @arg-xoxo @from-memphis-with-love @msamarican @blursedblegh @returntopresley @eapep @everythingelvispresley @i-r-i-n-a-a @sissylittlefeather @arrolyn1114 @jhoneybees @cattcb @polksaladava @lookingforrainbows @jkdaddy01 @ccab @epthedream69 @lustnhim @elvisslut @pomtherine @that-hotdog @ladelinee @angschrof @fairybloodsucker @deltafalax @makethemorning @elviswhore69 @ilovequeen978 @wildhorseinkansas

#elvis #elvis presley #elvis fanfiction #elvis fic #elvis presley fanfiction #elvis presley fic #elvis smut #elvis fanfic #elvis presely smut #elvis imagine #elvis x jerry

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mikashisus · 1 day ago

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ty for the tag vee, this was sm fun!! <3

• how do you spend your free time?

rotting in bed reading fanfiction, hanging out with my roommates, or actually being productive and writing for my fics (like i have been the past few days)

• what are your hobbies and how did you get into them?

sports!!! i’ve been playing sports since i could walk. i started out with dance and did that for 14 yrs and i played soccer for 13 yrs. i played volleyball for 1 yr + i absolutely LOVED it. i played softball for 2 yrs and hated it LOL. i wouldn’t call myself athletic exactly, but sports have been such an integral part of my life that i can’t see myself giving them up (tho rn im taking a small break)

aside from that, writing and reading have also been a HUGEEE part of my life. i was never seen without a book as a kid and sadly i don’t read as much as i used to (except for fanfiction). as for writing, i would write short stories as a kid and read them to my parents but i started taking it seriously in 5th grade - which was when i actually started writing fanfiction + also writing religiously.

(holy yap sesh wow)

• what book or movie left a lasting impression on you?

coraline. the monster high movies. both were my entire childhood and coraline made me rlly cherish the things that i have. i can’t think of any books, but some fanfics have rlly altered my entire brain chemistry.

• what kind of music do you enjoy?

rock, classic rock, pop punk, heavy metal. those r my main favs but i also enjoy folk music

• who is your favorite character (atm or all time) and why?

there’s always a pattern with me - either i like the most energetic characters or the most depressing characters who have the craziest/most complex lore. venti, wanderer, furina, kazuha, dainsleif (genshin). firefly, silver wolf, jing yuan, acheron (hsr). kiana, welt, elysia (hi3). okkotsu yuuta, maki, itadori (jjk). hinata, bokuto, oikawa (hq). eren, historia, mikasa (aot). nagi, itoshi sae, chigiri (bllk).

• no pressure tags: @wystiix @m1ckeyb3rry @etoile-amour @akutasoda @https-sourlimes @grimmweepers @starspunt

tag + q&a game ₊˚ෆ

hello! i thought it would be cute and exciting to do a tag game with all my mutuals to not only talk about themselves, but have fun! so here is my short little game:

alongside this picrew, share 5 things about yourself!

• how do you spend your free time? • what are your hobbies and how did you get into them? • what book or movie left a lasting impression on you? • what kind of music do you enjoy? • who is your favorite character (atm or all time) and why?

i will start first!

my name is rurumi and i enjoy spending my free time writing!

some of my hobbies (outside of writing) includes: drawing, building gundams and keyboards, and fashion! i got into most of them on a whim and became instantly hooked. aside from self-expression, being into fashion also helps with making friends in college because you always have something to talk about!

a book that left a lasting impression on me would have to be either kafka on the shore by haruki murakami or before the coffee gets cold by toshikazu kawaguchi. both stories have kept me up at night thinking a lot about the 'what ifs' in life.

i enjoy soul/r&b alongside anything of jrock influence, but i will basically listen to anything that sounds good. i am currently listening to 'so what' by lucy!

my favorite character at the moment is rin itoshi from blue lock because hes so ridiculously edgy, but at the same time i sympathize with him a lot. on the other hand, my favorite character of all time is suletta mecury from the witch from mercury series, she's an absolute ball of sunshine that i aspire to be.

tagging (+ no pressure) ₊˚ෆ

@kaiser1ns @naenaex0xx @shomatoriashi @choccorin @ryescapades

@rindreamery @soleillunne @kissxcore @rainswept @mitsvriii

#— [ tag games. ]

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lovingapparition · 1 year ago

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Ghost's Love Language.

