#keyword in all this is the first word of the post

[crushoncaleb]

Be my valentine

Rafayel x reader

Fluff

1.4k words

You try to ask Rafayel to be your valentine. The keyword is try.

A/N. First time I have written something for a holiday or event and actually managed to post it in time! Basically, I couldn't sleep, and Rafayel possessed me. Hope y'all enjoy!

Is this...rejection?

You'd spent some time planning it, even bribed Thomas to get Rafayel the day off. But when you and Rafayel arrived at your usual spot at the beach. He didn't seem to take note of the seagulls at all.

The seagulls you had somehow managed to train into landing in the right order so the letters you stuck to them would ask him to be your valentine. Now, you'd be the first to admit, the whole plan was a little crazy, but with your and Rafayel's history and connection to the seagulls choir, you'd thought it would be cute.

If it had been any more subtle, you might've believed he genuinely missed it. But it's quite hard to believe someone like Rafayel would not see the literal seagull choir the two of you were here to visit. So naturally, you had to assume he was letting you down easy.

Even being let down easy hurt. It completely blindsided you. You were absolutely certain something had been brewing between you and the artist. Hell, last time you'd spent time with him after wearing new perfume, he'd spent about an hour shoving his face against you to breathe you in. You were SO certain that crossed the line of platonic.

You start questioning if perhaps you'd been reading social interactions wrong your entire life, as next to you, Rafayel starts getting antsy.

"Cutie, as much as the sky is beautiful today and I would love to spend time staring at it with you, we should go get lunch now. Thomas' endless texting has tired me out, and I'm huungry. " He speaks, his tone light and whiney as always, and for a second, you consider him world's greatest actor.

You decide that what you felt for Rafayel combined with the effort you'd put into this plan was worth the risk of heartbreak, so in a final effort to get him to acknowledge you, you speak up.

"Don't you want to see your trusty choir first? They're right there behind you. I'm sure they've missed their conductor." You're not sure if you manage to keep your tone quite as light and playful as intended, desperation tinging the edges of your words, but you've spoken them, now he HAS to respond.

A pause, anticipation clogs your veins, and you practically feel your blood pressure rising. "...there's a boat ride with a buffet that might be nice today, since the weather is so nice and all."

Your eyebrows raise, the casual tone of his voice so steady that you almost start questioning if you even did bring it up at all. But the quick look he takes at you and the way he turns away tells you he is definitely doing this on purpose.

It was truly rejection then, your stomach twists and a buffet and a boat ride with Rafayel suddenly sound daunting. You could get over rejection, but maybe not within 10 minutes.

"Hmm, that sounds nice but I'm actually starting to feel a little off," you muse on your excuse "I think I might head home a little earlier than planned today, Rafayel, rain check?"

He turns to face you now, slowly. Eyes wide and brows furrowed, expression reminiscent of that time you gave him a single apple when he checked himself into the hospital. A mix between shock, offense, and a silent command to change your mind.

He grabs your wrist and starts pulling you along. His expression changes in a heartbeat, and it's like you never said anything.

"They apparently have like a super long waiting list, but I got in pretty easily. Guess being well known does have its perks after all, huh?" He keeps talking in that same casual tone of his, which is starting to frustrate you to no end.

"Rafayel, I get that a rain check for the boat might not be easy if it's like that, but I really need to go home." You plead, trying to pull yourself out of his grip but he just turns to you, gives you that same expression that you're convinced only Rafayel can make properly, and then keeps going like you never opened your mouth.

You're baffled at his behavior, and by the time you recover, the two of you are making your way onto the boat.

"Now, I'm going to need you to stop looking so surprised, cutie." He reaches out to gently smooth his fingers over the muscles of your brows, which you will admit are a little tense from how you've had them raised the entire way here. "I need you looking as cute as you always do for the pictures we're gonna take here."

It was one thing to completely ignore what was practically a confession, another to blatantly ignore your request to go home, but the audacity to tell you to not be surprised at his antics? That was too far.

He tries to pull you along again, but you hold steady. He shoots you a questioning look. As if you're the one acting out of the ordinary.

"Rafayel, I want to go home," and you're proud of yourself for standing on business, convinced there is no way for him to just ignore that. In your defense, he doesn't.

Instead, he huffs, his gorgeous features taking on that oh so familiar, annoyed expression. His response is a short "no, you don't" before he takes a step closer to you, only to link your arms and pull you along with the new leverage that gives him.

Then, before you know it, you're standing at the front of the boat as it slides through the water. With no way home except a very prolonged dive.

Rafayel entertains you, and the entire situation had been confusing enough to distract you from his blatant rejection, but now that his weird behavior seems to be settling, reality starts creeping in. You're stuck with him now, so you'll have to keep yourself together until you manage to get off this boat. How vexing.

His first cough doesn't shake you out of the deep thoughts you're in and neither does the second so, Rafayel resorts to nudging you with his elbow when a red fish surfaces with a bottle in its mouth.

You look at him, but he pointedly looks away, like he didn't just practically poke your ribs out. When you lean towards the railing, the fish jumps, and the bottle flies towards you.

You're not actually in the mood to catch it, but your hunter instincts kick in, and in the blink of an eye, the intricate glass bottle is in your hands. You can see a note neatly curled up and tied with a bow, resting inside it.

"Wow, cutie, those are some reflexes." Rafayel feigns being impressed and then presses on. "You should open it. You won the bottle's secrets fair and square once you saved its life."

You narrow your eyes at him. This could not possibly have been more obviously set up by him. Though you will say, his sheer determination to have things go his way is admirable.

You comply, already knowing the only other option was to face his huffing and puffing before then having to comply after all.

The cork takes more effort to open than you'd like, and Rafayel smiles fondly at the slight flush that rises on your face in result. Once you unroll the note, though, your eyes widen.

There, in Rafayel's eclectic handwriting are the very words you'd strung up on your seagulls.

A beat passes, and Rafayel looks at you expectantly. A cute expression on his face, and for a second, you are torn between accepting just to keep him looking like that and raining down righteous retribution on him.

You decide you'd do both. "Rafayel, of course I'll be your valentine, but did you really ha-" his lips halt yours before you could complain at all and you feel said complaints melting away.

The kiss is sweet, Rafayel brings you into his arms as he starts to deepen it, you'd always suspected he'd be a needy kisser, but he pulls away before he gets carried away.

"Sorry, cutie. Couldn't have you interfering with my plans though, you have no idea how long I've waited to make this move." His voice sounds breathy, and his eyes don't leave your lips. His words are so sweet you could almost ignore how he's pretending this was your fault. Almost.

Yet, you'll let it slide. Because as he leans in for another kiss, you just can't find it in yourself to be upset with him.

[dunmeshistash]

Chilchuck Revealed in Five Keywords

5 keywords section from the Adventurer's Bible, this is transcribed from the EHScans translation for more info you can check this post. My own notes will be at the end of the post.

1. Encounter

Laios and Chilchuck were first introduced to each other through a member of the half-foot guild, Dandan. Though at the time Chilchuck was considering retiring from participating in dungeon expeditions due to his age, no other half-foots had the expertise necessary to accompany Laios to such a deep floor of the dungeon, so he agreed to go with them. Incidentally, the average lifespan for half-foots is around 50 years old. Since Chilchuck is the equivalent of about 50 years old by the standards of a modern human*, this would have been quite an early retirement for him. He intended to become a locksmith after quitting adventuring.

2. Weight Management

Compared to the average half-foot, Chilchuck is on the taller side. Accordingly, his body weight is greater as well, which means it's easier for him to set off traps. He's very meticulous and careful about maintaining his body weight at an acceptable level. However, after Senshi took over cooking duties for the group, he's become a hearty eater and his body weight keeps creeping up steadily.

3. Liquor

Chilchuck is a heavy drinker. Apparently his father died from excessive drinking, but Chilchuck thinks that dying while doing something you love isn't the worst way to go. Thus, he makes no effort to avoid alcohol, and heartily partook of the homebrewed beverages made by the residents of the Golden Castle.

4. Family

Chilchucks family consists of his wife and three daughters; all three of the latter are already independent. He and his wife were childhood friends, and they are the same age. She currently lives at their middle daughter's house. The panels shown bellow are** from one of Marcille's fantasies, and only Chilchuck knows the truth behind what really happened. In any case, since any lingering doubts about him cheating on his wife were cleared away, Chilchucks reputation amongst the women in the party (mainly Marcille) was mended.

5. Appearance

With their youthful faces and short stature, many half- foots are seen as adorable by others. Some of them use that to their advantage to do things like ingratiate themselves with people of other races or to commit crimes. Chilchuck thinks that though such actions may have short term benefits for the individual in question, in the long run it causes others to look down on the half-foot race as a whole, and loathes his brethren that use their appearances in that manner.

------

*This part causes a lot of confusion, it says he's "the equivalent of about 50 years old by the standards of a modern human". I think this comparison isn't about objective age (29 being the equivalent of 50 would be like half-foots living to be the equivalent of 86 on average, that's 10 years more than modern human average), I think it's more likely about what his life stage is compared to humans today. The average lifespan for half-foots in Dungeon Meshi is 50 so he still got 21 years left on that, which would be similar to a modern day 50yo retiring (Average global life expectancy irl is a bit over 70). (Edit: btw, converting his age to tallman using this conversion chart we get 33, which I think is more accurate than 50)

**Original translation by EHScans says "panel shown to the left is(..)" but I adjusted the wording to match the post format

Stats

Timelines

Official version bellow the cut

[superchat]

childish and petty of me but i never rlly got into btr cuz i knew it was a musical show that was going to be pretty accurate with the music part and everyone around me was talkimg abt how hype the songs were but whenever i talk abt songs in shows i like it or talk abt my musical experience it just gets slept on

cannot blame anyone rlly cuz not everyone is into music that way or knows what to say but it still just feels like "oh its only intersting when a show does it" so it was a very lonely feeling paired with a kind ofbitter one

take those feeling paired with the wish fulfillment of btr where its "loner who cant communicate is given all the perfect situations to have the perfect friend group with the perfect common interests fulfillment" and it just left me feeling very sad

[uyuforu]

How to know where your Future Spouse was born with Astrology

Quick little story time to introduce this post: I was scrolling on instagram and suddenly I saw a reel about astrology. The astrologist on the reel was explaining how it was possible to see with the 10H where your Future Spouse was born/ come from, and explained in the reel. I'll give credits of course. But people in her comments seem to be confused still and she wasn't replying much. I thought of making a post about it and making it more clear! It is indeed a very interesting theory. In the reel she took the example of Angelina Jolie.

Credits of the theory goes to v.josa on Instagram.

All pictures were found on Pinterest

Other posts you could like:

જ⁀➴ How to know when you will marry

જ⁀➴ Planets and their Rulers

જ⁀➴ Juno, Groom, Briede in Signs, Houses, Degrees

Book a private reading: menus ; Q&A ; rules ; instagram

Buy me a Kofi •ᴗ•

°❀⋆.ೃ࿔*:･ Why the 10H?

ꕥ The 7H in astrology represents the Future Spouse. And in Numerology, the number 4 represents the home, foundation, productivity and sometimes wealth.

ꕥ So if we count from the 7H until the 10H, we find a gap of 4. So in this theory, the 10H will so represent where the Future Spouse of the native was born.

