#just 8 days to go

[hinamie]

to moving forward

[emberglowfox]

birds of a feather

[poorly-drawn-mdzs]

Good morning, Sleepyhead.

[First] Prev <–-> Next

[icewindandboringhorror]

On average, what is the total MONTHLY amount that you spend on dining out*?

*(This doesn't only count going out to restaurants, but also stuff like picking up fast food to bring home, getting a coffee on the way to work, getting a premade sandwich from a grocery store deli during lunch, buying a quick snack from a convenience store or food cart whilst walking somewhere, ordering a pizza or any other food to be delivered to your home, etc.)

*(If you often dine out in groups/as a household: calculate and divide the costs so that you get a Per Person average. This is for YOU individually, NOT the total household/group costs)

(I'm sure polls similar to this have been made before (very common topic), I just haven't personally seen one that I can remember, so, I was curious to do my own! I was discussing this with a group of people today and it was very interesting to see how widely the number varied between individuals. :0c )

(Reblog for bigger sample size if you can, and feel free to explain your answer in tags if there's anything extra to add!)

[applestruda]

Collateral Damage

[itslilacokay]

CHOSENWEEK DAY 4&5 : FESTIVAL + FLIGHT

i dunno, this was just a little what if hehe

oh im not done yet! have another combined day

CHOSENWEEK DAY 6&7 : COMFORT + FREEDOM (glitch/flashing warning)

this one ive thought of for a whiiile while! you see my vision right guys

okay see you all on finale day!

[ping-ski]

the girls are fighting

[thepersonperson]

Sukuna’s Loneliness Part 4 (Sukuna’s Negative Rizz)

Part 1 Part 2 Part 3

Some warnings before we start.

1) This analysis deals with sexual topics.

2) I will be mainly using the TCB scans because of their accessibility. Raws are from mangareader(.)to.

3) This was written as of JJK 262 266. (I'm just going to keep updating this until I stop finding things I should've noticed earlier.)

4) The raws broke me in ways you cannot possibly imagine.

(Click images for captions/citations.)

Fighting as Communication

Baki the Grappler. This is a manga where men destroy each other’s bodies as a test of strength. It’s poorly written but the art is terrifying and I love it so dearly. Between fights of extreme violence and body horror the characters eat. And that’s it. That’s the manga.

I bring Baki up because Gege is a huge fan of Fujimoto Tatsuki, the creator of Chainsawman. Fujimoto is a fan of Gege too, but more importantly, he is a huge fan of Itagaki Keisuke, the creator of Baki. (His daughter made Beastars btw.) In a way, this means Jujutsu Kaisen has been influenced by Baki. But that’s not a surprise, a lot of manga is.

Itagaki’s work is so massively influetial on Japanese media that it’s kind of hard to grasp since it’s not as popular overseas. When listening to interviews from various Japanese creators, Baki will often be cited as a major influence. And the thing is, you can tell when a creative has read Baki. There’s nothing quite like it. If you’ve read Baki and consume Chainsawman, you will see its bones everywhere. I feel the same about Jujutsu Kaisen.

The main antagonist in Baki is Yujiro Hanma. He is the strongest creature alive. So much so that he has no one to call a rival. He’s bored. He causes trouble. He kills his wife to motivate his son, Baki into becoming stronger. His son, Baki, who he grooms into becoming a fighter that might beat him in combat one day. Kind of sounds like Sukuna, right?

But that’s not my point here. My focus is how Baki doubles as a discussion about strength and manhood. It’s aggressively bisexual. Men love each other with their fists. Straight up the main character says having sex with women is the same thing as fighting men.

And it just doesn’t stop there. The homoerotic nature of the fights is never shyed away from. Here’s an example of my favorite.

He grabs his balls and compliments their size. That’s pretty gay, right? Well there’s this reanimated prehistoric caveman called Pickle that fights Baki’s brother Jack. And how do they fight? They kiss.

I didn’t call it a kiss. Itagaki did. I didn’t say they melded together. Itagaki did. This mangaka overtly calls attention to the homoerotic nature of men fighting men, and how men communicate their love for each other through violence. And yes, it’s sexual. Itagaki wants you to read it that way.

But sometimes he doesn’t want you to read it that way. Sometimes the fights are a dialogue, an emotional conversation. Like one between father and son.

Itagaki is a master of narrative framing. When he wants you to feel a certain way, you will feel it. He also tells his readers that there’s more to the fights than just fighting.

Those are the ideas that help me see the bones of Baki in other works. Men loving men with violence. Men communicating with men through violence. I see these ideas in Jujutsu Kaisen too.

Jujutsu Communication

I’ve gone over how Yuji commucates with other people on their own terms. And a lot of it is through fighting. A conversation without words, learning how someone works. Yuji is good at using fights as tool of communication.

But he’s not the one who tells you that there’s more to the fights than just fighting. Maki does in her spar with the sumo guy.

Just like Baki. Fighting is a means of communication. Gege has told you that there can be more to the fights than fighting. It's a tool used to understand the self and others.

With that in mind, I want to reexamine a particular fight under the lens of Baki rather than Umineko.

Sukuna vs Gojo

Baki tells you that homoerotic readings of its fights are intentional. If you ask me, this probably stems from historical stances on masculinity and homosexuality in ancient Japan. Men loved men and women differently, but both were ok. That’s how Baki can have a girlfriend and his gay fights. Peak bisexual optimization.

