#lizard sisters

[suokumi]

More oc commission art for @kaz0ey~

[alpacacare-archive]

day twoe ah haha

[droffie]

Odd siblings.

HAPPY BIRTHDAY BIOLIZARD!!! 🎂🎂🎂

[kaijutegu]

Jima likes to drape herself over various family members while we watch television together.

[phalangemedes]

I kept this in my drafts cause I was gunna expand on it, but I dunno if I need to. Either way, I thought it was interesting that the refugee trio from Canaan are all just different aspects of Grief represented through the kaleidoscope of their personhood. Because mourning is a spectrum, no more or less vivid for the death being metaphorical or literal, and there’s been some weird hot takes that more or less emotive grieving is ‘strange’ or whatever, so, onward!

Judith is unable to feel her own emotions (or at least with any depth) because she's made herself an emotional void, due to training (Cohort AND Second expectations), repression and losing Marta. She was already constipated and that tipped her over to cutting her own throat so she’d emotionally starve.

The last emotive thing she had was oh captain my captain levels of obsession for the woman that rejected her romantically, DUTY, and with equal verve the self loathing for wanting that.

(Also she was being medically maltreated by BoE and then used as a Duracell so y'know, you can not like the woman for being an unsympathetic hypocrite but also, rough ol' time for Jodypops)

Corona has used the flamboyance of her emotions as a manipulation tactic since she was like.. 5 and oops it suddenly stopped working! The tits, the smiles and the twinkly eyes have no effect in camo land, if anything, they are tired of her shit and only “warm up” to her when she starts submitting to them in ways they understand (Re: BoE are a hierarchy and she is Not the top rung). She's also grieving Ianthe not wanting her (worse, choosing BABS) and failing to throw her Pretty Girl weight around as much as she used to, whilst cosplaying a Cav to feel worth something (habitual, comforting).

On top of that, she’s bouncing from pillar to post in an attempt to be desired because her worth is locked up in other’s perception of her. (She fails so hard to connect with anyone she starts chatting up G2deon's corpse like.. It's SAD even if she's Tridentarii heinous (affectionate insult))

And Camilla is forcing herself not to feel because she doesn't have time for a breakdown. She's tick listing how to “make things right” through torture (shock bracelet) being used as a means of coercion for Judith (also torture) having what was left of Pal taken away from her (I mean this literally and figuratively, because his skull, then hand, are hope AND HIM) ((likewise the BETRAYAL from a necro and a cav about it)) and being denied doing GOOD (denial of treatment of Judith). I think honestly she reacts the most MUNDANELY, by just... powering through, keeping busy, not thinking about it because then it'll be real.

And she doesn't let herself break until Paul, because she’s still trying to fix everything until the very moment it’s un-fixable. (And in some ways Palamedes takes the burden of it for her, by giving her the choice, the "it's okay, now, you can feel". All that time, bottling the HURT because she has to be useful because if she's not useful what's left? It's the vice of grief as you excuse yourself from the young woman you're caring for, it's locking the bathroom door, sitting in the bath and your body betraying you with the mother and fucker of a panic attacks. It's getting punched in the solar plexus because you turned around to make a comment and not only is that person gone, but they aren’t coming back.

None of them are any more or less tragic, but they are all acceptable and staggeringly normal forms of grieving.

[tenten-shi]

[fiskael]

^lizard shirmp

[justaz]

Dragonlords/ladies are born with the dormant soul of a dragon. When they reach age five, they take part in a naming ceremony. They are placed in an enclosed space with a dragon egg and surrounded by flames that burn as they form a bond with the dragon inside the egg. The dragon’s name will form in their mind and fall from their lips before they can truly comprehend it. Instantly, the dragon egg will begin to hatch and the dragonsoul within the child is awakened and as the flames lick at their bodies, dragonfire ignites within them. Their dragon features form - scales, claws, fangs, and wings. Their sight and hearing improves and with the dragonfire in their soul, they can breathe fire on command.

The new Dragonlord/lady will emerge from the flames with their dragon on their shoulder and will be hailed as the next in their family line to take the title of Dragonlord/lady. For example, when Balinor of Ambrosius married Nerys of Draigwen and sired their child, they had a daughter - Ganieda. When Ganieda performed her naming ceremony, she was hailed as the next Dragonlady of the Draigwen line. The eldest child of the line will carry the title of Dragonlord/lady in accordance with which if their parents carries the gift.

