#like at what point does ‘fan fiction’ become just.

[rachealsaccount]

how acceptable is it to publish Shakespeare fan fiction though

[triglycercule]

i want to headcanon the mtt having absolutely terrible hygiene and struggling to keep themselves clean (this MAY... just QUITE POSSIBLY.... only in the SLIGHTEST bit be projection) but i think it would be too gross and man EVEN I dont wanna think about that

also killer canonically smells good and i actually really LIKE that idea so oh shit there goes that idea out the window. horror and dust youre my only hope please let me make you smell bad for reasons you won't understand

[valeriehalla]

I am so utterly fascinated by “Saki”, the 18-year-running mahjong manga in which you, the reader, become gradually, frog-boilingly aware (over the course of nearly two decades’ worth of mahjong tournaments) that none of these girls are wearing underwear and most of their boobs are slowly expanding.

I need you to understand that I have, like, an anthropological level fascination with this comic. From the perspective of someone who is also a comic artist and writer, two things delight me about it:

the fact that I understand completely how an artist gets from “the fans can have a little hint of skirted asscheek” to “the pussy is completely out on center page” over the course of 18 years; and

the way in which the pussy being out is treated by the characters and diegesis as being utterly unremarkable.

Okay. Point 1. The frog-boiling.

Let me put this in perspective for you. There was already a meme about how the characters in “Saki” don’t wear underwear when I was in middle school. I am thirty now. Okay? And it’s still going.

In the time since, this has stopped being a joke. It is now indisputable canon. This is not because anyone outright says it at any point. It’s because the underwear ran out of places to hide. I’m obsessed with this thought: somewhere in the over 20 volumes of “Saki”, there is a panel in which underwear was objectively deconfirmed. And it would be so hard to figure out where that panel actually is. Maybe the artist didn’t even realize it when she drew it! The frog? Boiling!!

And of course there is also the breast expansion. I don’t know how to put a spin on this. They are just expanding. Like, this happens a lot with artists: you define a character as being, in your mind, “the one with the big boobs”, and over the years you emphasize that trait further and further so that the signal doesn’t get lost in the noise. It’s just that normally—in like a wildly popular manga series about mahjong published by literally Square Enix, for example—normally there would be a point at which the boobs stopped getting bigger. Like, an editor would step in or something. Or you would get to the point where you cannot draw the character in the same panel as her mahjong tiles without her breasts spilling over the tiles, and you’d go, “Well, this is now untenable.”

That did not happen. There is no ceiling. The frog is soup.

Point 2. The complete and utter mundanity of all of this.

It’s like this, okay: there’s no shortage of trashy ecchi manga out there. There’s a million other comics doing wildly bawdier things with wildly more improbable bishoujos.

The vibe with “Saki” is different.

It’s hard to explain this, but it feels like the world of the comic is fundamentally uninterested in the fanservice happening on the page. I cannot describe it as “leering”, because I cannot conceive of a person in the story from whose point of view one would leer. I think the artist is probably into it—I can’t imagine anyone is making her do this—but “Saki” the comic has no opinion on the matter.

There are essentially no male characters in “Saki”. Like, there was one guy? Kind of? At the very beginning? But he is gone now. They put him back in the toybox. He does not exist. It appears to be some level of canonical that in the world of “Saki”, almost all humans are women. Those women are sometimes romantically into each other. According to comments the artist has made on Twitter (which I cannot source), they have lesbian baby technology, so it’s no problem. It’s so much not a problem that the story is about mahjong, instead of any of that.

So, like, the fiction here appears to be this: this is the, like, meta-narrative of the fanservice of “Saki”, right: it’s just normal that they don’t wear underwear and their boobs are arbitrarily big. It’s been normal. It was normal before the story of the manga began. It’s just how things are. Nobody bats an eye about it, and if they do, it’s in sort of a lesbian kind of way so like what’s the problem, we love lesbians here. This is literally normal for girls.

The fanservice simply diffuses into this all-encompassing aura of disembodied, ambient sluttiness. The framing of the panels demands you acknowledge it, and the story demands you already be over it, because it’s mahjong time now, and we’re playing mahjong.

Do you get??? why I’m so fascinated??? Are you not a little enraptured???

Anyway, I have no idea how to end this weird post. I guess the conclusion is that women stay winning????

[requiemforthepoets]

i want to be with you everywhere 𖦹 OP81

PAIRINGS: oscar piastri x female!reader

SUMMARY: you, big crowded places, and bad sense of directions are always a never good mix.

AUTHOR’S NOTE: another draft i found lol this was inspired by real events lmfao hope you enjoy this blurb! :)

REMINDER: this is purely fiction, the way how the character is portrayed in my story does not reflect to the person that is portraying my character in real life. always separate fiction from reality, and do not repost or copy my work in any way.

WORD COUNT: 830

WARNINGS: typos and inaccuracies

You and Oscar were the quintessential couple in the paddock. Oscar’s calm demeanor perfectly complemented your vibrant nature. However, there’s one thing about you that makes your life more interesting—your notoriously bad sense of direction. You don’t know how or why you’re bad at directions, at this point, it can be a blessing or a curse, depending on the situation. Your bad sense of direction can also be a good laugh for your friends and had also become a running inside joke in your family.

“Oscar, babe, I swear I thought the media center was this way!” You exclaimed, looking at your phone map, which seemed to be leading you in circles around the paddock.

Oscar chuckled, wrapping an arm around your shoulders. “You’re adorable, you know that? But we’ve passed that same coffee stand three times now.” He pointed at the stand, causing you to pout, with cheeks flushing in embarrassment. “I’m sorry, I just…I’m really bad at this.”

“I know, and it’s one of the many things I love about you,” Oscar said, pressing a kiss on your temple. “Which is why I’ve come up with a little solution that can help us.”

Reaching into his pocket, he pulled out a little device. Which you had recognized instantly from the logo that is printed on it—it was an apple airtag, and handing to you with a grin. Grabbing it, you looked up at him, a bit puzzled.

“What’s this for?”

“Every time we go to a race or anywhere unfamiliar, I’m going to clip this onto your bag or slip it into your pocket,” he explained, smiling. “That way, if you get lost, I can always find you easily.” You laughed, eyes twinkling with amusement. A bit touched as well with his little gesture.

“You’re really going to track me like a wayward puppy?”

“Exactly,” Oscar said, his eyes full of affection. “Consider it a modern-day love token.”

The next race was held in Monza, and true to his word, Oscar has managed to discreetly attached the airtag on your bag before you left the hotel. As you both navigated through the bustling crowd, you felt more at ease knowing Oscar had your back, literally.

You began having the itch to venture out, the need for a coffee fix and grab a coffee as well for Oscar. Walking out confidently, you had managed to convince yourself that you perfectly knew the way like the back of hand, but you had spoke to soon. You had found yourself in a maze of unfamiliar trailers and motorhomes, panic was slowly creeping up on you. But you were able to remember the airtag.

Fishing your phone out of your pocket, you quickly open the Find My app, seeing Oscar’s dot not far from you, and sending him a quick message:

osco 🫶🏻 [2:45 PM] : lost again. can you please come find me?

Not a minute later, Oscar appeared around the corner, a wide grin sporting on his face.

“You found a way to use the airtag already, huh?” You sighed in relief, running up to him and wrapping your arms around his waist. “I did. Thank you for this. I don’t know what I’d do without you.”

Oscar hugged you back, planting a soft kiss on your forehead. “At this rate, you’d probably end up in the Red Bull garage trying to convince them you’re a McLaren fan.” You giggled, swatting his chest playfully. “Hey! I’m not that bad.” You pouted, causing him to coo at your cuteness and pecking your lips softly.

“Oh, really? Remember last week when you ended up in the Ferrari hospitality trying to ‘borrow’ their wifi?” Oscar laughed and your eyes widened. “In my defense, their coffee was fantastic.”

He shook his head, still laughing. “Well, this time, you got lost trying to get coffee from the McLaren team’s designated stand. You were so far off, you almost ended up in the pit lane.” Your eyes immediately sparkled with mischievousness. “It’s not my fault their coffee stations look like they’re in a maze.”

“Well, here’s a pro tip,” Oscar said, guiding you back towards the seats. “Next time you’re lost, just look for the airtag beacon or, you know, follow the scent of freshly brewed coffee works perfectly too.”

As you both made your way back towards the McLaren motorhome, you playfully pretended to get lost again, dramatically scanning the area and calling out, “Oscar! Where are you?” This silly action had made him laugh and grabbed your hand. “I’m right here, love. Even if you did get lost every time, I’d be happy to find you. Besides, it has become my favorite side quest.”

