#like I talk to 1/2 of them about this stuff sometimes

[sambargestuff]

I actually campaign for the NDP. Like, I knock on doors and talk to people about the election, the local candidate, the world. You know, stuff. I've been doing this for around 35 yrs (I started young and I'm old). My riding is traditionally NDP with the occasional red Liberal.

Let me tell you what I've seen in the last few elections.

Increasingly, working class people are turning to the Conservative Party. They aren't served by the current economic realities of Canada and they're looking for a party that will deliver them without actually making life too much different. See, they hate being screwed over themselves but they don't have any class loyalty and they're not really into changing the world. They just want a bigger piece of the pie. Social progress scares them and they like a party that confirms that they are right in what they believe about trans folk and indigenous people. They don't trust women and they don't trust people of colour. They don't know about Gaza and, this may be hard to accept, they don't care. Someone has been whispering in their ear about Trudeau. Online, I presume; where the stupid lie to each other, to keep each other perpetually angry.

Now, I don't support Trudeau/Liberals, so I can totally talk about that they've done wrong (don't even get me started on electoral reform) but I can't talk to these people because they live in a different reality from me. Their arguments usually go something like: Trudeau is a crook because of masks, vaccines, and the carbon tax. I mean, sure, he's a slimy trust fund baby but none of those things were criminal, actually. You can disagree with policy decisions but the vitriol is way out of proportion

Jagmeet Singh and the NDP have no chance with most of them because (1) he has brown skin and wears a turban (although they rarely say that part out loud, sometimes they do) and (2) he has supported the Liberal gov't in their minority. When you point out the progressive changes under the minority gov't prompted by the NDP, they don't care. I've talked to seniors who benefit from Pharmacare and young families that benefit from the national childcare program and they don't care.

Mostly, it's the men who don't care. And, like what just happened in the US, the white men are going to vote Conservative.

I don't know if ABC is the way to go. I'll vote NDP because they do have a good chance of winning here. But if I lived in a riding where they had no chance, I might plug my nose and vote Liberal to make sure the Cons have one fewer MP in Parliament. I'm just glad I don't have to make that choice.

Then, I'd spend the next 4 yrs developing the NDP in my riding, talking to people about what matters to them and how to achieve it, and calling my Liberal MP every time I feel like it to tell them what I think. I'd write letters to the editor and attend municipal townhalls to discuss local issues. I'd canvass door to door between elections to talk to people about legislative changes, etc. I'd join groups that interest me and make connections there too. When the next election comes around, I'd canvass for the candidate that I believed in.

Democracy doesn't happen on voting day alone. The rich know this and that's why they're paying bots to whisper in the ears of gullible, angry people.

