#like this is what i mean by boring. why do you want all stories to be the same. just play a different game

[catsukkii]

Prohero!katsuki — with florist reader

IN WHICH… katsuki was Inlove with a girl at the flower shop, ever since his mom brought him when he was little. He was always a bully to her because he couldn’t process his emotions. Eventually, he went to UA Highschool and moved on to become a pro-hero, leaving them no time to talk and leaving on bad terms, katsuki comes home for the holidays and tries to fix things, but damn she got even prettier.

Pairing; Katsuki bakugo x Afab!reader (she/her.)

Content contains; fem!reader, fluff fluff fluffy, swearing, cheesy love stuff, mentions of katsuki being a dick when he was younger, I think that’s it (lmk if u notice anything else!)

Word count; 1.6k

A/N; WOWOWOWO I got carried away I’m so sorry nobody’s gonna read ts LMAOO

Prohero!katsuki whos smitten with the cute girl who owns a flower shop, his mom used to visit it all the time when he was young, always buying potted plants and pretty flowers to decorate around the house, he always thought the owners daughter was pretty but of course he was a little shit when he was younger and was mean to her.

Prohero!katsuki who knows he was a dick when he was younger, he’s still repairing old relationships since middle school like izuku, he wants to build a relationship with you, but he figured you were off doing something for yourself at this point.

Prohero!katsuki who visits his mom back at home for the holidays, getting to spend time with family. His mom was decorating the house and wanted some pretty red poinsettias for the holiday spirit, of course she would have to visit her favorite florist shop.

“katsuki! do you remember that old florist shop we used to go to when you were just a small thing?” she speaks while putting some garland up, katsuki putting up some christmas collectibles on the shelfs, he froze once he heard this but quickly shook it off.

“yeah ma, I do. you’d drag me there all the damn time.” he rolls his eyes at the memory as she glared at him.

“you were so mean to that little girl! I remember having to yell at you so many times…” she tuts and shakes her head thinking back on the boys antics when he was younger, he has grown a lot and she’s seriously proud of him even if she doesn’t always say it.

“yeah…I know.” he grumbles out lowly, sighing to himself.

“yknow, her mother got to old to run the shop so she’s took over,” katsuki paused his movements at this, gears immediately turning in his head. “I want some red poinsettias, like we always got for the holidays. Why don’t you go get them so you can apologize to the poor girl? she runs the shop all herself now, and she asks about you sometimes.”

she explains finishing up the garland she was wrapping around various things. You asked about him? why? surely it couldn’t of been anything good, you were probably praying on his downfall and with good reason unfortunately.

Prohero!katsuki who immediately takes her up on her offer, she always knew katsuki was smitten with the girl, so it was a little bit of a scheme on her part. He drives over, his luxury car looking silly among your little mint green beetle car in the parking lot.

Prohero!katsuki who sits in his car for atleast 10 minutes contemplating what the fuck he would even say to you. he eventually gets the courage and strides in, seeing you sit with a bored expression twirling a pen in your hand. You got even prettier over the years, he can feel his face flush but he quickly shakes it off. He’s merely here because he was mean to you and wanted to rekindle a friendship, not some cheesy love story.

Prohero!katsuki who walks up to the counter with a gruff expression, crossing his arms and mumbling “red poinsettias…” you look up at him with confusion, barely understanding him.

“excuse me? sorry I couldn’t he—“ your jaw dropped at the sight, fucking katsuki bakugo was here after all these years..and jeez was he hot. He grew to a good 6’ at least and Jesus was he STRONG.

“…katsuki?” You question with a gasp, immediately turning your slouch into sitting straight up.

Prohero!katsuki who clears his throat and speaks up, “yeah…hey y/n.” he sheepishly looked around and scratched the back of his neck, he didn’t know if he could handle looking into your pretty eyes anymore.

Prohero!katsuki who cant help the smirk that crawls onto his face once you smile brightly up at him.

“omg katsuki! It’s been years— holy shit you’ve grown so much!?” you blurt out various realizations and stand up from behind your register, walking out from behind the counter with your hands on your hips, ready to catch up for the time missed.

Prohero!katsuki who is slightly overwhelmed by your greeting, grateful? yes. confused? also yes. how could you not hate him after he was a total dick? then again you truly were the sweetest girl no matter what. You never snapped back at katsuki when you were young, only crying.

Prohero!katsuki who gets a smug look when you talk about how strong and tall he’s gotten. “you’ve grown alot aswell.” he smiles down at you, before averting his gaze to look at his shoes and avoid eye contact at all costs.

“I can’t believe you’re a hero now! I only got to hear about you through your mom, I’ve been to busy trying to keep the shop from closing I haven’t had time for anything else.”

he frowned at this, it must be alot for a young girl like you to handle all by yourself.

“We barely have business and your moms probably the only reason the store hasn’t been closed yet…”

his frown grew evidently wider, you barely have business anymore? you guys had the best shop! that’s why his mother loved it so much! It was cheap, the quality was beautiful, and the service was excellent! how could you be falling out of business?

Prohero!katsuki who wears a look of pity for you for the first time in years. he sighs before looking at you and speaking,

“that sucks, I think you’re the best shop, sorry these extras can’t see that.”

it caught you off guard to hear him so sympathetic, you can’t help but let out a giggle at the irony of his drastic change over the years. you push his shoulder lightly,

“look at you being all nice and sympathetic! the katsuki I last saw would rather die then feel bad for me!” you smiled up at him brightly.

“yeah about that…” he trails off with a sigh. “I kind of came to apologize. I was dumb as a kid and…just a dick for my own personal reasons, but it’s not an excuse when you were nothing but nice to me. I’ve grown a lot and I’m still fixing relationships from back then so uhh..I’m sorry.” he finishes his speech and it makes you frown at his heartfelt words.

“awww…katsuki!” You rush over to him and wrap your arms around him tightly, he stiffens at first but eases into it and loosely wraps his arm around you with a breathy laugh.

“yeah yeah…you were always an emotional shit.” despite his sass he has a wide grin on his face, you pull away from the hug and roll your eyes, a few seconds of silence goes by before it hits you.

“the poinsettias!” you facepalm and rush around the store to where the pretty red flowers were potted, you grabbed the pot and brought it back to the counter where katsuki was waiting.

Prohero!katsuki who watches you intently as you work, “so do you want them potted or just the flower?” you ask simply. “I don’t know what the fuckin’ hag wants.” he replies with a scoff as if you asked him the most preposterous question.

“katsuki! be nice! she’s a wonderful lady..” he rolls his eyes at you and grunts. “I’ll just give you some of both, on the house seriously.” he scowls at you and shakes his head.

Prohero!katsuki “none a’ that shit.” you laugh at his antics, grabbing a knife to cut the stems. “seriously katsuki, we never get business. I’m probably gonna have to put all of these in our already very crowded garden if they don’t sell anyway.” you explain continuing your work on the flowers.

Prohero!katsuki who ponders for a moment before ultimately speaking up and deciding, “alright give me 10. I’ll double the price.” before you can even try to argue he’s pulling out his wallet, causing your jaw to drop and you quickly spin around to fully meet his gaze.

“nono! katsuki seriously it’s fine! I don’t wanna do that especially after all your moms done for the store.”

he gives you the meanest glare he can muster and just continues to ignore you and pull out money, you sigh but are grateful nonetheless. You grab some more of the flowers from their section, equally dividing it to be 5 bouquets and 5 pots. you made quick small talk as you worked catching up on eachothers lifes, he couldn’t help but blush just at your mere presence, not that you were any better off, you couldn’t look at him without your eyes drifting to his muscular body. you hand him the pretty flowers and offer to help load them into his car, he only accepts to talk to you longer if we’re being honest.

Prohero!katsuki who just doesn’t wanna say goodbye yet. “hey uh..I know ma wouldn’t mind if you went for dinner with us, if you don’t got plans that is.” he mumbles and glances around overwhelmed with nerves at your possible rejection.

Prohero!katsuki who lights up when you excitedly scream, “oh my gosh yes! thank you that’s so sweet..” and offers you a ride there, promising to bring you back after dinner so you can get your car and drive home.

Prohero!katsuki who is already smitten with the cute florist girl once again, and gets relentlessly teased by his mother when he walks through the door with her.

Prohero!katsuki who seriously hopes a sweet girl like you will welcome him back into your life, he’ll even help promote your shop if you let him. he just wants the cute florist girl to be just as down bad as he is.

a/n; guys pls this is cute (I think.) give it a chance…

[alexanderwales]

The second chapter of Save the Cat! is about genre, titled "Give me the same thing ... only different!". The general principle is one that I strongly agree with, even if I don't always practice it in my writing: you must know how and why things work in fiction, you must be a student of the realms you're writing in, you must give your own twists on clichés if you think you might be writing them, and must be familiar with clichés so that you don't end up boring people. Study things that are like the thing you're trying to create. Analyze them, take them apart, understand how they work or don't work.

But then a lot of the chapter is taken up with Snyder's own system of ten genres, and when I was reading it I wanted to just stop him and say "hey, what the fuck, did you even watch that movie?"

Also I laughed for like five minutes at him putting Schindler's List in the "Dude with a Problem" genre, even though I agree that according to his typology it completely fits.