“And I’ll gladly always let you find me.” You smiled, heart swelling with love.

The airtag had pretty much became a staple in your relationship. No matter where the races took you, you knew that you have your personal navigator, and Oscar knew he had someone worth finding every single time

[indigovigilance]

The Final Fifteen is about Terry Pratchett's Death

read on Ao3

The final fifteen is obviously a major plot point, and serves a role in a story that was written long before Terry Pratchett was ever diagnosed with Alzheimer’s. But the scene itself wasn’t written until just a few years ago, during the writing of Season 2. In fact, the scene came about during a park bench conversation between Neil Gaiman and John Finnemore.

Others have noted that the non-romantic kiss that signals the story moving into the third act is a Neil Gaiman staple. The function of such a kiss, from Gaiman’s perspective, is to communicate.

In 2023 we are seeing a lot of stories written by men, for men, about men who are best friends and discover that their friendship can go deeper than the norms of society would usually allow; that platonic and romantic love are not so far apart, and perhaps the better word for a relationship that can be described this way is intimacy.

Neil Gaiman has made it clear in interviews that his friendship with Terry Pratchett was deeply intimate. They began collaborating on what would become Good Omens in the 1980’s, endured a tumultuous experience together through the first publication, wherein Neil offered to martyr himself on behalf of Terry if the book failed, and then spent the better part of two decades touring the world, meeting the people who loved their work. Neil would even off-handedly remark that Terry’s fans were so cheerful, and Neil’s seemed like they were ready to kill themselves; wouldn’t it be nice if they got married? From the outside, it looks very much as if Terry was Aziraphale-coded, and Neil was Crowley-coded, working together in an unexpected partnership to make the world a little bit more tolerable for the humans inhabiting it. I am not conjecturing that Neil and Terry had romantic inclinations the way their fictional characters do, but I think it is fair to say that their opposites-attract intimacy became an important part of who each of them were.

In 2007 Terry Pratchett was diagnosed with posterior cortical atrophy, a rare form of Alzheimer’s. As the disease progressed, he began to lose himself, and knew that the person he used to be was slipping away. He wanted to end his life on his own terms, and die as himself, but England did not and still does not allow for voluntary euthanasia or assisted suicide. He advocated for the right to die but never achieved it, and ultimately succumbed to the disease in 2015. Neil Gaiman has spoken a lot on the topic of death, and one answer of his that resonated with me reads:

Mostly it feels terrible. It even feels terrible when it’s someone who has been in a lot of pain for a long time or has not really been there for a long time and you know that Death has in some ways been a blessing: suddenly you are mourning the whole person. 

It doesn’t get easier as you age. It gets stranger. The point where you realise how many people you used to know and like who aren’t there any longer, and you cannot talk to them or see them or laugh with them is painful in a way that I had never expected. The first time that someone you had a romantic relationship with dies and you realise that there had been moments both of you shared and now you are the sole custodian of those moments and one day you will be gone and they will be lost forever is peculiarly strange and hard. 

~~~

The entire show is seeded with references to Terry Pratchett, but the most important one is the one that’s missing. Neil Gaiman cameoed as a sleeping moviegoer in S1E4, but a long time ago, he and Terry had discussed cameoing as sushi restaurant-goers, because sushi was weirdly prominent in the book. That cameo would have been in S1E1. But when it came time to do it, Neil couldn’t. Not without Terry. 

Neil: I was gonna say our location is a Chinese restaurant we’d had turned into a sushi restaurant. So Terry and I, Terry Pratchett and I, had a standing… not even a standing joke, just a standing plan, that we were going to have sushi - there was going to be a scene in Good Omens where sushi was eaten and we were gonna be extras, we were gonna sit in the background, eating sushi while it was done. And I was so looking forward to this and, so I wrote this scene with it being sushi, even though Terry was gone, with that in mind and I thought: Oh, I’ll sit and I’ll eat lots of sushi as an extra, this will be my scene as an extra, I’ll just be in the background. And then, on the day, or a couple of days before, I realized that I couldn’t do it.

Douglas: You never told me this before either. I might have pushed you into doing it, had I known. I think you were right not to tell me.

Neil: I was keeping it to me self ‘cause I was always like: Oh, maybe I’ll be… this will be my cameo. And then I couldn’t. I was just so sad, ‘cause Terry wasn’t there. And it was probably the day that I missed Terry the most of all of the filming - it was just this one scene ‘cause it was written for Terry and all of the sushi meals we’d ever had and all of the strange way that sushi ran through Good Omens.

~~~

In the Final Fifteen, it is clear that Crowley and Aziraphale want to stay together. They love each other. They each know that the other loves them. There’s nothing that needs to be said, no convincing that their bond is true and real and precious.

But Aziraphale has to go to Heaven, and Crowley cannot follow him there.

I cannot speculate what it must have been like for Neil to endure losing a friend who, though I’m sure he desperately wanted to still be in his life, he also knew that life had become a burden to him, and grieved that Terry was not able to choose the time and manner of his departure from this Earth. This sort of complex grief, we fan-ficcers know, is the kind that is often best processed through story-telling. 

I think that what we see Crowley going through in the Final Fifteen, alongside its importance to the story arc of Good Omens overall, is Neil processing his grief at losing his friend Terry Pratchett, and even the kiss, that violent, terrible, awful kiss, was the symbolic representation of Neil saying goodbye.

[i-will-cry-you-a-river]

Based on this post

The Proud Immortal Demon Way was a clusterfuck. Master Airplane was a fucking hack of an author who should never ever be allowed to write papapa. The characters were complete idiots, so blind and stupid and Shen Yuan suspected the close proximity to the abundance of aphrodisiacs was to be blamed for the lack of intelligence points. The plot was nonexistent, the fantastic flora and fauna was forgotten for more pointless papapa. However!

However…

Shen Yuan had to admit. The fanarts and fan merch did not do justice to the beauties residing in the universe.

That hack of an author could not write porn. But his characters really were peerless beauties. One would think if the beauty standards were this high that everyone was a peerless beauty, they should be considered as normal.

One would think it wrong. If he could, he would take back his comments on this specific topic; their beauties really were peerless.

One, like the blooming peach blossom, charming and deceptively sweet; another like the oak tree, tall and reliable; and another like the prettiest blue iris, knowledgeable and lovely. It was a disaster.

Back then it was only the blackened protagonist and his life sized body pillow that made him go through a sexuality crisis. As a shut-in, the people he met with never really made him feel warm under the collar, so being gay was only a theoretical experience for him, only having crushes on fictional people. Now, on the other hand, it was a completely different experience.

He couldn't even step outside of his bedroom without feeling like an emotional wreck. The minute he does that-

“This discipline made breakfast for Shizun!”

The radiant halo of the protagonist blinded him day after day; his precious white lotus is just the cutest and purest, fluffiest sheep ever. Shen Yuan can see the future Emperor in him, the husband of hundreds of pretty flowers, but he was still just his 17 years old discipline, so filial and full of wonder.

Ah, Binghe, such a good boy for this master…

“This master is thankful. Go along now, your shijie is waiting for you,” Shen Qingqiu waved his fan. His little white lotus pouted as if Shen Qingqiu would believe he wasn't excited to spend time with his future wife. He encouraged the two of them to spend time together, and he was certain that the sweet and touching young love bloomed under his careful watch. He was like a fairy godmother…

[-10 protagonist satisfaction points]

Shen Qingqiu sighed behind his open fan. Luo Binghe started to become a homebody, which, as a past homebody himself, knew was a slippery slope and even with all the lost points, he had to make sure his white sheep left the bamboo house. Staying home was great, but when you were the future Emperor of the Three Realms, defeater of countless monsters and husband of a triple digits harem, you just had to learn how to be open to new experiences. Sorry, Binghe…

“Yes, Shizun! This discipline will leave now.” Luo Binghe bows, and it takes everything not to touch and pat his fluffy head.

“Good. This master expects excellence from his disciples.”

“Yes, Shizun. This discipline understands and will do everything to exceed Shizun’s expectations.”

Such a filial discipline! Such a sweet white lotus! This one is truly a scum villain to do what he needs to do.

[Host is-]

I know I know! You don't have to remind me![(⁠ب⁠_⁠ب⁠)]

Shen Qingqiu sighed, hiding his shame and regret behind his mask. He really was just a scum villain.

With a conscious decision to not think about the future, he ate his breakfast instead, noting the protagonist’s amazing cooking powers. He would miss this after Luo Binghe gets married and starts to cook for his wives instead.