Physical Touch

SLIGHTLY NSFW | MINORS DNI 🔞

At first he's so hesitant about touching you because he's not sure if you'll like it. He wants you to be comfortable with him.

It starts with a gentle hand on the small of your back as he leans around you to reach for things, or a soft brush of your hands as he passes by; not even looking at you when he does it.

At first you think you're just imagining things sometimes.

Overtime though, he gets bolder. His hands lingering; occasionally sliding up your arms, maybe a touch or two to the neck.

(He loves touching your neck, loves how it fits perfectly in his hands.)

When you hug it's like being enveloped by him entirely, the entire line of his body against yours. His arms are basically a cage, his mask pulled up so he can breathe you in.

He likes slipping a thigh between yours, likes the power it gives him when you can only hold yourself up on him.

When he's at his most comfortable and boldest, he'll grip your hips, slides his hands roughly over you, almost bruising you sometimes; he kisses the marks when he does.

When you're in bed together he can't not be touching you, and you're almost always his little spoon. He'll run his fingers over the dip in your waist when he thinks you're asleep. He'll bury his face in the nape of your neck.

In summary bro needs a hug

#simon riley x reader #simon ghost riley #cod mw ghost #ghost x reader #simon ghost x reader #ghost x you #simon riley x you #ghost cod #love languages #i definitely wrote this because i have my fanfic on my brain but not enough energy to actually start writing the next chapter #this will do lmfao #hope you enjoy lol #my writing

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azu1as · 6 months ago

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Hi, Tin! I love your writing and I have a prompt for you, if you are interested) what if Tang family is too afraid of Tang Bo leaving permanently and eloping with Cheong Myeong? So they initiate marriage negotiations with Mount Hua. It can be angst (CM is socially isolated and insecure about his position) or romantic comedy (awkward situations and protective Cheong Mun), up to you). Thank you in advance!

It was a well-established fact that the Dark Saint of the Tang Family was one of their generation's best.

So it came as no surprise when an influx of marriage proposals flooded their family's estate—because rumors started flying around that the Dark Saint was in search of a partner.

The Dark Saint held a reputation for being cold and ruthless. To cultivators and martial artists, he was someone they feared making into an enemy due to his sheer battle prowess and poisonous abilities. To normal civilians, he was a genius who wielded the Tang Family's techniques with cool precision and intent; to them, he was just another mysterious cultivator that they would only ever know of through gossip and stories.

However, in recent years, something shifted. His reputation among common folk was slowly altered. It started off with a supposed battle between him and the Plum Blossom Sword Saint which turned into a sudden and unexpected friendship.

Whereas in the past the Dark Saint would only go around Sichuan and closeby villages, he was now found going around different major cities and unknown ones.

He was often in the company of Mount Hua's Plum Blossom Sword Saint, who worked with him side-by-side to eradicate groups from the Demonic Cult and the occasional bandits and thieves.

For supposed Taoists, the two visited different establishments to drink alcohol and talk cheerily. It was during one of these moments that the first rumor began its spark.

"Ahhhh," The Plum Blossom Sword Saint groans in satisfaction. "That sure hits the spot!"

The Dark Saint chuckles as he tosses back his own drink. "If only I could enjoy everyday like this. Alcohol really is the best."

"What would your future wife think?" The Plum Blossom Sword Saint jokingly and dramatically shakes his head in disappointment. "To have a husband who loves alcohol more than his own wife...!"

The Dark Saint wiggles his eyebrows suggestively. "Trust me, I would make sure that my wife knows full-well just how much I love them."

The two of them share a silent, private conversation with just their eyes alone, that none of the other restaurant's customers could decipher, before they leave a generous tip and went on their way.

It snowballs from there.

All of a sudden gossip went around about the Dark Saint's interest in finding a wife. And so several people came to the same conclusion.

The reason why the Dark Saint is travelling around more than usual is because he's looking for a prospective wife.