What does Jujutsu Kaisen have to do with this? Well it has been extremely queer friendly. We have a multidue of canonical trans characters, non-binary characters, and other flavors of queer characters not disparaged for their identities, Gojo Satoru included. It may not be stated outright, but Gojo and Geto do love each other in a gay way. The subtext is so persisent it’s basically text.

In other words, Gege has already told us, yes please have queer readings of this text. It’s the same way Baki tells you, yes this is straight up convoluded gay sex. So that’s what I’m going to do. I’m going to reread the Sukuna and Gojo fight as some ridiculous mating display between two men who are fighting over can miscommunicate their intent the hardest.

Framed as Courtship

Let’s start with the framing. The pre-fight set up. How does text tell you queer readings are allowed?

Kenjaku does. It’s romantic. It’s a date. This reading has been made valid explicitly. And if there’s room for doubt because of the sarcasm? There’s still additional support for it.

We already know how badly in love Gojo is with Geto. The fight is on the 24th of December, the most romantic day in Japan. And in a fun little Geto parallel, who declared the start of war on this day, violence underlines this new romantic venture.

That doesn’t include Sukuna who recalls Yorozu’s words about teaching love in the context of marriage.

Gojo never heard that conversation which is why the next point is absolutely insane.

The outfit Gojo initially is in resembles that of a groom at a Shinto wedding.

Shinto weddings were implemented after the Heian era. Part of the ceremony includes a priest and a shrine maiden who respectively stand to the right and left of the altar. A purification ritual will occur, lead by the priest, to cleanse the shrine before vows are exchanged. Gakuganji is the priest and Utahime is the shrine maiden. To the right and left of Gojo respectively.

The bride at a Shinto wedding wears mainly white. After the 200% Hollow Purple cleanses the area, the dark shawl is removed and Sukuna remains in mostly white.

How interesting that this battle has been framed as one between groom and bride.

The thing is, marriage in the Heian era was far more lax. There were no major ceremonies. If a man was interested in marrying a woman, he would visit her for 3 nights after receiving approval from her father. Upon the passing of their 3rd night together, the family would have an informal celebration of their union in private. Even after marriage, multiple partners were allowed and sometimes encouraged.

Yorozu’s big celebration proposal to Sukuna and banning of concubines was quite improper by Heian standards. Though it is in line with modern marriages. If Sukuna did not consume any Shinto wedding literature, he probably didn’t recognize that Gojo was dressed as a groom.

But did Gojo dress this way for Sukuna intentionally? The Toji fit served an entirely different purpose. It’s the robes and pre-fight ceremony that catch my attention. So I propose the following:

1) Gojo dressed up as a groom to die and be wed with his one and only Geto in death.

2) Gojo dressed up as a groom in part as an offering to Sukuna. And because Sukuna is from the Heian era it went over his head entirely.

3) Gojo intended for both of these things at the same time and left who he would end up with to fate.

Regardless of what Gojo was going for here, it’s a visual cue combined with the knowledge of it being Dec 24th that encourages the reader to perhaps consider the fight as something other than just a fight. A date perhaps? Kenjaku made the connection and neither Gojo or Sukuna really denied it. Gojo gave the weak excuse of a death anniversary confusion. But much weirder, given how hostile he was to Yorozu, Sukuna did not object to the romantic framing in any capacity.

Am I reaching? Is this reading intentional?

When I start getting this confused by how a translated work wants me to read it, I try to refer to the original language text and anyone who knows it for missing context. Sometimes localizations add things that weren’t there or push readers towards one interpretation. So for the rest of this analysis, I’m going to be focusing on the raws.

I’m going to be honest. My Japanese fudging sucks. I can barely read kanji and can’t reliably translate anything. Feel free to correct me if I got something wrong. That being said, with what little I do know, I have discovered something interesting.

In this post I talked about how weird Sukuna’s manner of speech is. I focused on his you pronoun usage of お前 (Omae) for everyone else and 貴様 (Kisama) for Gojo since this is a strong indicator of how a character views their relationship to someone.

Here's a summary of the two points I made in that post:

1) Omae is informal and either a casual thing amongst peers or indicates the speaker's higher status. Since Sukuna is arrogant, we can reasonably assume he's talking down to people.

2) Kisama historically was a formal show of respect, but in modern times it is a hostile insult, much more rude than Omae. Since Sukuna is 1,000 years old and hates Yuji (who he uses Omae with), we can reasonably assume Sukuna was being friendly to Gojo when he used Kisama.

With that pronoun usage in mind, while examining the raws for the infamous “You Cleared My Skies” speech I found this:

Kisama. Sukuna is very happy and lavishing Gojo with praise. The assumption it was formal from the start seems to be correct. It's hard to read this any other way.

Though Japanese can easily be dubious in its interpretation, there are instances where context can cut off all other readings. I truly believe this one of those cases.

Now, to confirm Sukuna is still only treating Gojo this way I started looking at his you pronouns as he got excited post-Gojo death. Maki is the person he seems to admire the most.

He’s still just using Omae. What does that mean? Gojo is in his own fudging category for Sukuna and he has been there since the start of the manga. (For more on why this is significant, refer to this post.)

Wow ok. That’s pretty intense! We’ve got Gojo dressed up as a groom on December 24th and Sukuna treating Gojo different from anyone else. I read their fight again under the lens of explicit courtship and focused in on these specific panels.