ꕥ This technique is to be used on Natal Charts only. I will explain the technique used in order for you to understand better. This technique is to be used to guess the country but also the key words of the city they were born in.

ꕥ This technique doesn't say where your FS lives right now! It is only a way to found out where your FS comes from.

°❀⋆.ೃ࿔*:･ The Technique

ʚïɞ In your 10H/MC, you will need to check the sign it is in. You will also check the degree of the house, but also the ruler, and what planets are in the 10H. We are only going to check planets! Sun to Pluto only!

ʚïɞ For the Ruler of your 10H, you will need to check where it is in your chart and under what sign.

ʚïɞ For the planets inside, it will tell us what kind of country and place your FS was born in. I'll give all the key words after the examples. For the planets, we will use the ones that are the closest to your MC! So if you have any planets that exactly conjuncts your MC it's perfect! Otherwise, just take the closest. The closest planets to take will need to be 10° apart maximum from the line of the MC!

ʚïɞ Unfortunately it is very hard to explain this technique just like that, so I will use different examples down below for you to understand better. I want to also add that everything is more about describing where your FS was born, and so everything will work with key words!

ʚïɞ Example: My MC is Cancer 23°. I will look at Cancer/ Moon keywords, Aquarius too because of the degree. I have Leo Sun and Cancer Mercury in 10H, so I'll look at Mercury & Leo/ Sun too.

°❀⋆.ೃ࿔*:･ Examples

ꕥ In the astrologer's example, she uses Angelina Jolie who has Aries MC in 17°. In her 10H, the planets closest to her MC are Jupiter (exactly conjunct her MC at 17° both) and Mars, which happens to be in the 9H. Aries MC is so ruled by Mars and the 17° is a Leo degree. She explains that Angelina's spouse would be born in a place related to royalty, fights could have happened there, and it can be a very known place too. Jupiter and the 9H (because Aries being ruled by Mars happens to be in the 9H) are both related to traveling, so many people could travel there, it's a very touristic place. Moreover, it can so mean marrying a foreigner. Her first husband, Jonny Lee Miller, was born in England, in a city named Kingston upon Thames. The country is indeed related to royalty and is very famous, but also the city. Originally, the city had another name which translated to "The King's Estate/ Manor". Jupiter is indeed a planet about optimism, success, luck, and generosity but it's also about abundance. Kingston upon Thames makes sense in this case, as it is the King's possession, abundance. Mars could also be so related to a man, it's also a planet about masculinity. The King marking his territory in this case, by calling this city "his" (happened a lot at that time) makes great sense.

ꕥ Jungkook has Libra MC 27°, ruled by Venus. In the 10H, he has Mars in it. But the planet which is the closest is Venus which is in his 9H. Jungkook's FS was born in a place that is related to femininity, anything related to beauty, art, beauty of the soul, sensuality, music, dancing, marriage too could be important in this culture, beauty, fashion, luxury too. The 27° could be related to a certain language, so this could be a place where people speak many different languages and have many different cultures. Many people could live there, and there could be a lot of moments in general. MC's ruler being in the 9H makes a lot more sense as to the fact his FS is a foreigner. Mars here could mean the place they were born in is full of movement, it could be a very active place, so perhaps his FS was born in a capital. Because of the Libra and Venus influence, his FS could be born in a place known for beauty, the way women dress, they way they do their make up, they way they move or act sensual, they could be from a country women are considered goddesses for example, or a place where there could be a lot of jewels for example, or a certain make up style, etc.

ꕥ My sister has Capricorn MC 10°, ruled by Saturn. In the 10H, she doesn't have much as planets, only asteroids. Otherwise, the Sun is very close to the MC and they actually conjunct each other. It seems like my sister's FS will be from a place people work hard, they can come from a wealthy place, a place people have a lot of belongings, though corruption can happen. They can come from a place where people are introvert, don't go talk to people, and they can come from a capital kind of city, big city, etc. An old country too. With the Sun being closed to the MC, the FS can come from a latin country, royalty, a place that is very popular, very visited, almost overrated. Since the ruler is Saturn, we need to look where it falls in her chart, and it falls in 4H in Cancer! And, as I was sure, they def come from the same country. FS comes from a country where traditions are important, and food may be part of it. FS could also come from a place near water, or the ocean, he could also come from the same city as her, or has been close to her this whole time, despite not knowing each other.

ꕥ In my case, I have Cancer MC 23°, ruled by Moon and Mercury being very closed to the MC. Indeed, my FS may not come from the same country as me, but the country he is from has a big interest in my country. His country is also known for being very traditional, and very close to their culture, they also are very into food and mostly their food, they hold a big pride into that. The 23° makes a lot of sense because he comes from a country that is known for being a futuristic place, a technology advanced kind of country, and with Mercury being close to the MC, they indeed have a very good and modernized transportation system. Oh and Cancer here could mean at some point I could have lived where he was born, because indeed that's what happened. This country also has a big idea about family and children in general (very traditional). The country isn't new but it's a recent touristic place, many people wanna go there now. Also it's a place where people are very into studying too. And I also wanna add, that the exact city he was born in is actually a place that is focused on new technology researches lmao. The MC is ruled by Moon, and my Moon is in my 8H in Gemini. I'll focus more on the 8H placement, indeed the country was hidden before, not very noticed until recently, and mostly it was a country that got a rebirth of some sort after war.

°❀⋆.ೃ࿔*:･ Key words and Help

ʚïɞ Aries/ 1H/ 1°,13°, 25°/ Mars

Warm, Summer, Hot, Wars, Fights, Battles, Revolutions, Leadership, Dictatorship, New Country, A lot of people, A lot of things going on, a place with a lot of energies, a lot of movement, a place that can be tiring emotionally, draining, angry people, people who are prideful, passionate people, aggressive people, Latin origin country or place, people who speak a lot with their body, s3x, kissing, people have a reputation for being physical, fast things, things changing fast in that place, arguments, people speaking loudly, strikes, bold, courageous people, the people revolting themselves in the past against the oppression or against a leader, men, kings, emperors, masculine energy, etc.

ʚïɞ Taurus/ 2H/ 2°, 14°, 26°/ Venus

Nature, calm, chill people, pretty people, a country or place with beautiful sights, a country or place known for their beautiful people, food, delicious food, culture is a lot going on with food, pastries, desserts, traditional people, wealthy country, a luxurious and expensive place, country can be expensive too, celebrities living there, hiking, a lot of parks, people speaking a language that is considered beautiful, skin care, people having beauty secrets, people being healthy, in good shape, culture also can be related to beauty and make up, clothing too, old country, Queens, Empresses, women being embodied as Goddesses, flirts, poetry, art, a country known for their arts, museums, a lot of artists, or a lot of artist come to study there, people known for enjoying life, etc.

ʚïɞ Gemini/ 3H/ 3°, 15°, 27°/ Mercury

Transport, a lot of different transport or new transport, a lot of cars, or just a country known for their good transport system, school and education system is very important there, a good education system, country or place is known for school or having smart people, funny people, open minded people, Muti-cultural place, people from different places coming to live here, curious people, gossips, obsessive fans, a lot of stalkers, paparazzis, social medias, people obsessed with social medias, a country known for they advanced technologies, people obsessed with their phone, people who talk loud, people talk more than 2 languages, people know for their books, literature, bookstores, a windy place, a new country, etc.

ʚïɞ Cancer/ 4H/ 4°, 16°, 28°/ Moon

A traditional place, ocean, sea, beach, water, fishes, a lot of fish based food, a country where food is part of their culture, delicious food, a place or country closed to their tradition, an old country, feminine energy, women, goddess, Mother Nature, mothers, pregnancies, babies, giving birth, nurturing, people can be nurturing there, people can seem innocent in this place, introvert people, shy people, very welcoming and warm people, faith, religion, the idea of home & family being important there, someone who speaks the same language as you or live in the same place/ country/ states as you, etc.

ʚïɞ Leo/ 5H/ 5°, 17°, 29°/ Sun

Warm, Summer, Hot, Popular, Royalty, Revolutions, Fame, Celebrities, famous place, a country which is very popular, capitals, big cities, luxurious place, expensive place, rich people, beautiful homes, a lot of historical places, huge monuments, huge buildings, art, creativity, artists, actors/ actresses, movie making, acting, a place known for multiple movies being made there, big movies studios there, movie festivals, boats, yacht, a place that is overrated, very crowdy place, parties, clubs, bars, concerts, living the life of the party, the city that never sleeps, beautiful hair, country known for their hair beauty secrets, etc.

ʚïɞ Virgo/ 6H/ 6°, 18°/ Mercury

Well organized country, a cold country, a cold place, people are distant, people are shy, people work hard, the working time is bigger in this place, detailed oriented people, a neat place, country likes to keep things neat, transportation, a lot of different transport or new transport, a lot of cars, or just a country known for their good transport system, school and education system is very important there, a good education system, country or place is known for school or having smart people, serious people, good health system, country wants their people to be healthy, country known for their healthcare, country known for having a lot of animals, country known for their good healthy food, place known for sport events, place where people have a lot of pets, hospitals, etc.

ʚïɞ Libra/ 7H/ 7°, 19°/ Venus

A country or place with beautiful sights, a country or place known for their beautiful people, wealthy country, a luxurious and expensive place, country can be expensive too, celebrities living there, people speaking a language that is considered beautiful, skin care, people having beauty secrets, people being healthy, in good shape, culture also can be related to beauty and make up, clothing too, old country, Queens, Empresses, women being embodied as Goddesses, flirts, poetry, art, a country known for their arts, museums, a lot of artists, or a lot of artist come to study there, fashion can be very important there, a lot of designers living there, fashion city, surgery, a country specialized in surgeries, people always dressing up well, superficial people, charming people, people being known for their charm, etc.

ʚïɞ Scorpio/ 8H/ 8°, 20°/ Pluto

Wars, Fights, Battles, Revolutions, Leadership, Dictatorship, the people revolting themselves in the past against the oppression or against a leader, night, the city that never sleeps, place where people live more at nights, clubs, bars, s3x, drugs, alcohol, spirituality, occult, scary, death, a culture that is comfortable with the idea of death, a culture that celebrates the dead, being closed to their ancestors, a country that got a "rebirth", a country that "died" and got back, wealthy, corruption, danger, being hidden, slow, people there respecting the old generation, shy people, introvert people, people seem scary or mean, etc.

ʚïɞ Sagittarius/ 9H/ 9°, 21°/ Jupiter

Foreign lands, a country far from where you live, a place where a lot of tourists fly there, airports, a touristic place, a place where many people take another flight, open-minded people, people being spontaneous, people being chill, religion, spirituality, people being close to their religion, religion being part of the culture, faith, multi-cultural place, a famous country, a famous place, wealthy place, a country or place known for their educational system, a place with a big university, known university, a place where a lot of people valued higher studies, a place where it's normalized to study for higher educational system, curious people, wisdom, mature people, etc.