Clearly, the Plum Blossom Sword Saint was there to provide moral support. How truly admirable and strong their brotherhood must be!

On the other hand, the head of the Tang Family was fully aware of their Dark Saint's single-minded interest in Mount Hua's Chung Myung.

Seeing all the stacks of letters that ranged from proposing strategic alliances and general marriage offers brought the current head of the Tang Family to a very different conclusion.

Tang Bo was trying to slowly draw himself away from their family by leaving their estate. He might be on the hunt, jumping from village to village, trying to create a dowry befitting for the hand of the Plum Blossom Sword Saint and scouting out all the best locations to settle down in.

It really wouldn't be too surprising of an idea if one day a letter turns up from the man with an intent of permanently moving to Mount Hua or some backwater village.

The Tang Family head shakes the thought of losing one of their best and genius members to one of the Ten Great Sects. If he wanted to maintain their family's reputation, he'll need to strike the first move.

And so he begins to pen a decisive letter to the Sect Leader of Mount Hua.

%%%

Chung Mun's hands tremble as reads the letter sent to him by the Tang Family.

'Who did they think they were?' He would have bit out if he had any less self-restraint. The paper crumples in his grip and he receives a questioning glance from Chung Myung who was sprawled eating mooncakes on the opposite side of his desk.

"What's got you so worked up?" The subject of the letter askswithout a care.

Chung Mun takes a deep breath. "The Tang Family wishes for you to transfer into their estate."

He refuses to say out loud the marriage proposal that came along with this request. His Chung Myung was too young! The man might be a sixty years old, but that round face, cheeks carelessly bulging with mooncakes with crumbs littered on his chin, screamed too young for marriage!

"Oh." Chung Myung nods in understanding.

Chung Mun is glad that Chung Myung agrees that this was nonsensical. To think, they thought that Chung Myung would even leave Mount Hua for—

"After the war is over, Tang Bo and I were planning to be roommates and travel the world a bit."

—?????

"Roommates?" Chung Mun's voices comes out slightly strangled.

"Yup. It's going to be great."

"No."

"'No'?"

Chung Mun tries to run through his previous conversations with Tang Bo. He knew that the man was capable of being underhanded, but he was also well-aware that Tang Bo respected him enough to not blind-side him with something like this. Especially since it concerned Chung Myung.

...

...Oh no.

"Fuck." Chung Mun says, full of feeling as he recalls Tang Bo off-handedly asking permission to live together with Chung Myung in the future.

"...Sect Leader?"

Chung Mun had thought that was a joke! He thought Tang Bo wasn't being serious! They were talking with alcohol in their systems!

The alarmed look that crosses Chung Myung's face informed Chung Mun that the way he felt his blood drain from his face was a visible, physical reaction.

"He asked for your hand in marriage." Chung Mun says faintly. "I said yes."

Chung Myung blinked at him. "Yeah? He told me?"

Okay. Tang Bo, to his credit, hasn't been leaving Chung Myung in the dark at least.

If Chung Myung knows and isn't reacting violently that means that he isn't completely against this. Even if Chung Mun was, he had to reorganize his priorties.

And his number one would be to make sure Chung Myung was happy.

((And to make sure that the Tang Family doesn't think they can step on Chung Mun and pull his little brother away.))

"I'll have to recheck the sect's budget and my own savings to make sure we have enough for the wedding preparations..." Chung Mun mutters as he begins drafting a response to the Tang Family with what he thought were better marriage agreement conditions.

But then, a flash of dread causes Chung Mun to pause writing and leave a dark ink blot on the paper. He suspected, but he really wishes that he was wrong—!

"Huh?" Chung Myung gives Chung Mun a confused look. "We already got married though?"