Satisfaction. Now that’s a word that can easily carry a sexual connotation. Love as well. The parallel syntax fascinated me in English. So I decided to look at the raws and see how close they are.

Pretty much the same except for "the one who will teach you love" and "the one satisfying him now". Since the one being satisfied is Gojo by Sukuna, it really seems we can assume the one being taught love is Gojo by Sukuna.

Time to learn some Japanese again!

Kanji has multiple readings. Most have at least two. The Onyomi (Chinese) reading typically used for nouns and the Kunyomi (Japanese) reading typically used for verbs. (This is not always the case but it’s the basics.)

That’s probably why 満 is read as まん (man) when Gojo and Geto are talking about “satisfaction” using the On version and み (mi), the Kun version, when the narrator is talking about who “satisfies” who.

However 満 on its own does not mean satisfaction. It means full. To be filled. Or fullness. 足 (zoku) is added as a modifier after 満 to be read as satisfaction 満足 (manzoku). 足 usually means feet, but it can also mean to be sufficient. Manzoku therefore has a direct translation of being sufficiently full. It’s not a surprise a lot of food places in Japan use Manzoku in their names or advertising.

But what’s this? Why is this sentence written as 満たして or Mi(tashite) instead of 満足して or Manzoku(shite)? The addition of Zoku is what transforms Man into "satisfying". Without the Zoku, it’s just "fill". The means this sentence can be read as “The one filling him up now is—”

We’ve already established that the blank is Sukuna. The new problem is that he’s filling Gojo up. And boy, does that sound homoerotic to put it lightly. But perhaps I am reaching.

So I did what any sane person would do in this situation. I read hentai.

Surely if the phrase 満たして (mitashite) can carry a sexual connotation I will find it in hentai.

...

I immediately found a yaoi doujin called Fill me with your Big Love aka おっきな愛で満たして (Okkina Ai de Mitashite). Honestly, I found too many doujins about creampies specifically. (You have internet access verify this yourself.) When you search Manzokushite the results are much more in line with life satisfaction than sexual satisfaction. ...So Gege decided to use the more frisky phrasing.

Manzoku is also the name of an active sex toy manufacturer (I’m not linking them use a search engine.) and a discontinued adult entertainment news company. So the satisfaction Gojo and Geto talk about, along with Geto using 妬 (ya), the jealous kanji often used between lovers, is definitely probably carrying a sexual connotation too.

So, I’m not reaching. What the fudge did Gege mean by this?

Now that we've established that I am NOT reaching. What do we do with this information?

Well, we ruminate on the fight with the knowledge that Sukuna, of his own volition, decided to get Gojo off, probably.

I have forgiven Nanami for calling Gojo a pervert. If I watched someone bust a nut after being cut in half by his sworn enemy instead of saving the country, I too would be like what the fudge.

Anyways, the typical phrase used for an orgasm in Japanese is 行く(iku). It translates as to go. And yes it can mean to die, as in going to the other side. To die and go to heaven if you will. Which is what Gojo did with a big old smile on his face.

There’s also the term 心天 (tokoroten). It refers to a dish were a semi-opaque white substance is pushed through holes to create noodles. Literal translation using the kanji for heart 心 (kokoro) and the kanji for heaven 天 (ten). (Don’t ask me why them being smack together turns the Koroko into Tokoro. I don’t know.) Which in slang refers to prostate orgasms. This has nothing to do with this analysis I wanted to drop this fun fact in here. …And this image of Sukuna clutching his heart while looking at someone he sent to heaven.

(This is a reach but the idea of this being an elaborate gay pun amuses me greatly.)

I have another fun slang term: 賢者タイム (kenjataimu) which directly translates to sage 賢者 (kenja) time タイム (taimu). This refers to post-nut clarity sending someone into a meditative-like state.

Oh that’s a bit familiar. Sukuna was giving sagely advice to Kashimo and reflecting on satisfaction and love.

And what’s this? Mitashite has made a reappearance! Sukuna is saying “I’ve never thought about needing another person to fill me up.” Which 1. further supports the 'The one satisfying/filling him (Gojo) now is—Sukuna.' reading and 2. suggests Sukuna is a top suggests Sukuna really doesn’t have sexual interest in people. (Since the context of this convo is relationships and love.)

By the way. Acts of eating in Japanese can be modified to carry sexual meanings. It’s a bit more suggestive than English, but it carries over pretty well I think? 肉食系 (nikusokukei) refers to someone who aggresively pursues romantic or sexual relationships. Composed of the kanji 肉 (niku) for meat, 食 (ta) for eating, and 系 (kei) class. If you noticed, 食 isn’t usually read as Soku. It becomes Soku when paired with Niku for some reason. (I don’t know why someone please help me.) Side by side the kanji 肉食 (nikusoku) means meat-eater.

食 is still interesting on it’s own. The 食べる (taberu) reading is normal eating. The 食う(kuu) reading is an innuendo. It can mean to devour someone, like a cannibal, or devour someone sexually.

Sukuna has made it very clear that his eating of people is literal. There’s no innuendo. In fact, if you read into it, he’ll kill you (rip Yorozu and Kashimo).

Gojo, however, appears to be his sole exception to this rule. When Sukuna tells Kashimo not to spoil his pleasure he uses the kanji 興 (kyou). This of course can be directly translated as pleasure, but the Chinese reading of it can also indicate intense excitement or sexual arousal.