I'm a huge fan of making up arbitrary categories and then stuffing things into them. I don't think it's often very useful, no, but it's fun, and when you're done shoving things into boxes, you can pull them back out, find a new set of boxes, and repeat the process. I'm not going to repeat Snyder's categories here, but I think they kind of suck, and don't accurately reflect genre as we understand them, and the whole thing would have been better off is it was taking story archetypes and saying why they work and then what the usual deviations from them were.

Here are two examples that I take issue with, among others. First, by his accounting Planes, Trains, and Automobiles is a "Golden Fleece" movie, the kind of film centered around a hero's journey where what he ends up finding is, ultimately, himself, and every set piece along the way is important only in the way it relates to the hero's self-acceptance or whatever.

No. Wrong. Planes, Trains, and Automobiles is very very clearly a "Buddy Love" under this system. Look at this fucking image:

Could this DVD cover make this any more obvious? Literally all the promotional material is like this. It even says in the book that most "Buddy Love" movies start with the "buddies" disliking each other, and that their relationship is central to the movie. And if Snyder is getting this wrong, what else is he getting wrong about his own system?

Example two. I'm just going to quote it in full:

Now look at The Matrix and compare and contrast it with the Disney/Pixar hit Monsters, Inc. Yup. Same movie.

Fucking what do you mean.

Under this system of genres, Monsters, Inc. is very clearly another "Buddy Love" movie. There's a kid they have to deal with, but most of the movie is grounded in the relationship between Mike and Sulley. Like, what's the low point of the whole movie? They get banished to the Himalayas and then have a big fight! It's about their relationship to each other!

(I looked this up on the savethecat website and found an article claiming that it's an example of "Monster in the House", which is fucking stupid, because what's the monster and what's the house? Just does not apply. The child is takes the role of the "monster" for such a small amount of the movie, then they're looking after her and trying to return her home, and even before that it's not relatable as a monster to the audience. Blake Snyder didn't write the article, so maybe he had something different in mind.)

Meanwhile, The Matrix most closely falls into either "Dude with a Problem" (ordinary man thrust into extraordinary circumstances) or "Superhero" (extraordinary man in ordinary circumstances) and I would argue that it's actually neither of those because it's a goddamned hero's journey and those are their own thing and it makes no sense to try to split them into two parts because you don't get more explanatory power of what's working and what's not. His analysis of what he calls "Superhero" films also sucks for that reason and just totally misses the mark about what makes them tick.

So how are these the same movie? I don't know, it probably made sense to Blake Snyder. I have done my due diligence and searched for answers online, but haven't found much, just some weak ass defenses.

Also, I really hated that he says Chinatown and Who Framed Roger Rabbit? are basically the same movie because no shit. Who Framed Roger Rabbit? is a parody of noir, and was adapted from the script for a never-produced third film in what was supposed to be a Chinatown trilogy. But even then, I don't get how you can say they're the same movie without pointing out the strong "Buddy Love" through line in Roger Rabbit!

This whole chapter was a total miss for me. Decent advice at the start that I've been hearing and preaching for a long time, but this typology sucks and he doesn't even seem to understand it (or the movies he's putting in it) very well. And since the typology sucks, it's a bad lens for understanding the underlying rules of writing, of story structure, the components of story, etc.

[diamondkat]

Regarding Alastor being redeemed, I have been seeing some posts regarding how it can happen that trigger an instant ick reaction from me. I have taken time to think about why I keep having such a strongly negative reaction to it. The first thing I took into consideration is that I really do not want my current favourite bad boy to become good. I am first and foremost a villain fan and his becoming good has a high chance of ruining the character for me. This means that there is a chance that I would dislike any theory that ends with Alastor redeemed. A lot of time you see people making arguments for why a ship or character should not be liked when the real reason is they personally don't like it and the reasons are merely support. I try to make sure I am aware of my personal bias.

Regardless of my personal bias, I have decided that there is one particular theory regarding how Alastor can be redeemed that I hate from the bottom of my heart. It is the theory where Alastor after being humiliated, degraded and losing everything including his pride has no choice but to accept Charlie's care and change for the better. Sometimes it involves betraying the hotel first, but generally involves him being unable to deal with the challenges that he faces. I am sure how this works in the minds of those who like this theory makes perfect sense. He can no longer rely on himself, he sees that he isn't capable of anything and now has no choice but to become what Charle wants him to be. I hate it so much. I have kept turning it over in my mind and I think I have figured out all the reasons why separate from my bias.

First, suffering doesn't make people better. It just doesn't. The theory seems to require enough suffering to rewrite Alastor's personality and make him Charlie's puppet. It also reminds me of William Shakespeare's The Taming of the Shrew. The story of how the proud woman was broken down to make her obedient. She might be "better" but it also felt to me like she died and became a puppet. He would be "redeemed" but that wouldn't be Alastor. It would just be something that looks like him. I just feel like fans of Alastor who like this theory don't realise that he would lose everything that pulled them to him in the first place if this happened. Some could not deal with him being less energetic in the main show than the pilot due to him being bored. How would they deal with what would essentially be a hollow creature wearing his face trying to become good because there is nothing left in him?

Second, with a proud character you can't brute force them into letting people in. Part of the idea of the theory is that after he is humiliated and suffers in front of them, he will drop his smile and be forced to let others in. That doesn't make sense to me. We have already seen in S1E8, how Alastor deals with things not going his way. He holds onto what little control he has by refusing to drop his smile and holding onto his pride while going through a breakdown. The best way to get someone like Alastor as far as I am concerned is to deal with him the same way you would deal with a wild animal. Slowly lower their guard. I think Charlie is already doing that whether Alastor knows it or not. Besides, pride is an important part of the character. Pride is part of what drew me to the character in the first place. The kind of pride that makes a person think it is okay to say, "If I wanted to hurt anyone here I would have done so already" in front of the Princess of Hell, is part of what drew me to Alastor. If he lost it, the character would likely immediately lose all appeal to me. So, there is some personal bias there.

It would make sense to me if the theory was more about Alastor learning that he can rely on others and doesn't have to depend solely on himself which leads to him opening up and letting others in. However, the theory leans very heavily into suffering as a way to make him a better person and a complete erasure of everything that makes up the character through suffering to make him into someone who wants and is worthy of redemption. That's fine for fanfiction but I hope it never becomes canon.

[yanphobia]

Athazagoraphobia - Chapter 8

Athazagoraphobia: The fear of forgetting, and being forgotten.

Pairing: Yandere Male Merman OC x Reader

Warnings (for the entire story): Yandere, Horror, Graphic Discriptions of Injury and Death, The Ocean, Body Horror, NonCon Touching, Dubcon, Female Reader, Extreme Dead Dove Do Not Eat

Chapter 7 Index Chapter 9

Author's Note: Yearly update ig @creepysweetie @my2phetaliaheadcanons @smolnuggie911 @spicylove4ever @acaribeau @mel-vaz

Lotan's grip on your arm tightened, pulling you deeper into the endless void of the ocean’s depths. His movements were erratic, driven by some darker emotion you couldn’t quite place. In the oppressive darkness, the silence between you stretched out, thick and suffocating. The sounds of your desperate breathing and the rush of the water around you were all that remained.

When he finally slowed his pace, you barely had the strength to keep your eyes open. The cold water seemed to settle in your bones, dragging you further into the numbness you’d come to rely on. You had been drifting for so long — physically, emotionally, mentally — trying to block out the horror of your situation. But now, it was impossible to ignore.

Lotan turned to face you. His eyes — such dark, fathomless depths — bore into you, and you were paralyzed in place. There was no escape from the tension, no more dissociation, no way to pull away from him in your mind.

“Why don’t you tell me what you did?” His voice was low, angry, but there was something else there — something raw. If you trusted your instincts, then you’d say it felt like the edge of panic.

You swallowed thickly, your tongue feeling heavy in your mouth. You were shaking.

“I-I didn’t mean any harm,” you managed to choke out, hating the lie as it left your mouth. “I just wanted to introduce myself. To- to the colony. I didn’t think—”

“Introduce yourself?” His laugh was sharp, cutting through the water like a blade. It made your stomach churn. “Did you think they’d just let you in like that? You think I’d let you just- swim up to them, all innocent and naïve? Did you really believe they wouldn’t see you for what you are?”

Each of his words felt like a punch to the stomach, with the lingering taste of bloody water in your mouth only amplifying the sensation. You closed your eyes, but there was no escape. Not from him, not from this. You couldn’t go back to the shore, couldn’t go back to Sammy, couldn’t go back to your mother. You couldn’t even close your eyes without seeing his face, his terrifying smile, his grip tightening around you.

He continued, his tone growing darker. “You thought you could just ask for help? That they’d listen to you? You’re not one of them. You never were… and you never will be!”

You flinched as his fingers dug into your skin. You tried to pull away, but there was nowhere to go. You were stranded out here, out in the wilderness… and Lotan was the only one who would ever give you a second thought. Such a dire realization made you so tired, too numb to fight. All you could do was listen as Lotan’s words began to unravel in a slow, suffocating cadence.

“I watched you for so long,” he murmured, his voice softer now, almost reverent. “Back when you were… human. You were so different, so… free. So beautiful. I couldn’t stop watching you. I needed to see what it was like. To be close to you. To understand you. I thought that, maybe, if I could just be close enough, you’d finally see me. That you’d finally understand…"

The words hung in the water, swirling around you like a dark cloud.

