#lmfao over this

[owob]

Call him fermentation weight the way he presses my pickle

[makanioverlord]

some dunmeshi sillies I've done recently

[mumblers-lobby]

💍❤️‍🔥✨ hair-over-flames in love!

thanks to @thatskindarough for the idea ily buddy<3

[fun-k-boards]

M'LORD M'LORD PEOPLE ARE ASSUMING THE HUMAN EXPERIENCE REVOLVES AROUND SEX AGAIN

[ahfrickenfrick]

spoiler: google show me this guy’s balls

batman: keep this line secure

red robin: you heard the mod, chat. keep it stream related or get banned

red hood: none of those words are in the bible

robin: incorrect, obviously there are pronouns and conjunctions and such that are in all texts-

red hood: i know that! it’s a joke

robin: well then be funny

batman: please- i’m being serious

nightwing: it’s hard to take you seriously when we all saw you fall down those stairs earlier

[vurren]

I'll see people literally say "don't take inspiration from my art/ocs" online (mostly on toyhouse) and I just wonder how we strayed so far from what art is? no art was created in a vacuum. all art was inspired by other art and all art will inspire others. art is a constant collaboration of everyone and everything, you cannot isolate your art from that collaboration unless you keep it private

[causeimanartist]

They live in my head rent free

[carnivalcarriondiscarded]

world's longest staring contest GO-

[iizuumi]

screenshot redraw from the last ep hehehehe

[united-under-skyfall]

leverage is so fucking funny. man manages to find the most mentally ill and neurodivergent group of thieves on the market + an even more mentally ill guy whose literal job description was trying to chase all of them, and forces them into a found family speed-run by trying to blow them all up. they lowkey stage a full fucking country wide coup and are like eh 🤷 just another wednesday. this might be a fun place to vacation tho i guess. sophie shows up to her own funeral twice. they're so good at convincing people of their shit that they make a guy's body start reacting to an illness he doesn't have because it isn't real. go completely out on a limb and basically hand this one guy a new password for his computer so they can get into it and he goes with it. parker and hardison have straight up just "fake it 'till you make it"d into the fbi without even attempting to cover their tracks beyond just These Two Guys. half their clients never asked to be their clients and don't know they're their clients, and the other half are random people who find them who fuckin knows how, meanwhile no government agency can track them down without selling their soul to sterling. they make a point to have a dramatic scene w a Big Bad Shadowy Government Guy who doesn't actually get caught or brought to justice or anything telling them he's going to hunt them all down, and in any other show this would probably earn at least a minor arc later on but he literally never shows up again. an entire season finale hinged on a cake and a bunch of clams. they accidentally made eliot a celebrity not once, not twice, but three times. parker blew up her foster parents' house when she was like. nine. and it's hardly a footnote. hardison is just casually an artistic prodigy but it's only ever brought up for the most background of background gags. eliot's biggest beef with parker and hardison for like two and a half seasons is that they won't stop making weird food with lasers and refuse to realize they can't make a decent beer to save their lives. sophie's immediate response to being shot is to call her shooter a wanker. there's a character who has literally killed a man with a mop and they had the audacity to only put her in one episode.

[yrsonpurpose]

You and me probably end up going for all the same parts together.

[cashmoneyyysstuff]

katsuki still apologizes to you the same way he used to when you were kids.

he always makes a face whenever he knows he’s gone too far or when he’s done something he knows he shouldn’t have, his eyebrows are furrowed and his little chubby face contorts into a sad little pout. he tries to look tough but he can already feel guilty tears in his eyes so he looks away from you, little hands balled into fists at his sides and his head hangs low so you can’t see his red face through his bangs.

usually, he tries making it up to you by showing you something he thinks you’ll like or something he finds cool, and sometimes he’ll even let you hold his precious all might card, but only when he knows he really messed up. he’ll stiffly pet your head as an apology for pulling at your hair a little too hard earlier and if you ask him to he’ll kiss the pain away from when you scrapped your knee because he accidentally shoved you a little harder than he meant to when he was chasing you around.

but when you’re mad at him because he’s been really mean, in ways he knows his shiny holographic all might card won’t fix, he opts to simply sit next to you. with a little pout on his face and with his cheeks turning red, he’ll shove his head into your shoulder. he holds onto you tightly so he’s sure you won’t be able to escape him or his apology. you squirm around a little bit but he doesn’t let you go. you stop moving around but you still huff at him, calling him a big meanie. all he does in response is shoving his head against your shoulder and he mutters out a little "m’sorry." against it.

he hears you shuffle to look at him and he looks up at you, his eyebrows are still furrowed and his cheeks are so red because he’s really not used to apologizing and he doesn’t like to, but he does for you. and even at the tender age of seven, you really can’t stay mad at him when he looks like that, so you forgive him and you’ve already forgotten what you were even mad about when he grins at you boyishly, already back to his usual self as he drags you off to your next adventure who knows where, but even at the tender age of seven, you knew you’d follow him to the ends of the earth as long as he led the way.

he’s changed so much and not at all at the same time. he hates it whenever you get mad at him and he still does everything and anything to get your attention when you are. and just like before, whenever he hurts you in ways he knows his actions can’t fix, he opts to come up behind you and wrap his arms around your middle loosely, giving you the option to break out of his hold if you wanted to. his hold on you slowly tightens when you make no move to, his head is shoved into the crook of your neck and his chest is pressed flush against your back,“ i’m sorry.” he whispers.

it wouldn’t mean much if it came from anyone else but this is katsuki. you’ve known him for as long as you can remember, you know how he is : he’s unruly, headstrong and so stubborn it drives you crazy sometimes. but he casts all of that—all of him aside for you.