#cmun: you didn't invite me to your wedding??!?!?!?!?#cm: we literally just a signed a paper and kissed #cm and tb eloped because cm didn't want to stretch out mount hua's resources during a war bc of wedding prep #tb and cm are too in love and just decided to get married in the middle of a drinking session actually #they only realized what they did when they woke up the next day but then 'hm? this isn't bad tho?'#anyway cmun asks them to redo their marriage lol he def cries when cmyung bows to him in lieu during the three bows #the tang and mount hua come to an agreement that they get half a year each 👍#and if tang bo still dies in this au and cm is left a widower......jk jk but then again #»—————————–✄#sorry this took me a while 🥺🙏 irl wasn't kicking it HAHAHAHA #I'm super happy to hear you enjoy my writing and thank you so much for the prompt WAHAHAHAHA #i havent finished reading the side stories yet so sorry if I messed up canon #might come back to this prompt if I find out more info bc there's so much to explore 🙈#and i had to stop bc this was already 1.1k HAHAHAHA #tangchung #chung myung #chung mun #tang bo #rotmhs #rotbb #return of mount hua sect #return of the blossoming blade #tin writes #my ask hole #w-s-kibela

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willowser · 1 year ago

Text

one thousand lonely stars, hiding in the cold—

android!shouto x reader

wc: 2k+

tags: angst, cyberpunk dystopian setting, financial vulnerability, explicit language, minor mention of sex work + sex workers, reader has strong/conflicting feelings about their situation, and — as always — the question of true humanity.

notes: what a great opportunity this was for me to continue exploring this idea !! tysm to @shoto-brainrot for not only giving me the chance, but also for being such a support and helping me to figure out all this commission jazz !! i so appreciate you, and i hope you enjoy it ! 🩷

original post

You’ve yet to find out what caused the damage to Shouto’s faceplate.

By the time you discovered him outside the credit exchange, he had been busted open and left for—whatever the equivalent of dead is for an android. A gaping hole in the left side of his disturbingly human face exposed his inner circuitry to the rain and you think that should have finished him off, truly, but—he's still kicking.

Technology in the lower district is distinct. The most careful hands could have crafted him down in the best underground salvage yard and he still wouldn't have lasted half an hour with his face submerged in a shallow mud puddle like that. Wiring would have been shot, fuses blown.

Even if the Todoroki Corporation symbol on his wrist wasn't glowing, a blinking light in time with his would-be heart, you'd know what he is. You'd know he didn't belong down here, beneath the smog, in the industrial bones of your dying city.

And yet—

The left side of Shouto's face took the brunt of whatever blow he'd been dealt, and the scarring—if it's even called that?—has extended down over his cheekbone and backward, so violently that his ear had only barely been hanging on. Without the bandage you've wrapped him up in, he's quite a sight: half a tangled mess of wires and pins, a dull cyan light glowing in his orbital socket. With the wrapping, however, he’s almost exactly as he was meant to be: seamless.

The fate of his detached ear had been unknown. Until this morning.

It still works, much to your surprise, learning so only after wondering aloud the whereabouts of your data docket and hearing Shouto answer from across the apartment. Whoever put him together, you realize, took great care to make him durable, adamantine; the carbon nanotubes and polymer arrays that make up his cochlea were hardly affected by the assault.

Someone—or something—meant to harm him, and you know that for certain, now. Such wreckage couldn’t have happened naturally, not to a Skin-Puppet like him.

(When you look at him, you can’t help but consider his creator. How far he is from them and why. If the hands that made him and the hands that ruined him are the same, if he meant to leave or if he was cast out. You haven’t asked, but it’s odd that a machine could keep such information to himself—itself.)

(Given the brutality behind his mutilation, perhaps it’s best you don’t know the answers.)

Working tech from the richer district—KōkyōLuxuria, above the smog, built high into the clouds—could not only earn you enough to eat this week, but also to pay off all your debts to the League. Maybe even finance a decent apartment a few stories up.

And that’s why you’re here: racing through the slums in the rain, doing your damndest to make this sale before time runs out and you’re forced to find another buyer. Coming across a Hack with 1,640,254 credits in their docket is rare; who knows when you’ll find someone from the Trade in Musutafu sector again? You’re likely to sooner perish—either from your empty stomach or that broker that demanded payment two days ago.

Shouto, however, doesn’t see the urgency.

“Hello, handsome! Awful cold out tonight…care to warm me up?”

“Oh, hello.”

