#like it is a group and also everyone in that group has their own backstory with TONS of people in their backstory as well
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Sometimes we are deeply deeply tempted to make line-ups of our AU Versions Of Characters or something of the like, but then we remember our consistent preference for AUs to be canon-adjacent at absolute minimum meaning a lot of them will look relatively same-y combined with our struggle to draw character sizes accurately to each other makes that task a lot harder than it arguably should be.
#we speak#"yeah this is leif and this is leif from wereweevil au (the only difference is a few more scars from close proximity to wereweevil)#our tendency to make kabbu Relatively Normal Compared To These two probably doesn't. help#since leif is fucked up in a way that is prone to changing cross-universe and vi is fucked up in a way where any change can be Fun#but kabbu already has a relatively dramatic backstory where changing it tends to change Little or like. mess with other parts#because kabbu as a character is more defined by his relationship to others than his own Self and most of the changes we can make#don't really show us that well aesthetically#we could probably get an entertaining isat character lineup since all of our aus there are shared custody and generally contain like#major physical changes#but we're not good at. human faces for that. would probably look like totally different people from outsider perspective#normal odile vs capstone odile is seven forms also#we've got... normal au. time stop resistance which doesnt have a consistent size. capstone au which is the same issue with more forms#psmd is literally just a totodile so less issues there. omegaverse has traits of Tall.#we have just paused for long enough to consider that capstone au for mirabelle will involve drawing half a dozen horses#...we have now paused for long enough to remember that capstone bonnie specifically does not have a limit on form number like everyone else#unfortunately we are not drawing that. our condolences to the folks in the group chat doing algebra on that au though#misc.
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re: what fandom 'a little life' came from, my immediate knee-jerk thought was "backstreet boys." i have absolutely no basis for this other than Terminally Online Brain Worms esp bc..........there are 5 of those boyband fellas and as far as i remember only 4 main characters in that book lmfao. what can i say. the boyband angle feel right
yeah i'll incorporate that into my belief system
#fandom life#total speculation!!!!!! but i love it!#a little life#Ok but fr i think the time period of peak bsb rpf fits HY's age group#Also the (initial) thing of we are a group of successful handsome men all just kind of hanging out .. is very boyband au rpf ..#the nebulousness of the setting (in time period etc) is very fanfictiony to me the thing of everyone being successful in different fields#very fanfictiony#And one of them has a horribly traumatic backstory... classic fanfic trope! tho taken to extremes here. who here remembers#the 'rape recovery' fanfic trope. HY said what if that.. but no recovery . which sure is a valid artistic choice a valid question.#what if someone DIDNT get better. but full disclosure i could NOT finish this book i really felt i had to stop for my own safety .#as if people don't not get better all the time u know??? and as that one reviewer said . WHO in the world of this book#WOULDNT become a crystal meth addict. etc. there's no legit way out and that's a total authorial construction.#anyway i do actually think she's a skilled writer but i did not feel the compulsion to finish this book that so many ppl have felt#built different i guess. just walk out!#if you're a normie who never read any absurdly ott h/c fanfiction i guess it hit different tho!#mangoamango#asks#i welcome furhter speculation.... i always thought it was possible it was some band i'd never heard of or some 90s manga i never read#I did manage to read her first book 'the people in the trees' and yes i would describe it as 'good'#but it's like . imagine an ursula le guin book but evil
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Honestly I wonder what a good formula is for making a fandom so PASSIONATELY hate a character cuz people HATE morally grey characters more than villains a lotta the time BUT very SPECIFIC morally grey characters that aren't all chalked up to being Secret Heart of Gold type deal
#like all of my characters have flaws and the more and more I think about them the more flaws I give them#I don't want them to be good people I want them to be real which real people can be good but people always be makin mistakes#and watching people reacting to shows and different types of characters and seeing the various reactions ppl have to characters like#it's wild cuz most people react differently than me when it comes to characters but they don't do it in the same ways#they all have a unique idea of how the character is and react differently#which also helps me think of how all my character interact and the ways they view each other#in general real people and the common issues I see them having also helps me understand how to write character a bit#I'm just kinda bad at executing it is all#cuz people are extremely complicated and also people can act out of character for one reason or another#but it isn't really ''out of character'' it is just people acting different in different situations towards differing people#also people just might do something different for the sake of doing something different or it's just an off day y'know#it's a lot to take into consideration while creating a whole world and having like 9 main characters#like it is a group and also everyone in that group has their own backstory with TONS of people in their backstory as well#not to mention... well it's just a lot lmao#fun tho! just hard for me to get characters right a lotta the time I feel
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Sometimes I see reviews about D&W where people think Worst Wolverine's backstory is super lacking. That they expected something epic like how Mysterio tricked Logan to slaughter everyone in the Old Man comic run.
But that plot, at least to me, doesn't make The Worst Wolverine. It probably makes the Most Tortured Wolverine -- the story of a man slaughtering his own family with his bare hands because he was mind controlled. Which inevitably created a power vacuum so gigantic that the world basically collapsed as supervillains take over the world.
But the title of Worst Wolverine should belong to the Logan that completely abandons his most important moral value: to be the protector.
Sure, he tends to be nomadic and at times self-isolates, but at his core he truly knows what it means to be a pack animal: to be a part of a cohesive family unit, rely on others, be a guardian for the weak.
In a literal sense, a common backstory for him was that he just fucked off from human society after he mutated to live with a pack of wolves. He turned feral, but they also taught him about the importance of community.
Even if you aren't a fan of the wolf background (which I AM because I think it's funny and dramatic as hell), there's other stories where he got taken care of by the Blackfoot Tribe and Lord Ogun before somehow winding up in the Weapon-X Program. Then, the Hudson family rescued him and helped him gain his humanity back after the adamantium experiments. He joined Department H, and sometime after, he found his place with the X-Men.
My point being that past or present, Logan has always belonged to a family. He needs it -- his human AND animal side both need it. He's not meant to be a creature of solitude. When he is, it's a form of punishment that he inflicts upon himself because he doesn't feel worthy to be around the people he loves or he's worried about hurting them. Or it's something inflicted upon him -- aka he's been captured and is being experimented on.
So what does all this tell us about Logan's moral code? He cares deeply for others because it's in his nature to be a part of a pack and he will do anything to protect them.
He's very caring towards animals (ex. looking after wolves that took care of him, mercy killing a bear in The Wolverine, and saving the horses in Logan). He tried to save Silver Fox's life when Sabretooth attacked her. When his wife Itsu was murdered, he relied on the advice of Lord Ogun to get vengeance for her with the Muramasa Blade. He joined Department H and Alpha Flight because he owed the Hudsons so much after re-acclimating him to society. He stayed with the X-Men because Charles gave him a home, family, and purpose outside of being a weapon. He enabled him to be the good man that he is by not only using his powers for the good fight but also being a teacher for the students.
As a character, Logan was created to reflect the archetype of the cowboy/samurai with the morals of honor, integrity, and justice. He's also not afraid to be judge, jury, and executioner for the people he loves. He's a man of action.
So what is the antithetical? A man who dishonors himself by not taking his job seriously. A man of inaction who abandons those he loves. A man who doesn't seek justice but wallows in regret and guilt.
And what did the Worst Wolverine do?
He let his fondness for drinking harm his work. While he was drinking at a bar, a group of humans invaded the X-Mansion and killed a large part of the staff, students, and X-Men. He entered a berserker rage where he murdered the invaders AND innocent people. He tarnished the legacy of the X-Men.
The title of Worst Wolverine doesn't go to the man who got brainwashed and killed without knowing. The title goes to the Logan who killed indescriminantly and didn’t want to stop.
He chose to walk away when they called out for him. He went into a beast state that made the public completely turn against the X-Men in just one night. Instead of making up for his sins, he just went back to the bar -- the very thing that killed his family. He did everything he could to go against his morals of honor, integrity, and justice.
He was a man who failed his family.
THAT'S what makes him The Worst Wolverine.
#my post#wolverine#logan howlett#deadpool and wolverine#i went insane with this one#i just hate when people are like 'hur dur his backstory wasnt cool enough'#SHUT UP#HES NOT SUPPOSED TO BE COOL#HES SUPPOSED TO BE A PATHETIC COWARD!!!! THATS WHY EVERYONE HATES HIM!!!!!!!!!!!#HES THE VILLAIN OF HIS UNIVERSE YOU BUFFOONS!!!!!!#character essay
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whats your favourite narnia book if you have one
Since I grew up as an autistic christian, I have many Narnia Opinions!
So, my favorite book for it's own reasons is probably The Magician's Nephew. I'm always a slut for worldbuilding and backstory and that novel is basically just only that. Some guy we know from another book goes on an adventure and in the process gets to be involved with the creation of one world and the destruction of another? kick-ass.
Best book to adapt? The Lion, The Witch, and the Wardrobe. 1988 BBC version, 1979 Cartoon version, 2005 theatrical? All good, in their own ways. The BBC version is just perfectly 80s and the costumes are amazing (because they are costumes! they did all the monsters by sticking a guy in a big costume and I love it), the cartoon version captures the fucking whimsy of a story where SANTA SHOWS UP AND GIVES EVERYONE PRESENTS and the first person to offer any serious lore about the situation is named MR BEAVER. And the 2005 film has the big battles and CGI and Tilda Swinton as the White Witch which is... so much. I love them all.
But the best book adaptation is the 1990 BBC The Silver Chair. Hands down. It's got Tom Baker's Puddleglum, Warwick Davis playing an owl, 0£ BBC budget greenscreened giants (MULTIPLE TIMES), a group of people discovering IT'S A COOKBOOK and one of them being offended by the cookbook saying they don't taste very good, the bad guy turning into a giant rubber snake. a witch trying to gaslight some humans into believing the sun is a myth, and the ultimate salvation of Eustace Scrubb: a boy who almost deserved being named that.
And since I can't not list basically everything Narnia ever made, BBC's 1989 Prince Caspian and The Voyage of the Dawn Treader is pretty good too. It's a fun "road movie", in that it's an odyssey into a fictional Mysterious Ocean of Here There Be Dragons.
Lotta hits in that one. It's also got a "collect the macguffins!" plot where they're trying to collect the Seven Lost Lords.
But yeah, it's like... the first Island gets them a lord and they get to end slavery. Next up, Dragon TF island (The dragon is Greed... but it's also just a literal fucking dragon). Next, Gold TF island. Gold, it turns out, makes you go insane in your lust for wealth, even if you're already a Prince of a whole country. The gold is Greed, but it will also just fucking kill you because you'll be turned into gold.
Then it's the island of the ugly invisible one-foot guys and it turns out they cast a spell to turn invisible so no one could see how they're ugly but they're not ugly, they just think they are? and then it goes "HEY LUCY COMPARE YOURSELF TO YOUR OLDER SISTER" and she's like "I'm ugly.... unlike her. Maybe I should use magic to STEAL HER BEAUTY?!" and it's like, wow. Is there maybe a theme here about self-esteem in your appearance? and Clive Officemax Lewis is over there going I'LL NEVER TELL.
Anyway it's got the good line about how the Wizard in charge of the ugly invisible one-footed pogo-idiots is that how he eagerly awaits the day that they can be ruled by wisdom, instead of magic. It's a fun approach to magic: it's something that is a shortcut, a crutch, and it's a poor replacement for Wisdom, even when used by "the good guys". Tell me, Mr. FedexKinkos-Lewis, do you have any opinions on the complicated relationship between Christianity and magic? oh, you do? I never would have guessed!
They also find The Island Where Dreams Come True. They don't land there, they just fish a screaming man out of the ocean who is trying to escape it. The sailors hear it's The Island Where Dreams Come True and are like "wow, I could have my own ship!" and he yells no, you fools, not dreams like your wishes and imaginations, your actual dreams come true on this island.
and everyone agrees: Get us the fuck away from this island and lets never return.
Anyway I'm not gonna talk about THE ENTIRE MOVIE/BOOK but it's got a great weirdness at the end where they reach the end of the world (which is flat. It's okay, this is Narnia, a completely different world with different physical rules than Earth), and it's a waterfall, but a waterfall going up?
It turns out Heaven is on the other side of it. They turn around, but the anthropomorphic mouse is like "ehh, I'll take that journey" and becomes the Elijah of Aslan's Country, their equivalent of heaven.
Narnia, won't you?
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Once Upon A Friendship
Pairing: Childhood Bestie!Steve Rogers x F!Reader
Word Count: 8.6k~ guys i obviously have a problem, my fics just keep getting longer and longer and idk how to stop
Rating: Teens and up!
Disclaimer: Well, well, here we are~ submitting this lil ficlet for @witchywithwhiskey's Slasher Summer Writing Challenge using the following prompts: carnival/county fair + forced proximity + "You think that's blood?". & Because I also wanted to engage with our writers community even more cuz <3, -- I'm also submitting this to @the-slumberparty Sundae Bar challenge: Chocolate (secrets will be REVEALED), butter scotch (childhood friends and the feelz is real 🥹), french vanilla (cause forced proximity trope was inevitable for our reader), w/ toppings of chocolate syrup (established relationship), graham crackers (flashback-backstory heavy), and toasted almonds (🫣get ready for some angst).
Summary: Growing up together, you and Steve were inseparable. Where did it all go wrong?
***I don't give any permission for this to be reposted anywhere! Pls do not steal work, plagiarism isn't cuteeee~~~~
Warnings/Triggers: Minors just be mindful that this has mentions of teenage sexual activity but not explicit (all age appropriate) but adding my warning below just in case, explicit language in few pieces of dialogue, ANGST with a happy ending, childhood besties to enemies/strangers, bucky, wanda, and nat are your besties too, steve is a shit communicator, both steve and reader are young and a bit naive, cheesiness ensues, fluff, work is not beta'd so any grammar mistake is my bad!!
*Any comments/reblogs are much appreciated and are so encouraging - more than you know. Pls don't hesitate to interact with me <3
“Argh, Wanda, no– I told you, I hate these things!” You whined despondently while grabbing at her arm.
“Look, you only have to go straight in and see it all the way through! It’s not like there’s any detours.” Wanda replied while giving you a deadpan look.
You returned the look with your own mocking face, “Wan, you know that isn’t the reason why I hate these things! They grab at you and try to scare you.” You shivered at the thought of one of the maze actors dragging you away somewhere where you couldn’t be found.
“Well…that is their job, y’know?” Wanda said, holding her chin in mock thought. You scoffed and shoved her playfully while she giggled at you.
“Plus, it’s so hot out! It’s probably so stuffy in there, especially if we go in with a random group.” You complained while attempting to fan yourself while holding your hair up off your neck. This summer was brutal, you couldn’t believe that anyone would be at the carnival fair today. But alas, everyone seems to want to enjoy the last throes of summer.
“We won’t go in with a random group - Nat said that they’re going to meet up with us before we go in.” Wanda said distractedly while taking out her phone, assuming that she was going to be checking in with Natasha.
Your brain took a second to process what she just said before you froze, your mouth agape, “Wait, ‘th-they’re’? Don’t tell me…”
Wanda stood ramrod still as if lightning just struck. The finger that was twirling her own hair froze its mindless motions as she stared at her phone unblinkingly as she realized her mistake.
“Argh, Wanda!” You hissed out and covered your face with both of your hands in genuine despair.
Wanda held a guilt-ridden expression, “Oh no, I’m so sorry, chip – I completely forgot that he would be coming-- honest!”
You released a heavy sigh and closed your eyes to mentally prepare yourself for dealing with the person that you despised the most in this world.
Steve Rogers. The bane of your existence.
Well, not really (-ish).
He also happened to be a guy that you have been crushing on since you were 10 years old.
Did he know this? No. But even if he did, you would be the last person on Earth that he would pick. How do you know this, do you ask?
You and Steve knew each other since you were basically in diapers. Alongside Bucky and Nat, the four of you grew up together. Although, that didn’t stop you from drawing the short end of the stick when dealing with your pre-pubescent teen years.
You were a late bloomer– while Nat developed boobs and became a natural flirt at 13 years of age, you were still dealing with the bullies at 13 years old whilst trying to navigate hormones, underdeveloped boobs and pre-teen acne. Bucky quickly developed a barely there mustache and a smirk that made all of the other girls swoon (though, you were convinced that it was really just for Natasha instead). And Steve…well, Steve was like you. Underdeveloped, skinny, no hair to be found on his face. He was as tall as you, and dealt with the bullies way worse off than you ever had to do.
But that didn’t stop you from falling in love with Steve Rogers.
Steve was one of your best friends. He always looked after you, whether it were mean girls coming to pick on you again or making sure that you got lunch together. You walked home together, stayed at each other’s houses to study or play video games. You developed a routine where one day in a week, you would order a chocolate chip milkshake while he got a vanilla whip at your local diner, and stayed there for hours just talking about your common interests together. Steve gave you your nickname, ‘chip,’ since he constantly made fun of the fact that you got the same milkshake everytime.
You also remember when the both of you decided to be each other’s first kiss. It was awkward and weirdly coordinated, but it was nice and you trusted each other. You both laughed afterwards and hugged, swearing to each other your friendship was still intact. When your parents would make playful jokes or tease you about when you and Steve were going to be a couple, you blushed and would shy away.
Where Steve was, you were there too.
You were basically inseparable as you both knew that you two were the underdogs of the group. Bucky and Nat quickly became the ‘It’ power couple as you all entered into highschool. Steve and you were the glue to your little gang and it just felt so nice to not be alone.
Thankfully, you were able to grow more into yourself by the time that you were 16 years old. Your skin cleared up a bit as you learned to develop a skin care routine, and your boobs started to actually look like there were two of them. Though, you never could quite get past the social isolations (despite the fact that your two best friends were the hottest and the most popular kids at school).
And while you changed a little bit, Steve…well– Steve changed alot. It was like one day he just woke up and became the guy that he was always meant to be. He started developing a build and grew a beard, had a huge growth spurt and joined the football team. He became strong and capable of anything. But, he was still Steve. He continued fighting for the ‘little guy’ even though he became on par with Bucky and Nat’s social class at school.
Unfortunately, with Steve’s new social status came the one thing that you couldn’t compete with: Sharon Carter.
Captain of the cheerleading team, it was almost natural for Steve and her to become a couple. You remembered the day that Steve and you hung out after school for your regular milkshake when he told you quietly that Sharon asked him out to the junior year annual dance. He blushed beautifully as he told his best friend the news, and you made sure to plaster on a fake smile and told him that you were happy for him.
After he took you home, you did your homework, took a shower– and as you got into bed, you cried yourself to sleep feeling utterly alone for the first time in your life.
Things changed after that. Steve couldn’t walk you home because he was walking Sharon home. He couldn’t play video games with you at yours because he was at Sharon’s. Then, he started canceling your daily milkshake hang outs.
“I’m sorry, Chip- I have practice to get to.”
“Sharon mentioned that she needed my help today. I’ll see you next week.”
But next week came and went, and still no Steve.
You quickly realized that Steve was blowing you off when you caught him making out with Sharon at the library in school when he told you the day before that he was going to be at football practice.
You didn’t mean to catch him at all - but you heard noises and glanced over to see him and Sharon behind the well-known ‘hook up’ section of the library. You squeaked in surprise since they were only half clothed, Steve with his shirt off and Sharon in only her bra. As you stood there shocked, you caught Steve’s widened eyes as they both turned to look at you. Sharon was pretty annoyed that you interrupted them (clocking her narrowed glare), but Steve at least had the decency to look embarrassed as they both put their clothes back on.
The shock of catching him in the act wasn’t as surprising (as much as it broke your heart, you knew that people in relationships would typically take it to that level fairly quickly). What was surprising was Steve’s reaction. You thought that maybe he would apologize for lying to you, or for blowing you off as many times as he did. But instead, he cleared his throat and his eyes became more stern as he didn’t say a word. He took Sharon’s hand in his and left.
You remembered standing there for another 5 minutes until you saw another couple glare at you as they took Steve and Sharon’s space. You didn’t even get what you came for– you walked straight home, crying, despondent over losing your best friend. (It was the movie scene where the side character gets discarded and cries silently in the rain - you felt so pathetic).
From that point forward, you didn’t bother texting Steve anymore. And he didn’t ever attempt to text you. He ignored you in the hallways and you didn’t ever look up at him when you would pass each other either.
Throughout all this, Nat and Bucky were there for you when you came to them about what happened and your waning friendship with Steve. Nat was pissed while Bucky looked confused as to how your friendship could change so quickly. Even though they were still close with Steve too, Nat and Bucky made sure to include you more during their hangouts or offer to take you home, which you felt grateful for, but it didn’t change the fact they had each other. And that you were still alone.
College was your wake up call to move on from Steve Rogers. You applied to universities that were all out of state, intentionally left your decision last minute so that no one could talk you out of it. Your parents didn’t approve but ultimately respected your decision.
You remembered graduation where all of your parents made you take a group photo on the bleachers. Nat and Bucky were on the higher step as you and Steve took the lower one. It was awkward as you two barely looked at each other, and fumbled on where to place your hands. It was Bucky who eventually groaned exasperatedly and placed your hand on Steve’s back while he placed his around your waist.
You recall the moment that really ended things between you and Steve, which was a party at one of Bucky's friends’ places. Nat and Bucky invited you to come in order to have your ‘last high school experience’ (whatever that meant). Unbeknownst to them, you were leaving the next day for settling in your new university halfway across the world.
The party was blasting obnoxious EDM and the house was littered with red solo cups and other kids yelling at each other as they played beer pong. Feeling so displaced, you took a beer and headed upstairs to look for an empty room.
Just your luck, you would enter the one that had Sharon (again, half-naked) on top of Steve (who was again, also shirtless) on the bed. You obviously interrupted them in the middle of something again. As they both turned to look at you, Sharon groaned your name in annoyance with an ‘ugh, seriously?!” and for you to ‘‘get out.’’ You couldn’t help but ignore her as you looked at Steve once more.