I hate the idea of voting for the liberals strategically instead of the ndp but I am actually terrified of what would happen if pp won next year

~~~~

[ryuichirou]

Do you have any headcanons for your genderswapped twst ships?? Doesn't really matter which ones

I do, Anon! And you’re cruel, because I want to talk about everyone, and I am very bad at picking one option… So I ended up writing one hc for a bunch of ships. I don’t think I skipped any of our absolute favourite ones, but I definitely didn’t cover all the ships we love :( Sigh!

If you want to hear more about any of them, let me know! But also, feel free to read previous hcs posts about the girlies: 1, 2, 3.

Also! Some are horny, some of them are not, keep that in mind please.

Alright, so…

Azul/Idia – while Azul complains about Idia always wearing baggy “boy-ish” clothes, she actually enjoys it on some level; sometimes she expects Idia to open doors for her, sometimes she hugs her arm when they walk together, it’s like she automatically figures that she herself is “the lady” in their relationship with Idia. Which is a concept that only exists in Azul’s head: Idia knows that Azul isn’t a lady at all. All of the “girly” things she does are very performative, and in actuality, Azul is very dominant, bossy and not gentle at all! She is an aggressive beast that loves to fuck tomboys…

Jade/Idia – during their housewarden+vice-housewarden meetings, Idia sometimes watches Jade as she writes down things and gives Azul documents and forms and stuff. Is it because Jade is just that beautiful? Yeah, but not necessarily in a good way – to Idia, Jade feels otherworldly, but also kind of terrifying. Like a beauty from a horror movie. Since Idia watches everyone through her tablet, she feels safe when staring at Jade (she would’ve been scared to look at her irl), but one time Jade looked straight into the camera, and Idia got startled and fell from her chair. For some reason she felt the good kind of goosebumps at the same time…

Floyd/Idia – one time Idia was careless enough to mumble something about Jade being perfect for a cosplay of a certain character. She thought she said it very quietly, but Floyd did hear her, and immediately asked about what kind of character would be perfect for her, instantly adding that Idia can’t pick the same one she chose for Jade. Idia panicked and said that she needed some time to think about it… hoping that Floyd would just forget about it, but she kept appearing out of nowhere and asking this question for a couple of weeks. Sometimes she would show up with her buttons undone and without a bra or panties, as if that would inspire Idia to give her an answer. Idia never felt so intimidated before..!

Floyd/Riddle – one time they had a physical fight that turned too horny. Of course, Floyd wasn’t giving it her all because in terms of physical strengths she could easily snap Riddle in half, for the most part she was just having fun. But the way Riddle squeezed her thigh with her own thighs and aggressively rubbed against it, the way she grabbed her shirt and ripped it open, the way she bit her neck and viciously sucked on it (to make it hurt more, clearly) made it pretty obvious that poor Riddle doesn’t quite understand what she wants from Floyd. Of course, she punched and slapped her face a couple of times too, but that doesn’t make the situation any less horny! Well, Floyd did bite her ass (literally) as a revenge, but the moment she grabbed her between the legs, Riddle squealed, kicked her off (with a heel!) and ran away. What the hell was that? Mixed messages…

Trey/Riddle – Riddle is one of the few people in their dorm that isn’t aware (and doesn’t suspect) that Trey is into girls. To the majority of people it’s pretty obvious, but Riddle has absolutely no idea. It’s not like Riddle would react in a bad way, but whenever she casually says shit like “it is too early for us to worry about husbands anyway”, Trey’s brain melt a little bit. She only sees her future with Riddle…

Ace/Deuce – they are “those two girls”, the ones that are always fighting, but also so close that it’s almost like they’re… you know. They are more likely than their boy versions to push that semi-playful flirty thing, and it’s always Ace who initiates it. She pokes Deuce’s boob with a pen, lifts her skirt, “accidentally” ends up in suggestive poses with her, makes jokes that take a couple of moment for Deuce to get (then she gets red and mad), and all of that is just them messing around of course. Nothing serious, for sure…

Jack/Deuce – when they kissed for the first time, Jack grabbed Deuce’s waist and lifted her up so their faces would be on the same level. Deuce got so surprised by that (her feet were barely touching the floor!), she whimpered in the kiss, and Jack got immediately embarrassed and put her back down. Both liked it a lot and felt hot because of that, but were too awkward to do it again…

Kalim/Jamil – Kalim is so innocent it’s very difficult for Jamil to think about the fact that one day she’ll start having sex and even worse, producing babies. The second part is so terrifying that Jamil prefer not to think about it at all, but even just the first part makes her very frustrated somehow. Is she angry about it? Somehow, imagining Kalim with someone like that feels very wrong, and Jamil’s frustrated mind makes her dream about Kalim doing things to her body instead. Jamil woke up all sweaty and with a blanket squeezed tightly between her thighs. 

Azul/Jamil – despite her busy schedule, there are moments when Azul has some free time and goes to see Jamil play basketball. She is always very clearly rooting for Jamil and Jamil only, as if she is the only one playing, and Jamil finds it annoying… Oh, is she distracting you, Jamil-san? By being a cute little cheerleader? Also, did I mention that Azul likes tomboys already?