Maybe the guy he finds for himself will be good at cooking… nothing compared to the protagonist, of course, but nobody can be compared to him. That would be unfair for his potential partner.

However, even though he'd been Shen Qingqiu for three years, he hasn't yet found anybody for himself. He tried to flirt, he tried to see who might be gay other than him - statistically, there should be SOMEONE, right?! -, but no results.

The Sect Leader immediately brother-zoned Shen Qingqiu through his and the original good's past bond, which was quite unfair in Shen Yuan's opinion. Yue Qingyuan was a fine specimen of a man. Strong and reliable, just the kindest man Shen Qingqiu ever met. He was the perfect man, THE husband material. Yet, the original good has been so cold to him, cruelly causing his death, even though they were like brothers. Shen Yuan wouldn't have minded the Sect Leader as his husband; someone loyal and powerful, someone who could protect him from his blackened lotus. So unfair…

His Liu-shidi, the prettiest man alive, was so straight, only the protagonist was straighter than him. Shen Qingqiu was honestly sad for him; all the women in PiDW belonged to the Emperor. He was quite tempted to find a way to punch Airplane Shooting Towards Sky in his face for making Liu Qingge straight. Look. Shen Yuan was a weak, weak man; if Liu Qingge would show the slightest inclination to be at least bi-curious, he would be all over his shidi in a heartbeat. That man, honestly… it was no wonder the author killed him before the plot. Liu Qingge was typically the Second Male Lead, who was the boyfriend of all readers. (He definitely would have been Shen Yuan's fictional boyfriend, that's for sure. Maybe if he would have stayed alive in the novel, Shen Yuan wouldn't have minded the lack of plot that much. Liu Qingge would have definitely made the whole thing a thousand times better just by being alive. Like he did it now. The best times of the week were when his shidi visited him to spar or to cleanse his meridians.)

Shen Qingqiu had high hopes for Mu Qingfang. The doctor was quite queer in the sense of being weird. He hoped he was queer as in gay as well. However, the only time Shen Qingqiu tried to flirt with him, resulted in a two day stay at Cang Qiong mountain under constant supervision. That was a quite humiliating result, if he could say so.

Shen Qingqiu bit back a groan. No matter; that was just the peak lords he kept close contact with. He had the whole universe to find that one (1) gay person who would be happy to spend that depressingly short amount of time with him until he was still alive. He might have only five years to live, before he would become a human stick, but he would NOT die as a virgin disaster gay. He would remain a disaster gay forever, but he would lose his virginity before his death, damnit!

Now, volunteer, where are you?

Here they are

[hamliet]

the notion that bnha is pro authoritarianism or social hierarchies is nonsensical not to mention acting like being pro cop is bad

Err... BNHA is pretty pro-authoritarian. I actually find it pretty disturbing. And that's even if the story turns out with the League alive at the end.

As for being pro-cop--cops are human individuals, yes. But people have in recent years in multiple countries (including Japan, by the way) protested against cops being used as tools to maintain social hierarchies wherein people who are not part of that hierarchy suffer for daring to want to be treated as human beings. When I say I'm anti-cop, I'm not saying I hate anyone on the basis of being a cop. But I am saying that the ways in which the police force are used in many countries does societal harm. Critical thinking, yo.

Honestly I feel like this whole story (BNHA) and fans reactions throughout (especially when compared to other stories) demonstrate how people are not using critical thinking. And that can have real world consequences, though it doesn't have to.

I just find it weird that people are okay with a story where the ruling class is always right and always wins. Like... how have they not? I mean, even stories that end up suggesting the ruling class isn't entirely wrong or show flaws in rebellions generally don't go hard on the authoritarianism. But Horikoshi... is doing this.

The whole thing is so weird to me personally, too, because Horikoshi's wishy-washy framing and switches in coding generally seem to be the result of him caring, deeply, what his audience thinks and feels. Too much, really, but it also seems like he genuinely doesn't want to hurt people. Except this ending--even if Tenko does reappear as New Character and saves the League--is the exact opposite. (If Tenko doesn't reappear, then everything I'm about to say is multiplied by a thousand.)

It's catering to mean-spiritedness, and while I do understand fiction isn't reality, the side he's catering to now is making the argument that fictional crimes are real crimes and thus must meet real penalties.

I can play this game too.

If people are gonna make those arguments, I'm going to say they're the problem and the reason we have wars, genocides, assaults, and more.

If you ever want a cycle of violence/abuse to stop, someone has to accept that they've taken the last punch. Not keep going until the other side is WIPED OUT.

If you equate justice with equalizing losses, then you are enacting Dazai from BSD's statement on justice: justice is a weapon. You can never heal by it.

If you want to heal, you have to stop fighting and bandage wounds. And maybe you are too injured to do the bandaging. That's okay. But someone else can, and if you try to stop them on the premise of "but no one bandaged my wounds" you're a bitter person who makes the world a worser place.

If you say a tragedy is the story, sure. But you have to set up tragedies from the start. See, Attack on Titan, which's ending I love. It began with someone crying and an ominous message to the future. You don't set up your first chapter with "this is the story of how I become the greatest hero!" spend 200+ chapters criticizing hero society and have the hero fail at the goal he'd been repeating for 200 chapters in the end and join hero society and still think you wrote a story that delivered in what you promised. You failed.

Either you wrote a tragedy and are trying to pass it off as a happy story (see how well that works usually) or your understanding of a happy story is pretty much just fascist propaganda. And yes, BNHA does have fascist themes at this point. Way more than AoT ever did. But they have smiles and cute frog girls so it's not nearly as dangerous, right? (sarcastic).

The thing is, this is where the lack of critical thinking comes in. While I've seen people talk a bit about how BNHA seems like copaganda, it's taking things much, much further than other stories usually do and into territory where I'm frankly disturbed.

Yes, BNHA started out as a clever critique of hero society and of the very idea it's now seeming to uphold: that the human instinct (which is universal in real life to) to idolize people leads to a lack of humanity for those who do not have those traits we idolize, whether their fault or not, and for people to become villains in response. But not only has it failed to deliver on this premise by upholding society (hey, Naruto and to a degree Tokyo Ghoul also failed to completely change society), it's gone so far as to endorse what it previously criticized.

It's more akin to Game of Thrones Season 8 upholding racism, sexism, and classism, than it is to Naruto or Tokyo Ghoul. GoT ended with a joke about prioritizing brothels being open, as if the misogyny was actually a good thing and not what caused a lot of the problems. There's no critical lens here. It's just like "hey, there was no point in struggling. Monarchies that abuse women, rah rah, let's go!"

BNHA seems to be going a similar route. Deku's murder of Shigaraki, Ochaco's crying over Toga, the way Shouto reaches out to Touya--it's sad, but not framed as something the audience should see as a wrong done on behalf of heroes. In fact, the heroes are not criticized at all. Frickin' Edgeshot, whom no one cares about, is fine. All of them are fine. Their statuses are generally fine, too, except maybe Enji's and even then he's not like going to face the fate of the League and die alone. His family still supports him. Hawks is completely fine and framed positively. His regret over Twice is pure lipservice. Deku really did just need to kill Shigaraki, and all his "I want to save" spiel, much like Ochaco's, is for naught. He just needed to learn to grow up and get in line.

Even if Tenko comes back, and even if Deku like... somehow knew this would happen via vestiges or whatnot (let's be real, he will if this is the case), and the message is just that society isn't ready to move forward, but at least they can live, then... I don't know, y'all. That's still depressing. I don't see how Deku is a hero for that, much less the greatest number one hero. He decided to be a hero at the cost of his own integrity, and if this was a gritty story about the realistic struggle of living in a capitalistic society where ethics are always compromised that would make sense, but... it's not. Even until the final battle, the characters were endorsing idealism.

At the very least, Horikoshi didn't deliver on his promise in the first chapter. At the very worst, he's endorsing fascist ideals.

Like, I'm sorry, but "kill this person for the good of society," the violent upholding of oppressive societal hierarchies, the importance of being a cop hero and the way the military hero brutalities are worshipped, the way heroes are lauded and everyone who doesn't get in line with this is punished, went from being criticized to being endorsed. Those are all central elements of fascism.

The little guy deserves to lose, but, but Deku is the little guy, so it can't be! Except it can be. Because it's actually pretty common irl even to trot out examples of people like Candace Owens to be like "hey, you can't possibly say Republicans are racist!"

And don't you dare say "but Japanese culture makes it unreasonable to expect a non retributive justice!" The Japanese people are not a monolith. Not to mention... Naruto, Bungou Stray Dogs, Monster, Hunter x Hunter, Yu Yu Hakusho, Mawaru Penguindrum, Oshi no Ko, Dragon Ball, Attack on Titan, and Tokyo Ghoul all say hi.