He had this same look of annoyance in his eyes as he sat up on the bed that was so unfamiliar. You’ve never seen Steve look at you like that before– as if you were a nuisance or some sort of insignificant thing. It was the same look that he gave you at the library. He became the bully that he used to protect you from when you were kids.
Something took over you in that moment where you felt your already fragile heart just shatter into several pieces. Though, somehow, all traces of self-pity and loneliness left your body as you coldly looked over at this stranger that you realized you maybe never really knew in the first place. In that moment, you tuned out Sharon’s nasty words, and only looked at Steve with an intentional, apathetic glint in your eyes.
The words just slipped out before you could even process them:
“I wish that I had never met you.”
You could mutedly hear Sharon scoff and give some sort of insult (you couldn’t really remember honestly) since the only thing that you waited for, and wanted to notice, was Steve’s reaction. You watched as the traces of annoyance in his eyes glazed out and changed into something that looked akin to shock, panic and something else that you couldn’t place.
Satisfied with finally being able to impact him for once, and to let him know how much you hated him in that moment, you turned to leave determinedly– you were pretty sure that you heard him yell out your name before you left but you slammed the door hard, ran down the stairs, and out of the house until you made the trek home.
You told yourself that night, as angry tears fell out onto your pillow in your childhood bedroom, that you would move on from Steve Rogers. That you deserved more and that you were going to make space for yourself in your own way.
As you settled into your new apartment, met Wanda as your new roommate (and now your certified best friend), you received a call from Nat and a text from Bucky.
Natasha was, naturally, upset at you for leaving without telling her. She made you promise to never do that again and to come to her more when you needed her. You felt one piece of your heart pull together again at how sincere and emotional Nat was on the phone. You realized that you may have also neglected your best friend when you and Steve were close, and promised her on the phone to never let that happen again.
Bucky sent a text saying, “Dude, what the fuck,” which is pretty polite for him, considering the context. You apologized and explained to him your desire to build your own life and while he was still mad at you, he expressed his understanding and respect for your decision.
Bucky and your relationship was never very close like Steve’s and his was, but he always looked after you (in his own way). You felt protected by Bucky in ways that you couldn’t with anyone else, and you knew that he would always ultimately support you as he would his younger sister. He told you to text him if anyone were to bother you, and you promised that you would check in with him daily.
You did receive one text from Steve: “I’m sorry for everything, chip.” That was all he wrote.
You glared at your phone and deleted his text, so overwhelmed with your anger and determination to remove Steve Rogers from your life. It seemed as if your lack of response was enough for him to get the message that you were done since he didn’t text you since that day.
At Uni, you really grew and developed into yourself. You became involved in college campus life, got a job as a TA, had a boyfriend or two. You dated one guy for six months before calling it off since you were better off as friends, and any other flings that you’ve had were short-lived or just didn’t land well enough to be in a committed relationship.
But you learned alot from these relationships and ultimately felt grateful to connect with people as you proved to yourself that you were something without the people back home. That you were more than the girl who loved Steve Rogers. You were proud of yourself for that.
Flashforward to now, you’ve just finished your freshman year of college. You’re visiting home for the summer to visit your parents, and to visit Bucky and Natasha, both of them ultimately decided to attend one of the local colleges. You kept your promise with them and stayed close, and even brought Wanda back with you– since introducing her to them last week, she became fast friends with your childhood friends.
You haven’t really spoken to Steve since that last stint in high school. Considering that your two best friends were still close with him too, and your families were all close, you couldn’t exactly avoid him. But you never talked about what happened in highschool. At the chance that you would see and interact with each other, you would greet him politely even though there was still some animosity there.
Steve wasn’t outwardly mean or rude, and he would try to talk with you more than once before in the past year, but you were evasive everytime in avoiding anything deeper than a “hello, how are you doing?.” You would stuff down the guilt from his disappointed and hurt expressions as you actively avoided him. You brushed off your friends who were begging you to try to repair your friendship with Steve– and just go back to school, blissfully living in ignorance.
But now, as you stood in line awkwardly waiting for the Summer Queens County Fair’s haunted corn maze with Steve (your friends suddenly “needing” to get some drinks or go to the bathroom while Steve and you waited for tickets in line), you felt like you wanted to pass away from the how thick the tension filled the air.
You could practically feel Steve’s tense energy in attempting to engage you in conversation. And damn him, he looked good. His muscles looked even fuller as they were accentuated by a basic white tee, and his beard- argh, his beard- only made his features even more rugged and handsome.
You hated the way that he could still make your heart flutter, even after all this time had passed.
“So,” you almost jumped when he finally broke the silence. “How have you been, chip?”
You felt yourself take a minute to defrost your stiff and frozen body as you turned to look at him. You met his curious gaze and said blatantly, “I’ve been okay.”
Silence filled the space again as your bluntness seemed to envelop the air around you. “Uh, that’s good. Are you…–how are you finding your classes?”
You looked back at him with narrowed eyes and just felt a rush of frustration move through you seeing his eager expression, that puppy dog look that always made you feel empathy for him suddenly made you feel annoyed and impassive.
“We don’t have to do this, Steve.” You said to him bluntly while crossing your arms defensively.
Steve’s own eyes narrowed in confusion and he swallowed heavily. He seemed to be thrown off by your comment. “I’m just trying to get to know you again, chip–”
“Well, I don’t want you to get to know me, Steve, okay?!” You interrupted him as your voice raised before lowering in the latter half.
Looking up at him, you met his eyes for the third time that night, but what you didn’t expect to see was that he looked so crestfallen and sad.
The guilt that has built up over the past few years swooped in and rested heavily in your chest. Instantly regretting your outburst, you sighed, “Look, I just think that we may be better off just not talking to each other, okay. We don’t have to try to be friends again just because our friends forced us to finally interact with each other since highschool.”
Steve winced at your cutting words, and he still had this sadness on his face as he looked down at his feet before he said quietly, “I’m not trying to…–I just…it’s been a long time, chip. The last time that I saw you, with Sharon and with what you said, I–,” you both winced in that quick rehash of the incident. Steve finished with a weary sigh, “Honestly, I just miss you.”
You frowned when listening to his words as the sincerity behind it felt displaced, and out of nowhere. You also couldn't help but feel concerned as you really looked at him. Outwardly, Steve looked as put together as he usually did. But people weren’t used to seeing him the way that you had growing up.
Looking closer, his eyes weren’t as bright as they could be, and they looked tired. Slight dark circles were forming underneath his dim eyes, shading his fully bearded face that was just a tad unkempt. He looked like he hadn’t been sleeping well and his shoulders had a hunch to them that could be perceived as calmness when you knew that it more resembled a tiredness or despondence.
Your frown was still on your face as you elected to ignore his declaration of missing you and simply asked, “Are you okay, Stevie?”
At your question, Steve noticeably straightened up and his mouth parted in surprise that reflected in his eyes. You both stood there for a moment as you stared at him with concern and him looking at you with…mirth? With your lips pursed, you glanced at him with narrowed eyes at seeing the humor alight in his eyes, brightening them a bit more towards its familiar shade of cerulean blue.
“Okay, what just happened?” You asked suspiciously.
Steve’s eyes brightened more and the grin that was growing on his face grew even larger into a soft smile. “You called me Stevie.”
You lurched back a bit as you replayed the moment briefly in your head and stuttered a bit at the realization. You hadn’t meant to call him that at all, but when you saw that sad look on his face and the signs of it on his body, you couldn’t help but recall moments similar to when you were just kids, walking home, checking in with each other during similar moments, but experiencing these things together.
“Uh- I– I’m sorry, I didn’t mean to call you–,” You blushed and stuttered as you tried and failed at attempting to save your slip.
“No,” Steve interrupted you, his smile wilting a little bit. “Please, don’t apologize for that. I,– I miss us when we were just kids. Nobody calls me that anymore, well, beyond Nat and Buck, of course.” He said sheepishly while running his hand through his hair, disheveling it even more into a natural, annoyingly perfect quaff.
You gave him an assented hum and cleared your throat as you looked back down at your feet, giving the flattened grass an invisible kick. You both were quiet again but the awkward animosity wasn’t as present as it was before. You both shifted on your feet a bit more before glancing up at each other from time to time, barely missing each others’ eyes before finally, your gazes met each other at the right time.
He was looking at you differently– this time with that good-natured smile and levity in his eyes that glinted at you with that same ‘something else’ that you couldn’t quite put a finger on a year ago.
His small grin was reluctantly infectious as you felt your lips start to curve upwards as a response.
“Whatever.” You rolled your eyes trying to stuff down your smile as you replied with a cheap response. Memories surfaced again of your witty banter that you used to share that always started with Steve’s little smile, and you couldn’t help but let out a small laugh as you opened them again to meet his own humorous gaze.
Steve’s soft smile grew into a teasing smirk, “That’s good, at least I got a smile and a laugh from you before you start to avoid me again.”
You only gave him an incredulous look at how blatantly out of pocket that sounded before letting out a sudden, full belly-laugh with him. You couldn’t believe that you were laughing again with Steve Rogers.
You felt this feeling again too - it wasn’t heartbreak, but rather, the shattered pieces that were shoddily put together again throughout the years felt solidified just a little bit more.
The laughs died down and the both of you remained standing there with genuine grins on your face. Before you lost your nerve, you felt a sudden urge to have him listen to you, to hear you, and to understand what really happened between you two.
“Steve–,”
“Chip, I–”
You both looked at each other and laughed for a moment before he indicated for you to go first. His grin looked so boyish and sincere, you couldn’t help but smile back at him as you two were just high school kids in Brooklyn again. Comfortable and authentic, together.
About to open your mouth, you get interrupted again by the person that you least expected to see on your visit back home.
“Chip? Steve? Oh my gosh, is that you two? Wow, chip! Look at you, you certainly grew into yourself!” Sharon’s pitched voice pierced the mutual bubble that was starting to form between you and Steve and flattened its existence.
You gave her a quick glance over and were internally surprised to see that she seemed to be exactly the same. Her eyeliner framed her hazel brown eyes that were widened in what looked like surprise, and with a hint of condescension (cause why wouldn’t she look down upon you with all of that pity). Her blonde hair resting softly down her back as she stood there in her floral skirt, her friends right behind her glancing over at you and Steve disinterestedly.
You stood there and gave her a fake shoddy grin as you greeted her back politely. “Sharon, wow, hi.” Your monotonous tone couldn’t be covered up in time before the words left your mouth.
She only gave you a dull hum before she glanced over at Steve with a smirk. “Hi Steve, how are you?”
The curious part of you couldn’t help but try to catch Steve’s reaction to her presence. You had no idea where things left with them since you left that day, and you never bothered to ask your friends either. Assessing him, he was looking at her with a nonchalant expression, and you were unsure of how deliberate his reaction was as he made small talk with her.
Trying to gauge his expression, there wasn’t any sadness present in his eyes anymore, nor was there any mirth. But, you did notice a stiffness there. The corner of his eyes crinkled a little too harshly as he forced a polite smile onto his face. You could see his jaw clench as Sharon droned on about her college experience.
Time couldn’t erase the fact that you did know Steve Rogers for some time– and when he was uncomfortable, he wasn't able to hide it at all.
The theatrical tunes of the fair and the echoes of people screaming in mirth and laughter suddenly came back in as you hear the booth employee for the haunted corn maze (this line was way too long for what it was worth) call for you and Steve to step on up.
You couldn’t stifle the quiet mutter under your breath, “thank god” as a wave of relief flooded through your body at being able to escape the dangers that you just experienced as you turned around to follow the employee to the front of the maze. You didn’t even say bye to Sharon, and you didn’t even realize that your friends hadn’t returned from their supposed tasks.
Your mutter may have been louder than you thought as you heard a snort from beside you. Glancing over, Steve was looking down at you with a returned humor that you just rolled your eyes at him. “Well, it’s not like you wanted to be there anymore than I did. Your tells are still exactly the same, Stevie.” You said derisively.
Ignoring the harshness of your tone, Steve only smiled more as you slipped boundaries again. You only caught it when you saw that he was simply just staring at you in response. Only then did you catch it and you rolled your eyes again with a small smile. His smile grew more as he intentionally leaned and walked into your path as you both followed the employee. You stumbled to your left at his deliberate clumsiness and shoved him away from you playfully before you could stop yourself.
You’re teasing around with Steve Rogers. And reluctantly admitting, you weren’t unhappy about it.
You both continued to shove each other away as Steve kept teasing you until you reached the front of the maze. The employee turned to face you before you went inside to explain the rules and you were listening attentively until you heard a throat clear from behind you. Looking back, you see that it's Sharon and her friends.
Trying to, but unsuccessfully, cover your agape mouth at seeing that they were actually following behind you this entire time, you clenched your jaw with annoyance and turned to face forward again.
The despair that you felt come in earlier from Steve’s arrival has returned tenfold with Sharon’s presence. Paired with the fact that you’re being forced to have entered a haunted corn maze, your hackles rise angrily at the fact that you’re being forced into a situation with both Steve and Sharon that you didn’t even wanna be a witness to, AGAIN.
Feeling suddenly so tired and exhausted, you let out a despondent sigh, “Okay, are we doing this or what?” The employee merely raised their eyebrows before motioning you to move forward in the maze.
You could feel Steve’s eyes following you as he tried to walk next to you, but you could hear Sharon trying to engage with him again. You could hear him respond but you didn't really care anymore. You didn't mean to be rude, but you were feeling resentful of all of it again. Especially hearing Sharon’s whiny voice trying to speak with Steve right directly behind you, you once again felt utterly alone.
Torches and string lights lit up the corn maze. Although, the night sky was void of any lights or stars, which made the maze really feel like a maze– isolated and desolate. You could hear Sharon’s two friends in the back muttering that they were scared as they let out occasional, little screams at any sounds that could be heard (even if it was just the wind grazing the corn harshly, or honestly, the sounds of their own footsteps, ha.)
Feeling so bored and wanting to leave, you turned around to just go back when you saw Sharon holding on to Steve’s arm with a worried look on her face.
You were passing by some rows of hay with a sticky red substance spilling all over it when you heard Sharon’s small screech.
“Omg, you think that’s blood?,” She said with a genuinely worried tone.
You wanted to laugh so bad as you looked over at Steve, just in time to see the rolling of his eyes and heavy sigh. She seemed to be grasping onto him with an even tighter grip and although Steve wasn’t shaking her off, he did have that uncomfortable look on his face again.
His second aggravated sigh and furrowed brows gave away his annoyance as he attempted to subtly create some space between his body and her touch. You turned forward again as the laughter erupted in your throat, but you managed to stifle it in time with a pursed smile on your face at hearing Sharon’s affronted noise in response.
You could read a mean girl from far away at this point – Sharon’s attitude wasn’t lost on you nor was her sudden closeness with Steve. But it didn’t bother you as much as you thought it would, even if you found out that they were still together after high school. Honestly, a part of you felt satisfied that Steve, the one responsible for the existing tension between you in the first place, was finally just as uncomfortable as you were. To see Sharon offended and to see Steve’s discomfort made you feel a sense of justice and a resurged faith in good ol’ karma.
That pride you felt in being able to find your own comfort in your healing made you feel giddy. You weren’t in any sense of a relationship that held any drama. It felt good to know that the forced proximity didn’t just affect you at this moment. Yeah, sucks to suck, doesn’t it?
You flinched a few times as you continued walking throughout the maze with some actors coming out to scare you, but as you saw the glaring red Exit sign, you couldn’t wait to get outta there. Speed walking at this point, you were determined to walk out of this maze with your gaze forward, determined to not look back at the two sore points of the past few years.
You made it to the exit and sighed in relief. You were already a few paces away when you heard Steve call for you.
“Wait, chip! –”
The body is a wonder - your mind was so fixated on leaving but when you heard him call out for you, your mind flashed to the both of you waiting in line, flashed to the sounds of your laughter mixing together, the feeling of him leaning into you. You didn’t want to but, suddenly, your feet just stopped in place and you turned around to look over at him. Hope swelled in your chest…
And there was Steve. And Sharon. Kissing.
You inhaled deeply at the sight, not expecting to have caught them, yet again, mid-kiss. The tension knotting in your stomach finally exploded, and your stomach dropped making your feet feel so heavy. It was like watching a car crash happening in front of you - you felt fixated and couldn’t move, turn away. The hope that was swelling in your chest evaporated like mist, and you felt so foolish. The pieces that were somehow lodged together again from your earlier interaction broke into pieces, and felt grinded into dust. The wind took its opportune moment to breeze through your hair, and it almost felt like it intentionally took your longing for your best friend again with it.
Steve gripped Sharon’s arms harshly, shoving her away from him with an angry expression on his face. “Sharon, what the hell?!” He exclaimed. Turning away from Sharon and her pouted expression, his widened eyes frantically found yours.
Even a few feet away, the panic that you saw in them was familiar. You remember seeing it exactly when you had severed the existing relationship between you and Steve that night.
You couldn’t help your reactiveness– you were feeling so triggered by what you were witnessing. Your vision started to get blurry as you felt that familiar burning sensation building in your eyes. The panic in Steve’s eyes intensified at the sight, and when he made a move to step forward, your feet instinctively took one step back.
Completing the reenacted memory, you felt your mouth press into a hardened line as you met his gaze with a ferocious determination. Familiar numbness rose up and a lethargic apathy just washed over you. You bravely met his gaze and although the words weren’t being said, you and Steve both heard the words.
“I wish that I had never met you.”
The truth was, the anger and rage that you were feeling (and let’s be honest, the resentment that you suppressed and just gaslit yourself into reframing it as healing) was just the surface. Underneath, a deep and hollow feeling of just being unwanted and undesirable bubbled up with a vengeance. You didn’t wanna hear it, but you were tired, were abandoned by your friend(s), and energy depleted from tonight’s event. You knew you couldn’t be there any longer.
Your feet continued to step back slowly as you heard Steve asking for you to please wait - but then Sharon took his arm again needily and you took that as your opportunity to bolt.
You dropped your teary-eyed gaze away from his almost desperate looking one, mumbled out a quick excuse and left with a brisk nod. It was just like when you were 17 again, you heard Steve call out your name again but you don’t stop to look. You didn’t see him staring after you so longingly and looking so dejected, nor did you see him blatantly remove his arm from Sharon’s grip again while they hushed out intense looking whispers at each other.
The parking lot of the carnival was in sight as you wiped away the bitter tears from your face. You knew that leaving was immature of you, and you knew that you would disappoint your friends. You knew that you were breaking your promises to Nat and Bucky (and now Wanda) about talking with them before making any impulsive decisions.
You reached your old pick-up and opened the door harshly. The tears wouldn’t stop as you stood outside the car. Almost child-like, your hands curled into fists as you brought them to your eyes and just sobbed.
For a moment there, you thought that maybe…maybe you could start again. Maybe you and Steve could rekindle your friendship, or at least, talk things through. You thought that maybe you’d be able to continue laughing again. You shook your head, feeling so much pity for yourself.
Heaving out another wilted sigh, you closed your eyes and tilted your head back to allow the fresh winded air to dry your tears upon your chilled face. You needed time to think, and you knew exactly where you wanted to go, and what you needed.
The sweetness of the chocolate shavings melted in your mouth, leaving only the sugary taste behind. You took another sip of your milkshake and made sure to swipe some whipped cream from the top for an extra sweet finish.
The diner was mostly empty, spare a truck driver or two sitting by the bar tops. You mindlessly stir your milkshake some more with the plastic straw and couldn’t help but relieve another sigh from your body. You came to the diner for nostalgia’s sake, and a chocolate chip milkshake was always a huge dopamine boost for whenever you were feeling sad.
But this time, getting your favorite milkshake at the diner left more of a sour taste in your mouth as each sip just reminded you of Steve.
You decided that you would try to bring yourself to feeling better before you left for home, which meant drinking your milkshake, making small talk with Betty (the sweet, old waitress who has been giving you milkshakes for free since you were a teenager), and settling the grievances that you could actually fix.
You instantly texted Wanda to let you know that you had left the carnival, and that you hoped that she was having fun going to the bathroom for the past hour. Instantly receiving an apologetic text back for ditching you with Steve, you figured it was as good a time as any to also let her know that she would have to ride back with Bucky and Nat (given the fact that you also had basically left her there too). She sent you the mouth wide open face emoji, and you knew that you both could call it even.
Nat texted you a selfie of her and Bucky pouting remorsefully. It was enough to make you crack a grin (Bucky looked so ridiculous). You demurely sent them back a picture of your middle finger (because you were the bigger person of course), which only had her text back an apology with an IOU. You knew that they were only trying to be your friends, but at least you would have this photo as blackmail for future purposes.
You started to play a game on your phone mindlessly when you heard the door ring, indicating a new customer walking in. Not even looking up, you proceeded to win the next level of the game until someone set another chocolate chip milkshake down on your table.
“Oh, it’s okay, Bet, I didn’t want–,” you started to say as you looked up. But it wasn’t Betty who dropped off the milkshake.
It was Steve.
Your eyes widened a bit in just processing that he was actually there, standing in front of you. He actually came to find you? The scene from earlier was so crystal clear and akin to your high school memory, you were convinced that that would be it. As you sat there staring doe-eyed at Steve, the scene had felt like it glitched as it was now playing out differently than you had expected.
Heat rose to your cheeks as your gaze focused on Steve’s determined facial expression. You turned forward to face your new milkshake and deliberately avoided his narrowed gaze. You could feel him still staring at you and you shifted uncomfortably. He didn’t say anything but moved to sit across from you in the booth, heaving out a heavy sigh of his own as he did too.
You kept your eyes down as the both of you let the silence permeate the air around you. A few minutes passed before you were about to officially just get up and leave when Steve broke the silence first.
“I swear,” he turned to look over at you with an exasperated gaze. “I had no idea that she was going to be there.”