ʚïɞ Capricorn/ 10H/ 10°, 22°/ Saturn

Well organized country, a cold country, a cold place, people are distant, people are shy, people work hard, the working time is bigger in this place, detailed oriented people, school and education system is very important there, a good education system, country or place is known for school or having smart people, serious people, people being closed to their ancestors, wealthy, corruption, banks, materialistic people, high buildings, a place known for their banks or economy, a country not doing good with their mental health awareness, slow, people there respecting the old generation, shy people, introvert people, people seem scary or mean, traditional, introvert people, men, masculine energy, kings, emperors, royalty, an old country, etc.

ʚïɞ Aquarius/ 11H/ 11°, 23°/ Uranus

Transport, a lot of different transport or new transport, a lot of cars, or just a country known for their good transport system, having smart people, funny people, open minded people, Muti-cultural place, people from different places coming to live here, curious people, social medias, people obsessed with social medias, a country known for they advanced technologies, people obsessed with their phone, airports, tourism, high places, high buildings, high divorce rates country, communities, new technologies, futuristic country, a new country, people talk more than 2 languages, Foreign lands, a country far from where you live, a place where a lot of tourists fly there, a place where many people take another flight, open-minded people, people being spontaneous, people being chill, a place many dreams of coming, a place known for dreams coming true, etc.

ʚïɞ Pisces/ 12H/ 12°, 24°/ Neptune

Artistic place, art, creativity, artists, flirts, poetry, art, a country known for their arts, museums, a lot of artists, or a lot of artist come to study there, esotericism, occult, spirituality, drugs, alcohol, hidden, shy people, introvert people, a place many dreams of coming, a place known for dreams coming true, ocean, sea, beach, water, fishes, a lot of fish based food, yacht, boats, sailing, fishermen, country or place with a lot of legends, good health system, country wants their people to be healthy, country known for their healthcare, mental health awareness, a country many people have illusions about, a country many people forget exists, a country over consumed by tourism, legal drugs, etc.

Thank you for reading!

back to index ; ask ; request ; rules ; instagram

[lookingforuravity]

구원

word count: 2,297

ft. kageyama, tsukishima, akaashi, suna, kuroo, & iwaizumi

IN WHICH you experience your first kiss w/ haikyuu boys

small a/n: this is pretty old i posted this on my old account (that's now deleted) so i might re-upload some of my fics <3

KAGEYAMA TOBIO

▪︎ kageyama would be so awkward.

▪︎ i feel like he'd be the type of person to put so much thought into it to make sure it's absolutely perfect and make it somewhat unforgettable. he's a very determined person, on and off court, so i think he'd approach the first kiss in the same manner.

▪︎ but then again, he's awkward. the days he spent planning to get it right going to complete waste due to his nerves, and he's barely able to mutter out a complete sentence.

the sun set long ago, and the sound of cicadas and screeching of sneakers from inside the gym were the noises y/n heard. it was almost a daily routine for the freshly new couple to walk home together. y/n would wait outside with a couple of snacks for the both of them, he'd take his share and walk them home while occasionally rubbing his hand against their own, then they'd go their separate ways for the night.

usually they'd engage in a casual conversation discussing their day, but kageyama had been oddly silent throughout most of the walk. “are you okay?” they questioned after a long time of awkward silence. kageyama simply nodded while continuing to look at his feet as they walked. y/n thought maybe he was stressed about practice or an upcoming tournament, his face looked like he was going to hurl.

they finally arrived at y/n's residence and turned to face each other to say their final goodbyes for the night, but kageyama still couldn't keep eye contact. he fiddled with his hands as his eyes darted everywhere but them. “are you sure you're okay?” they questioned again, a look of pure concern now stitched onto their face. kageyama had spent days planning this, weeks even, but now that the moment has come every detail of his well-prepared plan slipped his mind.

all he could think of was just how beautiful y/n looked with the shine of the moonlight slightly glistening on them.

“i- uh..” he started, but anything he wanted to say couldn't leave his mouth. deciding not to waste anymore time, kageyama grabs onto their shoulders and pulls them in, pressing his lips on the soft plush of theirs. he didn't even give them a second to respond before pulling away and running his way back home, leaving y/n in a utter state of shock.

“.. i'll see you tomorrow?!” she yelled. but it didn't seem to reach the ears of the raven-haired boy who'd already turned the corner.

TSUKISHIMA KEI

▪︎ tsukishima would attempt, keyword: attempt, to be nonchalant about it… but the blush on his face says otherwise!

▪︎ tsukki is known for being relatively emotionally distant and tends to use sarcastic humor as a way to hide it. (?)

▪︎ i think that'd he would use this humor during the kiss to deter away from the fact that he's showing his more soft/vulnerable side.

“oi, pay attention,” tsukishima teased as he lightly tapped y/n's head with the pen he held in his hand. “the answer is practically right in front of you.” the two sat on the floor of tsukishima's bedroom, studying for an upcoming exam in the subject y/n struggled in the most: math.

y/n groaned and leaned all the way back until their back hit the floor, running their hands all over their face is agony. “i hate this! i don't wanna do it anymore!” they complained once more for what tsukishima felt was the hundredth time. he rolled his eyes at his partner's behavior, grabbing their hand and lifting them to make them sit back up.

“it's not that bad, you're just not trying.” he retorted. y/n pouted at their boyfriend's words and slouched as he continued to go on and on about the lesson in front of them. but as he kept talking, the sound of his words were completely drowned out and all they could think about was how pretty he looked right now.

he was wearing a hoodie (that y/n finally returned to him), sweatpants, and talking about whatever blah blah blah nonsense he was saying. they always did find intelligent men attractive. the thought was sudden, but now that they thought about kissing him, it wouldn't leave their mind.

tsukishima was still distracted from explaining the lesson to them to notice that they were crawling towards him until he felt a hand touch his cheek. he looked up with a raised brow, and before he could even react y/n was pressing their lips against his.

tsukishima stared at them almost wide-eyed after they pulled away. “tuh, what was that?” he muttered before looking down at the papers sprawled on the ground. it may have sounded like he didn't care, but the redness on his face and the tips of his ears gave it away.

AKAASHI KEIJI

▪︎ the calmest of them all honestly. (internally freaking out though)

▪︎ i don't think he'd pre-plan like kageyama, but he would choose the perfect setting and it'd turn out amazingly. i think he'd be the type of partner to read his s/o's body language perfectly.

▪︎ akaashi would make it a comfortable situation for both him and his partner while never being too brash nor too nervous.

the serene, dimly lit surrounding followed by the soft blue hue of the water provided for an instant relaxation upon y/n and akaashi. the two walked hand in hand as they explored the aquarium, looking at all the cute fishies and rest of the sea animals. y/n always had a keen interest in these type of exhibits. the ocean was always intriguing to them and they made this well known.

akaashi took this opportunity to bring them to a nice aquarium in tokyo. it was small, but that didn't matter. akaashi was okay with anything as long as they were there too. “are you having fun?” he asked them softly. their eyes were practically stars as they continued to observe every corner of the aquarium, and he couldn't fight the small smile that stretched onto his face.

his question goes unheard as y/n takes in the view of everything, running to the fish eye tank she spotted feets away. akaashi chuckled slightly as he followed closely behind them and eventually taking a seat beside them. “it's pretty, isn't it?” they murmured as they stared off into the tank, but akaashi's eyes never left their figure. “it's gorgeous.”

y/n turned to face him, and his cerulean eyes bore into theirs as he gazed at them lovingly. “what?” they asked. but akaashi said nothing and shook his head. he softly cupped their face and pulled them in as he leaned in to meet in a kiss. it was tender and slow but it was enough to show how much akaashi truly cared for them.

SUNA RINTARŌ

▪︎ another one that is extremely calm.

▪︎ similar to akaashi, i don't think he'd pre-plan. however, he'd do it more spontaneously. maybe his body reacts before his mind does while he presses his lips against yours.

▪︎ i think he'd also tease similarly to tsukishima, but a bit more dialed down.

suna crashed onto his bed as he kicked his shoes off and rested his forearm on his forehead, y/n also kicking off their shoes and crashing next to him. the pair had an extremely long and tiring day at school, and a nap was very much needed. they both turned on their sides to face each other, their eyes threatening to close.

“i'm so tired..” y/n mumbled. suna couldn't even utter a sentence, he simply nodded while his blinks slowly got longer and longer. he grabbed y/n by the waist and pulled them into his chest, tucking his face away in the crook of their neck. his hold on them tightens as he feels their small exhales on his neck. “so am i.” he finally spoke.

suna and y/n would always take naps together. but today was different. the stress suna had from volleyball practice and the one y/n had from studies, the two could go into hibernation right now and not wake up for months if they could. but it was impossible, so for now they just enjoyed the warm embrace of one another.

they both stretched and entangled their limbs together as they got ready to take a nap. y/n closed their eyes and was on the verge of slipping into slumber before they felt a small press against their lips. opening their eyes abruptly, they see suna staring back at them with a sly smirk on his face. “.. what was that?” they uttered with their eyebrows furrowed in disbelief.

“a kiss silly,” suna teased. “you looked so cute i couldn't help myself.” the two just stared at each other, blinking slowly waiting for the other to say something. “why?” they asked confused. it was such a random place to have their first kiss. but suna simply shrugged. “i don't know.” he answered.

“..wanna do it again?”

“sure.”

IWAIZUMI HAJIME

▪︎ this man will be straight up and not hesitate.

▪︎ i think iwa would be more abrupt. like you guys would just be talking and all of a sudden he's smashing his lips onto yours. he wouldn't doing it harshly though. in a very firm but gentle way.

▪︎ he'd do it based on his gus instinct. if he felt that it was the right place and time to have your guys’ first kiss, then it's right.

(pretend they won to go to nationals lol)

the gymnasium boomed with thunderous cheers and claps as the final blow of the whistle sounded. aoba johsai had made it to nationals. as the team came to embrace each other on the court, iwaizumi scanned the crowd, looking for that one familiar face. as they made eye contact, he could see y/n standing there looking down at him with a bright smile on their face as they screamed joyously.

5 minutes later, the team exits through the doors of the gym to the hallway, and iwazumi is met with the sight of his partner standing right in front of him with open arms. he rushed over to them, grabbing them by their thighs and lifting them in the air as y/n squealed in surprise. “i'm so proud of you!” they praised.

iwaizumi put them down and hugged them tightly while breathing heavily, still out of breath from the intense match not long ago. his face was tucked securely into the crook of their neck as he swayed them both side to side. “thank you.” he murmured into the skin. y/n couldn't fight the tears welling up in their eyes as the amount of pride they held in their boyfriend was too much.

but before they could react, iwaizumi was pulling away and smashing his lips into theirs, y/n letting out a surprised squeal before melting away in the kiss. his calloused hands caressed their face as he poured all of his passion into it.

KUROO TETSURŌ

▪︎ he would be extremely confident during the first kiss.

▪︎ kuroo is calculated. this helps with his self-assurance and the way he initiates/reacts during the kiss. he would start off by lightly teasing his partner before initiating the kiss.

▪︎ he is also highly observant, and is able to read his s/o's body language in the same way akaashi does.

a first date at the science museum seemed like an odd pick. but for kuroo and y/n there couldn't be anything more perfect. as the two walk hand in hand, they both drag each other to different parts of the exhibit and list off random facts that weren't listed on the descriptions.