I hated the TG ending, and still hate it, but I'm not going to say that it upheld the CCG as right all along because it didn't. BNHA thus far is doing that with hero society. And even if the answer is for the League be revived and to leave society or whatever, then how can we be happy Deku is a part of this society? How can we root for him, or his classmates? Is he going to work from the inside to change it? Why wasn't that emphasized beforehand as a theme or struggle?

tl;dr Horikoshi has cooked his story no matter what he does now, and I don't think it's salvageable. Either way it has themes that are disturbing especially considering real world events across the globe, and that people should be more aware of instead of focusing solely on stories that have fascism and monsters in them but don't uphold it.

[freaksnvans]

A 30-year-old Christian Fujoshi With a PhD's Thoughts on Team Fortress 2 Shipping.

Here I will be providing my thoughts and opinions on my personal favorite Team Fortress 2 ships. I do not know who will be interested in my speakings, but I am branching out into this beautiful fandom like a great oak tree. Haters can "suck an egg," and I do hope that saying is not an euphemism for anything of the less appropriate variety! Please be ready for a very long and verbose post.

How Did I, freaksnvans, Become Interested in Such a Thing?

An Introduction to Me.

I am indeed a Christian woman, and I self-identify as a Fujoshi. That may seem contradicting, but it is not. I ship the mercenaries from Team Fortress 2 in a good and god-honoring way, and I will not tolerate any negative speak of the Lord in my comments and/or reblogs. As for myself, you may only know me as freaksnvans. I chose that name because My favorite ship, as you may be able to discern from such a screen name, is Trucks n' Vans. The "Freak" part comes from a childhood nickname I was given in elementary school... the Freak. That is very traumatic to me, so I mustn't delve into the details. Moving on.

Where It All Started.

In 2007, I was vaguely interested in the game, having heard whispers of it from sites like YouTube as well as my male classmates. I was Thirteen years old, therefore in middle school. Team Fortress was, without a doubt, popular with middle school aged boys at the time of its release. Being curious as to what the "hype" (am I using this Gen Z slang correctly?) was, I googled Team Fortress 2. I had no, and will still never have any, interest in first-person shooter games. I do not like to kill things. I am a god-honoring woman. However, seeing the image of seven strong and mysterious men, (I am indeed disregarding the Scout, as he is not strong nor is he a man, he is a weak and pathetic boy.) I was indeed intrigued.

I, before then, had minor experiences with fandom spaces, having been interested in Harry Potter at the time. I read fan-fiction occasionally. However, I felt no interest toward fan-fiction and pairings of the homosexual variety. My favorite ship to read fan-fiction of was Dramione. I imagined myself as Hermione. My readings of fan-fiction were in fact very self-serving. I became gradually interested in Team Fortress 2 when the fandom was in its infancy. (If you are wondering as to how I never interacted with the fandom before now, or used "social media," that is because I was not allowed to at such an age, and had a fear of doing so up until adulthood. Please do not shame me.)

Back to the topic of Team Fortress! I began searching for fan art of my favorite characters - which, then, were Medic and Soldier. I longed for the Soldier to hold me in his strong arms. I secretly desired for Medic to perform cruel and unusual acts of surgery upon my body. That is a common sentiment shared upon fans of Medic now, I have found. I thought I was alone!

Anyways... At some point, I began to discover Team Fortress fan-fiction. I was extremely intrigued by my discoveries. I, being a pre-fangirl with no real interest in shipping between the mercenaries yet, read "x reader" fan-fiction. However, the extreme abundance of slash fiction made stories of the homosexual variety completely and utterly unavoidable. I naively decided to read just one story of such a kind. I do believe it was a HeavyMedic fic. It was like a fujosplosion inside my mind. I quickly became hooked on reading M/M Team Fortress fan-fiction, scouring sites such as FFN to find more.

That does seem to be how I became interested in gay pairings in Team Fortress 2.

Ok, then what are your favorites? Stop rambling, woman.

Why would you say that to me? Anyways, over the years, I have been particularly drawn to three different pairings.

the first would of course be Trucks n' Vans.

It may be obvious that is my favorite. Actually, I think I already mentioned that it is, ha ha! Anyways. Trucks n' Vans has captivated me ever since I was a young girl. First of all, Sniper is skinny and mildly pathetic, while Engineer is a beautiful fit man. He is also Southern, which I am too. I became interested in this pairing because I imagined Engineer teaching Sniper the ways of God and life in the South. He would show Sniper the beauty and joy of a good old peach cobbler. Which he clearly needs, because I do have a burning hatred for Australians. Sniper is an exception. Anyways.

I have also found great interest in HeavyMedic.

Of course I have. I was interested in this fandom from the day it was created, you silly goose, of course I love HeavyMedic. They were meant to be. Please don't tell God that I said this but I wish I was between them as they kissed. I am short enough for that, being a meager five-foot-one, and generally petite. Well, um, sorry to cut that short, but I am having an extremely bad nosebleed at the moment. Because I thought too hard about HeavyMedic with me sandwiched int he middle. I may as well complete typing this post up, because it's not that bad, but I may make typos here and there. There is blood on my keyboard. Oh Dear. LOL!

My Other Thoughts.

I do believe that Team Fortress shipping is what made me more tolerant of people leading a homosexual lifestyle. When I see gay people in the streets I no longer recoil in disgust as my parents taught me, but I remember that they are people too. Just like Team Fortress 2 in real life. I did meet lots of gay people in college, when I was learning and working toward my PhD in philosophy. Most of the men there did not interest me, because they looked too much like Scout and not enough like a handsome Soldier.

As detailed in my previous post, there are many people who hold disdain for fangirls, or generally people who ship and read fan-fiction. I did experience some of this in college and high school. In middle school, I was very secretive about my fan-fiction and fandom activities. I didn't even have any online friends. The only people I knew who had any interest in Team Fortress 2 were boys at school, who thought I was a freak of nature for being interested in gay scenarios between the mercenaries. I once had lemonade thrown on my brand-new white pants because I was caught reading a HeavyMedic fan-fiction in class. I wanted to die. Please, Lord, excuse my language...FUCK you, Jared. I have violent fantasies regarding him sometimes. As a result of that, I was called gay pee-girl for the rest of the year. I had to move schools because nobody called me by my name, and I was only known as the gay pee-girl. It was definitely worse than "freak."

That may be it from me today. There's so much blood. I think it is not just a normal nosebleed. Oh goodness

[pretty-weird-ideas]

Small Thing...

A couple of months ago on IWTV Tumblr, I made the comment that we have incentivized going after, deplatforming, and disenfranchizing antiracist black fans. Then we ritualistically prop up those who exhibit antiblackness (from nonblacks or internalized). And I want to bring that point back in since we're seeing an uptick in this sort of behavior of hunting down and finding incredibly small/medium accounts of Black people talking about racism and nuanced depictions and blasting them in an attempt to remove even more Black fans.This fandom is constantly finding new black people who talk about racism to dislike.

We have created a culture of incredibly disproportionate responses toward Black fans speaking against racism that in any other fandom would be considered wildly out of pocket. Takes and commentary that if said by anyone else or in any other fandom would simply stay within its bounds go nuclear within seconds if it means that another antiracist Black fan gets put on the pyre.

It's gotten to the point that new fans (of all races) walk right into it, get harassed, and have to ask "What did I do?" consistently in our spaces if not leave the fandom entirely after simply interacting with accounts in ways that are non-controversial. People are making their first IWTV posts and getting anon hate... because we don't follow regular fandom etiquette or climate, we are incredibly incendiary to certain people in ways that are unique and are unheard of outside of this space.

We treat our black fans with less than 50 followers like lolcows or Gamergate victims. Black fans will have 3 followers and a dream and get slammed as if they brought in Satan himself if they think something fictional or real is racist. Even insanely racist fandoms I've been in for years have the decency not to go searching out antiracist and problack sentiment shared online privately to mock and belittle the way that IWTV Tumblr does. They pick subjects out of a hat, they go for big groups or entire commentary, but they don't hunt down and find accounts as small as these to pick on.

If you don't like "problack woke nonsense" (as I've seen it put) do not interact with people who do... and stop posting about them. And also maybe those "problack wokescolds" would stop being as bothersome if you didn't constantly mention and speak on them.

And the question also becomes... if you burn and get rid of all the antiracist people, and yourself are marginalized (esp if you're black), who are gonna run to when they run out of people to burn on the pyre and they suggest you hop on top of it?