A disbelieving scoff came out of your mouth and you rolled your eyes blatantly. “Steve stop, again, you don’t have to do this – “
“Stop saying that, chip!” His voice was filled with a sternness that you couldn’t ignore. Your eyes widened at him as he continued, “I’m here because I want to be, okay? Not cause Bucky, or Nat, or your family told me to or forced me to. I found you - and I asked you to wait earlier and you ran away, again!”
A glare scrunched up your face as your fury rose up at the audacity of his scolding, “Excuse me?! I didn’t want to wait because I didn’t want to watch you and Sharon sucking each other’s faces off, again!” You flourished your mocking with a tight expression and only caused Steve to oppose you even more.
“She was the one who kissed me – I didn’t want to be there with her either. I haven’t even seen or spoken to Sharon since you left!” Steve blurted out.
Your heart felt like it was racing in your chest and your mind blanked at hearing Steve’s reveal as you tried to stutter out a response. “What– I don’t–,” words were hard. You thought that they were together for some time during the year in college. With the way that Sharon was acting, you assumed that they were still interacting with each other, somehow, at the very least.
Steve took advantage of your surprised silence and continued, “God, chip. After what happened at the party, I just…I realized then how much I hurt you.” He looked at you with such remorse as you just continued staring at him. The hardness that was built over the years was still surrounding you, trying to protect you, even if Steve was professing his regret.
“When I heard you say that you regretted having ever met me,” you both flinched at the words as he said them, “and this look in your eyes…it looked like you really despised me and I felt it and I just–,” Steve cut himself off with another flinch and pinched his eyes shut.
“I let it get to my head. When I made the team and when people started to pay attention to me, when those bullies stopped bothering me and actually invited me to things, I lost sight of what really mattered to me the most and that was you. I know that that is a stupid excuse, and that I was hurting you, even way before what happened at the party and I was dumb, immature, and just stupid, and I’m sorry. I’m so sorry, chip.” He spewed out the words faster than he could coherently process them but the sincerity could be heard in his rushed tone.
His downcast, teary eyed gaze met yours and you felt your breath hitch slightly at the sight. Growing up with Steve, he was always the formidable one. He was the one who reached out first to hold your hand if you cried. The one to maintain composure and calmness while you were the one who was more nervous and panicked. To see Steve so out of breath, wistful, and low-spirited was worrisome and unfamiliar to you.
You were at a loss for words as you tried your best to process his words. Steve bit his lip nervously as he tried to gauge your reaction. When you only met him with more silence, the despondent look in his face only grew, “Please. I completely understand if you still don’t want to be friends, and after this, I’ll completely leave you alone. But honestly, chip, I can’t leave knowing that you still hate me. I- I know that’s selfish, but I can’t.”
You moved your stare to blankly look at your melting milkshake, the whipped cream completely evaporated into the cold drink.
“You hurt me.” You blurted out.
Steve almost looked startled at hearing your voice after such a lingering silence. “I know, and I’m so sorry–.”
“No, Steve,” You interrupted him indignantly, “you hurt me.” The tears blurred your unseeing gaze again as you focused enough to meet his own. The whimper dislodged in your throat as you could no longer hide the suppressed pain.
Just like that, the both of you were 15 years old again. You were crying after being teased by other kids or bullied for your flaws, and Steve was there trying to console you. The impact of these experiences were a shared burden impenetrable to your friendship together.
The difference now is that, instead of your tears being spurred by the mean-spirited popular kids, Steve was the one who committed the offense, a betrayal that cut so deep and you were the only one to shoulder the burden.
Steve swallowed heavily as he blinked furiously to hold his own tears at bay. He seemed to understand what you were saying as his eyes glanced over the different features of your face. He knew all of your vulnerabilities and ignored, neglected his care of you by treating you the way that others had growing up. He abandoned you when you needed him the most, and he had to understand the severity of that in the same way that you tried to tell him then as you were now.
Steve exhaled deeply as he looked over at you. His still despondent eyes held a layer of genuine understanding as he apologized despairingly, “I’m so sorry.”
You sniffled as tears fell freely onto your cheeks, your puffy eyes and pained expression causing Steve to flinch in his own despondence. You brought a closed fist to your face again to wipe the tears and winced as you suddenly felt strong, sturdy arms envelop you in a soft embrace.
The tears only came down stronger at the feeling of hugging your best friend. Not feeling so alone anymore, your heart cried out with you in relief as you turned and tucked your face into his chest, your arms moved to clutch his back. Once you did, his embrace only became tighter as he squeezed you to him closer.
You both sat there for a while, just hugging, soft sobs falling from your lips while Steve continued to repeat quiet, but earnest, apologies. After a year of animosity, sadness, and unresolved hurt, the both of you silently agreed to let this moment just be.
Eventually, your tears stopped running so harshly and you sniffled back your snot-filled nose very charmingly as you reluctantly pulled away from his warmth. Steve still kept one muscular arm around your shoulder as you looked up at him hesitantly.
“Stevie?” You began to ask. Steve responded with a soft hum for you to continue while rubbing your shoulder soothingly. It didn’t even seem like he noticed that he was doing it.
Before you could lose your nerve, you meekly asked, “Why did you start pulling away from me when you started dating Sharon?”
Steve’s hand froze and he stilled as if he were preparing for the worst. He sighed while closing his eyes for a moment. Taking a breath, he opened them back up to look at you with a resolved and honest gaze.
“When I told you that Sharon asked me to the prom, I thought that would’ve been the moment that you told me that you liked me the same way that I liked you.”
Your heart thundered so loudly in your chest as you gave him a shocked, glazed over expression.
He liked you.
“But then you smiled at me, and you said that you were happy for me, and, I guess a part of me felt like I was foolish to have ever thought that you would actually like me more than a friend. I continued things with Sharon because I felt like I had to get over you.” He said regretfully.
You blinked up at him a few times before you asked dumbly, “And that’s why you were pulling away? The lies and the fake excuses, or why you ignored me when you were with Sharon?”
Steve flinched with each question as he confessed, “Yes. It was really immature of me to ignore you. If I could go back and do it over, I would in a heartbeat.” An intentional look sat on his face as he expressed his remorse.
You released another speechless hum in return, still processing that Steve liked you. In a spur of your own adrenaline running through your body, you suddenly disclosed, “Steve, I did like you the way that you liked me.”
Steve stilled and inhaled sharply, “...W-what do you mean?”
Mustering up your own fostered courage, you exhaled deeply and said, “I liked you too. But I was your best friend. I thought that you were the one who didn’t like me, so I thought that if I supported you in dating Sharon, I wouldn’t lose you completely.” You felt your face scrunch in confusion as how ridiculously unnecessary this entire separation was.
He only looked at you with incredulity as he realized, “So, because we couldn’t just buck up and tell each other honestly in that moment that we liked each other, we ended up losing each other anyways?”
“Ugh, what a mess.” You revered and knocked your forehead against his chest ashamedly. You both were quiet again as he resumed rubbing your shoulder calmingly.
“Chip?” Steve suddenly spoke out.
Raising your head up to look at him again, still cringing from such a huge misunderstanding, you gave him a soft hum to continue his inquiry.
Steve looked down into your eyes, making you feel mesmerized with how deeply he was gazing at you. From how close your faces were, you could really see the subtle hints of green in his blue eyes. There was still some grief there as you looked at each other but there was again, something else that you still couldn’t point out.
Noticing that unknowing glint in his eye for the second time that night, you questioned him curiously hoping to finally find out, “What is it?”
“I like you.”
Your breath hitched at his confession, his eyes filled with mirth again and an honesty that couldn’t be faked. Your thundering heart skipped a beat as you felt your own spirit restore within you. You could feel those pieces in your heart start to build again.
You looked back at him with such relief as Steve pulled you in closer, you took in another deep breath as you responded.
“I love you.”
His eyes immediately glowed with an infectious joy, a genuine laugh and smile graced his face as he got closer to you. You could hardly breathe as you returned his loving gaze, his nose nuzzled yours gently until the both of you met each other halfway in a tender, first kiss.
A/N: my cue to say: and they lived happily ever after! i would love to know what people thought, thanks for reading :)
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looking through your eyes + four
authors note: hi! thank you so much for everyone who has left such kind words for this story! i'm so appreciative for the support and interest!
this one, i think, depicts a lot of contradicting thoughts and feelings for our two favorite characters. that's intentional.
i also take some creative liberties with medical and wrestling shit. let's just go with it, friends, por favor.
if any cw/tw’s are missed, please let me know, and i will add them!
cw/tw: language, violence, sexual harassment, hints at past self-harm, allusions to past suicide attempt, references to traumatic pasts
song inspo: ‘looking through your eyes’ by leann rimes
words: 10k
Roman has spent years coming home to a dark, empty house. It’s been his preference for just as long, enjoying the isolation following day after day of shit that needs to be handled. Because that’s usually how shit plays out for him. Roman’s always calling the shots, always figuring out how to navigate difficult, sticky situations.
It's just what he does.
It’s why he’s been able to advance the Bloodline as much as he has. Because Roman is a man playing professional chess among a group of elementary checker players.
And he’d never voice or admit it to anyone, but the weight does sometimes get to him in one way or another. So, he’s learned to appreciate solitude.
But he’s not met with solitude upon entering his home, which is both surprising and irritating considering it’s pushing 2 o’clock in the morning.
The only sound he should hear is the sound of his heavy footsteps from the front door to the bedroom. Instead, his feet carry him into the source of said sounds that are more pots banging and dishes being washed.
That’s how he immediately knows who it is without needing to check. But, Roman is more curious as to why she’s in the damn kitchen at this time of night instead of sleeping than the noise itself.
And he goes to ask as such when he gets even closer and realizes there’s more to the sound than clanging pots and running water. A soft, melodic, almost soothing voice singing in a language he doesn’t understand but recognizes as Spanish.
Solana is singing, and she’s singing well, beautiful even. So much so that he finds himself leaning against the wall closest to the kitchen, watching as she moves about, earbuds pressed in her ears making her oblivious to his presence.
There’s a sense of relaxation to her, an almost smile as she sings. She doesn’t seem nervous nor skittish….just at peace.
That is she turns around and realizes he's standing there, watching her.
She snatches her earbuds out and immediately jumps on the train of unnecessary apologies. “I’m sorry! I didn’t—-you said you’d be back late.”
He chuckles, calmly pointing out, “it’s almost 2am.”
Her face is flushed red with unnecessary embarrassment. “I thought—I guess I figured that meant you’d come back in the morning.”
“I sleep in my own bed, if I can help it.” It’s a comfort thing, a nod to his preference for solitude. He’s never even stayed the night with Samantha, mostly because he knows her ass would see that as a damn marriage proposal.
Well, maybe not anymore.
“Why are you still up?”
“I—I couldn’t sleep.” It’s a simple answer he’s certain also includes a very real, dark backstory as to why she can’t sleep. He’s been there.
He gets it.
“I’ll be done soon—"
“You can stay up as long as you want. I don’t care.” And it’s true. The house is big enough for her to be making as much noise as she needs, and he probably wouldn’t hear anything from where his room is. He also recognizes the misery that comes with wanting but not being able to sleep, so if being in the kitchen is her distraction, then he’s good with that.
Of course, she continues with the apologies. “I’m sorry about the music—I just—the house was too quiet. I—I don’t like the quiet.”
“Solana.” He has to interrupt her. Roman’s not in the mood for her apology tour. Granted, he does hone in on the part of not liking the quietness of the house. Of course she would be the opposite of him. “I don’t care. Do what you want. Shit doesn’t impact me.”
Roman can see she’s unsure of how to take his words, most likely wondering if there’s some catch, if it’s followed up with a stipulation. But, there is none. As long as it doesn’t impact him, she can do what she wants.
“You have a nice voice,” he compliments, because again, it’s the truth. He’d never taken her as the singing type, but gradually, Roman is starting to see there may be more to Solana than meets the eye.
Her unsure expression remains unchanged with the exception of her blush deepening as she mumbles a quiet, “thank you.”
Compliments of any sort seem to bother her, or maybe it’s less they bother her and more she’s unsure of how to respond because she’s not used to them.
He’d lean more on the side of that being the case.
Nevertheless, Roman decides to leave her be. “I’m going to bed.”
“Okay,” she says almost sheepishly, adding a quiet, “goodnight.”
Roman takes her in, the quietness and passiveness no longer as irritating as he once thought and believed it to be. It might still irk him, but the level of irritation isn’t as high as it used to be.
Whatever that means.
“Goodnight, Solana….”
————
From day one of moving into Roman's mansion, Solana has noticed the watch dogs that occasionally patrol the premises along with the armed guards. And while she’s always been tempted to ask to pet one, she’s also always decided against it. These dogs, like their handlers, are trained killers, not emotional support animals.
They’re not there for her to treat like objects.
But it’s when she walks outside, ready to head off to work, that she notices one guard with a dog Solana hasn’t seen before, a puppy, that she finds it in her to approach. With a couple minutes to spare before she has to leave for work, interacting with a dog seems like a nice way to start off the day.
Hand on her purse strap, she shoves back her anxiety about approaching this strange man, asking in a soft voice, “i–is he new?”
The guard sizes her up and down, answering with a gruff, “yeah.”
Solana looks down at the dog who’s also staring up at her with just as much curiosity. Smiling gently, she carefully crouches down and waits for him to move closer. There's a generous leeway of his leash that would allow him to do so.
Sure enough, the dog walks over to her, ears down. Giggling, she cautiously moves to pet him. “You’re so sweet….” And he is. Solana wonders if he’ll retain that sweetness once he undergoes his training. Unlikely. “Good boy…”
“He’s not a fucking pet.” The guard harshly scolds, giving a tug on the leash that makes the dog start to growl. Solana frowns, recognizing he’s annoyed with her interruption.
“I’m sor—”
But before she can finish her sentence, there’s a flash before her that seems almost too quick for her vision to process. But, when she does, she realizes Roman is now present, directly in front of the guard, hand wrapped around his throat.
“Speak to her like that again, and I’ll cut your fucking tongue out your mouth.” His voice is as menacing and terrifying as the fire in his eyes. Roman shoves the man forward and demands. “Apologize. Now.”
The man is coughing, struggling to regulate his breathing but still manages to cough up a muttered, “I’m sorry.”
Solana feels and probably looks stumped at hearing such a thing. She can’t recall the last time someone has ever uttered those words to her. Understandably, she doesn’t know how to respond or react.
“Leave,” Roman demands. And Solana isn’t sure she’s seen a man haul off as quickly as he does, guiding the dog along with him.
Roman takes in her appearance as she stands up, nervously brushing any invisible lint off her pants. “You good?”
She nods, still not quite knowing how to take this. How to take Roman seemingly defending her. Or maybe he’s just defending what belongs to him. It has to be the latter of the two, because why would he care about defending her?
Red-faced, she tries to explain her actions. “It—it was my fault. I just—I saw the dog, and I just—I wanted to pet it.”
“Why are you apologizing for someone being rude to you? Does that shit make sense to you?” When he says it like that, no, it doesn’t. But it’s clearly meant to be rhetorical, as he then asks, “you like dogs?”
Nodding, she clarifies. “Small dogs, mostly. Big ones, umm, they kinda scare me.” As do most things. This, she’s sure, he’s noticed by now. “Uhh—what time do you want dinner ready?”
He shakes his head. “Don’t worry about that. I’ll be back late tonight.”
“Oh.” Solana is unsure why there’s a strange sense of disappointment in her belly at this. Late….
In her experience with her dad and brother, that usually means they won’t be back until the next day, most likely in the morning.
This should make her feel a bit relieved, not having to be on edge, feeling worried about upsetting him.
Even if the only thing regarding her that she’s seen upset him is when he perceives she’s being disrespected.
She’s not quite sure what to make of that either.
“Ayo, Lil’ Soso.” A new voice enters the conversation, one she’s gradually growing comfortable and used to. Jey walks out with a rubbermaid container in his hand, chewing obnoxiously as he approaches Solana and Roman. “What are these things? They’re pretty good.”
There’s a couple of things to process in that one interaction, starting with the nickname Jey has used to refer to her in the times she’s run into him in the house. The twins, along with Paul, seem to be at the mansion often. The interactions though, have allowed her to feel less tense around him. Around Jimmy too.
She hasn’t had enough interaction with Paul to feel that way about him, and she’s certain that won’t change. He seems only concerned with Roman and no one else, which is valid and fair considering his role as Roman’s chief advisor.
Going back to his question, she answers, “conchas.”
“Con what?”
His expression and delivery make her smile. “Conchas. It’s a Mexican pan dulce. Sweet bread.”
“I don’t know half of what you said, but this shit good as hell. You got any more?”
“Don’t you have fucking food at your house?” Solana would never show or admit to it, but it’s sometimes funny to her how Roman seems almost always annoyed with his eccentric cousins. There’s no doubt in her mind though that he wouldn’t hesitate to kill for them, that he’s probably done so. And vice versa.
But they also seem to get on his nerves just as much.
“Man, Nicki on that shit again, talking about she ain’t cooking until I start treating her right. Me and the kids been eating out.”
Kids? That surprises her. She didn’t know Jey was a father.
“Solana! When you train with Naomi, can you exchange some recipes with her or something?” Jimmy also joins in the conversation, walking over while rubbing his stomach. “Cause I don’t know what that meal was in the blue container, but shit slapped.”
It takes a minute for her to remember which one that was. She’s always been a bit meticulous about separating her meals accordingly. “Carnitas Huevos Rancheros.”
Jimmy hesitates. “Yeah sure, that.”
“Am I running a fucking food pantry?” It’s hard to tell if Roman is genuinely annoyed. Something tells her it’s that type of irritation he naturally gets with the twins but won’t actually do anything about. “It’s not her job to feed you idiots.”
“I don’t mind,” she offers, adding. “I–I like to cook.” And it’s the truth. It reminds Solana of her mom, of all the times she’d spend in the kitchen learning from and spending time with the one and only person on this planet who ever loved her.
“See, Uce, she likes to cook,” Jey points out, wiping the crumbs off his fingers on his pants and tucking the now empty container under his arm. “I’ll just take this off your hands.”
Solana’s watch vibrating, reminding her that her shift starts in half an hour, is the perfect reminder that while this conversation is comical, it’s also interfering with her schedule. She’s also certain Solo is waiting patiently, or impatiently, by the SUV for her to jump in so they can get a move on. “I—I’ve gotta get to work, but I can have the food ready by tomorrow. I’ll just come home and cook after training.”
“If you feel like it,” Roman adds, and she knows better than to push back and tell him cooking is one of the few escapes she has. It’s become even more of an escape without the anxiety and pressure of her dad and brother demanding the food always be ready in sometimes unrealistic time frames and lashing out when that doesn’t happen.
To Roman’s credit, if he’s ever been annoyed with waiting a few extra minutes for meals, he’s done a perfect job not showing as such.
She simply nods, acknowledging his stipulation, offering a quiet ‘bye’ as she jogs off to the SUV with Solo ready to escort her to work.
It’s when she’s gone that Jimmy walks up beside Roman. “Man, she can cook, she don’t got a smartass mouth, and she got a body? Shit, Uce, ain’t you glad I told you to go with her?” Roman doesn’t offer a reply, but he definitely gives Jimmy that look that lets his cousin know to get away from him. Roman’s always been big on personal space.
“Does she cook every night?” Jey comes up, asking with an almost level of excitement. “Shit, me and the kids finna start coming over here.”
“Shut up.” The hell they will. Roman is still adjusting to living with someone. The last thing he needs is his cousin and his spawns running around his place, making noise, breaking and touching shit. Not going to happen. “Is Paul already at the office?”
“Yeah. He’s got the updated figures for you to go over. And the RKO proposal was sent over as well for you to review.”
Nodding, Roman starts to create a mental agenda for tasks he needs to complete for the day. And it goes without saying that he’s forever impressed how his cousins are easily able to slide back and forth between professional bag and bumbling morons.
It’s one of the reasons he keeps them around and as high up in command as they are.
“Good,” Roman acknowledges, sliding his sunglasses over his eyes. “Let’s go.”
————
“Hey!”
Naomi’s smile is just as bright and genuine as the first time Solana met her, and that’s something she doesn’t know how to take. A part of her figured Naomi was just being nice to her because Roman was around, because she was given an order, and no one defies the Tribal Chief’s orders.
And maybe she could even chalk this up to being an order as well, Roman tasking her with training Solana on how to fight, hence the continued kindness.
Regardless of the motivating factor, this woman is clearly a capable and trained fighter. A killer.
Solana would do well to stay on her good side.
“It’s good to see you. We didn’t really get a chance to talk much, but obviously, I’m Naomi. Jimmy’s wife.” For some reason, Solana can see it. Can see these two together, even if she’s only been around both less than a handful of times. “I train a lot of the new recruits, mostly women, some men.”
“Men?”
Naomi chuckles. “That’s typically their reaction too. Right before I remind them who I am and what I can do.”
Solana isn’t sure she wants to know the answer to either of those.
“Just out of curiosity, do you have any kind of combat training? Fighting knowledge in general?” It’s a valid question that only has one embarrassing answer. Solana guesses that Naomi picks up on this embarrassment, adding gently, “it’s okay if you don’t. It just gives me a baseline on where we should start.”
“No—I—I’ve never done anything like this before.” And she’s still not sure if she wants to, not sure what Roman thinks she will get from this. Him, along with everyone else around her, learned how to shoot a gun at the same time they learned how to walk. She doesn’t think she’s ever even held a gun. There’s no way humanly possible she could ever be even a fraction as good at this.
And Roman has to know this.
So, why is he making me do it?
Again, either Naomi is insanely perceptive or Solana is much worse at hiding her emotions than she initially believed.
She’d bet on the latter of the two.