“It was so awful, so you know… being the weakest one. Out here, they don’t care about how - how kind you are. They don’t… if you’re smaller, or weaker, than the other males… no one will want to mate with you. No matter what I would do, how affable I was, none of the females would have me…! I -”

He stopped for a minute to compose himself before returning his attention to you.

“I thought you were different. I knew you were! Humans are so much more - they’re - you -!”

He needed to catch his breath again. His claws dug into your forearms - even though your skin was much tougher now than it had been as a human, the pain was intense. You meekly uttered his name in an attempt to stop him, which seemed to snap him back to reality.

“You’re so much better than them,” he said, his gaze boring into you, “from the moment I saw you swimming, nearly a decade ago, I knew that you were my chance.”

His eyes softened, but there was a twisted, ill-concealed intensity in them, one that made your stomach churn. “You were the answer to my loneliness. You were the one thing that could save me. I could feel it in my bones. You’d make it all better. I was going to fix you. I thought that, maybe, everything would be okay. Everything would finally make sense.”

You shook your head, trying to grasp onto the fragments of your former self, trying to pull away from the words that were wrapping around you like seaweed, suffocating you. You wanted to run. You wanted to scream. But the fear had already rooted itself so deeply inside of you, it was hard to remember what it was like to feel free. You wanted to remember Sammy, to recall the warmth of the sun on your skin, the air in your lungs, the soft embrace of your mother, but it was slipping away. All of it was slipping away…!

His voice was growing louder, more frantic now. “Do you understand now? I wasn’t trying to hurt you. I saved you. I gave you a chance. Your friend wanted to let you die, to let you fade into nothingness… but I didn’t. I made you perfect. I made you mine.”

The words echoed in your head, rattling like bones in the dark. You had wanted to escape, hadn’t you? To escape from him, to escape from this underwater hell. But now, now there was nothing left. He had made sure of that. You were lost to the depths. How could you ever return to a life that was so foreign to you?

“And you know what?” He leaned in, his voice softer, almost tender, and he spoke as though he were telling you a fun anecdote, “Before I even knew your name, I started calling you Brizo! Do you remember? The goddess of calm seas? The one who watches over sailors and gives them peace? I thought that, maybe, if I could make you Brizo, if I could make you my goddess, and I would be your God... and everything would be perfect…!”

You felt a heaviness settle in your core, one that threatened to drag you into the bottomless pit below. Brizo. A name you hadn’t even known you had, but now it felt like a brand on your soul. He had seen you as an object to possess long before he ever truly knew you. This wasn’t love. It wasn’t even affection. It was something darker. Something so, so twisted.

His eyes searched yours, searching for something. His hand was on your cheek now, the touch almost gentle in its madness. “Can I still call you that, Brizo? …Please? Let me keep calling you that. You… you’re mine. You always have been.”

You wanted to say no. You wanted to scream that you were still human, still [Y/N], still you. But the words felt foreign in your mouth. You had tried to fight for so long, but now, in this cold abyss with only Lotan’s presence to anchor you, you realized that you were nothing. You weren’t Brizo, and you weren’t the girl who had once stood on the beach, so full of life and hope. You were just his.

And the last shred of your humanity, the last flickering light of your former self, slowly, agonizingly, began to fade.

“I—" The words caught in your throat, but when you finally spoke, your voice was hollow, broken. “Yes.”

Lotan smiled, and it was as if the entire ocean exhaled with him. For a brief moment, you almost thought you saw a tear in his eye, but it was gone as quickly as it had come. His smile stretched wider, and the suffocating pressure in your chest grew, but you couldn’t bring yourself to fight it anymore. Not when escape was so futile.

You no longer knew what you were, but it certainly wasn’t human.

[icewindandboringhorror]

finally finished all of one character's entire quests/optional dialogue/questions/etc.... 100,000 words... .... aughhh

[daz4i]

wait i have another rant unrelated to anything. the common... perception? trend? idek what to call it, in fandoms and media commentary communities that every antagonist in every story has to have some deep reason for why they do things, or a sad backstory or w/e, imo kills creativity, makes stories lose their focus, and can be very upsetting when done wrong

like it's okay to have purely evil villains. it's okay to make hate sinks. that doesn't make you a bad writer. characters are meant to be tools, vehicles to tell a story, and sometimes you need that tool to just be an obstacle with no real depth. sometimes the story is more about how the protagonist overcomes hardships, and in certain premises those hardships work better when depicted as other humans. and honestly, even if they can be replaced by a generic monster or some object or w/e, it's still okay to make them a person if you wanna bc it serves the same purpose at the end of the day and you don't need to excuse that choice, imo.

like ppl who tear into every story and try to find every logical fault in it - even when it's only a fault when you entirely strip the context of fiction off it, thus often making these points irrelevant to the discussion about. yknow. a fictional work - can be so boring. I'm all for dissecting stories and trying to understand the logic behind some stuff, and while i personally prefer stories where the villain does indeed have a relatable or at least understandable motive, i do think that for certain stories it just does a disservice and frankly misses the point of why the story is even being told. like sometimes the villain is some money hungry asshole bc we needed a money hungry asshole to stand in opposition to our protagonists. it's not that deep, and it doesn't need to be. you just want to read a different story, so go do that.

[dashiellqvverty]

my opinion on season 11 is that ian and mickey were all over the place from episode to episode and i ultimately wasn’t very happy with where it ended for them

[bitchthefuck1]

have you watched the pjo show?

I saw the first 2 episodes when they came out at a watch party one of my friends threw, and as soon as they ended I realized I didn't particularly care to keep going. It wasn't like, outrageously bad by any means, I just don't think it gripped me enough to want to continue, and there were enough odd adaptational choices that I thought weakened the story that I lost interest. I might have tuned back in if the changes actually built to something interesting in the later episodes, but from everything I've seen it kinda seems like they just took the teeth out of the story, which was what I was worried about.

That being said, the cast seems really great and well suited to their roles, so like, if they improve the writing and pacing in the later seasons and stop sanding down all the rough edges, I might pick it back up. But otherwise, pass.

[oldtvandcomics]

I really would like to say something about Loki Season 2, write some analysis, whatever, but... The whole thing is just making me feel TIRED.

Guys. You can do better than this. I promise, you can do better than this. In terms of general storytelling, but especially where queer representation is concerned. Why did you even think that there would be queer rep in the first place?! For fuck's sake.

[gekkonidae]

Ive been taking my sweet ass time with totk haven't even touched the main quest yet, gonna get full stamina and all the hearts before I actually play the story

[arolesbianism]

Thinking abt how much I love oni's writing again... In particular, "a seed is planted" continues to be one of if not my favorite logs because despite the troubling details and implications that come with it, it's the one thing in the entirety of the decaying corpse of gravitas that genuinely leaves us with a grain of hope (a seed if you will) and makes oni as a whole a lot more bitter sweet as while earth may not have survived, the dupes did, and after their horrible origins and the shit that many of them went through, in due time they'll finally get to just live, they're free now, and even if Olivia's sleep is end of a tragedy, the world will keep moving forward with or without those who've been lost

[valeriehalla]

actual writing advice

1. Use the passive voice.

What? What are you talking about, “don’t use the passive voice”? Are you feeling okay? Who told you that? Come on, let’s you and me go to their house and beat them with golf clubs. It’s just grammar. English is full of grammar: you should go ahead and use all of it whenever you want, on account of English is the language you’re writing in.

2. Use adverbs.

Now hang on. What are you even saying to me? Don’t use adverbs? My guy, that is an entire part of speech. That’s, like—that’s gotta be at least 20% of the dictionary. I don’t know who told you not to use adverbs, but you should definitely throw them into the Columbia river.

3. There’s no such thing as “filler”.

Buddy, “filler” is what we called the episodes of Dragon Ball Z where Goku wasn’t blasting Frieza because the anime was in production before Akira Toriyama had written the part where Goku blasts Frieza. Outside of this extremely specific context, “filler” does not exist. Just because a scene wouldn’t make it into the Wikipedia synopsis of your story’s plot doesn’t mean it isn’t important to your story. This is why “plot” and “story” are different words!

4. okay, now that I’ve snared you in my trap—and I know you don’t want to hear this—but orthography actually does kind of matter

First of all, a lot of what you think of as “grammar” is actually orthography. Should I put a comma here? How do I spell this word in this context? These are questions of orthography (which is a fancy Greek word meaning “correct-writing”). In fact, most of the “grammar questions” you’ll see posted online pertain to orthography; this number probably doubles in spaces for writers specifically.

If you’re a native speaker of English, your grammar is probably flawless and unremarkable for the purposes of writing prose. Instead, orthography refers to the set rules governing spelling, punctuation, and whitespace. There are a few things you should know about orthography:

English has no single orthography. You already know spelling and punctuation differ from country to country, but did you know it can even differ from publisher to publisher? Some newspapers will set parenthetical statements apart with em dashes—like this, with no spaces—while others will use slightly shorter dashes – like this, with spaces – to name just one example.

Orthography is boring, and nobody cares about it or knows what it is. For most readers, orthography is “invisible”. Readers pay attention to the words on a page, not the paper itself; in much the same way, readers pay attention to the meaning of a text and not the orthography, which exists only to convey that meaning.

That doesn’t mean it’s not important. Actually, that means it’s of the utmost importance. Because orthography can only be invisible if it meets the reader’s expectations.

You need to learn how to format dialogue into paragraphs. You need to learn when to end a quote with a comma versus a period. You need to learn how to use apostrophes, colons and semicolons. You need to learn these things not so you can win meaningless brownie points from your English teacher for having “Good Grammar”, but so that your prose looks like other prose the reader has consumed.