At the even, all-too-friendly lilt in his voice, you halt your sprint again, and spin around with a hiss. “Shouto!” You snap—but it comes too late; the Entertainers have struck like lightning, already scrambling his code.

Out of habit, you’d pulled the hood of his sweatshirt up over his head before leaving the apartment, and now the material separates his image from view—though you can easily imagine the pleasant expression showing on his face, illuminated in pink under the NanotechNymph advertisement.

At his easily captured interest, two women strut from the open doors of the low-lit den, all allure and swaying hips, mirage flickering beneath the heavy rain. They only meet him halfway—too far from the emanator deep within the club—and you dash forward to stop him from wordlessly accepting their offer. You can’t afford to owe anyone any more than you already do.

“Shouto,” you say again, mouth twisting when he looks at you simply. Despite the hood, his bandage grows dark from the rain and—despite his framework, worry fluxes in your stomach at the thought of him getting too wet. “We have to go.”

“Aww,” an Entertainer says to you, girlish pout pulling down her full lips. “You don’t want to come inside and play with us?”

“No,” you try not to look at them any longer, just in case that racks up a charge, too. Rock solid as he is, Shouto allows himself to be steered away, much to your relief. “Buzz off, holo-ham.”

“I’d like to play.” Shouto pipes up, peeking behind his shoulder when the girls squeal in excitement. “Can we come back once we’ve finished?”

“Not for that kind of play.” You put a hand on the back of his head and swivel it, all while shoving him down the sidewalk. You almost remark on how man-like he’s acting, before chasing the thought away.

“What other types of play are there?”

“Just—hush.”

And he does, finally, when you loop your arm through his: a presumably innocent gesture that draws his attention fully back to you, as physical touch seems to do, with him. Beneath the material of the jacket, he feels natural, all muscle and bone, even leaning into you as if the weather has made him cold. You can feel him tracing your face with his one-eyed gaze—scanning you—and you pretend not to notice.

“Your heart rate has gone up. Have I made you angry?”

“Yes,” you tell him, though he hasn’t, really. “You and your curiosity are gonna make me late, and then we’ll be in some serious shit.”

He looks away then, down to the soaked pavement, a mimicry of disappointment. From the corner of your eye, you can see his manufactured Adam’s apple bob, and the muscle beneath your hand shifts.

“They seemed nice, the holograms.” He says, and you can’t help the soft snort such a comment merits.

“Yeah, they’re nice, alright, until you can’t pay them.”

Shouto looks at you once again, stride threatening to falter until you tug him along. “Do you know them?”

You already know where he’s going with his question, and the corner of his lips quirk up when you cast him a filthy look. “Well, no, but—”

“Then how do you know—”

“I just do, alright?” You frown at him and he accepts it in full, studying once more. Whatever he finds in your expression amuses enough that he’s placated for the moment, though you know it won’t be long before he’s piping up again.

He does it often—studies you: body language, physiological changes, speech patterns, vocal cues. Human behavior he catalogs and streams to someone back at the Corporation headquarters, finding the miniscule details he can use against you, some day. Whatever the reason behind his damage, he is still a product of his evil overlords, made for reasons you can only imagine.

This is what you tell yourself.

As his fingers shift until their smooth pads are brushing the delicate veins in your wrists, as he tightens his arm around yours when another stranger on the streets knocks your shoulder, as he leans into the warmth of your humanness: this is what you tell yourself.

You’re overcome with a sense of loss and you don’t know why, and you clear the strange lump hardening in your throat. “Life lesson number six, Todoroki,” you murmur it closely to him, nearly into the fabric at his shoulder, though he doesn’t react to the name. “Everybody wants something from someone, holo-hams included.”

Shouto seems to process your words, for a moment, and his face is expressionless when you steal a peek up at him. Technicolor rains down on your both, swathing him in a wild array as advertisements dance on the buildings that tower above you, and again you think of his creator. The careful hands that crafted his smooth cheeks, the sharp line of his nose, the leanness of his body. You wonder if he’s ever been deemed precious.