Rook/Vil – when Vil gets mad, sometimes squeezing Rook’s boobs a couple of times makes her feel better. But when Vil gets very mad, the only thing that could help is for Rook to pull Vil’s underwear down and dive with her face between her legs. Then she eats Vil until she is so tired that all agitation has left her body, and her anger is gone… Technically, if Rook isn’t around, Vil could just breathe in and out until she is calm, but for some mysterious reason Rook is always around whenever Vil starts feeling angry. Is it a coincidence?

Floyd/Epel – while the bra that Vil makes Epel wear isn’t uncomfortable and is actually quite nice, she still doesn’t like the fact that she is supposed to wear it, so whenever she sees Floyd going around clearly bra-less, she gets so fascinated and excited. One time when they were hanging out together, being all rebellious and stuff, Epel took her bra out and looked at Floyd very proudly and smugly. And Floyd pointed out how pointy and erect Epel’s nipples are and giggled at her… and then quietly stole her bra while Epel was busy covering them and feeling unexpectedly embarrassed. They were hard the entire evening, which Floyd found very cute and couldn’t stop commenting on.

Ortho/Idia – when they were kids, Idia tried to make Ortho to be “the princess” in whatever story they were playing because Ortho is younger, and Idia wanted her to feel cherished and a centre of attention. But Ortho threw a tantrum about it because she wanted Idia to be the princess instead. They weren’t really into playing with dolls or all this princess stuff, so it was just a very rare and kind of wholesome memory that Idia completely forgot about… until Ortho called her a pillow princess and said “see, I was right” with a smug face all those years later. What do you mean you were right…! Is this really a good moment to bring that up?? While pressing a pulsating finger against your sister’s you-know-what??

Lilia/Idia – one time Idia actually went to listen to Lilia’s bass guitar performance in an empty clubroom because she wouldn’t go out of her room otherwise. And Lilia teased her a lot that day, acted very smugly, called Idia her groupie and even suggested to give her an autograph by signing her titties. Idia was embarrassed and terrified, but Lilia did end up lifting her shirt and doing that…

Lilia/Silver – when Lilia is feeling down for some reason, sometimes she makes Silver sit on her lap. Silver is too heavy for that at this age, and she usually says that it will make mother’s blood circulation worse, but Lilia always says that it’s okay and pushes her down. Then she hugs Silver tightly, presses her cheek against Silver’s chest, sits like that for a couple of minutes and playfully slaps Silver’s thigh, telling her to stand up and saying that she is a good girl and made her feel all better. Whenever Lilia stands up though, her legs shake because of bad blood circulation… Silver told you!

Sebek/Silver – whenever Silver falls asleep and Sebek doesn’t wake her up right away for some reason, she always makes sure she looks appropriate: closes her legs, fixes her shirt, even puts her hair back from her face. Although every now and then she does end up staring at her sleeping face and body for some time before doing that… you know, if no one is around…

Lilia/Malleus – as Malleus’ breasts were growing, she was in pain pretty often because of the drastic and quick growth. Lilia used to soothe her pain while massaging her chest with her small but knowledgeable hands, and it helped a lot… but also backfired, because now Malleus’ breasts are very tender; but also sometimes when she gets angry she really wants to have them squeezed and groped, as it pacifies her.

Sebek/Malleus – Sebek loves repeating that she’ll never get married because she already decided that she will live only to serve Malleus. One times Malleus heard about it and said that it really is a shame, because someone would be lucky to have Sebek as a wife. She didn’t really mean anything by it, but Sebek was so shocked to hear that that she still can’t process that conversation…

Crewel/Deuce – while Deuce wasn’t super sexually experienced before their affair with Crewel started, she was pretty experienced in terms of masturbation, and thought that she knew her body quite well. She was wrong because Crewel made her feel the way she didn’t know she could before… She used to be a very horny young teen, but now is the first time when she stands up and can feel wetness between her legs dripping down her thighs (without even being touched!). She also squirted for the first time with Crewel… and was pretty shocked by that, instantly getting embarrassed that she just peed herself. This woman melts her brain…

[triglycercule]

hhhhidea...,,,, CUTE idea (kinda?) dust reading to phantom papyrus during night to lull him to sleep,,,, but really its just a way for him to pretend that everythings not really that shit (as if phantom paps isn't just dust's denial incarnate) and to help him NOT wake up because of a nightmare again or something

(and just because i can't resist now im imagining this with mtt. not that dust stopped reading to paps in place of killer and horror (because he wouldnt he simply wouldn't) but now the two join them for storytime. horror knocks out pretty damn fast and eventually dust falls asleep too after he makes sure that paps is satisfied with the amount he read and then killer's just left to sit there. maybe he tries to fall asleep maybe he doesn't,,,, maybe he picks up the book and continues reading but EITHERWAY,,,,,, this scene in my head so 💥💥💥😇😇😇)