“He doesn’t want you to be like us. He just—”
“He wants you to stop being so damn weak,” a new voice interjects. Solana recognizes the tall, intimidating woman from before when Roman had taken her to the Warehouse. She hadn’t had any direct interaction, but just the mere fact alone that she’d simply looked at Solana with disgust told her all she needed to know. “Wants you to grow a backbone.”
“Nia.” Naomi’s smile is dropped, traded for an intense stare. “Lay off her, okay? You heard what Roman said.”
“Oh yeah, we have to be nice to her.” Nia’s smile is mocking, her unimpressed gaze taking in Solana from head to toe. But Solana focuses on what Nia just said versus her judgmental countenance. Did Roman really tell them to be nice to her? Why? Why would he do that?
Nia walks over, crossing her arms over her body. “Well, here’s some kind advice, I can tell from one look at you that life hasn’t been very nice to you. But that doesn’t make you special.”
Naomi steps in. “Nia!”
“Bad shit happens to people all the time. At some point, you have to stop allowing yourself to be a victim.” If not for the fact that Solana knows Nia can’t stand her, she’d almost think Nia is offering what she believes to be genuine advice vs judging her. “You’re here. You survived it. Make that survival worth something.”
Naomi pushes Nia away from Solana, saying something to her that appears to be in defense of Solana, which she’d appreciate if not for the fact that she’s now in her head.
Nothing Nia said is inherently wrong. The world is undoubtedly both good and bad, perfect yet imperfect, wholly and incompletely balanced. These are all facts she’s well aware of, but what Nia doesn’t know or understand yet is that a person still being here doesn’t mean they survived.
Solana is already broken.
There is no survival.
There’s just existence.
“Don’t listen to Nia,” Naomi advises. Looking around, Solana sees that at some point in her dissociation, Nia departed. Naomi continues with that same warm smile. “She can be a bitch sometimes, but she does mean well…..occasionally.” Hands on her hip, Naomi brings the attention back to the whole reason Solana is even at the Warehouse. “How about we just start with flexibility and mobility? Most of us are smaller than the men, and you definitely are, girl.”
Small……
That’s a word Solana has never thought to use to describe herself.
“Being smaller means we can move around faster, can navigate around an attacker in a bit of a quicker way. But, you also have to be able to move in a way that’s lithe. Don’t worry. I gotchu, girl.”
They are reassuring words, words that Solana is grateful for, especially as they begin and she feels completely out of her element. Because she is. Solana isn’t the least bit lithe, and she’s certain her hand eye coordination is straight up shit.
But regardless of all that, Naomi remains kind, patient, and even makes conversation with her.
It doesn’t feel like she’s being made to do this, but more like something she gets to do. And Solana is grateful for that interaction, for the space to not feel like she’s burdening someone. That feels nice. So, so nice.
But equilibrium is a hard thing to achieve and even harder to maintain, so while one safe space is being created, another unsafe space is gradually forming in the midst of her oblivion.
Austin Theory and Grayson Waller, two upcoming, arrogant, fighters and wannabe heads have used the Warehouse for their training space for the past few months after finally proving and gaining access to the elite training grounds.
And while the initiation and acceptance process was brutal and would ward most off from fucking up their membership status, Austin and Grayson have always been hardheaded, too blinded by their own hubris to recognize when they’re about to shoot themselves in the foot.
And shooting themselves is the least of their worries when Grayson is casually surveying the gym to see who’s present, his eyes landing on a woman in particular who catches his interest almost instantaneously.
“Well, who do we have here?” Austin is confused initially, Grayson motioning across the way to where Solana completes her cooldown with Naomi.
Immediately, Austin scoffs. “Since when does this place offer a weight watchers class?”
Chuckling, Grayson still pushes back. “Hers is in the right places though, mate,” Grayson again advises Austin to watch Solana as she happens to be leaning back, palms flat on the ground making her top hug against her chest.
Austin makes a face. “Decent.”
“Who is she?” Grayson asks again as Austin notices a semi-familiar face walking nearby.
“Melo.”
Carmelo shifts his Beats headphones so they’re no longer covering his ears. “Whassup?”
Austin subtly gestures to Solana, asking, “who is that?”
Carmelo follows the line of vision and almost immediately snatches his eyes back to the duo. “Yo. You fuckin’ crazy?”
“What?”
Carmelo repeats himself, a sense of urgency in his voice. “Do you know who that is?”
“Pretty sure that’s what we just fucking asked you, dumbass,” Austin slaps him upside the head. “Now who is she?”
“Solana Miller. Well, Solana Reigns now, I guess.” Carmelo lowers his voice, as if speaking too loudly will attract too much attention. And he’s not entirely wrong. “Roman’s wife.”
Grayson makes a face, looking between Carmelo and Austin for elaboration. “Reigns got married? Bullshit. That bloke is the last man to ever walk down the aisle.”
“You two would do well getting your head from up your asses every once in a while. It’s a recent thing, but still a thing. So unless you want your insides literally ripped from out of you, it’d be best to leave her the fuck alone.”
Austin, the most smug of the two, is the first to protest. “Don’t tell me you’re one of those. Everyone makes Roman out to be this big bad who can’t be touched. He defends, what, once every six months?” Austin scoffs. The fear that the “Head of the Table” seems to have over everyone has never made sense to him. Sure, he’s heard things, even seen some things, but that’s always been because Roman called the shot. He’s not the one actually taking or making them. “Everyone knows he has his heron boys do his dirty work for him.”
“Plus, isn’t the guy pushing 40? What the fuck is he going to do?” Grayson laughs.
“Break his fucking hip trying to chase us.”
Carmelo shakes his head as the two dipshits laugh at their unfunny humor. “I’m telling ya’ll. Messing with her is a death wish. Plus, I heard she’s not even like that. That’s she’s like….shy and shit.”
If intended to ward the two off, it does the complete opposite. Theory smirks. “Those are always the freakiest.”
Carmelo backs away, lifting his hand in a surrender motion. “Can’t say I ain’t warn you. Dig your own graves.” With zero interest in having any part of what these two are clearly planning, Carmelo puts his headphones back over his ears and jogs off to start his training.
And it’s a wise decision as Austin and Grayson, forever the patient predators stalking their prey wait for Naomi to walk off, time it well so that there’s an appropriate enough time for Solana to walk off to the showers, get clean, and walk out at the same time they happen to be lurking in the halls that lead to the locker rooms.
That’s exactly how it plays out too, Solana looking down in her bag to grab her phone and text Solo that she’s done and ready to leave when a voice nearly knocks the wind out of her.
“Hi there.”
Solana gasps as loud as the sound of her back colliding with the brick wall behind her from how startled she is.
Instantly, she’s met with a set of cold blue eyes and wicked smile. “Solana, right?”
Breathing feels like it’s an optional thing, her hands still gripping the brick wall behind her. She can only nod her answer.
“Austin.” He then nods to the other man that Solana realizes is leaning back against the wall opposite her. The anxiety intensifies. “This is my buddy, Grayson. You must be new around here?”
Solana doesn’t want to speak, doesn't want to be near these two who have her practically cornered. But, she also doesn’t want to piss them off either. “Y—yeah.”
Austin’s eyes twinkle with nothing that seems good. “You really are shy, huh?”
“They make the best.” Grayson comments from his propped up position. Solana doesn’t allow herself to think too much about what he’s implying. She just wants to get the hell away from them. One look, and she knows they’re up to no good.
It makes her sick to her stomach.
The idea of walking past these two brings a visceral, physical response that has her mouth watering. She feels like she’s going to throw up, but she also knows she needs to get the hell away from them. “I—I have to go.” From where the next thing to come out her mouth stems from, she doesn’t know, but it’s blurted with all the nerves in her body. “R-Roman is waiting for me.”
He’s not. She actually has no idea where he is, but there’s a part of her that wonders if reminding them of who she is, who her husband is will make them back off.
“Of course,” the one with an accent speaks, motioning with his arm for her to leave. “Don’t want to keep the Chief waiting.”
The mockery in his tone unease her even more. Does he not realize just who Roman is? What he’s capable of.
Regardless, the second Austin backs away a bit, she’s darting through the hall, trying to put as much distance between herself and the two men, but she’s not far enough to miss the ominous departing statement from Austin.
“See you around, Solana.”
Something tells her this won’t be the last time she runs into them, and it leaves a deep, disturbing feeling in the pit of her stomach.
This isn’t good.
It’s not good at all.
————
Dear Mom,
I’m still alive.
That’s a good thing, I guess. Life with Roman has been….a strange experience. The most important thing is that he hasn’t hit me yet, but I’ve been trying really hard not to upset him or get on his bad side. I do my best to make sure all of his meals are ready and on time, which I guess helps.
But to be honest……he kinda confuses me.
He hasn’t been unkind, and I don’t think I’ve ever experienced him really yelling at me. Not like I’ve seen him yell and scream at others. So, that’s also good. It’s a bit of walking on eggshells, just waiting for him to snap and hit me, but not as much as I was thinking.
I don’t know….it hasn’t been as bad here as I thought it would be. For the most part, he just leaves me alone. We don’t even eat dinner together, which is fine, cause I can’t see why he’d want to spend time with me anyway.
But, he confuses me because it feels like sometimes he’s defending me or something, which doesn’t make sense because why would he do that? That would mean he has to care to some extent, right? I keep trying to remind myself that it’s probably not me he’s defending but his pride and standing, because I think being mean or disrespecting me is like disrespecting him? I’m not sure, but it’s definitely a new experience.
I haven't spoken to or heard from Wes and dad. Roman made me get a new phone with a new number that I’m not sure either of them have. I don’t know if I want to think too much about how bad it’s going to be when I finally do see them again…..
Wes made it clear I was supposed to be keeping in contact with them, but that hasn’t happened. Truth be told, I try not to think about that. Think about the fact that I’m somehow supposed be figuring out a way to…..to kill Roman. I could never do that. I could never kill anyone. You know that, mama.
Even more….I feel like Roman is growing on me, like maybe he’s not as bad as I thought, like maybe there’s more to him than meets the eye.
I think….I think that I could learn to like living here.
—------
“WarGames?”
To Solana, it’s a simple question, because it’s definitely not an everyday term. But that’s clearly not the case given the startled expressions on both Bayley and Naomi’s face.
It’s becoming something she is slowly starting to enjoy. Not necessarily the training part, but the socialization. It’s something Solana has been deeply deprived of over the years, so to have someone to talk to, someone who wants to talk to her means a lot.
Even if it’s technically a job she was assigned by Roman, Naomi has never made her feel like their interactions are forced.
Moreover, it was just in last week’s training session, Solana was thoroughly and pleasantly surprised to find out Bayley is also a member of the Warehouse and friends with Naomi, that reunion almost giving Solana a sense of giddiness.
She’s wanted to reach out since the wedding but never followed through based upon her fear that she’d be bothering Bayley.
Clearly, that’s not the case.
Solana is certain she’ll never forget Bayley’s kindness on a day where she really needed to believe in something, believe that there is always at least one reason to keep breathing, to be alive.
But, it’s when Solana asks about this topic Naomi and Bayley were discussing that attracts confounded expressions.
“You’re kidding right?” Bayley is the first to speak, glancing between herself and Naomi. “He didn’t tell you?”
Still confused, Solana presses, “tell me what?”
“I’m not surprised Roman didn’t, but someone definitely should have.” Naomi shakes her head, shifting into an explanation.. “War Games. It’s an annual match. Super big deal. It’s a show of strength and dominance for the Bloodline. Kinda hard to explain. You’ll just have to see for yourself.”
It sounds….intense. “I—I don’t think I’m invited.”
“Your hubby has clearly been a bachelor for way too long for him to realize that he has to tell you these things.” Bayley rolls her eyes but protests Solana’s belief that she would somehow not be invited to one of the Bloodline’s most important yearly events. “You’re definitely invited. As Roman’s wife, you have to be there. It would be seen as a sign of great disrespect to him if you didn’t.””
Disrespecting Roman…..never a good idea.
“When is it?”
Naomi seems to hesitate before answering. “Tomorrow night” And before Solana can panic at such short notice, Naomis is reassuring her that it will all work out. “Don’t worry. Bay and I will help you get ready.”
“Hell yeah.” Bayley already goes into strategizing mode. “I’ll handle your hair and makeup, and Naomi can find you a kickass dress.”
“Red, of course. That’s the only non-negotiable. Bloodline thing, ya know.” Solana figured as such. She also briefly wonders if that’s why Roman has been coming back home late the past few weeks, because he’s been training? “But, I will say we usually dress….well, like we’re going clubbing for these kinds of events, so it’s gonna be short, tight, and a tad bit revealing.”
That is something that gives Solana pause. None of those things scream appealing to her at all. She doesn’t have the body to dress like that. Not with the rolls, stretch marks, and scars that mar hers.
“I—I don’t know if that’s a good idea,” she finds it in herself to voice her opinion. A rarity. “I don’t—I don’t think I’d look good in something like that.”
Both Bayley and Naomi cast her confused expressions, Naomi being the first to speak.
“Why?” Naomi presses, gesturing up and down. “Girl, you have a nice ass shape. You would fill out a bodycon dress nicely.”
Solana has a hard time digesting what Naomi is saying. She would look great in a dress like that. Naomi is both fit and curvy, the perfect amount of curves in the right places without unnecessary fat. Same for Bayley.
For Solana, the less skin she’s showing the better, though she wonders if the kind of attire they’re describing is some type of dress code, meaning there is no room to protest.
The last thing she wants is for it to get back to Roman that she’s being “difficult.”
Defeated, she murmurs an ‘okay’ as the two of them engage in more conversation about this WarGames as well as fashion options. To be fair, they try to include her in, but Solana is too into her head about what this alleged night is as well as what it could include.
—---
Naomi wasn’t lying when she said that Solana would have to see WarGames for herself to understand it. That’s the absolute truth.
It’s a spectacle, to say the least.
For one, it’s a ton of people packed around the ring, the massive room where fights take place. The noise is boisterous, almost deafening, people drunk, swearing, placing bets, most of which are on the Bloodline.
And thankfully, Solana and Co. are seated in the upper area, a VIP box of sorts, away from the unruly crowd. She’s thankful for this for a lot of reasons, one of the biggest being the fact that she feels extremely uncomfortable in her dress. And just in general, but mostly with how much scarred skin is showing.
The dress is exactly as Naomi said it would be: short, red, and a bit revealing. Thankfully Naomi picked out a dress with a halter neckline that prevents any cleavage from showing, but there’s a split high up on the thigh that she finds herself trying to constantly adjust.
“You look great, Solana.” Bayley wears that same friendly, encouraging smile from Solana’s wedding day. “And I get that you’re self-conscious about your body, but I can guarantee these men would line up by the dozen for a chance to go home with you if not for your psycho-killer husband.”
Bayley playfully nudges her shoulder, and while Solana can emit a chuckle, she can’t bring herself to laugh. That line of men would be just as disappointed as she’s sure her psycho-killer husband was on their wedding night.
But, this isn’t the time and place for that.
“You look nice,” Solana compliments, partially a deflection technique but mostly the truth. Bayley, Naomi, and Nicki, who she met earlier that night and learned was Jey’s wife, all look exceptional in their numbers. Bayley is the only one not wearing red, for obvious reasons, but the jade green compliments her complexion well.
“We all look nice,” she says loud enough for the other two to hear.
Nicki opens her mouth to respond when the lights in the arena start to shift. “Ugh. This bitch again.” Nicki’s scowl and expression of irritation draws Solana’s attention to the woman in the ring, who now has the spotlight on her, a woman she immediately recognizes as being there that night Roman woke her up from a nightmare.
The woman is tall, curvy in the right places, beautiful, bouncy curls cascading down her back. If she has a lot of makeup on, Solana can’t tell because it’s painfully obvious she’s been blessed with natural beauty. Everything about her is just so gorgeous.
At the time, she didn’t think anything of it, too caught in the haze of trauma. But now, curious and believing she can receive an answer, Solana asks, “who is she?”
“The most annoying person ever,” Nicki answers, taking a swig of her drink. In only knowing Nicki for less than an hour, Solana both does and doesn’t understand the compatibility between herself and Jey. They seem very much alike yet dissimilar. It makes sense why they fight as much as they do.
“That’s Samantha.” There’s no way to misinterpret the disgust in Nicki’s voice even as she pronounces Samantha’s name with undeniable distaste. “She does the announcements for events, but her daytime job is being a professional hooker.”
“Nicki!” Naomi shakes her head. “I think she’s a paralegal for a lawyer or something, but she’s mostly known as a pain in everyone’s ass. Always has been. Ever since we were in high school. She thinks because she’s light skinned with ‘good hair’ that she’s better than everybody.”
“Don’t forget about Roman,” Nicki chimes with her nose upturned. “She really thinks she’s hot shit though because she’s number one on his ‘I want my dick sucked’ list.”
This causes Solana to pause for a second. “What?”
She’s not stupid. Why else would this Samantha have been over at the house that late at night? And with Roman? Solana figured early on that if he isn’t getting any from her, then he has to be getting it from somewhere. Truthfully, even if their marriage did involve sex, she’s not sure he still wouldn’t find his way in between the legs of another woman.
But, there’s something about having it confirmed, hearing for herself that he gets around, that he clearly has a high sex drive that adds a whole new layer of insecurity.
She’s known from day one she could never be anyone he wanted or needed, and he expressed as such that day at the library, but this conversation makes it feel more…..real.
And she’s unsure why or just what makes this bring on a sense of sadness.
“Come on, I get you’re quiet and innocent and shit, but everyone knows that man is a hoe. If you’re black or black–ish with a vagina, fat ass, and big titties, he’ll fuck you. Cause none of them fools fuck with white girls.” She glances at Bayley, almost sympathetically. “No offense.”
“I’m Mexican.”
This serves as a brief, nice distraction for Solana. She suspected that Bayley wasn’t entirely white, but hearing that she’s Hispanic, Mexican, makes Solana feel a small slice of excitement. She makes a mental note to ask her if she speaks Spanish.
Solana hasn’t been able to communicate in the language her mother made sure to teach her in secret given Xavier’s protest since her murder. So, the idea of being able to communicate with another person in that language makes her feel a bit excited. Maybe more than a bit.
Nicki is dismissive, though there’s a hint of humor there. Like she knows and is just messing with the other woman. “Sure you are, Bay.”
Bayley rolls her eyes and assures Solana. “Don’t listen to her.”
“Ya’ll, don’t lie to this girl.” Nicki seems dead set on stressing this point, and Solana can’t figure out if it comes from a good place, a drunk place, or somewhere in between the two of them. “If it wasn’t common knowledge he don’t fuck none of these bitches raw and makes most get on birth control, I’d tell you to not let that fool touch you with a ten foot pole.”
Bayley is watching Solana, sees the discomfort growing at this conversation and moves to change the conversation. “Why don’t we talk about you and Jey and why I literally saw him flirting with Sasha the other day?”
At that, Nicki drops her drink, cussing loudly, “man, fuck him! I don’t give a fuck about him or that bony heifer! I’ll beat the shit out both of them.”
“Nicki. Shut the fuck up. You may beat her ass, but you gon be right back to drunk spilling about how good Jey’s dick is when it’s all said and done.” Naomi dismisses, and something tells Solana she’s not wrong. Nicki and Jey seem to have a bit of a…..tumultuous relationship.
“I mean it this time!”
“Uh huh, sure sis.”
“And if you don’t give a fuck about him, why are you here?” Naomi challenges.
All eyes on her, even Solana’s slightly curious gaze, Nicki falls back in her chair and mumbles, “cause that’s my man.”
Naomi and Bayley are a chorus of laughter and whooping and hollering, roasting Nicki for her contradictory statements.
Flashing blue lights illuminate the arena as everyone immediately moves to their feet followed by opening music that almost instantly brings chills up Solana’s arms. The lights then transition to a combination of red and blue, the sound of cheering intensifying as she redirects her focus back to where the first group entered.
Solana’s eyes instantly, maybe even naturally, land on Roman. He stands first among the men, shirtless, ula fala around his neck, championship belt around his waist, a look of fierce determination and stoicism painted across his handsome face.
And that body…..rippling muscles glistening under the heat of the lights.
It’s a strange and miserable experience. Feeling all of the sensations and attractions a human typically has to another human being but having an almost inability to act on them. It’s not that Solana isn’t attracted to Roman. She finds him to be sinfully attractive. The issue is that whenever she thinks about what physical acts take place when two people find each other attractive is when her head is swarmed with vivid memories and flashbacks of being violated in the worst way possible.
And the attraction is stumped by fear and trauma. Fear of being touched. Fear of being with anyone in that way.
It’s like Roman said. He can get that from anyone, so why would he bother with her?
When he has someone like Samantha, prettier, smaller, easier, at his disposal?
It brings a wave of sadness over her that she’s grateful isn’t noticed by the other ladies who are focused on the start of the match.
And to her credit, Solana tries to pay attention, grateful and thankful for Naomi and Bayley occasionally pointing out certain aspects of how it works, why the two groups are separated, individual members from each side periodically being sent into the line of fire.
“Roman always goes last,” Naomi explains at one point.
“Save the best for last type shit,” Bayley adds, finishing off her beer and asking for another.
“More like once he gets his ass in there, it’s a wrap. Everyone left getting smashed.” Solana believes this wholeheartedly. She’s just not sure if she wants to see that, see that side of him up close.
It exists, obviously, but it’s hard to compare the killer she knows he is to the man he’s been to in the short duration of their marriage.
Almost….almost kind.
The fighting, brutal and bloody, all occurs in the ring, but Solana constantly finds her gaze falling back to Roman. He remains seated, patiently or maybe impatiently waiting for his turn, never once ripping his gaze from the match. She sees Paul outside the cage, occasionally speaking to Roman, advising as he always does.
Solana can tell he’s completely immersed, focusing solely on the match before him.