Nearly all of the residents relegated to the lower districts owe the Todoroki Corporation in some way. Be it through credit loans or applied interest rates on subsidized housing or hidden costs and high premiums on mandatory, shit insurance—Enji Todoroki sits in the lap of KōkyōLuxuria, has probably never even stepped down from his pedestal.

There’s no good reason a product of his could have found its way to you: this is what you tell yourself.

“And you want my ear.” Shouto says, looking back down at you as your shoulders tense. There isn’t a byte of hostility in his voice, but he must understand the sharpness to what he’s saying.

“Yes,” you admit with a nod, and some underlying, rogue streak of guilt has you pressing into him, as if your proximity could make up for your selfishness. “The sensors in your ear are gonna pay for our dinner tonight, handsome.”

His stride falters once more, and despite the time clock ticking in the back of your mind—you let him stop you. Maybe you want him to. Nothing ever goes unnoticed by him and you know that and maybe it’s cruel of you to say such a thing, to offer a comfort you can’t admit to, but Shouto looks down at you in all his ruination and—

Before he can say anything, a fat drop of water hits the tip of his perfectly manufactured nose. It makes him flinch, delayed, and the surprise he wears and the scrunch of his brow seem so—human, there before you. Shouto tilts his face to the dark, smoggy sky, and again that worry bites you, about too much water trickling into his core.

“We’re going to be late,” you repeat, though it’s much weaker than it was earlier. This is one those moments in which he overrides all your defenses, uploads something warm and hopeful and frightening into your chest cavity; you can’t tell if you want to run because you have to, for the sale—or if it’s a result of watching him now, haloed in neon.

He’s not one to ignore you, but he doesn’t respond, instead retracting his arm from your grip in order to push the hood back off his head. Raindrops soak into his bandage and the excess pools, dripping down over the line of his jaw and the column of his throat. So close to him, you can see the goosebumps that break out across his skin.

(You wonder if he’s ever been deemed precious. You wonder if he meant to leave, or if he was cast out. You wonder if he was created for continued corruption—or if someone out there wanted him to experience life, no matter how rusty.)

(You wonder if he feels as human as he looks. If he can blush, or if the soft skin below his ear can bruise.)

A small sound bubbles out of him, like a light laugh of disbelief.

You found him face down in the rain; you’re not sure why it could cause such a reaction now, but he turns to eye the commercial playing behind him, before watching the path of a man walking by the two of you. Rain collects in his perfect cupid’s bow until he licks it away, and his hair slicks to the side when he pushes it out of his face.

Shouto turns his attention back to you rather plainly, though the edges of his smile pull up a little higher than they usually do, enough that the apples of his cheeks round. He asks you, “What’s going to be for our dinner?” and the question is oddly worded, but each one is intentional.

Maybe it’s not the rain that amuses him—and maybe it is. Maybe it really is that simple, that innocent. Maybe it’s the microtremors in your voice and your increased heart rate, all the little details that could never go unnoticed.

There isn’t a way that this could end well: this is what you tell yourself.

You nod once and turn to face back the way you came, resigned, before looping your arm through his again. You trace the delicate veins on the inside of his wrist, careful not to cover the slow-blinking symbol embedded there, and you decide it doesn’t matter what his creator did or didn’t want. Because he has wants of his own, just like anyone.

“Okay,” you sigh, and when you slosh through the puddles collecting on the sidewalk, Shouto seems happy to follow along, this time. “I can probably sweet talk Toyomitsu into buying us some takoyaki, but you’re gonna have to play it cool.”

“Is this the kind of play you were talking about?”

That lilt has returned to his voice, even and friendly and amused.

“No,” you swat at him to hear his little huff of laughter, “now stop asking about that.”

Of course he doesn’t.

#NOTE that this was written with fem reader in mind but i don't think it reads that way explicitly ?#i........actually had so much fun with this #i love any human x robot pairing like it's a true weakness for me #anything centering on a robot/android wanting to understand the human experience and wanting for emotion is like PEAK #i am so so thankful i got to work on this idea again i really truly enjoyed it #i wrote this while being so emotional about 'ex machina' i hope the emotion isn't too abstract LOL #✿ willow writes #✿ thoughts: shouto #✿ theme: android shouto

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