[swinging-stars-from-satellites]

I hate when I get into these phases when once I process through one thing causing me anxiety there's another thing right behind it

[oh-meow-swirls]

was looking through old posts and i'm surprised to see that i seemingly didn't have any commentary on anything in 3 in chapter 7, 8 or 9, the posts related to 3's story go from "my first reaction when i saw yopple-bot was 'i love you. but also you are definitely the boss for this chapter-'" to "i have been in hell all day. hell being bada-bing tower." funny to me cuz those chapters are like, the best ones sdfkljsdfjfsdkjlfsdjkl-

[deus-ex-mona]

watching people interact with each other l i k e

[sabraeal]

as a writer how do you stop thinking about like getting kudos/comments? I've just started writing fanfic, and when I start a writing something -- it goes well and then eventually I get to point where I'm like "ahh but what the readers don't like that? or what if I don't get as many kudos or comments" and it makes it difficult to continue because then it becomes stressful -- I guess how do you deal with "wanting to write stuff for yourself" and "wanting validation" thanks!

You're going to hate this answer, because I hated it too, but TIME. When you first start writing and you get kudos and comments and people love what you're doing, it's a huge validation of your effort and talent, and it's natural that you want MORE of it. When I first started putting up fics I already had been writing for 15+ years, knew I was good at it, and still for a good few years found myself really glued to the hit counter, and the kudos, and wondering how I'd be able to get people to comment the same way they did on things like Seven Suitors.

But the thing is that commenting comes and goes in waves, and unless a fandom has a big comment culture, or is large enough that you're guaranteed a good glut of them every time you post...you're going to hit a point where you write exactly what everyone wants and get crickets. And at that point you'll get ANNOYED, because LOOK, I MADE THIS, i made it for YOU GUYS, and now y'all don't have anything to say? It'll get to you. It'll make you doubt that you know what anyone wants at all. It'll happen and it'll suck the whole time.

Lots of advice will say "write for yourself," which is an excellent sentiment. You should always write what YOU want. Put into your fic what you want to see, write the nitpicky poetic metaphors and craft the most screwball twists your heart desires. Pour yourself into the most niche AUs and most tin-hat canon theories. At the end of the day, you want the IDEAS you put down to be for you, because comments and kudos are nice, but if they don't come...you have to be proud of what you put out, even when it feels like an echo chamber.

But also...we don't POST things for ourselves. We post things to share. Fic are a conversation with canon and it is perfectly natural to want to create something that creates conversation among other fans. So you're never going to fully get the need for validation out of your head, you're not. You can hide hit counts and ignore your inbox all you like, but the want to have someone interact with your work, to inspire someone to reach out to you will ALWAYS be there. You just have to create a healthier relationship with it.

Be confident in what you write. Think less about whether people will like it, and more about how you WANT them to react. The reader is the most important character in any novel, but it's the one most authors forget to manage. When you come to a point where you go "oh man, I hope this is good for them!" stop and go, "what do I *want* them to be feeling here?" Focus on where you're putting their attention and whether you WANT it there. There's so much you can do when you visualize your relationship with the reader as PART of the work, and it takes off a lot of the pressure of "is this good? is it disappointing? will this get me validation?" and brings it back into the realm of storytelling. You are taking your reader on a journey, and when you do it well people will think less about "did I like that?" and more about "what comes next?"

[bangcakes]

.

[violentdevotion]

I had multiple dreams last night.

I had a bf </3

someone in my family got bit by a zombie </3

some guy made me explain narrative structure to him </3

[deltastorm101]

“do the face, do the face! :D”

@subjectsix ‘s K.Y.E. and Raster from her original story Botan City!

[ko-eko-ev-go-ms]

I really really wish dreams were easier to understand/interpret

[tortademaracuya]

I wish I could get any joy from drawing again soon

[nocherryblood]

May I add: living with chronic anything.

Sometimes people with chronic conditions do everything they can to avoid making symptoms worse, or to manage their existing pain. Creams, meds, long medical treatments, etc. Sometimes it's long and monotonous, and people are still in pain afterwards. Sometimes it's more manageable.

Sometimes, people with chronic conditions might not want to do that. Sometimes they just want to carry on as they are. Maybe it's health risks, or monetary reasons, or it's just not worth it. Sometimes people just don't want to do it, full stop.

Chronic conditions are chronic for one reason: even if they come and go in bouts, even if they're "not that bad"... they don't go away. Sometimes they remain forever, sometimes they may go away. But either way, you will have them for a significant portion of time.