“it's fascinating, isn't it?” kuroo said. he was intrigued with the 3D model of kinetic energy that was presented in front of him. y/n couldn't help but admire how eager their boyfriend was. both of them had an interest in science, but kuroo's beat hers by a long shot.

they couldn't help but trail their eyes over his face, taking in the smaller details. like the wrinkles in the corner of his eyes, the way his eyes sparkled when he was doing something he liked, everything was admirable. and his lips slightly glistened and they couldn't help but wonder what his lips would feel like on theirs.

kuroo noticed this, of course. how could he not? he couldn't ignore the feeling of their eyes on the side of his face and the way they'd fiddle with their fingers as they continued to observe every inch of his face except for the views in front of them. if it was anyone else, he would've been annoyed. but y/n? he found it endearing. kuroo turned to her and chuckled as they tensed when he caught them staring. “do you want to kiss me?” he asked abruptly, teasing them softly.

their eyes widen as their muscles tense up, stuttering out mutters explaining how they weren't staring but kuroo didn't buy it. he continued to tease them as he stepped closer, grabbing the back of their softly without them even noticing. kuroo connected their lips, blurring out their surroundings. in his mind, it was just him and his lover sharing their first of many more.

©lookingforuravity 2024 | please do not copy, translate, or repost my work onto other

[sanguinesmi1e]

So uhh. . . I recently got access to a college library system again and for whatever reason (that reason is a ghost obsession. Or rather, an obsession with a particular half ghost), I thought to myself, "You should look up Danny Phantom and see if anyone has referenced it in a scholarly article." And apparently this exists:

Grant, Krista, “Canon” and “Fanon” in the Danny Phantom/Detective Comics (Dc) Comics Crossover Fandom: Expanding Authorship and Authority in Transformative Fan Works. Available at SSRN: https://ssrn.com/abstract=4894061 or http://dx.doi.org/10.2139/ssrn.4894061

Abstract

In 2020, a new crossover fandom emerged, that of Danny Phantom x DC Comics (DPxDC), prompting thousands of fanfictions and participants. As neither media connected in their canons, how did this crossover fandom come to be? The content tags on these crossover fanfictions and on Tumblr posts collected Jan–April, 2024 were collected and analyzed in a mixed-methods discourse analysis approach with inductive coding for key words “canon” and “fanon”. This is the first time for which a crossover fandom is being investigated in writing studies, and it is one of the first articles to explore fanfiction within writing studies, especially in a mixed methods study. Underpinning this research are grassroots activism, critical theory, and agential theories of resistance practices. I found that DPxDC fans consciously resist canon material, enacting agency through distributed and communal writing practices and claiming a kind of authorship and authority over works, offering a new way of understanding agency and distributed authorship in writing studies.

Keywords: distributed authorship, writing studies, fanfiction, canon, fanon

I haven't finished reading it all yet, but if you've been active in the DPxDC phandom for a few years, you might be cited. Just saying, I recognize a few familiar usernames already.

[paisleypens]

idk if youve done something like this, but a you posted that with y/n and spencer and theyre having fun but theres an old tweet about how spencer likes y/n!! hope this makes sense <3

winter break stirred up some writing motivation, sorry to everyone who has expected more lol. this is a GENIUS idea anon, tysm <3