And it’s when there’s some type of in-ring argument between the twins and the other member-in-training of sorts, Sami, she thinks Naomi called him, that she turns to the ladies. “What are they doing?”
“Sealing a death wish,” Nicki answers with a shake of her head. “Roman gon’ have all they asses for this.”
Naomi sighs loudly, advising Solana after the bickering results in one of the men from the other group getting the upper hand, landing a particularly brutal looking kick to Jey. “There’s been some….contention between Sami and the twins, mostly Jey, but Nicki isn’t entirely wrong. They should know better than to let that shit interfere with a match. Roman will most likely make them stay after and……yeah.”
Solana doesn’t need a detailed explanation. She has a good idea of what Roman making them pay will look like. It’s also not something she wants to see.
The match, in and of itself, despite the excitement and pure interest of everyone around her, isn’t necessarily something she wants to see. Solana has seen, been exposed, and experienced enough fighting violence to last her a lifetime.
This is entertainment to them, but for her, it’s been her lived experience.
So, she doesn’t feel any sort of adrenaline rush watching grown men beat the crap out of each other, blood, sweat, and bruised, battered bodies putting themselves through hell. It gives her some relief to see that the Bloodline, for the most part, remains with the upperhand. Even with their in-house argument earlier in the fight.
But, it’s when the timer that ends with another man joining the brawl moves to a ten second countdown that her interest grows a bit more. It grows a bit because Roman is finally about to enter the ring.
She watches him, has mostly just watched him this entire time. He’s just as unbothered as he was the minute he walked in. Adjusting his gloves while Paul clearly tries to bestow some last minute wisdom before he makes his entrance.
It feels a bit redundant. She’s certain this man doesn’t need anyone helping him with anything.
And as soon as the timer winds down to zero, Roman gradually making his way to the ring, Solana knows she was right. Knows he doesn’t need help, because he’s been studying and planning for the past almost 45 minutes. Strategizing.
It shows the minute the men, all 10 of them go at it. It’s hard to keep track of all of the mayhem, fists flying, kicks landing in areas that are sure to require a couple days to recover. But, it’s Roman who still manages to catch and hold Solana’s attention. He moves with such precision and accuracy, blows every bit as barbarous and violent as his reputation warrants.
There’s a small part of her that experiences something she can’t quite label or understand when he takes a hit, especially when a member of the other team manages to catch Roman off guard, sending him into the table, the weight of him snapping it in half.
At that, she nervously starts to move her fingers up and down the side of her dress. But, Roman, while clearly impacted from the blow by the blood starting to stream down the back of his arm only seems further enraged. Like being attacked has somehow refueled him, recharged his already pre-existing rage.
“They are in trouble now….” Naomi murmurs, shaking her head, as if she knows what’s about to come. “Roman hates getting hit, and they made him bleed too?”
It’s the blood part, maybe, that bothers Solana. It’s silly given who he is and the fact that he’s clearly holding his own just fine, but Solana wonders why he doesn’t or can’t have that tended to. It has to hurt.
But, then again, it all hurts, so maybe the pain just numbs itself out.
And maybe Roman is clearly caught up and consumed in adrenaline, in the mad rush of the battle, because it seems from the table slam on out, no one is touching him. He’s all over the place, strong blows resulting in grown men crying out in pain. She’s certain those closer to the actual ring can hear the sound of bones crunching, an inevitable thing given the abnormal distortion of limbs she sees on the other team.
He yells and taunts his opponents, one by one, laying them out with the somewhat assistance of the rest of the men. Truth be told, Roman could have probably tagged out the other four men and handled the other team all on his own.
He’s just that effective.
And when there’s only one man standing, barely, Roman moves to the other side of the ring, face turned up in rage, watching and waiting for the perfect moment for him to dart across, laughing into a spear so forceful that it knocks the man unconscious instantly, guaranteeing an instant, easy pin.
The crowd erupts in cheers, Roman’s music sounding as Samantha formally announces the Bloodline as the winners.
There’s a strange sense of relief that Solana has at that, at the fact that this is all over, that the fighting is done. That Roman is done, because her mind keeps going toward the fact that he probably needs some level of medical attention and when said attention is going to happen.
But while she expects the Bloodline to start their exit, she’s instead met with security dragging the unconscious bodies of the losing team outside of the ring.
“What’s happening?” Solana asks Bayley, realizing that the women are starting to pack up to head out. “Isn’t—isn’t it over?”
“For us, yes.” Her eyes set on the twins, Solo, and Sami. “For them, it’s just beginning.” Solana reflects back on their in-ring argument and Naomi’s foreshadowing about this happening, about this punishment.
And one glance at Roman, his hulking shoulders lifting and lowering with his heavy panting. His eyes are flaming with a fury he clearly intends to take out on his team.
“Come on.” Naomi draws Solana’s attention. “I’ll ride home with you, cause Solo ain’t gon be free no time soon.”
None of them will.
Solana recognizes this and agrees, but it’s not without a sense of disappointment at not leaving with Roman.
And that confuses her. It confuses her a lot.
She didn’t arrive with him, so why would she leave with him?
More importantly, why does she care that she’s not leaving with him?
—----------
“I–I can do that for you.”
There are some things meant to be thought and some things meant to be said. This is one of those things that should have stayed in Solana’s head instead of rolling off her tongue the way it does.
She was only supposed to ask him if he wanted her to make anything in particular for breakfast tomorrow, not offer to freaking suture stitches for him.
Well, that’s not entirely true, because as it’s almost damn midnight, she could and should at least be in bed trying to sleep. She’s been home for almost two hours, showered, changed into her oversized shirt and sweats.
She shouldn’t even be standing before him, but there was some type of unease she had at trying to fall asleep without making sure he made it home, without seeing to it that he tended to any injuries he sustained tonight.
Solana almost feels like that’s what she should do, like she should make sure she’s available to assist him with anything he may need. Like it’s just another thing that could keep him from directing his anger from earlier towards her.
And it’s slightly less stressful for her in knowing that he’s more likely to harshly dismiss her, maybe even chastise her for unintentionally implying he’s somehow incapable. However, instead of a rebuff, he simply looks at her, asking, “you know how?”
Solana doesn’t know why, but she takes this as a sign that he’s accepting her offer. Walking over to where he sits at the kitchen island, she sees he already has the supplies laid out. “I—I’ve had a lot of experience.”
Some of it from patching up her dad and brother but most of it from patching up herself over the years, from watching and learning from her mother tend to her wounds after sustaining beatings from Xavier. “My mom was also a nurse. She—she taught me a lot.” Like the proper way to suture. “Did—did you already disinfect?”
Solana is slightly nervous when he says no. That means she’s the one that’s going to have to inflict that brief but potent burning pain.
Lovely.
Nonetheless, she readies the cloth, holding it over the cut before warning, “this—this might sting.”
“I don’t care.” And she believes it. Seeing him in the ring tonight, his prowess, his brutality, she’s not sure if anything could hurt him.
Solana proceeds to clean and disinfect the area before grabbing the sutures to start stitching him back up.
Roman suddenly asks her. “Did you want to go into the medical field?” Roman recalls from the file he read on her that she never pursued any higher education beyond high school, something else he marked against her at the time. Education and knowledge have always been important to him.
But meeting her and slowly learning more about her backstory, he wonders if that was of her own choosing, hence his asking.
Solana, meanwhile, can’t figure out why he’s even talking to her in the first place. He seemed, justifiably, annoyed with and not wanting to be bothered with any and everyone post match. Now he’s asking her questions about things she hasn’t thought about in years.
Still, she answers with the truth. “I—I wanted to be a nurse. Like my mom.”
This doesn’t surprise Roman as he follows up with, “why didn’t you?”
A lot of reasons. Many of which she has very little desire to share, not that she could or would even want to ever voice as such to the man sitting in front of her.
That’d be an instant death wish.
“My—my father. He, umm, didn’t want me to leave home.” It’s a version of the truth, the unabridged version being he didn’t want her to leave home because he wouldn’t be able to control her if she did so.
And Solana has a feeling that she doesn’t need to share all that, that Roman already knows this.
“Why didn’t you just leave?” Roman’s delivery, like most of the time, is insensitive. But, he genuinely wants to know. For what reason did she stay there all those years, in a house of horrors instead of just leaving and never looking back?
It’s a fair, simple question with a complex, layered answer that she greatly simplifies.
“I tried. It—it never worked out.” And it’s when Roman hears the sudden sadness in her voice, sees the way her eyes temporarily shift to her inner forearms, horizontal faded scars that he’s just now able to see from how close she is to him that he gets it.
He realizes that she tried in more ways than one, none of them being successful.
And in a truly coincidental way, Solana notices he’s also cut on the back of his bicep. It’s also in her being so close to him that she realizes underneath the intricacies of the tribal tattoos on his forearm, there are scars. Burn scars, nothing severe, but visible enough for her to notice.
It makes her wonder about where he got them, how he got them, not that she’d ever have enough bravery to ask.
She instead clears her throat and gestures to the cut. “Do–do you want me to do that one too?”
It takes a second for Roman to think about what she’s asking. “Is it deep enough?”
Without thinking about it, she brings her hand to finger to lightly feel the cut that was clearly poorly and in a rush patched up post fight. Nodding, she explains, “it’s deeper than about 1/4th an inch, so yeah, I—you should let me.” And in realizing she’s touching him, like she isn’t doing the same thing while suturing, she snatches her hand back, apologizing quietly.
He doesn’t think he’s ever had a woman apologize for touching him.
“Okay.”
And that’s it, he doesn’t protest, doesn’t chastise her for making it seem like he doesn’t know or understand injuries. He just allows her to work on him, Solana doing her best to ignore the fact that he’s so close to her, his big, strong body, even while seated, overwhelming her.
But while this would typically cause Solana to go into panic mode, being so close to a half dressed man, she doesn’t feel that with Roman. She doesn’t feel anything at all. No anxiety, no fear, just some nameless emotion that doesn’t evoke her typical nervous responses.
“Okay.” Finishing up, Solana moves to clean up the supplies, discarding what is no longer usable. “Just….don’t get it wet for next few hours, and apply the ointment as needed, but—I’m sure you know all this already.” She feels silly for speaking to him as if he hasn’t patched himself up or been stitched up countless time before. “I’m gonna—I’m gonna go to bed now.”
Not wanting to risk embarrassing herself further, she turns on the heel of her foot and starts walking off, only to stop when he calls for her.
“Solana.”
She turns around, and Roman is briefly caught up in how she presses her lips together, trying to suppress a frown. She thinks she’s done something wrong.
One more sweep of her frame from bottom to top, remembering the stunning complement and contrast of the red dress against her complexion. He compliments, “you looked beautiful tonight.”
She looks absolutely taken back by what is an obvious statement. Taken back and confused. “M—me?” She’s pointing to herself, brows arching together. And for a second, there’s a small hint of a growing smile as she asks, as if he could have made a mistake. “Really?”
He didn’t.
Roman doesn’t make mistakes
Solana has a lot of things fucked up about her, but one thing not a damn person can deny is that she’s absolutely gorgeous with a body to match. That’s just a fact, why he felt the need to express said fact is a bit beyond him, but Roman doesn’t allow himself to think too much about it. It’s not a sentimental thing at all, just a plain fact being stated, if anything.
“Thank you,” she finally says as he notices the reddening of her cheeks. “Umm, good night.” Solana’s hand is on the banister, her finger squeezing tighter than the coils in her stomach. “Roman?”
It would be a hell of a lot easier if he would have just ignored her, but he doesn’t. His gaze snaps up to her from the phone now in his hand.
The same hand she witnessed just tonight pummel grown men, just as muscular and intimidating as he is to a bloody pulp. The same hand that could easily take her life, could have her clinging onto life with just one beating. And that’s all she can see at the thought of telling him about Grayson and Theory messing with her, that it’s now happened twice, they’ve caught her off guard and alone, sexually harassing her.
Nia’s words from the other day return to the front of her mind.
“He wants you to stop being so weak.”
He’ll blame her. He’ll blame her the same way her father blamed her for what they did to her. He’ll blame her for being so weak. That’s what Solana knows will happen. Knows he’ll say she was leading them on, that she must have done something to garner their interest in her. And he’ll be angry.
He’ll be angry at her.
And nothing good ever comes out of Roman Reigns being angry.
She’s seen it for herself firsthand tonight.
Determine to find a way to deal with this on her own, she shakes her head, “nothing. S–sorry.” She’s turned back to the steps when he says her name this time. His tone clear and authoritative.
She jumps, immediately turning back around to face him. He’s now standing near the steps where she stands, halfway between rescue and ridicule.
Something flashes in his gaze at her obvious nervousness, but he quickly refocuses on the topic at hand. “You have something to say, so say it.”
A deep layer of regret and anxiety settles in at the realization that there is no lying to Roman. He’s adroitly skilled in reading between the lines and seeing through bullshit. Or maybe she’s just that bad at lying.
Hopefully not the latter because another lie is about to roll right out.
“I was just—I was gonna sleep in tomorrow, but I have to make your breakfast, so I’ll just—”
“You don’t have to do anything, Solana.”
Roman knows she’s lying. Knows she just pulled that out of her ass instead of sharing whatever it is she initially wanted to say. It’s probably something stupid too, something he won’t give two shits about, but something she thinks he gives two shits about. And he’d push her if not for the fact he can tell she’s getting all nervous and shit on him again. The last thing he needs is her having another panic attack.
“Sleep in,” he directs. This is a conversation, much to his chagrin, that will have to take part in sections. And it’s too late in the evening to hash out one of those sections. And to be fair, there is a part of him that recognizes she probably does feel like she needs to be up at the ass crack of dawn like him to have his first meal of the day ready to go. And his lunch. And his dinner.
Granted, Roman can’t and won’t complain about all of it, because the girl can cook her ass off.
But, it’s not necessary.
He’s more than capable of taking care of himself.
He’s done so since he was 10 years old.
“Thank you.” She does that thing again where she smiles like he’s just told her she’s won the lottery or been given the cure to world hunger. It’s the simplest things that seem to make her happy. Considering the bar has already been set so low, it makes a bit of sense.
It makes a lot of sense.
“Goodnight.”
Roman is certain she’s intentional in the way she turns on the heel of her foot to move up the stairs, putting as much distance between the two of them to avoid a follow up question. Her avoidance behavior is a bit impressive, irksome, but still impressive, nonetheless.
And it would be remiss of Roman to not sneak a peak of her retreating form moving up the steps, his eyes glued to the sway of her ass, again remembering that short, red dress that momentarily distracted him when he laid eyes on her at the match.
Roman would never deny his physical attraction to her. That’s just a fact. She’s shaped in a way that makes his dick hard at the thought of having that body underneath his, writhing, begging for him to not stop fucking her in all the ways he would if he could.
But, that’s a fantasy. It’s a fantasy because the reality is that he can’t even touch this girl without her freaking out on him, something that would annoy him greatly if he didn’t realize there’s a reason behind her jumpiness.
Something that’s beyond just her shitty father and brother.
Roman doesn’t allow himself to travel down that path, to see what it might lead to because just the thought of what might be the reason she doesn’t like being touched has his fist forming at his side, nostrils flared, and anger brewing at an accelerated pace that doesn’t make sense.
It also doesn’t make sense when he grabs his phone, navigating to the desired thread, sending a text he doesn’t think much about.
Roman: Get me a list of dog breeders. Small dogs. Preferably local. We can travel if necessary.
Paul: Sir?
Roman: Just do it.
Paul: I’ll have it to you by tomorrow morning.
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After much work i have finally written down my analysis on the fictional character Creek from hit children's movie Trolls 2016, open Read More on your own discretion because this shit is about to get long
Alright let's start with a small summary for the folks that have never watched a Trolls movie and don't really know anything about Creek outside of the plethora of art i've made about him
Creek is one of the movie's side characters and secondary villain, he is Poppy's (the main character) friend and acts as a short-of twist villain (i'll explain that 'short-of' later,). Although shown to be a stereotypical nature-loving hippie he later betrays his friends and everyone he's ever known as he sells out the location of their village to Bergens, a race who 20 years ago used to keep the pop trolls in a large cage and would eat them once a year during a holiday called Trollstice.
He is first introduced when Branch (the movie's second protagonist) is confronting Poppy about her decision to throw a party, arguing that this could attract the attention of the Bergens, this is also where my first point about Creek's character begins First thing to notice is that, unlike what some people would like you to believe, Creek is NOT the only troll in Poppy's friend group (the Snack Pack) to be dismissive towards Branch, if anything Poppy herself is the only one in the group that seems to want to give him a chance ("i think everyone deserves to be happy"). Creek also shows up late to the conversation, only appearing once Branch escalates the situation by throwing Poppy's party invitation to the floor and stomping on it. You could easily argue that, in Creek's perspective, he is only doing what a good friend should do and protecting his friend from someone who is being cruel towards them, and although Branch has a GOOD reason to be upset and we later find out more about his backstory, there is no reason for us to believe that Creek or even the rest of the Snack Pack know anything about his situation, to THEM Branch is nothing but a party pooper who actively chooses to stay miserable ("some folks just don't want to be happy")
One point that i sometimes see that i would like to snip in the bud as soon as possible is that Creek doesn't truly care about his friends, especially Poppy, and is only using her to get something out of her (what exactly ? well we don't know, we could especulate that since she is the princess, he may want to use her for her status, possibly wanting to become royalty himself, but we're not here for that), the reason i bring this up now is because of the scene that follows the interaction with Branch, where Creek is the first one to notice that Poppy is still upset about the results of the conversation, not only that but he doesn't seem too happy about it himself
It would have been extremelly easy to animate him smiling or looking smug after Branch storms off, but that doesn't happen, he even glances down at the ground before looking towards Poppy, which is when he attempts to cheer her up. This small scene ALONE already leads me to believe that he truly does care, and although his attempts at cheering her up aren't exactly the best nor the most productive ("tune out his negative vibrations Poppy, they're toxic") he is still trying.
However we do not get enough time to find out more about his relationship with Poppy outside of this very moment as the next scene in the movie is the party and their imminent capture by the Chef Bergen, this is where i'd like to remind you that i called him only a "short-of" twist villain. For a twist villain to truly work we first need to understand why this character is considered to be a "good guy", and their relationship with the protagonist, so that the incoming reveal of them being the antagonist has a impact, not only on the other characters, but the audience themselves. The thing about Creek is that we don't GET that insight into his relationship with Poppy, they interact TWICE before the reveal, and one of those interactions is Poppy attempting to save him from being carried away by a Bergen, therefore the "twist" itself falls flat... but what if i told you that was done on purpose by Dreamworks ?
Before the existence of Creek there was another character who was meant to take his place in the storyline, and her name was Miss Guffin
According to concept art, Miss Guffin was originally going to be Poppy's mentor, and be captured by the Chef Bergen, and much like Creek she would sell out the other trolls as an attempt to save herself. Now that would have had a much bigger impact, not only on the audience as they realise that the respectful elderly character was a selfish coward at heart, but for Poppy as she would have had a much closer relationship with Guffin as her mentor. So why was she changed ? It's simple really, she was just too likeable.
Creek, by design, was created to be unlikeable, not only so that his reveal wouldn't upset the audience, but so that you wouldn't feel pity about his eventual demise. THIS is what i mean when i refer to him as a character "doomed by the narrative", he only exists because a much more appealing character had to be turned down for the sole reason of not upsetting those who watch the movie, he would never have been allowed to have a closer relationship with Poppy, because that would have given the viewer a emotional attachment to him, and we can't have that. Creek is a tragic character in the sense that he was destined to be the traitor, not only a traitor but a unredeemable one, and i understand why that is, there was never going to be enough time in the movie to give him a satisfying redemption, and it would have thrown off the entire flow of the story, killing him off was a much easier choice than trying to squeeze an awkward redemption at the very end, but that doesn't stop me from wishing that there WAS more. His fate feels unfair to me, as his only crime is being kind of a dickhead, and it's hard to blame him for his decision to sell out Pop Village when his only other option wasn't much better, so let's talk about that next.
In the next scene where we see Creek, him and the rest of the Snack Pack have been put in a cage by the Chef, this is where i'd like to point out that his first reaction to this predicament is to try and get everyone else to stay calm ("Woah, woah ! Everyone, we must all remain calm") This scene leads directly to the one where he gets nearly eaten by King Gristle, and when i say nearly i mean it, he is shoved INTO his mouth and assumed dead by everyone except for Poppy, who is only holding out hope that he is still alive. Of course we later find out that he is indeed, not dead, but that is only because he clung to Gristle's uvula causing him to choke and spit him out. The way we find out that he is alive is through Gristle himself, who reveals to Bridget that he has him locked inside his cape's clasp
Notice how little space he has in there, i'd say barely any to move let alone breathe, as he lets out a desperate gasp just as the clasp is opened. We do not know how much time has passed since he escaped being nearly eaten alive, but we can estimate it has to have been at least a few hours, as quite a few events happen between the formerly mentioned scene and this one. We do NOT get to see what happens between him, Gristle and the Chef during that time, which means we can only ESPECULATE why he was put in there in the first place, so allow me to do just that:
- Firstly, we do not know if Creek agreed right away to the Chef's request to reveal the location of the village, for all we know he might have declined to do so, and putting him into a small claustrophobic space was a way to give him that final push. - However this could have also been a way to stop him from escaping and telling the other trolls of the Bergen's plan, but i fail to see why they would have had to resort to such a, let's be honest here, barbaric method of keeping him put, when a normal cage would have done the job just as well, perhaps the Chef wanted to make sure he wouldn't change his mind. - Thirdly, this could have been a way to have someone keep an eye on him as the Chef busied herself with other things, essentially making Gristle the guard to Creek's prison No matter what option you decide makes the most sense, one thing is clear: Creek was tortured
At last we finally reach the moment he reveals to Poppy, Branch and the rest of the Snack Pack that he plans on betraying all of them and selling out the location of the village, this is the scene that is supposed to make you despise him, for being so cowardly and selfish that he'd rather let everyone he's ever known die horribly than.... give up his own life ? Hold up did i read that right, oh... hm Creek is a character who finds himself in a situation out of his control and is forced to make a decision between two truly awful options, he can either let himself be eaten or everyone else goes, there is NOT a correct answer here, and in the end his sense of self preservation wins. A decision probably influenced by the fact that before this moment, he had spent hours trapped in a small space with barely enough oxygen. There was NEVER going to be another way, as the Chef states herself:
Especially bringing attention to how he acts in this scene, to me it comes across less like he's finally showing his true colors as a manipulative person, and more like he's desperately trying to justify his actions not only to Poppy but to himself ("At least you get to die with a clear conscience")
And it seems like he's successful in doing so, for him at least, what other options does he have ? It's either give up your own life, or convince yourself that what you're about to do isn't truly that bad, he chooses to look at it with a positive outlook, ignoring the very obviously bleak reality he finds himself in ("So in a way... You could say... I'm doing this for you")
Another thing about this scene is that we don't really get to see his true feelings on the situation, as during this conversation the Chef Bergen is actively sharpening knifes in the background, even if he did want to come up with a escape plan or air out how he feels about this predicament they find themselves in, he would be unable to do so, as the person who could easily just snatch him up and kill him right then and there stands in the very same room. And that is a recurring thing when it comes to Creek, we don't get to SEE much of him, we don't see the events leading up to his betrayal, we don't really get to see his relationship with Poppy or even the rest of the Snack Pack for that matter, we don't SEE how he feels about being trapped inside Gristle's cape clasp or having to choose between himself or his friends, and honestly we probably never will. For a secondary villain he barely gets any screen time at all, and the screen time he does get is spent in near constant live-threatening danger.