If you are Black and are using this culture of disproportionate hate as a way to get ahead by stepping on the other black people near you by downplaying racism, you aren't safe. You'll be next. The goalpost will always shift, and who is considered a pariah will just keep moving.

[linkspooky]

Does it ever frustrate you (like it bothers me), that the heroes and civilians (and many of the fans) have no concept of "the big picture"?

I mean being optimistic is one thing, but the hero kids are going back to class, hero society is being rebuilt and the same structures are getting back in place with barely a question of what might change, if anything will...

Like shouldn't they know by now??!!

Hawks looked into the league of villain's pasts.

Deku was told directly by shigaraki what was wrong with their society in the last war.

There was a whole (plausibly canon) movie revolving around the threat of the quirk singularity, and still nobody cares.

Judging by the recent chapter, the civilians are the same as they always were, or have become even worse in their mindset.

And at least so far, the heroes haven't shown anything concrete in how they plan on doing things from now on, if their actions or beliefs made any real impact.

At this point it really feels like either:

A. The Lov (Toga, shigaraki and some others) make a miracle resurrection/recovery.

or

B.it's the cycle of violence until inevitable extinction...

Do you feel differently or the same?

Hello, friend.

I definitely share your frustrations.

I think this post by Tumblr User BNHAObservations might be onto the type of societal reform that Horikoshi might be going for in this epilogue.

So there's two approaches that you can approach to MHA, and specifically it's endings. BNHAObservations is using Literary Analysis. That is they're not talking about the work in terms of "thing good, thing bad", but rather assuming that everything Horikoshi put into his work is intentional analyzing the themes which Horikoshi is putting forward. What is the theme of MHA and how does Horikoshi demonstrate that theme with characters and events in story?

That's the question to ask if you're taking a literary analysis angle.

(By the way if BNHAObservations sees this I'm not criticizing your post in any way sorry if I give that intention I'm just using it as an example, and also reccomending people read it because it's a good post. This post isn't a response to this post I promise I'm just linking it to provide an opposite point of view from my own).

The second is Literary Criticism. While I prefer Literary Analysis, I've been taking a Lit Crit approach as to late because. My question is not "What is the theme of MHA?" but rather "Does MHA use the tools of storytelling to communicate it's theme to it's audience well?" So, let's discuss how Hori chooses to convey the themes of the fictional world he created.

So as I said BNHA observations has an answer to your question from a literary analysis perspective. The gist being "Horikoshi seems to be suggesting that the improvement to society will come from the public being more involved with stuff like community outreach to assist the heroes, and maybe with Spinner's comic the villains voices will be heard on top of that." Which is a valid perspective and why I linked it.

However, from my literary criticism angle I don't think that particular theme is communicated well by the story. This is why while I think acknowledging the cultural context of the story is an important perspective, it's just one perspective because MHA is still A STORY and it has to use the tools of storytelling to get those messages across. MHA can exist as a piece of cultural commentary and still be confusing about what exactly kind of commentary it wants to make, because it doesn't function as a story.

So here's the literary critcism angle of: Why is it so gosh darned frustrating that the public at large doesn't seem to have changed at all by the ending of MHA?

When you are a writer you can write anything you want. But if you want to write a story that people want to read you have to follow the rules of good storytelling.

There are reasons why storytelling rules exist. A story is a bond between author and reader, readers to other readers. It is a communication between humans and humans work in a certain way.

I'd also argue that literary criticism is something that exists across cultures, like for example I watch Japanese Horror movies with my friends. Japanese Horror movies are very different from american ones because what that culture considers scary is different. However, if I'm watching the movie that has bad lighting and uncreative camera work, and I criticize it on that grounds, I think the rules of what makes good and bad camera work and shot composition work across cultures.

To quote this post:

Storytelling rules are rules of communication. Rules for handling expectations and saying what you intend to say without it being misheard. Rules for tugging at emotions and pulling heartstrings in a good way rather than a bad way. Storytelling rules are lessons learned by authors of the past that failed to communicate what they needed to. They are not that subjective.

So to address your ask finally friend, I believe a lot of audience comes from Horikoshi's inability to get his theme across in his own story with the tools of storytelling, just what he wants to say about the the society that he's created in his fictional world.

The first is the very obvious discrepancy between setup and payoff. As an example I read the Sam Vimes discworld novels, which you could say is copaganda about a good cop who does his job. However, the story is not trying to be a deep analysis about the crimminal system, it's a fantasy story taking place in a deeply corrupt medieval city where the main character is a parody of Dirty Harry. In other words it doesn't bring up any of those deeper issues so I can just read it for what it is, knowing it's kind of dated.

MHA sets up these deeper issues in a way that calls to be addressed. It's made clear several times in both Shigaraki's walk, and his speech during the first war arc that there's already enough heroes and yet problems in this society persist.

Theme is basically the story asking a question and then providing an answer. The question is: If there are so many heroes then why are there so many people who don't get saved?

It seemed like the answer we are building towards is that heroes need to change the way they deal with villains, hence why everything post War Arc focuses on the main trio trying to save their villains without just putting them down. You have Twice's death at Hawk's hands, and the question of why heroes only save the good victims. You have the parallels between Shigaraki and Eri. You have Deku say "ONE FOR ALL IS NOT A POWER FOR KILLING."

Hori is an author who makes choices and he chose to deliberately bring up these issues and not address them, and that makes the story feel unsatisfying to read because serialized stories hook the audience by promising future development.

Read this story because you want to see how the Todorokis will find a way to unite their family. Read this story because you want to see how Bakugo and Deku will become the greatest heroes, by saving by winning and winning by saving.

Twice's death, Toga's question about if Uraraka is going to kill her, Shigaraki's walk, OFA is not a power for killing these are all things that mattered in the story and then suddenly didn't. If you promise a story is going to address something and then you renege on that promise the audience will find it unsatisfying. If I'm reading a murder mystery and it ends with everyone eating cake and the murder hasn't been solved (and that's not the point of the story) I will feel like the story has wasted it's time.

So it's not just a case of "MHA was never going to be a story of deep societal reform because it's a shonen jump manga" but these themes are brought up, and then never addressed again.

Which is where we get my second layer of criticism, the massive tonal whiplash. My Hero Academia seems like a story of how kids are going to grow up to be better heroes by saving their villains, until it's not.

My Hero Academia is not a tragedy, until it becomes a tragedy in the last five minutes. Every single person thought Shigaraki was going to be saved somehow, until he wasn't. Everyone thought that Twice's death was going to be the last death in the league of villains, because the kids were going to realzie they have to find another way than killing the villains, until it wasn't. The audience isn't stupid for thinking this was going to happen, that's what Horikoshi was foreshadowing in his story until he threw it out.

The worst part is the tragic tone doesn't work, because it's poorly written as a tragedy. Greek Tragedy revolves around the fall of the heroes (this is a japanese work and japanese theatre is different, but Superheroes are inspired by the greeks). If the villains failed to get saved, then it should be a failure on the heroes part, it should be devastating on the heroes.

Hawks failed to save Twice but he's fine, Deku failed to save Shigaraki (OFA is not a power for killing) but he's fine, the only hero who seems personally affected by their loss is Shoto who is losing his brother. If this is a tragedy then heroes should be the ones to fall because tragedies are about the tragic flaws of the heroes.

However, we get this tonal inconsistency instead where no consequences stick to the heroes and every single bad thing that happens to them gets magically done away with by plot convenience.

So Hori has shown that he can just handwave away whatever kind of grievous injury he wants, and yet he still chooses to go out of his way to unnecessarily punish the villains for their actions, in the manga that's supposed to be about saving them.

And even if we go with the "Well, their hearts were saved" approach, the manga fails to demonstrate how their hearts were saved. Naruto, a manga running in the same magazine, does this so much better with characters like Obito.

Look at Obito's sendoff in the manga. A character who also is responsible for directly harming the main characters and who went to war with the entire world.

Obito has a dream sequence where he realizes he could have always gone home and still tried to become Hokage and he wasn't beyond redemption. He lives long enough to assist Naruto in the fight against the final villain. He gets called awesome by Naruto for trying to become Hokage because they shared the same dream.

His last moments in the manga are Rin the girl he loved comforting him in the afterlife, by saying she was watching his suffering all along. His literal last action is to lend his power to Kakashi his best friend in order to fight together once more against the villain.

Shigaraki on the other hand doesn't even get the majority of screentime in his own death chapter, he gets two pages compared to AFO's five.