If you printed a novel on purple paper, you’d have the reader wondering: why purple? Then they’d be focusing on the paper and not the words on it. And you probably don’t want that! So it goes with orthography: whenever you deviate from standard practices, you force the reader to work out in their head whether that deviation was intentional or a mistake. Too much of that can destroy the flow of reading and prevent the reader from getting immersed.

You may chafe at this idea. You may think these “rules” are confusing and arbitrary. You’re correct to think that. They’re made the fuck up! What matters is that they were made the fuck up collaboratively, by thousands of writers over hundreds of years. Whether you like it or not, you are part of that collaboration: you’re not the first person to write prose, and you can’t expect yours to be the first prose your readers have ever read.

That doesn’t mean “never break the rules”, mind you. Once you’ve gotten comfortable with English orthography, then you are free to break it as you please. Knowing what’s expected gives you the power to do unexpected things on purpose. And that’s the really cool shit.

5. You’re allowed to say the boobs were big if the story is about how big the boobs were

Nobody is saying this. Only I am brave enough to say it.

Well, bye!

[aliyahwritings]

ARE YOU JEALOUS?

Summary: Sassy!Kook!Reader gets jealous when she sees Rafe Cameron close with another girl...

Content: neck sucking (?), childhood friends to lovers, kind of mean!rafe in one scene, bullying lol, suggestive towards the end but just a tiny bit.

Words Count: 5.5k ... i don't know what the fuck happened...

Aliyah's talking: IDK if i fw this or not but i hope yall will lolz <3 Thank you so much for the love on Protective Instincts btw!!!! I am so grateful and surprised that many of you all enjoyed it. Hope u'll enjoy this one too 🩷

Sunlight streamed into Sarah’s room, casting a soft, golden glow over the space as you lounged on her bed, idly flipping through a magazine. You both were sprawled across the plush, yellow covers, surrounded by half-empty bags of chips and scattered makeup palettes—evidence of an afternoon well spent. Sarah was perched by the vanity, trying on different lip glosses, all of which looked beautiful on her, but she insisted on which one was the best.

“So, tell me again,” she started, holding up a tube of shimmery pink gloss and squinting at it thoughtfully. “Why don’t you go for Jake? I mean, he’s cute, he’s smart—”

“And boring. He is boring,” you interjected, rolling your eyes with a laugh. “Come on, Sarah, you know how I am. I need someone with a little more… edge…? Someone that could handle me but also play the game, you know?”

Sarah smirked, setting the lip gloss down and turning to face you. “Edge… Handling your attitude… I’m afraid that weirdly sounds like someone we both know.”

“You think you’re so funny, huh?” you said, shooting her a mock glare.

She laughed, completely unbothered. "What? I’m just stating the facts!" She shrugged, a mischievous glint in her eyes. "As much as I hate to admit it, my brother definitely fits both criteria, so…”

You were listening to her but stopped when your phone buzzed. Out of habit, you unlocked it and opened the notification from Instagram; Topper posted a new story and you watched it. The screen was filled with a shaky video of the beach, the late afternoon sun casting golden light over everything. You recognized some people, but your attention zeroed in on Rafe, right in the center of it all. He was grinning, his arm slung around a girl who was laughing and pulling him closer, like they were the only two people on the beach. 

You felt a quick, unwelcome pang in your chest.

“Hey, what’s got you so interested?” Sarah’s voice broke through your thoughts, and you glanced back at her, masking any hint of emotion with a casual smirk.

You locked the screen and tossed the phone aside. “Nothing. Just Topper’s beach parties and Instagram stories.”

She gave you a skeptical look, folding her arms. “Don’t lie to me. I know you better than yourself, what did you see in that story, Y/N?”

You hesitated, but then shrugged, trying to play it off. “Rafe was at the party with some girl. A new girl. It’s not a big deal.”

“Ah, I see,” she said with a raised eyebrow. “You know he’s always messing around with someone new. But… I thought you didn’t care about what he was up to.”

“I don’t,” you said, a bit too quickly, crossing your arms. “He can do whatever the hell he wants.”

“Right. So, you don’t care at all?”

You rolled your eyes, trying to suppress a smile. “Look, I just don’t get what’s so special about him that girls keep falling over themselves to be around him. That’s all.”

She nodded with a giggle. “Yeah, no, I definitely—”

“And doesn’t it bother anyone that he’s got a new girl every week? I mean, if I were one of those girls who actually liked him, I’d be furious. Wouldn’t you, Sar?” You barely paused before continuing, not even waiting for her answer. “It’s honestly just sad because Rafe really isn’t even all that. Sure, he can be fun and nice sometimes, but he’s also a huge asshole with a big fucking ego. Is it just me, or is everyone blind to that?”

Sarah was quiet for a moment, studying you with a thoughtful expression before she finally spoke up. “You know what? I think we could both use a break from overthinking anything about the opposite sex. How about we get out of here and grab some smoothies? I heard there’s a new spot by the marina.”

You nodded, grateful that she didn’t talk about your little moment. “Yeah, let’s go.”

Sarah grabbed her bag, giving you one last teasing smile. “Smoothies and maybe some retail therapy afterward?”

“Sounds like a plan,” you replied, letting the idea of a carefree afternoon replace the lingering thoughts of Rafe. Whatever he was up to, it was his business. You weren’t about to let it ruin your day.

The soft hum of the fridge and the rhythmic clinking of silverware filled the kitchen as you, Sarah, and Rafe gathered around the island, your weekly routine as ingrained as the family photos lining the walls. The night was settling in, casting a cozy stillness over the room. You were only half-listening as Sarah rambled on about her weekend plans, your attention instead focused on pushing pasta around on your plate, not particularly hungry.

Rafe sat across the counter, leaning back in his chair with an ease that always seemed to irritate you. He had been quiet, too but you knew he wouldn’t last long. Sure enough, he broke the silence.

“Alright,” he began, raising an eyebrow at you, “what’s up with you tonight? You’re awfully quiet.”

You didn’t look up, keeping your tone purposefully casual. “Nothing’s up,” you replied, hoping he’d let it go. But you knew better.

“Come on,” he pressed, tilting his head in that infuriatingly smug way. “Where’s that feisty attitude you always have? Usually, by now, you’d have already made at least five smartass comments about my shirt or something.”

You let out a short, unimpressed laugh, finally meeting his gaze with a raised eyebrow. “Maybe I just ran out of things to say about you, Rafael. Ever think of that?”

He grinned, his eyes glinting with mischief. “Nah. You’ve got an endless supply of attitude, Y/N. I’d be shocked if you were ever actually out of material.” He took a sip from his glass, watching you over the rim with that familiar, infuriating smirk.

Sarah shot you a look, her mouth twisted in a tired smile as she mouthed, here we go. She had seen this routine a thousand times before.

“You really think I spend that much time thinking about you?” you fired back, folding your arms over your chest and fixing him with an unimpressed stare.

“Oh, I don’t think,” he replied smoothly, leaning in a little closer, “I know. Admit it. I’m in your head, aren’t I?”

You let out an exaggerated sigh, leaning back in your chair as you tossed him an indifferent look. “Right. You’re the center of my world, Rafe. Can’t you tell?”

He chuckled, clearly enjoying this. “You know, when you’re this quiet, it’s like a fucking flashing neon sign saying, ‘Something’s up’. Might as well tell me now.”

You rolled your eyes. You knew that engaging with him like this was a slippery slope—once you started, he never let up. But for some reason, tonight, you couldn’t help yourself.

“Honestly, I don’t have the energy for your little mind games tonight,” you said, trying to sound as bored as possible. “So, if you’re expecting me to entertain you, you’re gonna be disappointed.”

“Oh, come on. I don’t believe that for a second,” he shot back, leaning back casually in his chair as if he had all the time in the world to wear you down. “You love this. Sparring with me? It’s basically your favorite hobby.”

You scoffed, shaking your head. "Didn’t realize my silence was such a tragedy for you.”

“Oh, it is. I mean, where else am I supposed to get my daily dose of attitude?” He leaned back, feigning a pout. “Come on, you’re no fun like this. Did something happen?”

You rolled your eyes, twirling your fork in the pasta as if it held your entire focus. “Why would you care? I’m sure you have more important things to worry about. Maybe more girl—”

Sarah let out a sigh, interrupting before Rafe could respond. “Honestly, do you two ever get tired of this? We’re supposed to be having dinner, and it feels like I’m watching some sort of weird rom-com.”

You shot Sarah an exasperated look. “There’s nothing romantic about this, Sar. It’s called surviving.”

“Right,” Sarah said, clearly unconvinced. “But could you maybe survive without the constant bickering? Just once?”

Rafe smirked, clearly unfazed by Sarah’s comment as he turned back to you. “I don’t know. I think she secretly enjoys it. You should see how she lights up when she gets going.”

“Fuck off,” you muttered, taking a long sip from your glass and hoping it would mask the heat you could feel rising in your cheeks.

He watched you with an amused glint in his eye, clearly picking up on your discomfort. “A little defensive, aren’t we? I mean, I’m just stating the obvious here. You’ve been on edge all night. Care to share with the class what’s really bothering you?”

You set your glass down with a little more force than necessary, fixing him with a glare. “You really think everything’s about you, don’t you?”