“i’m sorry.” he says again, his voice is low and a little shaky.“ shouldn’t have said all that to you. that wasn’t…cool” he fumbles around for the right words to say and you have to hold back a laugh as he does so, but you can tell he’s trying.“never wanna make ya mad at me..” he finishes quietly. he’s fiddling around with the ends of your shirt waiting for your response. then he hears you shuffle around to peek at him and he looks up at you.

he really hasn’t changed. he’s still got the same little frown, the same little crease between his brows and the same rosy cheeks. sure his features are less rounded, his cheeks are definitely less chubby, he’s gotten taller but he’s still your same katsuki who’s a little rough and a big meanie sometimes, but who also always makes sure to apologize to you when he knows he’s hurt you because that’s the last thing he wants.

you grant him a tiny smile. his eyes light up and he stands a little straighter and after a second he’s on you, pressing kisses all over your cheek, grinning boyishly at you and you still want to follow him to the ends of the world as long as he’s leading the way.

[digitalcarcrash]

top 10 gayest marble hornets moments was the bit where tim was bent over behind his couch and jay zoomed in on his thighs so he could see the imprint of a tape in tim's pocket

(edit: everyone in the reblogs saying they didn't even notice the tape Really just adds to my point that this was UNNECESSARILY gay)

[seraphont]

‘Dying and Getting Over It’ au Tessa sketches

[justrustandstardust]

i saw an incredible post on tiktok and i wanted to expand on it, because it's genuinely amazing. all the credit to @noesbf on tt for the idea that inspired these thoughts.

geto's character is threaded through with motifs of consumption. he takes things in, whether they be curses or daughters, and is spurred by intense empathy that ends up going in the "wrong" direction once he takes the entire jujutsu world under his wing.

when we're introduced to him in hidden inventory, our first glimpse is of him consuming a curse. he's also alone, in a dark alleyway, a symbolic image that parallels his journey throughout the story. he's a consumptive force, a facet of his being that ultimately leads to his undoing because he consumes the responsibility of "saving" the strong, who are burdened by the weak.

gojo, on the other hand, repels. he's an outward force, extending out a physical barrier that creates distance between his body and the world. where geto invites, gojo rejects. their abilities are constructed as diametrically opposed to one another's.

through the motif of gojo's abilities, this image captures their consume/repel dynamic in a singular shot. after riko's death, gojo leans into red, which repels. he focuses on growing stronger and in doing so, isolates himself from the world (and subsequently, geto). on the other hand, geto leans into blue, which aligns with the consumptive nature of his character. he harbours riko's death inside of himself and it festers, like a curse.

black holes are all-consuming vacuums. they subsume everything around them and create an inescapable vortex— once you're pulled in, you're never getting out. it will literally eat you and in doing so, makes you an everlasting part of it.

white holes, on the other hand, function in opposition to black ones along the same axis. where black holes pull, white holes push. nothing can enter them; they're doomed to a lonely eternity because of the force that holds the universe at a distance. nothing outside of it can affect what goes on within, yet it affects everything around it.

however, white holes can be subsumed by black holes. while nothing can enter them, if a white hole were to cross paths with a black hole, its consumptive force is so powerful that it would eat them too.

after geto and gojo experience a rapture in their relationship, gojo withdraws from the world, holding everyone at a literal and figurative distance. yet, even while he's alone, he's endlessly drawn towards geto. his eyes are bound but his soul isn't— it's tied to the piece of him inside of someone else, and gojo visibly feels the pull.

white/black holes also correspond to the colours associated with gojo and geto's characters (they align with their yin/yang dynamic, where yin (black) symbolizes darkness & the moon and yang (white) symbolizes light & the sun).

yin/yang are more than two halves; they form an indivisible whole. they become one another: light turns to dark, the moon replaces the sun in the sky, life transitions into death only to be born as life again.

if two celestial bodies exert oppositional forces upon each other, they function in equilibrium. geto's consumption was growing alongside gojo's repelling, reaching an event horizon when he took the lives of 112 villagers and forcing the two of them out of equilibrium. he continued to consume (curses, money, vulnerable people through his cult) until he died and took gojo's soul with him.

consumption can only exist if there's a repellant force pushing back. geto and gojo are not opposites, instead, they each contain the other— every yin has yang within it and vice versa.

they are borne of each other, they are unknowable without the other. they are more than matching; together, they are complete.

[latenightsundayblues]

How bout that hoffman? How about THEM apples?