And finally, his story comes to an end, the Bergens discover true happyness, Chef Bergen is defeated, and the last time we see Creek he's getting swallowed up by a mountain sized creature, the very thing he tried so hard to save himself from, to the point that he would give up everyone he's ever loved, happens regardless of his choice, was he even given a choice in the first place ? When both options led him to the same fate ? I would say it's almost tragically poetic if it didn't feel like salt to the wound.
Of course, Trolls: The Beat Goes On exists, but it's not even close to being a good continuation of his character let alone a satisfying redemption, his introduction is incredibly rushed, characters who have no reason to forgive him for his actions immediatelly welcome him back with open arms, and the one person who doesn't do so is shown to be in the wrong even though his reaction and suspicion make complete sense.
Besides, TBGO is it's own can of worms and opening it now would only make this post longer than it needs to be, so i'll spare you from that.
My final point is that Creek is a much more complex and interesting character than the story would like you to believe, and it CAN be quite frustating seeing people brush him off as just a selfish fraud who never truly cared about anyone but himself when there's really so much more under the surface. Of course i'm not saying that you should love him, hell you don't even need to like him, he has a lot of flaws and has made terrible decisions, but that's also exactly the reason why i am so keen on giving him a better ending. He shouldn't need to be perfect to deserve a nicer fate, to be given an actual choice for once, one that isn't going to blow up in his face in the end, the ability to be better and do better. You don't deserve to be tossed aside just because you have a big ego or some other personal flaw, you don't deserve to be considered unredeemable because you were put in a situation out of your control, making a bad decision shouldn't define your existence for the rest of your life.
I've come to accept that Creek is a very important character to me, he's a character who NEEDS to be selfish for the story to work the way it does, one who's the narrative is actively trying to make as unlikeable as possible at all times, but it's attempts had an opposite effect on me, and the more i dug only solidified him as my favorite in the entire franchise. I love him because of his unused potential, potential that'll most likely never get a true chance to shine due to Dreamworks not seeming to really care about him as a character, so i have taken upon myself to do what canon failed to. If i had to pick ONE THING for folks that read this post to get out of it, is that you should never be embarassed of your enjoyment for a fictional character, no matter how unlikeable or one-dimensional they seem to be, analyse every frame they show up in, write that fanfic, draw that art, create that self indulgent AU, find meaning where no one else did
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Hey um, what if the Overblot boys told each other their backstories?
Mmm… Well firstly, I think it would take a lot of effort to arrive at a point where all of the OB boys would even feel comfortable being that emotionally intimate with the others. Many of the OB boys are highly guarded and resistant to putting themselves in compromising positions. For example, I can easily see Azul being paranoid that the others would use his background as blackmail; he would not risk having his own vulnerabilities becoming public knowledge. Would Leona really be okay with being sentimental in front of various people he dislikes, especially Malleus and Vil? Would Idia feel safe unpacking his trauma and grief in front of his peers? Etc, etc, etc.
Secondly, I think that even if the OB boys were hypothetically at the point where they were okay sharing their backstories with the others, it wouldn’t change much about their immediate circumstances?? The OB boys generally don’t strike me as particularly… empathetic? At least not automatically empathetic. It’s something they would need to put effort into and actively work on. I imagine that they’d otherwise just pull a Zuko-style “That’s rough, buddy” or potentially even say something tactless that rubs their peers the wrong way (for example, not fully understanding the situation or even downplaying one another’s trauma). Riddle (someone with very little to no experience with social media and entertainment mediums) might not get how being a celebrity influences Vil’s life, Leona might insult Malleus (someone whom he has a bone to pick with), everyone might still be upset with Malleus for what he did to them in book 7. etc. Each OB boy only has their own experiences as the lens through which they see and interact with the world, and it’s not that easy for just anyone to put themselves in the shoes of another person.
Hearing a (for lack of a better term) traumadump doesn’t necessarily mean you’ll connect with it or understand just how grueling it was for the person who experienced said trauma. It would usually take a significant amount of time and reflection (ideally facilitated by a licensed mediator or professional) to digest those stories in group therapy and to make sure that everyone actually understands one another. A surface-level story retelling alone in most cases isn’t (again, for lack of a better term) “enough”, especially with how self-centered, emotionally immature, and different many of the OB boys are.
Think of empathy like a skill or a muscle. It isn’t innate. You need to develop it and train it, and not putting it to use can lead to atrophy. And given how arrogant and independent your usual NRC student is… yeah, it’s definitely going to be something for them all to work on.
If you want to think of it another way, it’s like how different players will react differently to reading the OB boys’s backstories. Someone who experienced bullying similar to Azul could more easily empathize with him while also not fully “getting” the full scope of other stories they hear. Maybe they can’t understand why Riddle still cares about the mother who mistreated him. Maybe they don’t see why Jamil sacrifices so much for his family. It doesn’t make the player a bad person for not understanding all the stories, it simply means they have a limited perspective. The same is true of the TWST characters; they, too, have incomplete perspectives and rely predominantly on their own points of views to make sense of the world.
Maybe knowing their backstories in advance would change some scenes in small ways (such as book 6, when they split up and then butt heads with each other). They’d know where the other boys were coming from, and how that informs how they act in present day. However, I maintain that I think not much would change from the original. In a stressful situation like book 6, they could easily slip up and say something insensitive/make assumptions about their behavior based on their background/overlook or not even consider their background in the first place since they’re so focused on the current task. For example, Azul, feeling insulted that Riddle is underestimating him, could make a snide remark that just because his mother was a control freak doesn’t mean Riddle also has to be. Jamil could still see Leona as a spoiled prince because, despite being treated like an outcast, he still grew up in immense privilege as royalty. They can so easily fixate on their own interpretations of events that it colors how they perceive others, rather than how they can relate to others no matter how similar or dissimilar their experiences were.
In other ways, I think the OB boys sharing their backstories with one another stifles potentially meaningful development. Character growth in TWST isn’t a sprint, it’s a marathon, and we’re here for the long haul. What does depositing all the backstories in their laps achieve for the OB boys? It artificially puts them in a situation to “better know” their peers rather than let it happen organically or allowing them to grow closer through their own efforts. Let’s look at the Deuce-Epel beach scene from book 5. Do you think it would have been as impactful of a scene if Epel explained his life in the countryside and how he got his traditional views on gender norms to Deuce? Personally, I don’t think so. The scene we currently have has them bonding and connecting through a shared activity (shouting at the sea), then having a heart-to-heart without a heavy backstory exposition. It’s through that, not explicit backstory sharing, that the two form an attachment and become genuine friends.
Those are all my thoughts!! ^^
#twst#twisted wonderland#disney twisted wonderland#disney twst#Malleus Draconia#Vil Schoenheit#Idia Shroud#Jamil Viper#Azul Ashengrotto#Riddle Rosehearts#Leona Kingscholar#notes from the writing raven#question#book 6 spoilers#book 7 spoilers#atla#prince zuko#avatar the last airbender#book 5 spoilers#Deuce Spade#Epel Felmier
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Nobody Understands Mukuro Ikusaba (aka Mukuro Character Analysis)
...except for the people that do (lol).
But first I want to clarify what I mean by this title and why I even wrote this thread in the first place. Mukuro is my second favorite Danganronpa character, only beaten out by Kyoko. There's a lot of reasons why I really like Mukuro, but one of them is her writing.
I think she's one of the best written characters in the series. But unfortunately, she also happens to be one of the most misunderstood characters as well. Not even by the people who don't like her, but also by her own fans.
"Mukuro has incestuous feelings for Junko" "Danganronpa 3 retconned her character" "Mukuro was just a plot device" These are all claims that baffle me because simply just consuming the media will say otherwise.
To many, Mukuro is either a one note incest freak or a pure innocent cinnamon roll who did nothing wrong and both of those interpretations are wildly incorrect. I've been meaning to write this post for a while, but we're finally here.
Nobody understands Mukuro Ikusaba (a ""🧵"") (Spoiler warning for the entire series)
Story Overview
We don't actually know too much about Mukuro's backstory aside from the fact that at a young age, she was separated from her younger twin sister Junko. Before being taken away, she claims that she was homeless and after she was taken she was forced to become a member of the military group Fenrir.
So clearly Mukuro never really had the chance to have a normal life, and more importantly: never had a chance to feel the care of another person.
Her sister, who Mukuro had not seen in years, suddenly got in contact with her and called Mukuro over to participate in her plan to overthrow Hope's Peak Academy (and the world). Mukuro, who already felt bad for losing her sister and was desperate for any kind of affection, accepted and began working for Junko.
Junko took advantage of Mukuro's desperation and had her basically work as a servant to her plans. She started by having Mukuro wipe out the entirety of a middle school in order to prove Mukuro's skills and how far Mukuro would go for her.
With that out of her way, Junko made Mukuro obey like her servant in order to overthrow Hope's Peak and cause the tragedy. Mukuro did so without batting an eye and disregarding any second thoughts she might have had, all while facing Junko's abuse.
During her time attending Hope's Peak, Mukuro met Makoto Naegi. Unlike most of her classmates, Makoto was friendly to her and showed her compassion. This confused her as we already established that Mukuro wasn't used to affection. Because of this and her tendency to latch onto anyone who shows her even an ounce of care, she began to develop feelings for Makoto (that even Junko acknowledged).
"In the past two years, Ikusaba had gained an interest in the world beyond her sister. And in that world, Makoto Naegi--the first person who smiled at her and bridged the gap between her and the world--had become like a sapling of sincerity taking root in her heart." -Danganronpa IF confirming Mukuro's feelings for Makoto
"Upupupu… I wonder what kind of fun you were having in the infirmary? Did you take care of your rival in love, or did you wish them a happy marriage? Either way, don't you think our nice guy Naegi standing side-by-side with Kirigiri makes for a wonderful picture? If this were a thriller, they'd be the last surviving couple!" "Upupupupu… Or how about just killing all of the others? If everyone but you and Naegi die, then the two of you can spend the rest of your student lives together! After all, we can't even hold a trial if there's only two people left. Maybe it'll be best if you just hole up here, safe in the building forever!" "And what're you going to do once he goes back to his old self? It's not as if you were dating Naegi, right? You were just watching him from afar all this time! Now this is a shock. You can shoot right through people's heads and hearts without even blinking, but you can't even steal away some skinny little boy's heart! You want me to tell you who Naegi had a crush on before his memories were erased? Upupupupu…" -Junko teasing Mukuro about her feelings as she aids Makoto in Danganronpa IF
Once the tragedy occured, Mukuro was locked inside of Hope's Peak with Junko and the rest of their classmates and she helped orchestrate the killing game. She disguised herself as Junko, under the impression that Junko would fake her death and they could spend the rest of the game together.
This is when the seeds of doubt began to sprout inside of Mukuro. I wouldn't say that she necessarily began to go against her sister, but she definitely was starting to get a little more hesitant.
"It was only recently that she began to question her mindset. Hearing about this plan from Junko and watching the world burn at the hands of people in Monobear masks did nothing to sway her, but when she heard that Junko was intending to plunge Naegi and the others into a game of murder, something within her began to move. The seed of doubt soon took root, sprouting into a thorny vine that twisted around her feet. And the moment she met her friends for the first time under the identity of Junko Enoshima and realized their memories were truly gone, the vines quickly tightened around her ankles." -Danganronpa IF describing Mukuro's feelings when the killing game began
To Makoto and the player who are under the impression that this is Junko, they assume that she's referring to not wanting to be a model anymore. But given her backstory of never being able to live a normal life and always having to fend for herself or follow the orders of others, we can infer what she actually means. She expresses disappointment in the fact that she never really had a chance to do what she wanted.
This all culminates in the moment where Junko was supposed to fake the death of Mukuro, but that isn't what happened. Instead, Junko killed Mukuro and betrayed her. To say that Junko felt no remorse from this action would be a lie, however. Junko only did this because she knew it would hurt both of them.
...but what if that wasn't what happened? What if Mukuro wasn't killed? What would happen then? That brings us to:
Danganronpa IF
Danganronpa IF answers the hypothetical question of what if Mukuro survived Junko's attack. Of course this means it isn't canon, but due to Kodaka being involved with its creation and its existence as an event that hypothetically could have happened, it is canon compliant. This means that while the events didn't happen in canon, they could have and things like characterization are all accurate. Think of it like an extended free time event. While the events themselves aren't canon, the things they say and imply are. I'll also be referencing Danganronpa IF a lot because since it's told from Mukuro's perspective, it gives a lot of insight on her thought process.
After regaining his memories, Makoto recognizes and rescues Mukuro seconds before her would-be death and he gets impaled by one of the spears. Mukuro rushes to save him, abandoning her disguise and goal.
During this time, Mukuro does a lot of thinking. Why did Junko try to kill her? For all the time they've been working together, Mukuro always assumed that her job was to prop Junko up and help her achieve despair.
It turns out that Junko didn't want Mukuro to obey Junko's every order, Junko wanted Mukuro to retaliate. She didn't want Mukuro to submit to her, but instead to fight back.
With this Mukuro changes her mind, choosing to fight Junko instead of assisting her. Not because she's on the side of hope, she never cared about hope or despair, but because she only wants what's best for the only person in her life who cared for her.
"'That's why… I'll take responsibility. I'll make you happy, Junko . I'll make youdespair. I'll save Naegi-kun… I'll make sure none of our friends die. I'll get them all out of here. And I'll kill every last one of the ones on the outside. You planned this for years and killed so many people to make this work… so I'll destroy every last trace of it.' She was not driven by resentment at the sister who abandoned her. Ikusaba would do all this for her sister's sake." -Mukuro changing her approach to making Junko happy in Danganronpa IF
Who is Mukuro Ikusaba?
Now this is the part where I finally exit the synopsis phase and finally get into the character analysis, explaining why Mukuro acts the way she does in all entries.
Now, I want to begin with a common critique of Mukuro's character, specifically one that's attributed to Danganronpa 3. The one that says that Mukuro's behavior is not only out of character, but also claims that she has romantic feelings for her sister.
First point out of the way, Mukuro's blushy and flustered attitude is nothing new when it comes to her character. It's been an aspect of her since the very beginning of her characterization.
"'I don’t know if… she attracts despair, or despair attracts her, but… she’s lived her whole life with despair by her side. She lived while immersed in despair. That’s why she began looking for despair in others; she began to enjoy pushing people into despair. But you know… that’s normal. It’s no different than someone cursed by misfortune falling into hatred for those who are better off than them. But what’s special about her was that… she learned to enjoy inflicting despair upon herself. That’s how the link to despair began: as she chased down despair, she pushed it onto others along the way. Doing so caused her to crave falling into despair even more… and because of that chain to despair, the Ultimate Despair was born.' While she spoke, it was like she fell into a fever; the expressions on her face slowly turned into ecstasy. It was so completely absurd that it would have been difficult for anybody to think of it as anything but a joke, but I could tell that this was real. It might have been the hazy memories of Junko Enoshima inside me that led to that conclusion. 'You don’t get it right? That’s fair, I don’t think anybody could… But you know, only I can understand it…' Consumed by ecstasy, even Ikusaba’s breathing had begun to turn ragged." -Mukuro describing Junko in Danganronpa Zero
The second (and more important) point to address is the one that Mukuro holds some kind of romantic feelings for her sister. Now, in all honestly, I can't hold this against anyone for thinking this even if I think it's a wild misinterpretation of her behavior. Danganronpa has a track record of using incest for comedic effect (to always poor results). However, Mukuro's relationship with Junko is not used to comedic effect and it's portrayed in a negative light. Not only that, we know that Mukuro does not enjoy behaving that way.
"'She hoped that, perhaps her sister on the screen would say something like 'Not! You seriously thought I'd say something that sappy? Jeez, you're annoying! Can't you just disappear forever or something?'. She hoped that Junko might criticizeher and call her useless. Ikusaba was no masochist, but she would have preferred to hear scornful laughter and be shot at rather than continue to endure this pain." -Danganronpa IF explaining Mukuro's "masochism"
Mukuro doesn't behave the way she does because she has feelings for Junko, she does so because she believes that's how Junko wants her to behave. Danganronpa Zero and IF makes it clear that Mukuro was wrong about how Junko wanted her to behave.
“'You don’t get it right? That’s fair, I don’t think anybody could… But you know, only I can understand it…' Consumed by ecstasy, even Ikusaba’s breathing had begun to turn ragged. 'Only I’m able to understand her… That’s why she needs me. She still hasn’t realized it, but… maybe she’s only pretending not to. Ufu… It’s because she’s so shy. Ufufufu…'” -Mukuro explaining that Junko needs her in Danganronpa Zero
"Ikusaba knew that not even she herself was her own ally. After all, despite the fact that Junko had betrayed her and very nearly killed her, Ikusaba still believed that she was the only one who could understand her little sister. And that was why she felt that she had to protect her. That's right… you were just being you, Junko. You just wanted despair, right? It's because you love me. You wanted to kill me and fall into despair. That must have been it" -Mukuro in denial in Danganronpa IF
"Ikusaba believed that she alone could understand the despair known as Junko Enoshima. It was a ludicrous notion. The moment Junko said, 'I love you', Ikusaba realized--to her agony--that she never truly understood her sister. Only now had she come to realize Junko's feelings." -Mukuro realizing that she didn't understand Junko in Danganronpa IF
Because of Mukuro's incorrect interpretation of understanding Junko, Mukuro believes that Junko expects her to respond to her abuse with acceptance and masochism. Even if she was uncomfortable to, as long as it made Junko happy, that's what mattered. Of course, we learn that Junko wanted Mukuro to respond her abuse with retaliation, and as soon as Mukuro realizes that her behavior immediately shifts. Mukuro holds a great deal of admiration for Junko, so much so that she only wants to do what would please Junko the most.
She does not have romantic feelings for her sister and to say so misses the point entirely. She isn't behaving that way because she's a masochist, she behaves that way because she believes it's how she's expected to, even if she's visibly uncomfortable. Once she learns this isn't what's expected, she immediately changes course.
Danganronpa 3 also has official relationship charts that depict the relationship between characters. In this chart, crushes or explicitly shown romantic feelings are labeled with a heart (as seen with Kazuichi's attraction to Sonia or Toko's attraction to Byakuya). Mukuro's relationship does NOT feature this heart. You would think that if Mukuro's very obvious admiration towards Junko was romantic it would have a heart, but it doesn't because it isn't. If what I said before didn't convince you, I think this itself is proof enough.
Mukuro's admiration doesn't extend to just Junko though. Due to her unfortunate upbringing, Mukuro has a tendency to get attached to anyone who shows her the affection she's desperate for. So much so that her behavior changes completely around the people she cares about.
"The mass of monochrome spun round and round, making it look as though they were projecting a hypnotic image from three directions, but Ikusaba remained expressionless. In fact, the bizarre sight unfolding before her compelled the Super High School Level Soldier to regain her focus. She was an entirely different person from the girl who had panicked at Naegi's injury in the gymnasium." -Mukuro while fighting in Danganronpa IF, behaving completely differently from when she panicked over Makoto's injury
"Not only that, if anyone who knew her as the Super High School Level Soldier and mercenary were to see her now, the difference in her attitude might even make her look like another person altogether. And Monobear continued to drive the girl into a corner." -Mukuro panicking over Makoto's injury in Danganronpa IF
"The mask of ice she wore around others was entirely unlike the face she showed her sister, making it almost seem as though she had multiple personalities." -Danganronpa IF explaining that Mukuro's behavior around Junko is different from her typical icey expression
This is why around most people, Mukuro has a pretty blank expression. However when she's around Makoto or Junko, the two people who she cares about, she displays a much more soft and emotional side.
That being said, an often overlooked aspect of Mukuro is that she actually has a slight ego and is proud of her skill. This is especially obvious in her fight with Peko in Danganronpa 3. Of course, if I spent years in the military without getting a single scratch, I'd probably have an ego too.
Mukuro is also capable of turning off her feelings and going into a "killing machine mode" whenever the situation demands it, mostly when she's carrying out some mission. It's not because she doesn't feel bad for what she's doing or isn't having any second thoughts, it's that she pushes any doubts to the side to focus on getting the job done.