“Not everything,” he replied, shrugging casually. “Just the things that involve you. Because, for some reason, every time you’re in a mood, it usually has something to do with me.”

You opened your mouth to argue, but then closed it again, unsure of how to respond without giving anything away. You didn’t want to give him the satisfaction of knowing he’d hit a nerve, even if he had.

“What’s the matter, princess?” he continued, pushing his plate aside as he leaned forward, his eyes never leaving yours. “Did something happen between you and Jake, huh? I thought you two were casually talk—”

You groaned, frustrated that he’d brought Jake into it. “There’s nothing to say about Jake. I’m just tired, okay? Not everything has to be about some guy.”

“Oh, I’m aware,” Rafe replied, his tone laced with a hint of smugness. “But I’d say you’re a little more…on edge than usual. So, it has to be about that guy, right…”

“Jake’s got nothing to do with this,” you said, your tone steady. “Unlike you, he actually knows how to mind his own business.”

Well, you’re just lying because you’ve never taken the time to actually learn about Jake and what type of person he was. As bitchy as it sounded, you were using him as a distraction.

You stared at him, hoping your silence would be enough to make him drop it. But, of course, he didn’t.

Rafe crossed his arms as he studied you, his gaze never wavering. “So, you’re saying you prefer a guy who lets you get away with whatever you want, then?”

You scoffed. “No, Rafe. I am saying I prefer a guy who doesn’t feel the need to stick his nose into everything I do. You know, a guy who’s secure enough to let me be without constantly needing to provoke me.”

“Yeah, I see,” he replied, nodding softly. “So, basically, you’re looking for someone boring. Someone who doesn’t challenge you, who just lets you coast by. Am I right?”

You let out a dry laugh, shaking your head. “You think you know me so well, don’t you? Don’t flatter yourself, Cameron. I can find someone else to annoy me if I really wanted to.”

Rafe’s eyes darkened, but that infuriating smirk stayed in place, like he thrived on every bit of tension between you. He cocked an eyebrow, leaning forward, his voice a low, taunting whisper. “Oh yeah? Who, exactly? Jake? He’s perfect for you—goody-two-shoes, never steps out of the fucking line. Because, let’s be honest, you’d crush him. He’d never call you out, never push you.” He paused, and there was a bitterness beneath his words, hidden but unmistakable. “He’d be safe.”

A bitter smile twisted your lips, the pain creeping into your voice despite your best efforts. “At least Jake knows how to be respectful. He wouldn’t stoop to tearing me down just to get a rise. He wouldn’t need to.”

Rafe scoffed, his amusement tinged with a hint of anger. “Respectful? Fuck that. You want someone to play nice and tell you what you want to hear, go right ahead. But I think we both know that’s not what you really want.” He took a step closer, his gaze fierce, challenging. “You think I’m the bad guy because I’m not afraid to tell you the truth. I don’t play pretend. I’m not here to tell you sweet lies—I’d rather see who you really are, even if that means pissing you off.”

You narrowed your eyes, fury blazing in your chest. He was looking right at you, like he could see through every layer you tried so hard to put up. But there was something deeper in his gaze, a flicker of something that made your heart race even as anger burned within you. And you hated that he could do that—make you feel so exposed, so raw, yet so alive all at once.

But to him, this was just another game. He thrived on your frustration, on the way he could get under your skin with just a few well-placed words. It was a twisted power play, a battle neither of you were willing to lose. And for a moment, the air between you was charged, almost electrifying, the tension so thick it was nearly suffocating. 

You wanted to hate him, but a part of you couldn’t help but wonder if he was right—if he really did see through to the parts of you that no one else dared to touch.

But that only made you angrier, and you felt a surge of resentment rise within you, pushing you over the edge. With a sudden flash of fury, you slammed your fists onto the table, the sound echoing through the room, your voice sharp and cutting. “You know what? Fuck you, Rafe Cameron.”

Without another word, you turned and stormed out.

The sound reverberated through the Cameron household, leaving a heavy silence. Rafe stood there, fists clenched, trying to swallow down the mix of anger and something else—something that felt dangerously close to longing.

Sarah raised an eyebrow at her brother. “You’re a fucking asshole, you know that?”

Rafe shot her a look, irritation simmering just beneath the surface. “You don’t get it, Sarah. She’s… She’s infuriating.”

But then he hesitated, his gaze drifting toward the door you had just stormed out of. The edge of his lips twitched in a way that was all too vulnerable, too honest. “But there’s something about her,” he admitted, his voice softening. “She’s fierce and passionate. When she’s angry, it’s like she’s alive in a way I can’t help but be drawn to. It’s frustrating, but… but she’s not afraid to challenge me, to call me out.” He paused, searching for the right words, his heart racing.

“And so that makes it right for you to annoy her to that point?”

He shrugged. “I don’t know. I can’t help it. I want her to see the real me, too. It’s like I can’t breathe when she’s around and then—when she leaves? It’s like the air just… disappears.” He ran a hand through his hair, a mix of confusion and desire etched across his features. “She challenges me in ways I never expected, and it drives me insane, but I can’t help but want more of her.”

“Wow,” Sarah said softly, her voice full of surprise. “I didn’t think I’d see the day Rafe Cameron talked about someone like this—but mess around with her like that one more time, and I’ll hurt you.”

The sun spilled into your bedroom, casting a warm glow that felt inviting. But you stirred, still brimming with the tumult of emotions from last night. Rafe’s words echoed in your mind—his teasing, the way he pushed your buttons, and the way your heart raced despite your annoyance. You groaned and rolled over, pulling the blanket over your head, hoping to drown out the memories.

But then laughter broke through the haze of your thoughts. It was bright and carefree, drifting in through the open window. Intrigued, you tossed off the blanket and slid out of bed, your curiosity piqued. A quick glance outside revealed the source of the joyful sounds: Sarah, Wheezie, and Rafe were out by the pool, splashing water and playfully throwing each other around.

Rafe, wearing nothing but swim trunks that hung low on his hips, was the centerpiece of the scene, effortlessly drawing your gaze. His tanned skin glimmered, accentuating the muscles that rippled as he dove and surfaced in the water, laughter spilling from his lips, infectious and buoyant.

You caught yourself ogling him, eyes roaming over the way the water dripped from his hair, the way his body moved with ease and confidence. It wasn’t fair, really—how could someone be so effortlessly captivating? The sun caught the edges of his grin as he tossed Wheezie playfully into the pool, the sound of her laughter ringing out like music.

You were lost in the moment, so caught up in the heat of his gaze that you didn’t even notice the way your thighs clenched together, craving the contact that felt just out of reach. All you could think about was the overwhelming desire to touch him—everywhere. You imagined your hands gliding over his toned chest, feeling the hard flex of his biceps beneath your fingertips, tracing the lines of his powerful arms as they wrapped around your body, waist, and ass pulling you closer.

You wanted him. God, did you want him.

Why did he have this effect on you? Why was he constantly invading your thoughts, even now?

A sudden buzz from your phone pulled you from your reverie. You grabbed it from the bedside table and saw a message from Sarah: “Get your ass out here! We’re in the pool, it’s fun! You’ll want to join us!”

A smile tugged at your lips at Sarah's enthusiasm, but a moment of hesitation passed as you remembered the tension of last night. Still, you didn’t want to be the odd one out. With a determined sigh, you pulled yourself away from the window and began to get ready.

You rummaged through your drawers, searching for that one bikini that made you look stunning and earned you a handful of compliments every time you wore it. Finally, you found it: a deep emerald green that contrasted perfectly against your skin tone. It was cut high, accentuating your legs, the top was daring, showing just enough to leave to the imagination. You paired it with a pair of denim shorts.

You headed towards the back door, nerves swirling in your stomach. As you stepped outside, the head of the sun hit you like a wave, and the sounds of laughter grew louder.

“You’re awake!” Sarah exclaimed, her voice bright and cheerful. “I thought we’d have to drag you out here!”

You laughed lightly, feeling a playful energy surge within you. “I’m here, aren’t I?” You shot back, trying to keep your tone light as you made your way toward the pool.

Wheezie exclaimed, eyes wide of admiration. “Wow, Y/N! Look at you!”

“Thanks!” you replied, trying to play it cool but secretly loving the attention. You glanced at Rafe, who had turned to face you, and your heart raced at the sight of him leaning against the pool’s edge, water cascading down his toned body.

His gaze lingered on you, a mix of surprise and appreciation playing across his features. “Well, well, if it isn’t the queen herself,” he teased, that infuriating smirk stretching across his face. “Nice of you to join us.”

You rolled your eyes and turned your back to him, feigning indifference as you busied yourself with anything but him. The events of last night were still fresh in your mind, a heated clash that left you reeling and more than a little irritated. You were determined not to give him the satisfaction of a reaction.

“Oh, so I get the silent treatment?” he drawled, his voice dripping with playful disbelief. “I’m devastated,” he added, the corner of his mouth quirking up in that infuriatingly irresistible smirk that always made your heart flutter.

Instead, you focused on Sarah and Wheezie, who were gleefully splashing water at each other. You couldn’t help but feel the pull of their energy. 

Hours rolled by and you settled onto a lounge chair, you could feel Rafe’s eyes on you, the heat of his gaze igniting your skin in a way that both thrilled and annoyed you. He was still in the pool, looking at you like he wanted to eat you alive. You didn’t know but you were driving him crazy with that attitude of yours, this whole ignoring thing and your fucking bikini. 