yeah, i posted that... | spencer agnew x reader

gender neutral reader, second person, embarrassed spence, real tweets from the boys!!

~~~

You were all in for another shoot on the Smosh Pit set, and today was no ordinary one. The much-anticipated episode of "You Posted That?" featuring Spencer Agnew, Shayne Topp, and you, Y/N, had been scheduled for months. You’d joined Smosh not too long ago after building a successful career as a standalone YouTuber, and this was your first time competing on the popular show. Ian Hecox, as the host, was already hyping up the event with his usual mix of sarcasm and self-deprecating humor.

“Welcome to another episode of ‘You Posted That?’” Ian announced dramatically. “Today, we’ve got three contestants who are about to question their own digital footprint. Please welcome Shayne Topp, Spencer Agnew, and Y/N L/N!”

The small audience on set cheered, and you waved nervously. Spencer, seated next to you, leaned over. “You’re going down,” he teased, a mischievous grin on his face.

“Big words from someone whose tweets are probably all queerbaiting jokes,” you shot back, earning a laugh from Shayne.

“Let’s get started with Round One: ‘You Posted That?’” Ian said with the same exaggerated cadence. “Here’s how it works: we’ll show you one of your posts with a few keywords blanked out. If you can guess the missing words correctly, you get five points. If not, zero points. Got it?”

The first round began with Spencer. The tweet displayed read: “I've had the _____ ____ ___ stuck in my head all day, but only the part where ___ _________ says "___ _ ___ _ ______".” After laughter rang out and a few moments of squirming, it clicked and he guessed “Naked Mole Rat” "Ron Stoppable" and “can I get a booyah” Ian grinned. “Correct!” he exclaimed, as Spencer let out a celebratory “YES!”

Next up was Shayne, whose post read, “______ _____________ > Everything else” Shayne furrowed his brow. “It doesn't fit but... Raisin' Canes?” he guessed, earning howls of laughter when Ian revealed the actual tweet: “Nature Documentaries” Spencer groaned, “Next time just go outside and scream 'I'm smarter than you.”

Then it was your turn. The screen showed, “Me: 'I’m going to bed early tonight.' Also me at 2 AM: Watching _ _____ ______ _ ____ _____” After some thought, you guessed “a woman eating a live squid,” earning you a solid five points. “Weird, but correct!” Ian cheered, as Spencer gave you a playful side-eye. “Real quirky to watch mukbangs,” he muttered. "Look at the year posted!" You laughed back.

The second round of guesses brought even more chaos. Spencer’s next tweet read: “If you _____ ____ _____ while working from home alone, you are a cop” He confidently guessed “wash your hands,” but Ian burst out laughing as he revealed the true answer: “brush your teeth.” Spencer buried his face in his hands as Shayne and you doubled over.

Shayne’s second tweet was equally absurd: “there's no "I" in ____________” He guessed “Unfunny,” but the actual word, “peamupbubber,” had everyone in stitches at the duality.

When it was your turn again, Ian read out: “Why do my plants thrive but not my ______ ______? Asking for a friend.”

"To be clear, this was cute in 2016," and after some embarrassed sighs, you guessed “social life,” earning another five points. Spencer groaned. “Stop being good at this!” he joked.

Then came the final round of tweets. Spencer’s face turned pale as his last post appeared on screen. It read: “If ______ ever gave me a chance, I’d drop everything. Just saying.” The room went quieter, and all eyes turned to him.

“Oh no,” he muttered under his breath.

“Spencer,” Ian said, barely containing his grin. “Care to fill in the blanks?”

Shayne burst out laughing "Dude, don't die on this show of all of them", and you stared at Spencer, your jaw dropping. “Spencer, what is it?” you demanded, though you couldn’t stop the laughter bubbling up.

“It was a long time ago! Before you joined Smosh! I didn’t think it would ever come up... its Y/N.” Spencer stammered, his face turning bright red.

“Wait, so you had a little crush on me, huh?” you teased, unable to resist.

“Little is an understatement,” Shayne chimed in, wiping away tears of laughter.

“Well,” Ian said, looking at Spencer with a playful smile, “5 points!”

The room erupted into cheers as Spencer laughed it off, but the embarrassment was clear as day. You kept looking at him, trying to give him the hint, but anytime he saw your bright smile, he turned crimson.

The shoot wrapped up fairly quickly after that, with your other posts being just as recognizable to you. Being the rightful winner you walked out happily, nearly skipping back to your desk next to the games pod. You saw Spencer awkwardly approach your desks before you had a chance to sit down.

"Hey, I'm really sorry about that. I had no idea that tweet even existed anymore... it was just- I don't know. I just hope I didn't make you uncomfortable," He apologized.

You quickly rebutted, "No no not at all, Spence. It was really sweet actually. I have never told you this but I felt the same way when I first joined."

"Wait really?" Spencer looked up at you with surprise and unbelievable relief.

"Might still feel that way now. If you do too?"

"Yes! I mean, yes, I do. I never got over it."

"Your crush on me?"

"Yeah, I posted that for a reason."

[lightyakami]

how to make your fic easily findable

okay hello everyone! here is my somewhat solicited guide on how to make your fics easier for interested readers to find. 

please note that this is a guide to help you make your fics discoverable, not to make them popular(tm.) it’s also not a guide as to the best way to post fic. you do not need to do these things. doing these things will not make people like your fic more or less than they would otherwise. i do not do all these things, either. my aim here is purely to provide suggestions that will make your fic easier to search for and share.

where to post your fic

post it on ao3 as an individual fic. authors are often hesitant to post short fic on ao3, but readers simply cannot find it if it’s not there. multi-chapter drabble collections are a matter of preference and are absolutely fine to use, but in terms of findability they’re really hard for readers to pass around or put on rec lists. 

you can also post your fic on tumblr. ime fic posted in full is way more likely to be reblogged than an outward link. long fic posted on tumblr should use a read more cut, but at least a paragraph should be above the cut.

should i make a promo post? 

yes. ao3 does not have any features that facilitate promoting fic -- if you don't make a promo post, people will only see your fic if they regularly browse through newest fics or actively search for one of its tags.

what should i put in a tumblr promo post? 

a tumblr promo post should generally contain: 

title 

pairing

name of the fandom

summary of fic

link to fic 

your tags should contain

pairing 

name of all major characters

name of fandom 

the word ‘fic’ (so people who hate fic in the tags can filter it out. be polite!)

other optional inclusions: 

rating (explicit, teen, etc) 

word count 

major tropes

graphics (don’t forget alt text!) 

a sample of your writing (it’s common to grab a ‘best-of’ passage from within your fic, but personally i’ve found you get a way better response if you paste the first couple paragraphs then add a ‘continue’ link at the end.)

tumblr does remove posts with certain keywords from the tags, but honestly these keywords are very minimal. if you’re worried your post might not be added, double-check ‘latest’ and find an alternative phrase if necessary. don’t censor the word. you do not need to repost — tumblr will pop it back in as soon as you’ve removed the word. (it won’t push it back to the top, though, so it’s best to correct this asap.) 

a further note on tags

use the most commonly used tag. look at other people’s posts to find the fandom norms. it is fine to add multiple variations of the same tag. 

this is especially important if the tag is ambiguous. for example: ‘near’ is the most commonly used name for the death note character, but the full name ‘nate river’ should be included as well. take into account that a lot of people use plain searches rather than tag searches. an ambiguous name might be usable as a tag but not as a plain search. top vs latest searches will also give dramatically different results — ‘top’ searches tend to retrieve appropriate results with ambiguous names, but ‘latest’ results won’t.

what should i not put in my tumblr promo post? 

self-deprecating statements. this isn’t a moral statement. people just don’t like to read things if the author is telling them it’s bad

criticism of other people’s work, even if it’s really general. ‘i usually hate hurt/comfort but i wrote this anyway’ is obviously going to alienate the vast majority of your readerbase

anything unrelated to the fic. if people can’t tell whether or not something is a personal post, they’ll be hesitant to reblog. if you want to add commentary, put it in a second reblog. 

what should i include in my ao3 summary? 

this is a bit of a moving target. some readers like fairly detailed summaries. other readers look to tags for content information and prefer abstract vibes-based summaries. my suggestion would be to include the main selling points of your work — the characters, the tropes, and whatever factors make it unique.

at the end of the day, though, basically anything other than ‘i suck at summaries’ is fine.

what ao3 tags should i include?

any major pairings, any major characters, any major tropes. imagine your fic from a reader’s perspective — what tags would they look under if they were searching for something like it? 

also pay attention to whether or not an ao3 tag is canonical. only canonical tags can be filtered on. if it autocompletes, it’s canonical.

for more information on a specific tag, click into the tag to reach the ‘x works in TAG’ screen, then click it again. tags are often made synonyms of specific canonical tags, in which case filters will treat them as if they’re that tag. you can get pretty granular with all of this but basically if you use tags that autocomplete you’re good to go.

you can also use tags to clarify content. (ex. ‘this trope is only a minor aspect of the story.) ao3 used to ask people not to do this, but it’s now explicitly permitted. 

does posting time matter? 

yes. sorry. it does. quite a bit, frankly.  people often overthink this — there are so many variables trying to find the exact perfect time is a losing game — but it is absolutely worth taking into account. 

when should i post?

on ao3: do NOT post between 12AM and 5AM UTC. ao3 has a longstanding posting glitch that will backdate your work if it’s posted between these times. in general: broadly speaking fic tends to do best on sundays and worst on friday. posting on a holiday dramatically drives down traffic. fic should be posted on ao3 when most people would likely have time to read (ex. after the standard workday) and promo posts should be posted when people would likely be looking for fic (ex. commuting hours aka slightly before 9AM and at 5PM.) the majority of tumblr users operate in EST. 

the university semester also makes a massive difference to how much engagement a fic gets — views always shoot up during breaks and plummet during exams. honestly working around this would require delaying your fic so frequently that i can’t see it being worth it, but it’s good to be aware of in terms of the response you’re expecting. 

also the ‘best’ posting time does vary a lot genre by genre so you’ll have to experiment a bit. (personally i’ve found h/c tends to do better midweek, for example.) imagine your fic from a reader’s perspective: when would you likely be looking for this sort of thing? 

anyway don’t drive yourself crazy with this but also don’t shoot yourself in the foot by posting at 2AM EST on christmas morning. do you have a random piece of advice about posting on ao3? please be aware that if you write your fic as a draft, ao3 will backdate the fic to the day you saved the draft and index it accordingly -- it won't show up in the newest fics. multichapters initially posted as drafts will sometimes glitch and backdate every single new chapter. you can correct this by checking the 'set a different publication date' box and manually inputting it.

should i reblog my own promo posts? yes. do this. do it multiple times. make sure you do at least one reblog in the morning, one in the night, and one on the weekend.

i feel like authors are often embarrassed to reblog their own work because it feels self-important but the fact is most people are not reading your blog start to finish. no one will see all your reblogs. tbh you may lose followers for this but this is is a guide on fic visibility, not tumblr popularity. 

please conclude your post now

anyway!! i hope some of this is helpful. again, you don't need to do any or all of this, but i hope it can provide a bit of a framework and some suggestions.

[milaeth]

୨୧┊ 𝐈. 𝐉𝐔𝐒𝐓 𝐅𝐑𝐈𝐄𝐍𝐃𝐒. ( charles leclerc )

ꖛ ─ you’re reading part one ∿ part two ∿ part three ( coming soon )

✧.* pairings ─ charles leclerc x fem! singer! reader

✧.* genre ─ social media au ⨾ fluff & chaotic

✧.* summary ─ in which your best friend George gets fed up with watching you and Charles secretly yearn for each other while claiming to be just friends. so, when you lose a bet to George, he takes control of your social media accounts for 24 hours, using the opportunity to help you make a move on your crush.

✧.* face claim ─ suki waterhouse

✧.* warnings ─ none, this is just really chaotic lol

✧.* mily’s thoughts ─ this is my first time writing a social media au so pls give me feedback! also, this is not proofread! btw feel free to leave requests <33

˗ˏ ➶ IMESSAGE ➜ w/ princess george . ✧ ˚

princess george: You know what, y/n?

y/n: no

princess george: I have the feeling that i’m gonna get a podium today!

y/n: what made you think that💀 not to crush your dreams princess, but i heavily doubt that

princess george: Wow, you’re so supportive. Why should I not be able to get a podium??

y/n: keyword: shitty car

princess george: Oh, yeah, I forgot about that… But i don’t care, i will manifest it (that’s what you always do, isn’t it?)

y/n: yeah sure..

princess george: You don’t believe me? Fine! Let’s make a bet then.

y/n: it’s way too early for this shit

princess george: Blahblahblah🙄

y/n: 💀 george i’m busy

princess george: Busy writing sad love songs about Charles or what??

y/n: …

princess george: Exactly. Now let’s do this!

y/n: why are you so eager to make this bet

princess george: Oh I just want to rub in your face that I was right afterwards

y/n: lovely.. but fine, start talking ig

princess george: Finally!

princess george: I predict that i’m gonna finish P3. Your prediction?

y/n: p11❤️

princess george: And now realistically…

y/n: p6

princess george: Thanks.

y/n: and what are the drawbacks?

princess george: I don’t know, maybe the loser has to hand over their main social media accounts to the winner for 24 hours. The loser isn’t allowed to use their main accounts in that time, only their private ones.

y/n: absolutely not

princess george: Aww you’re a scaredy cat?

y/n: no i just don’t trust you with my social media accounts💀

princess george: Okay fair enough

princess george: But c’mon, it’s gonna be fun! Only for 24h

y/n: fine but the winner can’t post anything too bad

princess george: Sure, sure. So, deal?

y/n: deal! and good luck (i hope you dnf)

princess george: Lovely as always

[ seen 12:03pm ]

georgerussell63

liked by yourusername, charles_leclerc and 1,056,386 others