"In battlefields, where she made her home, her main mission was to kill and survive. And in that setting Ikusaba was invincible. She could put her own emotions on a leash in order to become a killing machine." -Danganronpa IF explaining how Mukuro is capable of ignoring her own feelings
"With a single whisper that was drowned out by the sound of gunfire, Ikusaba went completely silent. Thanks to her status as a member of Super High School Level Despair, her heart was filling with joy. And as if to offset the sudden surge of emotions, the sparkle in her eyes disappeared." -Mukuro turning her emotions off while fighting in Danganronpa IF
So Basically...
Due to her upbringing Mukuro is someone who gets attached to people easily, particularly those who give her attention. Junko took advantage of this to make Mukuro essentially act as her servant. Believing that Junko expected her to return the abuse she faced with enjoyment, she forced herself to do just that. Even if it made her uncomfortable, making her sister happy at her own expense is better than being alone. She's capable of turning off and ignoring her emotions to following orders when necessary and is generally a proud and skilled soldier, though she has a softer side that she only shows to people who she cares for.
That is who Mukuro Ikusaba is.
Conclusion
There's a lot of reasons I really like Mukuro. I think she's silly and cute and I like her singing voice. But I also think her characterization is really good in all of her appearances. I think a lot of the critiques made towards her (especially towards her appearance in Danganronpa 3) are misguided or just a result of her being misunderstood.
She's not a plot device or a character exclusively there to act as an extension of Junko. She's filled to the brim with character depth and interesting writing and has plenty of characterization on her own. I'll admit that her presence in Danganronpa: Trigger Happy Havoc is a bit limited, however she doesn't just become an important character in four other entries without getting some kind of development.
Many think her characterization is inconsistent or different across entries, but I honestly think it couldn't be any MORE consistent. The only times where I'd say she acts out of character is in the comic anthologies, but those are non-canon media that's kinda known for flanderizing characters for the sake of comedy.
Basically, I like Mukuro. I hope I managed to change some minds or shed a new light on her to anyone who didn't before. And if you already liked her, I hope maybe I could make you appreciate her a bit more or just help you explain her in some way.
anyways follow me on twitter cough cough
Also special thanks to Twitter user @LKSixtyfour for their tweets about Mukuro's characterization, many helped me organize my thoughts to form the thread that you just read.
Edit: didn't make any changes to the post, just fixed some typos
#danganronpa#danganronpa 3#dr3#dr3 anime#dr#danganronpa anime#danganronpa zero#danganronpa 0#danganronpa if#dr1#dr1 thh#dr1 trigger happy havoc#drif#dr0#killer killer#dr3 despair arc#mukuro ikusaba#dr mukuro#danganronpa mukuro#junko enoshima#dr junko#danganronpa junko#enoshima junko
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AITA for killing my character and quitting a D&D game I was part of?
Apologies in advance but this is going to be rather long, I'll put a TL;DR at the bottom.
So this all started about eleven months ago when I (14, she/they/he) started getting into D&D, and joined a D&D group thanks to a friend of mine we'll call T (14, he/they). The group was made up of about five people total, but the main people in this situation are me, T, and the DM who we'll call N (15, he/him).
Now when I was making my character, T was helping me out by letting me describe what sort of character I wanted and suggesting different races, classes etc to make it work how I wanted, and what we ended up with was a Pact of the Undead warlock. The backstory of my character was that their older brother died defending them from an invasion of the village they lived in.
My character managed to make contact with their spirit in the afterlife and formed a "pact" with them, gaining power in exchange for letting him "look after them" (i.e. keep watch over them from the afterlife, protect them from harm, all that sorta thing). T told me to run the final concept past N but that they were sure it'd be allowed and that the pact idea was really sweet.
So I told N about my character and the backstory idea like T suggested and N seemed really on board with the whole thing, though he wanted to make a few slight changes to things in secret that would come up during the campaign, to make things more exciting I guess.
I told him I was alright with that, as long as nothing about who the pact was with and what it was for changed too much. He assured me that it wouldn't and that he'd get back to me on what changes he was planning, but he never did, and at the time I just put that down to him being busy.
The campaign starts, and for the first few months things are going pretty good. I do notice that a lot of NPCs, in fact nearly every non-child NPC, seems to be flirting(?) with my character, but I don't think too much of it at first, she is a young elven woman with blonde hair and silver eyes and everyone in the group has said that she's very pretty.
It isn't until one of the others who is also playing an elven character points out that they've been on the receiving end of essentially racism towards elves from NPCs who have simultaneously been showering my character with compliments that I start realizing how frequent and honestly rather obsessive it is, and as mentioned, just how many of the NPCs are doing it.
Then we get to T's character arc, exploring his character's backstory and helping them with things that come up. However, there are certain characters that are introduced that, out of character, T reacts rather negatively to, and when I ask him outside of session what's going on he confides in me that N is changing elements of his backstory that he'd told him he didn't want changing. As an example, T wrote that their character's mother was never part of their character's life growing up.
One of the characters we met was the character's mother, who was instead apparently a very prominent part of their life and cared greatly about them "not that they ever noticed". He also changed the character of T's father from "kind and caring man who did his best to raise his child alone and teach them how to defend themselves" to "stubborn, angry and neglectful father that is constantly disappointed in his son", which completely blindsided and upset T.
T also said that he'd tried talking to N about this but that the response had ended up being, to put it bluntly, "I'm the DM so I have the final say in things". This started to worry me, especially when I realized that N had never gotten back to me with his "proposed changes" to my backstory.
So I sent him a message, but because I didn't want to drag T into my own business with N I decided to say something along the lines of "hey, did you ever figure out what you wanted to change about my backstory?". He messaged back and said that he'd figured it out, but that things with school were so busy that he hadn't had time to sit down and properly write it all out to send to me yet, but assured me that he would by the time T's arc was over.
Several more months passed with no further word from N about my character's backstory, and as T's arc wraps up there's this idea that starts getting brought up, of how demons often exploit the grief of mortals to latch onto them and claim their souls by impersonating the dead person.
The others in the group all latch onto this and start speculating about how exactly the demons use impersonation to claim souls, except for T who gives me this rather worried look from across the table, and it suddenly hits me that this is probably meant to be the opening of my character arc.
I pull N aside after the game is over for the night and ask him directly if this is the opening to my character arc, and he says that it is, but not to worry because the demon thing is, to quote, "just being brought up to get the others interested". I remind him about what I told him about not wanting anything to change about who the pact was with and what it was for, and ask him again what changes he's made to my backstory.
He promises he'll have a full list to me by the start of next session, that we'll have time to sit down together and discuss it all even, and that he won't do anything I don't want him to do. Despite my concerns and the fact that he has already said several times he'll send me this list without doing it, I decide, like a fool, to trust him, even though in hindsight I had absolutely no reason to by this point.
The next session rolls around, and of course there's no list, instead a lot of NPCs who start voicing concern whenever my character brings up the fact she's a warlock, or her dead brother, especially if the pair come up in quick succession. One of the other characters figures out what's going on and asks if they can basically cast some sort of spell to determine if a demon's got control of my soul, which N agrees to, and the spell determines that yes, that's exactly what's going on.
I immediately confront N, mid-session, and tell him outright that this isn't fair, that I told him I didn't want him to change this part of my backstory, and I wanted him to change it back immediately or I wasn't going to play anymore. He started on this long-winded response basically summarizing as "I'm the DM, I can do what I want".
This is the part where I may be the asshole, because well, I saw red in that moment, and decided I not only wanted to follow through on my threat of quitting, but also do something to ensure that my point was driven home.
I fired off a quick message to T on my phone warning him what I was about to do, and while the others were talking about what to do to help me I loudly announced that my character was stabbing herself through the heart, which N had previously ruled would be an instant method of death if carried out.
Silence falls over the group. N tells me that I need to roll to see if I even hit, which I argue (with T backing me up) that if my character is willing to get hurt then it's automatically a hit. N tells me that I need to roll to see if I even pierce my heart. Okay, fine, I roll, and as luck would have it I roll a Nat 20. N attempts to send me just to death saves, but I remind him (again, with T backing me up) that he'd ruled that this was an instant death.
So then he tries to have an NPC cleric show up and revive my character, but T brings up that the soul has to be willing to return to life for that to work, and I immediately say that my character wouldn't even be able to consent to that if her soul was held by a demon, nor would she even be willing if she could. Then I tell N directly that he can consider this my official resignation from the group and walk out, and T follows along behind me after a few minutes.
Ever since then N's been blowing up my phone, fluctuating between begging for me to rejoin the group and promising that he'll do things differently this time, and calling me a selfish bastard for "ruining the fun". T still goes to sessions occasionally, though I think now it's just to spectate, and he's said that maybe things went a little far with the character death in hindsight. And honestly, I'm not exactly proud of how I acted now either.
TL;DR -- I joined a D&D campaign where the DM has made unwanted changes to my character's backstory, despite my attempts to communicate with him, so I retaliated by killing my character mid-session and refusing to let him revive her before quitting. AITA?
#aita#am i the asshole#suicide cw#not sure if it's needed for a dnd character death but just to be safe
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spoilers up to the end of dressrosa arc here but. I can't stop thinking about how Law takes on Rosinante's will. Corasan freed him from Doflamingo and the marines and the world government and everyone that ever could have touched him at the time, but has Law really felt free? “Everything I do until I die represents what Corasan achieved” is sweet until you recognise that Law is willing (and planned) to go to the grave for that belief. Until Doflamingo dies there is always a part of him stuck in that treasure chest, constrained by what Law felt happened to Corasan due to him that day.
It's crazy how textbook survivors guilt victim Law is (I’m new here so I wouldn’t be surprised if this isn’t the first time this has been brought up), but let’s just quickly go over some symptoms:
Obsessive thoughts about the traumatic event ✅ (will go over this in greater detail below)
A sense of disconnection or detachment/need to isolate oneself from others ✅ (Law doesn't fully isolate himself but he definitely has his walls up at all times, though there are often subtle hints of him enjoying the company of the people he chooses to surround himself with. He is notably more reserved, emotionally unavailable, cold and distant than others around him, and watching closely you'll notice that even physically he has a tendency to situate himself three steps behind the group)
Insomnia, nightmares, flashbacks of the traumatic event ✅ (if we can assume some of his backstory expressed in Dressrosa are flashbacks, and also assuming that the perpetual eyeliner he wears are covering some pretty heavy eyebags. Also mention that the only time we see him resting is against Sunny's mast on the way to Dressrosa - and that was 1. a filler episode, and 2. if he was sleeping, it was very quickly interrupted by an attack by petplay guy - a nightmare in of itself)
Irritability and anger ✅ (though elements of this could just be attributed to Law's personality or a natural response to the straw hat's shenanigans, as well as Luffy's total inability to stick to a reasonable plan)
Feelings of despair and thoughts of suicide ✅ (that's Law's Dressrosa arc babe)
Now, there's many reasons why Law is unable to move past this guilt (an apparent lack of therapists in one piece being one of them) - but his inability to believe in unconditional love is likely the biggest offender.
Law may have started off (initially) with one of the most fortunate, stable beginnings, with a loving family and a big house in a rich country (wealth of which was built off the back of lies and corruption and the murder of innocent future generations - we'll get there). But he had a mother and a father who loved and nurtured Law (and were both highly respected doctors in their own right who citizens trusted and relied on). Law's happy beginnings really juxtapose the unfathomable horror that had been lying in wait in Flevance.
Even when shit started to hit the fan, at a very young age (<10 yrs old), Law was already stepping up and showing love for his little sister (lying to her when she was on her deathbed, knowing full well he would likely face the same fate after reading his charts, putting on a brave face for her so she wouldn't be afraid when the screams began to reach their front door, hiding her away when soldiers sieged their home and rushing to check on his parents). Given everything that happened in Flevance, it's completely understandable that, while Law will likely never forget the love his family gave him, remembering it became twisted in the lasting memories of his home — parents riddled with bullet holes. a closet holding a sick little sister waiting for him in a house engulfed by flames. stumbling through a town of friends, neighbours, just... people he used to pass by on the street, now all dead.
Seeing hell, knowing why and how it transpired, who were responsible (spoilers, the World Government; the same body that most citizens believe exist to protect them — yeah, sister "a merciful hand of salvation waiting to help" were perhaps the worst possible combination of words you could have left Law with here. Likely instrumental in having him lose his faith "I don't believe in anything anymore."), knowing he is the only survivor, and fated to die anyway due to the terminal illness that is slowly killing him because some figureheads years back were greedy and the governing powers above the figureheads were willing to cover up everything if it meant garnering a portion of wealth and maintaining influence and control. It's beyond grief, beyond rage. And there's absolutely nowhere Law can put it. No one he can retaliate against. Who could come out of hell knowing this and not want to see the world burn?
So, smart little Law escapes under a pile of bodies and goes to the one person infamously revered for being in the business of that kind of thing. And boy oh boy I can only begin to imagine how a young and impressionable Law - fresh from a genocide, with a hole in his heart and a hatred for everything still alive - had his concept of love warped whilst surviving those two years around Doflamingo and his family. A family where members are only welcome so far as they are useful to Doflamingo and his aspirations. Of course Law's going to pick up some fucked up ideas about how love works outside this little white fence he grew up and watched burn down.
Then. Enter Corazon.
Their relationship may begin on shaky legs (near-juvenicide via defenestration in a failed attempt to ward Law away from sticking around) but Corazon quickly becomes the one person in the world Law can trust and rely on again. And Rosinante can only do so much in terms of healing and guiding this broken kid (yes, his position both as Doffy's brother and as a double agent made things difficult, but need I mention he was only 26! 26 when he died!) but he showed Law kindness and compassion when he was at his lowest. He had faith in the existence of a cure that Law was long past believing. Was determined to help him, even against Law's wishes, even if it meant having Law relive his trauma over and over again. Corasan becomes incredibly important to Law, giving him a reason to live beyond just destruction and revenge.
After the rest of the world had long turned his back on him, when he had been nothing but a dying puddle of rage and self-destructive nihilism, Corasan saved Law. He told Law "Aishiteru" - a very rare way of saying "I love you", never used casually due to the depth of its meaning and the massive connotations behind it - in essence translating to "I love you so much I cannot possibly imagine life without you". There's a high likelihood that at his age, Law had never heard these words before, and probably didn't quite understand the weight of Rosinante saying it at the time.
Corasan frees Law, then he dies at the hand of Doflamingo, Rosinante's own brother.
All Rosinante wanted was for this poor kid to go on and live his life unburdened by his more than turbulent history and his connection to Doffy, but I think for all his planning, Rosinante's one critical error was well and truly underestimating how much him loving Law, and loving Law to the extent he did, would mean to that kid. Law really went from that ten year old hollow void sentiment of "why does anyone or anything at all get to exist when everything that was important to me is dead, burned to ashes and wiped off the map" to "I should have died at age thirteen and every second I've lived since then, I've only lived as a result of Corasan's efforts and as a personal affront to Doflamingo." This time, Law has a tangible, heinous 10 foot monster of a target to direct 1. his grief and anger and 2. justice for Cora towards, and this time he has the power and will to follow through. More than that, he believes Corasan sacrificed himself for him because he's a D. (someone destined to rain down destruction on the gods - Doflamingo, in this case). Corazon becomes a saint that Law dedicates the rest of his life to. Which is something that Law is not vocal about to just anyone he comes across, but is so unbelievably obvious once you know what you're looking at — his tattoos, his jolly roger, his crew, his ship, his ambitions, his beliefs, his fucking. custom-made Corazon jacket. all of it for this man that showed Law - at a time when he hated the world and everything in it - love. For all of six months. max.
And his whole life and personality and behaviour CONTINUES to be guided by this trauma — the way he's reckless with himself, his borderline self-destructive actions, the way he keeps telling himself that none of it would've been worth it unless Corasan's last wishes are fulfilled, the way he surrounds himself with bright people and soft things, the way it doesn't register that his crew genuinely loves and cares about him, the way he's terrified of losing anyone important to him again (and I would say this is one of his biggest downfalls as a Captain compared to someone like Luffy - who is just as reckless as Law is but trusts his crew, doesn't try to send them away, isn't afraid to let them grow and risk their lives for him like Law is with the heart crew), his inability to take a damn compliment. The way he doesn't understand Luffy AT ALL.
Doesn't understand that this alliance that he's brokered means nothing to Luffy because he sees him as FRIEND. No transactions or mutually beneficial pacts necessary. Doesn't get that he's the one that inadvertently asked Luffy to be his friend, thus breaking a long chain of people (mostly parental figures and siblings) abandoning or leaving Luffy behind/no one taking the first initiative to ask to be around him. Law is complete and utterly in the dark as to why someone would ever bat for him when the stakes are this high for no other reason than because they like them and care about them as a person.
Luffy, with his playground rules where he loves unconditionally and will take on the world for a friend he made five minutes ago, perplexes Law with his sheer simplicity.
When Sengoku tells Law, "Don't try to find a reason for someone's love", I do NOT think he takes it well. Because there must be a reason. There has to be. Between the two options of Corasan saving Law's life and freeing him because he believed in the will of D., or Rosinante saving him for no other reason than because Law was a kid that was loveable, and because he loved him unconditionally... everything we've learned about how Law functions up until this point suggests the former will always make more sense to him, and after everything he's been through, is most likely less painful for him to accept.
#LONG POST#in this essay i will... oh no. this was a spiral i was not ready to go down.#I'm not doing okay btw#one piece meta#these were originally 2am tags but upon reflection i thought it should probably be its own post#CJ's op watch-through#one piece#op#trafalgar law#trafalgar d water law#corazon#corasan#donquixote rosinante#monkey d. luffy#lawlu#dressrosa spoilers#op meta#op analysis
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Mr Wavell - Origin
(Original story posted December 25th 2021) This story has been mildly Updated!
Many of you may already know who I am but for those of you that don’t, I am Mr Wavell and I am what may be referred to by some as a Warlock. I’ve spent the past couple decades fulfilling all sorts of body swapping and transformation dreams. Sometimes I do it because the people I’ve come across have begged me to grant their desires whether they were conscious of it or not. Other times I just do it for my own pleasure regardless of what they want.
Transforming men. Swapping their bodies. Hypnotising them to my whim. I live for it.
Saying that, things weren’t always this way. In fact my name wasn’t always Mr Wavell either. I suppose while I’m here I could give you a bit of… backstory as to who I am. I’ve never told anyone this little tale before so consider yourself lucky.
To kick things off, I was born with extraordinary power. Powers capable of bending and altering space and reality itself. To be born with magic wasn’t uncommon where I come from. In my world magic is common amongst folk and almost every living being holds a small portion of it inside them. I however was born with so much of it that everyone was terrified of me and what I might become.
For some context, I’m not just a Warlock. No. I’m far more powerful than that. With the level of power I possess, I could be considered a Deity who is only a few steps shy of omnipotence. But saying I’m a Warlock makes me a little more… approachable I suppose. And slightly less self absorbed.
That said, when I was younger my body wasn’t equipped to handle these powers. Or more specifically, both my body and my mind couldn't handle it. These incredible powers I’ve been blessed with were so strong that my young and immature body was never able to fully handle or control them. Because of this my power slowly but surely eroded my body. It almost seemed like a slow acting cancer.
On the other hand, my mind not being mature enough also restricted the limits of my power significantly. I could always feel a deeper… stronger power inside that I could never quite tap into. My only hope was that as I grew older I would grow more capable of handling my power. Yet even by the time I reached the age of 18 my body had already become far too weak over the years to ever hold my overwhelming magic.
Long story short, I was dying.
I required a far more mature body and an older more mature mind to go with it. Yet I had neither. Even if my body wasn’t slowly shutting itself down, I knew deep down I would never really grow out of my naive and immature mindset which would forever hold back my potential. You can only imagine how frustrating it was for me.
Even worse was how I was always on the run. Other Witches and Wizards were always trying to lock me up out of fear. Kill me in case I did something terrible with my magic. Or worst of all, trying to steal my power for themselves!
So I did the unthinkable. Not long after turning 20 I used my magic to activate a forbidden spell. One that could rip a hole between realities. Normally a spell like that would take a massive group of practised magic users to perform but thanks to my incredible power I was able to do it alone. This allowed me to escape to your world. One without magic where I no longer had to fear being hunted. But unfortunately I was still dying.
I figured all hope was lost for me until one fateful day. I was minding my own business walking the streets of this world as I passed the local high school. That's when I met him. Mr Wavell. At a glance he just seemed like an ordinary teacher at this school. But the moment I set my eyes on that man there was this intense pull towards him the likes of which I’d never experienced before. His body. His mind. Even his soul resonated with my powers! I could sense it.
I knew right then and there that he was The One.The one whose vessel could contain my full powers and allow me to finally assume complete control of them. To allow me to live!
Once I was out of sight, I used my powers to enter a ghostly invisible state before floating back over to the school gates where I was just able to catch him. I followed him as he walked back into the building. He stopped to make a coffee in one of the staff rooms before heading down a few corridors until at last he reached an office that had his name on it. “Oliver Wavell”.
I would’ve followed behind but just as he stepped inside there was shooting pain through my body. I was able to hold it together until he closed the door before dropping to the ground and becoming visible once again.
I remember clutching my chest as I gasped for air. My body felt like it was on fire while my nose began to drip blood. It was embarrassing to say the least. After wiping my nose and giving myself a moment to catch my breath, I used a weaker version of my permeation ability. I found myself just barely passing through the wall into Mr Wavell's office.
He was just sitting there grading tests and sipping on his coffee until I accidentally knocked over a book. His eyes immediately shot up, looking at me in shock. He jumped up from his chair, confused as to how I even got in here without him noticing. I used what little strength I had to flick my finger with a spark of magic to make him think he’d let me moments ago.