Sukuna is pretty good at double-entendre wordplay if his earlier stunts with the kanji for Enchain doubling as Megumi Activities if read a different way is anything to go by. He's a fan of Chinese literature. It's not a stretch to assume there's more going on here.

And if notoriously homophobic Reddit dudebros are posting things like this. Maybe there's a lot more merit to this reading than I can currently grasp.

I’m still pretty convinced Sukuna is aroace. That of course doesn’t bar him from pursuing romantic or sexual relationships. Sometimes there’s the one exception. Sometimes the desire to be with and please an allo partner allows for engagement of activities they aren’t into. Sometimes the actions are pursued without the emotional attachment because they physically feel good. There’s also the gray-scale and demi labels to consider.

With that in mind, I want to emphasize this all points to how important Gojo is to Sukuna regardless of sexuality. He tried to engage with and understand Gojo on terms he won’t for anyone else. And he’s been pursuing this connection relentlessly since the start of manga.

Sukuna’s Negative Rizz

Ok I established that reading the Sukuna vs Gojo fight as unhinged courtship is supported by the text. That doesn’t really say anything about Sukuna sucking at it.

But, my dear reader, that in of itself is proof of his negative rizz. I had to sit down. Learn about Heian era and Shinto wedding rituals, learn more Japanese, splice seemingly unrelated manga panels together, read hentai, and know that Gege is into yaoi to come to this conclusion. I had to rip every little shred of characterization and context apart and rearrange it into something comprehensible.

You know who can’t do that? Gojo.

As far as Gojo is concerned, Sukuna hates him. Kisama is an extremely hostile you pronoun in modern times. And if Gojo can’t tell Shoko (his closest friend after Geto) is stressed over him being used like a meat puppet by her visibly falling back on her addiction, he’s going to default to the assumption Sukuna hates him just as much as everyone else.

And Gojo does just that. He assumes he failed to reach Sukuna. Despite how often they did hand to hand combat and weaponized their knowledge of each other, Gojo believes they never had proper conversation through fighting. He dies not understanding Sukuna, convinced the other was not trying to communicate with him at all.

And if you recall, all of this fight occurred while Sukuna was wearing Megumi’s face. That boy is pretty much Gojo’s adopted child. From my experience, most single parents do not go looking for clones of their kids as partners.

If someone wore the skin of my family member I would assume they were trying to torment me. And torment Gojo Sukuna does. He draws attention to Megumi’s soul being used as collateral and attacks him with the 10 Shadows. We as the audience know this is all for the sake of getting past Infinity using his Shrine. Gojo doesn’t know that. He’s fighting an evil dude who is puppeting the body of his son for god knows what reason.

Seriously, Sukuna sucks at communicating intent.

In Part 3 of my examination of Sukuna’s loneliness, I said Dismantle is a tool Sukuna uses to understand. And that him upgrading it by making Gojo the center of his world was indicative of his desire to reach him. I also said his refusal to use it on Yorozu was him expressing how little interest he had in her.

Yorozu is pissed by this. She sees it as Sukuna rejecting her and I don’t think she’s wrong. Sukuna saved his special Cursed Technique (CT) for Gojo while turning Yorozu down. If we’re considering all the wedding imagery and references that started with Yorozu, I’m certainly allowed to read that as him saving himself for Gojo. (Think of how he lied to Gojo about being the first one he killed.)

There’s also the fact that Yorozu saw their battle as an expression love and lust—that the usage of CT is a type of foreplay under certain circumstances since it is an extension of the self. Combine that with the established premise that fighting is a type of a communication thanks to Maki vs Sumo Guy and you can start to see the courtship logic behind Sukuna’s treatment of Gojo.

If we are to read “The one who will teach you love is…Sukuna” there’s another adorable caveat. Yorozu uses the you pronoun あなた (Anata) for Sukuna.

It’s an informal you pronoun used by people learning Japanese. Native speakers try to avoid using it as it can come across as rude. But in the context of love? This is colloquially called the wife pronoun as its often used by a wife to her husband.

If you wanted to localize its usage in the way Yorozu means it, Anata might become “you, dear”. So here we have Sukuna dressed in white, like a bride to Gojo’s groom, thinking of him as Anata.

The problem is, Gojo doesn’t know that. Sukuna never bothered to open his mouth and say this was an act of love. Sure he told Kashimo in the most roundabout way possible, but Gojo was the one who needed to hear that. If a courtship is going to be this diabolically complicated, there has to be clear hints for the other party. JJK is not Umineko where there’s a witch that can revive the dead over and over until the idiot finally understands this was all for them.

Gojo also doesn’t have access to the kanji Sukuna uses to describe certain techinques or words. He hears the phonetics and runs with whatever best fits the context. This means there’s no way for him to catch the double-meaning unless he’s a certain type of lingust, which he is not. His manner of speech and personal interests don’t line up with the flowery language of the Heian Era. The types of written works Gojo is into are historical war politics from the Sengoku period (known for violence more than the fine arts), Shonen manga, and physics/math.

And what's this? According to CFYOW (the canon light novels): JJK Thorny Road at Dawn, Chapter 3 Asakusabashi Elegy, Gojo doesn't even like ancient poetry. You know, the thing Sukuna enjoys and tries to communicate with.