georgerussell63 P3!!!! We keep on moving🔥🔥

view all 649 comments…

user471 was a close call but congratulations!

user172 carlos deserved it more, you literally pushed him off

user93 he didn’t push carlos off but okay💀

user425 so happy for you!

user65 it should’ve been carlos

charles_leclerc congrats on p3 mate!!🔥

georgerussell63 Congratulations on P2! I nearly got you, watch your back next time😉

charles_leclerc let’s highlight the word “nearly”😉

user976 so happy to see you on the podium again🫶

yourusername still convinced you bewitched half of the grid to let you pass them

georgerussell63 Creative but no, I just had a great motivation😊😊

˗ˏ ➶ IMESSAGE ➜ w/ princess george . ✧ ˚

princess george: Well well well, look who lost our bet…

y/n: 😐

princess george: C’mon give me the password to all your main accounts so i can log in😁

y/n: what if i were suicidal.

princess george: Honestly sounds like a you problem.

y/n: fuck you.

princess george: Still waiting for the passwords😊

y/n: fine, but remember, only for 24 hours!

princess george: Yeah, yeah. Now give them to me.

y/n: … insta is “503_UedusEiotSrk03” & twitter is “eZiyjDbbvwKi_zu_14806”

princess george: Damn, those are some ugly passwords!

y/n: are you seriously judging my PASSWORDS rn💀💀

[ seen 4:20pm ]

scuderiaferrari

liked by charles_leclerc, yourusername and 1,385,052 others

scuderiaferrari That’s ice cold🧊🥶 #F1 #P2 #Charles16

tagged: charles_leclerc

view all 6,175 comments…

user47 dayuumm🤭

user21 no one could ever get me into one of those things😭

yourusername That’s a sight I could get used to🥵🔥

landonorris don’t ever say or write that again.

urusername_alt🔒 @yourusername you really make me want to kms

yourusername @urusername_alt🔒 Aw, appreciate it❤️😉

landonorris y/n have you officially lost it?? why are you talking to yourself💀

user275 did we all see that or am i crazy💀

user164 yep we all saw that💀💀

yourusername

liked by zendaya, bellahadid, charles_leclerc and 18,364,187 others

yourusername "eyes that confess, while lips whisper 'just friends.'" my new single “just friends” is out now!!🤍 (yes, another single about my crush😘)

view all 369,270 comments…

user937 THIS IS SO GOOD AND HEARTBREAKING WTF

lewishamilton already on repeat🔥

user25 i cried my eyes out to this.

landonorris this is a BANGER

user12 how is this so cute yet so sad💀

˗ˏ ➶ IMESSAGE ➜ w/ princess george . ✧ ˚

y/n: HPW COULD YOU

y/n: I GO TO BED AND THIS IS WHAT YOU DO??

princess george: i have no idea what you’re talking about.

y/n: OH PLEASE YOU KNOW DAMN WELL WHAT YOU DID

princess george: Uhmmm nope.

y/n: YOU POSTED ONE OF MY DRAFTS

y/n: AND NOT JUST ANY DRAFT

y/n: NO, YOU POSTED THE ONE ABT MY SINGLE💀

y/n: IM GETTING EMAILS FROM MY PR TEAM BC I WAS SUPPOSED TO POST THAT ON TUESDAY

princess george: Oh, yeah, my finger slipped🫢🫢

y/n: your finger must’ve slipped multiple times then bc the caption is somehow a different one💀 not to forget the twitter thing

princess george: Oops?

princess george: Besides, I only added one sentence.

y/n: are you fucking serious

princess george: It was an accident.

y/n: ACCIDENT MY ASS YOU EMBARRASSED ME IN FRONT OF EVERYONE!!! AND TOLD PEOPLE ITS ABOUT CHARLES WTF

princess george: To be fair that was predictable when we set the rules to this bet. And I didn’t directly say the single is about charles.

y/n: you did directly say that💀

y/n: istg i’m gonna beat you up the next time i see you

princess george: Should I be worried..?

y/n: definitely.

y/n: you give me so many seasons to kill you. this is literally the 19th one

princess george: Make it 20…

y/n: george. what do you mean.

princess george: I might’ve given you another season. On accident!!

princess george: https://www.instagram.com/p/Cu-IkZstViy/?img_index=1

y/n: oh no

f1wags

163,948 likes

f1wags Love is in the air, and our radar has picked up some juicy rumors! It seems like the friendship between the singer Y/N L/N and Charles Leclerc is turning into something more than just a casual relationship. Get ready for the scoop as we take a closer look at the blossoming relationship between these two stars!

Y/N and Charles first crossed paths through their mutual friend George Russell, but it seems their connection has deepened over time. On late Sunday, Y/N dropped a bombshell by announcing her upcoming single to her social media followers, accompanied by a captivating caption. The last sentence read, "another single about my crush😘," which made fans curious and hopeful for more.

The plot thickened when Y/N responded to a tweet and saying that the song was indeed inspired by her "bae," none other than talented Formula 1 driver Charles Leclerc. The revelation left followers shaking with excitement, and it's clear that the connection between the two goes deeper than mere friendship.

But that's not all! Observant watchers have noticed the undeniable chemistry between Y/N and Charles, catching glimpses of their interactions when they thought no one was watching. Ah, the power of love! Charles might have forgotten that the public has eyes everywhere, but we certainly haven't missed a beat.

The burning question on everyone's mind is: what's behind their friendship? Is it just a playful crush or something much more intense? Could Y/N L/N be a new f1 wag? Time will tell, but for now we can't help but root for this potential power couple.

So stay tuned, gossip lovers, because there's more to come from Y/N L/N and Charles Leclerc. Whether it's a steamy romance or just a close friendship, we'll be here keeping our eyes peeled for any hint of what's going on behind the scenes. Love may be a game of mystery, but they've forgotten that we're experts at unraveling the truth. Keep your eyes open, folks!

view all 33,647 comments…

user79 y’all really don’t know how to mind your own business

user943 why are people making such a big deal out of this like they’re just friends and y/n was probably just drunk or smth when she said those things🙄🙄 ITS NOT THAT SERIOUS!!

user27 you guys really don’t have a life huh💀

user375 who tf is this blondie

user50 girl stfu that’s literally my wife

user697 AAAA i really hope this is real bc they’re so cute💖

˗ˏ ➶ IMESSAGE ➜ w/ princess george . ✧ ˚

y/n: 💀💀💀

princess george: I’m starting to feel bad now..

y/n: good, you should💀

y/n: i’m gonna apologize to charles now

princess george: Why, It’s not your fault.

y/n: you’re right, it’s yours. but you said all those things with my account so it looks like it’s my fault lol

princess george: I’m really sorry, I took it a little far!

y/n: a little is good💀 but dw it’s okay, i know you only meant it jokingly, i’ll tell everyone it was you and not me once the 24 hours are over

princess george: 👍 Good luck talking to Charles. And don’t forget to confess to him before I do it for you😉😉

[ seen 1:24pm ]

∿ people who might want to get tagged ─ @81astri @cs55version @lorarri ( my taglist if you want to get tagged in my works )

don’t forget to like, comment & reblog (it’s very much appreciated <3).

© milaeth | 2023

[librarycards]

Hello! I am trying to read “the right to maim” by jasbir k puar and I am getting almost nothing out of it, bc of the depth + breadth of academic concepts :( I’m particularly frustrated by it bc it seems to talk about subjects I think about, talk about and do daily, like disability, transness, and (anti)colonialism. I’m most of the way through the intro and it’s gone almost entirely over my head except for a couple isolated paragraphs that are meaningful.

Do you have any advice for how I can get the most out of this book? My main limiter is time, bc I got it out from the library and it is highly requested so I can’t have it for very long

Hi anon! First of all, in terms of time, I recommend piracy. I recommend it in general. I'm not going to post links here in order to protect the places I use, but dm me if you want them.

If you're having difficulty with the concepts (which makes sense - right to maim is a challenging book!) I recommend going back to basics with some background reading. You can get some of Puar's rec'd background reading from the bibliography, and from the keywords she uses in the preface of the text. a few that I see (i'm looking at the PDF now) include debility, rhizome/rhizomatic, soverignty, biopolitics, homonationalism, impairment [in the disability studies sense], precarity, and neoliberalism. if i was teaching this preface, i'd have students break down each of these terms (and probably others, this is just from a skim) using outside readings. it's totally normal to feel overwhelmed when jumping into a scholarly text w/o any context, and most people who use and cite this book have past experience reading Puar's interlocutors and existing familiarity with this language.

you can get up-to-date while reading using resources in tandem with this text. For example, you can read Puar's discussion of debility at that link to get a sense of the context. You can read a decent summary of Foucault (the coiner of the term "biopower") and his thought at Brittanica. I recommend using Google Scholar for terms you're not familiar with, and taking quick notes so that you don't have to google them all over again each time. if you think you have enough context with a new word but aren't 100%, keep reading and use other clues. think about academic reading like learning a new language. the strategies are very similar! because it basically is.

I recommend using the annotation strategies i just mentioned in this post (and/or developing your own). i also recommend looking up Puar's talks on youtube - she's a well-known scholar who does a lot of events, and has spoken extensively about this book and its genealogy (especially in relation to praxis / Palestinian liberation). You can also read her talk with the hosts of Death Panel, my absolute favorite podcast.

Below, I'm going to give you an example of how I close-read, annotate, and analyze a paragraph from Right to Maim (and, by extension, other academic texts. This strategy may not work for you 100%, but hopefully it gives you some solid suggestions. Overall, remember that learning to read scholarly work takes time. A long ass time. Even when it's about things you've experienced yourself! Academia has its own conventions, verbiage, knowledge base, etc, and it's a learning curve for everyone. Don't expect yourself to read as fast or get as much as someone more familiar with the conventions of academic writing - anticipate reading all of these works many, many times, and getting more with each reading. Progress is more important than perfection, and improvement, even if slow, *will* happen, as long as you don't give up. <3

Below is a quote from the preface to Right to Maim, where Puar lays out her argument. I recommend everyone highlight/remember paragraphs like these (pretty much every ac text will have something like this in the beginning as a roadmap) to anchor their reading practice and help them get the most from a book (emphasis mine):

In The Right to Maim, I focus less on an impor­tant proj­ect of disability rights and disability studies, which is to refute disability as lack, as inherently undesirable, and as the sign, evidence, or fetish of injustice and victimhood. I am not sidestepping this issue. Rather, I centralize the quest for justice to situate what material conditions of possibility are necessary for such positive reenvisionings of disability to flourish, and what happens when those conditions are not available. My goal ­here is to examine how disability is produced, how certain bodies and populations come into biopoliti­cal being through having greater risk to become disabled than ­others. The difference between disability and debility that I schematize is not derived from expounding upon and contrasting phenomenological experiences of corporeality, but from evaluating the vio­lences of biopo­liti­cal risk and metrics of health, fertility, longevity, education, and geography.

In the bolded part, Puar outlines what she's not doing: she's not taking a mainstream (white, colonial) disability studies approach, which is, in her words, to refute disability as "lack." She's stating that her goal isn't simply to prove disabled people as equal to able-bodied people, or to claim that disability can be good and liberating (though it is/can be!). Her point is to look at the conditions in which people become disabled, and stay disabled. Often, these conditions are violent and unjust. Acknowledging this injustice kinda throws a wrench into western models of disability pride.

So, if she's not interested in just arguing that disability ≠ badness, what is she arguing? she's looking, in the latter half of the paragraph, to how people become disabled in multiple ways. One, using the verbiage in the book, she's interested in how people become debilitated - physically incapacitated in a way that may not line up with the social category of "disability"). She's also interested in how "disability" as a social identity is constructed - that is, why do disability rights groups look at Palestinians maimed by the IOF and see an injured civilian, but not a disabled comrade? words and context matter immensely. she's looking at why, and what are the implications.

that last sentence sums up the distinction she's making: "The difference between disability and debility that I schematize is not derived from expounding upon and contrasting phenomenological experiences of corporeality, but from evaluating the vio­lences of biopo­liti­cal risk and metrics of health, fertility, longevity, education, and geography."

the difference, she argues, between disability as western disability studies sees it and debility as experienced by people under colonial occupation isn't because we experience our bodyminds differently, or because Palestinians (for example) magically aren't as hurt by occupation as their white/western counterparts would be. rather, the reason she's using debility over disability is because the category of disability isn't objective: it's informed by biopolitical forces such as the ones she listed. her meta-argument is that what we call "disability" can't be divorced from its settler colonial context, not because colonized peoples are immune to disabling violence, but because the category of disability (and health, and violence) is itself affected by settler colonialism.

in "right to maim," Puar is offering a major shift in the way we collectively discuss disability, because the category is not applied equally across sociopolitical, geographical context. it means Palestinians and others living under occupation are either left out entirely, or unsuccessfully co-opted into western-/colonizer-centric disability discourse that doesn't acknowledge the different conditions under which they live. ultimately, "right to maim" means to make that difference, and its implications, visible.

Let me know if this makes sense! it's wordy and tedious, but lots of academic texts are. i hope that breakdown helps you make some more sense of Puar's main argument/the architecture of the text, and maybe serves as a model for future engagement. :)

[redxx95]

Exploring Kurosawa's internalized homophobia and compulsive heterosexuality

oh yea baby we bustin out the Big Words for this one 😎

This was supposed to be posted at the end of pride month but Life happened and it got delayed a lot 😩 So yea happy pride month (and happy birthday Kurosawa I guess 😂)

(btw I think I've never mentioned this on any of my other posts but english is not my first language, so if anything I write ever sounds awkward, that's probably why 😅) (also I had to merge a bunch of images to get around the image limit, this post is really long, the word count is at 1930 words 💀)