After collecting himself, Mr Wavell simply guessed that I was a visitor to the school. Perhaps looking for a younger sibling. He asked if there was anything he could help me with.
“Yeah. I think you’re the only person who can help me.” Was all I said as I shifted closer to his desk.
“….Sure… What do you need?” The teacher responded, a little weirded out by my tone I guess. But that didn’t stop me from moving around his desk and staring directly into those beautiful deep blue eyes of his.
I then asked him with a completely serious and resolute face “Would you be willing to give up everything if it meant obtaining unimaginable power?”
The teacher glanced over at his schedule of overworked hours and the boring grading papers on the table. With a chuckle he nodded and actually agreed.
“Well uhhh… sure why not I suppo-MMMMPPHFF” He was cut off as I grabbed his face and tugged him in a long and intense kiss. Wrapping my hands around his head pulling him as close as possible. I could taste his coffee breath and scruffy beard itching against my face. I savoured the delicious taste of his mouth for a few seconds before I felt him start to resist. He tried to pull away however I kept my hands firmly wrapped around him. He was never going to escape. He belonged to me.
The next thing I knew I began exerting every ounce of my weakened powers, feverishly trying to make my desire come true. And true it did come. My powers, my life force, my soul! Everything that I was began to leave my body as it exited through my mouth in a mass of pure energy and pushed its way into his hot teacher mouth through the kiss. I could feel him groaning uncontrollably as my very being forced its way inside of him. He was powerless to stop it as my magic filled out every crevice of his mature body in the most pleasurable way imaginable.
Once the last of my being was suckedinside Wavell’s body, my formee husk of a body vanished in a flash of light as though it’d never been there to begin with.
When I opened my eyes again, I was standing alone in the office. I must've stood there slack jawed for at least five or so minutes as my magic merged the soul of original Mr Wavell into my own before assuming full control of the body. Looking down at myself, I was wearing a dress shirt, jacket and tie as well as tan khaki pants with a nice pair of brown shoes. Everything he’d been wearing.
I instantly noticed the difference in height. The teacher had been a good couple inches above me before but now o got to stand at his very height! A height that I now know to be 6 feet exactly. On top of that all subtle differences in my new bodily proportions seemed so jarring at first. I couldn’t help flexing my hands a little before running them down my frame.
However as I did I couldn’t help noticing the lingering taste of coffee in my mouth. I looked at the steaming coffee cup sat on the desk beside me. I’d never been much of a fan before but now I couldn’t help picking it up and taking a swig. It tasted surprisingly great! I’ve been an avid coffee drinker ever since.
Soon after I found myself looking into a small mirror on the desk. Staring back at me was the handsome bearded face of the teacher who’s body I’d stolen, Mr Wavell. No. It was MY handsome bearded face now.
His amazing body, his bright memories, his delightful preferences, his intelligent mind… They now all belonged to me. Forever. And to the rest of the world, I was and would always be Mr Oliver Wavell. Especially now, thanks to this mature mind I’d absorb, I could feel the depths of my true power starting to unlock and become available to me. So much power now coursing through my new veins. I felt as though at long last I had full reign of it all.
As evidence of this I made all my clothes disappear into thin air before turning every wall and half the items in the room into mirrors. Before something like that would’ve taken effort but now I hardly had to think about it. With a grin I then went on to admire this new body of mine, gazing at myself from literally every angle. My original body had never been as hairy as this one. I still remember loving how it felt first rubbing my hands through this hairy chest. And my new mature cock seemed to agree as it stiffened up in seconds and once it did I couldn’t keep my hands off it. It was long and sensitive, not to mention surprisingly thick. Truly a cock worthy of someone as great as myself.
But after all I’d been through, I think I deserved to be a little greedy. As I started to pump my new cock, my hand began glowing around it causing my cock to pulse with transformative energy. With every stroke it grew. Adding a hefty amount of extra length and girth to my impressive dick.
I continued to stroke my cock furiously, moaning in ecstasy as I watched myself fondle my new amazing body from whatever angle I looked. So much so that I soon roared out as I felt myself explode my new Mr Wavell seed all over the nearest mirror. Covering it in a thick white glaze. But of course I hadn't had enough. I used my limitless power to refill these fat nuts over and over again... and again... and again… Not stopping until there was teacher cum splattered across every surface in the room, including myself.
Now I, Mr Wavell, have the power to split earth apart if I so desire. Luckily for you, I don’t. That said, despite becoming far more intelligent and mature, I’ve retained my mischievous nature. Ever since I became Mr Wavell I’ve been obsessed with the concept of becoming someone else. But I didn’t want to stop being Mr Wavell. Not now anyways. I love this hairy body and mind. Right now I wouldn’t trade it away for anything in the world! Maybe later down the line if I find another man compatible with my power, I’ll consider it. But for now Mr Wavell is who I am and would never go back.
Despite that, I still wanted to experience the feeling of becoming someone else. And that's exactly why I do everything that I do. I started using my powers on others. Watching men getting their bodies swapped. Transforming them until they’re unrecognisable from the men they once were. Each time it gives me that same rush. The thrill I felt when I first became Mr Wavell. And somehow it never gets old.
Since then I’ve used my powers on more people than I can count. Almost all of them were men of course as you may have gathered. What can I say? I was already gay in my original body and then I took over this sexy piece of meat which only amplified my lust and desire towards the mature male form. Although I have been known to transform a woman from time to time… but only to give her the gift that is being transformed into a man.
And that my friend is more or less my story. That is who I am and how I came to be the man you see before you. But enough about me. Telling that story has got me incredibly horny and I’m just itching to transform you… what was your name again? Oh it doesn’t matter, you’ll have a new identity soon.
#mr wavell#male body theft#identity theft#hairy#male teacher#teacher swap#magic#mental change#male merge#age progression#young adult to middle aged#male tf#male possession#male body swap#suited body swap
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Expectation Subversion
Penguins of Madagascar has some of my favorite examples of subverting expectations for personalities. They also gave me something that I try to use when creating my own characters. It seems like the characters can easily fit into a one-dimensional stereotype, but then there's more. Let's start off with Rico.
At first glance, Rico is just a loose cannon. In lesser shows, he might have been. After all, he just needs to be the silly one who spits up weapons and sure, he is, but that's not all. Rico is also fiercely loyal. He's the same one who was terrified of a "haunted" car and still braved it head-on when it had hurt Skipper. Comically enough, he can just as easily turn on the others when Ms. Perky wants him to do something else (cue Rico attacking them because of that darn voice box). An underrated skill of Rico's is how resourceful he is. He always knows exactly what weapon is necessary for the moment. With these skills, his loyalty, and his fun/unhinged flair, he really comes to life as a character.
Private is seemingly just the nice guy of the group. He's the young one who's innocent. Again, this is a part of him. He is very nice, not wanting to hurt anyone's feelings like when he was supposed to win a rude-off against Clemson. He's also pretty naive with a lot of things, being unsuspecting about Hans actually being bad. Despite this, there's more to Private than niceness. He's got the most common sense of the group, being the only one to see that grabbing the plant needed to save Maurice's life would be easier than continuing to use the jaws of life AND realizing how unlikely it was that Santa was spending Christmas Eve in a random building. I also love how he's got a backstory of being this almost ruthless mini golf player. His underrated skill is that he's the second best fighter of the group. Solely looking at fin-to-fin combat, Private is the only one who's been on par with Skipper.
Kowalski could have just been the "science nerd." He definitely has this as a core part of him, but he's also such a drama queen. I love it. He's the poster boy for book smarts because this penguin has a score of 0 for practical reasoning. Heck, he had to figure out which instincts to use. His struggles with this leads to him continuously making inventions that almost kill everybody. Kowalski is always an invention away from turning into a mad scientist. I'm convinced this actually has happened before and then he just snaps back to his senses (thinking about times like Jiggles and more). Something else which adds an interesting layer to him is how much he wants to be in charge. He's technically the second-in-command and has made it clear that he'd like to replace Skipper when the time comes. "Kowalski's log...too soon?"
Skipper seems like he's just the tough boss. In a comedy like this, he easily could've been an incompetent leader. Rather than that, he's honestly a very good leader who is clever with his plans. Seriously, his escape plans shown in Pets Peeved and more episodes really demonstrate how thoroughly he can think out a strategy even when he's on the spot. Along with this, Skipper tries to act hard and rough, but he makes it clear that he cares about his team more than anything. He even faced his fear of needles (this show singlehandedly taught me what trypanophobia was) for Private when he learned that the soldier would've been hurt otherwise. It even stretches beyond them. Skipper really cares about everyone in the zoo, going so far as to look out for Julien who is probably one of his least favorite zoo mates. I also really like how much being a leader means to Skipper. When he thought he couldn't be in charge anymore, he was having a meltdown. He even put Private as leader just so that he could make it clear who actually deserves the position. It's so petty, that it's almost beautiful.
#tpom#Pom#penguins of madagascar#the penguins of madagascar#madagascar#pom skipper#pom private#pom kowalski#pom rico
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Cleaver's ref
Info post about Memento Cadre
more info under the cut
-Uses He/Him
-head canon voice:
-Other than bones and gaster blasters, he has two main abilities with his magic.
The ability to swap two things/peoples places (think of Jjk Todo’s ability “boogie woogie”). He can swap things up to a football field length away from himself. And can swap something every 30 seconds.
And the ability to make things explode providing he has touched the things. The bigger the object is the less time he has in terms of making it explode. So basically an item has a limit to how long it can be detonated e.g. a tennis ball due to being small he can have it explode anywhere between first touching it to around 12 hours later. Whereas something like a car he has anywhere between first touching it to around 5 minutes later.
-Is the one with the least amount of DT, he’s LVL 4. Is a lot more frail than the others too. Tends to try to act more support based rather than being fully in a fight.
-Cleaver’s bags on his hips are full of small items he uses with his explosion magic. Tries to collect items to use with the ability that are going to be the same colours as the underground environments. E.g. paper balls to use in snowdin. Cleaver may also use clear marbles for this as well.
Cleaver will also go out of his way to make things to use with this explosion magic. E.g. a jar full of nails, and then throwing and exploding the jar so nails shoot everywhere.
-The one in the group (besides Omen) who is least likely to attack someone. Doesn’t so much care for the fighting, just wants to help Omen document aus/collect items. So is also the one who causes the least amount of negativity in the group.
If someone doesn’t fight him, he will not fight them, even if he’s commanded to do so, he still will not fight. He may step into a fight to either try to break it up if he feels he can, or if he sees one of the members of Memento Cadre struggling/going to get hurt.
-Nervous most of the time. Due to his au he’s learned to be on edge most of the time. Only really being able to fully relax when back at the base. May have his moments where he seeks others out to help with his nerves.
-Very similar backstory to the og Horror. Except for the fact his bones also got charred when his eye was taken.
The charred bones no matter how much he takes care of them still remain like that and may still hurt half the time.
Often will have Omen help him take care of these burns with ointment, just because it gets taking care of it out the way quicker, and Omen knows what his wounds look like so Omen can tell him if he thinks it’s getting worse.
-Has to be doing stuff with his hands. Is often seen doing wood carving, sewing, origami, fixing things, etc. He made a bracelet for Alloy (Killer). Doing these things helps with his nerves, and also just helps to pass the time.
-Often has Soot (Dust) holding onto him either it be his coat sleeves or the strap on the back of his coat. Doesn’t mind that Soot wants to stick close and will often go out of his way to go over to Soot so Soot can hang onto him.
-Was very iffy with food before joining Memento Cadre. Would basically hate any food put in front of him. It making him ill just staring at it.
He started to learn how to cook from Omen, Omen having forced him to learn at the beginning, but over time he began to enjoy it. Being able to cook his own food helped him to slowly gain a healthier relationship with food, he’s not the best at cooking, but for him it’s the thought that he made it that makes him eat it.
-Him and Alloy are close, him often giving Alloy stuff that he’s made. Knows Alloy needs patience and is willing to give it to him.
-Has a slight superiority complex, though it’s never noticed by anyone, not even himself really. A sort of mindset of ‘I’m the only normal one here. So I’m better than everyone’. This mainly comes out when he mind boss someone around, including Omen. Will often get into small arguments with Omen over things because of this.
-Doesn’t really get DT flares like the others. May feel his bones ‘buzzing’ from what LV/DT he does have, but it never really affects him, is often the one to go tell Omen (Nightmare) when the others appear to be going into a DT flare.
-often may also carry around a cleaver, or some form of large knife, he rarely has to use it, but does carry it just in case someone gets too close and he has to use it.
-Is semi observant, but never cares enough to retain the information. Unless he feels he could use that info for later, then he will write it down.
-Has somewhat bad memory due to his head injury, often will leave him dazed and confused from time to time. Often writes important things down, since he doesn’t want to forget them, writing them down helps him to remember things as well.
The others have enough respect for him to not go through his notes. Except for Alloy, it’s not that Alloy doesn’t respect him but Alloy’s own curiosity and wanting to know what Cleaver sees as important.
Inspos:
-I sort of wanted him to almost look a little bit like a cleaner. (I've been playing a lot of 'viscera cleanup detail'.)
-I thought he'd look good in green, I also feel like he'd blend in slightly with the snowdin forest trees more wearing green. Since he tries to avoid fights, I figure it's best for him. I also feel the duller colours might help him blend in slightly in waterfall too.
#monoart#monos art#art#digital#digital art#undertale au#sans au#undertale sans au#Memento Cadre#Cleaver#Horror#Horror sans#Horror!Sans#ref#oc ref#oc reference#underverse#utau#utmv#utau oc#utau au#utmv au#utmv sans#utmv fandom#utmv oc#utmv fanart
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Rewriting Vaggie because she was done dirty
Angel's backstory and my take if Vaggie was a human.
1. Angel Vaggie:
So, back in the Pilot days, I wasn’t a fan of Vaggie being an Exorcist theory. I was like, Vivienne is obliviously a decent writer, of course, she won’t do something so oblivious! The X on Vaggie’s face is because she lost her eye alive!
I was so disappointed, but I could still work with it… then I was double disappointed when the reveal had no impact on the narrative and all they gave us AMgy Charlie for one scene and fixed the conflict in one episode. 😐
That and the plot holes it created, what plot holes you ask? Well, Vaggie still speaks Spanish which means that she’s still Salvadoran but… Adam named her? Assuming everyone changes their name once they get to Heaven, why do they recruit humans to fight demons? Assuming that there’s like a whole process of giving angelic power to enforce a soul, why didn't they give to the whole army the Kamehameha rip-off Adam has? The Extermination would have been much more faster and deadly if they could just Kamehameha Pentagram Cities.
Most importantly, even if they have enhanced speed, strength, or whatever, if they are all humans, why did they think they were invincible?! Surely if they can kill sinners who are human souls, they’ll know that they can also be killed themselves? Right?! RIGHT?!
I hate the worldbuilding in this show, I hate it!! 🥲
Anyway my rewrite of Angel Vaggie, she won’t be Salvadoran and was fully created in Heaven so no Spanish.
Here’s the thing, the Exorcists were created with Adam’s ribs. A little bit of physiology here, ribs can regrow and repair even when a large a portion of it is damaged. So with Heaven's supervision, creating an army of women with Adam’s ribs was relatively a fast and painless process for the First Man.
You’ll ask me, why make them with ribs? Well, the reason why Eve was made with Adam was a reminder that God created her beside him. They complemented each other, I wanted to do something similar. Adam feels content with The Exorcists because he finally has a group of women who actually listen and are interested in him and not some random with wings. The Exorcists are entitled to Adam and feel worthless without following him around and his orders, a bit like Pearl in Steven Universe, they were created that way.
They still possess some form of autonomy and develop their own personality, not following Adam’s orders just feels odd to them. Then someone actually did it and we all know how that ended.
Whoops that must have hurted.
My take on Vaggie and Lute’s relationship ⇢ here ⇠
So, in Hell, Valtiel (I renaimed her) was totally distraught, she was scared and didn’t know what to do, she was so used to blindly following orders. Sparing this child seemed like it was the worst decision she’d ever made but it also felt right, the poor girl couldn't grasp her feelings correctly at the moment.
She managed to survive a few months in Hell by making a relatively short deal with a local gang to receive aid, in exchange, she used her fighting skills to help them steal food and survive as a whole, she did not develop any sense of belonging to the group and mostly did it for survival.
When her deal came to an end she separated herself from the gang and stayed for a long time in different disaffected buildings with other SDFs preferring to continue her path alone, she felt horribly empty, devoid of purpose without following someone.
Until she saw a star.
The Princess was trying to promote her Hotel on the street, and while Valtiel thought her project was very delusional, she accepted. The Hotel was an old establishment but it was certainly more well-kept than where she used to be, and it was free.
I’m sparing the details, they slowly fell in love and Valtiel projected the toxic dependence she had on Adam to Charlie. While the two truly love each other, Valtiel will need to learn to find herself and not depend on others to live. If she were to have her wings back, it wouldn’t angel's wings but a moth's wings. As a way to metaphorically represent the fact that she changed, like a moth.
She never told Charlie about her past.
I renaimed her Valtiel because it meant “Attendant of God” If you go search a list of angels in Christian Mythology, you’ll notice each of them has “El” as the last syllabus. It’s because “El” in Hebrew means God.
1. Human Vaggie:
Lemme do a research real quick…
Wait a minute..
… y’know. I’m starting to believe that Vivienne is just lazy, obliviously this is one of Vaggie's concepts of backstory, the famous one being that she died in 2014.
But am I the only one who sees the potential?!! Like all things are linked! It makes sense! The very militaristic attitude she had during the Redemption Exercises, the fact that she brought the cast to a war front to build their trust, jeez that’s a missed opportunity to do something that is (to me) much more interesting than a theory made by fans.
So as a good writer, I did a little research because someone had to do it since Medrano won’t, and here is what I came up with.
(If anyone sees any historical mistakes report them to me, I really don’t want to disrespect anyone and I know wars in a really difficult subject to write about. Sorry if I offended anyone.)
Her name is Vanessa she was born in 1968 in El Salvador and died in 1990. Before all of that, she and her brother Carlos were both children of war.
They were separated from their mother during the Salvadoran Civil War, the woman tried to flee with them during a fight between La Farabundo Martí National Liberation Front (FMLN, rebel group) and La Fuerza Armada de El Salvador (FAES, military) but between the gunshot and the terrified civilians, she ended up losing her kids. Vanessa from afar saw her mother getting shot and tried to run away with her brother, he was 5, and she was 12.
The two siblings were later indoctrinated to join the FAES, they never tried to escape as a means to survive since they received food and somewhat clean water, which they originally didn't have in great amounts. However, Vanessa never really supported their ideology and Carlos was too young to really understand what was happening.
The young boy was frail and relatively weak due to his age and malnutrition he only worked in the support staff which was involved in helping to maintain camp operations. Vanessa was also part of it and sticked with her brother as much as possible, but as she grew, she was used to carrying around messages between units due to her being older and stronger, which she hated, it was dangerous and she was disgusted by the idea of leaving her brother alone with these people.
The two of them were victims of SA perpetuated by the soldiers (hence why she’s so wary of men when especially violent ones). Her brother died at ten, due to the poor condition and she blamed herself for it. She eventually died by accidentally activating a booby trap, the explosion sent shrapnel flying, hitting her in the face and causing the loss of her eye she expired due to blood loss at 22.
Vanessa found herself in Hell and tried to survive for a few months both scared and disoriented. However, she still managed to somewhat be fine punching her way inside buildings to steal food and find ways to avoid sleeping outside. She renaimed herself Vaga in reference to the word Vagabundo which means vagabond.
To her, home is where she’s with her brother, without him there’s no home.
Vaga heard words of Carmilla as she started to familiarize herself with English, what she understood was that she dealt with weapons and was a gentler overlord. She eventually met her and they made a deal. It didn't involve Vaga’s soul but just 4 years of working for her, testing weapons and such. Vaga assisted the woman and trained with her daughters, she also learned English and got a better understanding of Hell’s system.
At 26 too, Vaga's deal was done and she decided to distance herself from Carmilla whose door was clearly still open if she needed help. She met Charlie on the street when the Princess was just starting her project, and since Vaga needed a place to crash in, she went in not realizing they’d catch feelings.
Vaga has signs of Complex post-traumatic stress disorder due to being a child of war. This leads her to many emotional outbursts and this feeling of emptiness when she isn't helping, at least she sees it as helping. Her whole life she only managed to survive in a hostile environment by serving others, she may not view it that way but she unconsciously believes the act of Serving is a necessity to keep her alive.
She deeply believed she failed to protect Carlos, so she projected it all on Charlie. This could lead to an interesting conflict between the two, Charlie was highly shielded from the world by her mother, and this hotel is proof that she can survive on her own (in my rewrite at least.) If her girlfriend starts acting like an overprotective parent it won’t do.
While Vaga mostly thinks redemption is impossible, she holds that small tiniest sprinkle of hope that maybe if she managed to get into Heaven somehow, she could see Carlos again and apologize for failing him.
Vaga still hasn't opened up about her past.
More explanation:
Her human backstory is extremely Grave of the Fireflies coded and I admit I recently saw the movie and couldn't help it. It’s my way of coping, this movie destroyed me. Some may ask, why did Vannessa go to Hell, she did nothing wrong.
That’s part of my Heaven rewriting, you see you’re judged by the Seven Deadly Sins and the Holly Virtuous. But they only judge your actions, not why you did them.
Carlos went to Heaven because he was really young and hadn't developed a real sense of morality yet, if he reached 13 he would have gone to Hell. Vanessa died an adult and still helped in the War, even if it was out of her control she still got damned.
Anyway, what do you think of those two backstories?
#anti vivziepop#hazbin hotel critical#hazbin hotel criticism#vivziepop critical#vivziepop criticism#vivziepop critique#hazbin hotel critique#hazbin hotel rewrite
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