The Kokin Wakashu Gojo off-handedly disparages is a compilation of Hiean Era poetry known as Waka. This was the primary means of communication amongst the noble class and spiritual leaders at the time. And the thing is, this poetry is supposed to be read into. Down to the quality of stroke and paper, not just the kanji written. Especially for courtship.

It’s not that Gojo is stupid. He just doesn’t specialize in the studies that would give him a more critical ear to Sukuna's words. And Sukuna doesn’t seem to understand that no one in the modern era communicates like this anymore.

If you didn’t know, this is why Japanese characters introduce themselves they often describe what kanji their name is spelled with. Take for example: Satoru. He uses the kanji 悟 meaning enlightenment. This kanji can be read as Go instead of Satoru. Additionally, the name Satoru can be written in kanji as 聡 for smart, 智 for wisdom, 知 for knowledge, 了 for understanding, 哲 for philosophy, 聖 for virtuous, or 暁 for daybreak. That’s 8 different kanji possible if you hear the name Satoru.

This is why Sukuna’s wordplay for everything else can be easily missed by other characters. They hear the words and cannot read the kanji like us. Context decides what Sukuna means for them. And since Sukuna’s context for most is violence and insults, it’s very hard for them to think about his words in any other way.

And boy howdy does Gojo miss it. Sukuna straight up calls him his husband and it took me several rereads to catch it. While mocking Gojo for being unable to open his domain, Sukuna calls him "painfully ordinary". This is localized from the word 凡夫 (bonpu) which can also be translated as unenlightened. (A layered insult! Sukuna is pretty much saying Gojo's sorcery is so boring he shouldn't even call himself the Honored One.)

The thing is...Bonpu is comprised of the 2 kanji 凡 for mediocre, and 夫 for husband. (Please note that there are many other ways to call Gojo a ditz without using the kanji for husband.) And an update from the Replies: Turns out there's layers to the gayness too.

It's come full fudging circle. Gojo came dressed as a groom for a wedding and Sukuna thinks they're already married. The miscommunication is off the rails.

But wait! There's more...

Earlier I mentioned that the kanji for Enchain doubles as Megumi Activities. Let's break that down more. (Unfortunately the Twitter account of the person I referenced may or may not be nuked so here's this screenshot I've doctored.)

So we have the translation of Enchain from 契闊 (Keikatsu), which might be better localized as Separation.

This term comes from a Chinese poem about lovers who are husband and wife in The Book of Odes, Section I (Lessons from the States), Chapter 3 (The Odes of Bei), Poem 31 (Banging the Drum). (Here's a link to the full poem and context of it.)

In summary, it’s about a soldier who is on the brink of death, having lost nearly everything after being abandoned by those in power, lamenting the happiest days of his life with his love are ones he can never get back. (Hey that sounds just like what Sukuna did to Yuji!)

Keikatsu specifically comes from this passage:

“Our vow is beyond death and life”, I and you are together I always remembered. I will hold your hand, And together we grow old.

Too pitiful we are faraway apart, The distance separates us to meet again! Too miserable this takes forever, And it does not let us fulfill our vow!

Keikatsu is used to exemplify how the physical distance between the husband and wife prevents them from fulfilling their wedding vows. And that's just what Keikatsu/Enchain does to Yuji and Megumi, it causes painful separation neither of them wanted.

Keikatsu also tells Yuji exactly how Sukuna plans to do it. 契(kei)闊(katsu) can be written as 恵(kei)活(katsu). The kanji 恵 can be read as Kei or...Megumi. (It's the literal kanji used for his name.) The kanji 活 (katsu) can mean "activities", which is how we get Enchain=Megumi Activities.

A two for one special! Sukuna mocks Yuji for being so close with Megumi while telling him exactly how he's going to destroy their relationship.

It seems this has nothing to do with Gojo until you consider the 3rd possible reading from wordplay with 契闊 (Keikatsu). The kanji 契 when read as Kei refers to a promise, pledge or vow. When 契 read as Chigi? It can refer to sexual intercourse, especially between husband and wife.

So we have 契闊(keikatsu, separation), 恵(kei Megumi)活(katsu, activities), and 契(kei chigi, spousal sex)活(katsu, activities). It's no wonder he erased Yuji's memory of it.

Keep in mind, that when Sukuna uses Keikatsu, the only vow that he has made at this point is his promise to kill Gojo. He eventually does that using Megumi's body during a fight framed between groom and bride. And for reasons beyond their control, Sukuna and Gojo have been unable to fulfill that vow through lengthy separation.

Notes from poem "Banging the Drum" Sukuna references include the following:

"And during the operation, he lost his horse, which was a desperate situation (horses in ancient time carried soldier supply and weapons, are life companion for soldiers in advance or retreat), he lost his horse, his supply, maybe his armor and weapons, and the road he was facing that we may lose his life so he may never go back. In all these mess, he started searching, and somehow at this hopeless moment he started to revisit his happiest moment, when he together vowed in marriage ceremony with his wife, and he was even afraid that he might never see his love again."

"And His last statement for his true value is his home, his love, his fulfillment of his vow is his true duty. Hero's duty is to pursue love."

In Buddhism, which JJK is heavily influenced by, horses are a pretty big deal. Horses can represent the path to enlightenment, especially since The Buddha's horse is what takes him on this journey away from his wife and children. They separate in the end though, the horse dying of a broken heart.