Sarah and Wheezie went inside the house to prepare some snacks and drinks for us because we were getting hungry and thirsty, leaving only Rafe and you. 

You pulled your phone, pretending to scroll through social media, anything to distract yourself from the way your heart raced at his presence. A notification lit up your phone, and your heart skipped a beat when you saw Jake’s name flash across the screen. The excitement surged through you as you opened the message:

"Hey, gorgeous. I really like you, and I’d love to take you out sometime. You in?"

He was cute—way too cute.

A grin crept onto your lips, and for once, you allowed yourself to enjoy the attention from someone who wasn’t toying with your emotions. Someone who actually seemed genuine. No games, no mixed signals. Just interest. The kind that felt refreshing after dealing with someone who never seemed to know what he wanted.

You barely had time to revel in it before Rafe’s voice cut through the moment, sharp and demanding. “What’s got you smiling like that?”

Your grip tightened on your phone instinctively, and you flicked your gaze up to him, feigning nonchalance. “Oh, nothing. Just a friend,” you said, slipping your phone screen down against your thigh.

Rafe wasn’t buying it. His eyes narrowed, skepticism written all over his face. “Just a friend, huh?” His voice had that dangerous edge to it, the one you knew too well. “Funny, you don’t usually smile like that over friends.”

You felt his eyes burning into you, but you refused to give him the satisfaction. “Really? Maybe you don’t know me as well as you think,” you teased, biting back the smirk threatening to break free.

Rafe’s jaw clenched. “Who was it?”

“Like I said, just a friend,” you repeated, your voice smooth, but now you were teasing on purpose. You could feel his irritation rising, and part of you enjoyed it. “What, are you jealous or something?”

He scoffed, though you didn’t miss the way his eyes darkened. “Why the hell would I be jealous?” he snapped, though it sounded more like he was trying to convince himself than you. “I’m just asking a question.”

“Uh-huh.” You raised an eyebrow, leaning back and tilting your head, watching him closely. “Right. Just a casual question, huh? Totally doesn’t sound like someone’s jealous.”

His hands were now resting on the edge of the pool, gripping it just a little too tightly. “I’m not jealous,” he repeated, but the way his gaze darted to your phone said otherwise. “But if it’s someone trying to get at you, then yeah, I wanna know. Who is it?”

“Someone,” you said vaguely, enjoying the fact that Rafe was teetering on the edge of losing it. “Someone who’s interested, clearly.”

Rafe’s eyes flared, and the jealousy in his voice became impossible to miss. “Interested in what? You?” His lips curled into a scowl, his muscles tense. “What, you think some random guy’s gonna—”

“Maybe,” you cut in, your smile growing. “Maybe he’s actually straightforward, you know? No mind games, no drama. Just a guy who knows what he wants.”

His brows shot up, the implication stinging. “And you think I don’t know what I want?”

You shrugged, not backing down an inch. “Well, you never seem to make it that clear. Maybe someone else is going to take your place as my—”

The possessiveness in his eyes flared. He pushed himself up out of the pool, water dripping from his shoulders as he moved closer, his presence looming over you. “No one’s stepping up, got it? No one’s taking my place.”

You met his gaze, unflinching, even as your heart raced a little faster. “Oh? And what exactly is your place, Rafe?”

He leaned in, the heat between you practically crackling. “You know damn well where my place is,” he murmured, his voice low, daring, yet with a hint of uncertainty creeping in. “And I’m not about to let some bitch ass slide in because you think I don’t care.”

You smiled, tilting your head, savoring the tension. “Seems like you do care. Maybe more than you want to admit.”

“Because I do care, Y/N,” he murmured softly, swiping his wet thumb across your cheek. “I told you already that I cared way too damn much.”

Rafe’s thumb lingered on your cheek, the warmth of his touch sending shivers through your body despite the heat of the day. His eyes held yours, dark and intense, as if he were trying to convey all the words he couldn’t quite say aloud. The air between you was thick, charged with a tension that had been building for far too long.

You swallowed hard, trying to hold onto some semblance of control, but it was a losing battle. “Your way of showing it is fucked, Rafe.”

Your words were meant to cut, but they came out softer than you intended, almost like a challenge. His jaw tightened, but instead of snapping back with some cocky retort, he stepped even closer. The scent of chlorine and his skin invaded your senses, and you couldn’t help but notice how his muscles tensed as he towered over you, dripping with water, his presence commanding.

“I care,” he repeated, his voice lower now, almost a growl. His eyes flicked down to your lips and back to your eyes, like he was making a decision in real time. “I care more than you know.”

Before you could muster a reply, his hand slid from your cheek to the back of your neck, pulling you just a little closer, your breath hitching as his lips hovered near your ear. “I think you know exactly what my place is,” he murmured, his voice rough with unspoken desire. “And you’re not running from it.”

His breath was hot against your skin, sending a wave of heat cascading down your spine. He didn’t move right away, as if savoring the tension that crackled between you, the nearness, the inevitability of it all. Your heart pounded in your chest, your pulse quickening as his lips brushed, ever so lightly, against the sensitive spot just below your ear.

You gasped, your hands instinctively gripping the fabric of your shorts as your body reacted to him, heat pooling low in your belly. “Rafe…” you whispered, not quite a protest, but not quite giving in either.

But he wasn’t about to back down now. He shifted closer, his mouth grazing the curve of your neck, soft at first, then firmer, the scrape of his teeth making your pulse race. Your skin ignited under his touch, and a low moan escaped your lips before you could stop it.

“You feel that?” he whispered, his lips trailing lower, his voice husky and thick with need. “That’s not some game. That’s real.”

Your body arched toward him of its own accord, your resistance melting as his hands slid down to your waist, fingers pressing firmly into your skin, pulling you closer. You could feel the heat of his breath on your neck, his lips teasing, torturing, as they brushed along your collarbone. Every touch, every whisper was setting your nerves alight, and you were dizzy with the intensity of it.

“You’re such an ass,” you muttered, trying to keep a shred of control, but your voice lacked conviction.

He chuckled softly, the sound vibrating against your skin. “Maybe,” he agreed, his lips brushing the spot just beneath your ear again, sending a fresh wave of shivers down your spine. “But you can’t stop thinking about me, can you?”

You hated how right he was. You hated how easily he could unravel you, how even now, you were leaning into his touch, craving more of it. But there was no way you were giving him the satisfaction of hearing it.

“Stop being so cocky,” you managed to whisper, though your voice wavered with the desire that coursed through you.

But Rafe wasn’t in the mood to stop. His hand slid to your lower back, pulling your body flush against his, the coolness of his skin mingling with your own heat. You could feel the hard lines of his body pressed against yours, his chest rising and falling as his lips grazed your shoulder, his teeth scraping lightly against your skin, just enough to make you shudder.

“Admit it,” he murmured against your neck, his voice a deep, rough command. “You want this.”

You closed your eyes, fighting to hold onto your last thread of self-control, but the tension between you was overwhelming, suffocating. His lips moved lower, placing slow, deliberate kisses along your collarbone, each one leaving a trail of fire in its wake. Your breath came in ragged gasps as your body betrayed you, leaning into him, craving the heat of his touch, the weight of his gaze, the way he made you feel like the only person in the world.

“Rafe…” you breathed, your voice barely audible, as his hand slid down to your hip, his fingers digging into your skin possessively. You could feel his breath on your neck, his lips hovering just above the place where your pulse raced beneath the surface.

“I want you, Y/N,” he whispered against your skin, his voice raw, filled with the desire that had been simmering between you for what felt like forever. “And I’m not letting anyone else have you.”

His words sent a shiver down your spine, and before you could think better of it, your hands were in his hair, pulling him closer, your body aching for the contact you’d been denying yourself for so long.

Your lips collided with his in a heated rush, all the pent-up tension and desire finally unraveling between you. Rafe’s hands immediately gripped your hips, pulling you impossibly closer as he kissed you like he’d been waiting for this moment forever. His lips were demanding, rough and hungry, but there was a softness to the way he held you, like he wanted to savor every second. You melted into him, fingers tangling in his wet hair, feeling the slickness of the pool water on his skin as his body pressed against yours.

The taste of him, mixed with the faint tang of chlorine, was intoxicating. It was all-consuming, drowning out every rational thought. He kissed you like he was staking his claim, like he wanted to erase any trace of doubt from your mind, and for a moment, you let him. Your body responded instinctively, arching against his as his hands roamed down your back, gripping you tighter.

When you finally broke apart, both of you gasping for air, Rafe’s forehead rested against yours, his eyes dark with desire and something deeper—something more vulnerable. His chest heaved as he looked at you, his breath coming in ragged bursts. “I like you, Y/N,” he murmured, his voice rough with emotion. “I like you so much it drives me crazy. No more pretending.”

You stared into his eyes, searching for any hint of the cocky facade he usually wore, but it was gone. This was Rafe stripped bare, no teasing, no arrogance—just raw honesty. It made your heart race in a way that had nothing to do with the kiss.

Your breath caught in your throat as you considered what he was saying. Could you trust him? Could you really let your guard down and give in to this, knowing how easily he could hurt you?

But before you could overthink it, he kissed you again, slower this time, more deliberate. His lips moved against yours with a tenderness that made your chest ache, and all your doubts melted away. At that moment, it didn’t matter what had happened before, or what might happen after. All that mattered was how he made you feel right now—wanted, desired, seen.