Some people have cures and medicine that helps them to live as uninterrupted as possible, some don't- whether it's access to funds to get it, or because there literally just isn't something like that out there in the world, or maybe it's too risky. Sometimes you can be cured of one thing and it causes another, or it can come back, or, even if your main symptoms are gone, you may be left permanently affected by what the condition did to your body.

Some people have low pain or needs- this doesn't mean they're "overreacting" or "being too dramatic". Pain, even on a low scale, can be absolutely debilitating over a prolonged period of time. Sometimes, medical specialists can get very temperamental over this- personally, my conditions always get missed on 95% tests even if the markers to indicate I have them are there, so the specialists are very reluctant to give me help at first because they don't understand how much my pain affects my life until I prove to them that that help supports me to try to carry on as best as possible. This meme pretty much sums it up (for those who are confused, π, or, pi, is a number that never ends- the calculation for it has been going on for hundreds upon hundreds of years and we're still nowhere near the end seemingly):

On the other hand, some people experience extremely high pain levels and/or are severely affected by their chronic conditions, so much so that it limits them from doing a majority, if not all, of their daily life activities. Some can manage with a carer or assistant, some cannot. That doesn't make them "useless" or "unworthy" or "lazy". They are valuable as all humans are to each other, no matter whether or not they can work "like everyone else" to fulfill that cruel, uncaring, devaluing shitshow of modern expectations of an adult or not. Human decency and care for each other shouldn't ever be associated in the slightest with output or ability.

Sometimes, people's conditions are "intrusive" and/or affect other people's lives (e.g. family becoming carers or assistants, needing more support, being unable to control impulses or body functions) and whilst, yes, sometimes they can take effort to deal with by people on the outside, the person themselves is not incontrol of their condition and complaining 24/7 about it to them will just make them feel like crap. Contrary to popular belief, many people with chronic conditions are actually extremely aware of the effect of their condition on themselves and especially others, and are constantly overcompensating for it and putting so much effort into dampening it down just to make it more "palatable" for others. You don't need to tell them what they already know- if something's really affecting you, maybe come up with a realistic way to help before you ream off about how much something they're having to deal with is annoying you.

Please, don't expect someone to move mountains if you're not going to give them the rope.

And the final point I'm going to make is... please, for the love of your own compassion, sometimes there are people who are tired of having to constantly have to avoid triggers or irritants (e.g. with skin conditions), and want to allow themselves some semblance of being able to live like fully non-chronically affected (i.e. not living with a chronic condition) people for a while.

Concern is a lovely thing to have, but sometimes, people just want to have a bit of a break, y'know? I understand if there's concern about someone continually, severely harming themselves with their actions (i.e. eating an allergen they're highly allergic to, or something that could seriously harm them long-term)- of course, speak to them or try to empathise with them and then bring up your concerns, or come up with something alternative for them.

But if it's a short-term thing? Just let me have this one thing, please- my mental health needs it too. Don't judge me for wanting to have one long night out even if I'm chronically exhausted or easily get overwhelmed. Don't judge me if I have chronic skin conditions but want to have one nice perfume or pretty bath even though I'll be barely able to tolerate clothes in the morning. Don't tell someone they're dumb because they want to take a walk even if they may not be able to keep moving for long. I, and they, can regulate ourselves- we know the risk vs. the reward and sometimes you just want to do "normal" things for once.

Just... please. We're not defined by our conditions, but it doesn't mean we're not constantly affected by them too. They're a part of us, they're not always a welcome part of us, but they're there and we have to deal with them. Just please don't forget: just because we seem happy or fine, doesn't mean we can't be in pain.

when u go to write a mentally ill person in ur story you are presented two options. the first option is to write your mental illness realistically as you actually experience it with all the ups and downs and people who are like you will resonate with it and feel seen. except every person who reads instagram infographics on mental health that uses the phrase narcicisst for anyone who does anything that crosses them and unironically call themself a dark empath will call you scary and tell you that youre demonizing mentally ill people

the second option is to lie and write inspiration porn for those people to get hard to

[blueshykitsune-blog]

I want a giant brown bunny... but... but too much!

The only one I found was like $158 USD... it was just about 5 foot tall! It literally was like looking at what I wanted to make but realized I didn't have enough stuffing for!

And one that was like 3 feet tall was $100...

Like yes I know materials and time is money but I can still complain! Why fabric gotta be so much! And so messy! (The ones with faux fur or of the like. Like whyyyyyy!!!!) Also why is cotton and stuffing so much too! And you get enough for maybe only one 2 foot plushie!