Remember how Sukuna called Gojo unenlightened? He sort of guided Gojo to enlightenment using Mahoraga, whose Eight-Handed title is a reference to the Eightfold Path to be followed for enlightenment. Buddhist enlightenment is centered around liberation from suffering. (Just check the wiki entry to verify this.) Infinity was the source of Gojo's suffering and Sukuna cut right through it.

Sukuna has been running around with a broken heart for a good chunk of the post-Gojo fight. And if you take that into consideration with this poem and all the other symbolism, he's somehow a Buddha, a Bodhisattva, the dying husband, the widowed wife, and the heartbroken horse all at the same time. Not unlike his wordplay taking on every possible meaning at once.

But my point here is that Sukuna might’ve seen his fight with Gojo as consummation of their marriage. (There's probably a joke in here about the husband reaching climax while leaving his wife unsatisfied.) Remember in the wise words of Itagaki Keisuke, "Fighting and sex are exactly the same!"

In Conclusion?

This is possibly one of the most bizarre and elaborate expressions of love I have lost my mind over. Sukuna gave everything Gojo ever wanted from Jujutsu violently. He did it in such an unpleasant and cruel way that the target of his affection thought there was nothing between them. Sukuna also hid his intent under social norms that no longer exist. Unless Gojo happened to be into ancient literature, there was never a scenario where he would catch onto this. Sukuna's failure is critical on multiple levels.

It’s impressive. It really is. No one knows how Sukuna’s strange little brain works so he’s stuck being loner without anyone that fully understands him. (I’m still thinking about how Uraume didn’t know Sukuna was a twin for over 1,000 years.) He’d have to let people in and tell him outright, but he’s just like Gojo so I guess that’s never happening.

[edorazzi]

More Thunderbirds Are Go! With an idea I couldn't shake; Kayo being the only one qualified to escort Penny to society events and "discourage" potential suitors (while shamelessly stealing Gordon's girl)! 🌸🗡️

The boys are all cute but Scott will have half a drink then idly drop some unhinged traumatic experience into polite conversation; Virgil will start lowkey stalking the unvaccinated guests; John hasn't come out of hiding since the Charity Auction Incident™; Gordon will free the buffet crabs into the ocean before showing off "cool" x-rays from the time he broke every bone in his body; and Alan will eat too many desserts, feel ill, then end up hiding under the table to play video games. Kayo is Penny's only hope of preserving any dignity! 😮‍💨

[whatsfourteenupto]

Today was a very tired day for Fourteen. They’ve had trouble sleeping all week and it’s finally getting to them. But it’s okay, because he’s getting better at taking naps without feeling like something will go horribly wrong

[buglaur]

this is kit, please commission some art from them on social bunny 🙏

[myokk]

fast sketch of my one-shot with Ominis💓

legilimency

Word count: 1.700

Rating: M (language)

Ominis Gaunt is a lost case - lost to the whims of one very determined Gryffindor sitting at his side.

They sit in the back of the History of Magic classroom, the only two students not lulled to somnolence by their professor. He: trying his hardest to focus on Professor Binns’ droning (easier said than done). She: trying her hardest to distract Ominis while not being entirely sure of being successful or not (easier attempted than understood).

Professor Binns is completely insufferable, of course. Ominis wonders if the ghost is as blind as he is: Binns willfully ignores the fact that all of his students use his class as an excuse to get a nap in (maybe he simply doesn’t see them sleeping - only one of many reasons why Ominis has decided he could never be a professor), rambling on and on in the most boring way possible. As if he were trying to be as dull as possible (maybe he does it to avoid interacting with the students which…can’t be to blame). In a different life, Ominis could see himself quite liking the subject, but as things stand he despises it.

Especially now.

Ominis fervently wishes that he could fall asleep.

Then, he might avoid hearing her thoughts - they’re consuming him and he can’t ignore them as much as he would like to.

Normally, he loves this class - not the subject, obviously - but the class itself, for the sheer fact that it is the only time where he gets some peace and quiet. Everyone’s minds nice and quiet and shut off for the time being while they sleep. Although he has gotten used to ignoring the thoughts of everyone around him, their various voices mixing and mingling with each other into a dull thrum in the back of his mind, it is nice to have some quiet once in a while.

But right now, with everyone asleep except for the Gryffindor at his side, her thoughts are so loud it’s like she’s screaming at him.

So here he is, wishing he could fall asleep, leave the class, maybe turn off the infernal legilimency that has haunted him his whole life.

(His parents and Marvolo insist it’s a gift handed down from Slytherin himself, just like the Parseltongue Ominis despises. It is not. It is a curse.)

He is stuck listening to her.

It doesn’t help that she seems to have caught on to him - something he had managed to avoid until now. Nobody else, not even Sebastian or Anne, has ever suspected a thing. But, in all fairness, those two are extremely loud and say every single thought that passes through their minds out loud even when they should remain quiet, and nobody else has had the opportunity to spend enough time with Ominis to begin to suspect anything.

Until her.

He had to go and let that blasted girl worm her way into his life, not leaving him alone ever, always looking for excuses to talk and ask his opinion, and being so intelligent that he wanted to invite her to study with him and talk with him and…

Since it happened a few nights ago, he hasn’t stopped cursing himself for that stupid offhand comment he made. They had been studying in silence in the library together, by the history books where nobody else ever ventures (thank you, Professor Binns), and he could have sworn that she asked him if he was finally going to walk her back to her common room (he blames a lack of sleep and wishful thinking for this mishap). His traitorous face had flushed and he had jumped at the chance to escort her - maybe she would let him carry her bag, or… - only to feel his whole body go cold and his stomach drop when her response wasn’t what he’d expected.