It's not just the fact they get unsympathetic deaths, the story also bends over to show that they deserved it. Toga doesn't want to accept prison for her actions so it's okay for her to commit suicide even though she's a young girl. Shigaraki didn't want to give up being the hero to the villains, so it's okay that Deku didn't save him.

People are discussing whether or not Spinner should be held accountable for not saving Shigaraki because of his character flaw of deciding to not think about things and go with the flow, but that ignores the fact that once again Spinner is not the main character. Yes, characters should be held accountable for their flaws, but the protagonists are the one who should be held the most accountable because the story is not about them.

Spinner and Deku both failed to save Shigaraki, but let's look at their punishment. Spinner is in prison for the rest of his life probably, almost became a Nomu, and has survivor's guilt for being unable to save Shigaraki in time due to his own actions.

Deku... has to live with the fact he killed Shigarki and will "never forget it."

If we are going for a tragic ending, and Deku is the center of that tragedy, than Deku should be the one suffering for his failures. Deku should be held just as, if not more accountable than Spinner.

Spinner is held accountable and that makes him a good character - but to what end? I know what it's to slide blame away from Deku, which is also why Spinner randomly says something racist at the end of his scene.

So in all it's not frustrating because MHA isn't some deep, thoughtful criticism of Japanese society. It's frustrating because it violates the rules of setup and payoff, and it also is extremely tonally inconsistent.

A common response to this is I've seen is "You should just like MHA for what it is, and not what you want it to be."

However my underlying problem is that MHA as a story seems to be very confused about what kind of story it is. That confusion shows in Horikoshi constantly throwing out his own foreshadowing, and the wild swings in tone from tragedy to a story about optimistic young kids who are going to be the best heroez eva. Hori can tell whatever story he wants, but that doesn't necessarily mean he's telling it well.

As I said Hori's indecisiveness shows by this point in the story. I've already discussed this with Class1aKids but it really seems like Horikoshi is setting up two things with scissors-kun:

He'll either be A) A new villain that Deku and the kids prevent from becoming the next AFO or B) a resurrected Shigaraki who can save the rest of his league and fulfill his role as hero of the villains.

At this point there's equal foreshadowing for both, and this is my personal theory but it truly seems like Hori is gauging audience reaction to see which path he should take. If the japanese audience is satisfied with the villains "hearts" being saved, or if he should bring Shigaraki back to let the villains end on a more hopeful note.

[herefortheships]

Why would you say people ship Beetlejuice and Lydia? I’ve been a fan for so long I’m just like “huh…why do we ship it?”

Suddenly remembered I hadn’t answered this, and since I can’t sleep right now I’ll answer it! I meant to earlier and forgot.

I personally ship it because I love the concept of monster x human relationships, and especially when one character (usually the male part of the ship when it’s m/f) in this case this character is Betelgeuse, is dark, powerful, often immortal and even terrifying, (in Betelgeuse’s case also unhinged and absolutely crazy lol), and definitely the least you would expect to EVER fall in love, and yet he does fall in love with this other character who happens to be human, mortal, often quiet and also unlikely to fall in love. These two are the least likely to fall for each other, but they do! Then he starts to show a softer, completely unexpectedly romantic side to him that is reserved only for this woman he loves and no one else. She is both his strength and his weakness all at the same time. He is willing to do everything and anything for her.

Often these two characters are complete opposites and at odds with each other (or even enemies!) and yet they find each other in the middle. There is something they find in the other which cannot be replaced or found in anyone else in the world, and as unexpected and unusual and crazy at it is, before they even know it, their connection is forged in a way where they cannot and will not ever belong or fit in with anyone else. They’ve become a part of each other, even when the odds were against them or might be against them forever because they are intrinsically worlds apart. But love just finds them, and they meet in the middle.

I also love this kind of couple a lot when one of the two realizes their connection before the other, like Beetlejuice just knowing Lydia is *the one*, even if he can’t explain to her how he knows or why. This same scenario happens with Spike in Buffy the Vampire Slayer. At some point he realized she was the one, and she just got under his skin and became an inseparable part of his being.

Although not always, I believe this type of couple also follows the female gaze, since the male character (as I mentioned above it’s often the male character) shows an interest in the emotions of the female part. This is true in Beetlebabes. He isn’t interested only in her body, but also in honoring her emotions and desires (like Betelgeuse honoring Lydia’s wishes to have a more private wedding and respecting her boundaries by not forcing her to kiss him or something like that, plus making an effort at being romantic by serenading her and giving her an absolutely romantic wedding with a magical dance in the air). These interactions that are more romantic than sexual speak to the female gaze.

I think also that Beetlejuice Beetlejuice had several “Universal fantasies” entwined in the Betelgeuse x Lydia relationship that are just irresistible for many romance lovers and when those are present, our minds just inevitably grab on to those fantasies and identity them whether we are aware of them or not. Our mind just goes yep this is a romance and oh boy what a romance this is and before you know it you are obsessed. If you haven’t read about Universal Fantasies in writing, these are basically just more specific tropes that really speak to audiences in a way that hooks them powerfully to a story, and more specifically to romantic stories. This concept is introduced by Theodora Taylor in her book 7 Figure Fiction (which I’m sure many writers know about since it’s pretty popular but I mention it just in case it’s new to someone reading this).

Another reason lots of people love this ship is just aesthetics as well which is also valid. For me this for sure became one of my top three Burton couples.

[pastrydragon]

Ok but Gale and Rolan

Like Rolan is a pretty popular character, people seem to really like him and write a lot of fan fiction about him. And obviously a lot of people love Gale too he's one of the main companions.

So why do I not see them shipped together?

Like the way Rolan talks about Lorraokan before he actually meets the fuck it feels like he kinda has a crush on him, like a little celebrity crush. So we know that Rolan is partial to what he thought Lorraokan was: A brilliant and ambitious wizard who's generous with his arcane knowledge.

And Gale very much ticks all those boxes. He was enough of a magical prodigy to be Mystra's chosen, he had a solid plan to become a GOD and the very first thing he does to try to romance you is teach you some magic.

You can't tell me Rolan wouldn't be following the party around in the tower after the battle, see Gale being king nerd very casually explaining stuff Lorrakaon didn't even vaguely understand and not go:

"Oh."

And with how many times Gale has proven to be a good person by saving the teiflings over and over, Rolan could absolutely mentally gloss over the whole "What if I used the crown of Karsus to become a god?" thing.

And I mean, Rolan could absolutely pull Gale. We know from playing the game that it is not hard to seduce Gale, to the point it's kind of annoying. Post game Rolan could just invite Gale over to look at "This fascinating new tome some adventurers sold me that was recovered from a shipwreck/ancient temple/dragon's hoard! And we haven't talked in so long, please stay for a glass of wine. Oh you write poetry? Tell me more. <3" And he's fucking genuine about wanting to hear the poetry because of course that nerd would.

Like it's not rocket science, honestly it ain't even algebra. I'd give it like 3 months tops before Rolan is bragging about his "BOYFRIEND who is a professor at BLACKSTAFF ACADEMY and did I mention he's adorable?" And he just keeps finding new things about Gale to gush about to the point Cal and Lia start to consider pushing off the roof of the tower just to get him to shut up.

Gale would also be perfectly happy in the relationship, like he really just wants someone who supports him and is a good person maybe? As a treat? And Rolan has shown to be a little heroic himself, protecting orphans, trying to rescue his family single handed and fighting with you against Lorraokan if his spirit isn't totally broken. He can even bridal carry Gale to safety with his 12 str. No really he has 12 strength, you can google it.

Like it's not the OTP to end all OTPs but it's cute. And I'm just confuzzled on why there's barely anything with these two.

[ayashitetsuko]

An open letter to David Jenkins

Some fans believe that we should not vent our anger and frustration to show creators. I don’t believe that. The thing about being a professional is that receiving criticism is part of your job—especially if you have done a terrible job.

OFMD went from groundbreaking to disappointing overnight.

There was a momentum to create a queer media that is smart, fun, sexy, and most importantly, respectful. In the way they are writing these queer characters. Especially older and disabled queer characters, a reflection of a generation of marginalised communities that have gone through so much. To give audience a glimpse of hope in their escapism.

But sir, you choose to Remus Lupin him instead.

This is not just about killing off a character. Hell, I might be willing to accept it. After all, I have read and even written fics with MCD in it—involving my favourite character.

But I want you to know that this is a special case. It is not just another popular character being killed off to drive plots.

I have issue with how you kill off a queer character that represents many marginalised communities in his arc.

Izzy is an abuse survivor who becomes disabled as a result of it. Izzy is a queer elder. Izzy is suicidal but manages to overcome it with the healing power of love and community.