Rafe pulled back, his thumb brushing gently against your bottom lip, his eyes flicking between yours. “Tell me you feel it too,” he whispered, his voice rough, almost pleading. “Tell me I’m not the only one. Tell me, princess.”

You swallowed hard, your heart hammering in your chest. There was no point in pretending anymore. “You’re not,” you admitted, your voice barely a whisper. “You drive me crazy, Rafe, too—I don’t want to feel this way, but I do.”

His lips curved into a small, triumphant smile, but there was relief in his eyes too, like he’d been holding his breath, waiting for you to say it. “Good,” he murmured, his hand cupping your face as his thumb stroked your cheek. “Because I don’t think I can let you go.”

[ciaoteamo]

Milk and Water (Pt. I)

pairings: doppelgänger!Milkman x fem!Reader

summary: One of the newest residents’ very first doppelgänger comes in, trying to sway you into to letting them in. Will you..?

pt.II

art credit (twt: loafuu_chii)

warning: 18+ content

“…what’s the story behind your um… ears(?)” You ask the doppelgänger before you. It was a clone of one of your favorite neighbors actually, her name was Maria.

A woman around your age that you became really close friends with over the few months of you working here.

“@&! !$?&” The doppelgänger let out a series of sounds.

“right, so give me one second” You press the bright red button next to the window and the steel blinds shut with a blaring alarm sound.

You call D.D.D. and they clean up their mess per usual. You once again, you were just thankful you didn’t have to work on that side of the glass.

You check your wrist watch, and happily sigh at the fact that you only had one more hour left to work.

“ mmm, someone’s eager to go home i see” A familiar voice speaks up.

“oh, Mr. Francis” You give the man a polite grin. He gave you a sly one in return. You knew it wasn’t him off the bat. Francis was usually shy towards you, making you want to tease him into blushing whenever you saw him.

Well, you suppose you could kill two birds with one stone. Flirt with the doppelgänger of your crush, and have some entertainment.

“how are you pretty girl” He asks, sliding an I.D. and sheet through the slot.

You examine the documents and identification and beam a smile up at him.

“the date on the I.D. is a little expired hun” You declare. He lets out a small chuckle and leans a little toward the glass.

“mmm, been busy with the milk business, love. must’ve slipped my mind to renew it” He replied. His eyes were low but he still held his sly grin. You leaned back in your chair, with a bored look on your face.

“you’re not like my Francis” You huff and tilt your head with a disappointed look.

His grin faltered and he stepped closer. His breathing had quickened a bit and he took off his hat. “who knows, i could be better” He suggests.

Now that his confidence had depleted a little, you were growing bored of him. You checked the time again and you had 45 minutes left.

“well i’ve gotta get you moving now. it was nice to see such a handsome face though, so thank you” You beam and reach for the button

“you don’t want to do this, trust me” He states with a warning tone. This wasn’t unusual, getting threats after realizing they’re doppelgängers, but being that this one was this aware… they must be evolving.

“and why would i trust you?” You ask out of curiosity.

“i mean look at me” He smirks, one arm leaned against the top of the window. His irises turned from their chocolate brown and into an empty pure white.

“hm” You nod and press the button.

“(Y/N)!” He roared with what you assume was his fist banging the glass.

You call D.D.D. and wait for them to clean their mess, again.

The steel blind begins to lift and you sit back in your seat, checking your watch again but noticed the new pink lighting that shone in.

You furrow your eyebrows and look up in horror as you see blood streaks on the window in thick, and dripping amounts. You jump out of your chair and put your back against the wall.

About 5 D.D.D. workers were piled up, bloody and battered in the corner of the room, and there the doppelgänger was.

Staring at you.

His eyes were low, his shirt was torn, revealing his pecs and the start of his abdomen. He was panting with his (surprisingly still) neat hair and an almost psychotic expression.

“oh no…” He starts with a laugh, still breathing heavily.

“what did you do..?” You cover your mouth with your hand.

“it’s what you did. you got me all riled up.”

He looks down for a brief moment and you swear you hear a zip. He holds his tie and the end of his tattered shirt in his mouth and looks up at you with knitted eyebrows.

His breath fogging up the window as he asks you. Looking like a poor starving puppy. “will you let me in now…? I need your help…” He slightly groaned.

“…what. the. fuck.”

[derinwrites]

The Three Commandments

The thing about writing is this: you gotta start in medias res, to hook your readers with action immediately. But readers aren’t invested in people they know nothing about, so start with a framing scene that instead describes the characters and the stakes. But those scenes are boring, so cut straight to the action, after opening with a clever quip, but open in the style of the story, and try not to be too clever in the opener, it looks tacky. One shouldn’t use too many dialogue tags, it’s distracting; but you can use ‘said’ a lot, because ‘said’ is invisible, but don’t use ‘said’ too much because it’s boring and uninformative – make sure to vary your dialogue tags to be as descriptive as possible, except don’t do that because it’s distracting, and instead rely mostly on ‘said’ and only use others when you need them. But don’t use ‘said’ too often; you should avoid dialogue tags as much as you possibly can and indicate speakers through describing their reactions. But don’t do that, it’s distracting.

Having a viewpoint character describe themselves is amateurish, so avoid that. But also be sure to describe your viewpoint character so that the reader can picture them. And include a lot of introspection, so we can see their mindset, but don’t include too much introspection, because it’s boring and takes away from the action and really bogs down the story, but also remember to include plenty of introspection so your character doesn’t feel like a robot. And adverbs are great action descriptors; you should have a lot of them, but don’t use a lot of adverbs; they’re amateurish and bog down the story. And

The reason new writers are bombarded with so much outright contradictory writing advice is that these tips are conditional. It depends on your style, your genre, your audience, your level of skill, and what problems in your writing you’re trying to fix. Which is why, when I’m writing, I tend to focus on what I call my Three Commandments of Writing. These are the overall rules; before accepting any writing advice, I check whether it reinforces one of these rules or not. If not, I ditch it.

1: Thou Shalt Have Something To Say

What’s your book about?

I don’t mean, describe to me the plot. I mean, why should anybody read this? What’s its thesis? What’s its reason for existence, from the reader’s perspective? People write stories for all kinds of reasons, but things like ‘I just wanted to get it out of my head’ are meaningless from a reader perspective. The greatest piece of writing advice I ever received was you putting words on a page does not obligate anybody to read them. So why are the words there? What point are you trying to make?

The purpose of your story can vary wildly. Usually, you’ll be exploring some kind of thesis, especially if you write genre fiction. Curse Words, for example, is an exploration of self-perpetuating power structures and how aiming for short-term stability and safety can cause long-term problems, as well as the responsibilities of an agitator when seeking to do the necessary work of dismantling those power structures. Most of the things in Curse Words eventually fold back into exploring this question. Alternately, you might just have a really cool idea for a society or alien species or something and want to show it off (note: it can be VERY VERY HARD to carry a story on a ‘cool original concept’ by itself. You think your sky society where they fly above the clouds and have no rainfall and have to harvest water from the clouds below is a cool enough idea to carry a story: You’re almost certainly wrong. These cool concept stories work best when they are either very short, or working in conjunction with exploring a theme). You might be writing a mystery series where each story is a standalone mystery and the point is to present a puzzle and solve a fun mystery each book. Maybe you’re just here to make the reader laugh, and will throw in anything you can find that’ll act as framing for better jokes. In some genres, readers know exactly what they want and have gotten it a hundred times before and want that story again but with different character names – maybe you’re writing one of those. (These stories are popular in romance, pulp fantasy, some action genres, and rather a lot of types of fanfiction).

Whatever the main point of your story is, you should know it by the time you finish the first draft, because you simply cannot write the second draft if you don’t know what the point of the story is. (If you write web serials and are publishing the first draft, you’ll need to figure it out a lot faster.)

Once you know what the point of your story is, you can assess all writing decisions through this lens – does this help or hurt the point of my story?

2: Thou Shalt Respect Thy Reader’s Investment

Readers invest a lot in a story. Sometimes it’s money, if they bought your book, but even if your story is free, they invest time, attention, and emotional investment. The vast majority of your job is making that investment worth it. There are two factors to this – lowering the investment, and increasing the payoff. If you can lower your audience’s suspension of disbelief through consistent characterisation, realistic (for your genre – this may deviate from real realism) worldbuilding, and appropriately foreshadowing and forewarning any unexpected rules of your world. You can lower the amount of effort or attention your audience need to put into getting into your story by writing in a clear manner, using an entertaining tone, and relying on cultural touchpoints they understand already instead of pushing them in the deep end into a completely unfamiliar situation. The lower their initial investment, the easier it is to make the payoff worth it.

Two important notes here: one, not all audiences view investment in the same way. Your average reader views time as a major investment, but readers of long fiction (epic fantasies, web serials, et cetera) often view length as part of the payoff. Brandon Sanderson fans don’t grab his latest book and think “Uuuugh, why does it have to be so looong!” Similarly, some people like being thrown in the deep end and having to put a lot of work into figuring out what the fuck is going on with no onboarding. This is one of science fiction’s main tactics for forcibly immersing you in a future world. So the valuation of what counts as too much investment varies drastically between readers.