A pause: then: a confused voice: ‘Ominis, I didn’t say anything.’

His Gryffindor wasn’t stupid like Gryffindors were normally wont to be. He knew her, and he knew that after his monumental mistake, the gears in her brain were turning and he was terrified that somehow she had figured it out.

(His Gryffindor?)

She had been unusually quiet around him since then, although he bitterly noticed that she was still acting normally with everyone else. Still finding every opportunity to punch Sebastian in the shoulder and laugh with Anne, still whispering with Natsai about Merlin knows what, still…

But she had been avoiding Ominis. He couldn’t stand it.

Well, avoiding him right until this stupid class, when she had to go and sit right next to him (ignoring the fact that she always sits next to him in History of Magic, that everyone already has and adheres to their unofficial seats), and he can’t ignore her.

She’s pretending to take studious notes, but he knows better. The scratching of her quill blending with the droning of Professor Binns’ voice but not drowning out her thoughts. They float above the other noises, her voice sweet and piercing. Ominis wonders vaguely what she’s actually writing, because he’s positive it isn’t notes.

Professor Binns looks so sexy right now with his medieval hat, talking about…whatever it is he’s passionate about. I wonder if he would let me talk to him after class without floating through me like he normally does…

Ominis is determined not to react. She’s obviously trying to bait him. But…what if she is attracted to Professor Binns? Is he an attractive man? At the thought, the fist that’s resting on top of his desk clenches, but he works to make sure his face remains impassive. Apart from a twitch of his lips, he thinks he’s been quite successful.

She: huffing and shifting in her chair, her robes rustling as she crosses her legs. He: keeping his head facing forward, steadfastly ignoring her.

She changes tactics.

Maybe she’s just as insufferable as the other Gryffindors, after all.

I wonder what Ominis would say if he knew I woke up moaning today after a dream about him -

He shifts slightly in his seat, hoping that she’s so busy taking notes (who’s he kidding) that she won’t notice his discomfort as his trousers tighten -

…the girls in my dorm have been bothering me nonstop about who I’ve been mooning over but I don’t want them to…

His hand is in such a tight fist it’s a wonder he’s not breaking any fingers as he tries to remain as still as possible, but his traitorous arousal is making her thoughts harder and harder to ignore. Had he ever been able to ignore her?

…his tongue was deep inside me as I screamed his name…

He feels his face heat up at the thought - where had she learned such vulgar language? - and his whole body stiffens. He’s sure that she can feel the tension and warmth radiating off of him in waves but that…she…his insane little lion keeps shouting at him in the silence of the classroom. She’s now stopped all pretense of taking notes and is sitting stock still.

…his cock deep inside of me as…wait…what else did I hear Garreth say to Leander that night?…um… She shifts uncomfortably, her knee grazing Ominis’s as she moves to squeeze her legs together. It’s all he can do to not groan and remain impassive. Oh god…I…what’s that feeling? This was just supposed to get back at him for probably - maybe - reading my thoughts and I’m officially insane because how would he even be able to do that?…his ears turning red from embarrassment are so adorable and I can’t stand this anymore and…

Ominis tries his hardest not to move his head in her direction. His jaw flexes. Maybe he can drown her out if he starts reciting potions ingredients, or if he focuses on what Professor Binns is saying, but even he knows its futile. He’s hanging on to her every word - thought? - and his head slowly turns in her direction as she keeps going.

…does he know how much I think about him? Oh god, what if he dreams of me the same way I…

He slams the open book in front of him shut, the loud noise causing Sebastian to jerk awake and babble incoherently for a moment before slumping back over his desk, drooling and snoring lightly. Nobody else in the class seems to notice except her of course. Blissfully, she has stopped talking - thinking - and he can finally -

It’s no use. He needs to get out of there. She has invaded his mind and…What if she starts up again with her filthy thoughts that are bleeding into his own and -

Did he hear me? I didn’t actually think…oh god, can he hear me now? What have I done?

Ominis very slowly brings his hand over to where he knows hers is. The quill falls out of her hand and he hears a sharp intake of breath at their contact. His fingers trace her knuckles and then he slowly trails them up her arm. His fingertips are so sensitive that he could swear that he feels every thread that he passes, her skin warm and alive underneath the fabric. Then to her neck, her throat bobs and he feels her erratic heartbeat. Finally, he reaches her face. She remains very, very still as his fingers brush over her features for the first time.

He has never touched someone like this before.

Her skin is like velvet, soft everywhere he touches. Now that he knows what it feels like he’s not sure he can go back to before. His fingers trace the curve of her eyebrows - he finds that her nose is straight before it flares up a tiny bit at the tip - his fingers ghost over her impossibly soft lips. He drags his thumb across her bottom lip as her tongue darts out to wet them. It’s impossibly intimate and the world has melted away and it’s just the two of them in that moment.

He leans forward.

“Ominis, I…” she whispers, stricken.

His hand moves to tuck some of her loose hair away from her face - does she always wear it like this? - and his lips brush against her ear. He inhales deeply, her sweet smell invading his senses. She shivers under his touch and he breathes, “I heard everything.”