Having him killed off just like that is a huge slap for fans who have gone through what he has gone through. Turns out, even in fiction, in our escapism, there is no joy. Only despair.

Also. Father figure? Where does that come from? Ed has never been shown to have any level of respect for Izzy. So let me ask you again. Where does “father figure” come from?

You have an opportunity to make a difference with OFMD; to be remembered in history for the right reasons. Yet somehow you choose not too. You choose to turn this into cheap, sensationalist entertainment where death and torture are thrown around for shock value.

It is like you have no idea how much power you have by being a professional storyteller.

Let me break it down to you. For you as a writer, perhaps killing off Izzy is nothing but an artistic choice. A plot point to figure out. But for audiences in marginalised groups, stories are mirrors. They see themselves in stories. That is how stories give them hope. This is why OFMD has never been “just a pirate story”. Perhaps this is hard to understand if you have never been part of an underrepresented community in the mainstream media, but this is how many are feeling about your work now. Your legacy.

OFMD has truly become an overnight failure. I don’t know how this happened. I would like to blame budget cuts, but your Vanity Fair interview makes me realise this is all deliberate choice.

So, what is next for us Canyonites?

If anything, this convinced me that queer and disabled people should write. And continue to write.

We can no longer trust major media to speak for us. We definitely can never trust David Jenkins again. Any form of progressiveness that he showed earlier was just coincidence, apparently. Even worse, it was fake.

As my friend Sam beautifully puts it, Izzy belongs to us now. We reclaim that character and give him all the happy endings he deserves in our fic, our art. We transform the works. We write about queer, disabled, suicidal characters the way the deserve to be written. If being a published writer is the path you choose, make sure you make wiser decisions than David Jenkins.

Thank you, sir. It was good while it lasts.

But this is a terrible job that you’re doing.

[reflections-in-a-critical-eye]

10 Jikook Fanfictions Part 1

I said I'd make a list before the end of the year and I kept my promise. Now, it's difficult to choose, especially when I have more than 300 bookmarks and unfortunately I also started doing that some year and a half ago. Safe to say, there's probably plenty of good fics I read that are now lost. Anyway, enough with the boring chit chat, here's 10 random jikook fics in no particular order and most likely, several other parts will follow, probably next year 😉

1. Dead in the Water

It's been a couple of years since I read this and honestly, I barely remember much, but what I do know it's that it had an impact on me. Usually fics that have death as a central theme end up resonating with me, but perhaps it's because I've always been attracted to more darker fiction. This one is gritty and there's a lot of pain and I must have cried a lot (those tend to stick in my head)

2. we're holding hands beneath the silver screen

I think this story is taking place in the 90s (you'll see that a lot of the fics I recommend are taking place in the past). I think I ended up reading everything ChimneyCricket wrote, but this one remained a favorite. Coming of age during a summer in Jeju in the 90s. Apart from the theme, it's the writing that made me stick with it.

I'm not the biggest fan of young adult stories. Or better yet, it's not something that I'd go to as a preference. When I do, it's more of an indulgence and thankfully, I found some writers (like this one) who can do a really good job with the genre.

3. Stockwell

Another writer that I've become a big fan of after reading one fic of theirs. And I think it might have been Stockwell that did it for me. I like that it's fanfiction with adult themes for an adult audience. And I also resonate with a lot of the cultural references and themes. I will also admit that this fic leaning into the enemies to lovers trope was a selling point because I'm a sucker for it. I can't help myself.

4. Burn for You

This is a complete self indulgence for me and I embrace it. Just like watching Bridgerton is a guilty pleasure for which I don't actually feel guilty (and the inspo for this fic). This story has everything and I must say the combination of lust, fear of revealing feelings, rumors, proper behavior and hidden romance is a lethal combination!

5. Light of a century

I might have recommended this story before, but it being inspired by Up on Poppy Hill is not just due to the plot, but the writing is able to evoke that studio Ghibli mood. This fic is to be read on a hot weekend afternoon.

6. Map of the Soul

This might be one of the most complex fanfictions I read due to the amount of research needed, but also in the depiction of political contexts and identity politics. Most of all, I like it because as much as relationships are a vital part of the story, there is an entire world surrounding the main characters. Events and other people that have also room to develop and not just remain props that advance the story.

7. Proceed with Caution

I don't know what snatchim did with this fic, but it's the only one I ever reread multiple times and I'll probably do it again in the future. I don't even reread books from my library, let alone fanfics. But Proceed with Caution did it for me. Perhaps it's because of the process of Jungkook inevitably falling for Jimin and even though it's a bad thing considering the context, it's so good. Maybe it's the image of Jimin with a bellybutton ring or maybe because the picture of hot Californian days in the 70s is so vivid, it feels like a nostalgic Paul Thomas Anderson movie.

8. Dishwater World They Said Was Lemonade

The description does not do this story justice because it's so much more than that. It's a canon compliant thriller with really complicated and complex characters and once again, a story meant for adults who understand that it's fiction. Unfortunately, judging by the comment section, a lot of people cannot distinguish betweem real people and characters. For those of you who might be fans of Korean thrillers, this story might be the one for you. It's also one of my favorite jikook fics as well.

9. souvlaki

Need I say more, considering the description? This is a self indulgence as well, but of a different kind. If I happily read tropey fics, I also like the ones that can sound like a uni course. Set during the 1997 FMI crisis in SK, any reader will get familiar with a socioeconomic and political perspective of that time through the eyes of the main characters. If you're only looking for romance, this one is not for you.

10. you wouldn't remember

I think littleflumes might be currently my favorite writer of canon compliant jikook. I think the author really captured their dynamic in its essence and the room left for fiction perfectly fills in the holes left in the last 2 years and up until the present. But what did it for me, not only with this story, but the others in the series as well, is that it's concentrated almost entirely on the two main characters, almost living in a bubble of their own in which their relationship can be explored.

[roz-ani]

One issue I don't quite get and want to briefly comment on is the idea that Alastor has to be either an old-school villain who's just evil for the sake of being evil, or more of an antagonist with actual depth, emotions, and traumatic backstory to explain his actions, letting the audience relate to him. I think we're going to extremes here. We don't have to go, "Oh, I understand why he would do that". The main goal is for us to say, "Oh, so that's his deal".

While we don't know exactly what Alstor's deal is, what the exact terms of his contract are etc., he is, without a doubt, the most complex character in the show. He's in a unique position since he technically helps Charlie achieve her goal, but it's obvious he's in it for selfish reasons, with some grander scheme going on behind the scenes. May he eventually be the one the main cast will have to fight at some point? Sure. Would it be even more fun because he is a part of the said cast? Absolutely.

Let's get one thing straight: Alastor is evil. He's in Hell for a good reason. He's a cannibal and a serial killer. And I know we can absolutely forgive characters for doing the absolute worst, but he is not a good person. And yes, you can like (and simp for) evil characters. (If you think being a fan of intriguing fictional creations makes you a terrible person, you need to get off twitter and tiktok to actually interact with real people.) At the same time, the finale of season 1 simply made it clear that Al does have depth, and that he's going to be a three-dimensional character. Not that his actions are going to be suddenly justified.

But why can't we explore evil characters while enjoying them and letting them be evil? We can. Alastor started his carnage in Hell before making his deal, so it's not the main reason behind his less-than-questionable actions. For now, he's looking for freedom so he can (re)gain power and be in control again. At the same time, he is growing attached to the other characters. I highly doubt he'll be redeemed; we'll just learn more about him, his backstory, and his goals.

Can you even call Al an antagonist? If you ask me, he's more of an anti-hero. Heck, do we know who he is? Not really, and that's the point. He's one of the main characters, but he makes himself separate in both the story and the writing. He's a wild card.

We don't know what's coming for the Radio Demon in season 2. The first one established that there's more to him and that he started growing fond of the other characters, while the finale made Al realise it almost got him killed. He was humiliated and it reminded him even more that he's still under someone else's control. At least, that's how I see it. Alastor may become more sinister as the story progresses, and as he's getting more and more desperate to free himself of the contract. AT THE SAME TIME, he did come back to the Hotel with a smile and consent for a group hug, so it's not like he's going to blow it up in the first episode. He's not against the Hotel itself. He's doing his own thing, knowing that the titular establishment is an inherent part of his story. All paths lead to the Hazbin Hotel. My guess is that he will simply become more active.