Hope you guys enjoy the read! 💞

Spoilers for anything up to vol 11

Let me start this by saying that there's no actual textual evidence of Kurosawa being gay (rather than bi/pan), so this interpretation is definitely veering towards headcanon territory. I'm also not trying to establish this as the only Correct opinion and anyone is of course allowed to have their own sexuality headcanons, this is very healthy and valid 👍

Kurosawa's internalized homophobia

The first scene I want to put under a magnifying glass is this one.

Let's examine what's going on here: Kurosawa has just tried to kiss Adachi, whose hesitation he perceived as disgust. Then he pretends it was disgusting for him too, because he thinks that is the average reaction anyone would have, extending this to Adachi as well. The way he says "who'd be into that?" is already lowkey homophobic, but the japanese line makes it even more evident: "普通嫌だよな" (= "Normally, you'd dislike that right?"). Keyword here being "普通" = "normal, ordinary", implying that anyone who would like that is abnormal. So what does that say about him then, who was so happy to get the chance to kiss another man? This is pretty much textbook internalized homophobia, where he has accepted what he perceives to be the general opinion on gay people and has made those values his own, hating himself for it (albeit only briefly here), which is why he internally apologizes to Adachi.

This is not the only instance of him feeling like that, although this next part is slightly more speculative than the more obvious example above.

So we all know that Kurosawa is a jealous, jealous man. It's one of his defining character traits and it's often the source of conflict and comedy alike. But he does not express his jealousy equally across genders. With men he has this strong rivalry where he needs to prove himself better and more worthy of Adachi's attention.

But with women he has a different approach: gently coaxing them away from him, lest they realize what a catch Adachi really is.

So, why this difference? The answer I have is that he doesn't actually believe he can compete with a woman. If Adachi wants to be close with a man, Kurosawa thinks it might as well be him, he's the best option after all. But if Adachi wants a woman, he cannot offer anything and is therefore the inferior option. He believes this even after he found out Adachi's not completely repulsed at the idea of being with a man. Even if Adachi's okay with men, he'll always prefer a woman.

And whenever he imagines anyone else with Adachi, it's always a woman, specifically Fujisaki, which he believes is "his type".

And he at least thinks he's very far away from that ideal. (He's not but that's a topic for a different essay.) If anyone's wondering why he even bothers at all then if he's so sure that a woman will out-compete him, I think the lyrics from the anime opening actually put it best, specifically the last verse:

I have these impatient feelings I doubt this love will come to fruition But still I can't give up this happiness There's a feeling here I can't resist A love like a castle in the sky

So basically, his plan is that he might as well ride the high of his first ever crush as far as it will go, intercepting where he can to prolong it just that little bit further, until it all inevitably comes to an end. (a castle in the sky = an unreachable dream) This plan kind of fluctuates throughout volumes 1-3 as Adachi gives him a bunch of mixed signals, but it holds true most of the time.

Adachi's side

Now I'd like to highlight the way Adachi actually thinks about their relationship, because it serves as a great contrast to Kurosawa's assumptions about him.

Throughout the first three volumes we see him grapple with his newfound feelings for Kurosawa, but he (almost) never puts his gender at the forefront of his musings. The manga makes it very clear that it's his lack of romantic experience and low self esteem that make it hard for him to accept Kurosawa's affections, and not the fact that he's a man.

This second page here being his own little gay awakening, where he realizes that he is not, in fact, disgusted by intimacy with a man.

It's also worth mentioning that when he later introduces Kurosawa to his parents (ch 41), they are immediately welcoming of him, suggesting he grew up in a very tolerant environment.

And it's not like he's completely unaware of heteronormativity/homophobia either, especially after he does his research in vol 8, but he is slightly more defiant in responding to it.

(I love how he just buys that bag he probably doesn't need that's supposed to come with all the wedding magazines, just as this very tiny act of rebellion.)

So now that we can see how different Kurosawa's thought patterns are compared to Adachi's, the next question we should ask ourselves is: Why is he like that?

Heteronormativity in Kurosawa's life

(yes we're finally getting to the comphet part of the essay 😂)

First let's look at the environment he grew up in. There are not many scenes with his family, but from those that we do have, we can at least make some assumptions about how he must've been raised.

His mother is clearly the authority figure in his life, judging by how she's described as "strong" and how terrified he is at her merely setting down a teacup (while Adachi has a more mild reaction). Her reaction to the news of them dating and Kurosawa expecting his parents to go as far as disowning him for it would suggest that she might just be generally homophobic.

But when they actually go meet her we see this slightly more nuanced perspective.

She's not entirely against it, but she does believe they are making a mistake by choosing to be together, hence why she thinks they might "regret it". There's many hardships that gay couples in Japan face, some of which we even see discussed in the manga, so it's not hard to see why she would be concerned for her son. The way she talks about Kurosawa never causing any problems, but "changing" ever since he fell for Adachi further supports that conformity is what she believes will ultimately lead to a successful, happy life. And that's also why she accepts Adachi later, when he's made it abundantly clear in his speech that they are happier in this non-conforming relationship than they were without it.

To contrast, her other child Mari is shown to have a very progressive stance (see: her pep talk in ch 47) and it would not surprise me if that is the reason she's rarely in japan and is never seen together with her family, save for the one time they're all at the wedding. She might find the conforming environment too restrictive and preferring to keep her distance. (shoutout to naina for this bit 🙏)

So that's Kurosawa's family situation. Now let's check how his social circle holds up.

From what we see of his friends, they never even seem to consider him possibly being with a man.

And his work environment seems rather toxic to say the least.

It clearly dictates traditional gender roles as the ideal. Nobody except Fujisaki even clocks any of Kurosawa's advances on Adachi as romantic in nature, even though he seems to be quite obvious about it (see: ch 34.5). And it's not like dating in general is discouraged at Toyokawa either, as we can see from all the women constantly vying for Kurosawa's attention.

From all this we can conclude that Kurosawa's upbringing and social/work environment is painfully heteronormative and until he falls for Adachi it seems he never questioned the status quo either.

The famous onsen scene, while funny, also reveals the sad truth that Kurosawa, in his 30 years of life, probably never even had the chance to explore his sexual orientation, rather focusing on being "perfect" in his straight relationships.

Speaking of those relationships...

He apparently had a bunch of girlfriends, who all seem to have dumped him pretty early on. His mother's surprise at him expressing a willingness to commit also makes me think he's never brought anyone home either. He also only seems to have a surface level understanding of what a proper relationship is supposed to entail, if his idea of an ideal date is just "what the average person" thinks is romantic. So why were all of his relationships so short-lived? Before I answer that...

Intermission: Kurosawa's smiles

It has come to my attention that this is not common knowledge, so let me explain: There's a way to tell apart Kurosawa's fake smiles from his real ones, without any context clues, just purely visually.

Real smiles: (ch 23, 24, 37)

Fake smiles: (ch 5, 13, 32)

The difference being very simple: Blush = real, no blush = fake 👍 And before anyone mentions it: No he doesn't just blush when he's around Adachi, that last fake smile is actually directed at him. (ch 32)

Edit from the future: This holds true like 90% of the time, but as Toyota's art style becomes more detailed, this doesn't apply as much in the newer volumes. I think there's also new details added that I haven't quite figured out yet so take this bit with a grain of salt. (The images below are still from her early art style though.)

So now that we have this additional knowledge, let's take a look at every instance Kurosawa is paired with a woman.

He's smiling in all of these. Not a single one has a real smile in it though.

I think he's never actually had his heart in any of his relationships, and the girls probably noticed it and that's why they dumped him.

And, of course, the first time he actually falls in love...

... just so happens to be with a man.

Even his friends comment on this, who have known him since high school.

It's almost funny how perfectly this aligns with real life gay people. Having numerous, short-lived relationships with people of the "wrong" gender is one of the more common traits of compulsive heterosexuality. (source: me oof) (but also shoutout to the "Am I a lesbian?" masterdoc, google it if you don't know, it's truly eye-opening)

After dating Adachi

So we have already established that he's far happier when he does finally get to date Adachi, but do any of his other thought patterns change?

Honestly it seems like he throws every single reservation about being seen as gay out the window.

He starts bragging like crazy about his new relationship to anyone willing (and unwilling) to listen, he has no qualms about PDA, he marks Adachi up and down so everyone knows he's taken and the only thing stopping him from proclaiming his love for Adachi to the whole world is the still very much existing societal homophobia. But he is a lot more easy-going about it now than he ever was before.

And I think the best way to describe this mental shift is, hear me out, the date song from volume 4...

... specifically the last 2 verses as a whole, and this section in particular:

"I won't let anyone divide our fraction! You couldn't pry this thrill from my hands when they're cold and dead!"

Horrible lyrics aside, this perfectly encapsulates how Kurosawa simply couldn't care less anymore now that he finally has what he's wanted for more than a year, maybe even his whole life. All the societal pressure pales in comparison to the sheer euphoria he feels at finally having someone that he loves and who loves him back just as strongly, feeling cared for and seen like no one else ever did.

And, you know, just happens to be a man. 🏳️‍🌈

[multiversediiva]

| "What do you mean I don't have to do anything to shift consciousness?" ...Well! Kinda... sorta... loud incorrect buzzer. - A common mistake I've been observing throughout the community. BUT HEAR ME OUT!!!

-✧--✧--✧--✧--✧--✧--✧--✧--✧--✧--✧--✧--✧--✧--✧--✧--✧--✧--✧--

-✧--✧--✧--✧--✧--✧--✧--✧--✧--✧--✧--✧--✧--✧--✧--✧--✧--✧--✧--

My objective in this post is to explain the difference between not doing anything physically and not doing anything mentally/consciously, as there is a major, clear difference.

When people state that you are not required to do anything in order to experience your desired reality, they are ONE HUNDRED AND TEN percent right. It should be taken as you are not required to do anything PHYSICALLY in order to experience your desires. You are truely beyond your senses, so 'attempting' to make something happen in your outer world by force is a struggle in vain. The senses and the body you are occupying in this state, out of infinite states, is nothing but another vessel in another universe you are aware of. It is completely irrelevant to reality shifting. The body you occupy does not shift. Your awareness does.

BUT. Just because nothing physically needs to be done, this does not mean that nothing mentally needs to be done. The imagination is the most vital element when it comes to reality shifting. It's almost like it's the whole point, isn't it? You experience something in imagination right now, and persist in it. It will harden into fact. Neville emphasises that 'As "the worlds were framed by the Word of God", so we as "imitators of God as dear children" create the conditions and circumstances of our lives by our all-powerful human inner words. Without practice, the most profound knowledge of the game would produce no desired results.'"A little practice will convince us that we can, by controlling our imagination, reshape our future in harmony with our desire." If you are not a fan of visualisation, watch your inner dialogue. As everything in the outer world is a reflection of your inner conversations. As within, so without. The reality you are in is an expression of your thoughts. Just by spending a few minutes reflecting on your inner dialogue and imagination, you can effortlessly (KEYWORD!!!! KEYWORD!!!! EFFORTLESSLY!!!!) shape your world in your harmony.

Of course, as Goddard says... "All of us can realize our objectives by the wise use of mind and speech. Most of us are totally unaware of the mental activity which goes on within us. But to play the game of life successfully, we must become aware of our every mental activity, for this activity, in the form of inner conversations, is the cause of the outer phenomena of our life." In order for the outer world to change, the inner state must change first. I made the mistake of ignoring my imagination and expected for the outer world to change first. Guess what happened? FIVE YEARS WENT DOWN THE DRAIN. I hope no one makes the same mistake as me. FIVE YEARS. GONE (but like time isn't real so who cares ah😝).

Do not get comfortable with the assumption that the outer world will change first. Imagination must be used and inner dialogue must be observed. THIS is what it means when people say you do are not obligated to do anything physically, of course you can't. Change must happen within. So when you kick back, relax, comfortable in your warm blankets... dive into the wonders of your imagination and experience your desired reality. Be in it. Occupy that state of fulfilment. Change your inner world, and you will be surprised at the results. Yap session over.

-✧--✧--✧--✧--✧--✧--✧--✧--✧--✧--✧--✧--✧--✧--✧--✧--✧--✧--✧--

[starlost97]

— starvation

summary: after watching the first stage of NCT Dream's "Candy", you've decided to put your boyfriend, Jisung, on a sex ban.

keywords: sex ban, angst if you squint, Jisung begs, Jisung is a simp, gn!reader.

characters: Park Jisung.

warnings: kinda sexual but not really (surprinsingly), candy by nct dream mentioned.

a/n: i'm back. kinda. yea. i'm gonna be posting lots of jisung shortfics probably (one of my best friends is jisung utted so he's pretty much the only one she's requesting rn). ALSO if u haven't read the lyrics to "candy" by nct dream i truly believe that u should do that before reading (at least jisung's parts). anyway hope u like it!!

word count: 406.

requested?: yes! by a friend.