Two, it’s not always the best idea to minimise the necessary investment at all costs. Generally, engagement with art asks something of us, and that’s part of the appeal. Minimum-effort books do have their appeal and their place, in the same way that idle games or repetitive sitcoms have their appeal and their place, but the memorable stories, the ones that have staying power and provide real value, are the ones that ask something of the reader. If they’re not investing anything, they have no incentive to engage, and you’re just filling in time. This commandment does not exist to tell you to try to ask nothing of your audience – you should be asking something of your audience. It exists to tell you to respect that investment. Know what you’re asking of your audience, and make sure that the ask is less than the payoff.

The other way to respect the investment is of course to focus on a great payoff. Make those characters socially fascinating, make that sacrifice emotionally rending, make the answer to that mystery intellectually fulfilling. If you can make the investment worth it, they’ll enjoy your story. And if you consistently make their investment worth it, you build trust, and they’ll be willing to invest more next time, which means you can ask more of them and give them an even better payoff. Audience trust is a very precious currency and this is how you build it – be worth their time.

But how do you know what your audience does and doesn’t consider an onerous investment? And how do you know what kinds of payoff they’ll find rewarding? Easy – they self-sort. Part of your job is telling your audience what to expect from you as soon as you can, so that if it’s not for them, they’ll leave, and if it is, they’ll invest and appreciate the return. (“Oh but I want as many people reading my story as possible!” No, you don’t. If you want that, you can write paint-by-numbers common denominator mass appeal fic. What you want is the audience who will enjoy your story; everyone else is a waste of time, and is in fact, detrimental to your success, because if they don’t like your story then they’re likely to be bad marketing. You want these people to bounce off and leave before you disappoint them. Don’t try to trick them into staying around.) Your audience should know, very early on, what kind of an experience they’re in for, what the tone will be, the genre and character(s) they’re going to follow, that sort of thing. The first couple of chapters of Time to Orbit: Unknown, for example, are a micro-example of the sorts of mysteries that Aspen will be dealing with for most of the book, as well as a sample of their character voice, the way they approach problems, and enough of their background, world and behaviour for the reader to decide if this sort of story is for them. We also start the story with some mildly graphic medical stuff, enough physics for the reader to determine the ‘hardness’ of the scifi, and about the level of physical risk that Aspen will be putting themselves at for most of the book. This is all important information for a reader to have.

If you are mindful of the investment your readers are making, mindful of the value of the payoff, and honest with them about both from the start so that they can decide whether the story is for them, you can respect their investment and make sure they have a good time.

3: Thou Shalt Not Make Thy World Less Interesting

This one’s really about payoff, but it’s important enough to be its own commandment. It relates primarily to twists, reveals, worldbuilding, and killing off storylines or characters. One mistake that I see new writers make all the time is that they tank the engagement of their story by introducing a cool fun twist that seems so awesome in the moment and then… is a major letdown, because the implications make the world less interesting.

“It was all a dream” twists often fall into this trap. Contrary to popular opinion, I think these twists can be done extremely well. I’ve seen them done extremely well. The vast majority of the time, they’re very bad. They’re bad because they take an interesting world and make it boring. The same is true of poorly thought out, shocking character deaths – when you kill a character, you kill their potential, and if they’re a character worth killing in a high impact way then this is always a huge sacrifice on your part. Is it worth it? Will it make the story more interesting? Similarly, if your bad guy is going to get up and gloat ‘Aha, your quest was all planned by me, I was working in the shadows to get you to acquire the Mystery Object since I could not! You have fallen into my trap! Now give me the Mystery Object!’, is this a more interesting story than if the protagonist’s journey had actually been their own unmanipulated adventure? It makes your bad guy look clever and can be a cool twist, but does it mean that all those times your protagonist escaped the bad guy’s men by the skin of his teeth, he was being allowed to escape? Are they retroactively less interesting now?

Whether these twists work or not will depend on how you’ve constructed the rest of your story. Do they make your world more or less interesting?

If you have the audience’s trust, it’s permissible to make your world temporarily less interesting. You can kill off the cool guy with the awesome plan, or make it so that the Chosen One wasn’t actually the Chosen One, or even have the main character wake up and find out it was all a dream, and let the reader marinate in disappointment for a little while before you pick it up again and turn things around so that actually, that twist does lead to a more interesting story! But you have to pick it up again. Don’t leave them with the version that’s less interesting than the story you tanked for the twist. The general slop of interest must trend upward, and your sacrifices need to all lead into the more interesting world. Otherwise, your readers will be disappointed, and their experience will be tainted.

Whenever I’m looking at a new piece of writing advice, I view it through these three rules. Is this plot still delivering on the book’s purpose, or have I gone off the rails somewhere and just stared writing random stuff? Does making this character ‘more relateable’ help or hinder that goal? Does this argument with the protagonists’ mother tell the reader anything or lead to any useful payoff; is it respectful of their time? Will starting in medias res give the audience an accurate view of the story and help them decide whether to invest? Does this big twist that challenges all the assumptions we’ve made so far imply a world that is more or less interesting than the world previously implied?

Hopefully these can help you, too.

[nightingale-prompts]

God's TV- DC x DP prompt

Accidentally summoning a god from another dimension can happen, especially when cults are involved. However, no can could predict that the not only was the god a teenage boy but also a very bored teenage boy who didn't want to leave.

So he stayed and moved into Titans tower.

Danny is helpful (when he wants to be) but rarely goes out on missions. He says they are boring and nothing is dangerous enough to exert the effort. Instead, he minds the medical bay. Having a healer more than made up for the lack of help.

It's not like anyone disliked Danny or thought he didn't do anything it was just that he was unpredictable. Danny could be nice, considerate, and even sweet if he was working in the medbay. He could also be a pain in the ass anywhere else. He loved pranks and scaring people with his powers. He was harmless though.

No one really knew what he did all day. He was usually in his room doing something they guested. Said room was an anomaly. It was larger on the inside having been made into a pocket dimension. The appearance and organization of the room changed every time you went in.

It was after one mission that the team learned what was in the room.

A rogue had used their invention to erase Superboy's memories and they didn't know what to do. They took him to Danny who was currently rearranging the medicine by color. They hoped that his powers covered mind-altering afflictions. Unfortunately, Danny couldn't wave a hand and fix this.

Instead, Danny took the group to his room. The decor was neon Tokyo meets space right now. The furniture was currently floating and almost hitting Wonder Girl in the head with an end table. Of course, there was no gravity here.

"Stay here while I grab it," Danny said flying up the vertical corridor.

While he was gone the room rearranged itself into a contemporary format. The furniture grounded itself and shifted into a normal living room.

Danny returned with a cart and a headset. He placed a card he pulled out of the cart into the headset and put it on the dazed Superboy's head.

"Wait what is that?" Tim asked.

"It's his memories. I kept a backup in case this happened." Danny shrugged.

Immediately everyone began asking what the hell does that mean and why does he have that.

"Oh please, this dimension has this happened all the time. Amnesia is so cliché and cheap. I saw a pattern and decided the easiest way to prevent you from losing the entirety of your lives was to make save states of your memories." Danny said matter of fact.

Robin pinched the bridge of his nose.

Impulse studied the rack of cases and looking for the card with his name on it.

Wondergirl sighed, she was used to this from Robin but even he wouldn't go this far.

"What? It's not like just anyone can find these. Only you can access your own memories anyways. I just decided to repurpose my RE:Viewer." Danny pouted.

"What is a reviewer?" Wally asked flipping through the cases. Each one had titles like moves or shows with an arrangement of stickers.

"The RE:Viewer is something I created to catalog things I've seen looking into other dimensions. I don't have an infinite memory you know. But the longer I have my title the more I'll lose touch with my mortality. These things help me stay close to people by giving me the chance to remember how it feels. I also have been using them to get the stories of others. Keeping their experiences like you'd keep a TV show or movie. So many stories could have been lost to time but now they are saved. I use them to teach myself." Danny smiled.

The concept genuinely sounded interesting. Like experiencing a movie in 4d.

It had been 3 minutes before Kon took off the headset and back to his old self.

Danny pulled the input card out and it disappeared into another realm with a flick of the wrist. Danny was completely honest that the copies were inaccessible to everyone but him.

"You feeling alright Superboy? Your memory should be backed up until a week ago." Danny said shining a light in his eye.

"I'm fine. I think. What happened?" Kon asked batting the light out of his eyes.

"Explanation later. Take a nap first. You aren't concussed at least." Danny informed.

"What are the stickers for?" Wally said pointing at the rainbow of colors the card cases had.

"Just the emotions associated with the experiences. Orange is comedy, red is action, pink is romance, and blue is tragedy." Danny listed. "That one with the pink is one of my favorites. I meddled a bit in that world. Two people who had never met fell in love at two points at different times. One of them was doomed to die but I worked my magic on a mirror that allowed them to meet once. They shared notes left in different places for the other months ahead. Makes you believe in true love. A real tear-jerker."

"What about the black stickers?" Wally asked.

"Don't touch the black ones," Danny said darkly, smacking his hand away. "You don't need to know about those. I don't like thinking about them."

"So you just take the memories of others and put them inside your machine to replay later?" Batgirl asked. "Isn't that kind of wrong?"

"No, I asked permission. I usually pull them aside at some point and ask. If it's my memories (that's the green stickers) I don't need to. The rainbow ones are simulations. Like a video games." Danny responded patting her on the back for not being to hard on him about this admittedly weird situation.

"So what's the black one with the rainbow sticker?" Wally asked picking up the case that was obviously stuffed in the back.

"STOP TOUCHING THOSE!" Danny yelled pulling him away.