Alastor is already a three-dimensional character; there is no doubt about that. But it's not like he's getting reckoned here. I don't really understand where this notion of our Radio Demon being an old-school villain came from in the first place. He's always been a mystery. Okay, maybe in the pilot it was not so clear-cut, and I'll admit, it would be fun to just see the Radio Demon as a powerful entity overlooking the hotel for his own pleasure. Turning him into a villain later on? Meh, depends on what would happen in the story if that were the case. Watching Jack Horner in "Puss in Boots", reminded me how much I missed villains that were not an initial antagonist's evil-incarnate-superior. However, it was quite quickly established that there is more to Alastor. He would have to appear pretty rarely to not go through any character arc in a show with such an ambitious storyline as Hazbin Hotel (and what a delightful character would we lose if that was the direction the writing team would have taken?). I would mention the pacing actually harming that development, but it's clear this is the show's biggest problem, and we just have to take things for granted.

If anything, Alastor is being restrained from being purely evil. To me, he's a combination of both of the character types I mentioned at the beginning, leaning more toward the well-developed anti-hero. Just let evil characters be evil and three-dimensional. 

[jinkieswouldyoulookatthis]

Anti-destiel Wank (sorry but I have to)

If you hardcore ship Destiel, please just scroll on by. Please.

Ok, I'm gonna get myself in trouble, I'm sure, but I gotta get this off my chest...

Destiel may be a perfectly fine ship,

but,

IT'S JUST A SHIP.

In the actual context of the show there IS NO ROMANTIC OR SEXUAL TENSION/RELATIONSHIP BETWEEN DEAN AND CAS.*

Full fucking stop.

Subtext can be interpreted in ANY WAY YOU WANT. It is subjective. You will find whatever you look for in it. Please stop waving subtext interpretations around as if they were objective facts, they aren't. Subtext, by its very definition, relies on implied meaning and understanding, this means it is a subjective interpretation of the media that varies from viewer to viewer. The inherent variations are what make it fanon/headcanon instead of canon.

If you see tension of that sort there and it makes you happy to postulate the what if, then go ahead, that is what fanon and head canon and fan fiction is all about. But if the fact that the tension you think you see isn't being addressed in actual canon makes you grumpy, maybe you need to take some of the fanatic out of your fanning. If you are beginning to think the show creators are actively trying to repress Dean's "true sexuality and feelings" because they are evil, you might need to consider that you've dug in too deep.

Because, like I ship wincest. Yeah, I said it. But I am aware that canon doesn't actually include any level of sexual or romantic (in the modern sense) relationship between Sam and Dean. Wincest is not canon.

Now, are Sam and Dean the real "love" story of the show? Yes, yes they are. That has always been 100% the entire point of Supernatural, the great love story of two brothers struggling to save the world together. It's about family and everything that means, but at its heart, it is about Sam and Dean WInchester. Not all kisses and cuddles and sex kind of love, but love nonetheless. Full stop.

Now, the fact that Destiel is such a popular ship is not surprising to me in the least. Jensen and Misha are two gorgeous guys who share a lot of chemistry on screen and off. And, it is canon that Cas loves Dean. That has been evident since Lazarus Rising (4x01) when Cas was introduced. Castiel's love of Dean Winchester has been his character's main motivation all along and culminated with Cas sacrificing himself to save Dean, after telling him that he loved him in Despair (15x18)

But Dean's main motivation has always been to watch out for his brother. And though Castiel became Dean's best friend, he still comes second to Sam. Nothing against Cas, he just isn't Sam.

So why are so many people so absolutely convinced that Destiel is so real within the context of the story?

Well, I'm pretty sure that it is the same reason that they are so opposed to the idea of wincest.

As we all know, incest is bad, mmmkay? Incest is probably one of the biggest, strongest, cultural taboos we have. So it makes perfect sense that the idea of two blood-related brothers having sexual or romantic feelings for each other is considered icky. It's so off putting that it is a complete no go for even fantasizing about for most people. And that's probably a good thing, tbh, incest should be taboo. But where does that taboo spring from? Why is it so deeply off limits? There are several reasons, but the two main ones are:

That incest can lead to inbreeding.

That incest too often involves molestation or rape of children.

Both of these are seriously bad enough that we all pretty much collectively agree to avoid incestuous relationships. But, do either of these two reasons really apply in the case of Sam and Dean?

The short answer is no. Primarily this is because they are fictional characters that are being played by unrelated actors. But to humor the objectors we'll look at it closer.

We can take the first one right off the table. As two cis men, neither of them is capable of becoming pregnant, so outside of the mpreg (male pregnancy) or gender bending subsets of fanfic tropes, this is not applicable.

The second reason only becomes an issue when talking about the characters earlier in their lives, pre-show or flashbacks. Weecest or teencest, or whatever, are things, but these typically have separate ship names for a reason, because even when dealing with fictional characters this squicks a lot of folks who are otherwise down with the wincest ship. So most content is tagged or labeled as its specific flavor, so anyone can find it or avoid it. But wincest that involves adult Sam and Dean (the specific pairing I'm referring to in this post) doesn't apply to the second reason listed above.

So there really is nothing morally wrong with Sam and Dean having sex with each other. I know that statement is going to bother a whole lot of people, but it is true. Just because something is taboo does not automatically make it morally wrong. Being gay used to be taboo in our culture, and is still taboo for way too many people, even though there is nothing morally wrong with homosexuality.

Now, I wasn't in the fandom back at the beginning of the show, but I've heard tell that the very first Sam/Dean fic was posted just a few hours after the pilot episode aired. A few hours, that's all it took for some highly motivated fan to type out a story where they were more than just brothers. The story is called Reunion. If you watch the pilot, even with your anti-incest goggles on, the chemistry between Jared and Jensen is palpable throughout. There is a reason the show lasted for 15 years, and that reason is that Sam and Dean just work on screen so well together. So if it only took one episode for that ship to be born, what did all the future destiel shippers do? Well I imagine they felt somewhat uncomfortable for the first 60 episodes.

Flash forward to season four and the introduction of Castiel. Finally there was another male character for fans squicked by the notion of sweet, sweet brother loving to focus on! Cas was clearly fixated on Dean more than Sam, which followed the plot since Cas had been instructed to rescue Dean from Hell. As it would turn out, the brothers were destined to be the meatsuits that Michael and Lucifer wore to the big prize fight to determine the fate of the world. Prepping Sam for Lucifer involved him consuming demon blood, which made most of the angelic host view him as an abomination, a factor that Cas had to learn to get past in his relationship with the younger brother. But Dean was ready to go right out of the box, no assembly required for Michael. Castiel, and many of his angelic brethren, as well as a lot of Demons, seem to be drawn to Dean in a way that they just aren't drawn to Sam. Is this fair? Hell no. But I mean, look at him! Jensen has sexual tension with literally everything he comes in contact with, people, food, his car, the man oozes sexual attraction. Don't get me wrong, Jared is a sexy fucking ball of sunshine, and our Sammy is a damned attractive man, but he tends to be more repressed and less openly sexual than his brother, so it is what it is.

Where was I going with this? That's a good question. I got a bit distracted, sorry. Oh right...

At its root, destiel is a reactive projection. There is undeniable tension between characters in the show. Since all of the main cast are male, that tension is highly homoerotic. The two main characters, who are undeniably emotionally enmeshed and co-dependent with each other (a very well established canon fact btw), happen to be blood-related brothers. Oh no! Where is all that tension coming from since we cannot admit or accept that it's coming from them? Ah ha! Here is a new male character that we like, yes, it is obviously coming from his interactions with one of the brothers, even though he wasn't in the first 60 episodes. Yes, it all makes perfect sense now, all that tension was merely foreshadowing.

I've read through all the destiel subtext posts. I've gone back and watched all the scenes they reference multiple times with the express purpose of finding destiel. I'm telling you it is just a fanon ship. Which is 100% fine and good, ship that ship, just stop declaring it more canon than canon, because it's not.

And if you don't like fictional incest, cool, cool, you don't have to. But the underlying sexual tension existed in the first 60 episodes prior to Misha being cast on the show, so it was coming from somewhere. And it'd be cooler if you learned how to scroll past people shipping wincest, like I'm sure you do for all the other weirdass, squicky shit that people post all over the internet. But if it makes your heart beat a little faster to imagine that Dean and Cas have eyesex but that Dean and Sam don't, that's fine. I think it's delusional because neither ship is actually canon and both are 100% A-Ok in fanon, and honestly Jensen doesn't seem to be able to control his eyes, which is not something anyone should feel bad about (it's fucking marvelous) but you do you.

*Castiel does love Dean. He confessed as much, but Dean did not reciprocate. What I am referencing is a mutual romance or attraction, which does not exist.