Jisung was a very understanding and reasonable man. He was attentive, caring and although awkward most of the time, he was also a great listener.

When you told him that he was on a sex ban, his facial expression was easily compared to the one of a very sad puppy. His eyes glistened as he looked up at you — since he was now on his knees — and muttered a hopeless “but why?” while grabbing your hips desperately, as if the circles that his thumb drew on your skin were going to do anything to change your mind.

You did, in fact, have a good reason. Although Jisung wasn’t exactly the one to blame, still, he definitely sounded a little too excited while singing “Candy”. Smiled a little bit too big at you while talking about how he was going to leave you.

‘The song’s very energetic’ he had said. 

Did you care, though? No, in fact, you didn’t.

Now every single time that he initiates the simplest of the physical contacts, you start to shake your head and ask ‘weren’t you going to leave me?’ while raising your eyebrows teasingly.

It was safe to say that Jisung was going insane.

“Baby, please, I didn’t even write the song!” He pleaded, exasperated. 

“But how am I supposed to move on from watching my boyfriend excitedly sing about how he’s going to leave me, huh?” You ask, crossing your arms. 

“I’m not going to leave you!” He says, whining. “How could I ever leave you?”

Exasperation, despair and genuineness were all words that could perfectly describe how Jisung was at that moment.

“Just please let me touch you.” He asks, his voice weakening more and more at every word. He takes a step closer, facing you. “Please.” He whispers, his trembling hands touching your cheeks. 

Your cheeks got warmer as you looked up at the boy.

“You really can’t deal with a sex ban.” You murmur, laughing softly.

“No, no. No sex I can deal with. What I will never be able to deal with is not touching you now that I know how good it feels.” He says, staring at your lips, hunger in his eyes.

Hungry for your touch. For skinship. For you.

Jisung could die from how touch-starved he was, but as soon as his lips touched yours, he never felt more full. Full of the only love he ever desperately craved.

Yours.

[talenlee]

4e: The Pinball Wizard

Back in the heydays of the 4th edition community being a community that all met on a single forum and shared a common lexicon and all that, there were phrases, truisms, slang and tropes we recognised and used to speed our way through conversations. This was true of 3rd edition too, since the community was actually, broadly speaking, the same thing, but that community kind of uprooted itself and moved on to other places, while the 4th edition remnant seems to have not really coalesced in a subsequent form. We don’t really have a 1d4chan or Brilliant Gameologists or deeply intimidating Pathfinder Subreddit as places to scare people off, and instead it’s stuff like…

Well, this blog post might get shared on the subreddit. Hi reddit! I like you even if we don’t agree about Blackguards!

Anyway, thing is, there are things that now have no meaning except their place in 4th edition conversations, and are functionally un-googleable because they’re very generic ways of just using words, or maybe, were named after something else. Back in City of Heroes there was a powerful supergroup known as the Green Machine, that was entirely team-buffing healers that refused to heal, and that’s not a term you can search for meaningfully. Another group that existed and that shares its title with today’s subject was a group of kinetics, where everyone could use powers to make everyone else fire off at super speed, showing you don’t need good powers if you can fire off your best powers every second.

They called themselves the Pinball Wizards, and now, if you go look for what that means in 4th edition D&D you kinda find nothing.

Here’s the story of one of the more distinct power level errata of D&D 4th edition, where in 2011, a single sweeping change to the way the rules worked destroyed a strategy and in the process brought something ridiculous down to merely really good.

This build was a combination of two basic parts, which were well and strictly defined under 4th edition rules. The first is zones. A zone is an effect, made by a power with the ‘zone’ keyword so you knew where to look for it, that looks at that area for some reason. Some zones are used for things like a healing aura, or a space that a character can move around in freely, but very commonly, a zone is used to represent an effect that’s bad that lasts. This can be a bunch of falling shards of glass, a cloud of toxic venom that hovers in a space, or a ground teeming with sharp, jagged vines on thorns.

Zones are extremely cool, make no mistake, and they tend to fall into the toolkit of the Controller. Controllers want to deprive enemies of actions, and zones are a great way to give enemies a bad choice: Stay in an area to do something they want to do, or spend actions getting out of it. Since zones do a good job of representing effects like rings of fire, or clouds of poison, or raining ice, it’s stuff that hits the wizardy feeling of editions past.

The other part of this is forced movement. 4th edition had a family of these effects known by their more specific names of push pull slide, but these are ways to change where enemies are positioned and everyone who complains about fighters in 4th edition is usually complaining about these and they are cowards. These effects show up everywhere, but undeniably, if you’re looking at the people who will do the most of them, you want controllers.

The build that worked out of this was known as the Pinball Wizard. You played a Wizard who used one of a number of long-lasting powers that created a zone that did something dangerous when someone entered it. Then you used your other powers to slide something in and out of that zone over and over again. Wizards got more than a few powers that did slides, and they got access to items and feats that improved their slides. You could use a slide effect to turn two squares of slide movement (and we’re talking like, 4-8 squares for builds that are trying) into like, 40 damage.

At level 2, when tanks are happy to have 40 hit points.

Anyway, you might be thinking the sensible solution is to make it so that these zone powers are limited in how often they can have their effect – and it kinda makes sense, narratively, in the context of the world, right? Like, an enemy or person isn’t going to breathe more if they run back and forth through a poison cloud.

In 2011, Wizards released an update to the compendium that added that rules information to every single damaging zone power in the game, with a note of the when, and an article explaining why they did it. It was a perfectly reasonable rules update made through a digital system they had and realistically speaking, the only thing to mourn is that there’s now no good reason to ever let a player get away with this use of these powers together, because it’s pretty silly.

The system that was left after this change was obviously a better system. It had a clear, specific template that it could use thereafter and while it did lose some edge cases, it was implemented thoroughly and comprehensively in a way 3rd edition almost never managed to execute. This was because of a central control system, the compendium, but it also spoke to a problem that a game normally about disconnecting and engaging with a very material play space was going to have to confront head-on.

Basically: This kind of errata existed in the rules, sure, and if you download a rules compendium, every power that can be changed mentions the 2011 change. But the books don’t. The books still have the rules change and to learn how the game works, you have to know it. Or you have to use a digital compendium, which presents a new problem for a game that is meant to work with paper and dice.

These were inevitable evolutions of technology and they interest me because they kinda present problems and solutions at scale. The actual problem of a wizard stacking a bunch of redundant effects together to kick an enemy through the boundary of their zones as a single incident was not a meaningful problem to a table. If it’s a problem, it’s a problem that has an administrative option to work with – the Dungeonmaster can look at it, and decide it’s too good and talk to the players about it. That problem is solvable almost instantly if everyone in the group and game has a good relationship and respects the DM.

But if you made the game, you don’t have a problem that can be solved on the spot. You have a problem of all the players, in a communal space, who bring it up and ask if it makes sense and consult with one another and now you have the problem that looks like at scale your product has a flaw and you need to address it to make that flaw not look like you don’t know what you’re talking about. Oh, what makes a good game is important here, it isn’t not important.

It is neither a good thing nor a bad thing.

It is a thing that few games get, not really, unless they’re very big, and trying to do a lot. It’s barely something that even the next tier down of games need to care about. Errata happens, people care about making the books better. But most people don’t have a comprehensive central database where they can update all the powers that use a particular wording.

Check it out on PRESS.exe to see it with images and links!

[glowettee]

digital notes guide part 2/5: taking effective lecture notes (but make them cute!) 🎀

1st post

posted by: glowettee

hey study butterflies! ♡ mindyyyyy hereeeee

welcome back to our digital notes series! today i'm going more into the actual note-taking process during lectures/classes. this is important, since you can swap out notebooks for a digital notebook which becomes a lot more seamless.

♡ pre-lecture prep

because being prepared changes everything:

night before setup:

review previous notes (refresh your memory!)

pre-read lecture slides

create note template

set up quick-access tools

prepare questions

charge all devices

quick-access toolbar:

highlighting shortcuts

screenshot tool ready

recording software open

reference materials linked

custom stickers folder

favorite templates

♡ the actual note-taking method

this changed my whole study game:

(SUPER IMPORTANT) the butterfly method (my signature system):

main points in center

supporting details on left wing

examples on right wing

questions in antennae section

vocabulary in body section

connections in trail section

active engagement tricks:

use different colors for different types of information

create mini mind maps as you go

add little drawings for visual memory

insert voice memos for complex topics

flag confusing points with cute markers

leave space for post-lecture additions

♡ making it aesthetic but effective

because why not have both?:

visual organization:

use boxes for definitions

clouds for main concepts

stars for important points

hearts for memorable examples

arrows for connections

flowers for chapter markers

color coding system:

pink for main concepts

lavender for examples

mint for definitions

peach for formulas

baby blue for dates

gold for important warnings

♡ dealing with fast-paced lectures

because professors/teachers love to speed-talk:

shorthand system:

create cute abbreviations

use symbols for common words

develop personal code system

quick bullet points

voice record if allowed

flag for later review

quick capture methods:

screenshot important slides

quick sketch diagrams

voice memo key points

type keywords only

mark confusion points

flag for detailed review

♡ post-lecture enhancement

because the real magic happens after:

immediate review:

fill in gaps while fresh

add pretty headings

organize messy sections

insert relevant images

complete examples

link related concepts

enhancement techniques:

create summary boxes

add practice questions

insert related resources

make concept connections

highlight key points

add memory triggers

effective notes aren't just about capturing everything - they're about creating a resource you'll actually want to review! think of it like creating your own aesthetic textbook that speaks your language.

pro tip: don't try to make everything perfect during the lecture. focus on capturing information first, make it pretty later! i usually spend 15 minutes after each lecture prettifying my notes.

xoxo, mindy 🎀

[bcacstuff]

Let’s face the truth: There is absolutely no strategy at work with SS. They’re flailing around, knocking glasses off tables left and right without achieving anything. I can just picture them all sitting in a bar, snapping photos of one cocktail after another (without actually drinking them😜). Ideas get thrown out, and everyone cheers.

“Let’s publish a cocktail book!”

“Yeah, cheers! 🥂”

“Let’s do fancy pop-up shops!”

“Great! What’s the target audience?”

“Who cares, as long as it’s as hip as we are!”

“Yeah, cheers! 🥂”

“Damn, we need more money. Let’s organise a signing session for Sam’s mommies and squeeze every last penny out of them!”

“Yes, yes, yes, cheers! 🥂”

Right now, SS is just Ash, her bar visits, and cocktail photos. Sassenach – what?

I could just suggest you to (re)read my post from half a year ago as I still stand behind every word I wrote and see no change.

Just some quotes from it :

And that is exactly where my reserve comes from. I do see no strategy. Influencers on IG are just a very small part of a marketing strategy. It all begins with the story, a website where you do not get redirected as fast as possible to the distributor website to buy. Why would i buy???? Tell me, that is what the customer is looking for. And with that, you can use Google Analytics, the most used and must have tool for marketing nowadays on the web. There is where you learn to adapt you strategy. Know the demography of your clients, study the search keywords and adapt your website text to improve your Google ranks. As most of your clients will come from Google, not via IG. IG is a next tool to use but you first have to have your basis. It is a science and brands who do not see it are at loss.

Mixing cocktails in bars and influencers on IG, and all the random videos out there on different accounts, where a number of them is not the correct place to advertise (I mean SH's followers in majority are there for his work, not his booze. The endlessly way of advertising his booze at nausea to people that are not interested in it has turned more and more people off and done him no good). You can all look away from that, and make your excuses for it, or call me a hater or a negative person. It doesn't change the facts we see. And finally about social media, it is one of the small tools of marketing, again Google Analytics, Google Adds, Search words are a much bigger part. But when you use IG professionally, don't show how you get piss drunk with friends when you're selling alcohol. I don't see that on Matt Neal's account as ambassador of Uncle Nearest, nor on Chiefmabooboo or Stefvillain just to name a few. I truly think you should be aware what you put on your professional account. If you want to show how piss drunk you got with your bestie, do it on a personal account, not on your professional one!

Wanna know my guilty pleasure? It's a game called 'Spot the Sassenach'. Just watch the IG accounts of all the bars they went advertising the booze.... and then watch if you can spot the SS bottle behind the bar.

Let's see

Soso's (1 week ago)

Peachy's (1st pic 3 weeks ago, 2nd pic 5 days ago)

Romeo's 1 week ago

and 6 weeks ago

Bartley Dunnes 3 months ago

4 hours ago

The Tyger 1 week ago

How many did you spot?