[medicalunprofessional]

neighborhood watch

[crumb-crumblet-s-crumbington]

head cannon that karl is part lycan so he likes eating raw meat and also another head cannon that ethan stopped eating meat after the events of re7 so ethan is living with some feral man who brings dead animals to his doorstep to try and woo him

(it does not work)

[bobacupcake]

a bit late but here's last weeks comic!!! GDC prep.. i will never learn my lesson

[theminecraftbee]

hermit horror week day 4: season 7 or taken over

Xisuma slowly blinks at the console logs for the server again. He's very tired; he's been collecting blackstone again, and it's very tiring, collecting blackstone. He's been building a lot of pretty houses, and stocking a lot of shops, and he hasn't had time to look at the console much recently. He probably shouldn't be now, because he's tired, and tired people make mistakes.

He makes a lot of mistakes; he's silly like that. A big derp. It's why he has to be careful, since he's been tired so much lately. He definitely shouldn't have the console open.

It's just, earlier Impulse had a question, since his moss farm kept lagging, and Xisuma thought it would be easy enough to try to find the root cause of. And he did find the root cause of it--Impulse's farm is too fast and his storage simply doesn't keep up with the amount of moss--but there's... some other things...

He blinks again at the dates on the server files. The last edited dates. Slowly, he clicks again on his own player data, and tries to make sense of what he's reading. Files like this, they aren't really meant to be that human-readable. It's--well, it is mostly json, so it's mostly human-readable, actually, but a lot of it is still encrypted, for player safety, which would. Maybe explain what he's looking at? He thinks? He's--well, he does have root access, is the thing, because he's the admin, but he still shouldn't be able to look at any player willy-nilly.

He's a little too much of a derp to be trusted with that. He probably shouldn't even be looking at his data! It's just. That last edited date. Xisuma doesn't edit his own player data. That way lies madness. He's, uh, pretty sure he knows some people who went a little mad doing that. So the fact of the matter is--well, it's not the only file that's been edited recently, he tells himself. Just because it's a lot of memory files that seem to have been edited, as well as access permissions--that's... normal enough for a new season, right?

He's...

He doesn't notice his other self walk up behind him.

"Oh, hey Xisuma. You finished gathering materials for our next build, then?" Evil Xisuma says. All of Xisuma's hairs stand on end.

"I mean, I've gathered enough to get started," Xisuma says.

"Pity. I was really hoping you'd manage to get everything. I thought maybe we'd finish today, but I guess we can't now."

"I--you're right. I'm really sorry."

"No, no, don't worry, don't worry, my friend," Evil Xisuma says. "We probably couldn't have finished today anyway, even if you said you'd try for it."

Xisuma's heart is in his throat. "Sorry, my head's just been. You know how I am. Silly me, forgetting things."

Evil Xisuma shakes his head. "It's awfully lucky I came back this season. Think of all the important things you'd be forgetting without reminders!"

Xisuma looks down and away.

"Gosh, and now you're... playing around in the admin console?"

"Oh!" Xisuma says. "It's, er, nothing really big..."

"Can I see it?"

He barely resists the urge to close out of his player data and hide that's what he'd been looking at. He doesn't know why he wants to hide it. It's not like--well, if Evil Xisuma got mad about it, it would be... right, wouldn't it? Because, well, Xisuma knows full well he shouldn't be looking at or editing his own player data. Editing your own data is the way to madness, and Xisuma, well, he's been so tired lately. He could easily accidentally hit a button. He could easily accidentally hit delete. He has root access, after all.

His heart is in his throat again. He shuffles his feet. "Sure," he says, finally. "I, er, I promise, I wasn't doing anything. I just noticed the last edited date on, uh, files that aren't automatically created by the system? And I thought, gosh, that's weird. I'd only been in there to check on Impulse, really, after he'd had some lag issues. I was just finishing up. It's nothing--the date's weird, though, right? That's all I was noticing."

He watches Evil Xisuma's fingers scroll through all of Xisuma's data. It's not quite fast enough that Xisuma isn't sure he's reading it, and suddenly, Xisuma feels very small.

Finally, Evil Xisuma hands Xisuma's tablet with the admin console open back to him. Xisuma looks down, and Evil Xisuma has closed out of the player data again.

"You just forgot the last maintenance date," Evil Xisuma says.

"Really?" Xisuma says.

"Oh, yeah, for sure. You're so tired lately. You silly derp. You've just been forgetting things easily. You should really get more rest!"

"Oh, but then we won't finish our projects," Xisuma says.

"I guess we wouldn't," Evil Xisuma says back.

"It's just--it's. Most of the time, access permission for player memories isn't edited during maintenance, and I just--I don't remember putting your name down?"

"Why wouldn't you?"

Xisuma tries to think.

"I don't know," he says finally, small, unable to meaningfully articulate anything about what's wrong with it. "I guess it only makes sense, if I'm forgetting things so easily."

"Exactly! Gosh, we make a good team," Evil Xisuma says, and he smiles at Xisuma. Xisuma crookedly smiles back.

"Yeah, we do," Xisuma agrees.

"Don't pull that out again unless I say so, okay?"

"Okay," Xisuma agrees automatically, and then he knows he will not. It makes sense. If he was upsetting himself over nothing like this, why, imagine what he'd do if he could open it whenever? He'd just constantly be upsetting himself!

"Now, my friend, let's return to building the Evil Empire."

"Let's!" agrees Xisuma, and just like that, the entire encounter slips from his mind.