As Nerys was the Dragonlady of family Draigwen, he daughter carried on the gift. Since Balinor and Nerys could not try for a son to carry on the gift of Dragonlord of the Ambrosius line, Balinor was to be the last. However, after the Purge, Balinor found himself on a farm in a small village called Ealdor with a woman named Hunith. Their time together was short but the attraction they felt was genuine and before long, Hunith came to be with child. Balinor did not learn he was to have a child before he moved on but in nine months, Hunith gave birth to a baby boy - Merlin. He carried the dormant soul of a dragon and since he did not have his naming ceremony at five, he carried on through life cold and incomplete.

When Merlin finally found a dragon egg to hatch, he was in his twenties and found the transition from mortal man to Dragonlord quite staggering for the changes were why Dragonlords/ladies were named so young. With Merlin’s naming ceremony, the Ambrosius line lived on. Balinor, under the impression that Uther and his knights destroyed his home and slaughtered his family, believed himself to be alone. Just as Ganieda, who watched Camelot knights burn her home and kill her aunts, uncles, and cousins, believed her father, who had been visiting Camelot, dead.

However, all three are out in the realm with their dragons - Balinor with Kilgharrah, Ganieda with Lykos, and Merlin with Aithusa. The last two Dragonlord/lady lines - Ambrosius and Draigwen. Maybe one day Ganieda and Merlin will be able to meet and bond as long lost brother and sister. Maybe Balinor will be able to have both of his children together. Maybe Ganieda will be able to form her new family with her father and brother.

[lizard-dumbass]

NEW LORE DROP COMING!!

[lizard12323]

VUZI

BOIS!

AU Where Uzi was just this rediculously hard to track down drone tagged for disasembly and V, J, and N have been sent out after her

"V.. I know she looks cute but J will kill you and beat me up again-"

"Too fucking bad"

[lizardinkart]

My beloved partner is making me watch the Amazing Digital Circus, and unfortunately, having worked in 3D on my way to my degree, I have been screaming at Netflix for the last 30 minutes about overlighting and overdesigning backgrounds for complicated multi-colored characters, overanimating (WHY ARE THE TEETH MOVING LIKE LIPS?!?!?), and just not hitting plot or comedy points in the flow they needed to really sell me on the show. I appreciated what it was going for but it made me insane that they were this close to something really good and technically amazing (they have the chops for it, obviously, holy shit this takes skill) and didn’t stick that landing in some crucial ways for me.

And now I’m watching episode 2 (because it has been demanded of me lol) and I am about to cry because the background has more affinity and the correct amount of contrast with the subjects of the scene, the animation feels more motivated/purposeful, jokes are timed better, the eerie undertones actually FEEL eerie, overall an 11/10 improvement that really makes me wish they had reworked the pilot some more before it went to Netflix. I’m still on the fence overall but I’m proud of the team working on it for how much work they’ve put in, and it shows how much they’ve learned about how to do what they love doing at a higher level between episodes.

[lattedusks-mochadawns]

My Kratt Bros and Hinomori Sisters look a lil different today…

[hobbithabits]

Baby It’s Cold Outside is so Garashir coded.

Weird flirt arguing that any normal person would be horrified to hear as an actual conversation? Yeah, that’s my gay lizard uncle and his human boy toy.

Garashir sing Baby It’s Cold Outside and then take it to their penthouse and freak it.

[kibabanana]

Its the fact that I personally

Don’t want to make a self insert that interacts with other characters, its i want my ocs to interact with other characters.

Like i wanna see these fuckers interact with cooler fuckers.

Like saphira would hate my little guy.

Shes so high and mighty, elegant- ya know, peak dragon.

Then the fucking lizard with an autistic ass stare.

Like id understand if she punted him.

[wyrmofworms]

Newest lil guy! my new little prototype pattern.. gonna have to tweak it because those legs sssuuuuuckkked to pop out. But I love the pose shes in! very striking! Very bold!

[moeblob]

Oh that's a dwagon! (they're so cute!)

Siblings that hoot and holler together, stay together. (thank you so much!! I love these silly lil kids)