(I ran out of tagging space... 30 the limit sadly. But I had more to say but maybe later I'll do a bigger post on that all.)

[s-soulwriter]

Things Real People Do in Dialogue (For Your Next Story)

Okay, let’s be real—dialogue can make or break a scene. You want your characters to sound natural, like actual humans talking, not robots reading a script. So, how do you write dialogue that feels real without it turning into a mess of awkward pauses and “ums”? Here’s a little cheat sheet of what real people actually do when they talk (and you can totally steal these for your next story):

1. People Interrupt Each Other All the Time In real conversations, nobody waits for the perfect moment to speak. We interrupt, cut each other off, and finish each other's sentences. Throw in some overlaps or interruptions in your dialogue to make it feel more dynamic and less like a rehearsed play.

2. They Don’t Always Say What They Mean Real people are masters of dodging. They’ll say one thing but mean something totally different (hello, passive-aggressive banter). Or they’ll just avoid the question entirely. Let your characters be vague, sarcastic, or just plain evasive sometimes—it makes their conversations feel more layered.

3. People Trail Off... We don’t always finish our sentences. Sometimes we just... stop talking because we assume the other person gets what we’re trying to say. Use that in your dialogue! Let a sentence trail off into nothing. It adds realism and shows the comfort (or awkwardness) between characters.

4. Repeating Words Is Normal In real life, people repeat words when they’re excited, nervous, or trying to make a point. It’s not a sign of bad writing—it’s how we talk. Let your characters get a little repetitive now and then. It adds a rhythm to their speech that feels more genuine.

5. Fillers Are Your Friends People say "um," "uh," "like," "you know," all the time. Not every character needs to sound polished or poetic. Sprinkle in some filler words where it makes sense, especially if the character is nervous or thinking on their feet.

6. Not Everyone Speaks in Complete Sentences Sometimes, people just throw out fragments instead of complete sentences, especially when emotions are high. Short, choppy dialogue can convey tension or excitement. Instead of saying “I really think we need to talk about this,” try “We need to talk. Now.”

7. Body Language Is Part of the Conversation Real people don’t just communicate with words; they use facial expressions, gestures, and body language. When your characters are talking, think about what they’re doing—are they fidgeting? Smiling? Crossing their arms? Those little actions can add a lot of subtext to the dialogue without needing extra words.

8. Awkward Silences Are Golden People don’t talk non-stop. Sometimes, they stop mid-conversation to think, or because things just got weird. Don’t be afraid to add a beat of awkward silence, a long pause, or a meaningful look between characters. It can say more than words.

9. People Talk Over Themselves When They're Nervous When we’re anxious, we tend to talk too fast, go back to rephrase what we just said, or add unnecessary details. If your character’s nervous, let them ramble a bit or correct themselves. It’s a great way to show their internal state through dialogue.

10. Inside Jokes and Shared History Real people have history. Sometimes they reference something that happened off-page, or they share an inside joke only they get. This makes your dialogue feel lived-in and shows that your characters have a life beyond the scene. Throw in a callback to something earlier, or a joke only two characters understand.

11. No One Explains Everything People leave stuff out. We assume the person we’re talking to knows what we’re talking about, so we skip over background details. Instead of having your character explain everything for the reader’s benefit, let some things go unsaid. It’ll feel more natural—and trust your reader to keep up!

12. Characters Have Different Voices Real people don’t all talk the same way. Your characters shouldn’t either! Pay attention to their unique quirks—does one character use slang? Does another speak more formally? Maybe someone’s always cutting people off while another is super polite. Give them different voices and patterns of speech so their dialogue feels authentic to them.

13. People Change the Subject In real life, conversations don’t always stay on track. People get sidetracked, jump to random topics, or avoid certain subjects altogether. If your characters are uncomfortable or trying to dodge a question, let them awkwardly change the subject or ramble to fill the space.

14. Reactions Aren’t Always Immediate People don’t always respond right away. They pause, they think, they hesitate. Sometimes they don’t know what to say, and that delay can speak volumes. Give your characters a moment to process before they respond—it’ll make the conversation feel more natural.

Important note: Please don’t use all of these tips in one dialogue at once.

[mayspicer]

Ok, the boss is no more! There were some super stressful moments but surprisingly we all survived o:

My animal companion got hit with disintegrate, but we had hero points to make him avoid it. I would cry actually, because disintegrate means no resurrection x_x

The war is prevented! At least this one, because Cayden's party is right at the center of a much bigger one just starting. Today we saved the country. Cayden is trying to not even save the whole world, just maybe slow the whole thing down and save as much people as possible...